Volume 43 - Issue 17 - Friday, February 8, 2008
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Commencement Ceremony
COMMENCEMENT CEREMONY JUNE 11, 2021 The Trustees, Faculty, and Staff of The Evergreen State College Welcome You EXECUTIVE OFFICERS George S. Bridges, Ph.D. Jeremy Mohn, M.P.A. President Director of Government Relations John Carmichael, Ph.D. Eric Pedersen, M.Ed. Vice President for Chief Enrollment Officer Finance and Operations Therese Saliba, Ph.D. Susan Harris, M.P.A. Interim Vice President for Inclusive Executive Associate to the President Excellence and Student Success and Secretary to the Board of Trustees Jeannette Smith, Ph.D. Interim Associate Dean of Student Sandra Kaiser Affairs and Engagement Vice President for College Relations Amanda Walker, Ph.D. Vice President for College David McAvity, Ph.D. Advancement and Executive Director Interim Provost and Vice President of the Evergreen State College for Student and Academic Life Foundation BOARD OF TRUSTEES Monica Alexander ’13 Tacoma Melinda Bratsch-Horsager ’20, ’22 Tacoma Karen Fraser Olympia Fred Goldberg Olympia Irene Gonzales Spokane David Nicandri Tumwater Miguel Pérez-Gibson ’89 Olympia Ed Zuckerman ’77 Seattle ACADEMIC DEANS Abir Biswas, Ph.D. Kathleen Eamon, Ph.D. Karen Gaul, Ph.D. Larry Geri, D.P.A. Greg Mullins, Ph.D. Marcia Tate Arunga, Ph.D. Elizabeth Williamson, Ph.D. GRADUATE PROGRAMS John Withey, Ph.D. Director, Master of Environmental Studies Michael Craw, Ph.D. Director, Master of Public Administration Susan Feldman, Ph.D. Director, Master in Teaching “You may encounter many defeats, but you must not be defeated. It may be necessary to encounter defeat so you can know who you are, and what you can rise from.” – Maya Angelou Order of Exercises For the conferring of Degrees WELCOME AND DEDICATION George S. -
AXS TV Canada Schedule for Mon. January 13, 2020 to Sun. January 19, 2020
AXS TV Canada Schedule for Mon. January 13, 2020 to Sun. January 19, 2020 Monday January 13, 2020 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT The Top Ten Revealed Tom Green Live Epic Songs of ‘73 - Find out which epic songs of ‘73 make our list as rock experts like Eddie Andrew Dice Clay - It’s a reunion of the true bad boys of comedy as actor and legendary stand-up Money, Lita Ford, Clem Burke (Blondie), Caleb Quaye (Elton John) and Jack Russell (Jack Russell’s comedian Andrew Dice Clay reconnects with his running mate Tom for a no-holds-barred discus- Great White) count us down! sion of life, show-biz, and whatever else pops up. 4:30 PM ET / 1:30 PM PT 7:00 AM ET / 4:00 AM PT The Day The Rock Star Died Classic Albums Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The Phil Collins: Face Value - The program includes several previously unseen performances as well as King of Pop.” His contributions to music, dance, and highly publicized personal life made him a rare home movies of the studio sessions where Phil Collins worked closely with Hugh Padgham global figure in popular culture for over four decades. and the Earth, Wind & Fire horn section. Featuring the classic ‘In The Air Tonight,’ ‘Behind The Lines,’ ‘Please Don’t Ask,’ ‘I Missed Again’ and ‘This Must Be Love.’ 5:00 PM ET / 2:00 PM PT The Ronnie Wood Show 8:00 AM ET / 5:00 AM PT Bobby Gillespie - Joining Ronnie this week is lead singer and founding member of Primal Rock Legends Scream, Scottish-born Bobby Gillespie. -
Funk the Clock: Transgressing Time While Young, Prescient and Black A
Funk the Clock: Transgressing Time While Young, Prescient and Black A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Rahsaan Mahadeo IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisers: David Pellow and Joyce Bell August 2019 © 2019 Rahsaan Mahadeo Acknowledgements Pursuing a PhD has at times felt like the most selfish endeavor I have ever undertaken. For I knew that every book I read and every paper I wrote was largely for personal gain. Not coming from academic lineage or economic privilege, I could not escape the profound sense of guilt of leaving so many behind in the everyday struggle to live, labor and learn in a school that is less of a land-grant institution and more of a land-grab institution; an educational system that is more private than public; a corporation that presents students with more educational opportunists than educational opportunities; a sea of scholarship that looks more like colonizer ships; and a tower that is as anti ebony as it is ivory. Most know it as the “U of M,” when it is really the U of empire. Here, I would like to take the opportunity to counter the university’s individualistic and neoliberal logic to thank several people who have helped me cope with the challenges of living, learning and laboring in a space designed without me (and many others) in mind. Thank you to my advisers David Pellow and Joyce Bell for supporting me along my graduate school journey. Though illegible to the university, I recognize and appreciate the inordinate amount of labor you perform inside and outside the classroom. -
Your Chocolate Rain Are Belonging to Us?': Viral Video
‘All Your Chocolate Rain are Belonging to Us?’: Viral Video, YouTube and the Dynamics of Participatory Culture Jean Burgess Marketers and media producers for the past several years have been racing to capture the marketing potential of both online social networks and user-created content. ‘Viral marketing’, for example, is the attempt to exploit the network effects of word-of-mouth and internet communication to induce a massive number of users to pass on ‘marketing messages and brand information voluntarily’.1 The related term ‘viral video’ has emerged to describe the phenomenon in which video clips become highly popular through rapid, user-led distribution via the internet. How, or whether, the ‘bottom-up’ dynamics of viral video can be mobilised for instrumental purposes—from marketing to political advertising—remains an open question. But ‘viral video’ could be much more than a banal marketing buzzword—in fact, interrogating it a bit more closely in the specific context of YouTube can help us cut through the hype and better understand some of the more complex characteris- tics of participatory popular culture online. In popular usage, the term ‘viral’ (and the related internet ‘meme’) are of course very loosely applied biological metaphors, appropriated from various attempts to develop a science of cultural transmission based on evolutionary theory that have been unfolding for decades. The contested field of ‘memetics’ is the best-known, but by no means only, strand of this kind of 86 JEAN BURGESS : ALL YOUR CHOCOLATE RAIN thinking, which began with Richard Dawkins’ proposal in The Selfish Gene of the ‘meme’ as the corresponding cultural unit to the biological gene.2 Similar to the scientific usage in meaning if not analytical precision, in contemporary popular usage an internet ‘meme‘ is a faddish joke or practice (like a humorous way of captioning cat pictures) that becomes widely imitated. -
Jon Stewart Hosts COMEDY CENTRAL's On-Air Charity Special
Jon Stewart Hosts COMEDY CENTRAL'S On-Air Charity Special 'Night Of Too Many Stars: An Overbooked Concert For Autism Education' With Live Wrap-Arounds From Los Angeles On Thursday, October 21 At 9:00 P.M. ET George Clooney, Tom Hanks, Jimmy Kimmel And Betty White Join The LA Live Star-Studded Event Special Segments With Conan O'Brien And Adam Sandler Added To Air In Telecast eBay Auction Featuring Numerous Celebrity Signed Items Now Available At www.comedycentral.com/stars With Bidding Ending On Monday, October 25 Donations Of Any Dollar Amount Accepted At www.comedycentral.com/stars A $10 Donation Can Be Made By Texting STARS To 90999 (Message and Data Rates May Apply) And Also Viewers Can Vote Via Texting On Stunts They Want To See Take Place During The LA Live Event Pepsi To Give An Additional $100,000 To The Top Three Most Voted Causes Selected By Viewers NEW YORK, Oct 19, 2010 /PRNewswire via COMTEX/ -- Over 50 amazing performers will show their support and lend their comedy chops to "Night Of Too Many Stars: An Overbooked Concert For Autism Education," the biennial/bi-coastal event which raises funds to help ease the severe shortage of effective schools and education programs for autistic children and adults. This year's presentation features star-studded taped segments from the Beacon Theatre in New York City with additional live wrap-arounds from Los Angeles including a celebrity phone bank which allows viewers to call in during the show to donate while speaking with additional comedic heavyweights. Stewart hosts an evening filled with live performances and sketches from a roster of comedy all-stars with live wrap-arounds in LA and showcasing the taped segments from New York City which premieres on COMEDY CENTRAL on Thursday, October 21 at 9:00 p.m. -
Thesis (844.6Kb)
ABSTRACT You Should Have Expected Us – An Explanation of Anonymous Alex Gray Director: Linda Adams; PhD Anonymous is a decentralized activist collective that has evolved using the technology of the information age. This paper traces its origins as a way of contextualizing and better understanding its actions. The groups composition is examined using its self‐ascribed imagery to illustrate its’ unique culture and relational norms. Its structure and motivation are analyzed using the framework developed for social movements and terrorist networks. Finally a discussion of a splinter cell and official reaction delineate both strengths and weaknesses of the movement while suggesting its future development. The conclusion serves to expound on the ideal end for the online anonymous community as a new frontier in meritocratic activism. APPROVED BY DIRECTOR OF HONORS THESIS: ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ Dr. Linda Adams, Department of Political Science APPROVED BY THE HONORS PROGRAM: ‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐ Dr. Andrew Wisely, Director. DATE: ________________________ YOU SHOULD HAVE EXPECTED US AN EXPLANATION OF ANONYMOUS A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Alex Gray Waco, Texas May 2012 TABLE OF CONTENTS Preface iii Acknowledgements iv Dedication v CHAPTER ONE 1 Introduction CHAPTER TWO 4 The Story of Anonymous CHAPTER THREE 20 A Group with No Head and No Members CHAPTER FOUR 39 Activists or Terrorists CHAPTER FIVE 56 Distraction, Diversion, Division CHAPTER SIX 67 Conclusion Bibliography 71 ii PREFACE Writing a paper about a decentralized, online collective of similarly minded individuals presents a unique set of challenges. In spending so much time with this subject, it is my goal to be both intellectually honest and as thorough as I can be. -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies. -
Smashing Pumpkins Debut in Chicago Adore
0 items Help | About Us Choose a station & listen now! Search by Artist Your favorite music - Browse by genre - Cheap Trick on sonicnet.com Subscribe to Cheap Trick: Click here for free customized e-mails with news, concert dates and more. ARTIST INFO MUSIC NEWS Today's Music News » MAIN BIOGRAPHY ALBUMS Smashing Pumpkins Debut BUY DOWNLOADS Adore In Chicago AUDIO CLIPS CYBERCASTS After performing Adore material live for the MUSIC NEWS first time, Pumpkins leader Corgan joined WEB SITES Cheap Trick for two songs. Cheap Trick, in this case sans Pumpkins leader Billy ALBUM REVIEWS Corgan, go about Corgan theirbusiness Sunday night SIMILAR ARTISTS CHICAGO -- Smashing Pumpkins leader Billy Corgan fulfilled a boyhood dream Saturday nightnight when he took in Chicago. BULLETIN BOARDS the stage with the band he has long raved about: SUBSCRIBE Cheap Trick. SEARCH BY ARTIST GO Dressed like Trick guitarist Rick Nielsen, in a baseball cap with brim up-turned, Corgan took up one of Nielsen's checkerboard guitars and proceeded to jam on "Mandocello" and "Just Got Back." All the while, he mimicked Nielsen's moves to everyone's amusement: SUBSCRIBE to The leaping, flicking guitar picks and all. "He's kind-of like Smashing Pumpkins my young bastard son," Nielsen said. Free News and Info Updates via email! CLICK HERE "[Billy EMAIL THIS ARTICLE TO A Corgan]'s FRIEND kind-of Meanwhile, Pumpkins touring drummer Kenny Aronoff joined in on maracas for like my "You're All Talk," and bassist D'Arcy Wretzky sang backing vocals, young in all her cat-like splendor, on "If You Want My Love." "This was bastard the best birthday present ever," said Wretzky, who turned 30 the day before. -
The Unwatched Life Is Not Worth Living: the Lee Vation of the Ordinary in Celebrity Culture
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Sociology College of Arts and Sciences 2011 The nU watched Life Is Not worth Living: The Elevation of the Ordinary in Celebrity Culture Joshua Gamson University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/soc Part of the Sociology Commons, and the Television Commons Recommended Citation Gamson, J. (2011). The unwatched life is not worth living: The lee vation of the ordinary in celebrity culture. PMLA, 126(4), 1061-1069. doi:10.1632/pmla.2011.126.4.1061 This Article is brought to you for free and open access by the College of Arts and Sciences at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Sociology by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. 126.4 ] theories and methodologies The Unwatched Life Is Not Worth Living: The Elevation WHEN MY FIRST DAUGHTER WAS BORN A FEW YEARS AGO, I ENTERED A CELEBRITY NEWS BLACKOUT, A SOMEWHAT DISCOMFITING CONDITION of the Ordinary in for a sociologist of celebrity. When she entered preschool, though, Celebrity Culture I resubscribed to Us Weekly and devoured its morsels like a starv- ing man at McDonald’s: Kim Kardashian and her then- boyfriend ate at Chipotle on their irst date! Ashton Kutcher was mad about his joshua gamson neighbor’s noisy construction! Lindsay Lohan is back in rehab! I felt less disconnected from others, comforted by the familiar company, a little dirtier and a little lighter. -
Youtube Star Peter Hollens Debuts “Quarantine Song” to Drive Donations to Combat COVID-19
FOR IMMEDIATE RELEASE [email protected] 573-201-4104 YouTube Star Peter Hollens Debuts “Quarantine Song” to Drive Donations to Combat COVID-19 #1 Billboard Charting Recording Artist and YouTube Sensation Creates New Musical Parody Using Hit Pop Tunes to Encourage Social Distancing; 100% of Proceeds Raised Will be Donated to No Kid Hungry’s Coronavirus Relief Fund (Los Angeles, CA—April 20, 2020) Peter Hollens, recording artist, American entrepreneur, educator, and classically-trained vocal artist most commonly known for his a cappella music videos on Youtube and Facebook, has debuted the QUARANTINE SONG today to encourage people to stay home to flatten the curve and beat COVID-19. The new song is a 100% charity-driven effort, with proceeds going to support millions of children who have lost healthy meals due to school closures nationwide. “We created this to bring levity and fun to a serious subject, but to also remind people that now is the time to think of others before ourselves. Staying home protects ourselves and our family but also our neighbors, friends and our global community,” said Hollens, who’s popular YouTube channel reaches nearly 3 million subscribers. “Thanks to all of my fellow influencers who are joining me in getting this video out into the world. We’re asking everyone to share this video to spread the word and hopefully slow down the spread of coronavirus.” The QUARANTINE SONG was kickstarted by the launch of Hollens’ latest video, which parodies global superstars, including Lady Gaga, Adele, Ed Sheeran, Justin Bieber, Dua Lipa and more with a special guest appearance by Tay Zonday parodying his song “Chocolate Rain” and Evynne Hollens in a singalong encouraging viewers to stay home and practice social distancing when going out. -
The Youtube Effect: How Youtube Has Provided New Ways to Consume, Create, and Share Music
International Journal of Education & the Arts Editors Margaret Macintyre Latta University of Nebraska-Lincoln, U.S.A. Christine Marmé Thompson Pennsylvania State University, U.S.A. http://www.ijea.org/ ISSN 1529-8094 Volume 12 Number 6 July 8, 2011 The YouTube Effect: How YouTube Has Provided New Ways to Consume, Create, and Share Music Christopher Cayari Johns Hill Magnet School, U.S.A. Citation: Cayari, C. (2011). The YouTube effect: How YouTube has provided new ways to consume, create, and share music. International Journal of Education & the Arts, 12(6). Retrieved [date] from http://www.ijea.org/v12n6/. Abstract This case study about a teenage musician, Wade Johnston, suggests how YouTube has affected music consumption, creation, and sharing. A literature review connects education, technology, and media. Informal learning, digital literacy, and twenty-first century technology are also connected in the review. Data reveals how Wade started his channel, gained popularity, interacted with others, and promoted his musical career through YouTube. Original songs, covers, collaborations, documentaries, self- interviews, video blogs (vlogs), and live performances are observed by the researcher. Interviews with the subject, key actors in his life, fans, and first time listeners were transcribed and results were used to triangulate. Previous musical media research is expanded upon to include YouTube and video sharing. The idea of amateur and professional musician, musical venue, and audience member are being changed through YouTube. Current practices of how YouTube is used in the classroom are discussed, and future research is suggested. IJEA Vol. 12 No. 6 - http://www.ijea.org/v12n6/ 2 Background Teens evidently don’t see computers as technology. -
Sideshow Coalition” As Amicus Curiae in Support of Defendants
Case 1:07-cv-02103-LLS Document 349-3 Filed 05/28/2010 Page 1 of 17 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK VIACOM INT’L INC., ET AL., Plaintiffs, ECF Case - against - Civil No. 07-CV-2103 (LLS) YOUTUBE, INC., ET AL., Defendants. THE FOOTBALL ASSOCIATION PREMIER LEAGUE LIMITED, ET AL., on behalf of themselves and all others similarly situated ECF Case Civil No. 07-CV-3582 (LLS) Plaintiffs, - against - YOUTUBE, INC., ET AL., Defendants. BRIEF OF THE “SIDESHOW COALITION” AS AMICUS CURIAE IN SUPPORT OF DEFENDANTS LAW OFFICES OF ERIC J. GRANNIS 620 Fifth Avenue New York, New York 10020 (212) 903-1025 Attorneys for The Sideshow Coalition Case 1:07-cv-02103-LLS Document 349-3 Filed 05/28/2010 Page 2 of 17 TABLE OF CONTENTS TABLE OF AUTHORITIES .............................................................................................................. ii INTEREST OF THE AMICI .............................................................................................................. 1 ARGUMENT ..................................................................................................................................... 2 I. YOUTUBE ENABLED US TO DISCOVER AND DEVELOP OUR TALENTS. .............. 2 II. YOUTUBE HELPS US CHANGE THE WORLD. ............................................................... 3 III. YOUTUBE HELPS LEVEL THE PLAYING FIELD. ......................................................... 5 IV. YOUTUBE ENABLED US TO REACH OUR AUDIENCE. .............................................. 9 V. YOUTUBE HELPED US