Report of Programme Year 2013 Goethe - Institut Belgrad Dr
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12-19BELGRADE.indd 86 27/09/2019 03:53 CRAFT WORK OTHER EASTERN EUROPEAN CITIES HAVE BEEN CAUSING A BUZZ IN RECENT YEARS,YET THE SERBIAN CAPITAL REMAINED IN THE SHADE. NOW IT'S THE REGION'S MOST INTRIGUING DESIGN UPSTART AS CREATIVES MIX UP THE OLD SOCIALIST-ERA AESTHETIC WITH A FRESH TAKE ON THE HANDMADE BY GINANNE BROWNELL MITIC PHOTOGRAPHS BY MATTHEW BUCK 103 12-19BELGRADE.indd 87 27/09/2019 03:53 12-19BELGRADE.indd 88 27/09/2019 03:53 I fell in love with belgrade long before I fell for the Serbian man who would become my husband, the two loves blurred and intertwined. On the night before our wedding, the lobby bar of the Square Nine hotel was bathed in a marmalade lamplight, as if time were suspended. I still recall the bear hugs of my arriving friends, coats slapped, hands warmed with foam-clouded hot chocolates; the glorious mayhem that followed. Later that evening, at the Tri Sešira, a 19th-century tavern in bohemian Skadarlija, wooden boards descended as if from the air, piled high with mountain cheeses, kajmak (the love child of butter and clotted cream) and processional meats with dense cuts of pork and lamb. The home-cooked scents wrapped themselves around us, as did a ragtag of gypsy musicians, ever more raucous, on beaten-up accordions and guitars. The Serbian capital isn’t a showstopper; it didn’t grab me by the heartstrings the first time I arrived here as a reporter 15 years ago. But over years of returning, the things that failed to charm me before – things I simply couldn’t understand – now make me wonder how I ever lived without them. -
Jump Inn Hotel Belgrade
http://seemice.com/Hotel/jump-inn-hotel-belgrade Jump Inn Hotel Belgrade Address: Koce Popovica 2a City: Belgrade ZIP code: 11000 Country Serbia Phone +381 11 39 60 388 [email protected] No of rooms No of halls NAJVEĆA SALA 49 2 85 Location 20 min from airport Nikola Tesla About us 5 min from Belgrade Fair JUMP INN HOTEL BELGRADE is located in the center of old Belgrade, just few minutes 5 min from Sava Center walk from Republic square, Knez Mihajlova street and Belgrade fortress. Also, Jump Inn Surrounding Hotel is a perfect location for guests who prefer night life, considering that it is located close to Sava river with lot of bars and restaurants. City Facilities Jump Inn Hotel has 49 rooms and suites, restaurant and bar and two conference rooms with modern audio video equipment. WiFi Restaurant Guests of Jump Inn Hotel can find a lot of parking places in front of the hotel and next to the hotel. Accommodation Jump Inn Hotel Belgrade has 41 double/twin rooms, 6 junior suites, 1 savamala suite and 1 jump inn suite. Conference capacities Conference block is located on the 5th floor and it is absolutely divided from the other public areas. Small meeting room MILAN and bigger conference room VIKTOR are perfect choice for event up to 85 pax. Conference block also has special area for coffee breaks or cocktails, separate toilets and smoking room. Both rooms are equipped with modern audio video equipment. Additional facilities Transfer on the route airport – hotel – airport, Room service U T TOTAL CLASSROOM BOARDROOM SQUARE THEATER CABARET BANQUET COCKTAIL W x L x H SHAPE SHAPE m2 Milan - 18 15 18 - 30 - - - 35 - Viktor 30 30 30 30 30 85 - 45 80 82 - * Capacities by halls for different seating styles Technical equipment Projector Flipchart Projection canvas Laptop Sound System Smart board Conference accessories - paper block pencils Location Jump Inn Hotel Belgrade is located in the center of old Belgrade, just few minutes walk from Republic square, Knez Mihajlova street and Belgrade fortress. -
Activities in Belgrade
Activities in Belgrade Sights to see 1. Belgrade Fortress (Kalemegdan Park) The number one must-see location in the city. Some 115 battles have been fought over impressive Kalemegdan. Over the centuries, the citadel has been destroyed more than 40 times. The building of the fortification began in Celtic times, which the Romans extended onto the flood plains during their settlement of 'Singidunum', Belgrade's Roman name. Much of what stands today is the product of 18th-century Austro-Hungarian and TurKish reconstructions. The fort's bloody history, discernible despite today's plethora of jolly cafes and funfairs, only maKes Kalemegdan all the more fascinating. Entering from Knez Mihailova, go through the 18th- century Karadjordje Gate to reach the Upper Town (Gornji grad) of the fortress. From the Stambol Gate (1750), you will reach the Military Museum and the 27.5 metre high ClocK Tower. Further along, you will see a small bricK octagon; this is the 1784 Ali Pasha's Turbeh (tomb), one of Belgrade's few well- preserved Islamic monuments. The Roman Well is nearby, a mysterious 60m deep hole (more a cistern than a well) of dubious origin and shrouded in horrifying legends; apparently the well even managed to creep out a visiting Alfred HitchcocK! Looming beside it is the Victor Monument, a symbol of Belgrade erected in 1928 to commemorate Serbia’s victories over the Ottoman and Austro-Hungarian Empires during the BalKan Wars and WWI. This 14 metre high monument is the city’s most recognisable landmarK and famous Belgrade attraction. The plateau around the monument is always crowded with tourists and Belgrade natives, partly because of the breath-taKing view over the confluence of the two rivers that flow through Belgrade, and the beauty of this landmarK as part of the historic Belgrade Fortress. -
Savamala a Place for Making
Savamala A PLACE FOR MAKING a project by: the class 'Design for the Living World' Dates: March 23 – November 16 2013 Locations: Belgrade - Studio KM8 at Kraljevica Marka 8; Župa boat on Sava River Participants: Finn Brüggemann, Maria Christou, Basak Gol, Johanna Padge, Johan Romme, Amalia Ruiz-Larrea, Julia Suwalski, Nuriye Tohermes. With guests of the class: Ron van den Akker (artist, Berlin), Emilija Josipović (freelance architect, Belgrade), Maja Mijatović (HCU HafenCity University Hamburg), Olivera Petrović (freelance architect, Belgrade), Mai Shirato (designer, Hamburg), Rados Vujaklija (Time-related Media, HFBK Hamburg), Nele Urbanowicz (art student, Buchkunst, Burg Giebichenstein Halle), Jana de Jonge (art student, Karlsruhe) and Tessa Zettel (artist, Sydney). Partners: Residents of Savamala and groups active in Savamala, including Iva Milovanović and Jovan Ćurčić (Applied Arts Academy, Belgrade), Drustvo Savamala, Goethe Guerilla and many others. Content Savamala Makers 7 CONTExT AND CONCEPTS People make the city 15 MAKERS IN SAVAMALA Župa Activatons 23 HAPPENINGS AT THE ŽUPA STEAMBOAT The Power of Making 37 IN STUDIO KM8 AND ON ŽUPA BOAT The Future 49 OF KM8 AND ŽUPA BOAT Thanks and Credits 55 WHO PARTICIPATED IN WHAT Savamala A PLACE FOR MAKING 'SAVAMALA – A PLACE FOR MAKING' IS THE OUTCOME OF A SIx MONTH PROCESS IN WHICH STUDENTS HAVE BEEN PROPOSING DIFFERENT APPROACHES OF RE-VITALIZING COMMUNITy SPACE IN THE NEGLECTED BELGRADE CITy-qUARTER SAVAMALA. WE WORKED PRIMARILy WITH TWO SPACES AS RELATIONAL OBJECTS. ONE IS A STUDIO SPACE IN SAVAMALA, STUDIO KM8, THAT URBAN INCUBATOR PROVIDED FOR US. IT WAS OUT OF USE BEFORE THE PROJECT STARTED. THE STUDIO KM8 WAS USED AS A PLATFORM FOR REBUILDING THE IDEA OF SHARED SPACE. -
Disillusioned Serbians Head for China's Promised Land
Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China. -
Creating the Belgrade Waterfront Identity Through a Prism of Architecture and Urban Planning Competitions
SPATIUM UDC 711.553.4(497.11)”19/20” No. 37, June 2017, pp. 74-81 Professional paper DOI: https://doi.org/10.2298/SPAT1737074P Creating THE Belgrade waterfront IDENTITY through A PRISM OF architecture AND urban PLANNING competitions Miroslava Petrović Balubdžić1, ULUPUDS, Belgrade, Serbia The architecture and urban planning competitions are a form of architectural activity that bring creative ideas important for parts of cities or territories, and they can precede the creation of future planning documentation. At the end of the 19th century and in the 20th century, the competitions were occasionally used for solving the most important problems in urban structure of cities. In this respect, Belgrade joined many important European cities. The great urban planning competitions influenced the urban planning solutions and the creation of the waterfront identity. This paper analyses three examples of great public urban planning competitions that were organized at the time of important turning point in the development of waterfronts of the rivers Sava and Danube. This research opens up the question of a specific role of competitions that marked the theoretical and practical problems of their time. Investigating the views of the city, authentic ambiences and recognizable images of the city, the participants provided numerous answers that have influenced the existing identity of the Belgrade waterfront area over time. Key words: waterfront, identity, urban structure, competition, Belgrade. INTRODUCTION of international style and the so-called Le Corbusier’s architecture and urbanism. The construction of several In the 20th century, the processes of planning and important buildings in the post-war period marked a designing the Belgrade Waterfront included the turning point in a new attitude towards planning according professional community, both domestic and international, to which the city should extend to its riverbanks. -
Beyond-The-East-West-Divide
Department of Fine Arts and Music of the Oдељење ликовне и музичке уметности Serbian Academy of Sciences and Arts Српске академије наука и уметности Institute of Musicology of the Музиколошки институт Serbian Academy of Sciences and Arts Српске академије наука и уметности BASEES Study Group Студијска група за руску и источноевропску for Russian and Eastern European Music музику при Британској асоцијацији за (REEM) славистику Oдељење ликовне и музичке уметности Српске академијe наука и уметности Музиколошки институт Српске академије наука и уметности Студијска група за руску и источноевропску музику при Британској асоцијацији за славистику Department of Fine Arts and Music of the Serbian Academy of Sciences and Arts Institute of Musicology of the Serbian Academy of Sciences and Arts BASEES Study Group for Russian and Eastern European Music (REEM) ПРЕВАЗИЛАЖЕЊЕ ПОДЕЛЕ НА ИСТОК И ЗАПАД: НОВА ТУМАЧЕЊА МУЗИКЕ БАЛКАНА Међународни научни скуп Београд, 26–29. септембар 2013. BEYOND THE EAST-WEST DIVIDE: RETHINKING BALKAN MUSIC'S POLES OF ATTRACTION International Musicological Conference Belgrade, 26–29 September 2013 ОРГАНИЗАЦИОНИ ОДБОР Академик Дејан Деспић Проф. др Џим Семсон, члан Британске академије др Филип Булок, Универзитет у Оксфорду; REEM/BASEES др Јелена Јовановић, Музиколошки институт САНУ др Катерина Левиду, REEM/BASEES др Ивана Медић, Музиколошки институт САНУ; REEM/BASEES др Мелита Милин, Музиколошки институт САНУ Проф. др Даница Петровић, Музиколошки институт САНУ Проф. др Кети Роману, Европски универзитет, Кипар др Катарина Томашевић, -
URBAN INCUBATOR: BELGRADE Savamala – a City Quarter Re-Invents Itself
Tim Rieniets, ETH Zurich Dr. Matthias Müller-Wieferig, Director, Goethe-Institut Belgrad (eds.) URBAN INCUBATOR: BELGRADE Savamala – A City Quarter Re-Invents Itself A Goethe-Institut Project 2011-2013 Conceptualized as a pilot project of South-East European local branches of Goethe-Institut (“Initiative of Excellence”) ©Goethe-Institut Belgrad 2012 1 2 6. APPENDIX: TABLE OF CONTENTS REFERENCE PROJECTS......................24-27 Project Row Houses, Houston 1. INTRODUCTION...................................5-6 The Dorchester Project, Chicago Prinzessinengärten (Princess gardens), Berlin 2. SETTING THE STAGE.........................9-15 Create Your Own Wedding Space / RGB Farbraum, Berlin Why Savamala? NEMONA, Berlin Creative Quarters Holding Patterns, New York Urban Pioneers Universität der Nachbarschaften (Neighbourhood University), Hamburg 3. THE PROJECT...................................16-17 2 – 3 Strassen (2 – 3 streets), Dortmund, Duisburg, Mülheim Urban Incubator: Belgrade a.d. Ruhr Next Hamburg, Hamburg 4. NEXT STEPS.....................................18-21 2012: Laying the Ground 2013: Bringing the Urban Incubator to Life 2014: Looking Back / Looking Forward After Belgrade 5. AT A GLANCE................................... 22 Our Goals The Role of the Goethe-Institut Belgrad Possible Project Results A Preliminary Schedule 3 4 friends with the neighbours and try to become a part of a 1.INTRODUCTION new community, changing habits and daily routines to fit with the new situation; and to change the new environment, positively, through institute´s presence. Further tests later revealed that the institute´s Knez Mi- URBAN INCUBATOR: hailova street premises would not require the reconstruction work that had been anticipated. However, the vision of the Goethe-Instiut Belgrad as an incubator of cultural develop- BELGRADE ment in Savamala has continued to grow. -
The Forgotten Light”
”Det bortglömda Ljuset” ”The Forgotten Light” Sonja Tomic Handledare/ Pål Röjgård Harryan Supervisor Examinator/ Anders Johansson Examiner Examensarbeteinomarkitektur, avanceradnivå 30 hp Degree Project in Architecture, Second Level 30 credits 04 June 2015 intro. The Forgotten Light In 1969 the lights went out in the power station on the river Danube in Belgrade. Today the mighty building of Power and Light lays in ruin, swallowed by greenery and inhabited by creatures of the wild. Roofs fall in, glass shatters, walls crumble, but one persists – the irresistible awe this industrial giant evokes. From the moment we lay our eyes on it, its memory burns in our minds, long after the fires of its furnaces went quiet. Will the Light shine again or will it wither into darkness? short summary. Project’s main focus it the restoration of an abandoned coal power plant Power and Light in Belgrade, Serbia. Built in 1931, it is situated in an old industrial zone on the banks of river Danube below the city center. The process of moving the industry from city centers to the suburbs in the beginning of the 20th century left the area mostly disused, how it stays to this date. As the building and the area are tightly bound the project is dealing not only with the revitalization itself, but also gives a sche- matic proposal for the development of the whole historical industrial zone This proposal looks into re-including the area into city life, but also bringing it back the importance it once had as the driving force behind the city development. -
Urban Incubator: Belgrade
| Interview Dr Matthias Müller-Wieferig , director of the Goethe-Institut Belgrade Urban Incubator: Belgrade The Goethe-Institut is the cultural institute of the Federal Republic of Germany operating globally. It promotes knowledge of the German language abroad and foster international cultural cooperation. It faces the cultu- ral policy challenges of globalization and develop innovative concepts for a world in which cultural diversity is recognized as an asset. The Goethe-Institut has been represented since 1970 in Belgrade and it is responsi- “critical mass” which might turn around a whole What are the objectives of the Urban Incubator: tinuously active for at least one year they will better ble for the German cultural exchange with Serbia, Montenegro and Kosovo. city quarter. We even hope that Savamala might Belgrade project? facilitate the transfer of knowledge between local serve as a role model for other neglected areas of and international participants in the project and be- Belgrade, Europe and on the larger map of urban The Goethe-Institut Belgrade can utilise its capac- tween participants and residents. redevelopment processes worldwide. ity as a cultural institution to provide artistic and e were truly honoured to speak with Dr tural, multifaceted connection both ways between cultural stimuli for the sustainable development of At half-term of the 2013 programme year, we WMatthias Müller-Wieferig , director of Serbia and Germany is more than welcome. Anyway, when we started the Urban Incubator: Savamala. The Urban Incubator: Belgrade aims to have already seen about 200 young people and the Goethe-Institut Belgrade. Belgrade project, the curator of the project, improve the quality of life of local residents, argu- students from Belgrade, Serbia, the region and We continuously contribute to the vibrant cultural Tim Rieniets, and the Goethe-Institut managed ing strongly in favour of a city on a human scale, international institutions join the project teams. -
Mali Pijac Na Savi Krajem Xix I Po^Etkom Xx Veka
UDK 711.552 (497.11) »1830/1919« VERA PAVLOVI]-LON^ARSKI MALI PIJAC NA SAVI KRAJEM XIX I PO^ETKOM VEKA XX ali pijac u Beogradu, centar Savamale ili Savske varo- M {i, ponos grada izme|u 1900. i 1914. godine, do`iveo je sudbinu wegovih drugih delova (Englezovca, Zapadnog i Isto~nog Vra~ara, Dunavske padine…), koji su u ne- dostatku jasnog koncepta razvoja grada postajali pro- stori od najve}eg interesa za prestonicu, a zatim, ne- zavr{eni, prepu{tani su zaboravu. Tako je Savamala, centar ekonomske mo}i dr`ave i mesto su~eqavawa no- vih ideja o gradogradwi, ve} posle Prvog svetskog rata sasvim zanemarena. Dana{wim pogledom na Kara|or- |evu ulicu i okolne ulice ne mo`e se ni pretpostavi- ti sjaj koji su one imale po~etkom XX veka. Po~etak razvoja Savske varo{i, nekada{weg pred- gra|a Beograda1 ili, kako su je Turci zvali – Savske ja- lije, {to je kasnije postao sinonim za utrinu pored Save, vreme je dono{ewa Hati{erifa 1830. godine i osamostaqivawa srpske vlasti. Po mi{qewu tada{we vlasti, jedini deo grada koji je bio dovoqno udaqen od turske varo{i u {ancu i koji nije imao poseban pe~at turske vlasti bio je prostor prema reci Savi. Me|u »tro{nim ku}ama la|ara, bostanxija i Ciga- na«,2 i kafana, uglavnom od slabog materijala,3 nalazila se samo jedna reprezentativna gra|evina – nekada{wa Carska xamija na Savi, kasnije nazvana [erif xamija.4 Deo Savamale u blizini Tvr|ave, do dana{weg sav- skog mosta, nazivan je jo{ i Liman – »po pristani{tu 5 carskih dereglija«. -
Kosta P. Manojlović (1890–1949) and the Idea of Slavic and Balkan Cultural Unification
KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić SLAVIC AND BALKANSLAVIC CULTURAL UNIFICATION KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF P. KOSTA Institute of Musicology SASA Institute of Musicology SASA This collective monograph has been published owing to the financial support of the Ministry of Education, Science and Technological Development of the Republic of Serbia KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić Institute of Musicology SASA Belgrade, 2017 CONTENTS Preface 9 INTRODUCTION 13 Ivana Vesić and Vesna Peno Kosta P. Manojlović: A Portrait of the Artist and Intellectual in Turbulent Times 13 BALKAN AND SLAVIC PEOPLES IN THE FIRST HALF OF THE 20TH CENTURY: INTERCULTURAL CONTACTS 27 Olga Pashina From the History of Cultural Relations between the Slavic Peoples: Tours of the Russian Story Teller, I. T. Ryabinin, of Serbia and Bulgaria (1902) 27 Stefanka Georgieva The Idea of South Slavic Unity among Bulgarian Musicians and Intellectuals in the Interwar Period 37 Ivan Ristić Between Idealism and Political Reality: Kosta P. Manojlović, South Slavic Unity and Yugoslav-Bulgarian Relations in the 1920s 57 THE KINGDOM OF SERBS, CROATS AND SLOVENES/YUGOSLAVIA BETWEEN IDEOLOGY AND REALITY 65 Biljana Milanović The Contribution of Kosta P. Manojlović to the Foundation and Functioning of the Južnoslovenski pevački savez [South-Slav Choral Union] 65 Nada Bezić The Hrvatski pjevački savez [Croatian Choral Union] in its Breakthrough Decade of 1924–1934 and its Relation to the Južnoslovenski pevački savez [South-Slav Choral Union] 91 Srđan Atanasovski Kosta P.