Beauvoir in China
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Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
Inserting Hans Bellmer's the Doll Into the History of Pornography
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2020 Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography Alexandra M. Varga Follow this and additional works at: https://scholarship.claremont.edu/scripps_theses Recommended Citation Varga, Alexandra M., "Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography" (2020). Scripps Senior Theses. 1566. https://scholarship.claremont.edu/scripps_theses/1566 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 SOFTCORE SURREALISM: INSERTING HANS BELLMER’S THE DOLL INTO THE HISTORY OF PORNOGRAPHY, 2020 By ALEXANDRA M. VARGA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR ARTS FIRST READER: PROFESSOR MACNAUGHTON, SCRIPPS COLLEGE SECOND READER: PROFESSOR NAKAUE, SCRIPPS COLLEGE MAY 4TH 2020 2 Contents Acknowledgments. 3 Introduction: Finding The Doll. 4 Critical Reception: Who Has Explored The Doll?. 10 Chapter 1: Construction of the Doll and Creation of the Book. 22 Chapter 2: Publication in Germany and France. 37 Conclusion: Too Real For Comfort. 51 Bibliography. 53 Figures: Die Puppe Sequence, 1934. 56 Figures: La Poupée Sequence, 1936. 64 Figures: 19th and 20th Century Pornography. 71 3 Acknowledgments This thesis could not have been written without the support of my thesis readers, Professors Mary MacNaughton and Melanie Nakaue. I would like to thank them for their unwavering support. Their guidance gave me the confidence to pursue such an eccentric topic. -
Pierre Klossowski: Works in English and Translations Compiled by Rainer J
Bibliography Pierre Klossowski: Works in English and Translations compiled by Rainer J. Hanshe FICTION Roberte Ce Soir – and – The Revocation of the Edict of Nantes, tr. by Austryn Wainhouse (New York: Dalkey Archive Press, 2002 [1950 and 1959]). The Baphomet, tr. by Stephen Sartarelli, Sophie Hawkes (New York: Marsilio Publishers, 1998 [1965]). Introduction by Michel Foucault. Diana at Her Bath; The Women of Rome, tr. by Stephen Sartarelli, Sophie Hawkes (New York: Marsilio Publishers, 1998 [1956 and 1968]). L’ adolescent immortel (Paris: Gallimard, 2001).* Agonist 78 Pierre Klossowski Biblography Pierre Klossowski Bibliography Le Mage du Nord (Montpellier: Fata Morgana, 1988).* Les derniers travaux de Gulliver (Paris: Fata Morgana, 1987).* Pierre Klossowski Biblography La Ressemblance (Marseille: André Dimanche, 1984).* La Monnaie vivante (Paris: Éric Losfield, 1970).* Pierre Klossowski Biblography Le Souffleur ou le théâtre de société (Paris: Jean-Jacques Pauvert, 1960).* Pierre Klossowski Biblography La Vocation suspendue (Paris: Gallimard, 1950).* PHILOSOPHY & CRITICISM Such a Deathly Desire, tr. by Russell Ford (New York: SUNY Press, 2007). Écrits d’un monomane: Essais 1933-1939 (Paris: Gallimard, 2001).* Tableaux vivants: Essais critiques 1936-1983 (Paris: Gallimard, 2001).* “Tragedy” and “The Marquis de Sade and the Revolution” in Denis Hollier, ed., The College of Sociology (1937-39), tr. by Betsy Wing (Minneapolis: University of Minnesota Press, 1998). Nietzsche and the Vicious Circle, tr. by Daniel W. Smith (Chicago: University of Chicago Press, 1997). “Sade, or the philosopher-villain” in David B. Allison, Mark S. Roberts, Allen S. Weiss, Sade and the Narrative of Transgression (Cambridge: Cambridge University Press, 1995): 33-61. Sade My Neighbor, tr. -
Marriage Practice of the Chinese Communist Party in Modern Era, 1910S-1950S
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-23-2011 12:00 AM From Marriage Revolution to Revolutionary Marriage: Marriage Practice of the Chinese Communist Party in Modern Era, 1910s-1950s Wei Xu The University of Western Ontario Supervisor James Flath The University of Western Ontario Graduate Program in History A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Wei Xu 2011 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Asian History Commons, Chinese Studies Commons, Cultural History Commons, Family, Life Course, and Society Commons, Gender and Sexuality Commons, History of Gender Commons, Inequality and Stratification Commons, Social Control, Law, Crime, and Deviance Commons, Social History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Xu, Wei, "From Marriage Revolution to Revolutionary Marriage: Marriage Practice of the Chinese Communist Party in Modern Era, 1910s-1950s" (2011). Electronic Thesis and Dissertation Repository. 232. https://ir.lib.uwo.ca/etd/232 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FROM MARRIAGE REVOLUTION TO REVOLUTIONARY MARRIAGE: MARRIAGE PRACTICE OF THE CHINESE COMMUNIST PARTY IN MODERN ERA 1910s-1950s (Spine -
Henry Fuseli and the Sexual Sublime Sarah Carter a Thesis Presented to the University of Guelph in Partial Fulfilment of Require
Henry Fuseli and the Sexual Sublime Sarah Carter A Thesis Presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Art History and Visual Culture Guelph, Ontario, Canada © Sarah Carter, April, 2014 ABSTRACT Henry Fuseli and the Sexual Sublime Sarah Carter Advisor: University of Guelph, 2014 Dr. Christina Smylitopoulos Anglo-Swiss artist Henry Fuseli (1741-1825) shared drawings of a sexually charged and implied sadistic nature among an elite and intimate group of male artists. These drawings explore sexuality as a fundamental and emotionally profound human experience. This thesis approaches these drawings as studies, a demonstration of virtuosity and an experiment in visual limits, specifically the aesthetic boundaries that divide the sublime and the beautiful. I discuss the implications of the late eighteenth-century approach to the sublime and position Fuseli within an aesthetic debate. I argue that Three Women and a Recumbent Man (1809), Three Courtesans Operating on the Face of a Bound Man (1800) and Woman Torturing a Child (1800-1810) were not simply pornographic illustrations intended for private pleasure, but intellectual investigations into the sublime possibilities of sexuality in art. iii ACKNOWLEDGEMENTS I would like to thank my supervisor Dr. Christina Smylitopoulos for her support and enthusiasm throughout the completion of this thesis. Under her guidance, I was able to develop as a writer and build the confidence necessary to pursue and even exceed my academic goals. Completing an MA thesis was both challenging and incredibly rewarding, and I am grateful to Dr. Smylitopoulos for her insight and ongoing encouragement. -
“I CAN MAKE NOTHING of IT”: Beckett's Collaboration with Merlin on the English Molloy Pim Verhulst and Wout Dillen
This is the authors’s version of an article published in Samuel Beckett Today/Aujourd’hui 26 (Revisiting Molloy, Malone meurt/Malone Dies, L’Innommable/The Unnamable), Brill, 2014, pp. 107- 120. Please refer to the published version for correct citation and content. “I CAN MAKE NOTHING OF IT”: Beckett’s Collaboration with Merlin on the English Molloy Pim Verhulst and Wout Dillen When the English Molloy was published in 1955, jointly by Olympia (Paris) and Grove (New York), a long and difficult translation process had ended, on which Beckett worked both alone and together with Merlin and Patrick Bowles. This article is the first attempt to approach this somewhat neglected topic by way of manuscripts, notebooks, letters and other related materials, in order to establish a basic chronology of the English Molloy. In so doing, our purpose is to shed more light on a relatively obscure period in Beckett’s literary career and examine critically the role of each party involved. Samuel Beckett culled his trilogy of novels for striking images and phrases throughout his later career, but during the 1950s he revisited Molloy, Malone meurt and L’Innommable in a more direct sense, when various parties requested English versions of his new work. What Beckett called “the losing battle” of translating the trilogy (Knowlson, 438) was fought in the period between 1950 and 1958. This article discusses Molloy because it forced Beckett to devise a long-term strategy to deal with the “hopeless thankless chore” of translation (Harmon, 355), while also leaving sufficient room for new creative endeavours. -
Amy S. Wyngaard TRANSLATING SADE
Translating Sade Amy S. Wyngaard TRANSLATING SADE: THE GROVE PRESS EDITIONS, 1953–1968 n the last paragraph of their foreword to the 1965 Grove Press edition of IThe Complete Justine, Philosophy in the Bedroom, and Other Writings, the translators Richard Seaver and Austryn Wainhouse quote the marquis de Sade’s wish, expressed in his last will and testament, that acorns be scattered over his grave, “in order that, the spot become green again, and the copse grown back thick over it, the traces of my grave may disappear from the face of the earth, as I trust the memory of me shall fade out of the minds of men” (xiv). Seaver and Wainhouse, who believed in the importance of Sade’s writings and were deeply invested in their efforts to produce the frst unexpurgated American translations of his works, express doubt that this prophecy would ever come to pass. The success of the Grove Press translations, however, has in fact caused certain aspects of Sade’s (critical) history to be forgotten. Five decades after their original publication in the 1960s, and two decades after their reissue in the early 1990s, these once-controversial editions of Sade’s works can now be considered mainstream. Widely referenced and readily available, they are more or less an accepted part of the American literary landscape, with only their original prefatory materials left to bear witness to what was one of the most fraught and revolutionary moments in the history of American publishing, not to mention Sade studies. Grove Press publisher Barney Rosset saw the publication of Sade’s works as integral to his fght for the freedom of the press. -
Proquest Dissertations
The Practice of Community: Assembling Anglophone Poetics in the Post-World War II Era STEPHEN VOYCE A dissertation submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Graduate Programme in English York University Toronto, Ontario September 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre refinance ISBN: 978-0-494-54112-8 Our file Notre reference ISBN: 978-0-494-54112-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Women and Feminism in the Literary History of Early-Twentieth-Century China 1
Notes Introduction: Women and Feminism in the Literary History of Early-Twentieth-Century China 1. These various renderings of “feminism” can be found in texts from the period covered in this study. While often used interchangeably, they carry slightly dif- ferent connotations. 2. In addition to calling for a radical transformation of Confucian social mores and values prejudicial to women, early feminists also demanded concrete recognition of women’s social and political rights. Prominent among these were the eradication of foot binding, equal rights in inheritance, access to edu- cation and the professions, marital freedoms, including the right to choose one’s own partner and to divorce, the right to vote and be elected to public office, and the abolition of the practice of child-brides, concubinage, and prostitution. 3. Charlotte Beahan, “The Women’s Movement and Nationalism in Late Ch’ing China” (Ph.D. diss., Columbia University, 1976); Elisabeth Croll, Feminism and Socialism in China (New York: Schocken Books, 1978); Phyllis Andors, The Unfinished Liberation of Chinese Women: 1949–1980 (Bloomington: Indiana University Press, 1983); Judith Stacey, Patriarchy and Socialist Revolution in China (Berkeley: University of California Press, 1983); Margery Wolf, Revolution Postponed: Women in Contemporary China (Stanford: Stanford University Press, 1985); Christina Gilmartin, Engendering the Chinese Revolution: Radical Women, Communist Politics, and Mass Movements in the 1920s (Berkeley: University of California Press, 1995). 4. See, for example, -
Literary Miscellany
Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
CHINESE COMMUNISM and the RISE of a CLASSIFICATION EDDY U Luminos Is the Open Access Monograph Publishing Program from UC Press
CREATING the INTELLECTUAL CHINESE COMMUNISM AND THE RISE OF A CLASSIFICATION EDDY U Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Creating the Intellectual The publisher and the University of California Press Foundation gratefully acknowledge the generous support of the Sue Tsao Endowment Fund in Chinese Studies. Creating the Intellectual Chinese Communism and the Rise of a Classification Eddy U UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2019 by Eddy U This work is licensed under a Creative Commons CC BY license. To view a copy of the license, visit http://creativecommons.org/licenses. Suggested citation: U, E. Creating the Intellectual: Chinese Communism and the Rise of a Classification. Oakland: University of California Press, 2019. DOI: https://doi.org/10.1525/luminos.68 Library of Congress Cataloging-in-Publication Data Names: U, Eddy, author. Title: Creating the intellectual : Chinese communism and the rise of a classification / Eddy U. -
In Nie Chinese Tertr Shrdies in Comparative Literature, Ying-Hsiung Chou (Ed-), (Hong Kong: Chinese University Press, 19 8 6), 63
National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aüowing the exclusive permettant à la National Libraq of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in rnicrofonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts &om it Ni la thkse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autonsation. ABSTRACT ................................................................................................................................................ rr TABE OF CONTENTS.................................................................................................................................. III LET OF TABLESAND FIGURES..................................................................................................................... V ACKNOWLEDGEMENT.................................................................................................................................