Liminal to Liminoid in Play, Flow, and Ritual: an Essay in Comparative
LIMINAL TO LIMINOID, IN PLAY, FLOW, AND RITUAL: AN ESSAY IN COMPARATIVE SYMBOLOGY by Victor Turner First I will describe what 1 mean by "comparative symbology" and how, in a broad way, it differs from such disciplines as "semiotics" (or "semiology") and "symbolic anthropology," which are also concerned with the study of such terms as symbols, signs, signals, significations, icons, signifiers, signi- fied~,sign-vehicles, and so on. Here, I want to discuss some of the types of sociocultural processes and settings in which new symbols, verbal and non- verbal, tend to be generated. This will lead me into a comparison of "liminal" and "liminoid" phenomena, terms which 1 will consider shortly. According to Josiah Webster's lexicographical progeny, the people who produced the second College edition of Webster's New World Dictionary, "symbology" is "the study or interpretation of symbols"; it is also "repre- sentation or expression by means of symbols." The term "comparative" merely means that this branch of study involves comparison as a method, as does, for example, comparative linguistics. Comparative symbology is narrower than "semiotics" or "semiology" (to use Saussure's and Roland Barthes's terms), and wider than "symbolic anthropology" in range and scope of data and problems. "Semiotics" is "a general theory of signs and symbols, especially, the analysis of the nature and relationship of signs in language, usually including three branches, syntactics, semantics, and pragmatics." 1) Syntactics: The formal relationships of signs and symbols to one an- other apart from their users or external reference; the organization and relationship of groups, phrases, clauses, sentences, and sentence structure.
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