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Frederick Delius had a strong champion in the conductor Sir Thomas Beecham, who praised the German-born composer as “the last great apostle of romantic beauty in music”. This rhapsodic intensity of feeling is nowhere more evident than in the luscious 8.556837 harmonies of his exquisite idylls, The Walk to the Paradise Garden and On Hearing The DDD First Cuckoo In Spring. La Calinda, from Delius’ second opera, Koanga, has achieved 8.556837 worldwide popularity. Playing Time 76:14 The Best of DELIUS Best ofThe DELIUS (1862-1934) 1 Two Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring 5:53 2 Two Pieces for Small Orchestra: No. 2, Summer Night on the River 6:19 3 Irmelin: Prelude 5:12 4 Florida Suite: II: By the River 7:12 www.naxos.com Made in Germany Booklet notes in English. ൿ 5 Two Aquarelles: No. 1: Lento, ma non troppo 2:25 1996-2004 & 6 Two Aquarelles: No. 2: Gaily, but not quick 2:25 The Best of DELIUS The 7 Scherzo 5:45 8 Ꭿ Fantastic Dance 3:39 2008 Naxos Rights International Ltd. 9 A Village Romeo and Juliet: The Walk to the Paradise Garden 9:12 0 Three Small Tone Poems: No. 2, Winter Night (Sleigh Ride) 5:43 ! Idylle de Printemps 8:05 @ Koanga, Act II: La Calinda (arr. E. Fenby) 3:52 # Koanga, Act II: Closing Scene (arr. T. Beecham) 10:32 8.556837 Includes Free Downloadable Bonus Track available at www.classicsonline.com. Please see inside booklet for full details. Cartoon of Delius by John Minnion..

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DELIUS BOOKLET:Bob.Qxd 14/4/08 16:09 Page 1
DELIUS BOOKLET:bob.qxd 14/4/08 16:09 Page 1 second piece, Summer Night on the River, is equally evocative, this time suggested by the river Loing that lay at the the story of a voodoo prince sold into slavery, based on an episode in the novel The Grandissimes by the American bottom of Delius’s garden near Fontainebleau, the kind of scene that might have been painted by some of the French writer George Washington Cable. The wedding dance La Calinda was originally a dance of some violence, leading to painters that were his contemporaries. hysteria and therefore banned. In the Florida Suite and again in Koanga it lacks anything of its original character. The opera Irmelin, written between 1890 and 1892, and the first attempt by Delius at the form, had no staged Koanga, a lyric drama in a prologue and three acts, was first heard in an incomplete concert performance at St performance until 1953, when Beecham arranged its production in Oxford. The libretto, by Delius himself, deals with James’s Hall in 1899. It was first staged at Elberfeld in 1904. With a libretto by Delius and Charles F. Keary, the plot The Best of two elements, Princess Irmelin and her suitors, none of whom please her, and the swine-herd who eventually wins is set on an eighteenth century Louisiana plantation, where the slave-girl Palmyra is the object of the attentions of her heart. The Prelude, designed as an entr’acte for the later opera Koanga, makes use of four themes from Irmelin.
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Delius-Liner-Notes-Koanga.Pdf
SBLX-3808 14 1-.Angel Koanga in America response: Keary's libretto was denigrated through an optical machine, in order to phere. Only the principals and a few first recording by Frank Corsaro and Delius' music highly praised. Yet get opaque darknesses and multiple color supernumeraries, representing the priest of the composer's "American" opera alack, alas, and sad to say, Miss Kemble's schemes. This process enabled us to create and his retinue, were visible during the On March 2, 1884, the ocean liner "fortune of an opera" was not to be, In the surreal, even occultish landscape sur wedding ceremony. Koanga and Palmyra "Gallia" departed Liverpool bound for fact, "Koanga" was not co be again until rounding Koanga's flight from his white scrolled hand in hand between the three America. Two weeks and a stormy crossing its American premiere in 1970, where masters, and the ensuing Voodoo rites. scrimmed areas on stage, their wander DELIUS later, she docked in New York harbor. Keary's gaucheries (revised from a revi As in the later "Village Romeo;· three ings sharply outlined by the imaginative With not a single celebrity aboard, the sion) still proliferated, while Delius, scrims served as projection surfaces - a Miss Porcher's use of side lighting. A few arrival passed unnoticed by the press but Wagner cum spiritual, utterly captivated. front, rear, and middle distance scrim - steps taken by the lovers, and the skies, for a brief item concerning George Payn More than a decade after "Koanga's" ini which could be flown in and out as the waters, the land itself c'.1anged magi KOANGA ter, the "Gallia's" bar-keep.
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Newsletter31-Summer1971-1.Pdf
NEWSLETTER of the DELl US SOCIETY President: Eric Fenby, O.B.E. Hon. Secretary: Miss Estelle Palmley Hon. Treasurer: G. H. Parfitt Editor: John White - -- - - - - - -- -- - - - -- - - ~ - - - - - --- - - - -- ---- - --- No. 31. Summer, 1971. - - - -- - - - - - - ------- - - - - -- - - --- - --- - - - ----- Contents Editorial Forthcoming Events Midlands' Branch Report The American Premiere of 'Koanga' (contd.) " EDITORTAL As soire of us are aware, orr Presid.ent has been engaged. recently in the preparation of a new biographical study of Delius and this is now published in I The Great Conposers I series by Faber and- Faber. I tfdnlc it hardly need.s saying that past biograpiries of Delius leave rruch to be desired, notwithstanding the lr-istorical significance of some of them. Mr. Fenbyrs previous book rDeJius es I I{new Hint, deals only with the last Jrears of the composerrs life, but those already fanriliar with it, krtow that he has a unique affinity with his subject, constantly illi:minatecl by tr-is extremely wid.e-ranging knowledge of music and. musicians and all expressed. with uninnj-table charm and hurnor-rr. The book has Ip music exarnples and 57 illustrations from photographs, several of which are published, here for the first tjme. The cost is f,1.50 (po.tage on one copy is 11p. and. on two copies 24il fron Faber and Faber Ltd., 1 Qpeen Square, Lond.onW.C. 1 lN tLv, [he fo1]-or,,i-ing aCditional information has been given to rne by our Secretary: I'The book is to be published. in America, but at present I d.o not have the da,te of publi cation.
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Newsletter25-Autumn69-1.Pdf
NEWSLETTER of the DELIUS SOCIETY President: . Eric Fenby, O.B.E. Hon. Secretary: Miss F,stelle Palmley Hon. Treasurer: Miss Ann Todd Editor: John White No. 25. Autumn, 1969. Contents Editorial "Fennimore and Gerda" - a postscript. Christopher W. Redwood. Three Critical Reactions (fUll text). FOR - A.E.P. (Daily Telegraph) AGAINST - John Warrack (~'unday Telegraph) A BALANCED VIEN - Desmond Shawe-Taylor (Sunday Times) An Alternative Assessment - John G. Hall. New Publications. EDITORIAL "Fennimore and Gerda" was given its first stage production in Great Britain nearly eighteen months ago and this edition of the Newsletter contains a retrospective survey of the criticisms which appeared in the press. Mr. Redwood (the author of the excellent programme note) wrote his account shortly after attending both performances, but his text was mislaid and has only recently been re-discovered, together with the other material I have included. Your attention is also drawn to the following articles:- "Fennimore & Gerda" Christopher Redwood. ('Composer' No. 27 - Spring 1968) "Jacobsen and Delius: W. Glyn Jones. ('Denmark' No. 146 a novel and its opera" - Winter 1968. Published by the Anglo-Danish Society, 5 st. Relen's Place, London E.C.3.) (Many members will remember the absorbing talk given by Dr. Glyn Jones on the subject at a previous London meeting.) ** * * ** * * Miss Palmley has sent me a letter she has received from Mr. Ivor Hughes, the Artistic Director of 'Yorkshire Opera', from which I quote the following: "You will be vory interested to know that I have been staging an Exhibition in various parts of Yorkshire about my struggles and the project in general.
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The Delius Society Journal Spring 2013, Number 153
The Delius Society Journal Spring 2013, Number 153 The Delius Society (Registered Charity No. 298662) President Lionel Carley BA PhD Vice Presidents Roger Buckley Sir Andrew Davis CBE Sir Mark Elder CBE Bo Holten RaD Lyndon Jenkins RaD Richard Kitching Piers Lane BMus Hon FRAM ARCM LMusA David Lloyd-Jones BA Hon DMus FGSM Julian Lloyd Webber FRCM John McCabe CBE, Hon DMus Anthony Payne Robert Threlfall Website: http://www.delius.org.uk ISSN-0306-0373 1 DSJ 153 Spring 2013.indd 1 08/04/2013 09:45 Chairman Martin Lee-Browne CBE Chester House, Fairford Gloucestershire GL7 4AD Email: Chairman@The DeliusSociety.org.uk Treasurer and Membership Secretary Peter Watts c/o Bourner Bullock – Chartered Accountants Sovereign House 212-224 Shaftesbury Avenue London WC2 8HQ Email: [email protected] Secretary Lesley Buckley c/o Crosland Communications Ltd The Railway Station Newmarket CB8 9WT Tel: 07941 188617 Email: [email protected] Journal Editor Paul Chennell 19 Moriatry Close Holloway, London N7 0EF Tel: 020 7700 0646 Email: [email protected] Front cover: Paul Guinery unravelling Delius’s harmony, at the British Library on 22nd September 2012 Photo: Roger Buckley Back cover: 23rd September 2012 Andrew J. Boyle at the summit of Liahovda, where Delius had his last glimpse of Norway’s mountain majesty Photo: Andrew Boyle The Editor has tried in good faith to contact the holders of the copyright in all material used in this Journal (other than holders of it for material which has been specifically provided by agreement with the Editor), and to obtain their permission to reproduce it.
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Wexford Festival Opera's Koanga
WEXFORD FESTIVAL OPERA’S KOANGA Members will be aware that Wexford Festival Opera staged Delius’s opera Koanga in October 2015. This special feature brings together an introductory piece on Wexford itself by Martin Lee-Browne, Michael Gieleta’s insightful Director’s Notes on the production, a review of the first night by Roger Buckley, and a report on the fascinating talk to members back in November given by conductor Stephen Barlow and Michael Gieleta. WEXFORD – A TOWN COMES TO LIFE In a sheltered position at the very south-easternmost tip of Ireland, Wexford has a double existence. Originally founded in about 800AD by the Vikings, many centuries later it became a centre for revolt against British rule – and nowadays, for about 49 weeks of the year, it is just a traditional Irish country town that has, sadly, seen much better days. Once a successful seaport, shifting sand in the harbour caused it to decline, and large commercial ships stopped using it in the 1960s; nevertheless, it still has a fishing fleet – evidenced by the fact that there are a large number of fish restaurants in the town and the surrounding area, many of which are quite superb. Like most of its counterparts across the country, the town has a stolid, grey feel to it, and architectural gems are in short supply. There is a reasonable number of small businesses, but no major employers: the unemployment rate is around 25%. Wexford County has one of the highest suicide rates in the country, and is apparently ‘the burglary centre of Ireland’; there seems to be little farming in the surrounding countryside, and generally there is much near-poverty.
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Identity, Representation and Transcultural Adaptation in Delius's Koanga
University of Huddersfield Repository Fox, Richard Bramwell Identity, Representation and Transcultural Adaptation in Delius©s Koanga Original Citation Fox, Richard Bramwell (2016) Identity, Representation and Transcultural Adaptation in Delius©s Koanga. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/31579/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ University of Huddersfield Identity, Representation and Transcultural Adaptation in Delius’s Koanga A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Masters by Research in Music Richard Bramwell Fox 9-20-2016 2 Copyright Statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes.
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Musical Offering
HAWKES POCKET SCORES Available for the first time MUSICAL OFFERING BY J. S. BACH EDITED BY HANS GAL J. S. Bach's creative achievements during the last decade of his life are distinguished by the extraordinary concentration with which he explored once more all the technical and formal possibilities of contrapuntal style, with the result of a perfection and richness of polyphonic design unequalled in all music. Among his great works of this period, the " Musical Offering " is the most colourful and immediately appealing. PRICE £J- NET. The H.P.S. edition, as well as a wide selection of classical works, has the largest number of successful, contemporary compositions which are heard throughout the world at concerts, on the radio, and on recordings. Most recent additions to the catalogue include: J. S. BACH BOHUSLAV MARTINI! 101, The Art of Fugue 6/- 68, Symphony No. 4 1$/- BELABARTOK 69, Symphony No. , l5/- 668, Viola Concerto 9/- OTHMAR SCHOECK 678, Concerto for Horn & ERNEST BLOCH String Orchestra 3/6 7o, Concerto Symphonique 20/- RICHARD STRAUSS ALEXANDER BORODIN 667, Four Last Songs 8/- 673, Prince Igor, Overture 6/- 662, Second Horn Concerto 8/- 677, Symphonie fur Blaser 2 r/- Ts;:r s^;,o, , ?r 64, Variationngs on a Them44e of5 / 666' <~antata 4/- Frank Bridge 7/- 6.0, Capriccio 8/- ' 66^, Divertimento 9/- AARON COPLAND 630, Octet for Wind Instr. 72, Billy the Kid 1 $/- (Revised 19^2 version) s/- 676, An Outdoor Overture $/- 6^2, Persephone 11/- 671, Quartet for Piano & Str. 5/- 672, Symphonies of Wind Instr. 675, Sextet £J- (Revised 1947 version) s/- Obtainable at all Music Dealers or direct from the Publishers.
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Delius (1862-1934)
BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) A Discography of CDs & LPs Prepared by Michael Herman Frederick Delius (1862-1934) Born in Bradford to German parents. His family had not destined him for a musical career but due to the persuasion of Edvard Grieg his father allowed him to attend the Leipzig Conservatory where he was a pupil of Hans Sitt and Carl Reinecke. His true musical education, however, came from his exposure to the music of African-American workers in Florida as well as the influences of Grieg, Wagner and the French impressionists. His Concertos and other pieces in classical forms are not his typical works and he is best known for his nature-inspired short orchestral works. He also wrote operas that have yielded orchestral preludes and intermezzos in his most characteristic style. Sir Thomas Beecham was his great champion both during Delius’ lifetime and after his death. Air and Dance for String Orchestra (1915) Norman Del Mar/Bournemouth Symphony Orchestra ( + Elgar: Serenade for Strings, Vaughan Williams: Concerto Grosso and Warlock: Serenade) EMI CDM 565130-2 (1994) (original LP release: HMV ASD 2351) (1968) Vernon Handley/London Philharmonic Orchestra ( + Summer Evening, On Hearing the First Cuckoo in Spring, Summer Night on the River, Vaughan Williams: The Wasps Overture and Serenade to Music) CHANDOS CHAN 10174 (2004) (original CD release: CHANDOS CHAN 8330) (1985) Richard Hickox/Northern Sinfonia ( + Summer Evening, Winter Night, On Hearing the First Cuckoo in Spring, Summer Night on the River, A Song Before Sunrise, La Calinda, Hassan – Intermezzo and Serenade, Fennimore and Gerda – Intermezzo and Irmelin – Prelude) EMI BRITISH COMPOSERS CDM 5 65067 2 (1994) (original CD release: EMI CDC 7 47610 2) (1986) David Lloyd-Jones/English Northern Philharmonia ( + Bridge: Cherry Ripe, Sally in our Alley, Sir Roger de Coverley), Haydn Wood: Fantasy-Concerto, Ireland: The Holy Boy, Vaughan Williams: Charterhouse Suite, Elgar: Sospiri, Warlock: Serenade, G.
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To Opera in Last Learn of It
KOANGA the 1935production of Frederick Delius's opera in the context of its performance history documentation and sources Part Two by Lewis Foreman The Delius SocietvSociety 1995I 99s CONTENTS This issue completes the two-partfwo-part survey, begun with Journal 113,ll3, of the performanceperfonnancehistory of De1ius'sDelius'sopera Koanga. KoangaKoanga:: The 1935 Tour Introduction . 31 Birmingham 5 LiverpoolLiveqpool.... ...77 Manchester ...................................... .1313 Bradford.Bradford ......................................t717 Extracts from Herbert Thompson's Diaries . .2424 Leeds . .2525 Performances after Beecham . .2929 1958 BBC Broadcast (Stanford Robinson) . ..3030 The American Premiere (Paul Callaway) ...3232 1972 Camden Festival (Charles Groves) . .3939 Louisiana and Leeds (John Shenaut and Michael Williamson)Williamson). 43 Leeds Youth Opera .43 2 KOANGA:KOAIVGA:THE TOUR 'fheatre) Birmingham (Prince(Prince of Wales Theatre) 1212October 19351935 Liverpool (Empire(Empire Theatre) 18lS and 21 2l November ManchesterManchesfer(Opera (Opera House) 28 October andand2 November (matinee)(natin6e) Bradford (Alhambra Theatre) III I November Leeds (Grand Theatre) 23 November ItIt isis apparent that the touring orchestrawas not of the quality of the London PhilhannonicPhilharmonic Orchestra which was in the pit at Covent Garden. Tony Benson states* thatthat'for 'for the tour, an orchestrawas built around the nucleus of a dozen LPO players, with Anthony Pini leading the cellos, John Denison the horns, and John CroftCruft as first oboe.' It It is not clear what the LPO did in the interim or whether, like Beecham, some of the key players attempted to commute between engagements of the LPO and the opera tour. Nevertheless, the opera orchestraorchesffa received some good notices during the tour which suggests that it retnainedremained more or less consistent throughout and cameciune to know the repertoire well.
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Indianapolis Symphony Orchestra Discography
INDIANAPOLIS SYMPHONY ORCHESTRA DISCOGRAPHY 2012 Music of Antonin Dvořák Telarc Jun Märkl, Conductor TEL-32927-02 Zuill Bailey, Cello Concerto in B Minor for Cello and Orchestra, Op. 104 Zuill Bailey, Cello The Water Goblin, Op. 107 In Nature’s Realm, Op. 91 2008 A Christmas Greeting from Raymond Leppard Raymond Leppard, Conductor Elizabeth Futral, Soprano Carolina Castells, Soprano Julie Grindle, Mezzo-Soprano Alan Bennett, Tenor Adam Ewing, Baritone Kenneth Pereira, Baritone Robert Danforth, Horn Apollo’s Voice, Chamber Chorus Compilation of favorites from ISO’s annual Classical Christmas concerts ELGAR A Christmas Greeting, Op. 52 RAFF Lullaby from Octet for Strings, Op. 176 Elizabeth Futral, Soprano Arr. Leppard Past Three O’Clock: A Sequence of Carols Elizabeth Futral, Soprano GRAINGER The Sussex Mummer’s Carol Robert Danforth, Horn CORNELIUS A Child’s Christmas Elizabeth Futral, Soprano Arr. Leppard Angelus ad Virgenem Adam Ewing, Baritone Arr. Leppard Tomorrow Shall Be My Dancing Day Kenneth Pereira, Baritone MONTEVERDI Currite populi: In Praise of St. Nicholas Alan Bennett, Tenor Arr. Leppard Fantasia on Old Words and Tunes for Christmas Carolina Castells, Soprano Julie Grindle, Mezzo-Soprano 2006 Mozart Piano Concertos 9 & 25, Rondo K. 386 Onyx Classics Raymond Leppard, Conductor Onyx 4013 Pascal Rogé, Piano Piano Concerto No. 9 in E-flat Major, K. 271 (“Jeunehomme”) Piano Concerto No. 25 in C Major, K. 503 Rondo in A Major for Piano & Orchestra, K. 386 2004 Yuletide Celebration (Volume One) Jack Everly, Conductor Sandi Patty, Soprano Daniel Rodriguez, Tenor Benjamin Brecher, Tenor Scott Tucker, Tenor Chad Freeburg, Tenor Don Peslis, Tenor Kathy Hacker, Soprano Jerry Hacker, Tenor Philip Palermo, Violin Compilation of favorites from ISO’s Holiday production, Yuletide Celebration Arr.
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CHAN 241-37 Booklet.Indd
CHAN 241-37 the essential Delius 21 CCHANHAN 2241-3741-37 BBooklet.inddooklet.indd 220-210-21 226/6/076/6/07 113:57:253:57:25 Frederick Delius (1862 –1934) COMPACT DISC ONE Florida Suite* 37:43 1 I Daybreak – Dance 11:16 2 II By the River 6:41 3 III Sunset – Near the Plantation 10:36 4 IV At Night 8:56 © Lebrecht Music & Arts Photo Library North Country Sketches* 28:54 5 I Autumn 8:22 6 II Winter Landscape 4:00 7 III Dance 7:23 8 IV The March of Spring 8:52 9 Air and Dance† 5:07 TT 72:07 Ulster Orchestra* London Philharmonic Orchestra† Vernon Handley Frederick Delius 3 CCHANHAN 2241-3741-37 BBooklet.inddooklet.indd 22-3-3 226/6/076/6/07 113:57:173:57:17 COMPACT DISC TWO Two Pieces for Small Orchestra 13:58 9 Late Swallows 9:28 1 1 On Hearing the First Cuckoo in Spring 6:41 for string orchestra 2 2 Summer Night on the River 7:17 Arranged by Eric Fenby 3 A Song before Sunrise 5:48 10 Intermezzo from ‘Fennimore and Gerda’ 5:29 for small orchestra Edited and arranged by Sir Thomas Beecham Two Aquarelles 4:36 Bournemouth Sinfonietta for string orchestra Arranged by Eric Fenby Norman Del Mar 4 1 Lento, ma non troppo 2:11 11 The Walk to the Paradise Garden 10:05 5 2 Gaily, but not quick 2:22 Lento From ‘Hassan’ 4:27 12 In a Summer Garden 15:35 Arranged by Sir Thomas Beecham Andante – Animato TT 75:44 6 Intermezzo 2:08 7 Serenade 2:17 Bournemouth Symphony Orchestra Brendan 0’ Brien leader Richard Hickox 8 Prelude to ‘Irmelin’ 5:21 Lento 4 5 CCHANHAN 2241-3741-37 BBooklet.inddooklet.indd 44-5-5 226/6/076/6/07 113:57:193:57:19 a private rehearsal/performance conducted ‘Near the Plantation’, the preceding ‘Sunset’ Delius: Orchestral Works by Hans Sitt in a Leipzig restaurant, with an music is very beautiful, as is the ﬁ nal audience consisting of Grieg, Sinding and the ‘At Night’, Delius’s ﬁ rst nocturne.
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