National Audit of UK Sound Collections Final Report, October 2015
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L--Ficjfs'------I National Criminal Justice Reference Service
If you have issues viewing or accessing this file contact us at NCJRS.gov. -----------------------------------~---------------.---.~------.--~--------------- l--fiCjfS'--------i National Criminal Justice Reference Service This microfiche was produced from documents received for inclusion in the NCJRS data base. Since NCJRS cannot exercise control over the physical condition of the documents submitted, the individual frame quality will vary. The resolution chart on this frame may be used to evaluate the document quality. 1.0 1.1 U.S. ~t or Jultlcl 111111.8 NlilonallMtftut. or .Julltlee 7111,. oo."'Umt>nt hall bElon reproduC$d exactly all recolved flom tho per$Oo Of organizalloo originating It. Points of view oroplnions stated " 10 thls dccumont IIro those of tho authors and do not necessarily 111111.25 111111.4- 111111.6 1, , f!prrlSOOI Itlo Q't'Iiclal posltlon orpollcllHl of tht! Natlonallnstltulo of JulStiCO. Pormills/on to reproduce this Cepilifjhl.d malarial hall boon \)f8nled~ II, FBI Law Enforcement Bulletin MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF SlANDARDS·1963 A 10 the Nntional Criminal JuilUce Rtlfttrooco Servlco (NCJRS). r:urlhor loproducHon OYtslde of the NCJRS syst.m requlros permls· Glen 01 the ~ ~er. Microfilming procedures used to create this fiche comply with the standards set forth in 41CFR 101-11.504. Points of view or opinions stated in this document are those of the author(s) and do not represent the official position or policies of the U. S. Department of Justice. National Institute of Justice United States Department of Justice Washington, D. C. 20531 6/B/ B4 . l:1 f f',;( S-S3 ~ORCEMENT rr@~@~i© ~©~@m©@ rBI BULLETIN NOVEMBER 1983. -
DVD Press Release
DVD press release Here’s a Health to the Barley Mow A Century of Folk Customs and Ancient Rural Games For the first time ever on DVD, the BFI has compiled an idiosyncratic and highly entertaining collection of startling short films, poetic documentaries, long-unseen TV reports and rare silent film footage all celebrating the traditional folk customs, songs, dances and games of Great Britain. This double-disc set of 44 newly remastered films, accompanied by a 58-page booklet of essays and notes by leading folk authorities, reveals just how powerful and enduring our folk traditions have always been, and celebrates the enjoyment that these customs continue to bring to communities nationwide. These eye-opening films, with subjects ranging from pagan customs to traditional dances and extreme sports, come from all over the country. There’s Cornwall’s 'sexy, savage Spring-time rite' performed on May Day; the highly anarchic ball games played in Leicester and Orkney; the Mummers' plays of Derbyshire, Dorset and Dartmoor; mischievous 'dwile flonking' in Suffolk; the extraordinary Burry Man of West Lothian; sword and step dancing in Yorkshire and Norfolk; and the carrying of barrels of burning tar in Ottery St Mary, Devon. This ambitious 6 hour collection includes Alan Lomax’s glorious Padstow May Day film Oss Oss Wee Oss (1953); a series of 1912 Kinora Spools featuring traditional dances by pioneering folklorists Cecil Sharp and George Butterworth; Richard Philpott’s celebration of ancient pre-Christian spring rituals in The Flora Faddy Furry Dance Day (1989); 1920s newsreels charting Shrove Tuesday football contests; and recent footage shot by filmmakers Doc Rowe and the Turner Prize winner Jeremy Deller with Alan Kane, showing the exhilarating contemporary performance of folk customs and rituals. -
Mary Neal and the Esperance Morrice
-~ CONTENTS American Morris Newsletter, Repri nt Series. NO. 2 page 1 Maty Neal and the Esperance Morris by Roy Judge This article first appeared in Folk Music Journal 1989 Volume 5, Number 5, pp. 545-591 reprinted here by permission ofthe author and the F MJ editorial board COVER PHOTO: Mary Neal Photograph 1cindly provided by Antony MacIlwaine American Morris Newsletter Reprint Series is an annual supplement to the American Morris Newsletter. It is available as part of the regular subscription to the Newsletter. American Morris Newsletter is published three times a year in Reprint Series No.2 MarchiApril, July/August, and November/Decem ber. Supplements include the Annual Directory of Morris Sides in North America and The AMN 1993 Reprint Series. Subscription rates are $10.00/year or $17.00/two year subscription for an individual, or, at a bylk rate of $8.50/copy for a For this second Reprint Series, AMN presents the work of English minimum of six copies mailed. to the same address. Overseas subscribers add scholar Roy Judge. This article is the seminal scholarship to-date on the $4.00. All checks should be in USA cunency, made payable to, and mailed work of Mary Neal and the Esperance Morris. The victors write the history to: American Morris Newsletter, c/o James C. Brickwedde, 3101 11th booles. Mary Neal and her work bas remained clouded in obscurity as the Ave. South, Minneapolis, Minnesota 55407; (612)721-8750. English Folk Dance Society, the organization established by Cecil Sharp, Editor of the newslener is James C. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
From Sheet Music to MP3 Files—A Brief Perspective on Napster
University of Kentucky UKnowledge Law Faculty Scholarly Articles Law Faculty Publications 2001 Introduction: From Sheet Music to MP3 Files—A Brief Perspective on Napster Harold R. Weinberg University of Kentucky College of Law, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/law_facpub Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, and the Internet Law Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Harold R. Weinberg, Special Feature, Introduction: From Sheet Music to MP3 Files—A Brief Perspective on Napster, 89 Ky. L.J. 781 (2001). This Article is brought to you for free and open access by the Law Faculty Publications at UKnowledge. It has been accepted for inclusion in Law Faculty Scholarly Articles by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Introduction: From Sheet Music to MP3 Files—A Brief Perspective on Napster Notes/Citation Information Kentucky Law Journal, Vol. 89, No. 3 (2001), pp. 781-791 This article is available at UKnowledge: https://uknowledge.uky.edu/law_facpub/127 SPECIAL FEATURE THE NAPSTER LITIGATION Introduction: From Sheet Music to MP3 Files- A Brief Perspective on Napster BY HAROLD R. WEINBERG* I. he Napster case is the current cause cdlabreof the digital age. The story has color. It involves music-sharing technology invented by an eighteen-year-old college dropout whose high school classmates nicknamed him "The Napster" on account of his perpetually kinky hair.2 The story has drama. -
ARSC Guide to Audio Preservation
ARSC Guide to Audio Preservation Sam Brylawski, Maya Lerman, Robin Pike, Kathlin Smith, editors from last round: National Recording Preservation Board OF THE LIBRARY OF CONGRESS ASSOCIATION FOR RECORDED SOUND COLLECTIONS Council on Library and Information Resources revised: National Recording Preservation Board OF THE LIBRARY OF CONGRESS National Recording Registry OF THE LIBRARY OF CONGRESS ISBN 978-1-932326-50-5 CLIR Publication No. 164 Copublished by: Association for Recorded Council on Library and The Library of Congress Sound Collections Information Resources 101 Independence Avenue, SE c/o Nathan Georgitis, Knight Library 1707 L Street NW, Suite 650 Washington, DC 20540 1299 University of Oregon Washington, DC 20036 Website at http://www.loc.gov Eugene, OR 97403 Website at http://www.clir.org Website at http://arsc-audio.org Commissioned for and sponsored by the National Recording Preservation Board of the Library of Congress. Publication inquiries should be directed to Kathlin Smith at the Council on Library and Information Resources (CLIR). Additional copies are available for $30 each. Orders may be placed through CLIR’s website at http://www.clir.org/pubs/reports/pub164. The paper in this publication meets the minimum requirements of the American National Standard 8 for Information Sciences—Permanence of Paper for Printed Library Materials ANSI Z39.48-1984. The ARSC Guide to Audio Preservation is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Photos with credits are excluded from -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
Nov 2008 Sheffield Report
Traditional Song Forum meeting, Sheffield, 8th November 2008. The meeting was attended by 18 TSF members and 4 visitors. It was organised and chaired by Steve Gardham, apologies being received from Steve Roud, Doc Rowe, and a number of other members. Research Reports Johnny Adams. A public workshop had been held recently to promote the activities of the Village Music Project on the occasion of its 10th anniversary, which would be repeated at a number of venues in the next year or so. Currently, a 200-year old book was being conserved at CSH, and funds would be raised and the restored book dedicated to the memory of Barry Callaghan. The Paul Graney project, involving the setting up of an archive of recordings from the Manchester area, was on hold due to lack of time. The Folkopedia project was going slowly, with only two people making contributions, and thought would need to be given to some changes of priority. But the main need was for more people to input material. There were so many projects going on needed “to talk to each other”, including Ian Russell’s idea of a “Virtual Archive”. Gwilym Davies. A CD of the Shropshire singer Ray Driscoll was out, Brockwear, a village near Chepstow, have a carolling tradition, with recordings of the main singer, and it is hoped to revive this for Christmas 2009, and he had done a programme on Radio Gloucester asking for information on travellers, which had given a positive response. Chris Coe. Working with the East Anglian Traditional Music Trust on Vaughan Williams mss and teaching the songs. -
A History of Family & Music
A History of Family & Music James “Brasser” Copper (1845 - 1924) by John Copper Born in Rottingdean village 1845, son of John a nearby growing crops, as well as assisting the Head farmworker and his wife Charlotte, James was their Shepherd with his daily tasks. It was hard and second child; the first had died in infancy as did tedious work for a youngster, but at least James four of his siblings. Although clearly from a humble was able to contribute a few shillings each week to background, James was to distinguish himself the family income. amongst his peers by a combination of hard work, determination and a powerful personality. At eighteen he voluntarily attended evening-classes with his brother Thomas (at their own expense) to John had been born on a farmstead outside the learn how to read, write and reckon. Literacy in village in Saltdean valley in 1817. Newlands was the1860s was by no means available to all. It tended tenanted “copyhold” by his father, George Copper to be the preserve of the sons and daughters of the (b.1784). This now defunct form of lease meant that better-off tradespeople and the privileged classes. as long as the tenant kept the ground tilled and in The efforts that the two brothers made towards their good heart the demesne was held rent free, with further education clearly paid off. Thomas, having the landlord retaining timber and mineral rights. first been elevated to Head Carter on the farm went Unfortunately this agreement usually expired on on to become landlord of the principal village pub the tenant’s death, which explains James’s lowly “The Black Horse”, whilst the older brother James birthplace in the little farmworker’s cottage in the worked his way up through the hierarchy of the farm village. -
Camlot--TALKINGBOOKS FINAL*
Early Talking Books: Spoken Recordings and Recitation Anthologies, 1880-1920 Jason Camlot Introduction: The Phonograph and the Rhetoric of Immediacy In 1878, when Thomas Edison first speculated in print upon the practical significance of his invention of a sound recording device, or talking machine (in "The Phonograph and its Future"), and then in 1888, when he reported on "The Perfected Phonograph," the phonographic cylinder suggested itself as a material artifact that would bear the voices of a culture into the distant future, not to be read, but simply to be experienced as they had been heard when they were first captured. In the first of these predictive essays Edison posited grand and optimistic claims for the ascendancy of sound over print resulting from a technology that could replicate speech without the “mediating” practice of reading: "The advantages of [talking] books over those printed are too readily seen to need mention. Such books would be listened to where now none are read. They would preserve more than the mental emanations of the brain of the author; and, as a bequest to future generations, they would be unequaled."1 In the second of the two essays, he likened the markings of a phonographic recording to those found on ancient Assyrian and Babylonian clay cylinders, only to move from the inscriptive analogy to an argument about the phonograph’s ultimate eclipse of writing: It is curious to reflect that the Assyrians and Babylonians, 2,500 years ago, chose baked clay cylinders inscribed with cuneiform characters, as their medium for perpetuating records; while this recent result of modern science, the phonograph, uses cylinders of wax for a similar purpose, but with the great and progressive 1 difference that our wax cylinders speak for themselves, and will not have to wait dumbly for centuries to be deciphered.2 Edison was not alone in identifying his invention as an apparent transcendence of the “technology” of reading (as decipherment), leading to an experience that was even more immediate and intimate than that of the reader with his book. -
A Primer on Preserving Audio and Video Recordings
A Primer on Preserving Audio and Video Recordings National, Provincial and Territorial Archivists Conference Audiovisual Preservation Working Group In partnership with the National Heritage Digitization Strategy Steering Committee May 2018 Contents Preface ....................................................................................................................................................... i Version Control ......................................................................................................................................... ii Introduction .............................................................................................................................................. 1 Terminology .............................................................................................................................................. 1 Obstacles to Preservation ......................................................................................................................... 1 Format Obsolescence ............................................................................................................................ 1 Format Deterioration ............................................................................................................................ 1 Preservation Solutions .............................................................................................................................. 2 Migration.............................................................................................................................................. -
E-Newsletter 6 June 2012 the COMPANY of the GREEN MAN
THE COMPANY OF THE GREEN MAN e-newsletter 6 June 2012 THE COMPANY OF THE GREEN MAN Greetings to all members of The Company of the Green Man! This is the sixth edition of The Company of the Green Man e- newsletter and I hope everyone finds something of interest amongst these pages. As in our last June edition Jack-in-the- Green takes precedence throughout these pages. But the Green Man as always will redress the balance in the December e- newsletter. I’m currently in the process of moving house and as we all know the third law of sod states “he who shall put his house on the market shall have a leaky flat roof on the same week” and so things were getting hectic and I began worrying that I might be late in getting this e-newsletter out to you all and miss my own June deadline. But then I glanced up at the bookshelf where my copies of Ron’s original newsletters for the Company of the Green Man sit and tried to remember when any of them ever actually arrived when he said they would. And so I realised that as the current caretaker of The Company of the Green Man it is actually my duty to carry on the tradition where possible of ensuring that the Company newsletter is in fact fashionably late. And so that was my excuse all ready to go. But then I sat down and began to look through the plethora of pictures and articles I had ready to go for this edition and the process flowed so smoothly and the pictures fitted together so effortlessly that I finished the e-newsletter earlier than ever before.