James Doherty
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Nominations List - 2014
NOMINATIONS LIST - 2014 SPECIAL AWARD STRICTLY COME DANCING BREAKTHROUGH TALENT sponsored by Sara Putt associates NANCY HARRIS Dates - Balloon Entertainment/Channel 4 DAN SMITH David Attenborough’s Natural History Museum Alive 3D - Colossus Productions/Sky 3D SAM LEIFER, TEDDY LEIFER PLEBS - Rise Films/ITV3 DANIEL FAJEMISIN-DUNCAN, MARLON SMITH Run - Acme Films/Channel 4 COSTUME DESIGN SUZANNE CAVE An Adventure in Space and Time - BBC Cymru Wales/BBC America/BBC Two ANNIE SYMONS Da Vinci's Demons - Adjacent/Phantom Four Films/FOX CAROLINE MCCALL Downton Abbey - Carnival Film & Television/ITV LUCINDA WRIGHT The Suspicions of Mr Whicher: The Murder in Angel Lane - Hat Trick Productions/ITV DIGITAL CREATIVITY JON HOWARD, LEANNE DOUGAN, LIZZIE LEADBEATER, RICHARD WILSON CBeebies Playtime - CBeebies In-house/CBeebies PRODUCTION TEAM D-Day: As It Happens - Windfall Films, Digit London/Channel 4 PRODUCTION TEAM This Morning: Take Over the Makeover - ITV Studios/ITV Commercial & Online/Metail/ITV TH_NK Utopia – Kudos/Channel 4 DIRECTOR - FACTUAL DAVID BRINDLEY, GRACE REYNOLDS Educating Yorkshire - TwoFour/Channel 4 LEE PHILLIPS Her Majesty's Prison Aylesbury - Wild Pictures/ITV NICK HOLT The Murder Trial - Windfall Films/Channel 4 SARA HARDY, BLUE RYAN The Unspeakable Crime: Rape - Gold Star Productions/BBC One DIRECTOR: FICTION JAMES STRONG Broadchurch (Ep 1) – Kudos/Imaginary Friends/ITV OTTO BATHURST Peaky Blinders - Caryn Mandabach Productions/Tiger Aspect Productions/BBC Two JANE CAMPION, GARTH DAVIS Top of the Lake - See-Saw Films/BBC Two -
Tariq Jordan Actor
Tariq Jordan Actor Agents Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Film Production Character Director Company THE TURTLE AND THE Azeem Marek Budzynski The Turtle and the Sea SEA Ltd DESERT DANCER Mousavi Campaigner Richard Raymond May 13 Films CLEAN SKIN Paul Hadi Hajaig UK Film Studio MY LAD (Short) Sid Sami Khan Television Production Character Director Company MARCELLA Mr. Yusef Charles Martin ITV 1 EASTENDERS (1 Episode) Dr. Ali Various BBC INJUSTICE Jameel Colm McCarthy ITV SHAMELESS Gary Paul Walker Company Pictures LAW & ORDER (Series 1,2,3) Teddy Various Kudos GEORGE GENTLY Hamed Ciaran Donnelly Company Pictures LEWIS Barham Rezvani Billie Eltringham ITV United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company SPOOKS Jawad Peter Hoar Kudos WHITE GIRL Rehan Hettie Macdonald Tiger Aspect THE BILL (2 eps) Rahim Woods Steve Kelly Talkback Thames WIRED Jez Kenny Glenaan ITV DR WHO Sales Rep Graeme Harper BBC DOCTOR WHO BBC Stage Production Character Director Company MEET ME IN THE RUINS Narrator Coventry Cathedral SPEED Qal Poonam Brah Kali Theatre Company WAH WAH GIRLS Kabir Emma Rice Kneehigh for Sadler's Wells THE BOMB; A Partial History Speechwriter Nicholas Kent Tricycle Theatre 'Axis' THE BOMB; A Partial History Yuri Nicholas Kent Tricycle Theatre 'LIttle Russians;' THE BOMB; A Partial History Prakash Nicholas Kent The Tricycle Theatre 'Option' GREAT EXPECTATIONS Pip Nikolai Foster English Touring Theatre / Watford Palace GUANTANAMO Ruhel Nicholas Kent / Tricycle / New Sasha Wares Ambassadors FRAGILE LAND Quasim Paul Miller Hampstead Theatre United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected]. -
(TU Dresden) Does the Body Politic Have No Genitals?
Accepted manuscript version of: Schwanebeck, Wieland. “Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena.” Contemporary Masculinities in the UK and the US: Between Bodies and Systems, edited by Stefan Horlacher and Kevin Floyd, Palgrave Macmillan, 2017, pp. 75–98, doi:10.1007/978-3-319-50820-7. Wieland Schwanebeck (TU Dresden) Does the Body Politic Have No Genitals? The Thick of It and the Phallic Nature of the Political Arena Though it may not have required drastic proof, recent news from the political arena suggests that certain distinguished statesmen tend to rely on a candid exhibition of genitals in order to draw attention to their virility and, by implication, to their political power. Silvio Berlusconi made the headlines in 2010, when he insisted that the missing penis of a Mars statue be restored before the sculpture was deemed suitable to adorn his office as Italian Prime Minister, horrified reactions amongst art historians notwithstanding (cf. Williams). This anecdote sits comfortably amongst other tales from the bunga bunga crypt, yet one may as well wonder whether Berlusconi is not just a tad less inhibited than some of his colleagues when it comes to acknowledging that the body politic requires visible proofs of manhood. Slavoj Žižek has characterized the contemporary media environment as one in which it would not appear out of the question for a politician to “allow a hard-core video of his or her sexual shenanigans to circulate in public, to convince the voters of his or her force of attraction or potency” (208). -
Download the Digital Booklet
DOCTOR WHO THE CAVES OF ANDROZANI MUSIC BY ROGER LIMB AND THE BBC RADIOPHONIC WORKSHOP 01 Doctor Who (Opening Theme) 0.39 20 Geostationary Orbit 1.43 02 Androzani Minor 1.46 21 The Girl Will Be Alone 1.00 03 Gun-Runners 0.59 22 Peri Abducted 1.28 04 Morgus and Chellak 1.06 23 Vertical Descent Pattern 0.32 05 Death Sentence 1.36 24 It Could Have Been Worse 2.08 06 Sharaz Jek 1.49 25 Do You Think I’m Mad? 2.56 07 Death Under the Red Cloth 2.10 26 The Doctor Pursued 3.13 08 Androids 0.50 27 Mud Burst 1.58 09 Next Time It’ll Be for Real 1.07 28 Morgus and Stotz 1.03 10 Nobody Lives for Ever 2.16 29 Face Off 1.11 11 Spectrox 1.11 30 Morgus Kaput 0.37 12 Salateen 0.32 31 Not Beaten Yet 1.21 13 Exile 1.06 32 Milk of the Queen Bat 7.04 14 Clever Little Android 0.44 33 Return to the TARDIS 0.50 15 Two Kilos, What a Deal 0.50 34 Is This Death? 2.18 16 The Magma Beast 2.14 35 Doctor Who (Closing Theme) 1.20 17 Blind Fools 0.34 18 Tear His Arms Out 2.37 19 Stage Three 1.54 Total Playing Time: 59.59 Working on The Caves of Androzani I was lucky enough to already have experience of creating music for TV drama including several Doctor Who stories. In 1984-5 we had new tools at our disposal including the Fairlight Computer Music Instrument (CMI) which I used to create the rhythmic percussion figures, and the wonderfully versatile Yamaha DX7 which was a landmark in the development of the synthesiser. -
Global Markets Institute a Survivor's Guide to Disruption
GLOBAL MARKETS A SURVIVOR’S GUIDE INSTITUTE July 2019 TO DISRUPTION Steve Strongin Amanda Hindlian Sandra Lawson Sonya Banerjee Dan Duggan, Ph.D. [email protected] [email protected] [email protected] [email protected] [email protected] The Goldman Sachs Group, Inc. Table of Contents Chapter 1: Survivor’s guide - the short form 3 Chapter 2: Disruption’s evolutionary roots 9 Chapter 3: Perfecting Platforms 19 Chapter 4: Niche after niche - Organizers 32 Chapter 5: The competitive value of data 44 Chapter 6: Concluding thoughts 56 Appendix A: Considering communities 59 Bibliography 61 Disclosure Appendix 62 The Global Markets Institute is the research think tank within Goldman Sachs Global Investment Research. For other important disclosures, see the Disclosure Appendix. 2 Survivor’s guide - the short form Chapter 1: Survivor’s guide - the short form We examine how companies can reshape themselves to better compete in today’s Everything-as-a-Service (EaaS) economy1. In this new economy, firms can use services provided by other businesses to grow faster, while using less capital and fewer people than would otherwise be possible. Industries are reorganizing in response to these dynamics, and companies must adapt or risk falling behind. EaaS can be thought of as an extreme form of outsourcing. In the past, firms would selectively outsource business functions to reduce costs, for example by outsourcing ancillary functions like operating a cafeteria within an office or by outsourcing labor-intensive but simple manufacturing processes. Over time, however, the high degree of standardization that has emerged across manufacturing, communications, data systems and user interfaces, among other areas, has made it possible to outsource virtually any business function. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
P32 Layout 1
THURSDAY, MARCH 9, 2017 TV PROGRAMS 04:00 The Daily Show With Trevor Noah 14:40 Hank Zipzer 14:30 Storage Wars Canada 08:00 The Pioneer Woman 04:25 Catch A Contractor 15:05 Star Darlings 14:55 Storage Wars Canada 08:30 The Pioneer Woman 05:15 Lip Sync Battle 15:10 Austin & Ally 15:20 Alaska: The Last Frontier 09:00 Siba's Table 05:40 Ridiculousness 15:35 Jessie 16:10 The Island With Bear Grylls 09:30 Siba's Table 06:05 Ridiculousness 16:00 Bunk'd 17:00 Deadliest Catch 10:00 Anna Olson: Bake 01:00 Bloodrayne: The Third Reich 06:30 Lip Sync Battle 16:25 Kirby Buckets 17:50 Fast N' Loud 10:30 Anna Olson: Bake 03:00 Snakehead Swamp 06:55 Lip Sync Battle 16:50 Sunny Bunnies 18:40 Street Outlaws 11:00 The Kitchen 04:45 Forbidden Empire 07:20 Framework 16:55 The Zhuzhus 19:30 How Do They Do It? 12:00 The Pioneer Woman 07:00 Fast & Furious 7 08:10 Catch A Contractor 17:20 Miraculous Tales Of Ladybug And 19:55 How Do They Do It? 12:30 The Pioneer Woman 09:30 Christmas Twister 09:00 Disaster Date Cat Noir 20:20 The Island With Bear Grylls 13:00 Siba's Table 11:00 Hudson Hawk 09:25 Ridiculousness 17:45 Elena Of Avalor 21:10 Storage Wars Canada 13:30 Siba's Table 13:00 Code Of Silence 09:50 Ridiculousness 18:10 Stuck In The Middle 21:35 Storage Wars Canada 14:00 Diners, Drive-Ins And Dives 15:00 Fast & Furious 7 10:15 Key And Peele 18:35 Descendants Wicked World 22:00 What On Earth? 14:30 Diners, Drive-Ins And Dives 17:30 Close Range 10:40 Disaster Date 18:40 Girl Meets World 22:50 Legend Of Croc Gold 15:00 Chopped 19:15 Reign Of Fire 11:05 Ridiculousness 19:05 Bizaardvark 23:40 The Wheel: Survival Games 16:00 The Kitchen 21:00 The Transporter: Refueled 11:30 The It Crowd 19:30 Bunk'd 17:00 Anna Olson: Bake 23:00 Pusher 11:55 Sweat Inc. -
Father Ted 5 Entertaining Father Stone 6 the Passion of Saint Tibulus 7 Competition Time 8 and God Created Woman 9 Grant Unto Him Eternal Rest 10 SEASON 2
TABLE OF CONTENTS INTRODUCTION PAGE Introduction 3 SEASON 1 Good Luck, Father Ted 5 Entertaining Father Stone 6 The Passion of Saint Tibulus 7 Competition Time 8 And God Created Woman 9 Grant Unto Him Eternal Rest 10 SEASON 2 Hell 13 Think Fast, Father Ted 14 Tentacles of Doom 15 Old Grey Whistle Theft 16 A Song for Europe 17 The Plague 18 Rock A Hella Ted 19 Alcohol and Rollerblading 20 New Jack City 21 Flight into Terror 22 SEASON 3 Are You Right There, Father Ted 25 Chirpy Burpy Cheap Sheep 26 Speed 3 27 The Mainland 28 Escape from Victory 29 Kicking Bishop Brennan Up the Arse 30 Night of the Nearly Dead 31 Going to America 32 TABLE OF CONTENTS SPECIAL EPISODES PAGE A Christmassy Ted 35 ULTIMATE EPISODE RANK 36 - 39 ABOUT THE CRITIC 40 3 INTRODUCTION Father Ted is the pinnacle of Irish TV; a much-loved sitcom that has become a cult classic on the Emerald Isle and across the globe. Following the lives of three priests and their housekeeper on the fictional landmass of Craggy Island, the series, which first aired in 1995, became an instant sensation. Although Father Ted only ran for three seasons and had wrapped by 1998, its cult status reigns to this very day. The show is critically renowned for its writing by Graham Linehan and Arthur Mathews, which details the crazy lives of the parochial house inhabitants: Father Ted Crilly (Dermot Morgan), Father Dougal McGuire (Ardal O'Hanlon), Father Jack Hackett (Frank Kelly), and Mrs Doyle (Pauline McLynn). -
James Daffern 15/09/2020, 21 09
Spotlight: JAMES DAFFERN 15/09/2020, 2109 JAMES DAFFERN C S A 3rd Floor Joel House, 17-21 Garrick Street, London WC2E 9BL Phone: 020-7420 9351 E-mail: [email protected] WWW: www.shepherdmanagement.co.uk HARVEY VOICES 49 Greek Street, London W1D 4EG Phone: 020 7952 4361 Mobile: 07739 902784 Photo: Jennie Scott E-mail: [email protected] WWW: www.harveyvoices.co.uk Location: Greater London, Appearance: White, England, United Scandinavian, Kingdom Eastern Height: 6' (182cm) European Weight: 13st. 7lb. (86kg) Other: Equity Playing Age: 40 - 50 years Eye Colour: Blue Hair Colour: Dark Brown Hair Length: Short About me: Television Television, Andrew Wallace, PROFESSOR T, Eagle Eye Productions, Indra Siera Television, Jim Bonning, CASUALTY, BBC, Various Television, One Eyed Marc, BIRDS OF A FEATHER, ITV, Martin Dennis Television, Leon, X COMPANY, CBC Television/Sony Pictures Television Television, Ben Owens, DOCTORS (NINE EPS), BBC, Various Television, Zac Glazerbrook, CUFFS, BBC/Tiger Aspect Productions, Kieron Hawkes Television, Natie, RAISED BY WOLVES, C4, Mitchell Altieri Television, Bruce, FLYING HIGH, ZDF, Stephen Bartmann Television, Andrew Hayden, HUNTED, Kudos/HBO/BBC, Daniel Percival/James Strong Television, Ray Keats, WATERLOO ROAD, Shed Productions, Fraser Macdonald Television, Lucas North in Flashback, SPOOKS, BBC Television, Edward Hall Television, Paul Walsh, HOME TIME, BBC Television, Christine Gernon Television, Nathan, RIVER CITY, BBC Television, Semi regular Television, Jimmy Barrett, THE ROYAL, Yorkshire Television, -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
The Joy of the Physical in the Digital Age
REACH OUT AND TOUCH THE JOY OF THE PHYSICAL IN THE DIGITAL AGE 17/03/2020 12:33 Welcome_3 THE THINGS WE TOUCH MEAN MORE TO US. We become attached to them. We understand them more deeply, rely on them, gravitate towards them. Print is a haptic experience. This publication – with its thought-provoking essays, eye-opening statistics, powerful illustrations and tactile pages – takes you on a journey to discover how the power of touch changes the way we think, feel and behave; and ultimately, infuences how we spend our money. Print is an enduring force in the digital age. We remember text and recall brand advertising more when we encounter them in print. We trust the printed word more than the pixellated one. Print excites the senses in a way that no other medium can replicate. Reach Out And Touch is published as a partnership If print were invented now, you would be amazed at this haptic medium – between Sappi Europe it’s a wonder format you can touch, carry and feel. Reading a magazine, book and John Brown. or newspaper – even a leafet or menu – is an experience that engages more of our senses by virtue of the paper’s physicality. As such, print can be a physical manifestation of a brand and our perception of it – it is trust, quality and value come to life in three dimensions. 8 Baldwin Street, Leading global paper manufacturer Sappi and award-winning content creator London EC1V 9NU. Tel +44 20 7565 3000, John Brown are passionate about paper, storytelling and engaging consumers in [email protected] a way that surprises and delights.