DOCSLIB.ORG

Dypdykk I Musikkhistorien - Del 2: Post-Punk (16.10.2014 - TNB)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dypdykk I Musikkhistorien - Del 2: Post-Punk (16.10.2014 - TNB) Dypdykk i musikkhistorien - Del 2: Post-punk (16.10.2014 - TNB) Spilleliste pluss noen ekstra lyttetips: England: Swan lake (Metal box (1979) / Public Image Limited) The light pours out of me (Real life (1978) 7 Magazine) «Reggae / funk / jazz / verdensmusikk» Don't Call Me Pain ; We are time (Y (1979) / The Pop Group) Instant hit ; Typical Girls (Cut (1979) / The Slits) «Uavhengige plateselskap» (Rough Trade, Cherry Red, Factory, Mute m.fl.) Rough Trade: 30 seconds over Tokyo (30 seconds over Tokyo, singel (1975 / Pere Ubu) Mute: T.V.O.D (Mute audio documents volume 1 / The Normal) «politikk / samfunnsengasjement» I found that essence rare (Entertainment! (1979) / Gang of Four) «kunstangrep» Memories can't wait (Fear of music (1979) / Talking Heads) Chairs missing (1978) / Wire Regiment ; Help me somebody (My life in the bush of the ghosts (1981) / Brian Eno & David Byrne) «Sheffield-scenen» Split second feeling (Red mecca (1981) / Cabaret Voltaire) «Manchester-scenen» A means to an end ; Atrocity exhibition (Closer (1980) / Joy Division) Just Step S'ways ; Iceland (Hex education hour (1982) / The Fall) «Messthetics - DIY» Horizontal hold ; Twilight furniture (This Heat (1979) / This Heat) Nearly empty (Slow crimes (1982) / The Work) Anagrams ; Boxers v wrestlers (Ossification (1984) / Officers!) Credit in the straight world ; Brand-new-life (Colossal youth (1980) / Young Marble Giants) Doubt beat (4 a-sides (1979) / Scritti Politti) Walk before imitate (Astral glamour / The Homosexuals) Fra Messthetics (101-108) samlinger: Gunpoint / Blue Screaming (101) Other people / Grinder (101) On the air / Lines (102) Quail seed / Dry Rio (102) Face the flag / Hardware (103) «Industrial» Live at Southampton (Second annual report (1977) / Throbbing Gristle) Mode of infection (Mute audio documents volume 1 / Non) «Freak-scenen» Eskimo (1979) / The Residents No tears (No tears, EP (1978) / Tuxedomoon) Volo vivace (Half-mute (1980) / Tuxedomoon) East/Jinx/.../music#1 (Desire (1981) / Tuxedomoon) Tv as eyes (Half machine lip moves (1979) / Chrome) USA: Non-alignment pact ; Modern dance (Modern dance (1978) / Pere Ubu) Praying hands ; Uncontrollable urge Q: Are We Not Men? A: We Are Devo! (1978) Man on the move (Hard attack (1977) / MX-80 Sound) Optimo (Optimo, EP (1983) / Liquid Liquid) Exodus (Tragic figures (1982) / Savage Republic) «No wave»: Consort yourself (Buy (1979) / Contortions) Helen Fordsdale (No New York (1978) / Mars) Ghost rider (Suicide (1978) / Suicide) Future languaje (Future language (1981) / Von LMO) «Celluloid Records» Killing time (Killing time (1981) / Massacre) Day tripper (Earth vs. Shockabilly (1983) / Shockabilly) Living in vain (Chewing hides the sound (1979) / Snakefinger) Europa: Italia: Voci dalla non realta (Silence Over Florence 1982-1984 / Polyactive) Polen: Centrala Brygada kryzys (1982) / Brygada Kryzys) Yugoslavia: Fakir ; Ogledalo lune (Nestvarne stvari (1984 / Luna) Tjekkoslovakia: Tag um tag (Es reut mich (1990) / MCH Band) «Minimalisme» Lesson No. 1 for electric guitar (Lesson no. 1, EP (1980) / Glenn Branca) Die donnergötter (Die Donnergötter (1987) / Rhys Chatham) «Noen som gikk andre veier» Le Sinistre (Never Gonna Cry Again, singel (1981) / Eurythmics) The Electric Co. (Boy (1980) / U2) På vei hjem: Final solution (Final solution [Single] (1976) / Pere Ubu) Anbefalt litteratur: Rip it up and start again : post-punk 1978-84 / Simon Reynolds Touch and go : the complete hardcore punk zine '79-'83 / Tesco Vee and Dave Stimson Our band could be your life : scenes from the American indie undergound 1981-1991 / Michael Azerrad Norsk postpunk 1980-1985 : fra hard core til A-ha / Trygve Mathiesen A History of rock and dance music : from the guitar to the laptop : from Chicago to Shanghai. Volume 1 & Volume 2 / Piero Scaruffi.
Load more

Recommended publications
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • Tuxedomoon the Ghost Sonata Mp3, Flac, Wma
    Tuxedomoon The Ghost Sonata mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Ghost Sonata Country: Russia Released: 2000 Style: Modern Classical, Avantgarde MP3 version RAR size: 1237 mb FLAC version RAR size: 1955 mb WMA version RAR size: 1244 mb Rating: 4.9 Votes: 544 Other Formats: WMA MMF FLAC MPC AA MOD VQF Tracklist Hide Credits The Funeral Of A Friend 1 1:09 Written-By – Geduldig*, Principle* The Ghost Sonata 2 5:36 Written-By – Reininger*, Brown* Catalyst 3 0:42 Written-By – Principle* An Affair At The Soiree 4 3:39 Written-By – Reininger*, Geduldig*, Principle*, Brown* Music Number Two 5 2:56 Written-By – Reininger*, Brown* A Drowning 6 2:07 Written-By – Reininger*, Principle*, Brown* The Cascade 7 3:02 Written-By – Reininger*, Brown* A Mystic Death 8 2:16 Written-By – Geduldig*, Principle* Basso Pomade (Dogs Lickin' My Heart) 9 2:36 Written-By – Reininger*, Brown* Licorice Stick Ostinato 10 2:19 Written-By – Reininger*, Brown* The Laboratory (Parts 1 & 2) 11 5:08 Written-By – Reininger*, Principle*, Brown* Les Odalisques 12 4:10 Written-By – Reininger*, Geduldig*, Principle*, Brown* An Unsigned Postcard 13 3:06 Written-By – Reininger*, Principle*, Brown* Music Number Two (Reprise) 14 4:18 Written-By – Reininger*, Brown* Credits Edited By – James Neiss*, Peter Principle Engineer – Jerome Sandron*, Bruno Donini, Drem Bruinsma, Gilles Martin Liner Notes [Brussels 12/90, Background And Event] – James Neiss* Liner Notes [Notes On The Notes] – Peter Principle Liner Notes [Random Recollections] – Blaine L. Reininger, Bruce Geduldig, Gilles Martin, JJ La Rue, Nina Shaw , Saskia Lupini, Steven Brown Performer – Blaine L.
    [Show full text]
  • The Menstrual Cramps / Kiss Me, Killer
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured).
    [Show full text]
  • Green the Green Book
    Book # 1 THE GREEN BOOK Universal Zulu Nation Infinity Lessons Archive 1973 - 2000 FOR THE MASSES Compiled By : King Mark Luv & Malika Saphire Table of Contents Myths and Misconceptions ..................................................................................................................................................... 2 Laws and Regulations of the Universal Zulu Nation Part 1 (1 – 20) ........................................................................................ 4 Laws and Regulations of the Universal Zulu Nation Part 2 (21 – 46) ...................................................................................... 5 INFINITY LESSON ONE ............................................................................................................................................................. 6 ABOUT ZULU NATION ......................................................................................................................................................... 6 Message to the People........................................................................................................................................................ 7 INFINITY LESSON TWO ............................................................................................................................................................ 8 THE HISTORY OF AFRIKA BAMBAATAA ............................................................................................................................... 8 INFINITY LESSON THREE .......................................................................................................................................................
    [Show full text]
  • Drone Music from Wikipedia, the Free Encyclopedia
    Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
    [Show full text]
  • "Erase Me": Gary Numan's 1978-80 Recordings
    Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius.
    [Show full text]
  • Fear of Music
    Fear of Music ----------- I Zimbra ----------- GADJI BERI BIMBA CLANDRIDI LAULI LONNI CADORI GADJAM A BIM BERI GLASSALA GLANDRIDE E GLASSALA TUFFM I ZIMBRA BIM BLASSA GALASSASA ZIMBRABIM BLASSA GLALLASSASA ZIMBRABIM A BIM BERI GLASSALA GRANDRID E GLASSALA TUFFM I ZIMBRA GADJI BERI BIMBA GLANDRIDI LAULI LONNI CADORA GADJAM A BIM BERI GLASSASA GLANDRID E GLASSALA TUFFM I ZIMBRA ------- Mind ------- Time won't change you Money won't change you I haven't got the faintest idea Everything seems to be up in the air at this time I need something you change your mind 1 / 12 Fear of Music Drugs won't change you Religion won't change you Science won't change you Looks like I can't change you I try to talk to you, to make things clear but you're not even listening to me... And it comes directly from my heart to you... I need something to change your mind. ------- Paper ------- Hold the paper up to the light (some rays pass right through) Expose yourself out there for a minute (some rays pass right through) Take a little rest when the rays pass through Take a little time off when the rays pass through Go ahead and mis it up...Go ahead and tie it up In a long distance telephone call Hold on to that paper Hold on to that paper Hold on becuase it's been taken care of Hold on to that paper 2 / 12 Fear of Music See if you can fit it on the paper See if you can get it on the paper See if you can fit it on the paper See if you can get it on the paper Had a love affair but it was only paper (some rays they pass right through) Had a lot of fun, could have been
    [Show full text]
  • MM" ,/ Ljtta) Fln; #-{
    I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup.
    [Show full text]
  • WEGART NOVINKY MAREC 2007 – 1. Časť
    WEGART NOVINKY MAREC 2007 – 1. čas ť Arcade Fire – Neon Bible Netrpezlivo o čakávaný nový album kanadského súboru bol nahrávaný v kostole prerobenom na štúdio s použitím nahrávok píš ťalového organa, basových steel drums, verklíka, ale i živých nahrávok budapeštianskeho orchestra a vojenského zboru. Výsledkom je, ako sa dalo od týchto geniálnych Kana ďanov o čakáva ť, originálny a vyzretý album. Formát: CD (limitovaná edícia) CENA: 650 Sk Kat. č.: 1723674 EAN: 602517236745 Godspeed You! Black Emperor – Yanqui U.X.O. (Constellation) Montrealskí GY!BE si získali celosvetové uznanie svojou epickou, inštrumentálnou hudbou a taktiež militantne anarchistickými postojmi. Hudbu charakterizuje dramaticky gradovaný štýl, kde gitary znejú ako sláky a sláky ako bombardujúce rakety. Na svojom zrejme poslednom albume sa dnes už neexistujúca kapela zamerala na priamo čiary, intenzívny sound. Zatvorte oči a predstavte si pulzujúci život na Zemi tesne pred nukleárnou apokalypsou. A potom pomaly za čínajú pada ť bomby... Formát: CD/2LP CENA: 650/690 Sk Kat. č.: CST024 EAN: 666561002411 No-Man – Speak (Headphone Dust) Legendárni No-Man (Steven Wilson, Tim Bowness) v reedícii vydávajú albumy zo svojho najlepšieho obdobia. Speak je dozaista jeden z ich top-albumov, poetický, elegantný, nad časový, s nádhernými baladickými songami a bartókovskými hus ľami ich vtedajšieho spoluhrá ča Bena Colemana. Nájdeme tu dve coververzie songov od Donovana a Nicka Drakea. Prvá CD-edícia vyšla v roku 1999 na zna čke Materiali Sonori, táto remastrovaná digipaková reedícia vyšla vo Wilsonovom vlastnom vydavate ľstve. Formát: CD CENA: 590 Sk Kat. č.: HDNMCD11 EAN: 636551289023 Benjy Ferree - Leaving The Nest (Domino) Svieži folkový album barmana z Washingtonu, ktorý v minulosti pôsobil ako pestún (staral sa o deti režiséra Davida Lyncha), barman i neúspešný herec.
    [Show full text]
  • MVD5251D Total Music
    :: Total Music Magazine :: Page 1 of 2 Class Act Archive interviews A monthly retrospective a class act look at the most Influential acts of the last fifty years. more ****************** Live listings Buy albums, DVDs and book in association with Amazon What we actually know about the Residents can be comfortably written on the What's on and where back of an eyeball with a four inch paintbrush. What we can take a healthy Check the listings for all stab at however (if you’ll pardon the Luis Buñuel allusion) is the band possibly the latest news on formed in 1972 and in all probability released their first record, ‘Santa Dog’, where to go and why the same year. Speculation surrounding the members' true identities are more generally fended off by their management team The Cryptic Corporation - formed by Jay Clem, Homer Flynn, Hardy Fox, and John Kennedy in 1976 - all ****************** Album reviews of whom strenuously deny having ever been band members (indeed Clem and Coochie Brake Kennedy left the Corporation in 1982). Many long term fans however insist Fox Audio CD and Flynn are The Residents, Flynn the singer and lyricist and Fox the musician, and a delve into the details of their publishing company Pale Pachyderm Publishing at the performance rights organization reveals Flynn and Fox as the composers of all original Residents songs. Our monthly roundup of Such probing around however is to entirely miss the point of a band who obviously feel all the latest album their gender, ethnicity, personality, and any tabloid style private revelations are releases good, bad or irrelevant to their listeners, preferring instead to encourage rumours, like the band ugly, we listen and then members are all physically disfigured, are actually a Dutch band from Den Haag or, our rate 'em favourite, that they are in fact The Beatles in disguise.
    [Show full text]
  • Manu Dibango Electric Africa Mp3, Flac, Wma
    Manu Dibango Electric Africa mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Electric Africa Country: Belgium Released: 1998 Style: Electro MP3 version RAR size: 1203 mb FLAC version RAR size: 1810 mb WMA version RAR size: 1127 mb Rating: 4.6 Votes: 211 Other Formats: ADX MP3 AIFF AUD MPC TTA RA Tracklist Hide Credits Pata Piya A1 Guitar – Nicky SkopelitisSynthesizer [Dx7, Ob-8] – Wally BadarouSynthesizer [Prophet 5, 6:32 Fairlight] – Bernie WorrellWritten-By, Drum Machine [DMX] – Bill Laswell Electric Africa A2 Djembe – Aiyb DiengPiano, Synthesizer [Dx-7] – Herbie HancockSynthesizer [Fairlight] – 10:22 Bill Laswell Echos Beti B1 Drum Machine [DMX] – Bill LaswellPercussion [Chatan, Cowbell] – Aiyb DiengPiano, 6:18 Synthesizer [Fairlight] – Herbie Hancock L'Arbre A Palabres B2 Kora – Mory KantéPercussion [Chatan] – Aiyb DiengPiano, Synthesizer [Fairlight, Dx-7] – 11:44 Herbie Hancock Companies, etc. Printed By – Imp. Polygram Phonographic Copyright (p) – Celluloid Records Recorded At – Studio Plus XXX Mixed At – Studio Plus XXX Credits Bass, Vocals – Francis Mbappe Drums, Percussion – Brice Wouassy*, Valerie Lobe* Electronic Drums [Simmons] – Joseph Kuo* Engineer – Robert Musso Guitar – Jerry Malekani, Vincent Nguini Producer – Bill Laswell Programmed By [Fairlight] – Frédérick Rousseau Trumpet – Segona Peter Tholo Vocals – Florence Titty Dimbeng, Sissy Dipoko Written-By – Manu Dibango Notes Produced for Material / OAO. Avec l'aimable autorisation de CELLULOID RECORDS. Barcode and Other Identifiers Barcode: 0 42282 47451
    [Show full text]
  • New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
    New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network.
    [Show full text]