Material Culture and Identities in Egyptology
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Hitler's Germania: Propaganda Writ in Stone
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Hitler's Germania: Propaganda Writ in Stone Aaron Mumford Boehlert Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Boehlert, Aaron Mumford, "Hitler's Germania: Propaganda Writ in Stone" (2017). Senior Projects Spring 2017. 136. https://digitalcommons.bard.edu/senproj_s2017/136 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Hitler’s Germania: Propaganda Writ in Stone Senior Project submitted to the Division of Arts of Bard College By Aaron Boehlert Annandale-on-Hudson, NY 2017 A. Boehlert 2 Acknowledgments This project would not have been possible without the infinite patience, support, and guidance of my advisor, Olga Touloumi, truly a force to be reckoned with in the best possible way. We’ve had laughs, fights, and some of the most incredible moments of collaboration, and I can’t imagine having spent this year working with anyone else. -
Crossroads 360 Virtual Tour Script Edited
Crossroads of Civilization Virtual Tour Script Note: Highlighted text signifies content that is only accessible on the 360 Tour. Welcome to Crossroads of Civilization. We divided this exhibit not by time or culture, but rather by traits that are shared by all civilizations. Watch this video to learn more about the making of Crossroads and its themes. Entrance Crossroads of Civilization: Ancient Worlds of the Near East and Mediterranean Crossroads of Civilization looks at the world's earliest major societies. Beginning more than 5,000 years ago in Egypt and the Near East, the exhibit traces their developments, offshoots, and spread over nearly four millennia. Interactive timelines and a large-scale digital map highlight the ebb and flow of ancient cultures, from Egypt and the earliest Mesopotamian kingdoms of the Akkadians, Babylonians, and Assyrians, to the vast Persian, Hellenistic, and finally Roman empires, the latter eventually encompassing the entire Mediterranean region. Against this backdrop of momentous historical change, items from the Museum's collections are showcased within broad themes. Popular elements from classic exhibits of former years, such as our Greek hoplite warrior and Egyptian temple model, stand alongside newly created life-size figures, including a recreation of King Tut in his chariot. The latest research on our two Egyptian mummies features forensic reconstructions of the individuals in life. This truly was a "crossroads" of cultural interaction, where Asian, African, and European peoples came together in a massive blending of ideas and technologies. Special thanks to the following for their expertise: ● Dr. Jonathan Elias - Historical and maps research, CT interpretation ● Dr. -
Faithful Sayings Mahoney Ends His Film Aling, Charles F
6 ISSUE BULLETIN OF THE OLSEN Conclusion Works Cited PARK CHURCH OF CHRIST Faithful Sayings Mahoney ends his film Aling, Charles F. “The Biblical City of Ramses” Journal of the Evangelical 17.47 acknowledging that he is Theological Society 25.2 (July 1982) 129-137. Ben-Tor, Amnon and Maria Teresa Rubiato. “Excavating Hazor, Part Two: Did November 29, a filmmaker and not an the Israelites Destroy the Canaanite City?” Biblical Archaeology Review 2015 expert in these fields, but 25.3 (May/June 1999): 22-29, 31-36, 38-39. he expresses his conviction Bietak, Manfred. Avaris and PiRamesse: Archaeological Exploration in the that this evidence deserves Eastern Nile Delta. Proceedings of the British Academy, 65 (Oxford: Oxford University Press, 1981). Services consideration by the public. __________. Avaris, the capital of the Hyksos: recent excavations at Tell el- Rohl’s “new chronology” Sunday: 9:00 AM Dabʻa I (London: British Museum Press, 1996). 10:00 AM has its critics, and only Gardiner, Alan H. The Admonitions of an Egyptian Sage from a Hieratic Papy- time will tell if it with- rus in Leiden. (Hildesheim: Georg Olms Verlag, 1969). 11:00 AM stands the test of further Hayes, William C. A Papyrus of the Late Middle Kingdom in the Brooklyn Wednesday: 7:00 PM Museum. (New York: Brooklyn Museum, 1955). analysis and scrutiny. I too Levin, Yigal. “Did Pharaoh Sheshonq Attack Jerusalem?” Biblical Archaeology Did the Exodus Really Happen? am no expert, but in the Review 38.4 (July/August 2012) 42-52, 66. Elders: By Kyle Pope face of a world quick to Schiestl, Robert. -
Theben Und Avaris Zur "Vertreibung" Der Hyksos
Originalveröffentlichung in: Guksch, Heike; Polz, Daniel (Hg.), Stationen. Beiträge zur Kulturgeschichte Ägyptens. Rainer Stadelmann gewidmet, Mainz 1998, S. 219-231 Theben und Avaris Zur "Vertreibung" der Hyksos DANIEL POLZ RAINER STADELMANN in Dankbarkeit und Freundschaft RAINER STADELMANN hat seit je ein reges Interesse an den historischen Vorgängen, die am Ende der 2. ZwZt zum Beginn des Neuen Reiches führten. Auch aus diesem Interesse heraus regte er im Jahre 1989 eine großflächige und intensive Untersuchung der nur unzureichend behandelten thebanischen Nekro pole von Dra' Abu elNaga an, mit deren Durchführung er mich betraute. Die mit der ersten Grabungs kampagne im Frühjahr 1991 gestartete und seitdem jährlich durchgeführte Unternehmung hat das Ziel, 1 die thebanischen Nekropolen der ausgehenden 2. ZwZt zu untersuchen . 2 Der folgende Beitrag ist eine Art Thesenpapier zur politischen Situation am Ende der 2. ZwZt in Ober ägypten und berührt somit nicht ganz zufällig ein Thema, das auch RAINER STADELMANN vor längerer 3 Zeit in einem Aufsatz behandelt hat . 1. Einleitung Die Vorgänge, die am Ende der 2. ZwZt zunächst zu einer bewaffneten Auseinandersetzung zwischen den Herrschern der oberägyptischen 17. Dynastie und den Hyksos, desweiteren zu einer landesweiten militärischen Aktion der Oberägypter und der "Vertreibung" der Hyksos sowie schließlich zur Gründung eines neuen gesamtägyptischen Staates führten, werden ägyptologisch im allgemeinen als ein in sich geschlossener historischer Prozeß betrachtet. Insgesamt lassen sich diese Vorgänge in drei 4 Phasen aufgliedern, die etwa folgendermaßen getrennt werden können : Phase 1 Zwischen den Thebanern und den Hyksos kommt es vielleicht schon im letzten Drittel der 17. Dyna stie, unter deren König Seqenenre, zu ersten militärischen Auseinandersetzungen, während derer Se qenenre tödlich verwundet wird. -
Media – History
Matej Santi, Elias Berner (eds.) Music – Media – History Music and Sound Culture | Volume 44 Matej Santi studied violin and musicology. He obtained his PhD at the University for Music and Performing Arts in Vienna, focusing on central European history and cultural studies. Since 2017, he has been part of the “Telling Sounds Project” as a postdoctoral researcher, investigating the use of music and discourses about music in the media. Elias Berner studied musicology at the University of Vienna and has been resear- cher (pre-doc) for the “Telling Sounds Project” since 2017. For his PhD project, he investigates identity constructions of perpetrators, victims and bystanders through music in films about National Socialism and the Shoah. Matej Santi, Elias Berner (eds.) Music – Media – History Re-Thinking Musicology in an Age of Digital Media The authors acknowledge the financial support by the Open Access Fund of the mdw – University of Music and Performing Arts Vienna for the digital book pu- blication. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data are available in the Internet at http:// dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-NoDeri- vatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial pur- poses, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contacting rights@transcript- publishing.com Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. -
Pharaohs, Dynasties & Kingdoms in Ancient Egypt
Pharaohs, Dynasties and Kingdoms in Ancient Egypt The kings of Egypt were called pharaohs by the later Greeks and Hebrews: the name originates from the Egyptian per-aa, meaning ‘great house’. Most Egyptian kings and queens are grouped in dynasties (a family in which all the rulers in a time period belong). There is no archaeological evidence for the earliest Egyptian kings, so we cannot be sure if they existed. There are good records of the kings after 3100 bc, so the period before this is called Prehistoric (meaning ‘before written records’) or Predynastic (meaning ‘before the dynasties’). Like most cultures, the Egyptians dated historical and political events according to the years during which people ruled. Some written sources, called ‘king lists’, list when each Egyptian king ruled and the dynasty to which s/he belonged. Egyptologists (people who study Egypt) date history and art according to the rulers and dynasties. The ‘king lists’ are found in works of writers from the Roman period as well as inscriptions and papyri. Josephus, Sextus Julius Africanus and Bishop Eusebius of Caesarea quoted a Greco-Egyptian priest, Manetho, who wrote a history of Egypt. In his history, which does not survive, Manetho divided the rulers of Egypt into thirty dynasties. The list begins at around 3000 bc and ends at 343 bc with Nakhthoreb (Nectanebo II, as the Greeks called him), the last native Egyptian ruler. The dates are all approximate. The early years (like 3000 bc) are accurate to within 150 years and the later ones (like 343 bc) are accurate to within one year. -
Max Planck Institute for Social Anthropology Working Paper 196
Quotations from Primary Sources Supplement 2 to Max Planck Institute for Social Anthropology Working Paper 196 The Concept of Identity in the Ethnology and Social Anthropology of the Nineteenth and Early Twentieth Centuries – a preliminary report John R. Eidson Recommended Citation: Eidson, John R. 2019. Quotations from Primary Sources. Supplement 2 to The Concept of Identity in the Ethnology and Social Anthropology of the Nineteenth and Early Twentieth Centuries – a preliminary report. Max Planck Institute for Social Anthropology Working Paper 196. Halle (Saale): Max Planck Institute for Social Anthropology. Permalink: http://www.eth.mpg.de/wp0196_sup02 1 John R. Eidson last update 12 November 2019 Supplement to “The Concept of Identity in the Ethnology and Social Anthropology of the Nineteenth and Early Twentieth Centuries – a preliminary report” Quotations from Primary Sources 1690 «IDENTITÉ. s. f. Ce qui fait que deux ou plusieurs choses ne sont qu‘une mesme. N‘est en usage que dans le Dogmatique. Identité de raisons, identité de nature, identité de pensées e divers termes » (Dictionnaire de l‘Académie Françoise 1694:582). 1700 On identity between ―any thing as existing at any determin‘d time and place‖ and ―itself existing at another time‖ (Locke [1700] 1975:328). On diversity between ―any thing … in any place in any instant of time‖ and ―another, which at the same time exists in another place‖ (Locke [1700] 1975:328). ―For since consciousness always accompanies thinking, and ‗tis that, that makes every one to be, what he calls self; and thereby distinguishes himself from all other thinking things, in this alone consists personal Identity, i.e. -
Leda Wilkins Johnson
Propaganda and Ideology: The Architecture of the Third Reich By Leda Wilkins Johnson “In a solemn ceremony, representatives of four Arizona Indian tribes, resentful at Nazi ‘sets of oppression,’ foreswore use of the swastika design in native basket and blanket weaving. The Indians placed a blanket, a basket, and some hand-decorated clothing, all bearing swastikas, in a pile, sprinkled them with colored sand and set them afire.”1 This simple example illustrates how the trademark of Nazism, the swastika, became an international symbol for hatred and autocracy. Even today, more than fifty years after the fact, our sensibilities still recoil at the mere mention of the word. Yet, for millennia, the swastika was seen as a “token of good fortune” and various groups such as architects, militarists, and the scientific community used the symbol to signify peace and/or luck.2 This being the case, it is curious how such a benign image could transform into something that causes worldwide revulsion.3 In fact, our disgust has nothing to do with the actual design of the swastika; the form and figuration of the emblem have not changed throughout its long history. The only element of the swastika that altered after 1920 was the ideology affiliated with it. Thus, our aversion to this four-armed charm is not its depiction but the ideology it has come to represent.4 In like manner, National Socialist architecture is regarded by many as unnatural, adverse, and/or grotesque. Some fear to describe it with any “unwarranted luster” and refuse even to study Nazi -
Ahmose, Son of Ebana: the Expulsion of the Hyksos
Ahmose, son of Ebana: The Expulsion of the Hyksos Ahmose, son of Ebana, was an officer in the Egyptian army during the end of the 17th Dynasty to the beginning of the 18th Dynasty (16th century BCE). Originally from Elkab in Upper Egypt, he decided to become a soldier, like his father, Baba, who served under Seqenenre Tao II in the early campaigns against the Hyksos. Ahmose spent most of his military life serving aboard the king’s fleet - fighting at Avaris, at Sharuhen in Palestine, and in Nubia during the service of Ahmose I, and was often cited for his bravery in battle by the king. These accounts were left in a tomb that Ahmose, son of Ebana, identifies as his own at the end of the water—for he was captured on the city side-and he Crew Commander Ahmose son of crossed the water carrying him. When it was Abana, the justified; he says: I speak reported to the royal herald I was rewarded with T to you, all people. I let you know gold once more. Then Avaris was despoiled, and what favors came to me. I have been I brought spoil from there: one man, three rewarded with gold seven times in the sight women; total, four persons. His majesty gave of the whole land, with male and female them to me as slaves. slaves as well. I have been endowed with Then Sharahen was besieged for three years. very many fields. The name of the brave His majesty despoiled it and I brought spoil man is in that which he has done; it will not from it: two women and a hand. -
Concept for Contemporary
copertina con alette 2017.pdf 1 24/04/17 10:50 La forza competitiva del Made in Italy, in cui la componente design ha un ruolo centrale, parte dalla natura identitaria della sua produzione. Proprio per questa Alfredo Aceto forma di imprinting culturale che i luoghi trasferiscono sul prodotto, il vantaggio Alessandro Bava / åyr competitivo si genera in stretta relazione con le peculiarità della struttura sociale Sergio Breviario dei sistemi imprenditoriali locali. Da questa idea si è ipotizzato un legame Canemorto stringente per la promozione dell’arte contemporanea attraverso canali interna- Gianni Caravaggio zionali, qualitativamente rilevanti, già rodati dalla filiera produttiva per far sì che Ludovica Carbotta queste assonanze e affinità progettuali, nonché ideative, andassero a valorizzare Loris Cecchini l’operato delle nuove generazioni. Concepito infatti per documentare, valorizzare Giulio Delvé e sostenere gli artisti che vivono e lavorano principalmente in Italia, il Moroso Gabriele De Santis CONCEPT nasce con questo DNA, quale necessaria e pragmatica evoluzione del Elena El Asmar Premio Moroso, di cui diventa estensione e, si auspica, valido braccio operativo. Roberto Fassone Ettore Favini Il volume viene pubblicato quale complemento ed integrazione al progetto, illustrando i 36 artisti Graziano Folata selezionati per il Moroso CONCEPT 2017. La pubblicazione, curata da Andrea Bruciati, è inoltre un Francesco Fonassi focus sui 12 finalisti e si struttura secondo una pertinente indagine critica, condotta da: Anna Franceschini Alfredo Aceto, Canemorto, Roberto Fassone, Francesco Fonassi, Anna Franceschini, Invernomuto, Margherita Moscardini, Valerio Nicolai, Luigi Presicce, Stefano Serretta, Ilaria Vinci, Driant Zeneli. Anna Galtarossa Il catalogo è supportato da una ricca sezione iconografica che documenta approfonditamente Martino Genchi la poetica di ogni artista, e da un’esaustiva appendice di apparati, comprensiva del curriculum Oscar Giaconia dettagliato di ciascun autore e dalle schede tecniche relative ai progetti espressamente concepiti. -
Chamayou's Manhunts
THE FUNAMBULIST PAPERS VOLUME 2 26 GUEST WRITERS ESSAYS FOR THE FUNAMBULIST CURATED AND EDITED BY LÉOPOLD LAMBERT HANNA BAUMANN / ALEX SHAMS / ERIN MANNING MIMI THI NGUYEN / PHILIPPE THEOPHANIDIS INA KARKANI / JOANNE POUZENC / STUART ELDEN NANDITA BISWAS MELLAMPHY / SARAH CHOUKAH SOPHIA AZEB / ELENA LOIZIDOU / ALAN PROHM GRÉGOIRE CHAMAYOU / CHRYSANTHI NIGIANNI SOFIA LEMOS / LOREDANA MICU / DEREK GREGORY PEDRO HERNÁNDEZ MARTÍNEZ / DAN MELLAMPHY NICK AXEL / ADRIENNE HART / RENISA MAWANI TINGS CHAK / SEHER SHAH / GASTÓN GORDILLO ANDREAS PHILIPPOPOULOS - MIHALOPOULOS THE FUNAMBULIST PAPERS: VOLUME 02 © Léopold Lambert, 2015. http://creativecommons.org/licenses/by-nc-nd/3.0/ This work is Open Access, which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for commercial gain in any form whatsoever, and that you in no way alter, transform, or build upon the work outside of its normal use in academic scholarship without express permission of the author and the publisher of this volume. For any reuse or distribution, you must make clear to others the license terms of this work. First published in 2015 by The Funambulist + CTM Documents Initiative an imprint of punctum books Brooklyn, New York http://punctumbooks.com ISBN-13: 978-0692423240 ISBN-10: 0692423249 Cover artwork specifically created by Loredana Micu (2015). Cover design by the editor (2015). This book is the product of many people’s work: a very grate- ful thank you to Eileen Joy, Anna Klosowska, Ed Keller, Hiroko Nakatani, Loredana Micu, Mimi Thi Nguyen, Philippe Theophani- dis, Hanna Baumann, Sophia Azeb, Derek Gregory, Stuart Elden, Gastón Gordillo, Pedro Hernández Martínez, Tings Chak, Alex Shams, Sofia Lemos, Grégoire Chamayou, Renisa Mawani, Nick Axel, Sarah Choukah, Alan Prohm, Erin Manning, Adrienne Hart, Joanne Pouzenc, Elena Loizidou, Chrysanthi Nigianni, Ina Kar- kani, Andreas Philippopoulos-Mihalopoulos, Dan Mellamphy, and Nandita Biswas Mellamphy. -
2019: Alexandria, Virginia
THE 70TH ANNUAL MEETING OF THE AMERICAN RESEARCH CENTER IN EGYPT April 12-14, 2019 Washington, D.C. ANNUAL MEETING OF THE AMERICAN RESEARCH CENTER IN EGYPT April 12-14, 2019 Washington, D.C. U.S. Headquarters 909 North Washington Street, Suite 320 Alexandria, Virginia, 22314 703.721.3479 Cairo Center 2 Midan Simón Bolívar Garden City, Cairo, 11461 20.2.2794.8239 [email protected] 2 3 *Dr. Ahmed Abu-Zayed, Head of Libraries and Archives TABLE CONTENTS Janie Abdul Aziz, Grant Administrator of *Djodi Deutsch, Academic Programs Manager Itinerary 12 Zakaria Yacoub, IT Manager Session Schedule 14 *Sally El Sabbahy, Communications & Outreach Associate *Samira El Adawy, Programs Coordinator Presentation Abstracts 18 Andreas Kostopoulos, Project Archives Specialist Student Poster Abstracts 99 Noha Atef Halim, Assistant Finance Manager Yasser Tharwat, Project Financial & Reporting Manager ARCE STAFF Doaa Adel, Accountant U.S. Staff Salah Metwally, Associate for Governmental Affairs Osama Abdel Fatah Mohamed , Supervising Librarian *Dr. Fatma Ismail, Interim US Operations Director Amira Gamal, Cataloguing Librarian *Michael Wiles, Chief Financial Officier Reda Anwar, Administrative Assistant to Office Manager *Laura Rheintgen, Director of Development Salah Rawash, Security & Reception Coordinator *Dr. Heba Abdel Salam, US Programs Advisor Abdrabou Ali Hassan, Maintenance Assistant & Director’s Driver *Claire Haymes, Board Relations Manager Ahmed Hassan, Senior Traffic Department Officer & Driver *Megan Allday, Annual Meeting Coordinator (Consultant) Ramadan Khalil Abdou, ARCE Representative Ellen Flanagan, US Human Resources Coordinator (Consultant) Mohamed Hassan Mohamed, Transportation Assistant & Messenger *Rebecca Cook, Membership & Development Manager Eid Fawzy, Technical Clerk & Messenger Freddy Feliz, IT Manager Nour Ibrahim, Messenger *Beth Wang, Development & Research Assistant ARCE STAFF ARCE STAFF Cairo Staff Luxor Staff *Dr.