2014-15 Annual Report

ANNUAL REPORT

of the

ART GALLERY OF SOUTH AUSTRALIA

for the year

1 July 2014 – 30 June 2015

North Terrace ADELAIDE SA 5000

Phone: 8207 7075 www.artgallery.sa.gov.au

ISSN 0728-7925

ABN 52 290 987 817

The Hon Jack Snelling, Minister for the Arts

Sir, I have the honour to present the seventy-second Annual Report of the Art Gallery of South Australia for the Gallery’s 135th year, ended 30 June 2015

Tracey Whiting, Chair

Art Gallery Board 2014–15

Chair Mr Michael Abbott AO QC (until 2 August 2014) Mrs Tracey Whiting (from 7 August 2014)

Members Emeritus Professor Anne Edwards AO Ms Sandra Sdraulig AM (until 27 July 2014) Mrs Sue Tweddell Mr Robert Whitington QC Mr Neil Balnaves AO Mr John Phillips Ms Jane Yuile (from 15 September 2014) Mrs Susan Armitage (from 4 June 2015)

TABLE OF CONTENTS

Principal Objectives 6

Major Achievements 201 4–201 5 7-9

Strategic Goals 2012 –2015 10 -11

Resources and Administration 12 -31

Co llections 32 -36

Exhibitions and Public Programs 37 -39

APPENDICES

Appendix A Charter and Goals of the Art Gallery of South Australia 40 -41

Appendix B1 Art Gallery Board 42

Appendix B2 Art Gallery of South Australia Foundation Council and Contemporary 42 Collectors Committee

Appendix B3 Art Gallery Organisational Chart 43 -50

Appendix B4 Art Gallery Staff and Volunteers 51 -54

Appendix C Staff Public Commitments 55 -60

Appendix D Conservation 61 -62

Appendix E Acquisitions 63 -103

Appendix F Inward Loans 104 -112

Appendix G Outward Loans 113 -116

Appendix H Exhibitions and Public Programs 117 -130

Appendix I Learning a t the Gallery - School Support Services 131

Appendix J Gallery Guide Tour Services 132 -141

Appendix K Gallery Publications 14 2-143

Appendix L Annual Attendances 144

Appendix M Information Statement 145 -146

Appendix N Financial Statements 147 -185

PRINCIPAL OBJECTIVES

OBJECTIVES

The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act 1939 and can be summarised as the preservation, research and communication associated with heritage and contemporary works of art of aesthetic excellence and historical or regional significance.

MISSION

The mission of the Art Gallery of South Australia is to serve the South Australian and wider communities by providing access to original works of art of the highest quality. Through its permanent collections, temporary exhibitions and other public programs, the Art Gallery seeks to foster, promote and enhance understanding and enjoyment of the visual arts in general.

VISION

To be a leading art museum in Australia and the Asia Pacific Region that:

• is highly respected for the quality and display of its collection, exhibitions, programs, interpretation and research;

• engages South Australians from all walks of life in the visual arts;

• enlivens and enriches the cultural dimension of the city and the state; and

• is a major attraction for interstate and international visitors to South Australia.

GOVERNMENT OBJECTIVES

In addition, the Art Gallery plays a significant role in delivering specific elements of the South Australian Government’s seven strategic priorities:

• Creating a vibrant city

Creating an eclectic and exciting artistic program which attracts local and interstate visitors to the North Terrace precinct, greatly increasing the numbers of people in the city while bringing vibrancy to the city streets. This in turn will enhance the city’s atmospheric appeal and build upon the South Australian brand.

• Every chance for every child

Learning and children’s programs are at the core of the Art Gallery’s artistic program, as it is recognised that building a lifelong love of the visual arts and the Art Gallery begins at an early age.

MAJOR ACHIEVEMENTS 2014–2015

(Note: Where appropriate, relationship to South Australia’s Strategic Plan is indicated)

Strategic Development

This year marks the completion of the Art Gallery of South Australia Strategic Plan 2010-15. Major achievements include a greater focus in engaging with a wide and diverse range of visitors and participants in Gallery programs. This is apparent in general attendance figures rising from 480 363 in 2009-10 to 756 846 in 2014-15. This significant growth has been driven by the expansion of family and children’s programs through the START program presented by the Balnaves Foundation and The Studio program presented by the James and Diana Ramsay Foundation. Also contributing to the strong growth in visitor numbers has been the activation of the collection through the introduction of themed collection displays which regularly change supported by focussed public programs.

The expansion of programs has been primarily driven by the diversification and growth of private philanthropy support for projects through both the Foundation and Contemporary Collectors groups. During the year Contemporary Collectors presented and funded the Trent Parke: The Black Rose exhibition and the Foundation supported the Treasure Ships: Art in the Age of Spices exhibition with a major appeal. The Dorrit Black: Unseen Forces and Mortimer Menpes exhibition publications were also supported by private philanthropy.

The Gallery continues to develop a plan for a new digital strategy and has been successful in receiving a three year grant from the Ian Potter Foundation to initiate this new approach to managing the Art Gallery’s digital environment.

Following the introduction of the Gallery’s Due Diligence and Provenance Policy work continues on improving the Gallery’s provenance history. The Gallery’s website now displays works with incomplete provenance in both the Asian and European collections and these lists are being added to regularly as research progresses. Plans are also underway to review acquisition documentation in keeping with best practice.

Community Engagement

756 846 people visited the Gallery to see the permanent collection and exhibitions, an increase from 674 393 visitors in the last financial year. This is a 12% increase over the last financial year and continues the upward trend in visitor numbers. This total increased to 779 245 people with the inclusion of offsite exhibitions (SASP Target 4: Tourism industry; SASP Target 99: Cultural engagement – institutions).

A total of 9 445 visitors attended 130 talks and tours; 13 practical workshops and demonstrations were attended by 513 people; in addition 14 957 visitors attended 1 661 guided tours delivered by the Gallery volunteer Guides; 6 923 visitors attended the Gallery’s children’s and family programs and events; and, 33 757 school students and support staff visited the Gallery as part of the Schools Support Services and 876 teachers received professional development (SASP Target 3: Cultural vibrancy – arts activities).

The Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris exhibition attracted 60 000 visitors, with 26% of the audience identified as tourists. In conjuction with the exhibition the Gallery staged five after-hours events to give visitors to opportunity to view Fashion Icons out of normal working hours, 5pm–10pm, which attracted 2 092 patrons (SASP Target 3: Cultural vibrancy – arts activities).

In November 2014 the Gallery launched its after-hours program ‘First Fridays’ supported by major partner Santos. On the first Friday of each month the Gallery stayed open until 9pm with the evening focussing on the Gallery’s current exhibition and consisting of guest speakers, guided tours and live entertainment.

The Studio, presented by the James and Diana Ramsay Foundation, has continued to be very successful. The Studio is a permanent hands-on activity centre offering free programs seven days a week with the space and activities reconfigured on a regular basis to reflect current exhibitions. From Monday to Friday the schedule is focused on school groups while weekends and school holidays are programmed for family visits. A total of 22 598 patrons participated in the program in the 2014-15 year (SASP Target 3: Cultural vibrancy – arts activities).

The Gallery Website had 306 831 unique visits, with 1 069 477 pages viewed.

Artistic Program

The Gallery lent a total of 110 works to 24 exhibitions, including a major national touring exhibition and an international touring exhibition (SASP Target 4: Tourism Industry; SASP Target 3: Cultural vibrancy – arts activity).

Five major temporary exhibitions were staged at the Gallery: Dorrit Black: unseen forces ; The World of Mortimer Menpes: Painter, Etcher, Raconteur ; Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris ; Trent Parke: The Black Rose ; and Treasure Ships: Art in the Age of Spices (a complete list of exhibitions and public programs is at Appendix H) (SASP Target 4: Tourism industry; SASP Target 99: Cultural engagement – institutions; SASP Target 3 Cultural vibrancy – arts activities).

Twenty-three special collection displays were staged at the Gallery, full details in Appendix H under Collection Display Exhibitions (SASP Target 4: Tourism industry; SASP Target 3: Cultural engagement – institutions; SASP Target 3: Cultural vibrancy – arts activities).

The Gallery produced the following publications and other merchandise: Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris ; Trent Parke: The Black Rose ; Treasure Ships: Art in the Age of Spices ; Spring 2014, Summer 2014–15, Autumn and Winter 2015 Articulate magazines; children’s activity trails; and a range of merchandise including boxed greeting cards and postcards, umbrellas, jigsaw puzzles, fridge magnets and various leaflets and brochures promoting exhibitions (SASP Target 99: Cultural engagement – institutions; SASP Target 3: Cultural vibrancy – arts activities).

Collection Development

573 works of art were acquired across all areas of the collection. Details of significant additions to the collection are available in the section Collections Development with a complete list of acquisitions at Appendix E (SASP Target 4: Tourism industry; SASP Target 99: Cultural engagement – institutions; SASP Target 27: Understanding of Aboriginal culture; SASP Target 6: Aboriginal wellbeing).

Stock-checks of the Gallery’s high-value items and Other European Prints (non British, Italian and Spanish) were completed.

Audience Development

The Gallery staged four DepARTure events, aimed at the 18–40 year old age group, attracting 1 835 participants (SASP Target 99: Cultural engagement – institutions; SASP Target 3: Cultural vibrancy – arts activities).

The Gallery continued to run the Graduate Program in Art History in conjunction with the University of Adelaide (SASP Target 47: Jobs).

Benefaction and Fund-raising

The combined value of gifts of cash to fund purchases of works of art and donations of works of art was $6.07m for the 2014–15 year.

The Masterwork Appeal, launched in 2013–14, was concluded in 2014–15 after a total of $4.7m had been raised. The Masterwork Appeal was focused on acquiring Camille Pissarro’s Prairie à Éragny , 1886. The work was unveiled 22 August 2014 to Gallery donors and supporters when it was presented on display in gallery 17 of the Melrose Wing of European Art.

The Contemporary Collectors Trent Parke appeal resulted in a total of $250 000 in fundraising, including $50,000 for new acquisitions from the exhibition.

The Treasure Ships Appeal to support expenses associated with the Treasure Ships: Art in the Age of Spices exhibition, including international loans and exhibition installation, was successful in raising $170,000.

This financial year saw the completion of the fundraising initiatives through the Gallery’s Contemporary Collectors to acquire Alex Seton’s Someone died trying to have a life like mine, 2013. This was the third acquisition of the Director’s Project which has raised $704 000 over the past three years.

Administration and Governance

The Art Gallery Audit Committee, established in late 2013, focusses on the assessment and adequacy of the Art Gallery’s administrative internal controls and also functions as the primary committee that considers the annual interim audit conducted by the Auditor-General’s Department. Furthermore, the Audit Committee focusses on the identification and mitigation of the full spectrum of risks that impact or potentially impact the institution.

An extremely valuable support is the work of the Gallery’s 287 volunteers; undertaking Front of House, Library, Public Programs, Education, Curatorial, and Gallery Guide services (SASP Target 24: Volunteering).

The Gallery continued to implement Workplace Health and Safety policies and systems and make improvements as necessary (SASP Target 21: Greater safety at work).

STRATEGIC GOALS 2012–2015

1. Present a dynamic artistic program and build our collection

The goal is to have a collection and an artistic program that:

• are unique to Australia and increase the profile of both the Art Gallery and the state as cultural tourism destinations;

• place the Art Gallery at the forefront of the nation’s art museums, such that it is highly respected for the quality and innovation of its collection and exhibitions, and its curatorship;

• build upon the reputation of the Art Gallery as a hub for research on South Australian art and artists, utilising both the collection and archival resources;

• enable the careful management, research and preservation of the collection to maintain its relevance and accessibility to a wide and diverse audience; and

• engage a global audience through a dynamic online experience of the Art Gallery’s collection and exhibitions.

2. Inspire new audiences

The Art Gallery perceives audience engagement to be at the heart of its role as an initiator of innovative exhibitions and visual arts-based public programs in South Australia, and as such must: • deliver one major, international and unique annual exhibition that restores South Australia to its rightful place as a national leader in the visual arts;

• develop the Adelaide Biennial of Australian Art as a nationally recognised landmark event;

• engage with and attract people with a different demographic profile in the community, specifically focusing on children and young families, with the aim of educating, informing and inspiring South Australians about all aspects of the visual arts;

• generate long-term relationships with the Art Gallery by introducing children to art and encouraging them to engage with the collection through interactive activities, thereby establishing the foundations for a lifelong love of the arts, specifically, the visual arts; • entice young adults into the Art Gallery by creating tailored events such as Departure, for an urban professional demographic who will be nurtured into the next generation of supporters and benefactors;

• communicate using focused and innovative digital marketing strategies to attract visitors with a different demographic profile to the Art Gallery; and

• create an online presence for the Art Gallery to extend the reach of the artistic program.

3. Enrich the cultural life of all South Australians

Communication and connection with audiences are at the heart of building a lifelong relationship with the visual arts. Therefore, the Art Gallery’s public programs must:

• recognise diversity and promote cultural understanding, by creating an artistic program and collection that will attract audiences with diverse demographic profiles in the community;

• establish stronger connections and strategic partnerships with festivals, regional programs and cultural institutions to collaborate on shared goals and promote the arts throughout the state;

• engage and inspire students of all ages by embedding targeted learning in our artistic program;

• collaborate with all tiers of the education sector to both nurture artistic talent in our young people and confirm the Art Gallery’s position as the educational hub for visual arts within South Australia; and

• contribute to the economic and cultural development of South Australia by promoting the state as a cultural tourism destination, and contributing to the broader government agendas.

4. Nurture collective achievement

The Art Gallery recognises that creating an artistic program that inspires, educates and provides aesthetic enjoyment relies on a broad community of participants and supporters, especially those who support the Art Gallery through sponsorship and benefaction. As such, the central focus must always be on: • delivering an eclectic and rich artistic program that attracts and enhances community support through benefaction, attendance and volunteering;

• attracting significant contributions from private benefaction to enable the ongoing expansion of the collection, while encouraging broader support for the Art Gallery’s artistic program;

• building membership by developing targeted programs that extend into new and different audiences and encourage online interaction; and

• strengthening relationships with the corporate sector to create mutually beneficial and relevant partnerships.

RESOURCES AND ADMINISTRATION

LEGISLATIVE RESPONSIBILITY AND THE ART GALLERY BOARD

The role and function of the Board of the Art Gallery of South Australia is described in the Art Gallery Act, 1939 . The Art Gallery Board is a body corporate and consists of up to nine members appointed by the Minister for the Arts.

Members of the Board as at 30 June 2015 were: Mrs Tracey Whiting (Chair), Mrs Susan Armitage, Neil Balnaves AO, Emeritus Professor Anne Edwards AO, John Phillips, Ms Sue Tweddell, Mr Robert Whitington QC, Ms Jane Yuile

FINANCIAL MANAGEMENT AND RESOURCES

Revenue 20 15 $’000 Bequests and donations of cash 1 092 Donations of heritage assets 4 101 Fees and charges 1 467 Grants 1 913 Investment income 505 Net gain from disposal of non current assets - Rent and Facilities Hire 312 Resources Received Free of Charge 950 Sale of goods 1 214 Sponsorships 2 408 Other 176

BOARD MEMBER FEES

The overwhelming proportion of Board fees have been donated or forgone by Board Members.

SELF-INSURANCE/INDEMNIFICATION

The Gallery’s fund for self-insurance against minor claims below $20 000 was maintained at satisfactory levels.

ORGANISATIONAL STRUCTURE AND SENIOR GALLERY MANAGEMENT

The Art Gallery of South Australia, founded in 1881, is governed by the Art Gallery Board of South Australia. The Gallery comprises the following distinct divisions: Directorial, Curatorial, Public Programs, Administration and Corporate Services.

FRAUD

There have been no instances of fraud detected.

MEASURES TO PREVENT FRAUD

The Art Gallery reviewed and maintained risk management systems throughout the year and conducted reviews of security arrangements.

CONTRACTUAL ARRANGEMENTS

Locher provided a Graphic Designer to undertake graphic design projects whilst a new Gallery Graphic Designer was recruited.

The Art Gallery of South Australia regularly uses contractors for normal gallery business such as Public Programs and Publications.

CONSULTANTS

No external consultants were engaged.

DISABILITY ACCESS AND INCLUSION PLANS REPORTING

The Art Gallery endeavours to support the plan in the following manner:

Ensure accessibility to services

All patrons are encouraged to avail themselves of disability services including wheelchair access, wheelchair lifters and toilets for the disabled.

Ensure information about the Art Gallery is inclusive of those with disabilities

Information was available to those with disabilities via the website, printed guides to the Art Gallery, telephone enquiry services.

Provide services with awareness and understanding of issues affecting people with disabilities

The Art Gallery provided guided tours for persons with disabilities and also conducted public events that were accompanied by Auslan sign language interpretation for people with hearing disability. Hearing loops are installed in the Radford Auditorium.

GREENING OF GOVERNMENT OPERATIONS REPORTING / SUSTAINABILITY

The Art Gallery is very aware of our environmental footprint as we continue to implement the following strategies:

Reuse of building materials in exhibition spaces Dual flush toilets in all areas Paper and cardboard recycling Bottle and can recycling Solar panels Green waste recycling Toner recycling And e-waste

ENERGY EFFICIENCY ACTION PLAN REPORTING

The Art Gallery’s energy efficiency statistics are captured in the Department of State Development Annual Report.

EXECUTIVE EMPLOYMENT, STAFF EMPLOYMENT AND OTHER HUMAN RESOURCES MATTERS Details of employment in the Art Gallery of South Australia as at 30 June 2015 are provided in the tables below:

Art Gallery of Agency Arts SA SA Persons 78

FTE's 64.05

Gender % Persons % FTE Male 32.05 36.49 Female 67.95 63.51

Number of Persons Separated from the agency during the last 12 months 10

Number of Persons Recruited to the agency during the 14/15 financial year 18

Number of Persons Recruited to the agency during the 14/15 financial year AND who were active/paid at June 2015 16

Number of Persons on Leave without Pay at 30 June 2015 3 NUMBER OF EMPLOYEES BY SALARY BRACKET Salary Bracket Male Female Total $0 - $56,199 10 16 26 $56,200 - $71,499 8 18 26 $71,500 - $91,499 5 15 20 $91,500 - $115,499 1 4 5 $115,500+ 1 0 1 Total 25 53 78

STATUS OF EMPLOYEES IN CURRENT POSITION FTE's Short- Long- term term Gender Ongoing contract contract Casual Total Male 18.4 0.6 2 2.37 23.37 Female 27.63 7.8 3 2.25 40.68 Total 46.03 8.4 5 4.62 64.05 Persons Short- Long- term term Gender Ongoing contract contract Casual Total Male 19 1 2 3 25 Female 30 9 3 11 53 Total 49 10 5 14 78

NUMBER OF EXECUTIVES BY STATUS IN CURRENT POSITION, GENDER AND CLASSIFICATION Term Ongoing Term Tenured Untenured Other (Inc. Casual) Total

% of % of total total Classification Male Female Male Female Male Female Male Female Male Execs Female Execs Total SAES1 0 0 0 0 1 0 0 0 1 100 0 0 1 Total 0 0 0 0 1 0 0 0 1 100 0 0 1 TOTAL DAYS LEAVE TAKEN

Leave Type 2014/15

1) Sick Leave Taken 6.1 2) Family Carer's Leave Taken 0.9 3) Miscellaneous Special Leave 1

NUMBER OF ABORIGINAL AND/OR TORRES STRAIT ISLANDER EMPLOYEES % Aboriginal Total Aboriginal Salary Bracket Employees employees employees $0 - $56,199 0 26 0 $56,200 - $71,499 1 26 3.85 $71,500 - $91,499 0 20 0 $91,500 - $115,499 1 5 20 $115,500+ 0 1 0 Total 2 78 2.56

NUMBER OF EMPLOYEES BY AGE BRACKET BY GENDER % of Age Bracket Male Female Total Total 15 - 19 0 2 2 2.56 20 - 24 0 3 3 3.85 25 - 29 1 5 6 7.69 30 - 34 1 3 4 5.13 35 - 39 4 8 12 15.38 40 - 44 4 7 11 14.1 45 - 49 5 5 10 12.82 50 - 54 5 8 13 16.67 55 - 59 2 7 9 11.54 60 - 64 2 4 6 7.69 65+ 1 1 2 2.56 Total 25 53 78 100

CULTURAL AND LINGUISTIC DIVERSITY % of Name Male Female Total Agency Number of Employees born overseas 3 8 11 14.1 Number of Employees who speak language(s) other than English at home 2 2 4 5.13

TOTAL NUMBER OF EMPLOYEES WITH DISABILITIES (ACCORDING TO COMMONWEALTH DDA DEFINITION) % of Male Female Total Agency 0 0 0 0

TYPES OF DISABILITY (WHERE SPECIFIED) % of Disability Male Female Total Agency Disability Requiring Workplace Adaptation 0 0 0 0 Physical 0 0 0 0 Intellectual 0 0 0 0 Sensory 0 0 0 0

Psychological/Psychiatric 0 0 0 0

DOCUMENTED REVIEW OF INDIVIDUAL PERFORMANCE MANAGEMENT Documented Review of Individual Performance Management Total

% Reviewed within the last 12 months 0 % review older than 12 months 57.69 % Not reviewed 42.31

Multicultural Access and Equity Report - Workforce Profiling

Agency Arts SA Art Gallery of SA

Employee Numbers by Main Language Spoken at Home Language Total Auslan 1 English 20 Greek 1 Hindi 1 Italian 1 Not Stated 54 Total 78

Employee Numbers by Country of Birth and Salary Bracket $0 - $56,200 - $71,500 - $91,500 - Country $56,199 $71,499 $91,499 $115,499 $115,500+ Australia 9 9 13 1 0 England 2 2 2 0 0 India 1 0 0 0 0 Malaysia 0 0 1 0 0 New Zealand 0 1 0 0 0

United States of America 0 0 0 1 0 Viet Nam 1 0 0 0 0 Not Stated 13 14 4 3 1 Total 26 26 20 5 1

LEADERSHIP AND MANAGEMENT DEVELOPMENT

The Art Gallery of South Australia supports its staff in their professional development, but no specific leadership/management development courses were undertaken in this financial year.

EMPLOYMENT OPPORTUNITY PROGRAMS

As an equal employment opportunity employer, the Art Gallery is committed to employing on merit regardless of race, gender, sexuality, marital status, age, pregnancy or physical or intellectual impairment for all positions within the organisation. This is supported by our diverse workforce profile.

Through TARNANTHI: Festival of Aboriginal and Torres Strait Islander Art the Gallery developed an employment pathway program for early-mid level career Aboriginal and Torres Strait Islander staff. This included an Assistant Curator position partially funded through the Australia Council Emerging Curator Program as well as an employee secondment with Tandanya, National Aboriginal Cultural Institute. A total of three positions, out of a team of six, were employed to work on this project.

WORK HEALTH AND SAFETY AND INJURY MANAGEMENT (INCLUDING INJURY MANAGEMENT)

WELFARE HEALTH AND SAFETY MANAGEMENT SYSTEM

The Art Gallery continues to address this issue through the Art Gallery’s Welfare Health and Safety Committee, chaired by the Manager Operations and Projects , Kym Hulme. Kym is also the Art Gallery Management representative with Vicki Petrusevics, Employee Representative on the Arts SA Arts Coordinating Committee. The continuous review of WHS policies, procedures and work practices is now an integral part of the workplace.

KEY ACHIEVEMENTS

The Internal Audit and Workplace Inspection Procedure ensured that injury management processes are conducted in accordance with legislative requirements and internal policies and procedures.

Thirty employees received a flu vaccination as part of the Flu Vaccination Program.

ART GALLERY RESTAURANT

The operator of the Art Gallery Restaurant, Efficient Catering Pty Ltd continues to attract strong patronage and bookings for catered functions.

FACILITIES HIRE

The Gallery continued to be a popular hire venue for a wide range of functions. This year 183 events were held in the various Art Gallery function spaces. These events included workshops, conferences, cocktail parties, wedding receptions, formal dinners, theatrical productions, award presentations, product launches and concerts.

CLEANING CONTRACT

The contract for the provision of Cleaning Services to the Gallery is provided by ISS Facility Services.

SECURITY

The contract for the provision of Security Services to the Gallery is provided by Wilson Security.

STAFF DEVELOPMENT AND TRAINING

The Gallery continued its program of staff training in a range of areas including WHS courses and information sessions to ensure it had the necessary skills and information.

PUBLIC COMMENTS AND COMPLAINTS

During the 2014–2015 financial year the Art Gallery of South Australia received a total 77 written visitor comments, queries, suggestions and complaints, submitted via the information desk. 57 submissions referenced a positive and/or negative experience, 7 submissions were suggestions and 13 submissions were queries or corrections relating to individual works of art and their citation.

Category of comment by subject 2014–2015

Displays and exhibitions 38 Seating 11 Marketing and communication 9 Gallery Guides 4 Maintenance 3 Disabled access 3 Audio tours 3 Lighting 2 Competitions 2 Café 2 Total 77

STAFF OVERSEAS TRAVEL

A full listing of the Art Gallery staff Overseas Travel can be found on the Gallery website at www.artgallery.sa.gov.au in the About section and listed as Overseas Travel.

SPONSORSHIP, GRANTS, DONATIONS, ETC.

CORPORATE SPONSORSHIP The Gallery continued to broker new and service existing partnerships, retaining 100% of partners from the previous year in addition to procuring two new high level sponsorships with the support of Art Exhibitions Australia.

Income generated from corporate sponsorship totalled $2 814 407 for the 2014–2015 financial year, of which $612 000 was in cash support. This figure is made up from a combination of partnerships aligned with Gallery programs in addition to Gallery and Art Exhibitions Australia generated arrangements for exhibition specific programs including Dorrit Black, Mortimer Menpes , Fashion Icons and Treasure Ships . Cash sponsorship at the Gallery is generated from five long standing corporate organisations including Santos, EY, Adelaide Airport, BankSA and UBS; and three other exhibition specific Agreements including Mazda, Macquarie and Tiffany and Co. A further 17 organisations support the Gallery’s operation through the provision of product or media support, brokered in exhibition specific arrangements.

Santos is the largest financial contributor and longest standing sponsor, aligned with the Aboriginal and Torres Strait Islander Collection. Santos’ significant support has enabled the Gallery to develop the Aboriginal and Torres Strait Islander online collection with over 1 000 works available to view online.

Media partners ABC891 Adelaide, Advertiser/News Ltd and Seven Adelaide Agreements leverage marketing initiatives per exhibition campaign. These relationships are exclusive and maximise all budgeted marketing campaigns in a combination of preferential and bonus advertising provisions/ promotions.

EY, Adelaide Airport and UBS support the Gallery’s exhibitions program, accessing three exhibitions per annum leveraging their association with exclusive hospitality provisions whilst beverage partners support the Gallery’s delivery of VIP events program including the opening of major exhibitions and DEPARTURE .

BankSA supports the Gallery’s popular after-dark DEPARTURE program and has done so since inception in 2005 (celebrating a decade of support in 2015). This new-audience initiative engages a younger demographic (20–30yrs) with BankSA building on their customer base via accessing attendee data from participation in a competition giveaway per quarterly event.

The South Australian Tourism Commission continues to support the Gallery’s interstate marketing campaigns when a major temporary exhibition is programmed exclusively to Adelaide. This funding is attributed to marketing initiatives that drive international and interstate visitation extending the Gallery’s reach and positively impacting on audience growth.

Significant sponsorships aligned with exhibition programs during the 2014–2015 financial year include Mazda, Clemenger BBDO, Southern Cross Australia and Singapore Airlines who were both aligned with Fashion Icons, contributing significant financial and/or in kind support to the program budget. These relationships are part of our contractual partnership with Arts Exhibitions Australia however directly assisted the Art Gallery of South Australia.

SPECIAL PROJECT GRANTS BHP Billiton have partnered with the Government of South Australia and the Gallery to present TARNANTHI , a contemporary Aboriginal and Torres Strait Islander Visual Arts Festival. The Festival is of national and international significance and is a project specific $4 000 000 grant provided over two years.

GOVERNMENT AND PHILANTHROPIC GRANTS Government and Philanthropic grant income remained in the 2014–2015 financial year amounting to $425 000 in financial support generated from four significant gallery programs.

The Balnaves Foundation project-fund the Gallery’s START at the Gallery initiative, enabling free monthly workshops for children and young families; the James and Diana Ramsay Foundation project- fund the Studio which delivers an education program for school students and families on a daily basis; and the Gordon Darling Foundation’s grant was the final of a three part instalment funding for Treasure Ships: Art in the Age of Spices.

New in the 2014–15 financial year was a successful grant application to the Ian Potter Foundation for a modern digital blueprint for the Gallery. This project funded activity will be a whole-of-Gallery roll out and embedding best practice image management.

The Gallery also receives ongoing support from the Commonwealth Government through its arts funding and advisory body Australia Council to support the Adelaide Biennial . The Gallery was also successful in grant funding from the Commonwealth Government for the ANZAC of Centenary Foundation for the Gallery’s Trench Art exhibition which will be presented in 2016 and tour until 2018.

FOUNDATION

There was a total of $1.72 m cash donated to the Foundation.

CONTEMPORARY COLLECTORS

There was a total of $490,435 cash donated to Contemporary Collectors.

VOLUNTEERS

The Art Gallery values the contribution of its many volunteers who provide a variety of services to visitors and staff in the areas of guiding, education, public programs including children and families, front of house visitor services, curatorial research, library services, registration and administration. For the year ending 2014–2015, the Art Gallery was supported by 287 registered volunteers.

On Tuesday 2 December 2014, in recognition of the valuable contribution made throughout the year by all volunteers, the Gallery hosted the annual end of year celebration. This year the Volunteer of the Year Award was presented to Library and Front of House Volunteer, Jacqueline Polasec, for her exceptional commitment and service to library, Front of House and especially her French Language work with the Gallery Guides to assist in their preparation for taking guided tours for the exhibition Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris. Recipients of Volunteer Excellence Certificates were Rosemary Collins, Mary Rivett, Meg Apsey, Heather Pearce, Karen Hammond and Ishira Kanathigoda. The Face of the Gallery award was presented to Front of House volunteer, Sophie Armstrong, for outstanding customer service. Long serving retiring volunteers Ann Blandford, David Gill, Kay Gill, Patricia McGaffin, Jan McKinlay-Moss and Janet Taylor were also acknowledged for sustained contributions over many years.

As part of the ongoing process to ensure excellence in service amongst AGSA volunteers, all volunteers receive orientation, relevant training and sign a Volunteer Agreement to confirm their understanding and awareness of the Gallery’s expectations in terms of appropriate behaviours relating to personal conduct. All volunteers and interns are also required to provide a current and satisfactory National Police Certificate or equivalent.

Based on an average contribution of three hours of service each week, Art Gallery volunteers provided approximately 45 000 hours of service to the Gallery over the past twelve months.

FRONT OF HOUSE

Visitor services to the Art Gallery continue to be provided by a team of Front of House volunteers numbering 137. Managed by the Front of House & Volunteer Coordinator, these volunteers staff the Visitor Desk at the main entrance in the Vestibule and the Information Desk in the Santos Atrium; welcoming visitors and promoting the Gallery, selling exhibition tickets and memberships, receiving school groups and providing information to the general public 364 days of the year as well as providing a reception and telephone service for visitors and staff on weekdays.

To ensure a high standard of service continues on weekends and public holidays, Front of House and Studio volunteers are supported by casual Front of House Officers who also play a key role in the delivery of the Gallery’s program of events as well as facilitate cash handling and reconciliation of ticket sales on weekends. To ensure proper duty of care to the public and volunteers, all Front of House Officers now hold a recognised and current First Aid Certificate.

In 2014, as part of the Gallery’s overall digital strategy, an internet based ticket sales system was introduced to increase the efficiency of both online and over the counter sales. To ensure all volunteers were confident in the operation of the new system in readiness for the opening of the international exhibition, Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris , an extensive program of training for both new and existing volunteers was developed and delivered by Front of House staff – a total of 42 sessions. All volunteers also underwent refresher training and attended customer service sessions.

During the exhibition season of Fashion Icons , Front of House volunteers sold exhibition tickets and membership subscriptions over the counter from both Visitor Desks.

In the year ending June 2015, Front of House volunteers assisted approximately 70 000 visitors with enquiries and sold or checked over 49 000 exhibition tickets. While tickets for the Fashion Icons exhibition were available online, over 90% of tickets were sold over the counter at the Gallery by Front of House volunteers.

Over 200 enquiries were received and responded to from members of the public interested in a Front of House volunteering role at the Gallery. Thirty-nine new volunteers were accepted in July 2014 to ensure volunteer numbers were adequate to provide continuous customer service and ticket sales throughout the Fashion Icons exhibition season.

Throughout the year, Front of House volunteers filled over 4 000 shifts.

ART GALLERY OF SOUTH AUSTRALIA FOUNDATION

At the Annual General Meeting on 20 November 2014 Andrew Gwinnett was re-elected to continue his Chairmanship of the Art Gallery of South Australia Foundation. Max Carter AO was elected to continue serving as Deputy-Chairman.

The Foundation continued to raise funds through encouraging financial donations, membership subscriptions, grants, bequests and generating income from fundraising events and investments. The Foundation raised $6.07 million in total for 2014-15, which comprised works of art given valued over $4.35 million and income raised of $1.72 million.

The Foundation continued its approach of more targeted giving through conducting several appeals through the financial year. These include the Masterwork Appeal, South Australian Artists Fund, South Australian Colonial Jewellery Appeal, Robyn Stacey Appeal, Giles Bettison Appeal, Nagasaki Hand Scrolls Appeal, Belinda Morgan in Memorial Fund and the Treasure Ships Appeal.

The Masterwork Appeal, launched in 2013–14, was concluded in 2014–15 after a total of $4.7m had been raised. The Masterwork Appeal was focused on acquiring Camille Pissarro, France, 1830–1903, Prairie à Éragny , 1886, Éragny, France, oil on canvas. This work was unveiled 22 August to 800 donors and Gallery supporters when it was presented on display in gallery 17 of the Melrose Wing of European Art.

The Foundation continued to promote the South Australian Artists Fund. This fund seeks to support South Australian artists through the acquisition of their works of art. Such acquisitions will enrich the Art Gallery’s collection and create a larger presence of South Australian art within the expansive Australian collection. The Art Gallery aims to increase the exposure of South Australian art to the public and generate greater interest and appreciation of the impressive works of art that are being produced by artists working in South Australia. At 30 June 2015 $30 000 had been raised and eight acquisitions had been enabled.

Sadly in November 2014 Belinda Morgan passed away. Belinda was an inaugural Member of the Foundation Council from 1980 and Honorary Executive Officer from 1988, she was integral to the development and success of the Foundation. Belinda also served as a Member of the Art Gallery Board from 1992–1998 and had a significant impact on the Gallery. Belinda’s family requested donations to the Art Gallery Foundation in lieu of flowers and the Belinda Morgan in Memoriam Fund was established. It is intended that a work of art will be acquired in her memory.

The Treasure Ships Appeal was launched in March 2015. This Appeal supports expenses associated with Treasure Ships: Art in the Age of Spices including international loans, public programs, education and learning, and exhibition display and installation. Significant fundraising is required to assist with the delivery of Treasure Ships: Art in the Age of Spices and private support was solicited. As at 30 June $170 000 had been raised.

The Foundation hosted twelve events throughout the year, giving members the opportunity to engage closer with the Art Gallery, while also raising essential funds for works of art.

The Foundation continued to hold regular private viewings which highlighted recent gifts or acquisitions through the Foundation and also provided a forum to thank donors. All Foundation members are invited to learn about a recent acquisition through the Foundation.

The Foundation Collectors Club dinner, held on 12 September, was the major fundraising event for the Gallery this year, raising $309 000. In 2014, there were 43 members.

An event was held on 2 October to present some of the acquisitions made through the South Australian Artists Fund so far. At this event, which was for Gallery and Foundation Members, local artists Mark Kimber and Julia Robinson spoke, as did Robert Reason.

The 2014 Foundation Christmas Party was held at the Gallery on 6 November. Foundation Members were invited to enjoy a tour of haute couture in Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs , Paris , led by Robert Reason, Fashion Icons Co-ordinating Curator and Curator of Decorative Arts. This tour was followed by haute cuisine at a French-themed luncheon. 52 guests attended the luncheon.

The annual Thomas Elder Circle luncheon held on Thursday 11 June, beginning with a viewing of A chance beginning: Lyons Collection of decorative art . Bequest donor Dr Robert Lyons spoke on his decision to donate and bequeath his collection to the Art Gallery. The Thomas Elder Circle is the Foundation’s group established to recognise bequests. At 30 June 2015 there were 24 members of the Thomas Elder Circle.

The Foundation’s annual fundraising dinner was held at the Gallery on Saturday 18 April. The proceeds from this year’s event, entitled A Banquet in the Age of Spices , were directed towards the Treasure Ships Appeal, which was focused on supporting Treasure Ships: Art in the Age of Spices . Guests experienced renowned chef Cheong Liew’s unique East-meets-West cuisine while enjoying wines provided by Jansz, Heggies and Penny’s Hill. Dinner guests had the opportunity to bid for several stunning auction items, including beautiful pearl jewellery from Raw Pearls, a stay at Southern Ocean Lodge on Kangaroo Island, and a bespoke Khai Liew chair.

The Foundation continues to deliver a semi-regular e-news to Foundation members, and continued to implement streamlined design for Foundation communication including invitations and brochures.

During the reporting period, twenty-seven Foundation members pledged additional financial commitment to the Foundation and as a result were upgraded to higher levels of the Foundation. Twenty members renewed their membership to the Foundation, and there were forty-three new members.

At 30 June 20 15 active membership of the Active Foundation was as follows: memberships Patron (over $10M) 3 Founders (over $1M) 11 Governors (over $250 000) 31 Principals (over $100 000) 40 Guardians (over $50 000) 33 Benefactors (over $25 000) 58 Fellows (over $5000) 149 Members (over $1500) 175 TOTAL MEMBERSHIP 500

CONTEMPORARY COLLECTORS Contemporary Collectors is a benefaction group at the Art Gallery of South Australia dedicated to advancing the Art Gallery’s permanent collection of contemporary art. Contemporary Collectors raises funds through membership fees, fundraising initiatives and appeals aimed at acquiring specific works of art.

During the reporting period Contemporary Collectors continued to raise funds for the acquisition of contemporary art by expanding its membership base and introducing new fundraising projects. In this financial year, Contemporary Collectors raised $574,835 which comprised works of art given valued over $84,400 and income raised of $490,435 from Membership subscriptions, events, donations, and support from Contemporary Collectors Program Sponsor Macquarie.

In addition, Contemporary Collectors sourced support from the following in-kind sponsors: Aesop, Jansz, Katnook Estate, Kwik Kopy Norwood, Splitrock & Tiro and TypeSpace Design.

TRENT PARKE APPEAL In the reporting period, Contemporary Collectors launched the Trent Parke Appeal to raise funds which directly supported the realisation of Trent Parke: The Black Rose. The exhibition showcased the exquisite work of Adelaide-based Magnum photographer, Trent Parke. The Appeal raised funds through the generous benefaction of Contemporary Collectors Members, the sale of limited-edition works by Trent Parke and an auction and raffle at the Contemporary Collectors End of Year Party. The Trent Parke Appeal raised a total of $250 000, including $50 000 for new acquisitions from the exhibition for the Gallery’s permanent collection.

CONTEMPORARY COLLECTORS PROGRAM In the reporting period, Contemporary Collectors were offered an events program that included social, educational and travel opportunities. The Contemporary Collectors Committee worked with the Art Gallery to deliver a broad range of events as part of the annual program, which allowed members of Contemporary Collectors to engage with contemporary art and artists in unique ways. There were 10 Contemporary Collectors events in the 2014–2015 financial year. Some of the highlights of the annual program included the Eat Your Art Out event series held in the homes of private collectors, a preview of Trent Parke: The Black Rose , a Sunday Wine Tour to Yalumba, thanks to the generosity of Robert and Annabel Hill Smith, and the End of Year Party in November 2014. In addition groups also travelled to the Melbourne Art Fair, Art Basel Hong Kong and Frieze New York.

At 30 June 2015 active membership of Active memberships Contemporary Collectors was as follows: Individual Memberships 35 Joint Memberships 83 Corporate Memberships 2 Circle – Individual 8 Circle – Joint 7 Circle – Corporate 2 Principal 9 Benefactor 24 Guardian 9 TOTAL MEMBERSHIPS 179* *269 individual members

Principals

Jane Michell and Sadie Michell, John Phillips and Abram Phillips, Ben Quilty, Mary Ann Santin, Tracey and Michael Whiting, The Balnaves Foundation

Guardians Kate Breakey, James Darling AM and Lesley Forwood, Paul Greenaway OAM, Andrew and Hiroko Gwinnett, Dr Clinton Ng, William Nuttall and Annette Reeves.

Benefactor John and Jane Ayers, Candy Bennett, Cherise Conrick, Richard and Jan Frolich, Julian and Stephanie Grose, Ian Little and Jane Yuile, John McBride AM, Dr Peter McEvoy, David and Pam McKee, Mr Danie Mellor, Hugo and Brooke Michell, Jan Minchin, Dr Dick Quan and John McGrath, Paul and Thelma Taliangis, Tiffany Wood-Arndt, Macquarie.

Circle Michael and Silvana Angelakis, Dr Mark and Jill Awerbuch, Colin and Robin Cowan, Scott and Zöe Elvish, Brent Harris, Ulrike Klein (Klein Family Foundation), Gosia Kudra Schild, Sam Leach, Edwina Lehmann, Peter and Jane Newland, Roslyn and Tony Oxley, Maureen Ritchie, Sue Tweddell, Douglas Watkin, Peter and Lisa Weeks, GP Securities, Solstice Media.

DEPARTURE DEPARTURE is an events program held at the Art Gallery of South Australia targeted at the 18–40 year old demographic. DEPARTURE aims to attract a younger audience to the Gallery by providing unique ways to experience Gallery exhibitions and engage with the Gallery, its collection and exhibitions. The events provide curator talks, activities in the Studio, entertainment, live music and some food and drinks for guests to enjoy.

DEPARTURE Membership Since its inception in 2011, DEPARTURE membership has continued as a means of attracting a younger demographic to the Gallery’s membership program. DEPARTURE Members receive full Art Gallery membership, discounted tickets to DEPARTURE events (Members $45/General admission $60) in addition to other standard membership benefits. As DEPARTURE is an events based program, DEPARTURE memberships fluctuate throughout the year with varying numbers of subscriptions for each DEPARTURE event (held four times a year).

At 30 June 2015 active membership of Active Memberships DEPARTURE was as follows: Individual memberships (only category) 91

In the reporting period, DEPARTURE raised $125 717 from Membership subscriptions, events, and sponsors, inclusive of generous support from Presenting Sponsor BankSA.

In addition, DEPARTURE sourced in-kind support from the following sponsors: Penny’s Hill, Heggies, Jansz, Splitrock, TIRO, Carlton United Breweries, Rip It Up Publishing and Art Gallery Food + Wine.

DEPARTURE EVENTS

DEPARTURE: High Seas: Friday 26 September 2014 Exhibition: The Extreme Climate of Nicholas Folland Speakers: Nicholas Folland Attendance: 445 Sponsors: BankSA (major sponsor), Penny’s Hill, Heggies, Splitrock, TIRO, Carlton United Breweries, Aesop.

DEPARTURE: Fashion Icons: Friday 14 November 2014 Exhibition: Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris Speakers: Robert Reason Attendance: 685 Sponsors: BankSA (major sponsor), Penny’s Hill, Heggies, Splitrock, TIRO, Carlton United Breweries, Aesop.

DEPARTURE: Elemental: Friday 20 March 2015 Exhibition: Bill Viola: Selected Works Speakers: Alice Clanachan Attendance: 330 Sponsors: BankSA (major sponsor), Penny’s Hill, Heggies, Splitrock, TIRO, Carlton United Breweries, Aesop.

DEPARTURE: The Black Rose: Friday 8 May 2015 Exhibition: Trent Parke: The Black Rose Speakers: Trent Parke and Julie Robinson Attendance: 375 Sponsors: BankSA (major sponsor), Penny’s Hill, Heggies, Splitrock, TIRO, Carlton United Breweries, Aesop.

MEMBERS OF THE ART GALLERY OF SOUTH AUSTRALIA

Membership of the Art Gallery has continued to grow again this year due to various promotions.

These include “Become a new Member during The World of Mortimer Menpes and Dorrit Black: unseen forces and enjoy three months free Membership”. Membership swelled by a 21% increase during the Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris exhibition with the promotion “Join as a new Member during Fashion Icons and receive a complimentary ticket to the exhibition”.

In the 2014–15 financial year Membership raised $220 540 income from membership subscriptions and events.

Thirty-four Members’ events were presented including monthly welcome orientation tours for new members. Exhibition previews were offered to Members of Dorrit Black: Unseen Forces and The World of Mortimer Menpes: Painter, Etcher, Raconteur with highlights tours led by Tracey Lock-Weir, Curator Australian Paintings & Sculpture and Julie Robinson, Senior Curator Prints Drawings & Photographs together with Dr Rosemary Smith respectively. Members were also offered an exclusive preview and tour of Fashion Icons with an introduction by Pamela Golbin, the exhibition Curator. Éric Pujalet-Plàa, Assistant Curator hosted a highlights tour with assistance from Robert Reason, Exhibition Co-ordinating Curator and Curator of Decorative Arts. In June Members received a preview tour of Treasure Ships: Art in the Age of Spices , by exhibition co-curators James Bennett and Russell Kelty.

The program also included an exclusive preview screening of “Exhibition: Great Art On Screen” Season Two “ The Impressionists” at the Palace Nova Eastend cinema, attended by over 200 Members and their guests.

The Members’ End of Year Party was again well-attended and included an after-dark viewing of the exhibition Fashion Icons led by Exhibition Co-ordinating Curator and Curator of Decorative Arts, Robert Reason. The party was preceded by a presentation by the Director on the 2015 exhibition program held in the Radford Auditorium. The Gallery Shop was open and offering double discount to Members on the night.

The Members Book Club provides group discussions through which Members can extend their knowledge of the Gallery collection. Due to growing demand, an additional group was created in early 2015. Six groups meet for an hour each month discussing diverse novels and biographies, led by Gallery Guides, who relate discussions to works in the collection. Book Club members receive double discount on all Book Club titles purchased at the Gallery Shop.

Robyn Lademan continued in the role of Membership/Foundation Officer and Aimee Phillips held the role of Bookings and Database Officer until January 2015.

The attractively packaged Gift of Membership on offer in the Gallery Shop or available to purchase online from the Art Gallery website remains popular for gift giving.

At 30 June 2015 active membership of Membe rs Active was as follows: memberships Friends Life Benefactor 55 Member 1 087 Member Concession 675 Member Corporate 2 Member Gift 70 Member Joint 599 Member Joint Concession 257 Member Honorary 65 TOTAL MEMBERSHIP 2 810*

*3 563 Members

TARNANTHI | Festival of Contemporary Aboriginal and Torres Strait Islander Art

TARNANTHI, pronounced tar-nan-dee, is a Kaurna word from the traditional owners of the Adelaide Plains. It means to come forth or appear – like the sun and the first emergence of light, or a seed sprouting. For many cultures, first light signifies new beginnings.

TARNANTHI, the inaugural Festival of Contemporary Aboriginal and Torres Strait Islander Art, will run from 8-18 October with exhibitions continuing at the Gallery until 17 January 2016. TARNANTHI will be presented by the Art Gallery of South Australia in partnership with BHP Billiton supported by the Government of South Australia.

The Festival’s artistic vision encourages new beginnings by providing artists with opportunities to create significant new work. The Festival team have been working with Aboriginal and Torres Strait Islander artists across the country to extend the practices they have been developing in studios, art centres, institutions and communities.

TARNANTHI will include a series of exhibitions, presented in partnership with key cultural institutions across South Australia, which will showcase the extraordinary, the significant and the unique, and will challenge existing notions of Aboriginal art. At its heart the Art Gallery of South Australia will be showcasing its most ambitious exhibition of Aboriginal and Torres Strait Islander art in its 134 year history.

The TARNANTHI program was developed throughout 2014–15 and will include a series of exhibitions at 22 partner venues across Adelaide and the State, an art fair and an accompanying public program.

Two publications are being designed: Riverland: Yvonne Koolmatrie and TARNANTHI | Festival of Contemporary Aboriginal and Torres Strait Islander Art . In addition to the catalogues, a free Festival program will be released outlining all of the Art Gallery and partner exhibitions, along with the public programs, Art Fair and symposium details.

COLLECTIONS

COLLECTIONS DEVELOPMENT

The gallery acquired 573 works of which 19 were bequests, 483 were gifts and 71 were purchased. Of these 320 were European, Asian and Australian heritage works produced before 1960 and 253 were works produced after 1960.

The total value of gifts and purchases this year was $7 150 579.

ACQUISITIONS OF AUSTRALIAN ART

An unprecedented number of substantial gifts and strategic purchases significantly enhanced all areas of the Australian art collection. An important early Australian colonial acquisition included a rare fish subject in watercolour by an unknown artist. Other major Australian colonial donations included a group of nine works donated by Max Carter AO which included an exceptional early Rupert Bunny still life. Several colonial works on paper were acquired, including three photographs by HR Perry donated by Shane Le Plastrier, a Charles Hill self-portrait drawing, and drawings by Charles Dicker and William Wyatt.

The most significant donation to the decorative arts collection was received from Dr Robert Lyons of 179 objects of colonial and early twentieth century interest. Many document the early Germanic settlement of the Barossa Valley through pottery, furniture, textiles, household objects, portraits and framed certificates. Early twentieth century material includes many significant South Australian potteries, china painters and the work of Gladys Reynell, the state’s first studio potter. Funds from Tom Pearce and the Pauline Colley Bequest enabled the Gallery to augment its colonial jewellery collection with four fine pieces by H Steiner, JM Wendt, L Suhard and CE Firnhaber. A splendid South Australian silver cup by CE Firnhaber was donated by Philip Speakman and is the earliest in the collection, dated 1848.

The early twentieth century Australian art collection was added to with the donation of a Rupert Bunny interior from Dr Michael Fung and a Tom Roberts gifted by Max Carter AO in memory of Belinda Morgan. The substantial bequest of four Tony Tuckson paintings and one drawing from the Estate of Margaret Tuckson was a major addition to the mid to late twentieth century collection. Other donations included a Japanese watercolour by Albert Tucker from Sue Tweddell; a Bessie Davidson painting from Malgosia Schild; a John Goodchild painting from Greg and Elizabeth Sanderson; a bark painting by Peter Marralwanga from Janet Worth; two Inge King maquettes from the artist; four paintings and one pastel by Geoffrey Brown from Jenny Brown; a Richard Larter painting donated by Alexandra Legge in memory of her sister Belinda Morgan; four paintings by John Barbour donated by Peter Tyndall and a painting by David Aspden gifted by Susan Armitage. Purchases include a Moroccan gouache subject by Anne Dangar; a war time subject by Marjorie Gwynne and two Rainforest shields by unknown artists. In the decorative arts, the studio pottery collection benefited from the generous gift of three HR Hughan’s, six Les Blakebrough’s and a Shigeo Shiga from Mary Gabb. Important acquisitions of works on paper included a Dorrit Black colour linocut donated by Shane Le Plastrier, and Geoffrey Brown donated a group of fifty-five of his own prints spanning his entire career.

Many significant contemporary additions were made. Julian and Stephanie Grose made a substantial donation of twenty-eight Australian and International works across multiple media. This included a major woodcut by Mike Parr, photographs by Anne Ferran, Rosemary Laing, Tracey Moffatt and Shaun Gladwell, a DVD by Daniel Crooks, paintings by Kate Beynon, Jenny Watson and a painting and a sculpture by Guan Wei. Other important contemporary donations included a Brook Andrew painting from Susan Armitage; a sculpture by Timothy Horn was secured through the James & Diana Ramsay Fund assisted by Helen Bowden in memory of her husband John Bowden; paintings by Philip Wolfhagen and Nyapanyapa Yunupingu were acquired through the Foundation Collectors Club; two Utopia

paintings from Lauraine Diggins; a Tim Maguire portrait painting donated by the artist; a painting by Katherine Hattam from William Mackinnon; a Dani Marti sculpture donated by the artist and a Caroline Rothwell painting donated by the artist.

Contemporary decorative arts acquisitions included the recent work of key South Australian artists Jeff Mincham, with funds from Helen Bowden; glass by Deb Jones, a gift of the Gallery Guides in memory of Jenni Scrymgour; two glass vessels by Giles Bettison, a gift of the Crafter Family in memory of the late Dr Ken Crafter; and the furniture of Khai Liew, donated by the artist. The Rhianon Vernon-Roberts memorial collection of contemporary Australian jewellery acquired the work of Helen Aitken-Kuhnen, Nicholas Bastin and Helen Britten.

A major installation by South Australian artist, Fiona Hall was secured through the Gallery’s Contemporary Collectors. Other South Australian contemporary acquisition purchases were Sue Kneebone and Karen Genoff.

The Gallery’s Aboriginal and Torres Strait Islander collection was further developed with substantial purchases through Tarnanthi Festival of Contemporary Aboriginal and Torres Strait Islander Art supported by BHP. Important additions included a series of works by Alair Pambegan; a painting by Cornelia Tipuamantumirri; a twenty-piece photographic work and an assemblage by Tony Albert and two sculptures by Nyapanyapa Yunupingu.

Many contemporary works on paper were acquired, including drawings by Laith McGregor, Martin Bell (donated by the artist), and Ben Quilty donated by Neil Balnaves AO and Diane Balnaves. Among the contemporary print acquisitions, Brent Harris donated his print portfolio Drift and James Mollison AO donated ten trial proofs for the portfolio; Katherine Hattam donated one of her prints; and works by Ann Newmarch and Sue Kneebone were purchased. Two major Aboriginal print suites were received: the Utopia Suite of seventy-two woodcuts donated by Christopher Hodges and Helen Eager, and the Crossroads portfolio of twelve prints donated by Leo Christie. Major additions to the photography collection included five photographs by Trent Parke from his exhibition The Black Rose ; an earlier photograph by Parke donated by Mark D Bowden; a Robyn Stacey photograph donated by Susan Armitage and a photograph by William Yang.

ACQUISITIONS OF INTERNATIONAL ART

Several key paintings were donated to the European and British collections. Kenneth Reed donated a painting by seventeenth century Italian artist Francesco Maltese; MJM Carter AO donated an English watercolour by John Glover; and Andrew and Hiroko Gwinnett donated a painting by late nineteenth century British artist George Frederick Watts. A pochoir painting by French artist Albert Gleizes was purchased for the collection.

Foremost among the contemporary acquisitions was a photograph by leading international photographer Andreas Gursky. Julian and Stephanie Grose donated a print by William Kentridge and a photograph by Mikhael Subotzky; and Steven Najeski donated a painting by David Ostrowski.

An outstanding selection of European prints was acquired. This included a lithograph by Henri de Toulouse-Lautrec donated by the Art Gallery of South Australia Foundation’s Collectors Club; a group of prints by Albrecht Altdorfer, William Blake, Albrecht Dürer, Francisco Goya and GB Piranesi donated by Tony Seymour in memory of Dr John Yeatman; two etchings by Rembrandt and one by Ferdinand Bol donated by Merrily Hallsworth; a Käthe Kollwitz etching donated by Jenny and Geoffrey Brown; and an engraving after William Holman Hunt, in its original carved and gilded frame, donated by Richard Krantz. A print by American-born, Joseph Pennell was donated by Shane Le Plastrier. The Mortimer Menpes exhibition led to four acquisitions of prints by Menpes, including one donated by Rosemary Smith and one donated by Graham and Maren Buckett.

The decorative arts collection acquired two significant works of art. An Emile Gallè Iris vase exhibited at the Paris International Exhibition 1900 and the first by this renowned French art nouveau glass artist to enter the collection. The Gallè was acquired through the Foundation Collectors Club. The second, an important piece of contemporary silver by British gold and silversmith Kevin Grey, funded by the Pauline Colley Bequest Fund and assisted by Colin and Robyn Cowan. An interesting German empire-style ball gown, 1820s, with South Australian provenance since the late 1850s, also entered the collection as a gift from Rosemary Builder.

ACQUISITIONS OF ASIAN ART

This year the South Asian collection grew significantly through the outstanding gift by Michael Abbott and Sue Crafter which consists of six Indian trade cloths found in Indonesia, as well as two Chinese storage jars found in Indonesia, a Chinese export ware plate with Arabic script and an Islamic flag from India/Iran. Among the Indian trade textiles are five exceptionally large cloths, dated eighteenth-early nineteenth centuries, created in India in the form of Javanese court garment known as the dodot .

MJM Cater AO donated the Jewellery box , from the personal collection of Queen Adelaide (1792–1849) created in India or Indonesia during the 17 th C and Writing box created in India c1720–1740, both of which was on display in Treasure Ships: Art in the Age of Spices . The acquisition of Indian and Indonesia art made for the European export market is identified in the Gallery’s Ten-Year Acquisition Strategy.

The lavish Footed betel nut box [kinangan] with implements was acquired through the JC Earl Bequest Fund 2014. Also the Gallery’s Buddhist collection has benefitted from the gift of a Burmese Buddhist manuscript , 19 th C, by Derek Morrison and Buddhist manuscript [Kammavaca], early 20 th C gift of Caitlin Fry in memory of Frank Caspers. A newly acquired hand-blown Dutch bottle, found in Indonesia, featured in the Treasure Ships : Art in the age of spices .

The East Asia collection continued to grow with the notable gifts of three paintings, two screens and a pair of hand scrolls, two sculptures, one surcoat, four woodblock prints, a tobacco pipe and a set of contemporary calligraphy. Scenes of traders at Nagasaki donated by MJM Carter AO is an extremely rare pair of scrolls, created in the mid–18 th C, containing a fantastical depiction of European and Asian foreigners arriving in Japan. The development of the Japanese collection is identified in the Gallery’s Ten-Year Acquisition Strategy.

Andrew and Hiroko Gwinnett donated the iconic Birds, tree and flowers (1619–1635) created by Kanō Sanraku (1559–1635) which is the first work by a Kanō school artist to enter the collection. Archery contest at Sanjusangendo [Sanjusangendo toshiya no zu], c1750, acquired through the generous benefaction of Frances Gerard and Mark Livesey QC with the assistance of the Roy and Marjory Edwards Bequest Fund portrays on a grand scale the integration of European pictorial devices, such as one point perspective into Japanese painting during the Edo Period (1615–1868).

The Japanese sculpture collection benefitted from two gifts in the past year. The striking Dainichi Nyorai (skt: Mahavairocana), donated by Peter Muller, embodies the essence of Japanese esoteric Buddhism and was created during the late 16 th –early 17 th C. The second work, gifted by Raphy Star, is the lacquer panel The Bodhisattva of Moonlight (Gakk ō Bosatsu) . The Japanese collection also benefited from the gift of Pipe, pipe holder (kiseru zutsu) with falcon and tobacco pouch (tabako-ire) with snail , by Naomi Guerin.

The Japanese textile collection was enhanced with the purchase of a Surcoat (Jinbaori) with family crest . This work was acquired through the Helen Bowden Gift Fund 2015.

The Art Gallery also made significant acquisitions in the area of Japanese 19 th C woodblock prints, including On display in West Ryogoku: Tiger , created by Ichiryusai Yoshitoyo (1830–1866 ), and a ‘spring picture’ ( shunga ) by Katsukasa Shunchō (act1783–1795). These works were acquired through the

d'Auvergne Boxall Bequest Fund 2014. The development of the Japanese woodblock print collection is identified in the Gallery’s Ten-Year Acquisition Strategy.

The Art Gallery continues to develop the collection of calligraphy with the purchase of The value of the so-called wind (2014) created for the display Brush and Ink: Contemporary Asian Calligraphy , Gallery 21, by Watanabe Hiroko (b1970, Nagoya). This year marked the first work of art of Mongolian calligraphy, 'Australia' and 'Mongolia' , by Byambaa Odontuya, Mongolia, 1978, to enter the collection.

The collection of contemporary Asian art benefited greatly from the gift by Julian and Stephanie Grose of two sculptures, one print, two paintings, and one ceramic from highly regarded artists who regularly participate in major international exhibitions. Included in this gift are two sculptural heads (c2004) by Dadang Christanto (b1957, Indonesia), three works by the highly regarded artist Cong Bui Khanh, (1972, Vietnam) two works on paper Child (2009) and Fish (2009) as well as his monumental example of contemporary porcelain, Artist painter (2009). The gift also includes a mix media silk screen One hundred eight (2011) by the artist Gonkar Gyatso (b1961, Tibet) whose work incorporates Buddhist iconography and pop cultural references.

WORKSHOP WALL FABRICATION, RE-FRAMING AND PEDESTALS/PLINTHS

The gallery continued an active program of framing and pedestal/plinth construction and general Gallery maintenance and improvement.

As well as the fabrication of temporary exhibition walls there were a number of plinths and frames fabricated, reflecting the increased activity with Exhibition and collection changeovers throughout the year’s program.

In total there were: 133 plinths and wall shelves for gallery display purposes 127 frames Four frame build ups 11 stretcher frames requested by Artlab for the AGSA collection and exhibitions Six large storage tubs Two magazine holders

ACCESS TO COLLECTIONS & RESOURCES

The David Murray Print Viewing Room and Function Room were used to facilitate access to the works on paper collection. Visitors included curators from Australian state galleries and overseas institutions (Yale Center for British Art), visiting academics, postgraduate students, artists, primary and secondary students and members of the public. 1 438 works on paper were viewed by 601 people.

INSTALLATION AND OFFSITE STORE

During the year the Gallery’s installation team were responsible for the movement of 13 748 works of art – these included permanent display, exhibition installation, curatorial research, conservation, reframing, outward loans, photography and public access. Of this total the Gallery’s offsite store team moved 2 567 works to and from the offsite store.

RESEARCH LIBRARY

One of the key pillars of AGSA Research Library’s mission is the preservation of archival material. The scanning of the Fine Arts Committee minutes of the Public Library, Museum and Art Gallery Board from 1881–1940 has been completed, and they are now being transcribed. The latest scanning project involves the Accession Registers, which record the acquisitions of the works of art from 1881 till the digital age. Because of the physical size and fragility of these important historical volumes, this work is being performed by the Library Technician, Ju Phan, using a high-tech machine at the Barr Smith Library of the University of Adelaide.

The retrieval, photocopying, scanning and indexing of various series of archival correspondence are ongoing projects undertaken by the Library’s dedicated volunteers. The Library has also started a cull of old administrative records which are sentenced according to the State Records Disposal Schedule. This should provide some temporary relief to the shelving crisis in that area.

The Research Library was kept busy supporting the current activities of the Gallery, with circulation, acquisition and cataloguing statistics holding steady. New trainee guides and art history students were given library orientation and training. Library staff dealt with a constant stream of enquiries from users in-house, local, interstate and overseas. Many of the reference queries required skilled and labour- intensive research. Volunteers also assisted with the Provenance Research Project and the Benefactors Project.

The Information Manager, Jin Whittington, gave a presentation on AGSA Research Library at the Art Libraries Society of Australia and New Zealand (ARLIS/ANZ) Conference in Auckland, in October 2014.

GRADUATE STUDIES IN ART HISTORY

Offered jointly by the University of Adelaide and the Art Gallery of South Australia, students are able to study the collections of the Gallery with teaching provided by curatorial and academic staff at both institutions and by national experts. On campus classes are held after hours with lectures and tutorials held at the University, combined with ‘hands-on’ workshops at the Art Gallery. By exercising the eye as well as the mind, students are able to thoroughly explore in situ or virtually the rich collections and exhibitions of the Art Gallery of South Australia.

A twenty-day internship during semester two for Curatorial and Museum Studies students is a dynamic and professionally productive component of this innovative course. A large number of graduates from the program have found work in galleries and museums following their internships and graduates have built careers in public and commercial galleries in curatorship, marketing and communications, public programs, education, the auction industry and arts journalism.

ENROLMENTS

Semester 2 – 20 14 Students Semester 1 – 201 5 Students Cura torial and Museum Studies B 10 Cura torial and Museum Studies A 11 Indigenous Art online 31 European Art: Portraiture and Modern Australian Art 36 Power- 33 (including online) 33 MA in Art History 9 Modern Art 26 Art Museum Internship 1 MA in Art History 5 Art Museum Internship 3 Total 87 Total 78

EXHIBITIONS AND PUBLIC PROGRAMS

PUBLIC PROGRAMS

Public Program presented a wide array of activities and events to enhance visitor’s appreciation of fine art, to satisfy the aspirations of those who seek to learn more about art and to present the Gallery as an open, diverse and welcoming learning environment. Of necessity, our programs catered for a wide age range interests, as we sought to ensure that a visit to the Gallery was always enjoyable and educational.

In its third year of operation The Studio has recorded significant attendances from booked schools groups and the general public. The Studio welcomed patrons of all ages keen to engage in hands-on art activities inspired by the Art Gallery’s exhibition programme, made available free thanks to the generous support of the James and Diana Ramsay Foundation. The Studio offered a diverse range of activities, transforming 4 times over the course of the year, in response to our temporary exhibitions. Artist Brigid Noone was commissioned to present the Studio in response to the exhibitions Dorrit Black: Unseen Forces and Mortimer Menpes: Painter, Etcher, Raconteur . For this iteration of The Studio, visitors were invited to engage with the varying possibilities of portraiture using drawing and collage. Similarly, Adelaide Fashion Designer, Jaimie Sortino was commissioned to re-create his inspired working space in the presentation of The Studio for Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris. Visitors were able to style mannequins, design textiles, develop a designer’s journal for a fashion label, decorate garments and contribute to a mood board. The artist Trent Parke presented The Studio for his exhibition Trent Parke: The Black Rose, displaying his photographic work and photo books inspiring visitors to explore the photographic process experimenting with simple image making techniques, using a variety of images, symbols and light to create a visual narrative of a memory or dream and using monochromatic tones create flying creatures like those captured in Parke’s photography. Transformed in response to the Treasure Ships: Art in the Age of Spices exhibition The Navigator’s Studio has focused art activities on the overarching theme of sea voyage exploration and trade in The Age of Spices, the era when Europe’s craze for spices, used both in food and drinking, as well as for medicines and was the inspiration for epic sea voyages to previously unknown lands. Visitors to The Navigator’s Studio can illustrate their own voyage of discovery, construct treasure chests, design a nautical flag, draw a mythical creature from the deep and in the education workshops practice botanical illustration of tulips, ginger, turmeric and spices.

A total of 81 schools visited the Studio. Single and repeat visits resulted in 169 booked class school groups utilising the supervised activities for a total of 4 690 students. Access by the general public (after 2pm daily and on weekends) recorded a total of 17 908 attendances. A total of 22 598 patrons visited The Studio to engage in an art making activity.

Over the past year the START at the Gallery program for children has recorded 5 862 attendances. The program presented a balanced focus of tours, art activities, live performance and music events. Utilising the services of highly qualified facilitators and guides, a continued emphasis was placed on learning whilst also creating a fun environment for all the family. Approximately 2 251 participants attended the special Guided Tours presented by Art Gallery Guides as part of the START at the Gallery program, indicating a key value for the program in education about the visual arts. START Art Club membership has increased by 519 children with total membership now at 2 404 members. START days were highly anticipated and popular with children and families, which was indicated throughout the year with incentivised repeat visitation rewarding START Art Club member involvement. The Balnaves Foundation has continued to support the START at the Gallery program in the successful development and encouragement of family visits to the Gallery through programmed events and activities.

School holiday programs presenting art making activities including pre-activity tours of the gallery and exhibitions with Art Gallery Guides, attracted a total of 1,061 children aged 5-12 years, in addition to accompanying parents/carers at the school holiday programs. This year the Art Gallery also introduced

workshops for teenage audiences. These workshops were presented by professional artists and associated with the exhibitions Fashion Icons : Masterpieces from the Collection of the Musée Des Arts Décoratifs and Trent Parke: The Black Rose offered in the January and April school holidays attracted 77 participants.

THE GALLERY SHOP

The 2014-15 financial year was a successful year for sales, with the exhibition Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris producing very healthy sales from books and merchandise brought in for this exhibition. This exhibition also covered the busy Christmas period. The exhibition Dorrit Black: unseen forces earlier in the financial year, also produced outstanding sales of the exhibition book and merchandise.

INFORMATION TECHNOLOGY

The 2014–15 financial year saw the continuation of several projects in IT.

Our Desktop Replacement Program , which had been restarted in 2013–14, is now back on track to renew our office PCs as per standard practise. This means that many of our machines are within warranty, keep us up to date with technology, require less waiting time and less power to run.

The online collection is steadily getting more content and the general storage of online AGSA content is steadily growing.

In this financial year rather than introducing new IT software, as happened in 2013–14, we have spent time developing our use of existing technology and identifying as part of our Digital Strategy where we need to put a focus for 2015–16 so that we can maximise our technical capabilities to meet future needs. It is likely our main website, databases, and technology that the public interact with will see upgrades in the future. This would happen in line with and to meet the core objectives of the galley.

ART GALLERY WEBSITES

Art Gallery Website In the 2014–15 financial year, the Art Gallery website recorded 306 831 sessions from 194 382 unique users. 59.85% of these visitors were new. 46.61% accessed the website by desktop and 53.39% by mobile or tablet. The website had 1 069 477 pages viewed, with an average of 3.49 pages viewed per visit; the average time a visitor was on the website was 2 min and 33 sec.

Fashion Icons Website A dedicated microsite for Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris went live on 1 September 2014. This website had 87 804 sessions with 61 388 unique users and 245 625 pages viewed, with an average of 2.8 pages viewed per visit. The average time a visitor spent on this website was 1 min and 51 secs.

Treasure Ships Website A dedicated microsite for Treasure Ships: Art in the Age of Spices went live from 1 June 2015. In this time the website had 6 445 sessions with 4 867 unique users and 18 429 pages viewed, with an average of 2.86 pages viewed per visit. The average time a visitor spent on the website was 2 min and 51 secs.

Social Media The Art Gallery’s presence on social media increased with profiles presented and maintained across five platforms. Facebook followers grew to 15 988, Instagram followers increased to 4 030, Twitter followers reached 1 866, Pinterest gained 52 new followers and YouTube had 185 subscribers with 28 653 views.

PUBLICATIONS AND MERCHANDISE

Trent Parke: The Black Rose was produced to accompany the exhibition. The artist was heavily involved in the design of the book which can be considered more as the Gallery’s first artist book rather than an exhibition catalogue. It was highly successful both nationally and internationally and sold out within a few months.

Perhaps the finest book in the Gallery’s history, Treasure Ships: Art in the Age of Spices was made possible by the generosity of the Gordon Darling Foundation. This scholarly book, involved co-ordinating many authors and images from many sources. Lavishly illustrated it will continue to sell once the exhibition concludes.

The Gallery developed a range of merchandise reproducing works from the collection and to accompany exhibitions. Many items were developed for Treasure Ships and were sold onto the Art Gallery of Western Australia for their showing of the exhibition. The range continues to grow and many new products are already in development. It is envisaged that the Gallery’s exclusive range will provide a comprehensive source of gifts for our varied visitor needs.

A complete list of books and merchandise produced can be found in Appendix K.

The Gallery’s publications and some products sell nationally (and in New Zealand) through Thames & Hudson and resulted in further profits for the Gallery.

The Gallery’s magazine Articulate continues to be highly regarded both with our members and nationally with our peers.

Image Sales continues to grow as the Gallery’s works of art are requested more often. Images were provided to national and international magazines for promotion of the Gallery. Many images were supplied free of charge for curatorial, educational and promotional purposes as a means of providing access to the Gallery’s collections. As a condition of reproduction many complimentary copies of books were added to the Gallery’s Library.

APPENDIX A

CHARTER AND GOALS OF THE ART GALLERY OF SOUTH AUSTRALIA

To enable the South Australian and the wider community to experience directly high-quality works of visual art; to ensure that the experience is enlivening and enriching; and to demonstrate that a significant expression of South Australian life can be experienced in South Australian works of art.

GOALS

COLLECTION The Gallery will identify and hold historically important works of art of aesthetic excellence and of regional significance in accordance with the Gallery's collections policies. Works on loan to the Gallery's collections will also be subject to those policies.

PRESERVATION The Gallery will ensure the preservation and conservation of its collections by maintaining them in standard environmentally controlled conditions, by handling them safely and by ensuring their security at all times. The Gallery should stabilise or restore deteriorating or damaged works in its collections. Works temporarily in the Gallery's custody will receive the same environmental safeguards, safe handling and security as works in the Gallery's collections.

DOCUMENTATION The Gallery will fully document its collections with a central catalogue system that includes complete visual as well as written records. Undocumented works temporarily in the Gallery's custody will also receive written and visual documentation.

RESEARCH The Gallery will research and evaluate its collections (and related material) so that the collections' display, interpretation and promotion are carried out with integrity. The Gallery should make its collections and associated documentation accessible to others for the purposes of research.

DISPLAY The Gallery will display its collections and program its temporary exhibitions in ways which enhance appreciation of the collections; displays should provide pleasure and education by being visually pleasing as well as appropriate for the particular public for whom they are intended; displays will be devised for the special interests of the specialist visual arts community as well as for the general public. Temporary exhibitions should be programmed to provide displays of works of art belonging to categories poorly represented in South Australia's collections. The Gallery will provide accurate and intelligible labels for works on display. Within normal security and conservation constraints, and provided there is clear public benefit, the Gallery should make works from its collections available for display elsewhere.

INTERPRETATION The Gallery will provide easily accessible interpretative information about the collection displays and the temporary exhibitions in the form of signs and wall texts as well as public programs of publications, films, lectures, seminars and the services of Education Officers, Gallery Guides and other communicators. Interpretative services will be provided at various levels relevant to the Gallery’s various publics, from the specialist visual arts community to the least informed general public.

PROMOTION The Gallery will promote its collections and temporary exhibitions, will promote in the community an awareness of art museum functions and of what can be gained from works of art, and should evaluate and act on the public's needs and responses to the Gallery's activities.

ADVICE The Gallery should responsibly exercise its legislative function of advising the South Australian Government on the allocation of South Australian resources to works of art, art collections, art museums and art associations.

REVIEW The Gallery will frequently evaluate and review its goals and tasks and the effectiveness of their implementation.

APPENDIX B1

ART GALLERY BOARD

There were eight meetings of the Board during the year, attended as indicated.

Tracey Whiting (Chair from 7 August 2014) 8 Emeritus Professor Anne Edwards AO 7 Sue Twed dell 7 Robert Whitington QC 7 Neil Balnaves AO 8 John Phillips 7 Ms Sandra Sdraulig AM (until 27 July 2014) 0 Ms Jane Yuile (from 15 September 2014) 6 Mrs Susan Armitage (from 4 June 2015) 1

APPENDIX B2

ART GALLERY OF SOUTH AUSTRALIA FOUNDATION COUNCIL 2014–2015

Chairman: Andrew Gwinnett Deputy Chair: Max Carter AO Members: Susan Armitage Shane Le Plastrier Pam McKee John Phillips Ex Officio: Michael Abbott AO QC (until 2 August 2014), Mary Abbott, Nick Mitzevich, Thelma Taliangis, Tracey Whiting (from 7 August 2014) Executive Officer: Charlotte Smith

DEPARTURE Committee (as at 30 June 2015)

Art Gallery Staff Member Department Alice Clanachan Curatorial Lucy Eckermann Benefaction and Membership Harriet Flavel Artistic Programs Rosi e Riggir Development Ryan Sims Education Lee Theodoros Communications

APPENDIX B3

DIRECTORIAL

Assistant Director, Artistic Programs Foundation Lisa Slade Director (from 4 May 2015) Nick Mitzevich ART GALLERY SOUTH OF AUSTRALIA Executive Officer, Benefaction & Membership Associate to the Director

Charlotte Smith CHARTORGANISATIONAL Lindsay Brookes Strategic Projects Coordinator Contemporary Collectors & Departure Cate Stanford Project Curator (until 3 April 2015) Lisa Slade (until 3 May 2015)

Bookings & Database Officer Ai mee Phillips

Membership/Foundation Officer Robyn Lademan

CORPORATE SERVICES

Administrative Services Coordinator Deputy Director Senior Project Officer, Finance & Capital Assets Mark Horton Margaret Bicknell Kym Hulme

Registration Library Management Accountant Information Gallery Shop Bill Stathoulis Technology Registrar Registration Security & Jan Robison Assistant Information Manager Cleaning Anne Wright Jin Whittington Gallery Shop Services Manager Contractors Manager, Information Letitia Ashworth Associate Associate Registrar: Technology Library David Mikos Registrar: Exhibitions & Loans Gallery Shop Technician Collections Vicki Petrusevics Supervisor Ju Phan Management IT Support Suzanne Clift Georgia Hale John O’Rielley Workshop Senior Registrtion Artisan/Carpenter Gallery Shop Staff Officer Darren Hehir Anna Burdin Tim Tyler Artisan/Painter Chandan Bala Jain Registration Officers Franz Nieuwenhuizen Lorinda Curnow Collection Graham Christopher David Snyders Alicia Kaye Database Darren Hehir (from 12 January 2015) Elizabeth Pascale Officer Richard King Soraya Phillips Sue Smith Stephen Oates Anika Williams Daniel von Schutt John Webster Noel White

Ken Orchard (casual) 44 Seb Calabretto (casual)

CURATORIAL

Curatorial Administrative Assistant SENIOR CURATOR & CURATOR OF PRINTS, Heather Brooks (p/t) DRAWINGS & PHOTOGRAPHS Miranda Comyns (p/t) Julie Robinson

Curator of Australian Curator of Asian Curator of European Art Curator of Associate Curator of Art Art Jane Messenger European & Prints, Drawings & Tracey Lock -Weir James Bennett (resigned 29 May 2015) Australian Photographs Decorative Arts Maria Zagala Robert Reason Associate Curator Assistant Curator, Australian Paintings, Asian Art Sculpture & Aboriginal & Russell Kelty Acting Associate Torres Strait Islander Art Curator of Prints, Elle Freak Acting Associate Curator of Drawings & European Art Photographs Rebecca Capes-Baldwin (resigned 2 February 2015) Associate Curator of Australian Paintings & Sculpture

Assistant Curator of Australian Paintings & Sculpture

PUBLICATIONS

Deputy Director Mark Horton

Publications Officer: Logistics & Publications Officer: Digital Publications Officer: Image Digital Imaging Imaging Sales & Rights Stewart Adams Saul Steed Laura Masters (from 14 July 2014)

EXHIBITIONS & PUBLIC PROGRAMS

Assistant Director, Artistic Programs Lisa Slade

Exhibitions & Public Programs Coordinator Education Front of House Coordinator Acting Exhibitions & Public Cate Parkinson Programs Coordinator Megan McEvoy (p/t) Education Officer Mark Fischer

Public Programs Officer – Front of House Support Staff Children’s Activities Lorinda Curnow (casual) Exhibitions & Public Programs Officer Clare Gilham (p/t) Alex Reinhold (casual) Anika Williams (p/t) (resigned 5 December 2014) Kelly Day (casual) Sarah Gibson-Walker (casual) Alexandra Reinhold Serena Wong (casual) (from 20 January 2015)

Education Support Officer Karina Morgan (p/t) (Maternity Leave until February 2015) Ryan Sims

MARKETING & DEVELOPMENT

Marketing Manager Cassie Childs

Graphic Designer Communications Manager Marketing Officer Manager Development Jacqueline Schaare Marika Lucas-Edwards (on Maternity Heidi Chamberlain Suzy Dimaline (from 15 September 2014) Leave) (resigned 19 February 2015) Susanne Briggs Gillian Mercer (p/t from 2 February 2015) (from 27 April 2015) Lee Theodoros (p/t from 27 April 2015)

Development Officer Lisa Wilson (resigned 3 February 2015)

TARNANTHI FESTIVAL OF CONTEMPORARY ABORIGINAL AND TORRES STRAIT ISLANDER ART

Artistic Director Executive Producer Nici Cumpston Mimi Crowe

Assistant Curator Marketing & Public Program Festival Coordinator Education Support Coby Edgar Communications Manager Manager Tracey Dall Officer (from 29 September 2014) Lucy Markey Angela Flynn (seconded) Ryan Sims (from 28 July 2014) (part-time) (from 9 February 2015)

ART GALLERY OF SOUTH AUSTRALIA MANAGEMENT STRUCTURE

Associate to the Director Foundation Director Strategic Projects

Corporate Services Festival Development, Marketing Curatorial Exhibitions & Public Programs Administration Sponsorship Curators Operations Exhibitions Marketing & Finance Communications Public Programs

Information Technology Membership & Education Benefaction

Gallery Shop Contemporary Collectors Registration

Library

Publications

APPENDIX B4 ART GALLERY STAFF Anika Williams, Exhibitions & Public Programs SENIOR MANAGEMENT Officer (p/t) Nick Mitzevich, BA (Fine Arts), GradDipFA (Hons), Clare Gilham, MA (Mus&CurSt); Bachelor of Fine GradDipED, Director Arts, Public Programs - Children’s Activities (p/t) Mark Horton, DIPBus, MPA (ongoing), Deputy (until 5 December 2014) Director Alexandra Reinhold, BIS&Arts,GradDipEd, Public Lisa Slade, BA, DipEd (Visual Arts & English), PhpHD Programs – Children’s Activites (p/t) (from 26 January (continuing), Assistant Director, Artistic Programs 2015) (from 4 May 2015) Ryan Sims, Education Support Officer Mark Fischer, DipEd (Fine Art), BA, Education CURATORIAL Officer (seconded) Julie Robinson, BA, MAprelim, GradDipMus Stud., Lorinda Curnow, BA (DrStud), GradDipEd Senior Curator, Prints, Drawings & Photographs (secondary), GradDip (Cul CommDev: Community Arts James Bennett, DipArtEd, Curator of Asian Art Based Practice), Front of House Officer (casual) Kelly Day, LLM, LLB, BEc, CertInt, Des&Dec, Front Tracey Lock-Weir, BA (VisArt), GradDipEd, Curator of House Officer (casual) of Australian Art Sarah Gibson-Walker, BBus (Mark), MA (ArtHist), MA Jane Messenger, BA (Hons), MA (ArtCurStud), Curator (Cur&MusStud), Front of House Officer (casual) of European Art (until 29 May 2015) Anna Goodhind, BA (VisArt&AppDes), BA (hons), Robert Reason, BA, PostgradDipArtCurStud, MA, VisArts, GradDip (ArtHis), MA (ArtHis), MA Curator of European & Australian Decorative Arts (Cur&MusStud), Front of House Officer (casual) Rebecca Capes-Baldwin BA (Hons), Acting Lauren Simeoni, BA (VisArts-Gold+Silver-smithing), Associate Curator of European Art (resigned 2 February 2015) GradDepEd (Secondary), Associateship JamFactory Maria Zagala, BA (Hons), MA (ArtHistRes), Associate (Metal Design), Front of House Officer (casual) Curator, Prints Drawings & Photographs (on Maternity Serena Wong, BA (Creative Industries), MA (Cur& Leave) MusStud), MA (ArtHist), Front of House Officer (casual) Lisa Slade, BA, DipEd (Visual Arts & English), PhD (continuing), (Project Curator until 3 May 2015) PUBLICATIONS Elle Freak, BA (Visual arts), GradDip (ArtHist), MA Antonietta Itropico, BA, Manager, Publications & (Cur&MusSt), Assistant Curator, Australian Paintings Sales & Sculpture Stewart Adams, Publications Officer – Logistics & Russell Kelty, BA (Art History), MA (ArtHist), Assistant Digital Imaging Curator, Asian Art Saul Steed, Publications Officer – Digital Imaging Alice Clanachan, BA (Hons), MA (CultHerMus Stud), Laura Masters, BVisArts, PostgradDipArtHistory, Assistant Curator of Prints, Drawings & MMus&CurStud (from 14 July 2014) Photographs Gloria Strzelecki, BA, GradDip (Art History), MA MARKETING & DEVELOPMENT (Studies in Art History) Susie Barr, BCreatArts, ProfDipMark, Head, Associate Curator Australian Paintings & Marketing & Development (on Maternity Leave) Sculpture Cassie Childs, BA Arts (ongoing), AdDipMan (ongoing), Marketing Manager (from 25 August 2014) PUBLIC PROGRAMS/FRONT OF HOUSE/ Marika Lucas-Edwards, GradDipComm (PubRel), BA, EDUCATION Communications Manager (on Maternity Leave) David O’Connor, DipT (FineArts); Bed(Fine Arts); Susanne Briggs, BASocSc, DipComm, DipCouns, GradDipArtsAdmin, Manager, Exhibitions, Public Communications Manager (p/t) (from 2 February Program & Front of House (until 30 June 2015) 2015) Megan McEvoy, Cert2 Arts Administration, Grad Lee Theodoros, Communications Manager (p/t) Dip Arts & Cultural Management, Acting (from 27 April 2015) Exhibitions & Public Program Coordinator (p/t) Lisa Wilson, Development Officer (until 3 February Cate Parkinson, DipBus, DipArts, Front of House & 2015) Volunteer Coordinator

Heidi Chamberlain, BA, GradCert (ArtHist), Heather Brooks, Curatorial Administrative Assistant Marketing Officer (p/t) BENEFACTION & MEMBERSHIP Miranda Comyns, Curatorial Administrative Charlotte Smith, MA (Mus&CurSt), BA, DipLang, Assistant (p/t) Executive Officer, Benefaction and Membership GALLERY SHOP Lucy Eckerman, BMus, BLbl (Hons), Marts (Cur& Letitia Ashworth, Gallery Shop Manager MusStud), Coordinator Benefaction (from 4 May 2015) Suzanne Clift, Gallery Shop Supervisor Robyn Lademan, Membership/Foundation Officer Anna Burdin, Gallery Shop Assistant (casual) Aimee Phillips, MSW (ongoing), BA, Bookings and Chandan Bala Jain, Gallery Shop Assistant (casual) Database Officer (until 9 January 2015) Lorinda Curnow, Gallery Shop Assistant (part-time) Cate Stanford, MGPP (ongoing), BA (ArtHist), BA Alicia Kaye, Gallery Shop Assistant (casual) (ArtHist) Coordinator Contemporary Collectors and Elizabeth Pascale, Gallery Shop Assistant (casual) Departure (until 2 April 2015) Soyara Phillips, Gallery Shop Assistant (casual) Lauren Simeoni, Gallery Shop Assistant (casual) REGISTRATION AND ART SERVICES Jan Robison, BA (Hons), GradDipEd, MSc, Registrar OPERATIONS Vicki Petrusevics, BA (VisArts), Grad Dip ManagArt, Kym Hulme, Senior Project Officer, Finance & Associate Registrar Exhibitions & Loans Capital Assets Georgia Hale, BA (DesCer) , AssDipGraphDes, Associate Registrar Collection Management FESTIVAL Anne Wright, Registration Assistant Mimi Crowe, BA (Theatre), GradDipArtsAdmin, MBA, Sue Smith, Collection Database Officer Executive Producer, TARNANTHI | Festival of Tim Tyler, Senior Registration Officer Contemporary Aboriginal and Torres Strait Stephen Oates, Registration Officer Islander Art John Webster, Registration Officer Nici Cumpston, BA (Visual Arts) (Hons), Artistic Director, Noel White, Registration Officer TARNANTHI | Festival of Contemporary Graham Christopher, Registration Officer Aboriginal and Torres Strait Islander Art Richard King, Registration Officer Tracey Dall, Festival Coordinator, TARNANTHI | Darren Hehir, Registration Officer Festival of Contemporary Aboriginal and Torres Daniel Schutt, Registration Officer Strait Islander Art Ken Orchard, Registration Officer ( casual) Coby Edgar, BVA, Assistant Curator, TARNANTHI | Festival of Contemporary WORKSHOP Aboriginal and Torres Strait Islander Art Franz Nieuwenhuizen, Artisan/Painter Angela Flynn, Public Program Manager – Darren Hehir, Artisan/Carpenter TARNANTHI; Creative Producer – Spirit Festival David Snyders, Artisan/Painter 2015 Lucy Markey, BBus (Marketing), GradDipArts Admin, Marketing and Communications Manager, LIBRARY TARNANTHI | Festival of Contemporary Jin Whittington, BMus (Hons) , GradDipLibStud, Aboriginal and Torres Strait Islander Art Information Manager Ju Phan, AssocDipLibTech, Library Technician (p/t)

ADMINISTRATIVE AND IT SERVICES

David Mikos, BSc (Hons), IT Manager

John O’Rielley, IT Support Officer Bill Stathoulis, MAcc, BachBIF, Management Accountant Lindsay Brookes, Associate to the Director Margaret Bicknell, Cert4, BusAdmin, Administrative Services Coordinator

VOLUNTEERS

GALLERY GUIDES – Executive Committee Sandra Winder, Coordinator Jill Swann, Coordinator Elect Karen Hammond, Secretary Treasurer Paul Corcoran, Continuing Education Program Manager Nic Carstensen, Roster Manager Helen Bulis, Special Projects Trish Finnimore, Children’s Program Pam Norman, Learning at the Gallery

FRONT OF HOUSE INFORMATION DESK AND VESTUBULE DESK Karen Adams, Marjan Afrouzfar, Wendy Alland, Margaret Archer, Sophie Armstrong, Dianne Atwa, Anne Ballard, Kate Barrett, Nina Bellati, Skye Bennett, Anne Berry, Cheryl Bowen, Patsy Brebner, Isabelle Bryce, Michael Buckley, Gini Bungey, Ali Carpenter, Barry Carter, Patricia Church (deceased), Vanessa Cianfaglione, Kristin Clark, Judy Clarke, Carina Correas, Ron Cortis, Kathy Crockett, Frances Cumming, Michelle Daniell, Mariana Danielyan, Doreen Dare, Bob Davis, Penny Davis, Barbara Day, Beatrice De Alexandris, Rod de'Hoedt, Bice Della Putta, Tina Dolgopol, Kate Driscoll, Gai Dudley, Faye Duncan, Lorna Elcombe, Cynthia Elford, Jenny Esots, Lesley Ewens, Conxita Ferrer, Aaron Finan, Genevieve Forster, Mary Gaillard, Ingrid Goetz, Bev Golding, Phoebe Gunn, Karen Hammond, Carol Harrison, Debra Hassen, Maureen Heaver, Olga Hoepner, Hannah Hutchison, Geraldine Jennings, Dee Jones, Jacqui Jones, Anthea Jones, Mai-Lin Kan, Ishira Kanathigoda, Ruth Kaukomaa, Casey Kendrick, Suzy Kidd, Madeleine Kiley, Jenifer Klenner, Renate Leak, Doris (Siwen) Lei, Gloria Lloyd, Wendy McCormick, Jane McGregor, Georgia Minucci, Sing-Chean (Singi) Moo, Kirstie Morey, Christine Morey, Violetta Mount, Margaret Neagle, Pamela Norman, Andrea Num Glover, Christine O'Connor, Margot O'Donnell, Rita Pemberton, Rhonda Perriam, Barbara Phillips, Lorraine Phillips, Priscilla Pincus, Steven Pinhorn, Ann Podzuweit, Jacqueline Polasec, Liz Pritchard, Bert Prowse (deceased), Twisha Pujara, Marion Queale, Ruth Retallack, Caroline Ricci, Sandra Richardson, Glen Marguerite Ricketts, Sue Rieger, Diana Roberts, Josie Robertson, Eric Rossi, Jan Rowell, Debra Russell, Deborah Schultz, Kyoko Schultz, Dhanushka Senavirathne, Alison Shaw, Ken Shimmin, Julie Smith, Sheelagh Steele, Paul Steele, Margaret Stevens, Daisy Sugars, Glennis Syddell, Julie Tammo, Trina Tan, Diana Taylor, Deanna Temme, Barry Trowse, Rebecca Tuck, John Tuit, Carl Vail, Andrea van den Hoek, Ted Van Dijk, Hannah Van Noordennen, Christine Venning, Paul Verbeeck, Maxie Walker, Yvonne Waller, Lorraine White, Margaret White, Amanda Wilksch, Naomi Williams, Liz Wilson, Pauline Wood, Zeyu Xiao, Na Xu (Xuna)

PUBLIC PROGRAMS – START & STUDIO Emily Addison, Diane Atwa, Judith Christofis, Lucy Eckermann, Wendy Fairclough, Naomi Fry, Molly Garcia-Underwood, Ingrid Goetz, Maj Green, Leigh Gregurke, Kari-Lee Harris, Ella James, Hannah Mallard, Georgia Minucci, Linda Newby, Amanda Nicholls, Margaret Lloyd, Leah Metaxas, Nelum Perera, Janine Petkovic, Kate Loeckenhoff, Hannah Mallard, Claudia Saare, Fern Seacombe, Emily Taliangis, Julia Townsend, Lauren Walker

GALLERY GUIDES Bente Andermahr, Hasmik Balayance, Jill Becker, Josephine Ben-Tovim, Ann Blandford, Christine Briggs, Helen Bulis, Nic Carstensen, Annette Chalmers, Rosemary Collins, Paul Corcoran, Robyn Cowan, Kathy Crockett, Jenny Cunningham, Alma Daehn, Janet Darling, Gillian Davis, Michelle Davis-Wanzek, Gai Dudley, Estelle Farwell, Patricia Finnimore, Lorraine Franzin, Christine Guille, Julian Hafner, Karen Hammond, Pamela Harding, Jennifer Harris, John Hayes, John Hown, Barbara Humphries, Jenny Jarvis, Julienne Keane, Jenifer Klenner, Jessica Knight, Brian Knott, Kirsty Kurlinkus, Philip LaForgia, James Lainas, Helga Linnert, Judy Lloyd, Virginia Lynch, Jan McKinlay-Moss, Gillian Morris, Robyn Mullins, Christopher Nance, Maureen Nimon, Ann Noble, Pamela Norman, Rosemary Nursey-Bray, Jennifer 53

Palmer, Wendy Parsons, Margaret Payne, Heather Pearce, Veronika Petroff, Marion Queale, Julie Redman, Mary Rivett, David Roach, Christabel Saddler, Mary Schinella, Michael Shepherd, Perla Soberon-Brittle, Nel Steele, David Stokes, Jill Swann, Eileen Taylor, Janet Taylor, Pamela Terry, Jo Thyer, Ruth Walter, Carol Watson, Sandra Winder, John Woodrow

TRAINEE GALLERY GUIDES Di Atwa, Diane Davies, Kelly Day, Tina Dolgopol, Lorraine Harker, Meredithe Madigan, Mary Marston, Madeleine Nicholls, Michael O'Donoghue, Naomi Reschke, Meredith Ross, Ken Shimmin, Dianne Speck, Helen Trebilcock, Barry Trowse, Kay Vears, Kim Watson, Robert Weaver

ADMINISTRATION Lynne Erskine, Anne Marcon, Lorraine Phillips

REGISTRATION Lucy Eckermann, Conxita Ferrer, Peter Lane

CURATORIAL Meg Apsey, Ann Axelby, Alex Burchmore, Annette Chalmers, Caitlin Eyre, Stephanie Fabian, Harriet Flavel, Craig Middleton, Gary Morgan, Alexandra Mowbray, Karen Paris, Heather Pearce, Terry Teusner, Susan Woodburn

INTERNS Greta Gorelik, Hannah Hutchison, Amanda Radomi

LIBRARY Kathy Boyes, Clare Eacott, Barbara Fargher, Judy Gall, Judith Herd, Sarah Linke, Annette Masters, Finula McCrossan, Yvonne McMurray, Janet Neilson, Patricia Paddick, Jacqueline Polasec, Lois Taverner, Edward Tomczyk, Jose White, Susan Woodburn

LEARNING AT THE GALLERY – GALLERY GUIDES SUPPORT

The new position of Learning at the Gallery (LAG) representative on the Guides’ Executive Committee was created this year in order to facilitate communication between the Learning team at the Gallery and the guiding body.

Bente Andermahr, Jill Becker, Jo Ben-Tovim, Christine Briggs, Helen Bulis, Nic Carstensen, Rosemary Collins, Paul Corcoran, Jenny Cunningham, Alma Daehn, Jan Darling, Michelle Davis-Wancek, Kelly Day, Gai Dudley, Lorraine Franzin, Karen Hammond, Jennifer Harris, Julienne Keane, Jessica Knight, Brian Knott, Kirsty Kurlinkus, Philip LaForgia, James Lainas, Helga Linnert, Judy Lloyd, Virginia Lynch, Meredith Madigan, Maureen Nimon, Ann Noble, Pam Norman, Rosey Nursey-Bray, Heather Pearce, David Roach, Meredith Ross, Christabel Saddler, Mary Schinella, Ken Shimmin, Nel Steele, David Stokes, Jill Swann, Janet Taylor, Pamela Terry, Jo Thyer, Ruth Walter, Carol Watson, Sandra Winder

LEARNING AT THE GALLERY - VOLUNTEER SUPPORT Heath Campbell, Molly Garcia-Underwood, Anne Marcon, Ann Keast, Margaret Lloyd, Lucy McDonald, Trish Roche, Claudia Saade, Barbara Tanner

LEARNING AT THE GALLERY – GALLERY STAFF SUPPORT James Bennett, Alice Clanachan, Mimi Crowe, Nici Cumpston, Lorinda Curnow, Harriet Flavel, Elle Freak, Clare Gilham, Russell Kelty, David O’Connor, Tracey Lock-Weir, Laura Masters, Megan McEvoy, Jane Messenger, Nick Mitzevich, Cate Parkinson, Robert Reason, Alexandra Reinhold, Julie Robinson, Lisa Slade, Saul Steed, Gloria Strzelecki, Jin Whittington, Anika Williams, Serena Wong, Maria Zagala

APPENDIX C

STAFF PUBLIC COMMITMENTS

NICK MITZEVICH Ten lectures in Graduate Studies in Art History Seven talks to Gallery Guides and Curatorial and Museum Studies, University 16 talks on the collection of Adelaide Six lectures for Graduate Studies in Art History Four lunchtime talks 14 radio interviews Regular presentations to Gallery Guides and 18 newspaper and magazine interviews Special Interest Groups and numerous floor One photo-shoot for magazines talks and guided tours for booked groups Eight television interviews including secondary and tertiary groups 2014– 11 talks to special interest groups 2015 Opened three exhibitions and conducted one CURATED EXHIBITIONS AND DISPLAYS: The book launch extreme climate of Nicholas Folland, 19 July–26 Judged one Art Prize January 2015 Six media briefings on Gallery exhibitions PRESENTATIONS, TALKS AND TOURS: Chair, The COMMITTEES: Council of Australian Art lives of Artists , Adelaide Writers Week 2015 Museum Directors; Australia Council Visions PUBLICATIONS: Slade, Lisa Nicholas Australia Peer Panel; Helpmann Academy Board Folland , SALA Monograph, Wakefield Press 2o4 of Governors; Department of State Slade, Lisa and Mitzevich, Nick The last resort: Development Senior Executive Group; Arts SA Alex Seton , McClelland Sculpture Park & Gallery Senior Management Group; Graduate Studies in 2014; Slade, Lisa “Trench art: Sappers and Art History Joint Committee; Adelaide Fashion Shrapnel” Artlink 35.1, 2015; Slade Lisa, Festival Committee “Dancing and dying” in Julia Robinson: one to PUBLICATIONS: Forewords for Fashion Icons: rot and one to grow CACSA Project #5, 2015 Masterpieces from the collection of the Musée COMMITTEES: Artlink Australia (Chair); School des Arts Décoratifs, Paris (AGSA, 2014) Trent of Art, Architecture and Design Advisory Group, Parke: The Black Rose (AGSA, 2015); Treasures University of South Australia; Public Art Round Ships: Art in the Age of Spices (AGSA, 2015) Table, Adelaide City Council Four Director’s Messages for the Articulate OTHER PROFESSIONAL: Judging, Helpmann magazine. Academy Graduate Exhibition; Judging Royal Six Opinion Pieces for InDaily Adelaide Show OVERSEAS VISITS: London, United Kingdom, Lisbon and Coimbra, Portugal, Madrid, Spain, 1– JULIE ROBINSON 14 July 2014; Hong Kong, 13–18 May 2015; Two lectures for Graduate Studies in Art History Milan and Venice, Italy, Madrid Spain, 30 April– Four lunchtime talks 14 May 2015 Four talks to the Gallery Guides and Education Guides LISA SLADE Eight exhibition talks, including for Foundation, Presentation of a masterclass at the Institute of Contemporary Collectors and Departure Advanced Studies, University of Western One exhibition talk for members of the Adelaide Australia Club Twelve external opening addresses and One teachers’ briefing presentations (including exhibition openings One TV interview and key note addresses) including keynote for Three radio interviews the South Australian Institute of Architects One newspaper interview awards 2014 and panel presentations in 2014 Two symposium lectures: Mortimer Menpes’s at Undiscovered, a national focus on Western artistic philosophy ; Trent Parke: Magnum opus Australia at the University of Western Australia, Interview for documentary film The Still Point , and guest speaker at the NAVA Director Mira Soulio summit, Future/Forward. JUDGING: Judge, Waterhouse Prize 2014, South Australian Museum 55

COMMITTEES: Graduate Studies in Art History Two radio interviews Joint Committee; Committee Member 24 specialist tours and events for the exhibition Museums Australia Art, Craft and Design Special Fashion Icons Interest Group; Board Member, Contemporary Two external opening addresses Art Centre of South Australia. PROFESSIONAL: Presented lecture Fashion PUBLICATIONS: Trent Parke: The Black Rose Icons to Carrick Hill, September 2014 (AGSA, 2015), co-author with Maria Zagala and Presented lecture William Morris down under to Trent Parke. the Modern Languages Association Convention, CURATED EXHIBITIONS AND DISPLAYS: The Vancouver, and to the William Morris Society of World of Mortimer Menpes: Painter, Etcher, Canada, Toronto, January 2015 Raconteur , 14 June–7 September 2014; Trent Judged the OIDFA Lace exhibition, Unley, July Parke: The Black Rose , 14 March–10 May 2015, 2014; Judge for the Frog Cake Sculpture co-curated with Maria Zagala; Rembrandt and exhibition, SAHMRI, Adelaide, March 2015 the Etching Revival , 25 August 2014–8 July Guildhouse selection panel for the South 2015, gallery 18 Australian ceramic exhibition to be held at the Australian Ceramics Triennale, Canberra, 2015 TRACEY LOCK-WEIR Coordinating curator for The Collections Project Seven newspaper and/or journal interviews with the Guildhouse Ten specialist floor talks, permanent collection Attended Ausglass Conference, States of and Dorrit Black: Unseen Forces . Including tours Illumination , Adelaide, February 2015 OVERSEAS TRAVEL: Vancouver and Toronto, for National Art Museum Directors, Foundation Canada and New York, United States, 6–17 and Teachers Previews. January 2015 to present lectures on the Seven Art History lectures for Graduate Studies Gallery’s internationally acclaimed William in Art History Morris collection One lecture to Yale University Art History PUBLICATIONS: Reason R, ‘Carl Eduard Masters students Firnhaber: South Australia’s first gold and Two television interviews silversmith’, Silver Studies: The Journal of the Silver Societ y, London, No31, 2014, pp68–83 Two community group talks Reason R, ‘New Acquisitions: Art Gallery of Two radio interviews South Australia’, Silver Society of Australia Inc. Two lunchtime talks Newsletter , April 2015, p12 One Gallery Guides and front of house Contributing checklist author, Treasure ships: volunteers talk Art in the age of spices (AGSA 2015) One Exhibition opening speech PUBLICATIONS: JAMES BENNETT ‘Fish catch’, Treasure Ships: Art in the age of One Teacher Preview evening spices , AGSA, 2015, pp115–125; Six extended Three radio interviews One television interview entries for Tom Roberts , National Gallery of One lecture for Graduate Studies in Art History Australia, 2015; Artlink , book review of ‘Strange Five lunchtime talks Country: Why Australian Painting Matters’ by One talk to Gallery Guides Patrick McCaughey, vol35, no2, June 2015. Three public lectures COMMITTEE: Nora Heysen Foundation Four exhibition tours One Foundation event ROBERT REASON PUBLICATIONS: Catalogue Treasure ships: Art in Five lectures for Graduate Studies in Art History the age of spices , co-editor/author, Art Gallery Five lunchtime talks of South Australia, 2015; ‘ Treasure ships: Art in Eight talks to the Gallery Guides; Education the age of spices at AGSA’ in TAASA: The Asian Guides; Front of House Volunteers Arts Society of Australia , Volume 24, No1, 12 specialist floor talks to Foundation; higher March 2015, pp4–6. education; external groups OVERSEAS TRAVEL: Treasure Ships: Art in the One spring lecture age of spices loan negotiations, India and 56

Singapore, August-September 2014; Invited PROFESSIONAL: Opening speaker at graduation keynote speaker ‘Conversations with things’ of Bachelor of Visual Arts, University of South Tropenmuseum, Amsterdam, October 2014. Australia, 2014; Professional placement at Muzeum Sztuki Nowoczesnej (Museum of Modern RUSSELL KELTY Art), Warsaw 4/8/14-15/8/14; Attended Two radio interviews symposium The Photograph and Australia , Art One television interview Gallery of New South Wales, 18/4/15. Eight lunchtime talks Curated/Co-Curated: Six talks to the Gallery Guides Galleries 22–25: Trent Parke: The Black Rose 14 Ten exhibition tours March 2015–10 May 2015. Three public lectures Gallery 8: Beauty in Decay: Piranesi’s Views of Two Foundation events Rome PROFESSIONAL: Thesis grading: Four MA Art history candidates ELLE FREAK PUBLICATIONS: Catalogue Treasure ships: Art in Five lunchtime talks the age of spices , co-editor/author, Art Gallery Three talks to Gallery Guides of South Australia, 2015; ‘Treasure Ships: Art in Two lectures in Curatorial and Museum Studies, the Age of Spices’ in Orientations: The magazine University of Adelaide for collectors and conniseurs of Asian art , 2015, Lecture in Visual Arts Professional Practice Vol46, No5, pp52–59; 'Nagasaki: Where the Studies, University of South Australia land ends and the sea begins’in TAASA Review , Lecture on Aboriginal and Torres Strait Islander Vol24, No1, March 2015, pp22–24. Art, St John's Grammar School Five guided tours of the Australian art collection ALICE CLANACHAN for tertiary groups Three lunchtime talks Tour of the collection for delegation from Two Departure talks Chengdu Cultural Bureau of China, November One weekend exhibition talk 2014 One special interest talk for ABC Radio Tour of the collection for SACE board members Listener’s tour and international visitors, November 2014 One FOH volunteers’ training session Radio interview for Above and Below Two talks to the trainee Gallery Guides Film interview for Cabra Dominican College Two lectures for Masters in Art History/Masters ABC Listeners Tour of Dorrit Black: unseen in Curatorial and Museum Studies programme forces , Aug 2014 at University of Adelaide Judge of Kangaroo Island Art Prize, April 2015 COMMITTEE: Departure PUBLICATIONS: “Fiona Hall: Out of My Tree” , PUBLICATIONS: 'In pursuit of the periphery', BROADSHEET ISSUE 44.1 , Contemporary Art fine print , April 2015, fineprintmagazine.com; Centre of South Australia Inc., March 2015, contributing author Treasure Ships: Art in the pp48-51 Age of Spices , James Bennet and Russell Kelty, “Louise Haselton: material language”, Fineprint AGSA, Adelaide 2015. magazine, June 2015 CURATED DISPLAYS: Geoffrey Brown: Perennial Contributing author, “The modern medium: Landscapes , Atrium, 17 November 2014–27 July colour linocutting”, in Tracey Lock-Weir, Dorrit 2015 Black: unseen forces , AGSA, 2014, pp142–167 Contributing author, five entries, in James MARIA ZAGALA Bennett, Treasure Ships: Art in the Age of Five lectures in Graduate Studies in Art History, Spices, AGSA, 2015, pp288, 309, 323 University of Adelaide Author of five articles in Articulate, issues #17– Four lunchtime talks 19 Two lectures to Gallery and Education Guides CURATED DISPLAYS AND EXHIBITIONS: Above Two lectures at symposia and Below: Australian landscapes from the Four talks to special groups collection , Gallery 6 and 7, August 2014–June PUBLICATIONS: Contributing author Trent 2015 Parke: The Black Rose , AGSA, 2015;

Assisted Tracey Lock-Weir, Dorrit Black: unseen COMMITTEES: Representative of Regional forces , 12 June–9 September 2014 Galleries Association of South Australia; Representative of Children’s University Advisory GLORIA STRZELECKI Committee One specialist lecture One lunchtime talk MARK FISCHER One Guides presentation Presentation Early Years Directors and parents – One Trainee Guides presentation 2014 ‘ Children's Voice ’ research project and One presentation for the Burnside Men’s exhibition Probus Club 2014 Presentation DECD Outreach Education – PLC Opening speaker at EXIT AC Arts Graduate Forum Exhibition 2014 Presentation Guides – Supporting Teaching and Guest speaker at Beyond the Battlefield book Learning through Inquiry launch 2014 Presentation HTASA State Conference – Works Judge for Consumed Art Prize, City of Charles of art, artefacts and their historical biographies Sturt, 2014 Presentation VAESA Winter Conference Judge for 2nd RSASA Biennial Portrait Prize Presentation Trainee Guides x 3 2015 Guide Training – Colonial and Federation art- PUBLICATIONS: ‘Bones Brigade’, Fine Print , connections to Australian Curriculum Issue #1: Time, 2015 Art Judging – Various categories, 175 year Royal [http://www.fineprintmagazine.com/] Adelaide Show Contribution to Treasure Ships publication, Presentation Primary School Teachers – DECD (AGSA 2015) Arts Curriculum event COMMITTEE Adelaide University Art History and Presentation TAFE SA Children’s Services Curatorial Studies Alumni Network (AHCAN) childcare educators Presentation Eastern Cluster Schools – Charles DAVID O’CONNOR Campbell, Adelaide High, Marryatville, One talk for Curatorial and Museum Studies Glenunga, Open Access and Norwood-Morialta, Two lunch-time talks Australian Curriculum: Arts Official opener of the Wattle Range Art Presenter – Year 12 Visual Arts Forum Exhibition 2015 Presenter – Art Career Awareness Forum BOARDS: Member, Art for Public Places COMMITTEES: Gallery Guides Executive Committee, Arts SA Committee, AGSA Repressentative of Regional Galleries Visual Arts Educators of South Australia (VAESA) Association of South Australia Friends of SASA Board (FSASA)

CATE PARKINSON RYAN SIMS Three presentations Exhibition Attendant, Fiona Hall – Wrong Way 12 Orientation and Training Sessions Time , Australia Pavilion, Venice Biennale 2015, Six Information Sessions Venice, Italy Three Customer Service Sessions Presenter and Coordinator, The Inventive Kitchen Table workshops for children, ANIKA WILLIAMS Childrenshare , MUBA Museo dei Bambini Two radio interviews Milano, Milan Expo 2015, Milan, Italy Judge for the 2015 Penola Coonawarra Arts Presentation – Vocational College trainee Festival John Shaw Neilson Acquisitive Art Prize, teachers from Indonesia Design Prize and Local Artist Prize. Indonesian art presentation – Kangaroo Island Community College MEGAN McEVOY Jeffrey Smart Forum participation – Trinity Official opener of the Royal South Australian College Gawler Society of Arts Spring exhibnition, Over to U Fashion Icons Studio workshop presentations x Judge for the 2014 Youthscape Art Prize 3 – Seymour College, St Johns Grammar School, Judge for the 2015 Balco Balaklava Art Prize Unley High School

Trent Parke Studio workshop presentation – ACCC; Precinct Risk Management; Arts SA Edward John Eyre High School Facilities Management (FM) Forum; Australian Identity workshop presentation – Curramulka Primary School MARGARET BICKNELL COMITTEES: Gallery Guides Executive COMMITTEE: Member, Disaster Plan, AGSA Committee, AGSA MIMI CROWE JAN ROBISON COMMITTEES: ex officio, Cultural Advisory One lecture, Graduate Studies in Art History Council COMMITTEES: Member, Australian Registrars INTERSTATE VISITS: Cairns Indigenous Art Fair Committee; Team Leader, Disaster Plan Team 2014 (Cairns); Darwin Aboriginal Art Fair 2014 (Darwin); Desert Mob 2014 (Alice Springs); VICKI PETRUSEVICS Australia Council Festival Strategy Round Table One lecture, Graduate Studies in Art History (Melbourne) COMMITTEES: Member, Australian Registrars Committee; Member, WH&S ArtSA NICI CUMPSTON Coordinating Committee Two lunchtime talks Four talks to Gallery Guides GEORGIA HALE One lecture for Graduate studies in Art History One lecture, Graduate Studies in Art History Four specialist floor talks COMMITTEES: Member, Australian Registrars 20 specialist floor talks – TARNANTHI Festival Committee; Member, Disaster Plan Team partners Two floor talks for secondary and tertiary SUE SMITH groups, including Teachers’ Previews One lecture, Graduate Studies in Art History Two external guest lectures COMMITTEES: Member, Disaster Plan Team Opened one exhibitions Five radio interviews ANNE WRIGHT PUBLICATIONS: Art Monthly October 2014; COMMITTEES: Member, Disaster Plan Team Artlink Indigenous 2015 COMMITTEES: Selection panel for Our Mob – JIN WHITTINGTON annual exhibition at Artspace, Adelaide Festival One lecture on the AGSA Research Library at Centre; Our Mob Regional TARNANTHI Festival the ARLIS/ANZ Conference exhibition at Yarta Purtli Gallery, Port Augusta COMMITTEE: Secretary/Treasurer ARLIS/ANZ SA INTERSTATE/INTERNATIONAL VISITS: Cairns Chapter Indigenous Art Fair 2014 (Cairns); Garma Festival 2014 (Nhulunbuy, north-east Arnhem CHARLOTTE SMITH Land); Darwin Aboriginal Art Fair and the COMMITTEES: AGSA Foundation, DEPARTURE National Aboriginal and Torres Strait Islander Art Award, August 2014; Melbourne CATE STANFORD International Art Fair 2014 (Melbourne); Desert COMMITTEE: AGSA Contemporary Collectors, Mob symposium and exhibition 2014 (Alice DEPARTURE Springs); Corroboree Festival and Art Fair 2014 (Sydney); Australia Council for the Arts, Steering AIMEE PHILLIPS Committee – National Aboriginal and Torres COMMITTEE: DEPARTURE Strait Islander Festivals Forum 2014 (Sydney) Media briefing to the Anangu Pitjantjatjara LUCY ECKERMAN Yankunytjatjara Lands, April 2015; Mimili Maku COMMITTEE: DEPARTURE Arts - Mimili Community, Iwantja Arts – Indulkana Community; Ernabella Arts - Pukatja KYM HULME Community, Tjala Arts – Amata Community; COMMITTEES: Work Health and Safety, AGSA; National Gallery of Victoria – Guest lecture, Restaurant, AGSA; Disaster Recovery Group; Charting Cultural Dissonance, Aboriginal and Torres Strait Islander collection, May 2015;

Department of State Development Shandong Arts 2014 (Sydney); Steering Committee – Cultural Delegation (Shandong Province, China) National ATSI Festivals Forum (Sydney); INTERNS AND STUDENT SUPERVISION: Karen Australia Council for the Arts - ATSI Marketing Paris, Intern, University of Adelaide; Amanda Roundtable 2014 (Melbourne); Australia Radomi, Intern, University of South Australia Council for the Arts – Festival Strategy CONSERVATION: Aboriginal and Torres Strait Roundtable 2015 (Melbourne); Australia Islander paintings and sculpture conservation Council for the Arts – Indigenous Producers was managed by Australian Art Paintings and Program member Sculpture as I was working on TARNANTHI | COMMITTEES: TARNANTHI Cultural Advisory Festival of Contemporary Aboriginal and Torres Committee Strait Islander art. LUCY MARKEY TRACEY DALL INTERSTATE VISITS: Garma Festival (Nhulunbuy One talk to Graduate Studies in Art History / North-East Arnhem Land); Darwin Aboriginal One talk to Adelaide Central School of Art, Art Fair (Darwin); Desart Mob (Alice Springs) Professional Studies 3 INTERSTATE TRAVEL: Garma Festival (Nhulunbuy / North-East Arnhem Land); Darwin Aboriginal Art Fair (Darwin); Our Mob (Alice Springs)

COBY EDGAR One talk at Adelaide High School Panel member for visual arts course at UniSA COMMITTEES: Selection panel for Our Mob - annual exhibition at Artspace, Adelaide Festival Centre INTERSTATE VISITS: Sydney Corroboree Festival (Sydney); Desart Art workers curatorial training facilitator (Alice Springs) PUBLICATIONS: Marmalade , JamFactory annual publication contributor

ANGELA FLYNN INTERSTATE TRAVEL: Cairns Indigenous Art Fair 2014 (Cairns); Garma Festival 2014 (Nhulunbuy / North-East Arnhem Land); Darwin Aboriginal Art Fair 2014 (Darwin); Melbourne International Art Fair 2014 (Melbourne); Desert Mob 2014 (Alice Springs); Corroboree Festival 2014 (Sydney); Wominjeka Festival 2015 (Melbourne) Revealed 2015 (Perth); National Indigenous Art Awards 2015 (Sydney); Barunga Festival 2015 (NT); Northern Territory ATSI art centres and communities: Gunbalanya (Injalak Arts), Naiyu (Merrepen Arts), Wurrumiyanga (Tiwi Designs), Pirlangimpi (Munupi Arts) PROFESSIONAL: Kurruru Youth Performing Arts Board Member; Kura Yerlo Inc. Board Member; Ryan Steel Fellowship Interview Panel 2015, Adelaide Festival Centre; Australia Council for the Arts Peer Assessment Panel member – ATSI

APPENDIX D CONSERVATION

AUSTRALIAN PAINTINGS & SCULPTURES Alex Seton, My concerns will outlive yours (JD) A total of 32 Paintings, ten Sculptures, and three Ricky Swallow, The exact dimensions of staying works on paper from the Australian art collection behind (JD) received treatment from Artlab Australia. Seven Caroline Rothwell, Transmutation (JD) works on paper were rematted for regular Elder Clifford Last, Standing Figures, installed at the Wing changeovers. AGSA (AM) Below are the works of art in the Australian art Bert Flugelman, Knot, installed Light Square (AMB) collection considered to have received the most Greg Johns, Fugue , installed Grundy Gardens extensive conservation and care this year. (AMB) Richard Tipping, The Eternal Question, installed Paintings Light Square (AM) James Shaw, Interior of a still-house ; treatment and exhibition preparation (Treasure Ships ABORIGINAL AND TORRES STRAIT ISLANDER exhibition) (ET) ART Dora Chapman, Head study (15x); treatment and A total of 29 paintings and sculpture from the specialist framing (see below) (ET,CP,RH,MP) Aboriginal and Torres Strait Islander collection Frederick McCubbin, Hauling Logs ; treatment were treated by Artlab Australia. Treatments have included the preparation of works of art for (MP) collection displays and outward loans. Tom Roberts, Roses ; treatment (RC) Preventative care treatments for works of art of a Barossa Valley, South Australia, Portrait of a man fragile nature, including fibre sculpture and bark [in Oxford style frame] ; treatment (MP) paintings, have also remained an ongoing priority Conrad Martens, (Road to Windsor, early for this collection area. This has included the evening); treatment (HH) freezer treatment of 15 sculptures by Tjanpi Conrad Martens, (View of Sydney Harbour); Desert Weaver artists which form the two works Paarpakani (Take flight) and Tjanpi punu (trees) . treatment (HH) Three carved wooden sculptures continue to be routinely condition checked by Artlab Sculpture conservators. Five storage boxes have been John Dowie, ( Boy Fountain): treatment and custom made and one textile received treatment collection care (IM) in preparation for storage. The works of art Arthur John Fleischmann, Fountain figure : considered to have major treatment this year are treatment to remove corrosion (IM) listed below. Queenie McKenzie, Texas Downs : paint Owen Broughton, Steel Construction, installed consolidation and new frame (MP,ET) Payneham Library, treatment (IM) Unknown artist, Rainforest Shield : freezer Below are works of art in the Australian art treatment and surface clean (RR) collection that had specialist storage boxes and Unknown artist, Rainforest Shield : freezer frames made: treatment and surface clean (RR) Dora Chapman, Head study (15x) (ET) Tom Roberts, Mentone (JG) EUROPEAN PAINTINGS, SCULPTURE & Julia Robinson, Thief (FQ) WATERCOLOURS A total of nine paintings, two watercolours and Below are works of art in the Australian art four sculptures from European Art received collection that underwent routine inspection and conservation treatment. maintenance. More major treatments were conducted on the Alex Seton, Someone died trying to have a life like following works: mine (JD) 61

Herbert Schmalz, Zenobia’s last look on Palmyra Four Indonesian silver metalware prepared for (RH,CP,RC,LB [frame]) exhibition (RR,JG) Marcel Maeyer, Red, Blue Tent (MP) Four Indian works on paper were prepared for exhibition (AE,AA) DECORATIVE ARTS Three Indonesian gold metalware prepared for 11 decorative arts items were treated by ArtLab exhibition (RR,JG) Australia One European engraving was prepared for 15 decorative arts items required general exhibition (AE,AA) exhibition preparation. One Indonesian serving vessel prepared for 60 items of lace required general exhibition de- exhibition (RR,JG) installation One Indonesian betel nut box prepared for 34 costumes were condition checked exhibition (RR,JG) Five decorative arts items required general One Japanese screen prepared for exhibition storage preparation (ET,MP) Boxing of the ceramic collection continued One Indonesian painting prepared for exhibition Items conserved: (ET,MP) Morris & Co, Severn (length of fabric) (KP,MG) One Burmese offering vessel prepared storage Unknown, Wedding dress and accessories (KP,MG) (RR,JG) Barossa Valley, Crown of thorns frame (JG) One Iranian carpet was prepared for exhibition (KP,MG) Barossa Valley, Bible box (JG) One Dutch chest prepared for exhibition (RR,JG)

One Dutch glass bottle prepared for exhibition WORKS ON PAPER (RR,JG) Mount cutting and framing works on paper in One Indian Contador prepared for exhibition preparation for exhibitions, collection displays (RR,JG) and new acquisitions has continued to be an One Thai manuscript cabinet prepared for ongoing process. This year 250 prints, drawings exhibition (RR,JG) and photographs underwent exhibition One Indonesian throne rest prepared for preparation or conservation. exhibition (RR,JG) Major work included: matting, book stand-making and framing of over 200 works by Trent Parke for Key to Conservators: exhibition Trent Parke: The Black Rose, matting of 15 Geoffrey Brown prints for display, and matting of 18 Brent Harris Drift portfolio prints for display. AA Anna Austin AE Aquila Evill AMB Abbie Maxwell-Brown ASIAN ART FQ Filipa Quintella This year 99 Asian art items were treated by HH Helen Halley Artlab Australia. Asian art prepared for exhibition MP Marek Pacyna and storage included 27 ceramics, 22 works on ET Eugene Taddeo paper, 22 textiles, eight metalware, seven KP Kristin Phillips paintings, five sculptures, four furniture, two LB Lisette Burgess lacquers, one glass, and one carpet JG Justin Gare 27 Chinese and Japanese ceramics were prepared JD Jo Dawe MG Mary-Anne Gooden for exhibition (RR,JG) RH Rosemary Heysen 22 Indian and Indonesian textiles were prepared CP Chris Payne for exhibition (KP,MG) RR Renita Ryan 12 European prints prepared for exhibition RC Rita Contable (AE,AA) IM Ian Miles Five Japanese woodblock prints were prepared for storage and exhibition (AA,AE) Five Calligraphic works were prepared for exhibition (HH, AA) Five Asian sculptures prepared for exhibition (RR,JG)

APPENDIX E ACQUISITIONS

AUSTRALIAN PAINTINGS John Barbour, Australia, 1954–2011, Je ne sais Brook Andrew, Australia, b1970, Australia III , pas , 1991, Adelaide, synthetic polymer paint on 2014, Sydney, black ink, gold foil on linen; Gift canvas board; Gift of Peter Tyndall in memory of Susan Armitage through the Art Gallery of of John Barbour through the Art Gallery of South Australia Foundation 2014 South Australia Foundation 2015

David Aspden, Australia, 1935–2005, Kate Beynon, Australia, b1970, Uptown style , Waterways , 1988, Sydney, oil on paper; Gift of 2004, Melbourne, synthetic polymer paint and Susan Armitage through the Art Gallery of enamel on canvas; Gift of Julian & Stephanie South Australia Foundation 2015. Donated Grose through the Art Gallery of South Australia through the Australian Government's Cultural Foundation 2015. Donated through the Gifts Program Australian Government’s Cultural Gifts Program

Barossa Valley, South Australia, Australia, Kate Beynon, Australia, b1970, The dog year , Portrait of a lady [in a leatherwork frame] , 2006, Melbourne, synthetic polymer paint and 1850s–60s, Barossa Valley, South Australia, oil enamel on canvas; Gift of Julian & Stephanie on canvas, leathwork on wood; Gift of Dr Grose through the Art Gallery of South Australia Robert Lyons through the Art Gallery of South Foundation 2015. Donated through the Australia Foundation 2014. Donated through Australian Government’s Cultural Gifts Program the Australian Government’s Cultural Gifts Program attributed to Thomas Bock, Australia, 1790– 1855, Mrs John Eddington , c1846, Launceston, Barossa Valley, South Australia, Australia, Tasmania, oil on canvas MJM Carter AO Portrait of a man [in Oxford style frame], 1880s, Collection through the Art Gallery of South Barossa Valley, South Australia, oil on board, Australia Foundation 2015 wood; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. attributed to Thomas Bock, Australia, 1790– Donated through the Australian Government’s 1855, John Gleadow , early 1830s, Launceston, Cultural Gifts Program Tasmania, oil on canvas MJM Carter AO Collection through the Art Gallery of South John Barbour, Australia, 1954–2011, Trajectory - Australia Foundation 2015 Blake + The letter that killeth (reason) , c1987, Melbourne, watercolour, ink, fibre-tipped pen Geoffrey Brown, Australia, 1926–2014, Quarry , and gouache on paper; Gift of Peter Tyndall in 1954, Adelaide, oil on canvas; Gift of Jenny memory of John Barbour through the Art Brown in memory of the artist through the Art Gallery of South Australia Foundation 2015 Gallery of South Australia Foundation 2015

John Barbour, Australia, 1954–2011, (Untitled) , Geoffrey Brown, Australia, 1926–2014, c1988, Melbourne, gouache on paper; Gift of Isomorphous form & interior , 1972, Glenelg, Peter Tyndall in memory of John Barbour South Australia, oil on linen; Gift of Jenny through the Art Gallery of South Australia Brown in memory of the artist through the Art Foundation 2015 Gallery of South Australia Foundation 2015

John Barbour, Australia, 1954–2011, (Untitled) , Geoffrey Brown, Australia, 1926–2014, Chair, c1988, Melbourne, oil on paper; Gift of Peter red stool and TV , 1980, Unley Park, South Tyndall in memory of John Barbour through the Australia, watercolour, gouache and pencil on Art Gallery of South Australia Foundation 2015 paper; Gift of Jenny Brown in memory of the artist through the Art Gallery of South Australia 63

Foundation 2015

Geoffrey Brown, Australia, 1926–2014, Chair, ed AH Fullwood, Australia, 1863–1930, Mezgers stool and TV , 1980, Unley Park, South Australia, Mill, Newtown , 1889, New Town, Tasmania, oil oil on canvas; Gift of Jenny Brown in memory of on wood panel; MJM Carter AO Collection the artist through the Art Gallery of South through the Art Gallery of South Australia Australia Foundation 2015 Foundation 2015

Geoffrey Brown, Australia, 1926–2014, Tap, Germany/Barossa Valley, Australia, Christ , tankstand and cooker , 1980, Glenelg, South 1880s, Germany/Barossa Valley, South Australia, oil on linen; Gift of Jenny Brown in Australia, oil on glass, cedar frame; Gift of Dr memory of the artist through the Art Gallery of Robert Lyons through the Art Gallery of South South Australia Foundation 2015 Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Rupert Bunny, Australia, 1864–1947, Cactus , Program c1883, Melbourne, oil on canvas; MJM Carter AO Collection through the Art Gallery of South John Goodchild, Australia, 1898–1980, H.M.S. Australia Foundation 2015 Vanguard, H.M. King George VI and Family Royal Tour South Africa , c1947, Adelaide, oil on Rupert Bunny, Australia, 1864–1947, A cosy board; Gift of Greg and Elizabeth Sanderson evening , c1908, France, oil on canvas; Gift of Dr through the Art Gallery of South Australia Michael Fung through the Art Gallery of South Foundation 2015 Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts Marjorie Gwynne, Australia, 1886–1958, Program Cheer-up hut , 1945, Adelaide, watercolour and charcoal on paper; Tracey Lock-Weir Fund 2015 Malcolm Carbins, Australia, 1921–2002, Three girls waiting, Circular Quay , 1954, Adelaide, Katherine Hattam, Australia, b1950, A quiet day gouache & ink on canvas on board; Gift of David on Merri Creek: After Tom Roberts , 2013, de Brequet through the Art Gallery of South Melbourne, oil on plywood; Gift of William Australia Foundation 2014 MacKinnon through the Art Gallery of South Australia Foundation 2015. Donated through Dora Chapman, Australia, 1911–1995, (Face of the Australian Government’s Cultural Gifts man in black and white), c1960–65, Adelaide, oil Program on board; Tracey Lock-Weir Fund 2014 Genevieve Kemarr Loy, Australia, b1982, Bush Dora Chapman, Australia, 1911–1995, (Face of turkey dreaming , 2007, Iylenty, Utopia, man in black, white and green), c1960-65, Northern Territory, synthetic polymer paint on Adelaide, oil on board; Tracey Lock-Weir Fund linen; Gift of Lauraine Diggins through the Art 2014 Gallery of South Australia Foundation 2015. Donated through the Australian Government's Anne Dangar, Australia/France, 1885–1951, Cultural Gifts Program Deux Marocains , 1943, Moly-Sabata, gouache on cardboard; Purchased 2015 Elizabeth Kunoth Kngwarraye, Australia, b1961, Yam Seeds and Yam Flowers , 2008, Iylenty, Bessie Davidson, Australia, 1879–1965, Cote Utopia, Northern Territory, synthetic polymer d'Espagne de Guethary , c1930, Guéthary, paint on canvas; Gift of Lauraine Diggins France, oil on canvas; Gift of Malgosia Kudra through the Art Gallery of South Australia Schild through the Art Gallery of South Australia Foundation2015. Donated through the Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program Australian Government’s Cultural Gifts Program

Richard Larter, Australia, 1929–2014, My lilies Alair Pambegan, Australia, b1968, Flying fox #3 for Alex , 1988, Yass, New South Wales, story place 3 , 2014, Sydney, ochre on canvas; synthetic polymer paint and polyvinyl acetate Acquisition through Tarnanthi | Festival of on canvas; Gift of Alexandra Legge in memory Contemporary Aboriginal and Torres Strait of her sister Belinda Morgan through the Art Islander Art 2015 supported by BHP Billiton Gallery of South Australia Foundation 2015 Alair Pambegan, Australia, b1968, Flying fox Tim Maguire, Australia, 1958, Cate, take 1/Cate, story place 4 , 2014, Sydney, ochre on canvas; take 2 , 2013–14, Sydney, mixed media and oil Acquisition through Tarnanthi | Festival of on canvas, 2 panels; Gift of Tim Maguire Contemporary Aboriginal and Torres Strait through the Art Gallery of South Australia Islander Art 2015 supported by BHP Billiton Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program Alair Pambegan, Australia, b1968, Bone fish story place 1 , 2014, Sydney, ochre on canvas; Peter Marralwanga, Australia, c1915–1987, Acquisition through Tarnanthi | Festival of Saltwater crocodile , c1985, Marrkolidjban, Contemporary Aboriginal and Torres Strait western Arnhem Land, Northern Territory, Islander Art 2015 supported by BHP Billiton natural pigments on eucalyptus bark; Gift of Janet Worth through the Art Gallery of South Alair Pambegan, Australia, b1968, Bone fish Australia Foundation 2014 story place 2, 2014, Sydney, ochre on canvas; Acquisition through Tarnanthi | Festival of Conrad Martens, Australia, 1801–1878, (Road to Contemporary Aboriginal and Torres Strait Windsor, early evening), c1827, Britain, Islander Art 2015 supported by BHP Billiton watercolour on paper; MJM Carter AO Collection through the Art Gallery of South Alair Pambegan, Australia, b1968, Bone fish Australia Foundation 2015 story place 3 , 2014, Sydney, ochre on canvas; Acquisition through Tarnanthi | Festival of Conrad Martens, Australia, 1801–1878, (View of Contemporary Aboriginal and Torres Strait Sydney Harbour), c1835, Sydney, watercolour Islander Art 2015 supported by BHP Billiton on paper; MJM Carter AO Collection through the Art Gallery of South Australia Foundation Tom Roberts, Australia, 1856–1931, Roses , 2015 c1920s, Australia, oil on cotton on board; Given in memory of Belinda Morgan for her sterling Frederick McCubbin, Australia, 1855–1917, efforts in the formative years, 1981–1996, of Hauling logs , c1885, Australia, oil on canvas; the Art Gallery of South Australia Foundation. MJM Carter AO Collection through the Art MJM Carter AO Collection 2015 Gallery of South Australia Foundation 2015 John Russell, Australia, 1858–1930, Rochers à Alair Pambegan, Australia, b1968, Flying fox Belle Île , 1890s, Belle-Île, France, watercolour story place 1 , 2014, Sydney, ochre on canvas; and gouache mounted on card; MJM Carter AO Acquisition through Tarnanthi | Festival of Collection through the Art Gallery of South Contemporary Aboriginal and Torres Strait Australia Foundation 2015 Islander Art 2015 supported by BHP Billiton Ian Strange, Australia, 1982, Study of ‘LANDED’ , Alair Pambegan, Australia, 1968, Flying fox story 2014, Perth, synthetic polymer paint & pencil place 2 , 2014, Sydney, ochre on canvas; on inkjet print on paper; Gift of the artist 2014 Acquisition through Tarnanthi | Festival of Contemporary Aboriginal and Torres Strait Cornelia Tipuamantumirri, Australia, c1930, Islander Art 2015 supported by BHP Billiton Jilamara , 2014, Melville Island, Northern Territory, natural pigments on canvas; Acquisition through Tarnanthi | Festival of

Contemporary Aboriginal and Torres Strait Islander Art supported by BHP Billiton 2015 Albert Tucker, Australia, 1914–1999, Gift shop, Guan Wei, Australia/China, b1957, Dodo No 1 , Japan , 1947, Japan, watercolour, charcoal on 2006, Yugar (Samford), Queensland, synthetic paper on cardboard; Gift of Sue Tweddell polymer paint on board; Gift of Julian & through the Art Gallery of South Australia Stephanie Grose through the Art Gallery of Foundation 2014. Donated through the South Australia Foundation 2015. Donated Australian Government’s Cultural Gifts Program through the Australian Government’s Cultural Gifts Program Tony Tuckson, Australia, 1921–1973, Major red, black and white hoardings , 1963, Sydney, Stephan Wilks, Britain, b1964, Making bacon HP polyvinyl acetate and collage on board; Gift of sauce , 2007, Yugar (Samford), Queensland, the Estate of Margaret Tuckson through the Art synthetic polymer paint on canvas; Gift of Julian Gallery of South Australia Foundation 2015 & Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Donated Tony Tuckson, Australia, 1921–1973, Pink with through the Australian Government’s Cultural charcoal lines , 1973, Sydney, synthetic polymer Gifts Program paint on hard board; Gift of the Estate of Margaret Tuckson through the Art Gallery of Philip Wolfhagen, Australia, 1963, Winter South Australia Foundation 2015 solstice; return of the sun , 2009, Longford, Tasmania, oil and bees wax on linen; Gift of Neil Tony Tuckson, Australia, 1921–1973, Red open Balnaves AO, Kathy Crosby, Dr Michael Drew, purple , c1958-61, Sydney, oil on hard board; Elizabeth Finnegan OAM, Frances Gerard, Gift of the Estate of Margaret Tuckson through Jennifer Hallett, Mr Michael Hayes, John the Art Gallery of South Australia Foundation Hindmarsh AM, Lipman Karas, Klein Family 2015 Foundation, Skye McGregor, David McKee, Peter McKee, Diana McLaurin, Sue Tweddell Tony Tuckson, Australia, 1921–1973, Black, and Tracey Whiting through the Art Gallery of white and pink with yellow , c1959, Sydney, oil South Australia Foundation Collectors Club 2014 on hard board; Gift of the Estate of Margaret Tuckson through the Art Gallery of South Nyapanyapa Yunupingu, Australia, b1945, Australia Foundation 2015 Ceremony at Dhaniya , 2013, Yirrkala, north east Arnhem Land, Northern Territory, natural earth Unknown Artist, working Australia, c1800, pigments on bark; Gift of Barbara Fargher, Joan (Bluestriped Goatfish), c1800, New South Lyons, David McKee, Pam McKee, Diana Wales, watercolour & ink on paper; JC Earl McLaurin and Tom Pearce through the Art Bequest Fund 2014 Gallery of South Australia Foundation Collectors Club 2014 Unknown, Australia, 19 th C, Portrait of a woman , 19th century, Australia, oil on canvas; MJM AUSTRALIAN SCULPTURES Carter AO Collection through the Art Gallery of South Australia Foundation 2015 Tony Albert, Australia, b1981, Universal Soldier , 2014, Melbourne, assemblage of reworked Jenny Watson, Australia, 1951, Mrs Peel , 2004, objects, fabric and twine Acquisition through Yugar (Samford), Queensland, synthetic Tarnanthi | Festival of Contemporary Aboriginal polymer paint on cotton and organza, two and Torres Strait Islander Art 2015 supported by panels; Gift of Julian & Stephanie Grose through BHP Billiton the Art Gallery of South Australia Foundation 2015. Donated through the Australian Artist unknown, Australia, Rainforest shield , Government’s Cultural Gifts Program 19 th -20 th C, Queensland, natural pigments on fig tree wood; Purchased 2015

Artist unknown, Australia, Rainforest shield , Inge King, Australia, b1915, Druids , 1986, early 20 th C, Queensland, natural pigments on fig Warrandyte, Victoria, polychrome steel; Gift of tree wood; Purchased 2015 Inge King through the Art Gallery of South Australia Foundation 2015. Donated through Lionel Bawden, Australia, b1974, It's impossible the Australian Government’s Cultural Gifts to tell , 2008, Sydney, pencils, epoxy & linseed Program oil; Gift of Julian & Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Sue Kneebone, Australia, b1963, Angel Inn , Donated through the Australian Government’s 2014, Adelaide, mixed media; drink cabinet, Cultural Gifts Program horse hair, glass and brass knobs; Gift of Frank & Mary Choate through the Art Gallery of South Aleks Danko, Australia, b1950, John & Wendy do Australia Foundation's South Australian Artists not hum , 2002–03, Melbourne, engraved Fund 2015 gravoply, two panels; Gift of Julian & Stephanie Grose through the Art Gallery of South Australia Sue Kneebone, Australia, b1963, Neat Drop , Foundation 2015. Donated through the 2014, Adelaide, mixed media: found chandelier, Australian Government’s Cultural Gifts Program kangaroo skulls, chain, found chair, rock, glass bottle, leather, seed pod, wood; Gift of Tracey Karen Genoff, Australia, b1958, Eyes for you , and Michael Whiting though the Art Gallery of 2014, Croydon, South Australia, wood, glass, South Australia Foundation's South Australian plastic, metal, rubber and found objects; Artists Fund 2015 d’Auvergne Boxall Bequest Fund 2015 Mannum, South Australia, Decoy duck , c1910, Karen Genoff, Australia, b1958, I'll watch over Blanche Town, Mannum, South Australia, agave you , 2014, Croydon, South Australia, wood, stem, lead, iron; Gift of Dr Robert Lyons through glass, metal, rubber, plastic, fabric paper and the Art Gallery of South Australia Foundation found objects; d’Auvergne Boxall Bequest Fund 2014. Donated through the Australian 2015 Government’s Cultural Gifts Program

Fiona Hall, Australia, b1953, All the King's men , Mannum, South Australia, Decoy duck , c1910, 2014–15, Adelaide, knitted military uniforms, Blanche Town, Mannum, South Australia, agave wire, animal bone, horns, teeth, dice, glass and stem, lead, pigment Gift of Dr Robert Lyons mixed media through the Art Gallery of South Australia Foundation 2014. Donated through the Timothy Horn, Australia/United States, b1964, Australian Government’s Cultural Gifts Program Gorgonia 5 (full fathom five) , 2015, Burlington, Vermont, United States, nickel-plated bronze, Dani Marti, Australia, b1963, ARMOUR 3: An mirrored blown glass James & Diana Ramsay Heroic Feat , 2013–14, Cessnock, New South Fund assisted by Helen Bowden in memory of Wales, rope, rubber and leather; Gift of Dani her husband John Bowden 2015 Marti through the Art Gallery of South Australia Contemporary Collectors 2015. Donated Inge King, Australia, b1915, Curves , 1971–72, through the Australian Government’s Cultural Warrandyte, Victoria, steel painted black; Gift Gifts Program of Inge King through the Art Gallery of South Australia Foundation 2015. Donated through Balatj Munungurr, Australia, 1955, Djapu the Australian Government’s Cultural Gifts larrakitj , 2002, Yirrkala, Northern Territory, Program natural pigments on carved wood; Gift of Julian & Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program

Rerrkirrwana Munungurr, Australia, b1971, Guan Wei, Australia/China, b1957, Cloud no 3 , Wandawuy , c2002, Yirrkala, Northern Territory, 2009, Auckland, New Zealand, bronze and natural pigments on carved wood; Gift of Julian synthetic polymer paint; Gift of Julian & & Stephanie Grose through the Art Gallery of Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Donated South Australia Foundation 2015. Donated through the Australian Government’s Cultural through the Australian Government’s Cultural Gifts Program Gifts Program

Alair Pambegan, Australia, b1968, Mother , Nyapanyapa Yunupingu, Australia, b1945, 2014, Sydney, ochre and synthetic polymer Dharpa (Trees), 2013, Yirrkala, north east paint on found rakes Acquisition through Arnhem Land, Northern Territory, natural Tarnanthi | Festival of Contemporary Aboriginal pigments on wood; Acquisition through and Torres Strait Islander Art 2015 supported by Tarnanthi | Festival of Contemporary Aboriginal BHP Billiton and Torres Strait Islander Art supported by BHP Billiton 2015 Caroline Rothwell, Australia, b1967, Cascade , 2013, Chippendale, New South Wales, UV stable Nyapanyapa Yunupingu, Australia, b1945, structural polyvinyl chloride (PVC); Gift of Untitled (White Circles), 2013, Yirrkala, north Caroline Rothwell through the Art Gallery of east Arnhem Land, Northern Territory, natural South Australia Foundation 2015. Donated pigments on wood; Acquisition through through the Australian Government’s Cultural Tarnanthi | Festival of Contemporary Aboriginal Gifts Program and Torres Strait Islander Art supported by BHP Billiton 2015 Peter Tyndall, Australia, b1951, detail/ A Person Looks At A Work of Art/ someone looks at AUSTRALIAN DRAWINGS something LOGOS/ HA HA/ (for John Barbour) , c.2008, ‘Bonzaview’, Hepburn Springs, Victoria, Martin Bell, Australia, b1978, Australian wood, metal, thread; Gift of the artist in landscape , 2013, Snake Valley, Victoria, ink on memory of John Barbour through the Art paper (27 sheets); Gift of the artist through the Gallery of South Australia Foundation 2015 Art Gallery of South Australia Contemporary Collectors 2014. Donated through the Rohan Wealleans, New Zealand, b1977, Grub Australian Government’s Cultural Gifts Program 3000 , 2008, Auckland, New Zealand, ceramic, shark teeth, synthetic polymer paint; Gift of Charles William Hamilton Dicker, Australia/ Julian & Stephanie Grose through the Art Britain, 1855–1912, Swaggers , c1887, Tasmania, Gallery of South Australia Foundation 2015. pen & brown ink, watercolour on paper; Gift in Donated through the Australian Government’s memory of Ronald Adams 2015 Cultural Gifts Program Marco Fusinato, Australia, b1964, Mass black Rohan Wealleans, New Zealand, b1977, The implosion, (Five short stories, Glennn Gould) , saga of the Stargod , 2012(?), Auckland, New 2012, Melbourne, black fibre-tipped pen, Zealand, vintage comic book, polystyrene, lithograph on paper; Gift of Julian & Stephanie synthetic polymer paint; Gift of Julian & Grose through the Art Gallery of South Australia Stephanie Grose through the Art Gallery of Foundation 2015. Donated through the South Australia Foundation 2015. Donated Australian Government’s Cultural Gifts Program through the Australian Government’s Cultural Gifts Program Simryn Gill, Australia, b1959, Drawing #2 , 2010, Sydney?, graphite, paper, glue; Gift of Julian & Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program

Anne Marie Graham, Australia, b1925, Eileen Bird, Australia, active after 1990, Giovanni's shed , 2000, Tuscany, fibre-tipped Untitled , from the portfolio Utopia Suite ,1990, pen on paper; Gift of the artist through the Art published by Utopia Art Sydney, woodcut on Gallery of South Australia Foundation 2014 paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Anne Marie Graham, Australia, b1925, Senor Foundation 2015. Donated through the Giovanni , 2000, Tuscany, fibre-tipped pen on Australian Government's Cultural Gifts Program paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014 Hilda Bird, Australia, active after 1990, Ray Nelson Panunga, Australia, c1950–2003, Laith McGregor, Australia, b1977, Nigh Night , Untitled , from the portfolio Utopia Suite , 1990, 2013, Melbourne, pencil on two sheets of published by Utopia Art Sydney, woodcut on paper; Roy and Marjory Edwards Bequest Fund paper; Gift of Christopher Hodges and Helen 2014 Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Ben Quilty, Australia, 1973, Portrait of Pat Australian Government's Cultural Gifts Program Corrigan AM, 2014, Sydney, coloured pencil, brush & purple ink on paper; Gift of Neil June Bird, Australia, active after 1990, Untitled , Balnaves AO and Diane Balnaves through the from the portfolio Utopia Suite , 1990, published Art Gallery of South Australia Foundation 2014 by Utopia Art Sydney, woodcut on cream paper; Gift of Christopher Hodges and Helen Eager Tony Tuckson, Australia, 1921–1973, No 36: through the Art Gallery of South Australia Drawing , 1962, Sydney, charcoal, black Foundation 2015. Donated through thAustralian watercolour, red gouache, newspaper Government's Cultural Gifts Program fragments on paper; Gift of the Estate of Margaret Tuckson through the Art Gallery of Dorrit Black, Australia, 1891–1951, Orchestra South Australia Foundation 2015 pit, Theatre Royal , c1935, Adelaide or London, linocut, printed in coloured inks on paper; Gift Peter Tyndall, Australia, b1951, Study sequence of Shane Le Plastrier through the Art Gallery of for ‘imagine that all the elements all suddenly South Australia Foundation 2015. Donated collapsed’ , c1975, ‘Bonzaview’, Hepburn through the Australian Government's Cultural Springs, Victoria, charcoal and pencil on six Gifts Program sheets of paper; Gift of the artist in memory of John Barbour through the Art Gallery of South Geoffrey Brown, Australia, 1926–2014, Couple Australia Foundation 2015 collecting wood, Paris Market , 1953, Adelaide, etching on paper; Gift of the artist through the William Henry Watt, Australia, Minnie-cowie Art Gallery of South Australia Foundation 2014 Yorke's Peninsula , c1860s, Yorke Peninsula, South Australia, pen & ink on paper; Gift in Geoffrey Brown, Australia, 1926–2014, Down & memory of Ronald Adams 2015 out, bank of Seine , 1953, Adelaide, etching on paper; Gift of the artist through the Art Gallery AUSTRALIAN PRINTS of South Australia Foundation 2014

May Baily, Australia, active after 1990, Untitled , Geoffrey Brown, Australia, 1926–2014, Lascar from the portfolio Utopia Suite , 1990, published interlude, SS Moolton , 1953, Adelaide, etching by Utopia Art Sydney, woodcut on cream paper; on paper; Gift of the artist through the Art Gift of Christopher Hodges and Helen Eager Gallery of South Australia Foundation 2014 through the Art Gallery of South Australia Foundation 2015. Donated through the Geoffrey Brown, Australia, 1926–2014, Lascars Australian Government's Cultural Gifts Program at work, SS Mooltan , 1953, Adelaide, etching on paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, London Geoffrey Brown, Australia, 1926–2014, Bank of types , 1953, Adelaide, etching on paper; Gift of the Seine, Paris , 1954, Adelaide, soft ground the artist through the Art Gallery of South etching on paper; Gift of the artist through the Australia Foundation 2014 Art Gallery of South Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Geoffrey Brown, Australia, 1926–2014, Barrow Newspaper seller, London , 1953, Adelaide, boy resting , 1954, Adelaide, soft ground etching on paper; Gift of the artist through the etching, aquatint on paper; Gift of the artist Art Gallery of South Australia Foundation 2014 through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Peter at rest , 1953, Adelaide, etching on paper; Gift of Geoffrey Brown, Australia, 1926–2014, Blinding the artist through the Art Gallery of South of the cyclops , 1954, Adelaide, etching, aquatint Australia Foundation 2014 on paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Pub Gossipers , 1953, Adelaide, etching on paper; Geoffrey Brown, Australia, 1926–2014, Head of Gift of the artist through the Art Gallery of a young boy , 1954, Adelaide, soft ground South Australia Foundation 2014 etching on paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Rubbish carts leaving Madrid , 1953, Adelaide, etching on Geoffrey Brown, Australia, 1926–2014, Three paper; Gift of the artist through the Art Gallery musicians , 1954, Adelaide, etching on paper; of South Australia Foundation 2014 Gift of the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Street musician playing primitive instrument , London, Geoffrey Brown, Australia, 1926–2014, 5pm 1953, Adelaide, etching on paper; Gift of the Discussion , 1955, Adelaide, sugar-lift aquatint, artist through the Art Gallery of South Australia printed in coloured inks on paper; Gift of the Foundation 2014 artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Thames looking towards Lambeth Bridge , 1953, Geoffrey Brown, Australia, 1926–2014, Fiesta Adelaide, etching on paper; Gift of the artist sideshow entertainers , 1955, Adelaide, soft through the Art Gallery of South Australia ground etching, aquatint on paper; Gift of the Foundation 2014 artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, The kids , 1953, Adelaide, etching on paper; Gift of the Geoffrey Brown, Australia, 1926–2014, Flinders artist through the Art Gallery of South Australia landscape No. 2 , 1955, Adelaide, soft ground Foundation 2014 etching on paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Tosher The Tie King, Berwick Market, London , 1953, Geoffrey Brown, Australia, 1926–2014, Green & Adelaide, etching on paper; Gift of the artist mauve landscape , 1955, Adelaide, soft ground through the Art Gallery of South Australia etching, aquatint, printed in coloured inks on Foundation 2014 paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, View, Toledo , 1953, Adelaide, etching on paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Geoffrey Brown, Australia, 1926–2014, Young Landscape , 1955, Adelaide, etching, aquatint, couple , 1956, Adelaide, soft ground, aquatint, printed in coloured inks on paper; Gift of the printed in coloured inks on paper; Gift of the artist through the Art Gallery of South Australia artist through the Art Gallery of South Australia Foundation 2014 Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Quarry Geoffrey Brown, Australia, 1926–2014, & hillside , 1955, Adelaide, soft ground etching, Fishermen mending nets, Port Adelaide , 1957, aquatint, printed with coloured inks on paper; Adelaide, soft ground etching on paper; Gift of Gift of the artist through the Art Gallery of the artist through the Art Gallery of South South Australia Foundation 2014 Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Trees in Geoffrey Brown, Australia, 1926–2014, King contrast , 1955, Adelaide, soft ground etching, Cross New Year's Eve , 1957, Adelaide, soft aquatint, printed in coloured inks on paper; Gift ground, aquatint, printed in coloured inks on of the artist through the Art Gallery of South paper; Gift of the artist through the Art Gallery Australia Foundation 2014 of South Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Typists , Geoffrey Brown, Australia, 1926–2014, 1955, Adelaide, etching, aquatint, printed in Montacute landscape after a bush fire , 1957, coloured inks on paper; Gift of the artist Adelaide, etching, aquatint, printed in coloured through the Art Gallery of South Australia inks on paper; Gift of the artist through the Art Foundation 2014 Gallery of South Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Bathers Geoffrey Brown, Australia, 1926–2014, No. 2 , 1956, Adelaide, etching on paper; Gift of Composition vertical no. 1 , 1959, London, the artist through the Art Gallery of South aquatint printed in purple & black inks on Australia Foundation 2014 paper; Gift of the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Highbury landscape , 1956, Adelaide, soft Geoffrey Brown, Australia, 1926–2014, Interior ground etching, printed in coloured inks on 2, 1959, London, colour lithograph on paper; paper; Gift of the artist through the Art Gallery Gift of the artist through the Art Gallery of of South Australia Foundation 2014 South Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Italian Geoffrey Brown, Australia, 1926–2014, Bridge , women working , 1956, Adelaide, sugar-lift 1960, London, colour lithograph on paper; Gift aquatint, printed in brown ink on paper; Gift of of the artist through the Art Gallery of South the artist through the Art Gallery of South Australia Foundation 2014 Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Geoffrey Brown, Australia, 1926–2014, Street Composition no. 2 , 1960, London, colour girls , 1956, Adelaide, sugar-lift aquatint on lithograph on paper; Gift of the artist through paper; Gift of the artist through the Art Gallery the Art Gallery of South Australia Foundation of South Australia Foundation 2014 2014

Geoffrey Brown, Australia, 1926–2014, The Geoffrey Brown, Australia, 1926–2014, Summit , dancers , 1956, Adelaide, etching, soft ground 1960, London, etching, aquatint, rocker on aquatint, printed in coloured inks on paper; Gift paper; Gift of the artist through the Art Gallery of the artist through the Art Gallery of South of South Australia Foundation 2014 Australia Foundation 2014

Geoffrey Brown, Australia, 1926–2014, Thames Geoffrey Brown, Australia, 1926–2014, Long wharf , 1960, London, etching, aquatint printed shadows 2 , 1982, Adelaide, colour lithograph on in coloured inks on paper; Gift of the artist paper; Gift of the artist through the Art Gallery through the Art Gallery of South Australia of South Australia Foundation 2014 Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Tap, Geoffrey Brown, Australia, 1926–2014, tankstand and cooker , 1982, Adelaide, etching, Thameside I , 1960, London, lithograph, etching aquatint printed in coloured inks on paper; Gift printed in coloured inks on paper; Gift of the of the artist through the Art Gallery of South artist through the Art Gallery of South Australia Australia Foundation 2014 Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Geoffrey Brown, Australia, 1926–2014, Nucleus Ramsgate Street , 1983, Adelaide, colour no. 1 , 1964, Adelaide, etching, aquatint, printed lithograph on paper; Gift of the artist through in red & brown inks on paper; Gift of the artist the Art Gallery of South Australia Foundation through the Art Gallery of South Australia 2014 Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Geoffrey Brown, Australia, 1926–2014, Park Ruralscape I , 1998, Adelaide, linocut printed in bench , 1964, Adelaide, etching, aquatint, brown in on paper; Gift of the artist through the rocker, printed in coloured inks on paper; Gift of Art Gallery of South Australia Foundation 2014 the artist through the Art Gallery of South Australia Foundation 2014 Geoffrey Brown, Australia, 1926–2014, Ruralscape II , 1998, Adelaide, linocut printed in Geoffrey Brown, Australia, 1926–2014, Prelude , brown ink on paper; Gift of the artist through 1969, Adelaide?, etching on paper; Gift of the the Art Gallery of South Australia Foundation artist through the Art Gallery of South Australia 2014 Foundation 2014 Marilyn Brown, Australia, b1945, Untitled , from Geoffrey Brown, Australia, 1926–2014, Solitude , the portfolio Utopia Suite , 1990, published by 1969, Adelaide?, etching on paper; Gift of the Utopia Art Sydney, woodcut on paper; Gift of artist through the Art Gallery of South Australia Christopher Hodges and Helen Eager through Foundation 2014 the Art Gallery of South Australia Foundation 2015. Donated through the Australian Geoffrey Brown, Australia, 1926–2014, Solitude Government's Cultural Gifts Program no. 2 , 1970, Adelaide, etching, rocker printed in brown ink on paper; Gift of the artist through Johnny Bulunbulun, Australia, 1946–2010, Gotitj the Art Gallery of South Australia Foundation Wirrka , from Crossroads: Millenium Portfolio of 2014 Australian Aboriginal Artists , 1997, printed by Basil Hall and Leon Stainer, Northern Editions, Geoffrey Brown, Australia, 1926–2014, Mystic published 1999 by 21C, Sydney, colour legend II , 1976, Adelaide, etching, aquatint screenprint on paper; Gift of Leo Christie OAM printed in coloured inks on paper; Gift of the through the Art Gallery of South Australia artist through the Art Gallery of South Australia Foundation 2015. Donated through the Foundation 2014 Australian Government’s Cultural Gifts Program

Geoffrey Brown, Australia, 1926–2014, Dora Chapman, Australia, 1911–1995, Passages Suburban image , 1979, Adelaide, etching, spray to nocturne , 1969, Adelaide, colour screenprint can enamel, printed in purple inks on paper; on paper; Maria Zagala Acquisition Fund 2014 Gift of the artist through the Art Gallery of South Australia Foundation 2014

Robert Ambrose Cole, Australia, 1959–1994, Brent Harris, Australia, b1956, Drift portfolio, Spirit II , from Crossroads: Millenium Portfolio of trial proof , 1997, Melbourne, etching, Australian Aboriginal Artists , 1998 (posthumous soft-ground etching, printed in brown ink on edition), printed by Tom Goulder, Duck Print paper, unique trial proof; Gift of James Mollison Limited Editions, published 1999 by 21C, AO through the Art Gallery of South Australia Sydney, colour screenprint on paper; Gift of Leo Foundation 2015 Christie OAM through the Art Gallery of South Australia Foundation 2015. Donated through Brent Harris, Australia, b1956, Drift portfolio, the Australian Government’s Cultural Gifts trial proof , 1997, Melbourne, spit-bite aquatint, Program soft-ground etching on paper; Gift of James Mollison AO through the Art Gallery of South Mini Graff, Australia, b1974, The wrong Australia Foundation 2015 Brooklyn #1 , 2014, Melbourne, colour screenprint on paper; Print Council of Australia Brent Harris, Australia, b1956, Drift portfolio, Member Print 2014 trial proof , 1997, Melbourne, spit-bite aquatint, printed in brown ink, soft-ground etching, Brent Harris, Australia, b1956, Drift II, colour sugar-lift aquatint on paper; Gift of James trial proof , 1997, Melbourne, aquatint on paper; Mollison AO through the Art Gallery of South Gift of James Mollison AO through the Art Australia Foundation 2015 Gallery of South Australia Foundation 2015 Brent Harris, Australia, b1956, Drift portfolio, Brent Harris, Australia, b1956, Drift IV, trial trial proof , 1997, Melbourne, etching, proof , 1997, Melbourne, spit-bite aquatint, soft-ground etching, aquatint, foul bite, printed soft-ground etching printed in brown ink on in brown ink on paper; Gift of James Mollison paper; Gift of James Mollison AO through the AO through the Art Gallery of South Australia Art Gallery of South Australia Foundation 2015 Foundation 2015

Brent Harris, Australia, b1956, Drift IX, colour Brent Harris, Australia, b1956, Drift V, colour trial proof, state I , 1997, Melbourne, spit-bite trail proof , 1997, Melbourne, aquatint, spit-bite aquatint, soft-ground, foul bite, printed in aquatint, printed in brown ink on paper; Gift of brown ink on paper; Gift of James Mollison AO James Mollison AO through the Art Gallery of through the Art Gallery of South Australia South Australia Foundation 2015 Foundation 2015 Brent Harris, Australia, b1956 , Drift , 1998, Brent Harris, Australia, b1956, Drift IX, colour Melbourne; printed by John Loane at Viridian trial proof, state II , 1997, Melbourne, spit-bite Press, Olinda, Melbourne, portfolio of 10 prints aquatint, soft-ground, foul bite, printed in with title page in a cloth bound box, etching, brown ink on paper; Gift of James Mollison AO aquatint, printed in coloured inks on paper; Gift through the Art Gallery of South Australia of the artist through the Art Gallery of South Foundation 2015 Australia Contemporary Collectors 2014. Donated through the Australian Government’s Brent Harris, Australia, b1956, Drift IX, colour Cultural Gifts Program trial proof, state III , 1997, Melbourne, spit-bite aquatint, soft-ground, foul bite, printed in Katherine Hattam, Australia, b1950, The Pines , brown ink on paper; Gift of James Mollison AO 2012, Melbourne, colour woodblock printed in through the Art Gallery of South Australia blue ink on 4 sheets of paper; Gift of the artist Foundation 2015 through the Art Gallery of South Australia Contemporary Collectors 2014. Donated through the Australian Government’s Cultural Gifts Program

Charles Hill, Australia, 1824–1915, Self portrait , Elizabeth Kemarre, Australia, active after 1990, c1844, England, charcoal, coloured chalks on Untitled , from the portfolio Utopia Suite , 1990, paper; Bequest of Evelyn Jean Ashworth 2014 published by Utopia Art Sydney, woodcut on paper; Gift of Christopher Hodges and Helen Mavis Holmes, Australia, b1947, Untitled , from Eager through the Art Gallery of South Australia the portfolio Utopia Suite , 1990, published by Foundation 2015. Donated through the Utopia Art Sydney, woodcut on blue paper; Gift Australian Government's Cultural Gifts Program of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Foundation Gladdy Kemarre, Australia, b1940, Untitled , 2015. Donated through the Australian from the portfolio Utopia Suite , 1990, published Government's Cultural Gifts Program by Utopia Art Sydney, woodcut on paper; Gift of Christopher Hodges and Helen Eager through Rhonda Pwerle Holmes, Australia, b1960, the Art Gallery of South Australia Foundation Untitled , from the portfolio Utopia Suite , 1990, 2015. Donated through the Australian published by Utopia Art Sydney, woodcut on Government's Cultural Gifts Program paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Kathleen Kemarre, Australia, active after 1990, Foundation 2015. Donated through the Untitled , from the portfolio Utopia Suite , 1990, Australian Government's Cultural Gifts Program published by Utopia Art Sydney, woodcut on cream paper; Gift of Christopher Hodges and Kitty Kantilla, Australia, c1928–2003, Pumpuni Helen Eager through the Art Gallery of South Jilamara (Good design), from Crossroads: Australia Foundation 2015. Donated through Millenium Portfolio of Australian Aboriginal the Australian Government's Cultural Gifts Artists, 1998, printed by Franck Gohier and Program Shaun Poustie, Red Hand Prints, published 1999 by 21C, Sydney, colour screenprint on paper; Katy Kemarre, Australia, b1950, Untitled , from Gift of Leo Christie OAM through the Art Gallery the portfolio Utopia Suite , 1990, published by of South Australia Foundation 2015. Donated Utopia Art Sydney, woodcut on paper; Gift of through the Australian Government’s Cultural Christopher Hodges and Helen Eager through Gifts Program the Art Gallery of South Australia Foundation 2015. Donated through the Australian Ada Kemarre, Australia, active after 1990, Government's Cultural Gifts Program Untitled , from the portfolio Utopia Suite , 1990, published by Utopia Art Sydney, woodcut on Maggie Kemarre, Australia, active after 1990, paper; Gift of Christopher Hodges and Helen Untitled , from the portfolio Utopia Suite , 1990, Eager through the Art Gallery of South Australia published by Utopia Art Sydney, woodcut on Foundation 2015. Donated through the paper; Gift of Christopher Hodges and Helen Australian Government's Cultural Gifts Program Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Ally Kemarre, Australia, b1920, Untitled , from Australian Government's Cultural Gifts Program the portfolio Utopia Suite , 1990, published by Utopia Art Sydney, woodcut on cream paper; Nora Kemarre, Australia, b1949, Untitled , from Gift of Christopher Hodges and Helen Eager the portfolio Utopia Suite , 1990, published by through the Art Gallery of South Australia Utopia Art Sydney, woodcut on cream paper; Foundation 2015. Donated through the Gift of Christopher Hodges and Helen Eager Australian Government's Cultural Gifts Program through the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts Program

Patsy Kemarre, Australia, active after 1990, Janice Kngwarreye, Australia, b1958, Untitled , Untitled , from the portfolio Utopia Suite , 1990, from the portfolio Utopia Suite , 1990, published published by Utopia Art Sydney, woodcut on by Utopia Art Sydney, woodcut on paper; Gift of cream paper; Gift of Christopher Hodges and Christopher Hodges and Helen Eager through Helen Eager through the Art Gallery of South the Art Gallery of South Australia Foundation Australia Foundation 2015. Donated through 2015. Donated through the Australian the Australian Government's Cultural Gifts Government's Cultural Gifts Program Program Jedda Purvis Kngwarreye, Australia, b1974, Queenie Kemarre, Australia, b1920, Untitled , Untitled , from the portfolio Utopia Suite , 1990, from the portfolio Utopia Suite , 1990, published published by Utopia Art Sydney, woodcut on by Utopia Art Sydney, woodcut on cream paper; cream paper; Gift of Christopher Hodges and Gift of Christopher Hodges and Helen Eager Helen Eager through the Art Gallery of South through the Art Gallery of South Australia Australia Foundation 2015. Donated through Foundation 2015. Donated through the the Australian Government's Cultural Gifts Australian Government's Cultural Gifts Program Program

Sue Kneebone, Australia, b1963, The Find , 2014, Judith Kngwarreye, Australia, active after 1990, Adelaide, inkjet print on satin polyester; Gift of Untitled , from the portfolio Utopia Suite , 1990, Frank & Mary Choate through the Art Gallery of published by Utopia Art Sydney, woodcut on South Australia Foundation's South Australian blue paper; Gift of Christopher Hodges and Artists Fund 2015 Helen Eager through the Art Gallery of South Australia Foundation 2015. Donated through Audrey Morton Kngwarreye, Australia, b1945, the Australian Government's Cultural Gifts Untitled , from the portfolio Utopia Suite , 1990, Program published by Utopia Art Sydney, woodcut on paper; Gift of Christopher Hodges and Helen Lily Kngwarreye, Australia, b1964, Untitled , Eager through the Art Gallery of South Australia from the portfolio Utopia Suite , 1990, published Foundation 2015. Donated through the by Utopia Art Sydney, woodcut on paper; Gift of Australian Government's Cultural Gifts Program Christopher Hodges and Helen Eager through the Art Gallery of South Australia Foundation Eileen Kngwarreye, Australia, active after 1990, 2015. Donated through the Australian Untitled , from the portfolio Utopia Suite , 1990, Government's Cultural Gifts Program published by Utopia Art Sydney, woodcut on paper; Gift of Christopher Hodges and Helen Lily Sandover Kngwarreye, Australia, c1937– Eager through the Art Gallery of South Australia 2003, Untitled , from the portfolio Utopia Suite , Foundation 2015. Donated through the 1990, published by Utopia Art Sydney, woodcut Australian Government's Cultural Gifts Program on cream paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Hazel Kngwarreye, Australia, b1935, Untitled , Australia Foundation 2015. Donated through from the portfolio Utopia Suite , 1990, published the Australian Government's Cultural Gifts by Utopia Art Sydney, woodcut on cream paper; Program Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Lucky Kngwarreye, Australia, b1952, Untitled , Foundation 2015. Donated through the from the portfolio Utopia Suite , 1990, published Australian Government's Cultural Gifts Program by Utopia Art Sydney, woodcut on beige paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts Program

Maureen Kngwarreye, Australia, active after published 1999 by 21C, Sydney, etching, 1990, Untitled , from the portfolio Utopia Suite , aquatint, printed in blue ink on paper; Gift of 1990, published by Utopia Art Sydney, woodcut Leo Christie OAM through the Art Gallery of on cream paper; Gift of Christopher Hodges and South Australia Foundation 2015. Donated Helen Eager through the Art Gallery of South through the Australian Government’s Cultural Australia Foundation 2015. Donated through Gifts Program the Australian Government's Cultural Gifts Program Julie Purvis Mpetyane, Australia, b1950, Untitled , from the portfolio Utopia Suite , 1990, Ruby Kngwarreye, Australia, b1968, Untitled , published by Utopia Art Sydney, woodcut on from the portfolio Utopia Suite , 1990, published paper; Gift of Christopher Hodges and Helen by Utopia Art Sydney, woodcut on cream paper; Eager through the Art Gallery of South Australia Gift of Christopher Hodges and Helen Eager Foundation 2015. Donated through the through the Art Gallery of South Australia Australian Government's Cultural Gifts Program Foundation 2015. Donated through the Australian Government's Cultural Gifts Program Lyndsay Bird Mpetyane, Australia, b1935, Untitled , from the portfolio Utopia Suite , 1990, Ruby Kngwarreye, Australia, 1968, Untitled , published by Utopia Art Sydney, woodcut on from the portfolio Utopia Suite , 1990, published paper; Gift of Christopher Hodges and Helen by Utopia Art Sydney, woodcut on beige paper; Eager through the Art Gallery of South Australia Gift of Christopher Hodges and Helen Eager Foundation 2015. Donated through the through the Art Gallery of South Australia Australian Government's Cultural Gifts Program Foundation 2015. Donated through the Australian Government's Cultural Gifts Program May Mpetyane, Australia, active after 1990, Untitled , from the portfolio Utopia Suite , 1990, Sarah Kngwarreye, Australia, c1955, Untitled , published by Utopia Art Sydney, woodcut on from the portfolio Utopia Suite , 1990, published cream paper; Gift of Christopher Hodges and by Utopia Art Sydney, woodcut on paper; Gift of Helen Eager through the Art Gallery of South Christopher Hodges and Helen Eager through Australia Foundation 2015. Donated through the Art Gallery of South Australia Foundation the Australian Government's Cultural Gifts 2015. Donated through the Australian Program Government's Cultural Gifts Program Ginger Riley Munduwalawala, Australia, c1936– Mick Kubarkku, Australia, c1925–2008, New 2002, Ngak Ngak , from Crossroads: Millenium moon full moon , from Crossroads: Millenium Portfolio of Australian Aboriginal Artists ,1997, Portfolio of Australian Aboriginal Artists , 1997, printed by Neville Field and Tom Goulder, printed by Basil Hall and Leon Stainer, Northern published 1999 by 21C, Sydney, colour Editions, published 1999 by 21C, colour screenprint on paper; Gift of Leo Christie OAM screenprint on paper; Gift of Leo Christie OAM through the Art Gallery of South Australia through the Art Gallery of South Australia Foundation 2015. Donated through the Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program Australian Government’s Cultural Gifts Program Ann Newmarch, Australia, b1945, Self-portrait. Christine McCormack, Australia, b1953, From 1/60th of a second , 1981, Adelaide, photo- roots that sing earth songs , 1973, Adelaide, etching on paper; Public Donations Fund 2015 lithograph on paper; Gift of Tony Seymour in memory of Dr John Yeatman through the Art Glory Ngale, Australia, c1948–2003, Untitled , Gallery of South Australia Foundation 2015 from the portfolio Utopia Suite , 1990, published by Utopia Art Sydney, woodcut on beige paper; Queenie McKenzie, Australia, c1915–1998, Gift of Christopher Hodges and Helen Eager Mingmarriya , from Crossroads: Millenium through the Art Gallery of South Australia Portfolio of Australian Aboriginal Artists , 1997, Foundation 2015. Donated through the printed by Leon Stainer, Northern Editions, Australian Government's Cultural Gifts Program

Paddy Bird Jungala Ngale, Australia, active after Mike Parr, Australia, b1945, Mud Flats , 2000, 1990, Untitled , from the portfolio Utopia Suite , printed by John Loane at Viridian Press, 1990, published by Utopia Art Sydney, woodcut Melbourne, woodcut printed in coloured inks on cream paper; Gift of Christopher Hodges and on six sheets of paper; Gift of Julian & Helen Eager through the Art Gallery of South Stephanie Grose through the Art Gallery of Australia Foundation 2015. Donated through South Australia Foundation 2015. Donated the Australian Government's Cultural Gifts through the Australian Government’s Cultural Program Gifts Program

Polly Ngale, Australia, b1915, Untitled , from the Ada Bird Petyarre, Australia, c1930–2010, portfolio Utopia Suite , 1990, published by Untitled , from the portfolio Utopia Suite , 1990, Utopia Art Sydney, woodcut on cream paper; published by Utopia Art Sydney, woodcut on Gift of Christopher Hodges and Helen Eager cream paper; Gift of Christopher Hodges and through the Art Gallery of South Australia Helen Eager through the Art Gallery of South Foundation 2015. Donated through the Australia Foundation 2015. Donated through Australian Government's Cultural Gifts Program the Australian Government's Cultural Gifts Program Marie Josette Orsto, Australia, b1962, Kurlama , 2014, Nguiu, Bathurst Island, Northern Ada Bird Petyarre, Australia, c1930–2010, Territory, etching, open-bite, aquatint printed in Awelye , from Crossroads: Millenium Portfolio of brown ink on paper; Print Council of Australia Australian Aboriginal Artists , 1997, printed by Member Print 2014 Tom Goulder, Duck Print Limited Editions, published 1999 by 21C, colour screenprint on Margaret Panunga, Australia, active after 1990, paper; Gift of Leo Christie OAM through the Art Untitled , from the portfolio Utopia Suite , 1990, Gallery of South Australia Foundation 2015. published by Utopia Art Sydney, woodcut on Donated through the Australian Government’s paper; Gift of Christopher Hodges and Helen Cultural Gifts Program Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Anna Petyarre, Australia, b1965, Untitled , from Australian Government's Cultural Gifts Program the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on paper; Gift of Mavis Panunga, Australia, active after 1990, Christopher Hodges and Helen Eager through Untitled , from the portfolio Utopia Suite , 1990, the Art Gallery of South Australia Foundation published by Utopia Art Sydney, woodcut on 2015. Donated through the Australian paper; Gift of Christopher Hodges and Helen Government's Cultural Gifts Program Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Annie Petyarre, Australia, active after 1990, Australian Government's Cultural Gifts Program Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on Ray Nelson Panunga, Australia, c1950–2003, beige paper; Gift of Christopher Hodges and Untitled , from the portfolio Utopia Suite 1990, Helen Eager through the Art Gallery of South published by Utopia Art Sydney, woodcut on Australia Foundation 2015. Donated through paper; Gift of Christopher Hodges and Helen the Australian Government's Cultural Gifts Eager through the Art Gallery of South Australia Program Foundation 2015. Donated through the Australian Government's Cultural Gifts Program Annie Petyarre, Australia, active after 1990, Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on blue paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts Program

Audrey Petyarre, Australia, active after 1990, Jeanie Petyarre, Australia, active after 1990, Untitled , from the portfolio Utopia Suite 1990, Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on published by Utopia Art Sydney, woodcut on beige paper; Gift of Christopher Hodges and paper; Gift of Christopher Hodges and Helen Helen Eager through the Art Gallery of South Eager through the Art Gallery of South Australia Australia Foundation 2015. Donated through Foundation 2015. Donated through the the Australian Government's Cultural Gifts Australian Government's Cultural Gifts Program Program Jessie Petyarre, Australia, active after 1990, Dolly Petyarre, Australia, active after 1990, Untitled , from the portfolio Utopia Suite 1990, Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on published by Utopia Art Sydney, woodcut on cream paper; Gift of Christopher Hodges and paper; Gift of Christopher Hodges and Helen Helen Eager through the Art Gallery of South Eager through the Art Gallery of South Australia Australia Foundation 2015. Donated through Foundation 2015. Donated through the the Australian Government's Cultural Gifts Australian Government's Cultural Gifts Program Program

Gloria Tamerr Petyarre, Australia, c1945, Joy Petyarre, Australia, active after 1990, Untitled , from the portfolio Utopia Suite 1990, Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on published by Utopia Art Sydney, woodcut on cream paper; Gift of Christopher Hodges and paper; Gift of Christopher Hodges and Helen Helen Eager through the Art Gallery of South Eager through the Art Gallery of South Australia Australia Foundation 2015. Donated through Foundation 2015. Donated through the the Australian Government's Cultural Gifts Australian Government's Cultural Gifts Program Program Kathleen Petyarre, Australia, b1940, Untitled , Gloria Tamerr Petyarre, Australia, b1945, from the portfolio Utopia Suite 1990, published Arnkerrthe , from Crossroads: Millenium by Utopia Art Sydney, woodcut on paper; Gift of Portfolio of Australian Aboriginal Artists , 1997, Christopher Hodges and Helen Eager through printed by Tom Goulder, Duck Print Limited the Art Gallery of South Australia Foundation Editions, published 1999 by 21C, Sydney, colour 2015. Donated through the Australian screenprint on paper; Gift of Leo Christie OAM Government's Cultural Gifts Program through the Art Gallery of South Australia Foundation 2015. Donated through the Katy Petyarre, Australia, active after 1900, Australian Government’s Cultural Gifts Program Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on Glory Petyarre, Australia, active after 1990, cream paper; Gift of Christopher Hodges and Untitled , from the portfolio Utopia Suite 1990, Helen Eager through the Art Gallery of South published by Utopia Art Sydney, woodcut on Australia Foundation 2015. Donated through beige paper; Gift of Christopher Hodges and the Australian Government's Cultural Gifts Helen Eager through the Art Gallery of South Program Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts Margaret Petyarre, Australia, b1951, Untitled , Program from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on paper; Gift of Janie Petyarre, Australia, b1955, Untitled , from Christopher Hodges and Helen Eager through the portfolio Utopia Suite 1990, published by the Art Gallery of South Australia Foundation Utopia Art Sydney, woodcut on paper; Gift of 2015. Donated through the Australian Christopher Hodges and Helen Eager through Government's Cultural Gifts Program the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts Program

Mavis Petyarre, Australia, active after 1900, Pauline Dobbs Petyarre, Australia, active after Untitled , from the portfolio Utopia Suite 1990, 1990, Untitled , from the portfolio Utopia Suite published by Utopia Art Sydney, woodcut on 1990, published by Utopia Art Sydney, woodcut cream paper; Gift of Christopher Hodges and on paper; Gift of Christopher Hodges and Helen Helen Eager through the Art Gallery of South Eager through the Art Gallery of South Australia Australia Foundation 2015. Donated through Foundation 2015. Donated through the the Australian Government's Cultural Gifts Australian Government's Cultural Gifts Program Program Rosemary Petyarre, Australia, b1960, Untitled , Myrtle Petyarre, Australia, active after 1990, from the portfolio Utopia Suite 1990, published Untitled , from the portfolio Utopia Suite 1990, by Utopia Art Sydney, woodcut on beige paper; published by Utopia Art Sydney, woodcut on Gift of Christopher Hodges and Helen Eager paper; Gift of Christopher Hodges and Helen through the Art Gallery of South Australia Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Foundation 2015. Donated through the Australian Government's Cultural Gifts Program Australian Government's Cultural Gifts Program Suzie Petyarre, Australia, active after 1990, Nancy Petyarre, Australia, c1938–2009, Untitled , from the portfolio Utopia Suite 1990, Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on published by Utopia Art Sydney, woodcut on beige paper; Gift of Christopher Hodges and cream paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Helen Eager through the Art Gallery of South Australia Foundation 2015. Donated through Australia Foundation 2015. Donated through the Australian Government's Cultural Gifts the Australian Government's Cultural Gifts Program Program Violet Petyarre, Australia, active after 1990, Nora Petyarre, Australia, b1948, Untitled , from Untitled , from the portfolio Utopia Suite 1990, the portfolio Utopia Suite 1990, published by published by Utopia Art Sydney, woodcut on Utopia Art Sydney, woodcut on paper; Gift of paper; Gift of Christopher Hodges and Helen Christopher Hodges and Helen Eager through Eager through the Art Gallery of South Australia the Art Gallery of South Australia Foundation Foundation 2015. Donated through the 2015. Donated through the Australian Australian Government's Cultural Gifts Program Government's Cultural Gifts Program Wendy Petyarre, Australia, active after 1990, Pansy Petyarre, Australia, active after 1990, Untitled , from the portfolio Utopia Suite 1990, Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on published by Utopia Art Sydney, woodcut on cream paper; Gift of Christopher Hodges and paper; Gift of Christopher Hodges and Helen Helen Eager through the Art Gallery of South Eager through the Art Gallery of South Australia Australia Foundation 2015. Donated through Foundation 2015. Donated through the the Australian Government's Cultural Gifts Australian Government's Cultural Gifts Program Program

Pauline Petyarre, Australia, active after 1990, Ronnie Mpetyane Price, Australia, active after Untitled , from the portfolio Utopia Suite 1990, 1990, Untitled , from the portfolio Utopia Suite published by Utopia Art Sydney, woodcut on 1990, published by Utopia Art Sydney, woodcut paper; Gift of Christopher Hodges and Helen on paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Eager through the Art Gallery of South Australia Foundation 2015. Donated through the Foundation 2015. Donated through the Australian Government's Cultural Gifts Program Australian Government's Cultural Gifts Program

Lorna Purvis, Australia, active after 1990, Rover Thomas, Australia, 1926–1998, Untitled , from the portfolio Utopia Suite 1990, Crossroads , from Crossroads: Millenium published by Utopia Art Sydney, woodcut on Portfolio of Australian Aboriginal Artists, 1997, cream paper; Gift of Christopher Hodges and printed by Basil Hall, Northern Editions, Helen Eager through the Art Gallery of South published 1999 by 21C, Sydney, etching, Australia Foundation 2015. Donated through aquatint on paper; Gift of Leo Christie OAM the Australian Government's Cultural Gifts through the Art Gallery of South Australia Program Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program Angelina Ngal Pwerle, Australia, b1946, Untitled , from the portfolio Utopia Suite 1990, Ronnie Tjampitjinpa, Australia, b1943, Emu published by Utopia Art Sydney, woodcut on dreaming , from Crossroads: Millenium Portfolio paper; Gift of Christopher Hodges and Helen of Australian Aboriginal Artists, 1997, printed by Eager through the Art Gallery of South Australia Tom Goulder, Duck Print Limited Editions, Foundation 2015. Donated through the published 1999 by 21C, Sydney, woodcut, Australian Government's Cultural Gifts Program printed in coloured inks on paper; Gift of Leo Christie OAM through the Art Gallery of South Jeanna Pwerle, Australia, active after 1990, Australia Foundation 2015. Donated through Untitled , from the portfolio Utopia Suite 1990, the Australian Government’s Cultural Gifts published by Utopia Art Sydney, woodcut on Program paper; Gift of Christopher Hodges and Helen Eager through the Art Gallery of South Australia Turkey Tolson Tjupurrula, Australia, 1942–2001, Foundation 2015. Donated through the Straightening the spears , from Crossroads: Australian Government's Cultural Gifts Program Millenium Portfolio of Australian Aboriginal Artists, 1998, printed by Tom Goulder, Duck Lucy Pwerle, Australia, active after 1990, Print Limited Editions, published 1999 by 21C, Untitled , from the portfolio Utopia Suite 1990, woodcut, printed in coloured inks on paper; Gift published by Utopia Art Sydney, woodcut on of Leo Christie OAM through the Art Gallery of paper; Gift of Christopher Hodges and Helen South Australia Foundation 2015. Donated Eager through the Art Gallery of South Australia through the Australian Government’s Cultural Foundation 2015. Donated through the Gifts Program Australian Government's Cultural Gifts Program Judy Watson, Australia, b1959, Red rock , from Marcia Pwerle, Australia, active after 1990, Crossroads: Millenium Portfolio of Australian Untitled , from the portfolio Utopia Suite 1990, Aboriginal Artists, 1998, printed by Fred Genis, published by Utopia Art Sydney, woodcut on published 1999 by 21C, Sydney, colour paper; Gift of Christopher Hodges and Helen lithograph on paper; Gift of Leo Christie OAM Eager through the Art Gallery of South Australia through the Art Gallery of South Australia Foundation 2015. Donated through the Foundation 2015. Donated through the Australian Government's Cultural Gifts Program Australian Government’s Cultural Gifts Program

Mary Pwerle, Australia, active after 1990, AUSTRALIAN PHOTOGRAPHS Untitled , from the portfolio Utopia Suite 1990, published by Utopia Art Sydney, woodcut on Tony Albert, Australia, b1981, We can be beige paper; Gift of Christopher Hodges and heroes , 2014, Sydney, pigment print on 20 Helen Eager through the Art Gallery of South sheets of paper; Acquisition through Tarnanthi | Australia Foundation 2015. Donated through Festival of Contemporary Aboriginal and Torres the Australian Government's Cultural Gifts Strait Islander Art supported by BHP Billiton Program 2014

Anne Ferran, Australia, b1949, Untitled (blue Trent Parke, Australia, b1971, 365 sunsets, wedding gown #1) , from the series Wedding Adelaide , 2010–11, Adelaide, 365 pigment gowns , 2003, Sydney, gelatin-silver photograph; prints on paper; Gift of Macquarie Group Gift of Julian & Stephanie Grose through the Art through the Art Gallery of South Australia Gallery of South Australia Foundation 2015. Contemporary Collectors Trent Parke Appeal Donated through the Australian Government’s 2015 Cultural Gifts Program Trent Parke, Australia, b1971, Cockatoo, Shaun Gladwell, Australia, b1972, Barrier Newcastle, New South Wales , 2011, Newcastle, Highway , 2007, Broken Hill, New South Wales, New South Wales, gelatin-silver print; Acquired type-C photograph; Gift of Julian & Stephanie through the Art Gallery of South Australia Grose through the Art Gallery of South Australia Contemporary Collectors Trent Parke Appeal Foundation 2015. Donated through the 2015 Australian Government’s Cultural Gifts Program Trent Parke, Australia, b1971, Cows, Great Rosemary Laing, Australia, b1959, Weather #12 , Alpine Road, Victoria , 2011, Victoria, pigment 2006, Eden, New South Wales, type C print; Gift of Sonia Laidlaw through the Art photograph; Gift of Julian & Stephanie Grose Gallery of South Australia Contemporary through the Art Gallery of South Australia Collectors Trent Parke Appeal 2015 Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program HR Perry, Australia, c1846–1936, Blinman North , c1875–76, Flinders Ranges, South Tracey Moffatt, Australia, b1960, Picturesque Australia, albumen-silver photograph; Gift of Cherbourg No 3 , 2013, Sydney, collage of colour Shane Le Plastrier through the Art Gallery of digital prints on paper; Gift of Julian & South Australia Foundation 2014 Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Donated HR Perry, Australia, c1846–1936, Napperby, through the Australian Government’s Cultural Manager's house , c1875–76, Napperby, South Gifts Program Australia, albumen-silver photograph; Gift of Shane Le Plastrier through the Art Gallery of Trent Parke, Australia, b1971, Dash, Adelaide , South Australia Foundation 2014 2007, Adelaide, pigment print on paper; Acquired through the Art Gallery of South HR Perry, Australia, c1846–1936, Port Augusta , Australia Contemporary Collectors Trent Parke c1875–76, Port Augusta, South Australia, Appeal 2015 albumen-silver photograph; Gift of Shane Le Plastrier through the Art Gallery of South Trent Parke, Australia, b1971, Dash and doll , Australia Foundation 2014 from the Christmas Tree Bucket series, 2008, Adelaide, pigment print on paper; Gift of Marc Robyn Stacey, Australia, b1952, Fontaine de D. Bowden through the Art Gallery of South Vaucluse , from the series Empire Line , 2009, Australia Contemporary Collectors 2015. Sydney, direct positive colour photograph; Gift Donated through the Australian Government’s of Susan Armitage through the Art Gallery of Cultural Gifts Program South Australia Foundation 2014

Trent Parke, Australia, b1971, Building a William Yang, Australia, b1943, I don't mean darkroom, Adelaide , 2010, Adelaide, 58 pigment Rhinestones , from the series Sydneyphiles , prints on paper, various sizes; Acquired through 1977, Paddington, Sydney, type-C photograph; the Art Gallery of South Australia Contemporary David Murray Bequest Fund 2014 Collectors Trent Park Appeal 2015

AUSTRALIAN MOVING IMAGES Adelaide Potteries Limited, Brompton, South Australia, Australia, 1920–1 961, Percy Wood, Daniel Crooks, Australia, b1973, Static No.9 (a Australia, 1892–1975, Frog , c1935, Brompton, small selection of something larger) , 2005, Adelaide, stoneware, salt-glazed; Gift of Dr Melbourne, DVD 13:23 mins, 16:9, Robert Lyons through the Art Gallery of South single-channel colour moving image with sound; Australia Foundation 2014. Donated through Gift of Julian & Stephanie Grose through the Art the Australian Government’s Cultural Gifts Gallery of South Australia Foundation 2015. Program Donated through the Australian Government’s Cultural Gifts Program Adelaide Potteries Limited, Brompton, South Australia, Australia, 1920–1961, Percy Wood, Douglas Watkin, Australia, b1973, The Queen Australia, 1892–1975, Frog , c1935, Brompton, and I , 2011, Brisbane, single channel digital Adelaide, stoneware, salt-glazed; Gift of Dr multimedia, colour animation with sound, 10 Robert Lyons through the Art Gallery of South minutes, HD16:9; Gift of the artist through the Australia Foundation 2014. Donated through Art Gallery of South Australia Contemporary the Australian Government’s Cultural Gifts Collectors 2014. Donated through the Program Australian Government’s Cultural Gifts Program Adelaide Pottery, Brompton, South Australia, AUSTRALIAN DECORATIVE ARTS c1879–c1920, Jug , 1898, Brompton, Adelaide, earthenware, salt glazed; Gift of Dr Robert Adelaide Hills, South Australia, Kangaroo , Lyons through the Art Gallery of South Australia c1845, South-east Adelaide Hills, South Foundation 2014. Donated through the Australia, casuarina, iron, glass eyes, plaster; Australian Government’s Cultural Gifts Program Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated Helen Aitken-Kuhnen, Australia, 1952, through the Australian Government’s Cultural Neckpiece (Tuesday), 2005, Manuka, ACT, pate Gifts Program de verré bullseye glass, silver, stainless steel; Rhianon Vernon-Roberts Memorial Collection Adelaide Potteries Limited, Brompton, South 2015 Australia, Australia, 1920–1961, Hen , 1930s, Brompton, Adelaide, stoneware; Gift of Dr Arnhem Land, Northern Territory, Coil Basket , Robert Lyons through the Art Gallery of South early 1990s, Arnhem Land, Northern Territory, Australia Foundation 2014. Donated through dyed & woven pandanus (pandanus spiralus); the Australian Government’s Cultural Gifts Gift of Dr Robert Lyons through the Art Gallery Program of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Adelaide Potteries Limited, Brompton, South Gifts Program Australia, Australia, 1920–1961, Horseshoe garden edge tile, 1930s, Brompton, Adelaide, attributed to Australian Brownfield's Pottery, stoneware; Gift of Dr Robert Lyons through the Blue Mountains, New South Wales, Australia, Art Gallery of South Australia Foundation 2014. 1905–1907, Begonia leaf plate , 1905–1907, Donated through the Australian Government’s Blue Mountains, New South Wales, majolica Cultural Gifts Program glaze; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Adelaide Potteries Limited, Brompton, South Donated through the Australian Government’s Australia, Australia, 1920–1961, Norm Lovell, Cultural Gifts Program Australia, active 1930s–1940s, "Lillian" the elephant , c1940, Brompton, Adelaide, stoneware, salt-glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Portrait of Alexandra of Denmark, 1863, Barossa Framed marriage poem , 1887, Barossa Valley, Valley, South Australia, various embroidery South Australia, cardboard, paper collage, threads, painted silk, beads, timber frame; Gift wood, pressed metal decorations; Gift of Dr of Dr Robert Lyons through the Art Gallery of Robert Lyons through the Art Gallery of South South Australia Foundation 2014. Donated Australia Foundation 2014. Donated through through the Australian Government’s Cultural the Australian Government’s Cultural Gifts Gifts Program Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Portrait of the future Edward VII, 1863, Barossa Framed baptismal certificate , 1901, Barossa Valley, South Australia, various embroidery Valley, South Australia, printed paper, pen and threads, painted silk, beads, timber frame; Gift ink, wood; Gift of Dr Robert Lyons through the of Dr Robert Lyons through the Art Gallery of Art Gallery of South Australia Foundation 2014. South Australia Foundation 2014. Donated Donated through the Australian Government’s through the Australian Government’s Cultural Cultural Gifts Program Gifts Program Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Framed crucifix , 1905, Tanunda, Barossa Valley, Framed confirmation certificate, 1883, Barossa South Australia, kauri pine?, fretwork cross on Valley, South Australia, collage of printed and velvet, timber frame; Gift of Dr Robert Lyons decorated papers, pen & ink, watercolour; Gift through the Art Gallery of South Australia of Dr Robert Lyons through the Art Gallery of Foundation 2014. Donated through the South Australia Foundation 2014. Donated Australian Government’s Cultural Gifts Program through the Australian Government’s Cultural Gifts Program Barossa Valley, South Australia, Australia, R.M.S. Orvleto [in cigar box frame], 1911, Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, cedar frame, Framed baptismal certificates , 1885, Barossa coloured glass, ink, coloured wash drawing on Valley, South Australia, collage of printed, pen paper; Gift of Dr Robert Lyons through the Art & ink certificates, wood; Gift of Dr Robert Lyons Gallery of South Australia Foundation 2014. through the Art Gallery of South Australia Donated through the Australian Government’s Foundation 2014. Donated through the Cultural Gifts Program Australian Government’s Cultural Gifts Program Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Framed wedding anniversary record , 1944, Framed confirmation certificate, 1885, Barossa Barossa Valley, South Australia, embroidered, Valley, South Australia, collage of printed paper, printed and embossed card, wooden frame, pen & ink, painted wood, pressed metal cotton, thread, cotton & paper base, silver-foil decorations; Gift of Dr Robert Lyons through wreath; Gift of Dr Robert Lyons through the Art the Art Gallery of South Australia Foundation Gallery of South Australia Foundation 2014. 2014. Donated through the Australian Donated through the Australian Government’s Government’s Cultural Gifts Program Cultural Gifts Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Framed marriage greeting , 1885, Barossa Child's chair , c1843, Barossa Valley, South Valley, South Australia, ink on paper, with glued Australia, painted wood; Gift of Dr Robert Lyons print coloured cut outs, metallic paper, wood through the Art Gallery of South Australia frame; Gift of Dr Robert Lyons through the Art Foundation 2014. Donated through the Gallery of South Australia Foundation 2014. Australian Government’s Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program

Barossa Valley, South Australia, Australia, Wall Barossa Valley, South Australia, Australia, Bread shelf , c1900, Barossa Valley, South Australia, plate , c1880, Barossa Valley, South Australia, painted wood; Gift of Dr Robert Lyons through pine; Gift of Dr Robert Lyons through the Art the Art Gallery of South Australia Foundation Gallery of South Australia Foundation 2014. 2014. Donated through the Australian Donated through the Australian Government’s Government’s Cultural Gifts Program Cultural Gifts Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Cutlery box , c1880s, Barossa Valley, South Framed religious greeting , c1890, Tanunda, Australia, pine; Gift of Dr Robert Lyons through Barossa Valley, South Australia, printed paper, the Art Gallery of South Australia Foundation cedar frame; Gift of Dr Robert Lyons through 2014. Donated through the Australian the Art Gallery of South Australia Foundation Government’s Cultural Gifts Program 2014. Donated through the Australian Government’s Cultural Gifts Program Barossa Valley, South Australia, Australia, Miniature chest of draws , c1880s, Barossa Barossa Valley, South Australia, Australia, Valley, South Australia, pine, cedar; Gift of Dr Framed religious psalm , c1890, Barossa Valley, Robert Lyons through the Art Gallery of South South Australia, embroidery cottons, painted Australia Foundation 2014. Donated through wood; Gift of Dr Robert Lyons through the Art the Australian Government’s Cultural Gifts Gallery of South Australia Foundation 2014. Program Donated through the Australian Government’s Cultural Gifts Program Barossa Valley, South Australia, Australia, Photograph frame , 1880s, Barossa Valley, South Barossa Valley, South Australia, Australia, Australia, pine, gilding, mirror, cardboard Bucket , c1900, Barossa Valley, South Australia, backing, glass; Gift of Dr Robert Lyons through painted pine, wire; Gift of Dr Robert Lyons the Art Gallery of South Australia Foundation through the Art Gallery of South Australia 2014. Donated through the Australian Foundation 2014. Donated through the Government’s Cultural Gifts Program Australian Government’s Cultural Gifts Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Cigarette dispenser , 1890s, Barossa Valley, Framed birthday motto , c1900, Barossa Valley, South Australia, stained pine, tin lining; Gift of South Australia, pressed ferns, cotton & metallic Dr Robert Lyons through the Art Gallery of thread, cotton & paper base, original timber South Australia Foundation 2014. Donated frame; Gift of Dr Robert Lyons through the Art through the Australian Government’s Cultural Gallery of South Australia Foundation 2014. Gifts Program Donated through the Australian Government’s Cultural Gifts Program Barossa Valley, South Australia, Australia, Table runner , c1855, Barossa Valley, South Australia, Barossa Valley, South Australia, Australia, bleached linen, red and black thread; Gift of Dr Mandolin , c1900, Barossa Valley, South Robert Lyons through the Art Gallery of South Australia, pine, pigment, metal blade; Gift of Dr Australia Foundation 2014. Donated through Robert Lyons through the Art Gallery of South the Australian Government’s Cultural Gifts Australia Foundation 2014. Donated through Program the Australian Government’s Cultural Gifts Program Barossa Valley, South Australia, Australia, Tea caddy , c1860, Barossa Valley, South Australia, baltic pine, iron key; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Framed wedding anniversary record , c1910, ‘Crown of thorns photograph frame [with three Barossa Valley, South Australia, cotton & studio portraits], c1890s, Barossa Valley, South metallic thread, cotton & paper base, gold-foil Australia, cedar, glass, gelatin-silver wreath, wooden frame; Gift of Dr Robert Lyons photographs; Gift of Dr Robert Lyons through through the Art Gallery of South Australia the Art Gallery of South Australia Foundation Foundation 2014. Donated through the 2014. Donated through the Australian Australian Government’s Cultural Gifts Program Government’s Cultural Gifts Program

Barossa Valley, South Australia, Australia, Barossa Valley, South Australia, Australia, Sewing basket [with waratah motif], c1910, Herbert Hoffmann, Australia, active 1920s, Wall Tanunda, Barossa Valley, South Australia, plaque [with prayer motif] , c1925, Tanunda, leather, cotton; Gift of Dr Robert Lyons through Barossa Valley, South Australia, kauri pine, the Art Gallery of South Australia Foundation poker work and coloured stains; Gift of Dr 2014. Donated through the Australian Robert Lyons through the Art Gallery of South Government’s Cultural Gifts Program Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Barossa Valley, South Australia, Australia, Program Framed religious greeting , c1915, Barossa Valley, South Australia, cardboard, embroidery Barossa Valley, South Australia, Australia, cottons, timber frame; Gift of Dr Robert Lyons L'Amico Fritz photography, Adelaide, South through the Art Gallery of South Australia Australia, Australia, active 1890s, Chip frame Foundation 2014. Donated through the [with photograph], 1890s, Barossa Valley, South Australian Government’s Cultural Gifts Program Australia, stained pine, chip frame, glass, photograph; Gift of Dr Robert Lyons through the Barossa Valley, South Australia, Australia, Art Gallery of South Australia Foundation 2014. Framed silver wedding anniversary record , Donated through the Australian Government’s c1915, Barossa Valley, South Australia, Cultural Gifts Program embossed cardboard, cotton, pressed metal, painted wood, cotton & metallic thread, cotton Nicholas Bastin, Australia, b1968, Wagyu heart & paper base, silver-foil wreath, timber frame; [brooch], 2014, Melbourne, silver, stainless Gift of Dr Robert Lyons through the Art Gallery steel, beefwood (casuarina), polyurethane of South Australia Foundation 2014. Donated resin, epoxy, collected plastic material; Rhianon through the Australian Government’s Cultural Vernon-Roberts Memorial Collection 2014 Gifts Program Bendigo Pottery, Victoria, Australia, Australia, Barossa Valley, South Australia, Australia, est1857, Toby jug [Advertising J Ladd's water Framed bridal veil , c1920, Tanunda, Barossa and cordials], c1910, Epsom, Victoria, Valley, South Australia, silk embroidery on earthenware; Gift of Dr Robert Lyons through cotton, silk ribbon, stiffened cotton, flowers and the Art Gallery of South Australia Foundation leaves on wire, painted wood; Gift of Dr Robert 2014. Donated through the Australian Lyons through the Art Gallery of South Australia Government’s Cultural Gifts Program Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program Giles Bettison, Australia, b1966, Textile 14 #8 , 2014, Maylands, Adelaide, murrini glass; Gift of Barossa Valley, South Australia, Australia, Bible the Crafter Family in memory of the late Dr Ken box , c1870s, Barossa Valley, South Australia, Crafter 2014 pine, cedar, pigment; Gift of Dr Robert Lyons through the Art Gallery of South Australia Giles Bettison, Australia, b1966, Textile 14 #10 , Foundation 2014. Donated through the 2014, Maylands, Adelaide, murrini glass; Gift of Australian Government’s Cultural Gifts Program the Crafter Family in memory of the late Dr Ken Crafter 2014

Les Blakebrough, Australia, b1930, Large lidded Bosley, Mitcham, South Australia, Australia, sphere , 1986, Mount Nelson, Hobart, 1932–1945, SA Centenary letter holder [green], porcelaineous stoneware, glazed, cobalt 1936, Mitcham, Adelaide, earthenware, slab- decoration; Gift of Mary Gabb through the Art built, press moulded decoration, lead- glazed; Gallery of South Australia Foundation 2015 Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated Les Blakebrough, Australia, b1930, Bowl - through the Australian Government’s Cultural Derwent river , 1998, Mount Nelson, Hobart, Gifts Program porcelain, glazed interior; Gift of Mary Gabb through the Art Gallery of South Australia Bosley, Mitcham, South Australia, Australia, Foundation 2015 1932–1945, SA centenary plate , 1936, Mitcham, Adelaide, earthenware, press- moulded, lead Les Blakebrough, Australia, b1930, Large glazed; Gift of Dr Robert Lyons through the Art covered box , c1968, Mittagong, New South Gallery of South Australia Foundation 2014. Wales, stoneware, glazed; Gift of Mary Gabb Donated through the Australian Government’s through the Art Gallery of South Australia Cultural Gifts Program Foundation 2015 Bosley, Mitcham, South Australia, Australia, Les Blakebrough, Australia, b1930, Large 1932–1945, SA Centenary plate , 1936, Mitcham, covered box , c1968, Mittagong, New South Adelaide, earthenware, press- moulded, Wales, stoneware, glazed; Gift of Mary Gabb tricolour lead glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia through the Art Gallery of South Australia Foundation 2015 Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program Les Blakebrough, Australia, b1930, Covered jar , c1969, Mittagong, New South Wales, stone- Bosley, Mitcham, South Australia, Australia, ware, iron glaze, feldspar glaze trailing; Gift of 1932–1945, Cathedral plaque , 1937, Mitcham, Mary Gabb through the Art Gallery of South Adelaide, earthenware, press-moulded, lead Australia Foundation 2015 glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Les Blakebrough, Australia, b1930, Large square Donated through the Australian Government’s plate , c1969, Mittagong, New South Wales, Cultural Gifts Program stoneware, Mittagong rock glaze; Gift of Mary Gabb through the Art Gallery of South Australia Bosley, Mitcham, South Australia, Australia, Foundation 2015 1932–1945, Coronation plate , 1937, Mitcham, Adelaide, earthenware, press-moulded, Bosley, Mitcham, South Australia, Australia, polychrome lead glazed; Gift of Dr Robert Lyons 1932–1945, Mug [with Proclamation tree, through the Art Gallery of South Australia Glenelg], 1936, Mitcham, Adelaide, earthen- Foundation 2014. Donated through the ware, press-moulded decoration, lead-glazed; Australian Government’s Cultural Gifts Program Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated Bosley, Mitcham, South Australia, Australia, through the Australian Government’s Cultural 1932–1945, Coronation plate, 1937, Mitcham, Gifts Program Adelaide, earthenware, press-moulded, polychrome lead glazed; Gift of Dr Robert Lyons Bosley, Mitcham, South Australia, Australia, through the Art Gallery of South Australia 1932–1945, SA Centenary letter holder [brown] , Foundation 2014. Donated through the 1936, Mitcham, Adelaide, earthenware, slab- Australian Government’s Cultural Gifts Program built, press moulded decoration, lead- glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Bosley, Mitcham, South Australia, Australia, Stephen Bowers, Australia, b1952, Cup , 1997, 1932–1945, Lidded bowl , 1930s, Mitcham, JamFactory, Adelaide, earthenware; Gift of Dr Adelaide, earthenware, lead-glazed; Gift of Dr Robert Lyons through the Art Gallery of South Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts the Australian Government’s Cultural Gifts Program Program Stephen Bowers, Australia, 1952, Set of four Bosley, Mitcham, South Australia, Australia, cups , c1994, JamFactory, Adelaide, earthen- 1932–1945, Candlestick , c1934-35, Mitcham, ware; Gift of Dr Robert Lyons through the Art Adelaide, earthenware, lead-glazed; Gift of Dr Gallery of South Australia Foundation 2014. Robert Lyons through the Art Gallery of South Donated through the Australian Government’s Australia Foundation 2014. Donated through Cultural Gifts Program the Australian Government’s Cultural Gifts Program Merric Boyd, Australia, 1888–1959, Cruefell Art Porcelain, Australia, 1926–1934, Jug , c1930s, Bosley, Mitcham, South Australia, Australia, Yarraville, Victoria, porcelain; Gift of Dr Robert 1932–1945, Frog , c1936, Mitcham, Adelaide, Lyons through the Art Gallery of South Australia lead-glazed, press moulded; Gift of Dr Robert Foundation 2014. Donated through the Lyons through the Art Gallery of South Australia Australian Government’s Cultural Gifts Program Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program Helen Britten, Australia/Germany, b1966, Neckpiece , 2015, Munich, Germany, oxidised Bosley, Mitcham, South Australia, Australia, silver, glass; Rhianon Vernon-Roberts Memorial 1932–1945, Devils head cigarette dish , c1937– Collection 2015 40, Mitcham, Adelaide, earthenware, press- moulded, lead-glazed; Gift of Dr Robert Lyons Hoffman Brick and Potteries Ltd., Brunswick, through the Art Gallery of South Australia Melbourne, Victoria, Australia, Desk set , 1930s, Foundation 2014. Donated through the Brunswick, Melbourne, earthenware, glazed; Australian Government’s Cultural Gifts Program Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated Bosley, Mitcham, South Australia, Australia, through the Australian Government’s Cultural 1932–1945, Gnome , c1938, Mitcham, Gifts Program earthenware, lead-glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia Lois Carne, Australia, 1903–1995, Plate , c1930, Foundation 2014. Donated through the Adelaide, hand-painted porcelain; Gift of Dr Australian Government’s Cultural Gifts Program Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through Bosley, Mitcham, South Australia, Australia, the Australian Government’s Cultural Gifts 1932–1945, Penguin , c1940, Mitcham, Adelaide, Program earthenware, oxides; Gift of Dr Robert Lyons through the Art Gallery of South Australia Robert Craig, Australia, 1871–1933, Cup and Foundation 2014. Donated through the saucer, 1915, Adelaide, hand-painted porcelain; Australian Government’s Cultural Gifts Program Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated Bosley, Mitcham, South Australia, Australia, through the Australian Government’s Cultural 1932–1945, Ron Hall, Australia, Lizard , Gifts Program Mitcham, Adelaide, earthenware, press- moulded; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Anne Dangar, Australia/France, 1885–1951, Jug , Norah Godlee, Australia, 1900–1985, Plate , c1934, Moly-Sabata, Sablons, earthenware; Gift c1920s, Adelaide, hand-painted porcelain blank; of the Michelmore family in recognition of Gift of Dr Robert Lyons through the Art Gallery Tracey Lock-Weir curating the exhibition Dorrit of South Australia Foundation 2014. Donated Black: unseen forces, Art Gallery of South through the Australian Government’s Cultural Australia, 2014 Gifts Program

M Duysters, active 1910s, Plate , 1912, Adelaide, Gladys K Good, Australia, 1890–1979, Bowl , hand-painted porcelain blank; Gift of Dr Robert 1930s, Adelaide, hand-painted porcelain; Gift of Lyons through the Art Gallery of South Australia Dr Robert Lyons through the Art Gallery of Foundation 2014. Donated through the South Australia Foundation 2014. Donated Australian Government’s Cultural Gifts Program through the Australian Government’s Cultural Gifts Program Mary Egerton, Australia, working 1930s, Teapot , c1930s, Adelaide, earthenware, glazed; Gift of William Grenfell, Australia/Britain, 1818–1883, Dr Robert Lyons through the Art Gallery of Jar , c1865, Mount Lofty, South Australia, South Australia Foundation 2014. Donated earthenware, red lead-glazed; Gift of Dr Robert through the Australian Government’s Cultural Lyons through the Art Gallery of South Australia Gifts Program Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program CE Firnhaber, Australia, 1805–1880, Masonic cup [for Henry Mildred], 1848, Adelaide, silver, L Hambour, Australia, working 1930s, Tray , silver gilt (interior); Gift of Philip Speakman c1930s, Adelaide, hand-painted porcelain blank; through the Art Gallery of South Australia Gift of Dr Robert Lyons through the Art Gallery Foundation 2014. Donated through the of South Australia Foundation 2014. Donated Australian Government’s Cultural Gifts Program through the Australian Government’s Cultural Gifts Program attributed to CE Firnhaber, Australia, 1805– 1880, H Steiner, Adelaide, Australia, c1860– Alice Hamilton, Australia, working 1930s, Vase , 1884, c1860–1884, Locket with lyrebird , c1872, 1930s, Adelaide, hand-painted porcelain blank; Adelaide, gold, diamonds; Gift of Tom Pearce Gift of Dr Robert Lyons through the Art Gallery with the assistance of the Pauline Colley of South Australia Foundation 2014. Donated Bequest through the Art Gallery of South through the Australian Government’s Cultural Australia Foundation 2014 Gifts Program

Gilbert Pottery, Australia, c1930–c1950s, Koala Mara Harrison, Australia, working 1920s, Box , vase , c1935, Murrumbeena, Victoria, stone- 1920s, Adelaide, hand-painted porcelain blank; ware; Gift of Dr Robert Lyons through the Art Gift of Dr Robert Lyons through the Art Gallery Gallery of South Australia Foundation 2014. of South Australia Foundation 2014. Donated Donated through the Australian Government’s through the Australian Government’s Cultural Cultural Gifts Program Gifts Program

Norah Godlee, Australia, 1900–1985, Plate , Mara Harrison, Australia, working 1920s, Cup 1922, Adelaide, hand-painted porcelain blank; and saucer , 1920s, Adelaide, hand-painted Gift of Dr Robert Lyons through the Art Gallery porcelain; Gift of Dr Robert Lyons through the of South Australia Foundation 2014. Donated Art Gallery of South Australia Foundation 2014. through the Australian Government’s Cultural Donated through the Australian Government’s Gifts Program Cultural Gifts Program

Hindmarsh Pottery, Hindmarsh, South Australia, Samuel Hoffmann, Australia/Germany, 1818– Australia, 1866–c1910, Storage jar , 1870s, 1900, Jar, c1865, Rowlands Flat, Barossa Valley, Hindmarsh, Adelaide, stoneware, salt-glazed; South Australia, earthenware, hand-painted; Gift of Dr Robert Lyons through the Art Gallery Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated of South Australia Foundation 2014. Donated through the Australian Government’s Cultural through the Australian Government’s Cultural Gifts Program Gifts Program

Hindmarsh Pottery, Hindmarsh, South Australia, Samuel Hoffmann, Australia/Germany, 1818– Australia, 1866–c1910, Jar , c1870, Hindmarsh, 1900, Jug , c1870s, Rowlands Flat, Barossa Adelaide, stoneware, salt-glazed; Gift of Dr Valley, South Australia, earthenware, lead- Robert Lyons through the Art Gallery of South glazed; Gift of Dr Robert Lyons through the Art Australia Foundation 2014. Donated through Gallery of South Australia Foundation 2014. the Australian Government’s Cultural Gifts Donated through the Australian Government’s Program Cultural Gifts Program

Hindmarsh Pottery, Hindmarsh, South Australia, Samuel Hoffmann, Australia/Germany, 1818– Australia, 1866–c1910, Vase , c1870, Hindmarsh, 1900, Strainer , c1870s, Rowlands Flat, Barossa Adelaide, earthenware; Gift of Dr Robert Lyons Valley, South Australia, earthenware, lead- through the Art Gallery of South Australia glazed; Gift of Dr Robert Lyons through the Art Foundation 2014. Donated through the Gallery of South Australia Foundation 2014. Australian Government’s Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program Samuel Hoffmann, Australia/Germany, 1818– 1900, Jelly mould , c1860, Rowlands Flat, Floy Hubble, Australia, 1885–1948, Bowl , 1916, Barossa Valley, South Australia, earthenware; Adelaide, hand-painted porcelain blank; Gift of Gift of Dr Robert Lyons through the Art Gallery Dr Robert Lyons through the Art Gallery of of South Australia Foundation 2014. Donated South Australia Foundation 2014. Donated through the Australian Government’s Cultural through the Australian Government’s Cultural Gifts Program Gifts Program

Samuel Hoffmann, Australia/Germany, 1818– Floy Hubble, Australia, 1885–1948, Dessert 1900, Storage jar , c1860, Rowlands Flat, service [with flannel flowers], 1941, Adelaide, Barossa Valley, South Australia, earthenware, hand-painted porcelain; Gift of Dr Robert Lyons lead-glazed; Gift of Dr Robert Lyons through the through the Art Gallery of South Australia Art Gallery of South Australia Foundation 2014. Foundation 2014. Donated through the Donated through the Australian Government’s Australian Government’s Cultural Gifts Program Cultural Gifts Program Floy Hubble, Australia, 1885–1948, Plate [with Samuel Hoffmann, Australia/Germany, 1818– portrait of a girl], 1942, Adelaide, hand-painted 1900, Storage jar , c1860–70s, Rowlands Flat, porcelain; Gift of Dr Robert Lyons through the Barossa Valley, South Australia, earthenware, Art Gallery of South Australia Foundation 2014. lead-glazed; Gift of Dr Robert Lyons through the Donated through the Australian Government’s Art Gallery of South Australia Foundation 2014. Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program Floy Hubble, Australia, 1885–1948, Dish [with rosehip flowers], c1920, Adelaide, hand-painted porcelain; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Floy Hubble, Australia, 1885–1948, Dish [with Koster’s Premier Pottery, Norwood, South thistles], c1920, Adelaide, hand-painted Australia, Australia, 1888–1977, Vase , 1930s, porcelain; Gift of Dr Robert Lyons through the Norwood, Adelaide, earthenware; Gift of Dr Art Gallery of South Australia Foundation 2014. Robert Lyons through the Art Gallery of South Donated through the Australian Government’s Australia Foundation 2014. Donated through Cultural Gifts Program the Australian Government’s Cultural Gifts Program Floy Hubble, Australia, 1885–1948, Vase , c1920, Adelaide, hand-painted porcelain; Gift of Dr Koster’s Premier Pottery, Norwood, South Robert Lyons through the Art Gallery of South Australia, Australia, 1888–1977, Spittoon , Australia Foundation 2014. Donated through c1900, Norwood, Adelaide, earthenware, the Australian Government’s Cultural Gifts majolica glaze; Gift of Dr Robert Lyons through Program the Art Gallery of South Australia Foundation 2014. Donated through the Australian Floy Hubble, Australia, 1885–1948, Brooch Government’s Cultural Gifts Program [Portrait of a lady], c1930s, Adelaide, hand- painted porcelain, silver mounted; Gift of Dr Koster’s Premier Pottery, Norwood, South Robert Lyons through the Art Gallery of South Australia, Australia, 1888–1977, Vase , c1925– Australia Foundation 2014. Donated through 30, Norwood, Adelaide, stoneware; Gift of Dr the Australian Government’s Cultural Gifts Robert Lyons through the Art Gallery of South Program Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts HR Hughan, Australia, 1893–1987, Platter Program [flower motif], c1970s, Glen Iris, Melbourne, stoneware, tenmoko glaze; Gift of Mary Gabb Johanna C Laught, Australia, 1874–1948, Plate , through the Art Gallery of South Australia 1936, Mitcham, South Australia, earthenware, Foundation 2015 press-moulded; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation HR Hughan, Australia, 1893–1987, Platter 2014. Donated through the Australian [orchids motif], c1970s, Glen Iris, Melbourne, Government’s Cultural Gifts Program stoneware, tenmoko glaze; Gift of Mary Gabb through the Art Gallery of South Australia Khai Liew, Australia, b1952, Khai Liew Design, Foundation 2015 Norwood, Adelaide, Australia, est1996, Jeannie bench , 2012, designed 2001, Norwood, HR Hughan, Australia, 1893–1987, Platter [with Adelaide, teak; Gift of Khai Liew through the Art brushwork], c1970s, Glen Iris, Melbourne, Gallery of South Australia Foundation 2014. stoneware, tenmoko glaze; Gift of Mary Gabb Donated through the Australian Government’s through the Art Gallery of South Australia Cultural Gifts Program Foundation 2015 London Pottery, Maylands, Adelaide, Australia, attributed to John Campbell's Pottery, Australia, 1890–1909, Shoe vase , 1895, Maylands, South 1902–1976, Toby jug [Abel Tasman], c1930s, Australia, earthenware; Gift of Dr Robert Lyons Launceston, Tasmania, earthenware, glazed; through the Art Gallery of South Australia Gift of Dr Robert Lyons through the Art Gallery Foundation 2014. Donated through the of South Australia Foundation 2014. Donated Australian Government’s Cultural Gifts Program through the Australian Government’s Cultural Gifts Program London Pottery, Maylands, Adelaide, Australia, 1890–1909, Jardinière , c1905, Maylands, South Deb Jones, Australia, b1963, Water bowl , 2003, Australia, earthenware; Gift of Dr Robert Lyons Blue Pony Studio, Stepney, Adelaide, cast lead through the Art Gallery of South Australia crystal; Gift of the Art Gallery of South Australia Foundation 2014. Donated through the Gallery Guides in memory of Jenni Scrymgour Australian Government’s Cultural Gifts Program 2014

attributed to London Pottery, Maylands, Marguerite Mahood, 1901–1989, Devil mask , Adelaide, Australia, 1890–1909, Bread plate , 1932, Melbourne, earthenware, glazed; Gift of c1890, Maylands, Adelaide, earthenware; Gift Dr Robert Lyons through the Art Gallery of of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated South Australia Foundation 2014. Donated through the Australian Government’s Cultural through the Australian Government’s Cultural Gifts Program Gifts Program Marguerite Mahood, 1901–1989, Vase , c1945, Allan Lowe, Australia, 1907–2001, Vase , 1938, Melbourne, earthenware, glazed; Gift of Dr Ferntree Gully, near Melbourne, earthenware; Robert Lyons through the Art Gallery of South Gift of Dr Robert Lyons through the Art Gallery Australia Foundation 2014. Donated through of South Australia Foundation 2014. Donated the Australian Government’s Cultural Gifts through the Australian Government’s Cultural Program Gifts Program Sam Meadows, Australia, active 1910s, Indian- Allan Lowe, Australia, 1907–2001, Vase , 1950, style mask , 1914, Adelaide, stoneware, salt- Ferntree Gully, near Melbourne, earthenware; glazed; Gift of Dr Robert Lyons through the Art Gift of Dr Robert Lyons through the Art Gallery Gallery of South Australia Foundation 2014. of South Australia Foundation 2014. Donated Donated through the Australian Government’s through the Australian Government’s Cultural Cultural Gifts Program Gifts Program Jeff Mincham, Australia, b1950, After fire, 2013, Allan Lowe, Australia, 1907–2001, Vase [with Cherryville, Adelaide Hills, earthenware, multi- Aboriginal-style decoration], c1950, Ferntree glazed, mid-fired; DB Baker Bequest Fund and Gully, near Melbourne, earthenware, sgraffito Helen Bowden Gift Fund 2015 decoration; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Annie Mitchell, Australia, 1875–1961, Jug [with Donated through the Australian Government’s gumnut decoration], c1932, Goodwood, Cultural Gifts Program Adelaide, earthenware, terracotta body, clear glaze; Gift of Dr Robert Lyons through the Art MED, Australia, working 1930s, Heart shaped Gallery of South Australia Foundation 2014. box , c1930s, Adelaide, hand-painted porcelain Donated through the Australian Government’s blank; Gift of Dr Robert Lyons through the Art Cultural Gifts Program Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Sylvia Murooch, Australia, working 1920s, Cultural Gifts Program Peacock plate , 1925, Adelaide, hand-painted porcelain blank; Gift of Dr Robert Lyons through Violet Mace, Australia, 1890–1968 , Vase , 1928, the Art Gallery of South Australia Foundation Bothwell, Tasmania, earthenware; Gift of Dr 2014. Donated through the Australian Robert Lyons through the Art Gallery of South Government’s Cultural Gifts Program Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Sylvia Murooch, Australia, working 1920s, Vase Program [with tulip decoration], 1925, Adelaide, hand-painted porcelain; Gift of Dr Robert Lyons J Magennis, Australia, working 1920s, Bowl through the Art Gallery of South Australia [with spider orchids], c1920s, Adelaide, Foundation 2014. Donated through the hand-painted porcelain; Gift of Dr Robert Lyons Australian Government’s Cultural Gifts Program through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Sylvia Murooch, Australia, working 1920s, Gladys Reynell, Australia, 1881–1956, Squat Spanish dancer vase , 1926, Adelaide, hand- vase , 1920, Reynella, South Australia, earthen- painted porcelain blank; Gift of Dr Robert Lyons ware, slip inlay, glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia through the Art Gallery of South Australia Foundation 2014. Donated through the Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program Australian Government’s Cultural Gifts Program

Gwynneth Norton, Australia, c1895–1957, Dish, Gladys Reynell, Australia, 1881–1956, Vase, c1930s, Adelaide, hand-painted porcelain; Gift 1920, Reynella, South Australia, earthenware, of Dr Robert Lyons through the Art Gallery of glazed; Gift of Dr Robert Lyons through the Art South Australia Foundation 2014. Donated Gallery of South Australia Foundation 2014. through the Australian Government’s Cultural Donated through the Australian Government’s Gifts Program Cultural Gifts Program

Gwynneth Norton, Australia, c1895–1957, Dish , Gladys Reynell, Australia, 1881–1956, Lava c1930s, Adelaide, hand-painted porcelain; Gift vase, c1919, Reynella, South Australia, stone- of Dr Robert Lyons through the Art Gallery of ware; Gift of Dr Robert Lyons through the Art South Australia Foundation 2014. Donated Gallery of South Australia Foundation 2014. through the Australian Government’s Cultural Donated through the Australian Government’s Gifts Program Cultural Gifts Program

Gwynneth Norton, Australia, c1895–1957, Gladys Reynell, Australia, 1881–1956, Lava Lidded box , c1930s, Adelaide, hand-painted vase , c1919, Reynella, South Australia, stone- porcelain; Gift of Dr Robert Lyons through the ware; Gift of Dr Robert Lyons through the Art Art Gallery of South Australia Foundation 2014. Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Donated through the Australian Government’s Cultural Gifts Program Cultural Gifts Program

Maude Poynter, Australia, 1869–1945, Pair of Gladys Reynell, Australia, 1881–1956, Teapot , bookends , 1924–5, Hobart, Tasmania, c1919, Reynella, South Australia, earthenware; earthenware; Gift of Dr Robert Lyons through Gift of Dr Robert Lyons through the Art Gallery the Art Gallery of South Australia Foundation of South Australia Foundation 2014. Donated 2014. Donated through the Australian through the Australian Government’s Cultural Government’s Cultural Gifts Program Gifts Program

Gladys Reynell, Australia, 1881–1956, Bowl, Gladys Reynell, Australia, 1881–1956, Pill-box, 1920, Reynella, South Australia, earthenware; c1920, Reynella, South Australia, earthenware, Gift of Dr Robert Lyons through the Art Gallery glazed; Gift of Dr Robert Lyons through the Art of South Australia Foundation 2014. Donated Gallery of South Australia Foundation 2014. through the Australian Government’s Cultural Donated through the Australian Government’s Gifts Program Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Bowl Gladys Reynell, Australia, 1881–1956, Osrey [Roman shape], 1920, Reynella, South Australia, Pottery, Ballarat, Victoria, Australia, 1922 - earthenware; Gift of Dr Robert Lyons through 1926, Desk ink well, 1923, Ballarat, Victoria, the Art Gallery of South Australia Foundation earthenware, glazed, brass; Gift of Dr Robert 2014. Donated through the Australian Lyons through the Art Gallery of South Australia Government’s Cultural Gifts Program Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Osrey Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Ballarat, Victoria, Australia, 1922–1926, Pottery, Reynella, South Australia, Australia, Egg cup [blue], 1925, Ballarat, Victoria, earthen- 1919–1922, Beaker , 1921, Reynella, South ware, sgraffito decoration, glazed; Gift of Dr Australia, earthenware, coloured slip Robert Lyons through the Art Gallery of South decoration; Gift of Dr Robert Lyons through the Australia Foundation 2014. Donated through Art Gallery of South Australia Foundation 2014. the Australian Government’s Cultural Gifts Donated through the Australian Government’s Program Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Osrey Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Ballarat, Victoria, Australia, 1922–1926, Pottery, Reynella, South Australia, Australia, Reclining female nude , 1925, Ballarat, Victoria, 1919–1922, Pair of beakers [black] , 1921, earthenware, hand-modelled, glazed; Gift of Dr Reynella, South Australia, earthenware, Robert Lyons through the Art Gallery of South sgraffito decoration; Gift of Dr Robert Lyons Australia Foundation 2014. Donated through through the Art Gallery of South Australia the Australian Government’s Cultural Gifts Foundation 2014. Donated through the Program Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Osrey Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Ballarat, Victoria, Australia, 1922–1926, Pottery, Reynella, South Australia, Australia, Vase [blue] , 1925, Ballarat, Victoria, earthen- 1919–1922, Pair of beakers [black], 1921, ware, sgraffito decoration, glazed; Gift of Dr Reynella, South Australia, earthenware, Robert Lyons through the Art Gallery of South sgraffito decoration, glazed; Gift of Dr Robert Australia Foundation 2014. Donated through Lyons through the Art Gallery of South Australia the Australian Government’s Cultural Gifts Foundation 2014. Donated through the Program Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Osrey Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Ballarat, Victoria, Australia, 1922–1926, Pottery, Reynella, South Australia, Australia, Vase [blue], 1925, Ballarat, Victoria, earthen- 1919–1922, Tazza [blue] , 1921, Reynella, South ware, glazed; Gift of Dr Robert Lyons through Australia, earthenware, glazed; Gift of Dr Robert the Art Gallery of South Australia Foundation Lyons through the Art Gallery of South Australia 2014. Donated through the Australian Foundation 2014. Donated through the Government’s Cultural Gifts Program Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Osrey Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Ballarat, Victoria, Australia, 1922–1926, Pottery, Reynella, South Australia, Australia, Jug [blue], 1926, Ballarat, Victoria, earthenware, 1919–1922, Tazza [blue], 1921, Reynella, South glazed; Gift of Dr Robert Lyons through the Art Australia, earthenware, glazed; Gift of Dr Robert Gallery of South Australia Foundation 2014. Lyons through the Art Gallery of South Australia Donated through the Australian Government’s Foundation 2014. Donated through the Cultural Gifts Program Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Osrey Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Ballarat, Victoria, Australia, 1922–1926, Pottery, Reynella, South Australia, Australia, Teacup , 1926, Ballarat, Victoria, earthenware, 1919–1922, Tazza [blue], 1921, Reynella, South glazed; Gift of Dr Robert Lyons through the Art Australia, earthenware, glazed; Gift of Dr Robert Gallery of South Australia Foundation 2014. Lyons through the Art Gallery of South Australia Donated through the Australian Government’s Foundation 2014. Donated through the Cultural Gifts Program Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Reynella Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Reynella, South Australia, Australia, Pottery, Reynella, South Australia, Australia, 1919-1922, Teapot [blue], 1921, Reynella, South 1919–1922, Vase [blue], 1922, Reynella, South Australia, earthenware, glazed; Gift of Dr Robert Australia, earthenware, sgraffito decoration, Lyons through the Art Gallery of South Australia glazed; Gift of Dr Robert Lyons through the Art Foundation 2014. Donated through the Gallery of South Australia Foundation 2014. Australian Government’s Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program Gladys Reynell, Australia, 1881–1956, Reynella Pottery, Reynella, South Australia, Australia, Gladys Reynell, Australia, 1881–1956, Reynella 1919-1922, Vase , 1921, Reynella, South Pottery, Reynella, South Australia, Australia, Australia, earthenware, coloured slip 1919–1922, Vase [green], 1922, Reynella, South decoration, glazed; Gift of Dr Robert Lyons Australia, earthenware, glazed; Gift of Dr Robert through the Art Gallery of South Australia Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program Australian Government’s Cultural Gifts Program

Gladys Reynell, Australia, 1881–1956, Reynella William Ricketts, Australia, 1898–1993, Teapot , Pottery, Reynella, South Australia, Australia, 1936, Mount Dandenong, Victoria, earthen- 1919–1922, Bowl [blue], 1922, Reynella, South ware; Gift of Dr Robert Lyons through the Art Australia, earthenware, sgraffito decoration, Gallery of South Australia Foundation 2014. glazed; Gift of Dr Robert Lyons through the Art Donated through the Australian Government’s Gallery of South Australia Foundation 2014. Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program William Ricketts, Australia, 1898–1993 , Possum dreaming fountain , 1950s, Mount Dandenong, Gladys Reynell, Australia, 1881–1956, Reynella Victoria, stoneware; Gift of Dr Robert Lyons Pottery, Reynella, South Australia, Australia, through the Art Gallery of South Australia 1919–1922, Potpourri [blue] , 1922, Reynella, Foundation 2014. Donated through the South Australia, earthenware, glazed; Gift of Dr Australian Government’s Cultural Gifts Program Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through William Ricketts, Australia, 1898–1993, the Australian Government’s Cultural Gifts Aboriginal head plaque , c1960, Mount Program Dandenong, Victoria, stoneware; Gift of Dr Robert Lyons through the Art Gallery of South Gladys Reynell, Australia, 1881–1956, Reynella Australia Foundation 2014. Donated through Pottery, Reynella, South Australia, Australia, the Australian Government’s Cultural Gifts 1919–1922, Set of three egg cups [blue], 1922, Program Reynella, South Australia, earthenware, sgraffito decoration, glazed; Gift of Dr Robert Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Rooftop Clothing, Adelaide Hills, Australia, 1985–1998, Brian O'Malley, Australia, 1958, Trewenack Pottery, Magill, South Australia, Bridget Gardiner, Australia, 1959, Marblesque Australia, 1854–1920, Water bottle , c1880, jacket [with hood], c1988, Mount Barker, Magill, Adelaide, terracotta earthenware; Gift of Adelaide Hills, cotton, laminate, plastic buttons; Dr Robert Lyons through the Art Gallery of Gift of Cedar Prest 2015 South Australia Foundation 2014. Donated through the Australian Government’s Cultural Shigeo Shiga, Australia, 1928–2011, Vase , 1969, Gifts Program Terrey Hills, Sydney, porcelain, celadon glaze; Gift of Mary Gabb through the Art Gallery of Trewenack Pottery, Magill, South Australia, South Australia Foundation 2015 Australia, 1854–1920, Water bottle, c1880, Magill, Adelaide, terracotta earthenware; Gift of H Steiner, Adelaide, Australia, c1860–1884, Dr Robert Lyons through the Art Gallery of Horseshoe brooch , c1880, Adelaide, gold, South Australia Foundation 2014. Donated rubies; Gift of Tom Pearce through the Art through the Australian Government’s Cultural Gallery of South Australia Foundation 2014 Gifts Program

Louis Suhard, Australia, c1855–1904, Brooch Trewenack Pottery, Magill, South Australia, [Shark's tooth], c1890s, Adelaide, gold, ruby, Australia, 1854–1920, Storage jar , c1890, shark teeth; Gift of Tom Pearce through the Art Magill, Adelaide, stoneware; Gift of Dr Robert Gallery of South Australia Foundation 2014 Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the R Thomas, Australia, working 1920s, Dish, 1925, Australian Government’s Cultural Gifts Program Adelaide, hand-painted porcelain; Gift of Dr Robert Lyons through the Art Gallery of South Trewenack Pottery, Magill, South Australia, Australia Foundation 2014. Donated through Australia, 1854–1920, Storage jar , c1890, the Australian Government’s Cultural Gifts Magill, Adelaide, stoneware; Gift of Dr Robert Program Lyons through the Art Gallery of South Australia Foundation 2014. Donated through the Trench art, CS Preiss, Australia, 1894–1975, Australian Government’s Cultural Gifts Program Identity bracelet [CS Preiss 3rd LHR], c1916, Middle East, tin, copper, leather strap; Unknown, possibly South Australia, Begonia Purchased 2015 Leaf Dish , c1900, South Australia, earthenware, majolica glaze Gift of Dr Robert Lyons through Trench art, Pair of WW1 artillery shells [with the Art Gallery of South Australia Foundation poppy motif], 1914–20, Europe?, brass; 2014. Donated through the Australian Purchased 2015 Government’s Cultural Gifts Program

Trewenack Pottery, Magill, South Australia, Unknown, possibly South Australia, Begonia leaf Australia, 1854–1920, Pair of Spaniels , 1880, plates [set of three], c1900, South Australia, Magill, South Australia, stoneware; Gift of Dr earthenware; Gift of Dr Robert Lyons through Robert Lyons through the Art Gallery of South the Art Gallery of South Australia Foundation Australia Foundation 2014. Donated through 2014. Donated through the Australian the Australian Government’s Cultural Gifts Government’s Cultural Gifts Program Program Unknown, South Austalia, Wall plaque , 1930s, Trewenack Pottery, Magill, South Australia, Adelaide, hand-painted porcelain; Gift of Dr Australia, 1854–1920, Jug , 1850s–60s, Magill, Robert Lyons through the Art Gallery of South South Australia, earthenware, lead-glazed; Gift Australia Foundation 2014. Donated through of Dr Robert Lyons through the Art Gallery of the Australian Government’s Cultural Gifts South Australia Foundation 2014. Donated Program through the Australian Government’s Cultural Gifts Program

Unknown, South Australia, Wall plaque , 1930s, Maida Wright, Australia, active 1910–30, Vase , Adelaide, hand-painted porcelain; Gift of Dr 1928, Adelaide, hand-painted porcelain blank; Robert Lyons through the Art Gallery of South Gift of Dr Robert Lyons through the Art Gallery Australia Foundation 2014. Donated through of South Australia Foundation 2014. Donated the Australian Government’s Cultural Gifts through the Australian Government’s Cultural Program Gifts Program

Unknown, South Australia, Lid , c1930s, Maida Wright, Australia, active 1910–30, Hansel Adelaide, hand-painted porcelain blank; Gift of and Gretel Vase , c1928, Adelaide, hand-painted Dr Robert Lyons through the Art Gallery of porcelain blank; Gift of Dr Robert Lyons through South Australia Foundation 2014. Donated the Art Gallery of South Australia Foundation through the Australian Government’s Cultural 2014. Donated through the Australian Gifts Program Government’s Cultural Gifts Program

Mamie Venner, Australia, 1882–1974, Waterlily Maida Wright, Australia, active 1910–30, Lidded plate , 1954, Adelaide, hand-painted porcelain urn [with flowers and fantastical birds], c1920s, blank; Gift of Dr Robert Lyons through the Art Adelaide, hand-painted porcelain blank; Gift of Gallery of South Australia Foundation 2014. Dr Robert Lyons through the Art Gallery of Donated through the Australian Government’s South Australia Foundation 2014. Donated Cultural Gifts Program through the Australian Government’s Cultural Gifts Program Mamie Venner, Australia, 1882–1974, Dressing table box, c1930s, Adelaide, hand-painted Winifred Wright, Australia, active 1910–30, porcelain blank; Gift of Dr Robert Lyons through Coffee set, 1919, Adelaide, hand-painted the Art Gallery of South Australia Foundation porcelain blank; Gift of Dr Robert Lyons through 2014. Donated through the Australian the Art Gallery of South Australia Foundation Government’s Cultural Gifts Program 2014. Donated through the Australian Government’s Cultural Gifts Program Mamie Venner, Australia, 1882–1974, Stork vase , c1930s, Adelaide, hand-painted porcelain Winifred Wright, Australia, active 1910–30, blank; Gift of Dr Robert Lyons through the Art Plate , c1920s, Adelaide, hand-painted porcelain Gallery of South Australia Foundation 2014. blank; Gift of Dr Robert Lyons through the Art Donated through the Australian Government’s Gallery of South Australia Foundation 2014. Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program Mamie Venner, Australia, 1882–1974, Dressing table boxes [two], c1940s, Adelaide, hand- INTERNATIONAL PRINTS painted porcelain blank; Gift of Dr Robert Lyons through the Art Gallery of South Australia Edson Chagas, Angola, b1977, Found not taken , Foundation 2014. Donated through the 2013, Luanda, Angola, 9 off-set print posters; Australian Government’s Cultural Gifts Program Gift of Nick Mitzevich 2014

Sera Waters, Australia, b1979, The beginning , William Kentridge, South Africa, b1955, Act IV 2013-14, Adelaide, cotton; DB Baker Bequest Scene 7 , 1966–67, printed at Caversham Press, Fund 2014 Bagowan, Zwazulu-Natal, South Africa, etching, aquatint, drypoint, roulette and burnisher on JM Wendt, Adelaide, Australia, est1854, Brooch paper; Gift of Julian & Stephanie Grose through [Jew- fish bone], 1880s, Adelaide, gold, Jew-fish the Art Gallery of South Australia Foundation bone; Gift of Tom Pearce through the Art 2015. Donated through the Australian Gallery of South Australia Foundation 2014 Government’s Cultural Gifts Program

Joseph Pennell, United States, 1857–1926, Hole David Ostrowski, Germany, b1981, F (Dolly does in the ground , 1904, United States, etching, Dylan) , 2014, Cologne, Germany, synthetic plate tone on paper; Gift of Shane Le Plastrier polymer paint and lacquer on burlap, wood; Gift through the Art Gallery of South Australia of Steven Nasteski through the Art Gallery of Foundation 2015 South Australia Comtemporary Collectors 2015. Donated through the Australian Government’s Mikhael Subotzky, South Africa, b1981, Prison Cultural Gifts Program portrait, Beaufort West Prison , 2006, Beaufort West, South Africa, lightjet print on paper; Gift EUROPEAN PRINTS of Julian & Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Albrecht Altdorfer, Germany, c1480–1538, Donated through the Australian Government’s Christ taking leave of his mother , plate 16 from Cultural Gifts Program the series Fall and Redemption of Man, c1513, Regensberg, Germany, woodcut on paper; Gift INTERNATIONAL PHOTOGRAPHS of Tony Seymour in memory of Dr John Yeatman through the Art Gallery of South Andreas Gursky, Germany, b1955, Kirchentag , Australia Foundation 2015 2013, Germany, colour inkjet print; VBF Young Bequest Fund, Douglas and Barbara Mullins William Blake, Britain, 1757–1827, Job and his Fund, A.M. and A.R. Ragless Bequest Funds, wife receiving alms , plate 2 from the series Lisette Kohlhagen Bequest Fund 2014 Illustrations of the book of Job , 1823–26, published 1826 by John Linnell, London, EUROPEAN PAINTINGS engraving on chine collé on paper; Gift of Tony Seymour in memory of Dr John Yeatman George Frederick Watts, Britain, 1817–1904, through the Art Gallery of South Australia Olympus on Ida , 1885, London, oil on canvas; Foundation 2015 Gift of Andrew and Hiroko Gwinnett through the Art Gallery of South Australia Foundation William Blake, Britain, 1757–1827, Satan 2014. Donated through the Australian appearing before God , plate 3 from the series Government’s Cultural Gifts Program Illustrations of the book of Job , 1823–26, published 1826 by John Linnell, London, Albert Gleizes, France, 1881–1953, Coronation engraving on chine collé on paper; Gift of Tony of the Virgin , 1929, Paris, pochoir; Purchased Seymour in memory of Dr John Yeatman 2015 through the Art Gallery of South Australia Foundation 2015 John Glover, Britain/Australia, 1767–1849, A traveller with his donkey in a wood , c1810?, William Blake, Britain, 1757–1827, Satan London?, watercolour, pencil on paper; MJM bringing destruction on the sons and daughters Carter AO Collection through the Art Gallery of of Job , plate 19 from the series Illustrations of South Australia Foundation 2015 the Book of Job ,1823–26, published 1826 by John Linnell, London, engraving on chine collé Francesco Maltese, Italy, active c1610–60, on paper; Gift of Tony Seymour in memory of Dr St.Cecilia: an allegory of music , c1650, Rome, oil John Yeatman through the Art Gallery of South on panel; Gift of Kenneth Reed through the Art Australia Foundation 2015 Gallery of South Australia Foundation 2015. Donated through the Australian Government’s Auguste Blanchard, France, 1819–1898, after Cultural Gifts Program William Holman Hunt, Britain, 1827–1910, The finding of the Saviour in the Temple , c1867, London, engraving on paper in original carved oak, gilded frame; Gift of Richard Krantz through the Art Gallery of South Australia Foundation 2014. Donated through the Australian Government’s Cultural Gifts Program

Ferdinand Bol, The Netherlands, 1616–1680, Mortimer Menpes, Britain/Australia, 1855–1 The woman with the pear , 1651, Amsterdam, 938, Glenfinnan , 1915–16, Pangbourne, The Netherlands, etching on paper; Gift of England, drypoint, printed in coloured inks on Merrily Jeanne Hallsworth in memory of her paper; Gift of Graham & Maren Buckett through parents Frederick and Elaine Halcombe 2015 the Art Gallery of South Australia Foundation 2014 Albrecht Dürer, Germany, 1471–1528, The agony in the garden , plate 11 from the series Giovanni Battista Piranesi, Italy, 1720–1778, The small passion , c1510, published 1511, View of the exterior of St. Peters Basilica in the Nuremberg, Germany, woodcut on paper; Gift Vatican , from the series Veduta di Roma (Views of Tony Seymour in memory of Dr John of Rome and environs), 1760–78, Rome, etching Yeatman through the Art Gallery of South on paper; Gift of Tony Seymour in memory of Dr Australia Foundation 2014 John Yeatman through the Art Gallery of South Australia Foundation 2015 Francisco Goya, Spain, 1746–1828, Tantalus (Tantalo), plate 9 from the series Los Caprichos Rembrandt Harmensz van Rijn, The (The Caprices), 1797–98 (first published 1799), Netherlands, 1606–1669, The circumcision in later edition after 1855, Madrid, etching, the stable , 1654, Amsterdam, The Netherlands, aquatint on paper; Gift of Tony Seymour in etching on paper; Gift of Merrily Jeanne memory of Dr John Yeatman through the Art Hallsworth in memory of her parents Frederick Gallery of South Australia Foundation 2015 and Elaine Halcombe 2015

Käthe Kollwitz, Germany, 1867–1945, Self Rembrandt Harmensz van Rijn, The portrait with hand on forehead , 1910, Berlin, Netherlands, 1606–1669, The Virgin and child Germany; printed by Otto Felsing, etching, with the cat and the snake , 1654, Amsterdam, drypoint on paper; Gift of Jenny and Geoffrey The Netherlands, etching on paper; Gift of Brown through the Art Gallery of South Merrily Jeanne Hallsworth in memory of her Australia Foundation 2014 parents Frederick and Elaine Halcombe 2015

Nikolaus Lang, Germany, b1941, Untitled [tree Henri de Toulouse-Lautrec, France, 1864–1901, root], 1996, Adelaide or Germany, relief print of Le Divan Japonais , 1892, Paris; printed by tree root, black ink on paper; Gift of Jane Hylton Édouard Ancourt; commissioned by Édouard through the Art Gallery of South Australia Fournier, colour lithograph on paper; Gift of Foundation 2014 Michael Abbott AO QC, Lady Downer, Lang Foundation, Shane Le Plastrier, Mark Livesey Mortimer Menpes, Britain/Australia, 1855– QC, Joan Lyons, Wiliam Mansfield, Pamela 1938, A roaring business , 1887–88, Japan or McKee, Tom Pearce, Judith Rischbieth, London, drypoint on paper; Purchased 2014 Meredyth Sarah AM and Sheahan Lock Partners through the Art Gallery of South Australia Mortimer Menpes, Britain/Australia, 1855– Foundation Collectors Club 2014 1938, Banquet of the Officers of the Archers of St Adrian (after Frans Hals), 1888–89, London, EUROPEAN DRAWINGS drypoint on paper; Gift of Rosemary Smith in memory of her husband Ted J Smith III through Nikolaus Lang, Germany, b1941, Earth colour the Art Gallery of South Australia Foundation samples from Moana , 1986, Adelaide, 2014 watercolour, plastic on paper; Gift of Dee Jones through the Art Gallery of South Australia Mortimer Menpes, Britain/Australia, 1855– Foundation 2014 1938, Sarah Bernhardt , c1901, London, drypoint, etching, plate tone on paper; Gift in memory of Dr John Yeatman 2015

EUROPEAN DECORATIVE ARTS Emile Gallé, France, 1846–1904, Iris vase , 1900, Nancy, decorated, engraved and inlaid glass; Baron Pottery, Barnstaple, Devon, Britain, Gift of Carol Adams, Joan Beer, Dr Peter 1895–1937, Plate , c1910, Rolle Quay, near Dobson, Andrew Gwinnett, Dymphna James, Barnstaple, Devon, earthenware, lead-glazed; Jan Murphy, Pam McKee, Lady Porter, Jill Gift of Dr Robert Lyons through the Art Gallery Russell, Marion Wells, Dick Whitington QC and of South Australia Foundation 2014. Donated Zena Winser through the Art Gallery of South through the Australian Government’s Cultural Australia Foundation Collectors Club 2014 Gifts Program Germany, Striped ball gown [Empire style], Bosch Freres Keramis, La Louviere, Belgium, 1820s, Germany, muslin, silk, brass clasps; Gift 1841–2009, Vase [with lid], c1870–92, La of Rosemary Builder 2015 Louviere, Belgium, earthenware, glazed; Bequest of Hugo Van Dam 2012 Kevin Grey, Britain, 1967, Serriform silver , 2013, Birmingham, silver; The Pauline Colley Bequest De Grieksche A (The Greek A), Delft, Fund assisted by Colin and Robyn Cowan Netherlands, 1657–1818, attributed to Pieter through the Art Gallery of South Australia Kocx, Netherlands, active 1701–22, Dish [parrot Foundation 2015 design], 1701–03, Delft, Netherlands, earthenware, glazed; Bequest of Hugo Van Dam 2012 Josiah Wedgwood & Sons, Etruria and Barlaston, Staffordshire, Britain, est1759, Keith De Paeuw (The Peacock), Delft, Netherlands, Murray, Britain, 1892–1981, Vase [krater 1651–1790, attributed to David Kam, shape], c1938, Staffordshire, earthen slipware, Netherlands, active 1701–19, Plate [scattered celadon glaze; Gift of Dr Robert Lyons through red flower design], 1701–19, Delft, Netherlands, the Art Gallery of South Australia Foundation earthenware, glazed; Bequest of Hugo Van Dam 2014. Donated through the Australian 2012 Government’s Cultural Gifts Program

De Porceleyne Byl [The Porcelain Axe], Delft, Netherlands, Dish [Chinese figure], 18th Netherlands, 1657–1803, Plate [floral display], century, Delft, Netherlands, earthenware, 1739-88, Delft, Netherlands, earthenware, glazed; Bequest of Hugo Van Dam 2012 glazed; Bequest of Hugo Van Dam 2012 Netherlands, Plate [flowers in vase design], De Porceleyne Byl [The Porcelain Axe], Delft, 18 th C, Delft, Netherlands, earthenware, glazed; Netherlands, 1657–1803, Plate [Chinese Bequest of Hugo Van Dam 2012 garden], 18 th C, Delft, Netherlands, earthenware, glazed; Bequest of Hugo Van Dam 2012 Netherlands, Plate [floral design], c1740–50, Delft, Netherlands, earthenware, glazed; De Porceleyne Claeuw [The Porcelain Claw], Bequest of Hugo Van Dam 2012 Delft, Netherlands, 1658–1840, Plate [peacock design], 18 th C, Delft, Netherlands, earthenware, Netherlands, Plate [willow tree and flower glazed; Bequest of Hugo Van Dam 2012 design], c1740–50, Delft, Netherlands, earthenware, glazed; Bequest of Hugo Van Dam 2012 De Vergulde Blompot [The Gilt Flower Pot], Delft, Netherlands, 1616–1841, Plate [peacock Netherlands, Dish [polychrome floral design], design], 1750–1800, Delft, Netherlands, c1750, Delft, Netherlands, earthenware, glazed; earthenware, glazed; Bequest of Hugo Van Dam Bequest of Hugo Van Dam 2012 2012 Netherlands, Plate [bird on fence design], c1750, Delft, Netherlands, earthenware, glazed; Bequest of Hugo Van Dam 2012

Netherlands, Small dish [polychrome flower and Nagasaki School, Scenes of traders at Nagasaki , plum design], c1750, Delft, Netherlands, late 18 th-early 19 th C, Nagasaki, pair of hand earthenware, glazed; Bequest of Hugo Van Dam scrolls (e maki), ink, colour and gold on paper; 2012 box, wood, paper and ink; MJM Carter AO Collection through the Art Gallery of South Netherlands, Vase [with lid], c1750–60, Delft, Australia Foundation 2014 Netherlands, earthenware, glazed; Bequest of Hugo Van Dam 2012 Hiroko Watanabe, Australia, 1970, The value of the so called invisible wind , 2014, Nagoya, ink, Netherlands, Saucer dish [flora design], c1750– eleven sheets of Japanese paper (washi); 1800, Delft, Netherlands, earthenware, glazed; d’Auvergne Boxall Bequest Fund 2015 Bequest of Hugo Van Dam 2012 ASIAN SCULPTURES Netherlands, Plate [Chinese landscape], c1760– 70, Delft, Netherlands, earthenware, glazed; Dadang Christanto, Indonesia, b1957, Head , Bequest of Hugo Van Dam 2012 c2004, Australia, stoneware, metal and pigments; Gift of Julian & Stephanie Grose Netherlands, Dish [floral design], late 18 th C, through the Art Gallery of South Australia Delft, Netherlands, earthenware, glazed; Foundation 2015. Donated through the Bequest of Hugo Van Dam 2012 Australian Government’s Cultural Gifts Program

Staffordshire, Britain, Pair of spotted hounds Dadang Christanto, Indonesia, b1957, Head , with hares , late 19 th C, Staffordshire, earthen- c.2004, Australia, stoneware, metal and ware; Gift of Dr Robert Lyons through the Art pigments; Gift of Julian & Stephanie Grose Gallery of South Australia Foundation 2014. through the Art Gallery of South Australia Donated through the Australian Government’s Foundation 2015. Donated through the Cultural Gifts Program Australian Government’s Cultural Gifts Program

ASIAN PAINTINGS Japan, Dainichi Nyorai , late 16 th –17 th C, Kyoto, wood, lacquer, gold leaf, iron, semi-precious Japan, Archery contest at Sanjusangendo stones; Gift of Peter Muller AO through the Art (Sanjusangendo toshiya no zu), c1750, possibly Gallery of South Australia Foundation 2015. Kyoto, tsuitate screen mounted on panel, wood, Donated through the Australian Government's silk, ink and pigments on gold and paper; Gift of Cultural Gifts Program Frances Gerard and Mark Livesey QC with the assistance of the Roy and Marjory Edwards ASIAN PRINTS Bequest Fund through the Art Gallery of South Australia Foundation Collectors Club 2014 Gonkar Gyatso, Tibet, b1961, One hundred eight , 2011, London, mix media silk-screen; Gift Cong Bui Khanh, Vietnam, b1972, Child , 2009, of Julian & Stephanie Grose through the Art Ho Chi Minh, City, Vietnam, gouache on paper; Gallery of South Australia Foundation 2015. Gift of Julian & Stephanie Grose through the Art Donated through the Australian Government’s Gallery of South Australia Foundation 2015. Cultural Gifts Program Donated through the Australian Government’s Cultural Gifts Program Katsukawa Shuncho, Japan, active c1780–1801, Lovers , 1785–90, Tokyo, colour woodblock print Cong Bui Khanh, Vietnam, b1972, Fish , 2009, Ho (nishiki-e) on paper; d’Auvergne Boxall Bequest Chi Minh, City, Vietnam, gouache on paper; Gift Fund 2014 of Julian & Stephanie Grose through the Art Gallery of South Australia Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program

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Utagwa (Ichiryusai) Yoshitoyo, Japan, 1830– China-Indonesia, Storage jar (martavan) with 1866, On display in West Ryogoku (nishi face and hand , 17–18 th C, Guangdong or Fujian, ryogoku ni oite), Leopard, July 1860 (Ansei 7 / China found in Pontianak, West Kalimantan, Man'en 1, 7 th month), 1860, Tokyo, colour Indonesia, stoneware, brown glaze with woodblock print (nishiki-e) on paper; embossed decoration; Gift of Michael Abbott d’Auvergne Boxall Bequest Fund 2014 AO QC and Sue Crafter through the Art Gallery of South Australia Foundation 2015. Donated ASIAN DRAWINGS through the Australian Government’s Cultural Gifts Program Byambaa Odontuya, Mongolia, b1978, 'Australia' and 'Mongolia' , 2014, Melbourne, China–Indonesia, Storage jar (martavan) with hanging scroll, ink on paper, pigment, brocade; face in profile , 17 th –18 th C, Guangdong or Gift of the artist on the occasion of her Fujian,China found in Pontianak, West workshop at the Art Gallery of South Australia, Kalimantan, Indonesia, stoneware, brown glaze 6 September 2014 with embossed decoration; Gift of Michael Abbott AO QC and Sue Crafter through the Art ASIAN DECORATIVE ARTS Gallery of South Australia Foundation 2015. Donated through the Australian Government’s Burma, Buddhist manuscript , 19 th C or earlier, Cultural Gifts Program Burma, palm leaf, gold leaf, 226 folios; Gift of Derek Morrison through the Art Gallery of India, Writing box , 1720–40, Vizagapatam South Australia Foundation 2014 (Vizakhapatnam), Andhra Pradesh, elephant ivory, black lac, rosewood, brass; MJM Carter Burma, Buddist manuscript [Kammavaca], early AO Collection through the Art Gallery of South 20 thC, Burma, wood, fabric, lacquer, gold leaf, Australia Foundation 2015 glass, 12 folios; Gift of Caitlin Fry in memory of th Frank Caspers, Scribe to the City of Adelaide India, Lion of Ali, banner with inscription , 19 – th 1985–2008 through the Art Gallery of South 20 C, India, cotton, natural dyes, hand-painted; Australia Foundation 2014 Gift of Michael Abbott AO QC and Sue Crafter through the Art Gallery of South Australia China, Decorative Hanging , c1925, China, silk, Foundation 2015. Donated through the gold wrapped thread, embroidry (satin, Australian Government’s Cultural Gifts Program couching, seed) on red satin ground; Gift of Mr and Mrs Walker through the Art Gallery of India–Indonesia, Ceremonial cloth and sacred South Australian Foundation 2014 heirloom (dodot), with central rhombic field and th th interlocking motif , 17 –18 C, Coromandel China and Europe–Japan, Surcoat [jinbaori], Coast (Tamil Nadu and Andhra Pradesh), India, with mon , late 18 th C with 19 th C repairs, China, found in Indonesia, cotton, block-printed, batik Europe, Japan, cotton, wool, silk, velvet, and mordant dyes, two stitch-joined panels; Gift metallic thread, natural dyes, supplementary of Michael Abbott AO QC and Sue Crafter weft and plain weave, wood; Helen Bowden Gift through the Art Gallery of South Australia Fund 2015 Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program China-Indonesia, Large plate, with Arabic script , c1600, Pinghe county, Zhangzhou, Fujian or India–Indonesia, Jewellery box , from the th Guangdong, China, found in Indonesia, Swatow collection of Queen Adelaide, 1792–1849, 17 C, ware, porcelain, red and green overglaze India or Indonesia, silver, felt; MJM Carter AO decoration; Gift of Michael Abbott AO QC and Collection through the Art Gallery of South Sue Crafter through the Art Gallery of South Australia Foundation 2015 Australia Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program

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India–Indonesia, Ceremonial cloth and sacred Indonesia, Footed betel nut box [kinangan] with heirloom (dodot), with black diamond field , implements , late 18 th C, Sumatra, box: turtle 18 th C, Coromandel Coast (Tamil Nadu and shell, silver and gold, three oval lidded Andhra Pradesh), India, found in Indonesia, containers and pepper leaf holder: gold, slaked cotton mordant-painted print and mordant dye; lime container with spatula, lime knife and betel Gift of Michael Abbott AO QC and Sue Crafter nut cutter: gold and silver betel nut cutter and through the Art Gallery of South Australia lime knife: gold, silver; JC Earl Bequest Fund Foundation 2015. Donated through the 2014 Australian Government’s Cultural Gifts Program Japan, Pipe, pipe holder (kiseru zutsu) with India–Indonesia, Ceremonial cloth and sacred falcon and tobacco pouch (tabako-ire) with heirloom (kain sembagi) with ‘endless knot’ snail , early 19th century, Japan, bamboo, silver, pattern , 18 th C, Coromandel Coast (Tamil Nadu pipe holder, stag antler, silver; tobacco pouch, and Andhra Pradesh), India, foound in leather, silver; Gift of Naomi Guerin through the Indonesia, cotton, mordant-painted print and Art Gallery of South Australia Foundation 2014 mordant dye; Gift of Michael Abbott AO QC and Sue Crafter through the Art Gallery of South Japan, Gakko, Bodhisattva of moonlight (gakko Australia Foundation 2015. Donated through bosatsu) , 19 th C, possibly Nara, Japan, lacquer on the Australian Government’s Cultural Gifts wood, gold and pigment; Gift of Raphy Star Program through the Art Gallery of South Australia Foundation 2015. Donated through the India–Indonesia, Ceremonial cloth and sacred Australian Government's Cultural Gifts Program heirloom, with floral pattern , late 16 th –early 17 th C, Coromandel Coast, India, found in Cong Bui Khanh, Vietnam, b1972, Artist painter , Indonesia or East Timor, cotton, block printed, 2009, Ho Chi Minh City, Vietnam, hand painted batik and mordant dyes; Gift of Michael Abbott porcelain; Gift of Julian & Stephanie Grose AO QC and Sue Crafter through the Art Gallery through the Art Gallery of South Australia of South Australia Foundation 2015. Donated Foundation 2015. Donated through the through the Australian Government’s Cultural Australian Government’s Cultural Gifts Program Gifts Program Netherlands-Indonesia, Bottle , 17 th –18 th C India–Indonesia, Ceremonial cloth and sacred century, Netherlands, found in Indonesia, heirloom (dodot), with interlocking spiral hand-blown glass; Purchased 2014 pattern , late 18 th C, Coromandel Coast, India, Kano Sanraku, Japan, 1559–1635, Birds, tree found in Indonesia, cotton, block printed, batik and flowers , 1619–39, Kyoto, Japan, six panel and mordant dyes; Gift of Michael Abbott AO screen, ink, colour and gold on paper; Gift of QC and Sue Crafter through the Art Gallery of Andrew and Hiroko Gwinnett through the Art South Australia Foundation 2015. Donated Gallery of South Australia Foundation 2015. through the Australian Government’s Cultural Donated through the Australian Government’s Gifts Program Cultural Gifts Program

India–Indonesia, Ceremonial cloth and sacred ARCHIVAL heirloom (dodot), in the style of Javanese kemben motif , late 18 th –early 19 th C, Benjamin Armstrong, Australia, b1975, (The Coromandel Coast, India, found in Indonesia, shape of things to come, linocut block), 2006– cotton, block printed, batik and mordant dyes; 07, Melbourne, carved linocut block, printing Gift of Michael Abbott AO QC and Sue Crafter ink; Gift of James Mollison AO through the Art through the Art Gallery of South Australia Gallery of South Australia Foundation 2015 Foundation 2015. Donated through the Australian Government’s Cultural Gifts Program

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Benjamin Armstrong, Australia, b1975, (The Benjamin Armstrong, Australia, b1975, The shape of things to come, linocut block), 2006– shape of things to come, linocut block (h(i)), 07, Melbourne, carved linocut block, printing 2006–07, Melbourne, carved linocut block, ink; Gift of James Mollison AO through the Art printing ink; Gift of James Mollison AO through Gallery of South Australia Foundation 2015 the Art Gallery of South Australia Foundation 2015 Benjamin Armstrong, Australia, b1975, The shape of things to come, linocut block (a), 2006– Benjamin Armstrong, Australia, b1975, The 07, Melbourne, carved linocut block, printing shape of things to come, linocut block (h(ii)), ink; Gift of James Mollison AO through the Art 2006–07, Melbourne, carved linocut block, Gallery of South Australia Foundation 2015 printing ink; Gift of James Mollison AO through the Art Gallery of South Australia Foundation Benjamin Armstrong, Australia, b1975, The 2015 shape of things to come, linocut block (b), 2006– 07, Melbourne, carved linocut block, printing Benjamin Armstrong, Australia, b1975, The ink; Gift of James Mollison AO through the Art shape of things to come, linocut block (i), 2006– Gallery of South Australia Foundation 2015 07, Melbourne, carved linocut block, printing ink; Gift of James Mollison AO through the Art Benjamin Armstrong, Australia, b1975, The Gallery of South Australia Foundation 2015 shape of things to come, linocut block (c(i)), 2006–07, Melbourne, carved linocut block, Benjamin Armstrong, Australia, 1975, The shape printing ink; Gift of James Mollison AO through of things to come II , 2006-07, Melbourne, the Art Gallery of South Australia Foundation carved linocut block, printing ink; Gift of 2015 Benjamin Armstrong through the Art Gallery of South Australia Foundation 2015 Benjamin Armstrong, Australia, b1975, The shape of things to come, linocut block (c(ii)), Friedrich Albin Koko Mikoletzky, Austria, 1887– 2006–07, Melbourne, carved linocut block, 1981, Sunset Bei Locham, Arhlberg, 1955, printing ink; Gift of James Mollison AO through Vienna, oil on canvas; MJM Carter AO Collection the Art Gallery of South Australia Foundation 2014 2015 Steven Lee-Davis, United States, 20–21 st C, Benjamin Armstrong, Australia, b1975, The William Morris, 2014, Rochester, New York, shape of things to come, linocut block (d), 2006– paper, ink; Gift of the William Morris Society, 07, Melbourne, carved linocut block, printing United States 2015 ink; Gift of James Mollison AO through the Art Gallery of South Australia Foundation 2015

Benjamin Armstrong, Australia, b1975, The shape of things to come, linocut block (g(i)), 2006–07, Melbourne, carved linocut block, printing ink; Gift of James Mollison AO through the Art Gallery of South Australia Foundation 2015

Benjamin Armstrong, Australia, b1975, The shape of things to come, linocut block (g(ii)), 2006–07, Melbourne, carved linocut block, printing ink; Gift of James Mollison AO through the Art Gallery of South Australia Foundation 2015

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APPENDIX F INWARD LOANS

During the year 823 works were borrowed for 11 exhibitions and 43 for collection display.

INWARD LOANS TO THE COLLECTION Candelabra ; Derby Porcelain Works, Sauce Bob Allan, Allenby Gardens, SA: Derby boats ; att. to George Bullock, Table ; Clemente Porcelain Works, Shell sweetmeat centerpiece ; Ciuli, Charles Percier, Centre table (gueridon) ; Chelsea-Derby Porcelain Works, Chelsea, Unknown, Vase London, Peony dish ; Derby Porcelain Works Partridge tureen ; Worcester Porcelains, INWARD LOANS TO EXHIBITIONS Worcester Dish (blind earl design) Richard, Paul and James Black, Adelaide, SA: For: The Collection Project: Deidre Husaim , Dorrit Black, Cliffs at Second Valley Art Gallery of South Australia, 2 July to 14 Peter Lane, Dulwich, SA: Resolution and September 2014 : Adventure Medal (Silver) ; Resolution and Adventure Medal (WL) ; Resolution and Deidre But-Husaim, Prospect, SA: Deidre But- Adventure Medal (Bruny Island) ; WWI Love Husaim, The special goodness (Robert Dowling) ; token (Eva to Fred) ; WWI Love token (Wil to Deidre But-Husaim, The special goodness (Jake Ruby) ; WWI Love token (Sam to Samuel) ; WWI and Dinos Chapman) ; Love token (Will to Mother) ; WWI Love token Deidre But-Husaim, The special goodness (Del (Victor to Alma) ; WWI Love token (Charlie to Kathryn Barton) ; Deidre But-Husaim, The special Father) ; WWI Love token (Llew to Mother) ; WWI goodness (Nora Heysen) ; Love token (James to Florrie) ; WWI Love token Deidre But-Husaim, The special goodness (Mother to Jack) (Eugene von Guerard) ; Jeff Mincham, Adelaide, SA: Jeff Minchin, Deidre But-Husaim, The special goodness Forces of nature ll ; Jeff Minchin, After fire (Shinto Deities) ; Deidre But-Husaim, The special Tracey Moffatt, Sydney, NSW: Tracey Moffatt, goodness (Dark Heat #1) Under the sign of scorpio ; Tracey Moffatt, Invocations ; Tracey Moffatt, Laudanum ; Tracey For: Elegant Pursuit: Art of the East Asian Moffatt, Fourth ; Scholar exhibition, Art Gallery of South Steven Nasteski, Coogee, NSW: David Australia, 4 July 2014 to 17 July 2015: Ostrowski, F (Dolly does Dylan) Vicki Olsson, St Ives, NSW: Gilbert & George, Rusty Kelty, Adelaide, SA: Yanuda Rozan, Ginkgo Gingko Mountains and water Le Plastrier, Shane, Adelaide, SA: Tom Roberts , Mentone ; Dorrit Black, Orchestra pit, Theatre For: The extreme climate of Nicholas Folland Royal exhibition, Art Gallery of South Australia, 19 Dr Dick Quan, Darlinghurst, NSW: Eko Nugroho, July 2014 to 1 February 2015: Instigator of Storms (Penghasut Badai-Badai) ; AES+F, Last Riot 2 Nicholas Folland, Kilkenny, SA on 10 July 2014: The David Roche Foundation, North Adelaide, Nicholas Folland, Am I missing something...; SA: Worcester Porcelain, Cauliflower tureen & Nicholas Folland, Will it fit in the lift... ; cover ; Longton Hall Porcelain, Jug ; Worcester Nicholas Folland, Mount Hopeless ; Porcelains, Sauce boat ; Worcester Porcelains, Nicholas Folland, Large Stuart crystal comport Dish ; Longton Hall Porcelains, Plate ; Derby and two dessert bowls ; Nicholas Folland, Large Porcelain Works, Tureen ; Meissen Porcelain Stuart crystal decanter and two matching Factory, Meissen, Swan Service Plate ; glasses ; Nicholas Folland, Speechless ; Birmingham, Parrot bonbonniere ; France, Nicholas Folland, Untitled (study) ; Nicholas Folland, Pacific Blue ; Nicholas Folland, Indian

Blue ; Nicholas Folland , New World ; Nicholas whiting, Adelaide (Fish philosophy) ; Trent Parke, Folland, Doldrum ; Nicholas Folland, Rose Dad's tooth, Newcastle, New South Wales (Fish Clinton Ng, Walsh Bay, Sydney, NSW: Nicholas Philosophy) ; Trent Parke, Broome, Western Folland, Untitled (1–6) Australia (Fish Philosophy) ; Trent Parke, Squid. Adelaide (Fish Philosophy) ; Trent Parke, Winter, For: Brush and Ink: Contemporary Asian country Victoria (Fish Philosophy) ; Trent Parke, Calligraphy, Art Gallery of South Australia, 6 Woolgoolga (Fish Philosophy) ; Trent Parke, September 2014 to 3 May 2015: Outer Harbour (Fish Philosophy) ; Trent Parke, Snapper # 1, Adelaide (Fish Philosophy) ; Trent Odontuya Byambaa, Pascoe Vale, Vic: Parke, Snapper # 2, Adelaide (Fish Philosophy) ; Odontuya Byambaa, Eternal heaven of Trent Parke, Tree # 1, country Victoria (Fish Mongolia ; Philosophy) ; Trent Parke, Tree # 2 (Fish Odontuya Byambaa, 'Maria Labas', 'John Labas' Philosophy) ; Trent Parke, Earth worms, Adelaide Confucius Institute, University of Adelaide, (Fish Philosophy) ; Trent Parke, Shark jaws (Fish Adelaide, SA: Meng Hongsheng, Calligraphy ; Li Philosophy) ; Trent Parke, Cactus flower # 1 (Fish Jianjun , Gentlemen's style ; Gu Yalong, Two trees Philosophy) ; Trent Parke, Cactus flower # 2 (Fish 976 Art Gallery, Ulaanbaatar, Mongolia: Philosophy) ; Trent Parke, Cactus flower # 3 (Fish Lkhagva Tuvshinjargal, Expanse ; Ganbaatar Philosophy) ; Trent Parke, Clouds #2, Adelaide Dagva, Mongol pride; Ganbaatar Dagva, Sky, (Fish Philosophy) ; Trent Parke, Jem and blue nomad, earth ; D Battumur, Ritual of Mongolian swimmer, Adelaide (Fish Philosophy) ; Trent shaman on horseback Parke, Clouds #1, Adelaide (Fish Philosophy) ; Trent Parke, Toothache (Fish Philosophy) ; Trent For: The Collections Project: Dan Withey , Art Parke, Broken cactus flower (Fish Philosophy) ; Gallery of South Australia, 5 December 2014 to Trent Parke, Silver Whiting, Adelaide (Fish 18 January 2015: Philosophy) ; Trent Parke, Dripping tap, Adelaide (Fish Philosophy) ; Trent Parke, Yorke Peninsula, Dan Withey, Adelaide, SA: Dan Withey, Wake South Australia (Fish Philosophy) ; Trent Parke, Shark tooth necklace (Fish Philosophy) ; Trent For: Trent Parke: The Black Rose , Art Gallery Parke, Teeth (Fish Philosophy) ; Trent Parke, of South Australia, 14 March to 10 May 2015: Snapper, backyard, Adelaide (Fish Philosophy); Trent Parke, Fish # 3, Adelaide, 2010 (Fish Trent Parke, Storm, Adelaide 2009 (Absurdity of Philosophy) ; Trent Parke, Fish # 1 (Fish life) ; Trent Parke, Stuart Highway, South Philosophy) ; Trent Parke, Cloud somewhere Australia (Absurdity of life) ; Trent Parke, Cows, between Adelaide and Perth (Fish Philosophy) ; Great Alpine Road, Victoria (The Universe Trent Parke, Blue swimmers, Adelaide (Fish Series) ; Trent Parke, Gate, Adelaide (Home Philosophy) ; Trent Parke, Inside of a silver room, Newcastle) ; Trent Parke, Letters, Adelaide whiting, Adelaide (Fish Philosophy) ; Trent Parke, home (Home room, Newcastle) ; Trent Parke, Fish Eye, Adelaide (Fish Philosophy) ; Trent Slippery Dip, Gundagai, New South Wales Parke, Fin, West Beach, Adelaide (Fish (Home room, Newcastle) ; Trent Parke, Adele Philosophy) ; Trent Parke, Cartoon strip Grove, outback Queensland (Dianne tree room) ; (Absurdity of life) ; Trent Parke, Withered cactus Trent Parke, Whiting # 1, Adelaide (Fish (Absurdity of life) ; Trent Parke, Healthy cactus Philosophy) ; Trent Parke, Whiting # 2, Adelaide (Absurdity of life) ; Trent Parke, Flare on road (Fish Philosophy) ; Trent Parke, Whiting # 3, (Absurdity of life) Narelle Autio, Trent post Adelaide (Fish Philosophy) ; Trent Parke, surgery (Absurdity of life) ; Narelle Autio, Trent in Whiting # 4, Adelaide (Fish Philosophy) ; Trent doctor's waiting room (Absurdity of life) ; Trent Parke, Whiting # 5, Adelaide (Fish Philosophy) ; Parke, Red liquid on floor (Absurdity of life) ; Trent Parke, Whiting # 6 (Fish Philosophy) ; Trent Trent Parke, Tree stump (Absurdity of life) ; Trent Parke, Whiting # 7 (Fish Philosophy) ; Trent Parke, Balloons (Absurdity of life) ; Trent Parke, Parke, Six silver whiting (Fish Philosophy) ; Trent Rat in trap (Absurdity of life) ; Trent Parke, Parke, Thirteen silver whiting (Fish Philosophy) ; Baiting rat traps (Absurdity of life) ; Trent Parke, Trent Parke, Eight silver whiting (Fish Pirate ship St Kilda (Absurdity of life) ; Trent Philosophy) ; Trent Parke, Thirty eight silver Parke, Obelisk plank (Absurdity of life) ; Trent

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Parke, Diagram (Absurdity of life) ; Trent Parke, corner (The Universe Series) ; Trent Parke, Surgeon's drawing (Absurdity of life) ; Trent Butterfly, Adelaide (The Universe Series) ; Trent Parke, 'X' in sand (Absurdity of life) ; Trent Parke, Parke, Ghost crabs, Quobba Beach, Western Blow up crocodile in sand (Absurdity of life) ; Australia (The Universe Series) ; Trent Parke, Trent Parke, Pirate cake (Absurdity of life) ; Trent Candid portrait of a woman on a street corner Parke, Stingray grave (Absurdity of life) ; Trent (The Universe Series) ; Trent Parke, Rocket, Parke, Sunset ( colour) (Absurdity of life); Trent Adelaide (The Universe Series) ; Trent Parke, Parke, Golf ball in toilet (Absurdity of life) ; Trent Adele Grove, Queensland (The Universe Series) ; Parke, Untitled TBC] (Absurdity of life) ; Trent Trent Parke, Insects, Lake Woods, Elliot, Parke, Flies mating (Absurdity of life) ; Trent Northern Territory (The Universe Series) ; Trent Parke, Birthday party image (Absurdity of Parke, Candid portrait of a man on a street life) ;Narelle Autio, Trent jumping on rubbish bin corner (The Universe Series) ; Trent Parke, Ant Absurdity of life) ; Trent Parke, Lawnmower eggs, pot plant base, Newcastle (The Universe (Absurdity of life) ; Trent Parke, Tombstone ad Series) ; Trent Parke, Remains of a squid, taps (Absurdity of life) ; Trent Parke, Rat on edge Adelaide (The Universe Series) ; Trent Parke, of roof (Absurdity of life) ; Trent Parke, The Tin Turtles mating, Exmouth, Western Australia Man, Newcastle, New South Wales (Time (The Universe Series) ; Trent Parke, Candid Machine) ; Trent Parke, Portrait of younger portrait of a man on a street corner ; Trent brother Grant in backyard, Newcastle (Time Parke, West Beach, Adelaide ; Trent Parke, Jem Machine) ; Trent Parke, Painting belonging to aged four, Adelaide (Home room, Newcastle) Mum, Newcastle, New South Wales (Time Richard Parke, Merry-go-round, Newcastle, New Machine) ; Trent Parke, Dad's squash trophy, South Wales (Home room, Newcastle) ; Trent Newcastle, New South Wales (Time Machine); Parke, The Black Rose, Adelaide (Home room, Trent Parke, Sydney Opera House (Time Newcastle) ; Trent Parke, The Obelisk, Machine) ; Trent Parke, The man in black # 1, Newcastle, New South Wales (Home room , Adelaide , 2010 ; Trent Parke, The man in black # Newcastle); Trent Parke, The big bad wolf, 2, Adelaide, 2010 ; Trent Parke, The man in black Lakes Entrance, Victoria (Home room, # 3, Adelaide, 2010 ; Trent Parke, The man in Newcastle) ; Narelle Autio, What the house saw black # 4, Adelaide, 2010 ; Trent Parke, The man # 1, Adelaide , 1009 (Home Room, Newcastle) ; in black # 5, Adelaide, 2010 ; Trent Parke, The Narelle Autio, What the house saw # 2, man in black # 6, Adelaide, 2010 ; Trent Parke, Adelaide, 1009 (Home Room, Newcastle); The man in black, Adelaide , 2010; Trent Parke, Narelle Autio, What the house saw # 3, Flat tire, dad's wheelbarrow, Newcastle, New Adelaide, 1009 (Home Room, Newcastle) ; South Wales (Mirror and Wheelbarrow) ; Trent Narelle Autio, What the house saw # 4, Parke, Cloud, Highway One, New South Wales Adelaide, 1009 (Home Room, Newcastle) ; Trent (Mirror and Wheelbarrow) ; Trent Parke, Ruined Parke, Swan, Adelaide (Home room, negative of a tree, Ballarat (The Universe Newcastle) ; Trent Parke, Backyard, Adelaide Series) ; Trent Parke, Wind on water, Adelaide (Home room, Newcastle) ; Trent Parke, Birth, (The Universe Series) ; Trent Parke, Smashed Sydney (Birth room) ; Trent Parke, Paper Plane, window, Newcastle (The Universe Series) ; Trent Adelaide (Birth room) ; Trent Parke, Victoria Parke, Candid portrait of a man on a street (Birth room) ; Trent Parke, Magpie and baby corner (The Universe Series) ; Trent Parke, bird, Adelaide (Birth room) ; Trent Parke, Broken Catfish and turtles, Roper River, Northern Rose, Adelaide (Birth room) ; Trent Parke, Territory (The Universe Series) ; Trent Parke, Mum's hair, Adelaide (Birth room) ; Trent Parke, Adele Grove, Queensland (The Universe Series) ; Dad's watch, Adelaide (Birth room) ; Trent Trent Parke, Cleaning Papa's one hundred and Parke, Tadpoles in the backyard Newcastle, New thirty six gallstones, Adelaide (The Universe South Wales (Birth room) ; Trent Parke, Frog, Series) ; Trent Parke, Insects, Lake Woods, Elliot, backyard, Newcastle, New South Wale (Birth Northern Territory (The Universe Series) ; Trent room) ; Trent Parke, Cactus flower, Adelaide Parke, Rat Skeleton, Port Adelaide (The Universe (Birth room) ; Trent Parke, Trying to perform a Series) ; Trent Parke, Spider web, Newcastle, magic trick, Adelaide (Birth room) ; Trent Parke, New South Wales (The Universe Series) ; Trent Rat, Port Adelaide (Birth room) ; Trent Parke, Parke, Candid portrait of a man on a street Fever, Dash # 1, Adelaide (Birth room) ; Trent

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Parke, Fever, Dash # 2, Adelaide (Birth room) ; Western Australia (Outback series) ; Trent Trent Parke, Fever, Dash # 3, Adelaide (Birth Parke, Night landscape # 2 Lightning Ridge, room) ; Trent Parke, Fever, Dash # 4, Adelaide NSW (Outback series) ; Trent Parke, Kangaroo # (Birth room) ; Trent Parke, Tree Drysdale River, 2 outback, Western Australia (Outback series) ; Western Australia (Outback series) ; Trent Trent Parke, Kangaroo # 3 outback, Northern Parke, Gibb River Road, Western Australia Territory (Outback series) ; Trent Parke, Cow # (Outback series) ; Trent Parke, Tunnel Gorge, 3, Stuart Highway, Northern Territory (Outback Western Australia (Outback series) ; Trent series) ; Trent Parke, Bones, Savannah Way, Parke, Outback Queensland (Outback series) ; Northern Territory (Outback series) ; Trent Trent Parke, Man eating crocodile, Daly River, Parke, Night landscape # 3, Lightning Ridge, Northern Territory (Outback series) ; Trent NSW (Outback series) ; Trent Parke, Spinifex, Parke, Cow # 1 Northern Territory (Outback near Karijini National Park, Western Australia series) ; Trent Parke, Remains, South Australia (Outback series) ; Trent Parke, Whale, Point (Outback series) ; Trent Parke, Pigeon Port Parham, South Australia (Outback series); Trent Adelaide (Outback series) ; Trent Parke, Night Parke, Joey, Streaky Bay, South Australia landscape # 1, Lighting Ridge, NSW (Outback (Outback series) ; Trent Parke, Leaf, Queensland series) ; Trent Parke, Cane Toad, Butterfly (Outback series) ; Trent Parke, Limestone Coast, Springs, Savannah Way, NT. (Outback series) ; South Australia (Outback series) ; Trent Parke, Trent Parke, Outback road, Northern Territory Crow, Northern Territory (Outback series) ; Trent (Outback series) ; Trent Parke, Black Cactus, Parke, Intestines, Boulia, Queensland (Outback Lightning Ridge, New South Wales (Outback Series) ; Trent Parke, Cow, Stuart Highway, series) ; Trent Parke, Bird in front yard, Adelaide South Australia (Outback series) ; Trent Parke, (Outback series) ; Trent Parke, Owl, Ballarat, Vines, Quandong, Western Australia (Outback Victoria (Outback series) ; Trent Parke, Bones, series) ; Trent Parke, Kangaroo # 4, Mitchell, outback road, Western Australia (Outback Queensland (Outback series) ; Trent Parke, Tree series) ; Trent Parke, Plant, Bungle Bungles, roots # 3, Karijini Gorge, Western Australia Western Australia (Outback series) ; Trent (Outback series) ; Trent Parke, Tree roots # 4, Parke, Spinal Column # 1 Bungle Bungles, Waikerie, South Australia (Outback series) ; Western Australia (Outback series) ; Trent Trent Parke, Cane toad, Savannah Way, Parke, Spinal Column # 2 Bungle Bungles, Northern Territory (Outback series) ; Trent Western Australia (Outback series) ; Trent Parke, Tree roots # 1, Mitchell Falls, Western Parke, Crow, Mitchell, Queensland (Outback Australia (Outback series) ; Trent Parke, series) ; Trent Parke, Cow # 2 outback, Northern Kangaroo Eyre Peninsula, South Australia Territory (Outback series) ; Trent Parke, Fox, (Outback series) ; Trent Parke, Lawn Hill Creek, Tennyson, Adelaide (Outback series) ; Trent Outback Queensland (Outback series) ; Trent Parke, Barramundi graveyard, Daly River, Parke, Hay Plains, New South Wales (Outback Northern Territory (Outback series); Trent series) ; Trent Parke, Dice, country road, Western Parke, Possum country Victoria (Outback Australia (Outback series) ; Trent Parke, Burnt series); Trent Parke , Carp and ants, Waikerie, Tree, Alice Springs, Northern Territory (Outback South Australia (Outback series) ; Trent Parke, series) ; Trent Parke, Butterfly Springs, Savannah Kangaroo skeleton, Somewhere between QLD Way, Northern Territory (Outback series) ; Trent and NT (Outback series) ; Trent Parke, Tree Parke, Ants on a jatz cracker biscuit, Dampier, roots # 2, Waikerie, South Australia (Outback Western Australia (Outback series) ; Trent Parke, series) ; Trent Parke, Rat, Port Adelaide Croc attack news, Northern Territory (Outback (Outback series) ; Trent Parke, Tree, outback, series) ; Trent Parke, The Nullarbor, South Queensland (Outback series) ; Trent Parke, Rat Australia (Outback series) ; Trent Parke, Currie Skeleton, Adelaide (Outback series) ; Trent Street, Adelaide (Spinning key series) ; Trent Parke, Tree trunk, Butterfly Springs, Savannah Parke, King William Street, Adelaide (Spinning Way, NT (Outback series) ; Trent Parke, key series) ; Trent Parke, Cicada wing, Kangaroo # 1 country New South Wales Newcastle, New South Wales (Spinning key (Outback series) ; Trent Parke, Red claw, series) ; Trent Parke, Peacock Feather, Savannah Way, Northern Territory (Outback Mataranka, Northern Territory (Spinning key series) ; Trent Parke, Boulder, Mitchell Falls, series) ; Trent Parke, Butterflies # 1 Savannah

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Way, Northern Territory (Dianne tree room) ; Aeroplane ; Ramesh Tekam, Kali ; Dhavat Singh Trent Parke (Snake and House set) ; Trent Parke, Uikey, Tiger ; Narmada Prasad Tekam, Tree of Seal breathing # 1, West Beach, Adelaide ; Trent Life; Prasad Singh Kusram, Ganesha ; Suresh Parke, Seal breathing # 2, West Beach, Adelaide ; Kumar Dhurve, Animals and the three seasons ; Trent Parke, Seal breathing # 3, West Beach, Hiraman Urveti, Kankali Devi ; Hiraman Urveti, Adelaide ; Trent Parke, Seal breathing # 4, West Bada Dev ; Balu Jivya Mashe, Soaring Eagles ; Beach, Adelaide ; Trent Parke, Seal breathing # Unknown, Mayuresvara Ganesh ; Suresh Kumar 5, West Beach, Adelaide ; Trent Parke, Seal Dhurve, Origins of life breathing # 6, West Beach, Adelaide ; Trent Parke, Seal breathing # 7, West Beach, Adelaide ; For: Treasure Ships: Art in the age of spices, Trent Parke, Ship, Newcastle, New South Wales Art Gallery of South Australia, 27 June to 29 (Mirror and Wheelbarrow) ; Trent Parke, September 2015; Art Gallery of Western Wheelbarrow reflection # 1, Newcastle, New Australia, 1 October 2015 to January 2016: South Wales (Mirror and Wheelbarrow) ; Trent Parke, Wheelbarrow reflection # 3, Newcastle, Mary Abbott, North Adelaide, SA: Unknown, New South Wales (Mirror and Wheelbarrow) ; Mother with child ; Unknown, Soldier’s Helmet ; Trent Parke, Mum's mirror, Newcastle, New Unknown, The Middle World known as South Wales (Mirror and Wheelbarrow) ; Trent Madhyaloka Parke, Rain, dad's wheelbarrow, Newcastle, Art Gallery of New South Wales, Sydney, NSW: New South Wales (Mirror and Wheelbarrow) ; Unknown, Kay Khusraw, farangis and Giv cross Trent Parke, Wheelbarrow reflections # 2, the River Jihun (recto), from a manuscript of Newcastle, New South Wales (Mirror and ‘Shahnama' (verso) ; Unknown, Dragon ewer, Wheelbarrow) ; Trent Parke, Wheelbarrow salvaged from the 'Hoi An' sunk mid-late 15 th C; reflections # 4, Newcastle, New South Wales Unknown, Tazza (Mirror and Wheelbarrow) ; Trent Parke, Australian National Maritime Museum, Sydney, Wheelbarrow reflections # 5, Newcastle, New NSW: Unknown, Punchbowl, View of the town South Wales (Mirror and Wheelbarrow) ; Trent of Sydney in New South Wales ; Unknown, Parke, Dirt swirls (1-36) ; Trent Parke, Tarot card Dinner plate, with Cape of Good Hope and series (1) ; Trent Parke, Cloud series # 1 ; Trent Dutch East Indies Company ships ; Arnold Parke, Cloud series # 2 ; Trent Parke, Cloud series Montanus, Ferdinand Magellanus [Ferdinand # 3 ; Trent Parke, Cloud series # 4 ; Trent Parke, Magellan] ; Flight, Barr and Barr (Royal Porcelain Cloud series # 5 ; Trent Parke, Cloud series # 6 ; Works), Plate, with the arms of the British East Trent Parke, Leopard slug slicing through water India Company ; after Samuel Fallours, Renard, and light, backyard, NSW (Birth room) ; Trent Louis, Mermaid, from 'Poissons, Ecrevisses et Parke, Various miscellaneous items ; Trent Crabes' (‘Fish, Crayfish and Crabs’) Parke, [Cafe One] ; Trent Parke, [Cafe Two] ; Barr Smith Library, University of Adelaide, SA: Trent Parke, [Cafe Three] ; Trent Parke, [Cafe Jan Hugyghen van Linschoten, The fruit of Four] ; Trent Parke, [Cafe Five] ; Trent Parke, mango, cashew, jambu, iaquas, and [Cafe Six] ; Trent Parke, [ Cafe Seven] ; Trent pineapple… ; John Gerard, Thomas Johnson, Parke, [Cafe Eight] Rembert Dodoens, Of the nutmeg tree from ‘The herbal, or, General historie of For: The Barrie and Judith Heaven plantes/gathered by John Gerarde of London… ; Collection of Indian Gond Paintings, Art Gallery John French, Elixir of Mummie is made thus, of South Australia, 9 May to 8 November 2015: from ‘The Art of Distillation… ; John Lawson, Simon Harward, An orchard’, from ‘A new Barrie & Judith Heaven, Adelaide, SA: Jangarh orchard and garden… ; William Salmon, In Singh Shyam, Hedgehog and insects ; Venkat vomiting, hiccough and debility of the Raman Singh Shyam, Vaidehi (Sita's trial by fire) ; stomach… ; Thomas Wills, The London practice Venkat Raman Singh Shyam, Kali-mata ; of physic… ; William Dampier, A map of the East Venkat Raman Singh Shyam, Adi-Shakti Indies from A New Voyage round the World… ; (Ardhanarishvara) ; Bhajju Shyam, Jalharin Devi Simon Barbe, Angel-water boyled… ; Jonathan (river goddess) ; Rajendra Kumar Singh Shyam, Swift, Title page from Travels into several Tree of life ; Subhash Vyam, Tiger and

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remote nations of the world… ; C Julius Hyginus, Hamilton Art Gallery, Hamilton, Vic: Unknown The constellations of Argo and Centaur Germany, Beaker with tulips Benedictine Community of New Norcia, Perth, Barrie & Judith Heaven, Adelaide, SA: Anglo- WA: attr to Gagliardi, St Francis Xavier Indian, Games table ; Unknown, Despatch box, preaching to oriental people with cypher of Queen Victoria as Empress of Robert Del Bonta, San Francisco, USA: Gemelli India ; Spode Ceramic Works, Great Britain, Careri, Bienne Ganeau, LMN, A voyage around Robert Home, Table Service for Ghazi-ud-din- the world ; Sebastian Munster, Heinrich Petri, Haider, King of Oudh (r1814–1827) ; attributed Various monstrous races inhabiting India to George Gordon, Presentation tankard, for beyond the Ganges from ‘Cosmographia Lord Cornwallis, Governor-General of India universale’ ; Daniel Meissner, Calechut 1786–1793 ; Spode Ceramic Works, Great (kolkota )…; Athanasius Kircher, Jahangir Britain, Robert Home, Table Service (part) for enthroned, from ‘China Monumentis Illustrata… ; Ghazi-ad-din-Haider; King of Oudh (six pieces) Johann Theodor, Johann Israel de Bry, Joris van Katherine & Darryl Hodgkinson, Double Bay, Spilbergen meeting King Vimala Dharma NSW: Unknown, Lidded box Suriya.... ; Sebastina Munster, Pepper and Peter Lee, Singapore: Unknown, Ink stand with animals from 'Cosmographia universale... ; tray ; Unknown, Pair of rose water flasks Hendrik Adriaan van Rheede, Chilli pepper from Unknown, Spittoon ; Unknown, Small box ; the Garden of Malabar ; Johann Theodor, Johan Unknown, Portable secretary desk, from the Israel de Bry, Aloe, from [Pars quarta Indiae collection of Queen Adelaide (1792–1849) ; Orientalis..qua primum varif generis animalia, India, assembled in Japan, Sarasa sample book fractus, arbores...] ; Philip Baldaeus, Title page of India, assembled in Japan, Wrapping cloth and 'A Description of ye East India Coasts of Malabar tea towels ; Unknown, Small cabinet and Cormandel…. ; Johann Theodor, Johann Mandala Foundation, Singapore: Unknown, Israel de Bry, Title page of 'A Description of ye Naga dragon pectoral East India Coasts of Malabar and Cormandel Colleen Morrow, Myrtle Bank, SA: Unknown, David Button, Basket Range, SA: Unknown Chest, with Dutch East Indies Company [VOC] Japanese, Square flask in the shape of a Dutch insignia gin bottle, Imari ware ; Pair of dishes, featuring Museu Nacional de Arte Antiga, Lisboa, sarasa designs, Arita ware ; Shaving dish in the Portugal: Unknown master, Portrait of de D Arita style, for export market Francisco de Almeida, viceroy of the State of Truus and Joost Daalder, Myrtle Bank, SA: India Unknown, Pectoral [mas piring] (gold dish) ; Museu Nacional Machado de Castro, Coimbra, George Eberhard, Amboinsche Rariteitkamer Portugal: Unknown, Salver ; Unknown, Reliquary [Ambonese Cabinet of Curiosities] ; Unknown, cross of St. Francis Xavier ; Unknown, Missal Head of Christ ; Unknown, Pair of armbands stand ; Unknown, Priest's chasuble Fundacao Oriente Museum, Lisbon, Portugal: Museum and Art Gallery of Northern Territory, Unknown, Portable altarpiece, with devotional Darwin, NT: Unknown, Saint figure ; image ; attributed to William Anderson, View of Unknown, Canon with Dutch East Indies [VOC] Macau ; Unknown, Set of small trays with insignia ; Unknown, Plaque, with Dutch East European playing cards Indies Company [VOC] insignia ; Unknown, Pair Andrew Gwinnett, North Adelaide, SA: of ivory tusks, with 'Ramayana' story Unknown, Arrival of the Black Ship ; Unknown, Alan Myren & Lee Grafton, Flagstaff Hill, SA: Portuguese visitors ; Unknown , Coffer ; Unknown, The Blessed Virgin with Child ; Schelte Unknown, Dish with Dutch East Indies Company Adamsz Bolswert, after Peter Paul Rubens, St [VOC] mark ; Unknown, Apothecary jar, with Francis, Xavier and St Ignatius Loyola ; initials LG ; Unknown, Table cabinet with Unknown, Libation cup drawers ; Unknown, Cabinet on stand, with National Gallery of Australia, Canberra, ACT: Chinoiserie decoration ; Bunkindo, A Dutch ship Bhawani Das, A Gangetic whiting ; Tsukioka firing a salute upon entering Nagasaki harbor Yoshitoshi, Picture of the country of New (Het gezicht van aankomst der hollansche (Holland) New South Wales ; Unknown, Sarasa scheepen in de haven van nangazakie) mat for sen-cha tea ceremony

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National Gallery of Victoria, Melbourne, Vic: Unknown, Secretaire [secretaire a abatant] ; Jan Baptist Weenix, A Mediterranean port Royal Tapestry Manufacturer, Menagerie scene ; Unknown, Twelve ships of foreign trade ; tapestry, with Chinoiserie motifs, after a Muhammad Qasin Shirwari, Foreign cartoon ; att to Pierre-Antoine Foullet, ambassadors arriving at the royal court ; Commode ; Unknown, Pair of vases, depicting Unknown, The Vrgin and Child and the chinoiserie imagery ; Unknown, Covered jar, with Crucifixion, after Federico Barocci ; Federico ormulo-mounts ; Unknown, Vase, with Louis XVI Barocci, The Virgin and Child in clouds ; Albrecht ormolu-mounts ; Unknown, Pair of jars, from the Durer, The rhinoceros ; Unknown, Hooded European market ; Unknown, Monteith bowl, Merganser (Lophodytes cucullatus) ;Luigi Testori, with famile rose decoration, for the European Shawl [mezzaro] ; Unknown, Palampore, with market 'tree of life' ; Unknown, Trinitarias carpet ; Royal Geographical Society of South Australia, Unknown, Matchlock hand cannon with dragon Adelaide, SA: Arnold Colom, Sea atlas of the and cloud design water world ; Johannes Nieuhof, Awnsham National Library of Australia, Canberra, ACT: Churchill, John Churchill, Jean Barbot, Gamelli Mortimer, John Hamilton Captain James Cook, Careri, A collection of voyages and travels ; Sir Joseph Banks, Lord Sandwich, Dr Daniel Francois Valentyn, Oud en Nieuw Ooost Solander and Dr John Hawkesworth Indien..... Verhandeling deer Zee-horenkens en William Westall , Chasm Island, native cave Schelpen, ofte dubbletten van Amboina. ; painting ; William Westall, The English Francois Valentyn, Oud en Nieuw Ooost-Indien, Company's Islands, Probasso, a Malay chief ; venlattende een naaukeurige en uitvoerige William Westall, The English Company's Islands, erhandelinge van Nederlands... ; Francois Malay proa ; John Cary, Cary’s new terrestrial Valentyn, Oud en Nieuw Ooost-Indiin.... globe… ; John Cary, Cary’s new and improved Beschryving van Greet djava, ofte Java Major, celestial globe ; William Lewis Roderick, Whaling Behelzende Een zeer fraaje Landveschryving van off the islands of Flores & Palo Comba in the dit magtig Eyland, Flores Sea, Indian Ocean South Australian Museum, Adelaide, SA: National Museum, New Delhi, India: Christ in Unknown, Plaque depicting three male figures ; domition ; Crucified Christ ; St Francis Xavier Unknown, Head to support elephant tusk ; Monstrance ; Boat in the hand of Our Lady of the Unknown, Elephant’s tusk, with animals and Sea ; Baby Jesus ; Reliquary of thorn from the figures Crown of Christ ; Reliquary casket for fragment State Library of New South Wales, Sydney, of the robe of St. Francis Xavier ; Incenser in the NSW: Jose da Costa Miranda, World Map ; Evert shape of a ship ; Monstrance Gijsbertz, Map of Africa, Asia and the East Mr Richard Owens, Newcastle, NSW: Jean Indies ; William Lodewijcksz printed by Cornelius Bleau, Dutch East Indies Company (VOC) chart Nicolai (Claesz) and Baptista can Doetechum of Java and Borneo D'eerste boeck: HiIstorie van Indien waer inne Powerhouse Museum, Sydney, NSW: Unknown, verhaelt is de avontueen die de Hollandsche Satin brocade, open robe and underskirt ; schepen bejeghent zijn Unknown, Men's dressing gown (banyan), from State Library of South Australia, Adelaide, SA: the wardrobe of King George IV (1762–1830 ); Daniel Defoe, W Mears and T Woodward, Unknown, Wall hanging, with tree of life ; Robinson Crusoe Unknown, Large bowl, with a bird and amid State Library of Victoria, Melbourne, Vic: stylised foliage Unknown, Manjun at the Ka’ba, from a Mr Kenneth Reed, Sydney, NSW: Abraham van manuscript of Nizami’s ‘Khamsa’ ; Unknown, The Beyeren, Still life, fruits, Chinese porcelain and pilgrims die of thirst, from a manuscript of Amir Glass on Red Velvet Cloth Khusraw’s ‘Khams’ The David Roche Foundation, North Adelaide, Kerry Stokes Collection, Perth, WA: Unknown, SA: Unknown, Charger, with Chinese inspired Untitled (fishing prau) ; Bonaventure Peeters, imagery, in the style of Delft ware ; Pierre Jollain, Coastal landscape with sailors… ; Cornelis Oriental scene ; Francis Cotes , Mrs George Pietersz de Mooy, Peasants skirmishing on the Reynolds, with Indian lily; attributed to Niels jetty ; Unknown, Dutch trading ship in Japanese Simonsen, Portrait of Bao, an Algerian Spahi ; waters ; Cornelis de Houtman, The first voyage

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of the Hollanders to East Indies… ; Pedro Ms Ayako Mitsui, Lane Cove, Sydney, NSW: Fernandez de Quiros, Terra Australis Kimono (five); [Roll of fabric] ; [Roll of fabric] ; incognita….. ; Francisco Pelsaert, The [Roll of fabric] ; Furoshiki [stamped kita-ki] ; Disastorous Voyage of the ship Batavia ; Jan Furoshiki [stamped gochome-ke] ; House of Hugyghen van Linschoten, Pictorial chart of Mitsui ; Tsunamachi Mitsui kurabu ; Katsushika Mazambique ; Jan Hugyghen van Linschoten , Hokusai, View of the Mitsui Store at Surrugacho Inhabitants of Malacca… ; Jan Hugyghen van in Edo Series: Thirty-six Views of Fuji "; Utagawa Linschoten, Jan Hugyghen, How the mandarins Hiroshige, View of Surugo-cho, Famous Places in of China… ; Jan Hugyghen van Linschoten, A the Eastern Capital ; Unknown, Mitsui shop native of Pegu… ; Jan Hugyghen van Linschoten, interior with fabrics ; [Family photo] ; [Family Comportment and dress of the Portuguese… ; photo] ; [Family photo] ; Katagami (eighty six) Jan Hugyghen van Linschoten, The dead Mrs Helen Westermann, Hahndorf, SA: Obi [six Brahman is cremated… ; Jan Hugyghen van brocade belts] ; [Silk kimono] ; [Silk kimono] ; Linschoten, Boats that are used for fishing in [Cotton kimono] ; [Cotton kimono] ; [Cotton Goa… ; Jan Hugyghen van Linschoten, The King kimono] ; [Cotton kimono] ; [Cotton kimono] ; of Cochin seated on an elephant... ; Jan Uchikake [wedding gown] ; Uchikake [wedding Hugyghen van Linschoten, A IIha e Cidude de gown] ; Uchikake [wedding gown] ; Uchikake Goa Metropolitana… ; Robert Sayer, The City of [wedding gown] Batavia in the Island of Java… ; Jodocus Hondius, Map of Asia ; Coronelli, Vincenzo "Half Gore, For: Riverland: Yvonne Koolmatrie, Art Gallery part of Australasia and South Pacific ; Coronelli, of South Australia, 12 September to 8 October Vincenzo, Half Gore, part of Australasia and 2015 to 17 January 2016: South Pacific ; Coronelli, Vincenzo " Half Gore, part of Australasia and South ; Coronelli, Aboriginal & Pacific Arts, Waterloo: Yvonne Vincenzo, Half Gore, part of Australasia and Koolmatrie, Echidna ; Yvonne Koolmatrie, Basket South Pacific ; Coronelli, Vincenzo, Half Gore, from first workshop part of Australasia and South Pacific ; Coronelli, Michael Dore, Sydney, NSW: Yvonne Vincenzo, Half Gore, part of Australasia and Koolmatrie, Small eel trap ; Yvonne Koolmatrie, South Pacific ; Coronelli, Vincenzo, Half Gore, Eel trap part of Australasia and South Pacific ; Unknown, Cara Frame, North Adelaide, SA: Yvonne Condiment Set with eight Immortals and Shou Koolmatrie, Small tortoise Lao, Star God of Longevity, salvaged from Binh Francesca Hynes, Sydney, NSW: Yvonne Tanh sold 1608 ; Unknown, Elephant tusk, Koolmatire, Yabbie trap salvaged from the ‘Gilt Dragon’ [Vergulde Gay ‘Lucy’ Jackson, Meningie, SA: Connie Draeck] sunk 1656 ; Unknown, Six coins, Roberts, Scoop; Yvonne Koolmatrie, Sister salvaged from the ‘Batavia’ sunk 1629 ; basket Unknown, Ballarmine jug… ; Unknown, Two Susan Jenkins, Sydney, NSW: Yvonne candlesticks, salvaged from the ‘Batavai’ sunk Koolmatrie, Long neck-turtle 1628 ; Unknown, Gun powder canister, salvaged Yvonne Koolmatrie, Berri, SA: Yvonne from the ‘Bataiva”sunk 1628 ; Unknown, Koolmatrie, Map of Australia ; Yvonne Sounding lead, salvaged from the ‘Batavia’ Koolmatrie, Basket shipwreck site ; Peter Plancius, Map of the Edith Lees, Sydney, NSW: Yvonne Koolmatrie, Moluccas Lizard Sydney Living Museum, Sydney, NSW: Fiona MacDonald, Ilford, NSW: Yvonne Unknown, Hyde Park Barracks convict shirt Koolmatrie, Weapon bag Hetti Perkins, Darlington, NSW: Yvonne For: The Power of Pattern: The Ayako Koolmatrie, Basket with lid Mitsui Collection , Art Gallery of South Ben Roberts, Meningie, SA: Yvonne Koolmatrie, Australia, 4 September 2015 to 27 March 2016: Turtle Santos Museum of Economic Botany, Adelaide, Ms Emiko Mayer, Kensington Gardens, SA: SA: Yvonne Koolmatrie, Basket ; Yvonne [Wedding gown, red cranes] ; [Wedding gown, Koolmatrie, Sister basket green hibiscus]

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John & Lester Tropmann, Sydney, NSW: Yvonne Koolmatrie, Yabbie trap

For: TARNANTHI: Aboriginal and Torres Islander Visual Arts Festival 2015 , Art Gallery of South Australia, 8 October 2015 to 17 January 2016:

Gina Allain, Hayborough, SA: Mavis Ngallametta, Dragging Net at Less Creek ; Mavis Ngallametta, The Mouth of Kendall River Munupi Art & Craft Association, Melville Island, NT: Delores Tipuamantumirri, Jilamara Design ; Delores Tipuamantumirri, Jilamara Design ; Cornelia Tipuamantumirri, Jilamara Design Spinifex Arts Project, via Kalgorlie, WA: Roy Underwood, Lawrence Pennington, Ned Grant,

Simon Hogan, Pila Ngura ; Estelle Hogan, Myrtle

Pennington, Betty Kennedy, Ngalpingka Simms,

Lois Pennington, Lorraine Davies, Veronica

Brown, Yarangka Thomas, Kanta Donnegan, Tjaruwa Woods, Kuru Ala ; Roy Underwood, Winmati Roberts, Fred Grant, Kaanka ; Tjaruwa Woods, Myrtle Pennington, Yarangka Thomas, Kanta Donnegan, Debbie Hansen, Lois Pennington, Kungkarangkalpa ; Roy Underwood, Miramiratjara ; Tjaruwa Woods, Purpurnya ; Patju Presley, Lawrence Pennington, Simon Hogan, Ian Rictor, Roy Underwood, Fred Grant, Byron Brooks, Lennard Walker, IIkurlka

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APPENDIX G

OUTWARD LOANS

LOANS FROM THE COLLECTION

During the year 110 works were lent to 24 exhibitions, one of which was a major national touring exhibition and one of which was an international touring exhibitions. 27 works were lent to seven departments under the furnishing loans program.

LOANS FROM THE COLLECTION JW Giles, after George French Angas, Encampment of native women near Cape Jervis LOANS TO EXHIBITIONS JW Giles, after George French Angas , Lake Albert Adelaide, SA, Tandanya National Aboriginal Benjamin Waterhouse Hawkins, after George Cultural Institute, As Far As The Eye Can See French Angas, Portraits of the Aboriginal exhibition, Tandanya, 4 September to 25 inhabitants October 2014: JW Giles, after George French Angas, Rapid Bay, encampment of Yankallilla blacks Bluey Roberts, Bennett’s Magill Pottery, Magill, Adelaide, Bush spirits Adelaide, SA, Migration Museum, Interned: Bluey Roberts, River spirit Dreaming: Pondi Torrens Island and the enemy within, 1914- (Murray cod) 1915 , Migration Museum, 9 October 2014 to 23 September 2015: Adelaide, SA, Tandanya National Aboriginal Cultural Institute, Material Language; Imitation ½ Spade Guinea Representations of Aboriginal South Australia through a Colonial Lens exhibition, Tandanya 6 Bendigo, Vic, Bendigo Art Gallery, Ben Quilty October to 10 December 2014: exhibition, Bendigo Art Gallery, 11 December 2014 to 1 March 2015: JW Giles, after George French Angas, The Aboriginal inhabitants, Implements and utensils Ben Quilty, Evening shadows, Rorschach after George French Angas, The Aboriginal Johnstone inhabitants Ben Quilty, Inhabit JW Giles, after George French Angas, The Aboriginal inhabitants Bulleen, Vic, Heide Museum of Modern Art, JW Giles, after George French Angas, Entrance Arthur Boyd: Brides exhibition , Heide III, 29 to the Gorge, Yankalilla November 2014 to 8 March 2015: JW Giles, after George French Angas, The Aboriginal inhabitants Arthur Boyd, Bridegroom going to his wedding JW Giles, after George French Angas, Typical [tile painting] portraits of the Aborigines Arthur Boyd, Persecuted lovers JW Giles, after George French Angas, The Aboriginal inhabitants Crawley, Perth, WA, Lawrence Wilson Art JW Giles, after George French Angas, Portraits Gallery, Momento Mori exhibition, Lawrence of the Aboriginal inhabitants Wilson Art Gallery, 11 October 2014 to 13 Benjamin Waterhouse Hawkins, after George December 2014: French Angas, Portraits of Aboriginal inhabitants AES+F, Allegoria sacra (Sacred allegory) attributed to George French Angas, after George French Angas, Native weapons and implements

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Healesville, Vic, TarraWarra Museum of Art, Oslo, Norway, The National Museum of Art, John Mawurndjul and Gulumbu Yunupingu: Architecture and Design, An Appetite for Earth and Sky , TarraWarra Museum of Modern Painting exhibition, 12 September 2014 to 4 Art, 28 March to 8 June 2015: January 2015: Dorothy Robinson Napangardi, Salt on Mina John Mawurndjul, Milmilngkan Mina John Mawurndjul, Billabong at Milmilngkan Gulumbu Yunupingu, Gan'yu-stars Parkville, Melbourne, Vic, Grainger Museum, The University of Melbourne, An Artist’s MacKay, Qld, Artspace Mackay, Danie Mellor: Utopia: Mortimer Menpes in Japan , 22 July Exotic Lies Sacred Ties , Artspace Mackay, 19 2014 to 3 March 2015: December 2014 to 8 January 2015: Mortimer Menpes, Heavy laden Danie Mellor, Smoothing the pillow Mortimer Menpes, The end of the festival, Danie Mellor, Advance Australia Fair Japan Mortimer Menpes, A river scene, Japan Melbourne, Vic, National Gallery of Victoria, Mortimer Menpes, Osaka Bushido ‘Way of the Samurai’, 4 July to 30 Mortimer Menpes, Young bronze-workers, November 2014: Japan Mortimer Menpes, Bronze workers in workshop Japan early 17 th century, Battle scenes from the Mortimer Menpes, On the great canal, Osaka Tale of Heike (Heike Monogatari) Mortimer Menpes, By the light of the lantern Mortimer Menpes, A by-canal, Osaka Melbourne, Vic, National Gallery of Victoria, Follow the Flag: Australian artists at war, Sale, Vic, Gippsland Art Gallery, Bill Henson: 1914-1945, 24 April to 16 August 2015: Dark Desire, Gippsland Art Gallery, 29 November to 1 February 2015: Margaret Preston, General Post Office, Sydney Russell Drysdale, Local V.D.C. Parade Bill Henson, Untitled (CL SH 686 NZA6)

Murray Bridge, SA, Murray Bridge Regional Shepparton, Vic, Shepparton Art Museum, Gallery, Pamela Kouwenhoven Exhibition , Delinquent Angel: John Perceval’s ceramic Murray Bridge Regional Gallery, 17 October to angels exhibition, Shepparton Art Museum, 29 30 November 2014: August to 23 November 2014:

Pamela Kouwenhoven, Murraylands Palimpsest John de Burgh Perceval , Angel Winkie John Perceval, Hypnotic angel Newcastle, NSW, Newcastle Art Gallery, Danie Mellor: Exotic Lies Sacred Ties , Artspace Springfield, SA, Carrick Hill, Francis Roy Mackay, 19 December 2014 to 8 January 2015: Thompson exhibition, Carrick Hill, 1 August to 26 October 2014: Patricia Piccinini, Big mother Patricia Piccinini, The lovers Francis Roy Thompson, Stooks Francis Roy Thompson, The Valley, Belair Noarlunga, SA, McLaren Vale & Fleurieu Visitor Francis Roy Thompson, Trees Information Centre, Craft Era in South Francis Roy Thompson, Werribee Gorge Australia from 1967–1979 , Stump Hill Gallery, Francis Roy Thompson, Open gateway 13 February 2015 to 29 March 2015: Francis Roy Thompson, Red lilies

Pru la Motte, Side ways Alice

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Springfield, SA, Carrick Hill, Jacob Epstein Townsend Duryea, Portrait of girl, elbow resting exhibition, Carrick Hill, 14 August to 30 on writing desk November 2014: Townsend Duryea, Portrait of seated woman, gentleman at side Jacob Epstein, The beautiful jewess (La belle Townsend Duryea, Studio portrait of small girl juive) with toy horse, beside chair Jacob Epstein, Second portrait of Pandit Nehru Townsend Duryea, Portrait of child wearing (bust) plaid dress, toy dog at side St Lucia, Qld, The University of Queensland Art Townsend Duryea Jnr, Townsend Duryea, Museum, Five Centuries of Melencolia Portrait of young woman seated at side table exhibition, 30 August to 30 November 2014: Townsend Duryea Jnr, Townsend Duryea, Portrait of James and Amelia Bowering Giovanni Battista, The drawbridge Townsend Duryea Jnr, Townsend Duryea, Jusepe Ribera, The poet Portrait of young woman, one hand held to Francisco Goya, Sad forebodings of what is cheek, the other lightly clasping flower going to happen Townsend Duryea Jnr, Townsend Duryea, Odilon Redon, Anthony: What is the object of all Portrait of young woman wearing dress with this? The Devil: There is no object velvet bodice panel Albrecht Durer, Melencolia I Townsend Duryea Jnr, Townsend Duryea, Portrait of young woman with open parasol Sydney, NSW, Art Gallery of New South Wales, Edwin Duryea, Portrait of young woman against Pop to Popism exhibition, Art Gallery of New tromp l'oeil screen, umbrella and bag in hands South Wales, 1 November 2014 to 1 March Edwin Duryea, Portrait of two young women, 2015: one with crucifix at neck Paul Foelsche, Source of the Edith, 2nd fall * Duane Hanson, Woman with a laundry basket Paul Foelsche, Dr Stirling at Knuckey's Lagoon * Bernard Goode, Bernard Goode's advertising Sydney, NSW, Art Gallery of New South Wales, carte with 'gem' self-portrait * The photograph in Australia exhibition, Art Bernard Goode, Rundle Street, Adelaide * Gallery of New South Wales, 21 March to 8 Bernard Goode, Rundle Street, Adelaide * June 2015; Queensland Art Gallery / Gallery of Professor Robert Hall, Portrait of a gentleman Modern Art, 4 July to 11 October 2015: with check pants * (*indicates QAG venue only): Philip J. Marchant, Double self-portrait * Samuel Nixon, Self portrait * George Burnell, Mission School, Point McLeay, Samuel Sweet, Aboriginal woman with baby * Lake Alexandrina * Samuel Sweet, Poonindie Mission - machinery, George Burnell, Aborigines in their canoes, Aborigines, Mr Bruce and Children * Overland Corner * Samuel Sweet, Mr Satow taken with the school George Burnell, Artist's boat, Murray River children outside the Church, Poonindie Mission * George Burnell, Murray at Swan Hill * HH Tilbrook, A stormy camp, Lake Frome * Dailey & Fox, Daily, Photographers S.J. Dailey HH Tilbrook, Elder Range panorama with inset and Thomas Moorhouse Fox in their Clarendon self-portrait Studios HH Tilbrook, Lizzie Smelat. * Townsend Duryea, Portrait of gentleman, hand HHTilbrook, Spoils of the ocean * directed skyward Unknown, Lydia Featherstone * Townsend Duryea, Portrait of little girl named Unknown, Brothers William Paul and Benjamin Frances, aged four years Featherstone * Townsend Duryea, Portrait of woman, photographic case in hand Townsend Duryea, Portrait of small child, basket of flowers upon a parlour chair Townsend Duryea, Portrait of child upon chaise longue

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Sydney, NSW. Powerhouse Museum / Museum Ivor Hele, Sturt's reluctant decision to return, of Applied Arts & Science, A fine possession: 1937 jewellery and identity exhibition, Powerhouse Ivor Hele, The cutting, Old Adey Road Museum, 20 September 2014 to 20 September Ivor Hele, Study for Riders in the sand hills 2015: Sylvia Ken, Seven sisters Lin Onus, Butterflies Unknown, Pendant locket Alex Spremberg, Intervals I Vagn Hemmingsen, Neck piece Katie Tjampawa, Kapi tjukula - rock hole att to CE Firnhaber, Brooch locket Kunmanara [Nyankulya Walyampari] Watson, Funeral ring Marpanytjanya Julius Schomburgk, Bracelet John White , From the Sand Dunes Rosemary Mamuniny Gurruwiwi, Shark necklace John White, Land of the salt bush John White, Near the Pioneer's Anchorage, Wheelers Hill, Vic, Monash Art Gallery, Dreams Nepean Bay, Kangaroo Island and Imagination: Light in the Modern City , Monash Art Gallery, 12 December 2014 to 1 Hon Jack Snelling, MP, Adelaide SA: March 2015: Leonard Brown, Ikonostasis Deisis Tier ['Christ Olive Cotton, Drain pipes Enthroned' with 'Those Who Intercede' and Max Dupain, Pyrmont Silos 'Mother of God of the Sign'] Keith P Phillips, Pyrotechny Tom Maguire, Falling snow Max Dupain, Adelaide Tim Maguire, Two tanks Max Dupain, Adelaide Anna Platten, Ourselves as Zoe. A dream, a web, a puzzle FURNISHING LOANS Anna Platten, (Mother and child)

Classics Museum, Adelaide, SA: Chief Executive, Don Russell, Adelaide, SA:

Unknown, Sepulchral altar: Roman Daryl Austin, Studio practice – Shoal Annette Bezor, Heads Above Water III Government House, Adelaide, SA: Dee Jones, Aldinga Plains Farm Jim Thalassoudis, Love art Hans Heysen, Foothills of the Flinders

Parliament House, House of Assembly, Adelaide, SA:

David Dallwitz, Two gums

Hon. Michael Atkinson, MP, Adelaide, SA:

Jacqueline Hick, "Rain over the Mallee" to Mallee View

Hon. Martin Hamilton-Smith, MP, Adelaide, SA:

Kate Breakey, Hole in The Sky, Meningie, South

Australia

Kate Breakey, Road North of Port Augusta

Kate Breakey, Trees, Pine Hut Road, South Australia

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APPENDIX H

EXHIBITIONS AND PUBLIC PROGRAMS

EXHIBITIONS

This year the Gallery held five major exhibitions and presented 13 major collection and special project displays. A total visitation of 756 000 was achieved between July 2014 and June 2015.

MAJOR EXHIBITIONS

Dorrit Black: Unseen Forces 14 June 2014–7 September 2014 Admission: Free School Groups: Free Guided Tours: Daily, 11am & 2pm Opening speaker: Leesa Vlahos MP and Parliamentary Secretary to the Premier. Curator: Tracey Lock-Weir, Curator of Australian Paintings and Sculpture. Assisted by Elle Freak, Associate Curator of Australian Paintings, Sculpture and Indigenous Art. Presenting Partner: Government of South Australia, Arts SA, Hassell. Event Partners: James & Diana Ramsay Foundation, The Balnaves Foundation, Carlton & United Breweries, Heggies wine, Jansz Tasmania, Penny’s Hill. Media Partners: The Advertiser, 891 ABC Adelaide. Total Attendance: 47 872

The World of Mortimer Menpes: Painter, Etcher, Raconteur 14 June 2014–7 September 2014 Admission: Free School Groups: Free Guided Tours: Daily, 11am & 2pm Opening speaker: Leesa Vlahos MP and Parliamentary Secretary to the Premier. Curator: Julie Robinson Senior Curator, Prints, Drawings and Photographs. Assisted by Maria Zagala Associate Curator, Prints, Drawings and Photographs and Alice Clanachan, Assistant Curator, Prints, Drawings and Photographs. Presenting Partner: Government of South Australia, Arts SA, Hassell. Event Partners: James & Diana Ramsay Foundation, The Balnaves Foundation, Carlton & United Breweries, Heggies wine, Jansz Tasmania, Penny’s Hill. Media Partners: The Advertiser, 891 ABC Adelaide. Total Attendance: 47 872

Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris , 25 October – 15 February 2015 Admission: Adult $25, Concession $20, Member $16, Family $55, Student $10, Child $5. School Groups: $50 per class Guided Tours: Daily, 11am, 12pm, 1pm & 2pm Opening speaker: Hon. Jay Weatherill, MP, Premier of South Australia. Curator: Pamela Golbin, Chief Curator of 20 th and 21 st Century Fashion and Textiles at the Musée Des Arts Décoratifs , Paris. Project Manager: Robert Reason, Curator of Australian and European Decorative Arts. Organised by: Les Arts Décoratifs, Art Exhibitions Australia, Art Gallery of SA. Presented by: Government of South Australia, Arts SA. Principal Sponsor: Mazda. Principal Donor: Singapore Airlines. Exhibition & Media Partners: Adelaide Airport, InterContinental Adelaide, Clemenger Project, Hassell, Channel Seven, safm 107.1, The Advertiser, 891 ABC Adelaide, The Australian, Herald Sun. Supporting Partners: Visualcom Printing & Signage Solutions, Tiffany & Co, Adelaide Fashion Festival, Alliance Francaise Adelaide and F-20 Creative France (Embassy of France in Australia) Total Attendance: 60 130

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Trent Parke: The Black Rose 14 March–10 May 2015 Admission: Free School Groups: Free Guided Tours: Daily, 11am & 2pm Opening speaker: Hon Jay Weatherill, MP, Premier of South Australia. Co-Curators: Julie Robinson Senior Curator, Prints, Drawings and Photographs & Maria Zagala Associate Curator Prints, Drawings and Photographs. Presented by: Government of South Australia, Arts SA, Contemporary Collectors, Australia Council. Exhibition Partner: EY Building a better working world, Ilford. In Association with Adelaide Festival of Arts 2015. Exhibitions patrons: Susan Armitage, John and Jane Ayres, Candy Bennett, Colin and Robyn Cowan, James Darling, AM and Lesley Forwood, Richard and Jan Frolich, Dr Michael Hayes and Janet Hayes, Macquarie Group Foundation, Jane Michell, Paul and Thelma Taliangis, Sue Tweddell, Tracey and Michael Whiting, Jane Yuile and Ian Little. Total Attendance: 58 000

Treasure Ships: Art in the Age of Spices 13 June–30 June 2014 Admission: Adult $15, Concession $12, Members $10, Members Season $40, Family $35, Student $10, Child $5 School Groups: $30 per class Guided Tours: Daily, 11am & 2pm Opening speaker: Hon. Jack Snelling MP, Minister for the Arts. Co- curators: James Bennett Curator of Asian Art & Russell Kelty Assistant Curator of Asian Art. Presented by: Government of South Australia, Arts SA Exhibition Partner: Gordon Darling Foundation. Media Partners: The Advertiser, 891 ABC, Channel Seven, In Daily, Avant Card. Foundation Partners: The Balnaves Foundation, James & Diana Ramsay. Supporting Partners: Adelaide Airport, Singapore Airlines, Visual Com Printing & Signage Solutions, InterContinental Adelaide. Total Attendance: 13 Jun–30 June: 2 998

COLLECTION DISPLAY EXHIBITIONS

Gallery 3c Between the lines: Australian artists and war 25 April 2015 until April 2016 , curated by Tracey Lock-Weir, Curator of Australian Paintings and Sculpture and Gloria Strzelecki, Associate Curator of Australian Paintings and Sculpture.

Gallery 6 2014 Adelaide Biennial of Australian Art: DARK HEART, continuing –20 July 2014, curated by Nick Mitzevich, Director, Art Gallery of South Australia Above & Below , 2 August 2014–23 June 2015, curated by Elle Freak, Associate Curator Australian Paintings, Sculpture & Indigenous Art.

Gallery 7 & Santos Atrium 2014 Adelaide Biennial of Australian Art: DARK HEART, continuing –20 July 2014, curated by Nick Mitzevich, Director, Art Gallery of South Australia. Above & Below , 2 August 2014–5 July 2015, curated by Elle Freak, Associate Curator Australian Paintings, Sculpture & Indigenous Art.

Gallery 8 Beauty and Decay: Piranesi’s view of Rome, 5 July 2014–1 April, 2015 curated by Maria Zagala, Associate Curator of Prints, Drawings & Photographs. Recent Acquisitions, 17 April–1 July, curated by Jane Messenger, Curator of European and North American Art.

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Galleries 9 & 10 2014 Adelaide Biennial of Australian Art: DARK HEART, continuing –6 July 2014, curated by Nick Mitzevich, Director, Art Gallery of South Australia. The Extreme Climate of Nicholas Folland, 19 July–26 January 2015, curated by Lisa Slade, Project Curator. Bill Viola: Selected works 25 Feb–29 March 2015, An Adelaide Festival presentation in association with the Art Gallery of South Australia. New Acquisitions, 17 April–1 July 2015, curated by Jane Messenger, Curator of European and North American Art, with assistance from Maria Zagala, Associate Curator of Prints, Drawings & Photographs.

Gallery 11 2014 Adelaide Biennial of Australian Art: DARK HEART, continuing –2 November 2014, curated by Nick Mitzevich, Director, Art Gallery of South Australia. Ian Burns Clouds , continuing –2 November 2014, installation. The Extreme Climate of Nicholas Folland, 19 July–26 January 2015, curated by Lisa Slade, Project Curator. Bill Viola the return , 25 Feb–29 March 2015, curated by Jane Messenger, Curator of European and North American Art. New Acquisitions, 17 April–1 July 2015, curated by Jane Messenger, Curator of European and North American Art, with assistance from Maria Zagala, Associate Curator of Prints, Drawings & Photographs.

Gallery 17 Special Project – Pissarro’s Prairie à Éragny , curated by Jane Messenger, Curator of European & North American Art.

Gallery 18 Decent/Descent , 18 November 2013–25 August 2014, guest curated by Anneliese Milk, intern, University of Melbourne.

Rembrandt and the Etching Revival , until 25 August 2014–8 July 2015, curated by Julie Robinson, Senior Curator, Prints, Drawings & Photographs.

Gallery 19A Lace: the Art of Adornment , continuing – 29 March 2015, curated by Robert Reason, Curator European & Australian Decorative Arts.

A Chance Beginning: Lyons Collection of Australian Decorative Art, 3 April–1 July 2015, curated by Robert Reason, Curator European & Australian Decorative Arts.

Gallery 19B Paradise on earth: Flowers in the Arts of Islam , continuing –1 July 2015, curated by James Bennett, Curator of Asian Art.

Gallery 20 Elegant Pursuits: Arts of the East Asian Scholar, 5 July 2014–1 July, curated by Russell Kelty, Assistant Curator, Asian Art.

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The Collections Project, Dan Withey , 5 December 2014–18 January 2015, curated by Robert Reason, Curator European & Australian Decorative Arts.

Gallery 21 Netsuke and other Miniatures , continuing –31 August 2014, guest curated by Jennifer Harris. Brush & Ink: Contemporary Asian Calligraphy, 6 September 2014–3 May 2015, curated by Russell Kelty, Assistant Curator, Asian Art. Gond Paintings from the Collection of Barrie and Judith Heaven, 9 May 2015–1 July 2015, curated by Russell Kelty, Assistant Curator, Asian Art and James Bennett, Curator, Asian Art.

Vestibule The Collections Project, Deidre But-Husaim , 11 July–7 September 2014, curated by Robert Reason, Curator European & Australian Decorative Arts.

Atrium The Great War and In Memory: Martin Sharp , 24 April 2014–17 November 2014, curated by Maria Zagala, Associate Curator of Prints, Drawings & Photographs. Geoffrey Brown: Perennial landscapes 17 November 2014–27 July 2015, curated by Alice Clanachan, Assistant Curator, Prints, Drawings and Photographs.

OFF SITE EXHIBITIONS

Urpflanze street plants: Caroline Rothwell , at the Santos Museum of Economic Botany, 11 April–October 2014, curated by Lisa Slade, Project Curator, in conjunction with 2014 Adelaide Biennial of Australian Art: DARK HEART.

PUBLIC PROGRAM EVENTS

TUESDAY LUNCHTIME TALKS

A total of 54 regular Tuesday floor talks were presented by Gallery curators, Gallery Guides, artists and guest speakers, either about displays of the Art Gallery’s collection or temporary exhibitions. Attendance: 3 716

EXHIBITION WEEKEND TALKS/LECTURES & SYMPOSIUMS

Dorrit Black: Unseen Forces : four talks, 261 patrons The World of Mortimer Menpes: Painter, Etcher, Raconteur : six talks and symposium final weekend 371 patrons Netsuke and other Miniatures : one talk, 120 patrons Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris : 12 talks, 902 patrons Trent Parke: The Black Rose: 4 talks, and symposium 515 patrons Treasure Ships: Art in the Age of Spices : 3 talks, 275 patrons Total attendance: 2 324

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SPECIAL TOURS

AUSLAN AUSLAN tours were presented free of charge for Deaf and hearing impaired patrons.

One tour for Dorrit Black: unseen forces & The World of Mortimer Menpes: Painter, Etcher, Raconteur, 7 September 2014 at 11am & 2pm . Two tours for Fashion Icons: Masterpieces from the Collection of the Musée Des Arts Décoratifs, Paris , 26 October & 23 November 2014 at 2pm. One tour for Trent Parke: The Black Rose, 11 April 2015 at 2pm. Total Attendance: 32

CHRISTMAS AT THE GALLERY Sunday 14 December, 2pm – Special Tour conducted by Bishop Ian George. Attendance: 70

EASTER AT THE GALLERY Friday 3 April, 2pm & 6pm – Special Tour conducted by Bishop Ian George. The 6pm tour was accompanied by Adelaide’s Corinthian Singers Attendance: 164

Saturday 4 April, 11am – Special Tour conducted by Rev Dr Anthony Kain Attendance: 56

4 and 5 April – Children’s & Family Easter Trail Attenmdance: 340

BOTANIC GARDEN TOURS 16, 20, 23, 27 & 30 June 2015 – Follow the Spice Trail garden tours, presented in conjunction with Treasure Ships: Art in the Age of Spices by Guides at the Adelaide Botanic Gardens Attendance: 117

SPECIAL PERFORMANCES/LECTURES AND DEMONSTRATIONS

Netsuke and other Miniatures. 19 July – Japanese Cultural Day. Japanese dance and flute Performance , Netsuke carving demonstration by Silvio Apponyi Attendance: 310

Art at Harts Mill , Port Adelaide 7 January – special screening of AES+F’s Allegoria Sacra Attendance: 600

Trent Parke: The Black Rose 29 April – Compositions: A Musical Close-up. Presented by Tyran Parke Attendance: 130

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Trent Parke: a documentary presented by Catherine Hunter. Attendance: 120

SPRING LECTURE PROGRAM

4 October – Decorative Arts from the David Roche Foundation Speaker: Martyn Cook, Curator, The David Roche Foundation. Attendance: 25 11 October - Benjamin West and ‘The Venetian Secret’ Speaker: Angus Trumble, Director, National Portrait Gallery of Australia. Attendance: 60 18 October - Fashion Icons Speaker: Robert Reason, Curator European & Australian Decorative Arts. Attendance: 80

WORKSHOPS AND MASTERCLASSES

Dorrit Black: Unseen Force – four workshops. 5 July - Sketch Club, presented by Margaret Lloyd. Attendance: 17 12 July - Sketch Club , presented by Monika Morgenstern. Attendance: 17 9 August - Modern Methods – still life oil painting, presented by Lisa Young. Attendance: 8 30 August - Face to Face – portraiture oil painting, presented by Deidre But-Husaim. Attendance: 9 OZasia Festival – two workshops: 6 September - Mongolian Calligraphy , presented by: Mongolian Calligrapher. Attendance: 19 14 September - Japanese Calligraphy , presented by: Hiroko Watanabe. Attendance: 28 Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris – four events. 8 November – Fashion Illustration with Kerrie Hess. Attendance: 60 22 November – Building a Fashion Business in Australia , presented by Toni Maticevski. Attendance: 78 29 November – Photography Masterclass with Georges Antoni . Attendance: 82 13 December – Ellery in Paris: documentary screening and discussion , presented by Mitchell Oakley Smith & Kym Ellery. Attendance: 135 Trent Parke: The Black Rose – one workshop 23 April – Alive: Conversations with Light , presented by Gregory Ackland. Attendance: 13

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FILM PROGRAM

Total of 22 films and documentaries were shown. Total attendance: 903

The Mikado The September Issue 20 July 14 December Attendance: 25 7 January The Great Passage Attendance: 27 14 September Yves Saint Laurent Attendance: 12 31 December Christian Dior: The Man Behind the Myth 11 January 26 October Attendance: 80 28 January Ellery in Paris Attendance: 251 13 December The Secret World of Haute Couture Attendance: 135 29 October Trent Parke - a Documentary 8 February 9 May Attendance: 197 Attendance: 65 Pret-a-Porter Save the Date - film preview: Exhibition: Great 9 November Art on Screen 21 January 27 May Attendance: 62 Attendance: 250 Valentino: The Last Emperor 16 November The Wreck of the Batavia (1973) 25 January 21 June Attendance: 95 Attendance: 50 Mademoiselle C Robinson Crusoe (1997) 23 November 28 June 24 December Attendance: 12 Attendance: 60 Diana Vreeland: The Eye Has to Travel 26 November 21 December Attendance: 43 Versailles ’73: American Runway Revolution 10 December 18 January Attendance: 50

FESTIVAL ASSOCIATED EVENTS

FEAST FESTIVAL 19 November, 6pm – Introduction and tour of Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris Presented by: Nick Mitzevich, Director and Robert Reason, Curator of European and Australian Decorative Arts Attendance: 60

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25 November, 6pm – Nick Mitzevich, Director, in conversation with Buck Angel, model for artist Marc Quinn. Attendance: 130

SALA FESTIVAL 31 July, 5.30pm – 2014 official launch Attendance: 750 17 August, 10am – Artist voice forum Attendance: 135 24 August, 10am – START in the park, SALA on Show Attendance: 145

ADELAIDE FESTIVAL OF THE ARTS 2015 14 March–10 May 2015 – Exhibition: Trent Parke: The Black Rose. Co-Curators: Julie Robinson, Senior Curator, Prints, Drawings and Photographs & Maria Zagala, Associate curator of Prints, Drawings & Photographs. 25 February–29 March 2015 – Exhibition: Bill Viola the return, curated by Jane Messenger, Curator of European and North American Art.

OZ ASIA FESTIVAL 6 September – Mongolian Calligraphy workshop , presented by: Mongolian Calligrapher Attendance: 19 14 September – Japanese Calligraphy workshop , presented by: Hiroko Watanabe Attendance: 28

INDOFEST 11 April, 2pm – Lecture on the upcoming Treasure Ships: Art in the Age of Spices exhibition. Presented by: Co-Curators: James Bennett Curator of Asian Art & Russell Kelty Assistant Curator of Asian Art. Attendance: 73

SA HISTORY FESTIVAL About Time, see Gallery Guides report.

UPLATES During Fashion Icons: Masterpieces from the Collection of the Musée Des Arts Décoratifs, Paris, the Gallery offered a series of after-hours events to give visitors to opportunity to view Fashion Icons out of normal working hours, 5pm–10pm. Each week was dedicated to a different era of fashion and included guest speakers, guided tours and interactive live entertainment.

9 January – Attendance: 575 16 January – Attendance: 350 23 January – Attendance: 455 30 January – Attendance: 412 13 February – Attendance: 300

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FIRST FRIDAYS This year saw the launch of the Gallery’s after-hours program ‘First Fridays’. On the first Friday of every month the Gallery stayed open until 9pm. The nights are themed with the current exhibition in mind and consist of guest speakers, guided tours and live entertainment.

7 November – Featured exhibition: Camille Pissarro’s Prairie à Éragny . Guest Speaker: Jane Messenger. Performance: George Grifsas Trio & Flute3 Adelaide. Attendance: 73

5 December – Featured exhibition: Fashion Icons . Guest Speaker: Dan Withey. Performance: Trio Montagne & The Eyre Duo . Attendance: 210

2 January – Featured exhibition: Fashion Icons . Performance: The Con Artist & Ann Axelby & Jill Braithwaite. Attendance: 150

6 February – Featured exhibition: Brush & Ink: Contemporary Asian Calligraphy. Guest Speaker: Rusty Kelty. Performance: Trio Montagne, Carolyn Burgess – harpist. Attendance: 175

6 March – Featured exhibition: Bill Viola: Selected works. Guest speaker: Nick Mitzevich. Performance: Vines, Al Thumm & Ann Axelby & Jill Briathwaite. Attendance: 140

3 April – Featured exhibition: Trent Parke: The Black Rose . Guest speaker: Bishop Ian George. Performance: Corinthian singers & Maple String Quartet. Attendance: 350

1 May – Featured exhibition: Trent Parke: The Black Rose . Guest speaker: Julie Robinson, Maria Zagala & Trent Parke. Performance: The Cyberjacks & Rob Wallace. Attendance: 250

5 June – Featured exhibition: Recent Acquisitions. Performance: George Grifsas Trio & The Eyre Duo. Attendance: 376

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START AT THE GALLERY

START at the Gallery, monthly children’s program of activities, supported by The Balnaves Foundation.

6 July, Dance with Dorrit 500 3 August, Copy a Copy 500 7 September, Scholars and Scrolls 380 5 October, Strike a Pose 322 2 November, Fashionista 750 7 December, Party and Parade 470 4 January, Cool Couture 570 1 February, Strut Your Stuff 600 1 March, Above and Below 390 5 April, New Beginnings 340 3 May, Every Picture Tells a Story 450 7 June, Dots and Dashes 590 Total Attendance: 5 862

PERFORMANCES

Live musical performances – Soundscapes – held on the first Sunday of the month as part of the START at the Gallery program. 6 July, 3 August, 7 September, 5 October, 2 November, 7 December, 4 January, 1 February, 1 March, 5 April, 5 May, 7 June. Total Attendance: 5 862

SCHOOL HOLIDAY PROGRAM

Art making activities themed to exhibition / collection content were held during each school holiday period.

School Holiday Workshops for 5–12 year olds 14–18 July, Screen Scenes 374 participants 7–10 October, Brush, Ink, Paper 196 participants 12–16 January, Look Book 263 participants 13–17 April, Play with Light 304 participants Total Attendance: 1 137

School Holiday Workshops for 13–18 year olds 19–20 January, Project Runway, Wearable Art with artist/jeweller, Lauren Simeoni 13 participants 21–22 January, Runway Ready, Pattern drafting and manipulation, fabric embellishment, decoration and sewing with designer and seamstress, Rosie Hannam 10 participants 20–23 April, Stop Motion Claymation and Flipbook Animation Workshops, with Gooroo Animators 54 participants Total Attendance: 77

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LEARNING AT THE GALLERY

The Learning at the Gallery program is the result of a partnership between the Art Gallery of South Australia (AGSA) and the Department for Education and Child Development (DECD). It is part of Outreach Education (OE), a team of DECD educators based in major South Australian public organisations. Their role is to bring together learner needs, curriculum, and good pedagogy with the expertise, collections, and events at their organisations to create exciting learning experiences for Foundation to Year 12 (F–12) children, students and educators.

The Gallery-based DECD Education Manager, Mark Fischer, planned, coordinated and delivered a range of learning programs in the period under review supported by a full time Education Support Officer role. AGSA Education Support Officer Ryan Sims (July 2014–June 2015), AGSA Education Support Officer Karina Morgan (January–June 2015), and Acting AGSA Education Support Officer Kelly Day (May–June 2015).

Ryan Sims planned learning and public programs, undertook curriculum research and developed activity space content and designs in his additional role as Education Coordinator for TARNATHI: Festival of Contemporary Aboriginal and Torres Strait Islander Art (January–May 2015).

The volunteer Gallery Guides were supported and coordinated to make links to the Australian Curriculum and the South Australian Certificate of Education (SACE) by the DECD Education Manager, and the AGSA Education Support Officers, to maximise face to face learning opportunities for children and young people visiting the Art Gallery.

The Australian Curriculum (AC) from Foundation (F – the year of schooling prior to Year 1) to Year 10, has impacted the design and delivery of learning area programs developed to suit the needs of schools and early childhood services. Learning areas supported by Learning at the Gallery included Visual Arts, Design, Humanities and Social Sciences (History, Geography, Civics and Citizenships), Science, English and Languages.

TEACHING & LEARNING

Learning at the Gallery programs were based on the DECD priorities and designed to connect to the Australian Curriculum, SACE and the Early Years Learning Framework through a range of learning areas including the visual arts.

Programs for children and young people promoted and engaged:

• higher order thinking and communication skills • exploring history and cultures • student creativity through responding and making activities • visual literacy and viewpoints

Learning at the Gallery programs supported educator professional learning through: artist-led studio workshops; creation of online education resources and educator specific topic trails; coordination of The Studio making activities to support AC: Arts (Visual Arts); interactive primary performances; partner Outreach Education programs in collaboration with SA Museum; individual support for self-guided group visits, as well as individual student and educator requests. 35% of bookings resulted in face-to-face interpretation of works of art for permanent and temporary exhibitions.

2 011 early years, primary and senior secondary students participated in Learning at the Gallery programs with practicing South Australian visual or performance artists.

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4 690 early years, primary and secondary students participated in facilitated workshops in The Studio .

Learning at the Gallery offered a range of specialised teaching and learning programs for educators, children and young people including:

• Artist / educator facilitated making activities in The Studio , F–12 • Me, Myself, I self-portraiture program, Early Years • Art Alive interactive performances, Years 3–7 • Life-drawing, self-portraiture and fashion illustration drawing workshops, Years 10–12 • Art Careers Forum , Years 10–12, educators and parents • Year 12 Visual Arts Forums , Years 10–12, educators and parents • Bringing languages to Life , a Visual Arts languages program for Secondary students studying French, German, Indonesian, Italian, Japanese or Spanish, Years 9–12 • SALA Festival, Secondary Drawing Exhibition , Radford Auditorium, Years 10–12, and schools communities • Collaboration South Australian Museum Childrens’ Voice Research 2014, Foundation students, educators and parents • Science Week 2014 guided visits, Years 4–7 • OzAsia Festival Japanese Calligraphy workshops facilitated by Hiroko Watanabe, Years 9–11

TEACHER PROFESSIONAL LEARNING

Learning at the Gallery actively promotes teaching and learning programs to DECD, Catholic and Independent educators via the Gallery Learning homepage totalling 22 536 unique page views, and distributed a regular Learning enews to over 2 015 subscribers.

876 educators F-12 participated in professional learning sessions including exhibition & collection based teacher briefings, workshops & forums. Introductory and specialised training for educators, provided information about current programs, and supported development of skills in accessing and utilising the Gallery’s resources, exhibitions and displays.

A key outcome of these programs was that educators enhanced their knowledge and capabilities to support teaching and learning through responding and making, and being audiences of the visual arts.

Professional learning outcomes included:

• Engaging as an audience to improve responding and making practice • Identifying and supporting out of school learning opportunities for children and young people • Exploring content and teaching strategies in visual art and design • Planning, structuring and sequencing a learning program • Selecting and using resources • Engaging with professional teaching networks and broader visual art communities

Three Teacher Briefings were coordinated by Learning at the Gallery with support of Curators for the following exhibitions and displays:

Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs 25 October 2014–15 February 2015

Trent Parke: The Black Rose 14 March–10 May 2015

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Treasure Ships: Art in the Age of Spices 13 June–30 August 2015 A total of 268 teachers participated in these briefings.

Educator professional learning programs included a series of artist-led Studio Workshops linked to the AGSA collection and temporary exhibitions including:

Face to Face Portraiture Workshop , facilitated by Deidre But-Husaim Fashion Icons Studio Workshop , facilitated by Jaimie Sortino Portrait Oil Painting Studio Workshop , facilitated by Deidre But-Husaim Self-portraiture, life drawing and fashion illustration workshops, facilitated by Deidre But-Husaim, Sue Ninham, Renate Nisi and Yve Thompson Playing with Light Workshop , facilitated by Greg Ackland

Changing Worlds: A South Australian story , a web-based resource aligned with Years 4, 5 and 9 AC: History and Arts, was designed by the Art Gallery and the South Australian Museum Outreach Education Managers with DECD personnel using selected artefacts, images and works of art from the two organisations to support teachers' discussions with students about the colonisation/invasion of South Australia. This web-based resource continues to support pre and post visit connections to the colonial art collection. Download http://www.changingworlds.sa.edu.au/

62% of total school bookings for visits to the permanent collection were related to the study of Aboriginal and Torres Strait Islander histories and culture (including SACE and F–10 Curriculum, and Cross-curriculum priorities).

28 four-year-old children from Early Years Learning Centres visited the South Australian Museum and the Art Gallery taking part in a Reggio Emilia-inspired Children’s Voice Research Project . The children were invited to the Museum and Art Gallery on multiple occasions to engage with two galleries - the Pacific Cultures Gallery and the Elder Wing. Observations and visual and audio recordings were made to inform how the children used and constructed meaning from these spaces. Educators and carers worked alongside the children to co-construct learning opportunities. The Children's Voice Exhibition , held at the Museum, showcased both the children’s voice and the research project to peers, young people, Gallery Guides, and educators and public.

Art Alive is an interactive performance program led by actors using a storytelling and multi art approach that enables students to explore, analyse and respond to selected works of art at the Art Gallery. Students engage their senses and emotions, while applying skills in interpretation and evaluation, extending Arts learning beyond the classroom. Art Alive linked 210 participants with the Come Out Children’s Festival theme of Building Bridges by:

• responding to works of art that bridge the subconscious and conscious worlds • exploring how artists reflect their ideas and dreams • connecting with one’s own imagination.

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LEARNING AT THE GALLERY RESOURCES

Coordinated Learning at the Gallery education resources for:

• The Extreme Climate of Nicholas Folland 19 July – 29 January 2015 • Trent Parke: The Black Rose 14 March – 10 May 2015 • Art Alive: Building Bridges 22 May – 29 May 2015 • Treasure Ships: Art in the Age of Spices 13 June – 30 August 2015 Coordinated a Trail for Families and Schools for: • Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs 25 October 2014 – 15 February 2015

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APPENDIX I

Learning at the Gallery - School Support Services

LEARNING AT THE GALLERY VISITATION

GROUP VISITS/INQUIRIES Student Gallery visitation 26 542 Support staff for Gallery visitation 4 763 Student workshops, forums and performances 2 011 Support staff for student workshops, forums and 410 performances Individual student research inquiries 31 Sub -total (all students/support staff) 33 757

TEACHER PROFESSIONAL LEARNING Teacher Briefings (exhibitions/displays) 268 Individual educator assistance 41 Educator professional learning programs 542 Graduate educat ors / Childcare workers /Other 25 Sub -total (all educators) 876

TOTAL SCHOOL VISITATION 34 633

ANNUAL ATTENDANCES 2004–2014

Schools 2014 –2015 2013 –2014 2012 –2013 2011 –2012 2010 –2011 34 633 32 812 32 593 26 050 36 394

2009 –2010 2008 –2009 20 07 –2008 2006 –2007 2005 –2006 23 552 22 142 21 012 33 515 27 759

Client Use – Percentage Analysis Government (DECD) Catholic (CEO) Independent (ISB) 2014 –2015 56% 26% 18% 2013–2014 57% 21% 22% 2012 –2013 56% 27% 17% 2011–2012 41% 25% 34% 2010 –2011 55% 20% 25% 2009 –2010 50% 24% 26%

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APPENDIX J

GALLERY GUIDE TOUR SERVICES

IN SUMMARY:

Seventy six Guides, including Learning Guides, contributed to the AGSA Gallery Guide Service for 2014– 2015 providing 1 661 tours for 14 957 people over the course of the year at an average of 138 tours per month.

Guides offered daily tours of the Art Gallery collection at 11am and 2pm as well as a Collection in Focus tour/talk each day at 12.30pm except on Tuesdays when the Curators and/or Guest Artists gave their weekly Lunchtime Talks. Tours were also provided for special exhibitions, monthly themed StART on Sunday children’s days and for the School Holiday Programs in July and October 2014 and January and April 2015.

The special exhibitions were: Dorrit Black: Unseen Forces The World of Mortimer Menpes: Painter, Etcher, Raconteur SALA: The Extreme Climate of Nicholas Folland, Fashion Icons: Masterpieces from the Collection of the Musée des Arts Décoratifs, Paris Trent Parke: The Black Rose Treasure Ships: Art in the Age of Spices

In addition the Guides toured regular Special Interest Groups through a range of “Boutique displays” and special focus tours such as: Pissarro and Impressionism Calligraphy – scholarly and contemporary Lyon Collection of Decorative Arts Bling through the ages Mortimer Menpes Dorrit Black Fashion Icons Netsuke Nicholas Folland’s Extreme Climate Painful Experiences Elegant Pursuits – The Art of the East Asian Scholar Lace, Brush, Ink and Paper

Executive Team 2014–2015 Sandra Winder – Coordinator Jill Swann – Coordinator Elect & Coordinator Guides Training Program Karen Hammond – Secretary/Treasurer Nic Carstensen- Roster Manager, Public Programs Ryan Sims – Learning in the Gallery Roster Manager Paul Corcoran – Continuing Education Program Manager Helen Bulis – Special Projects Manager Trish Finnimore – Children’s Tours Manager Pam Norman – Learning in the Gallery Guides Representative Mark Fischer/Ryan Sims – Learning at the Gallery AGSA Representatives Lisa Slade – AGSA Asssistant Director, Artistic Programs, Gallery Guides’ line manager

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Special Interest Groups

Twenty Special Interest groups (SIGs) attend monthly or bi-monthly from February to November. A well attended 30–50 Gallery Members group is among them. SIGs attend all major exhibitions and short term displays of the Gallery collection. In 2014–15 all monthly topics related to the Gallery exhibition program providing a diversity of art genres. This included major touring exhibitions like Fashion Icons , tours focussing on new acquisitions such as the Camille Pissarro painting and local historical works in the Lyons collection . Carrick Hill guides toured again this year ensuring a vital link between the two institutions. Campbelltown U3A group is another Periodic Special Interest Group coordinated by a Gallery Volunteer, which tours five times a year.

Feedback will be sought at the end of the calendar year to ascertain any special interests/requests for 2016.

This year we have consolidated an informal outreach contact in the Victor Harbour and Districts. A Gallery Guide who resides in the area provides a valuable link between AGSA and art followers providing tours and Gallery information.

Members Book Club

There has been continual and sustained interest in the Members Book Club this year. The enquiries have led to a further group being added this year to the monthly roster, on the first Wednesday of the month. The year’s book selection was varied and most related to exhibitions and works in the Gallery. One book provided a historical fiction background to a major exhibition which was well received. Books can be purchased from the Gallery shop with a 20% discount.

There are eight Guides who provide excellent facilitation and support to these groups in addition to their regular guiding. These Guides often bring library materials to most meetings and conduct a brief tour of the relevant section of the Gallery. Feedback is continually sought from members and Guides for topics, books and other matters related to the Gallery. Venues for Club meeting groups range from the Gallery space to the Function Room or the Donor’s lounge, depending on availability.

START Children’s Program and School Holiday Program

The START Children’s Program continues to be a highlight of the Art Gallery of South Australia on the first Sunday of each month. It is now a firmly established event on the Gallery’s calendar and is enjoyed by a large number of children who attend regularly, with their parents, grandparents and carers. The enthusiasm and enjoyment of the children attending is evident in their delight and joy at being part of the day. Parents are equally enthusiastic and all appear to foster the love of art that the children so readily display. The diversity of ethnic backgrounds of families attending continues to grow.

It is always an action packed day with seven Guided Tours offered on the half hour from 11am to 2pm, workshops held in The Studio and Auditorium spaces and a wide variety of entertainment in keeping with the theme of the day.

The Tours are well attended, with an attendance in the past year of 2 380 and a total of 84 Tours offered. The age group catered for on these days is from 2 years to 12 years. It all works very well and the younger children seem to be happy just being there sitting on their cushions and taking in the whole experience. It is good news that the Gallery is planning to offer a Youth/Teen program for visitors of 12 years of age and over.

Thirty-two of our Guides have been involved in presenting START Tours this year, including five Trainee Guides. This is an increase of 12% since last year. START Days have been worked around exhibitions 133

held during the year, including Dorrit Black and Mortimer Menpes , Fashion Icons , Trent Parke: The Black Rose and the Gond Paintings from India. In addition, Christmas is celebrated at the December START with an end of year party and entertainment, and Easter has an Easter Trail through selected works in the Gallery.

Guides Roster 2014–2015

60 volunteer Guides provide visitors to the Art Gallery of South Australia with tours on every day of the year except Christmas Day. The new intake of guides in July increases this number to 76.

During this year 1 661 tours were provided to 14 957 visitors.

Articulate tours of the General Collection are provided twice a day at 11am and 2pm with a shorter Collection in Focus tour at 12.30pm, except Tuesdays. Specialised tours are provided monthly to 23 Special Interest Groups. Booked Group tours are organised through the Gallery’s Public Programs.

In addition School Holiday programs are provided as well as the StART program with Children’s tours on the first Sunday of the Month. Booked Groups can also be arranged through Art Gallery Food and Wine. Volunteer Guides who take scheduled public and booked tours are free to take school groups in addition to their other AGSA commitments. ‘Education Guides’, who until September 2014 worked exclusively with school groups, were invited to join the Volunteer Guides general meetings on Tuesdays as the first move to better integrate the work of Guides generally. In February 2015 the rostering processes of the Education Unit and the general Guides’ body were combined to create an integrated schedule that is updated weekly. This has the benefit of providing a common platform for Guides taking education and public tours as well as providing a complementary template for Front of House printed schedules.

Tours in support of major exhibitions are usually scheduled at 11am and 2pm and extra tours at 12:00 and 2:00pm were included for Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris October - February 2015. Treasure Ships: Art in the Age of Spices running June - August 2015 began with 2 tours per day with the option to include extras depending on attendance.

Public Guide Rosters continue to be composed using ‘Smart Roster’ software. In addition it is used to inform the Education Unit for preparation of a schedule that includes regular and incidental public tours as well as Learning at the Gallery tours.

Learning at the Gallery

The new position of Learning at the Gallery (LAG) representative on the Guides’ Executive Committee was created this year in order to facilitate communication between the Education team at the Gallery and the guiding body. Communication improvements were seen as necessary in recognition of increasing workloads, an ever-rising number of school tours, new activities for school aged children such as the Studio, and a further increase in the number of guiding volunteers.

In addition, from January 2015, the former designation of ‘Education Guide’ was discontinued and the former Education Guides group has been integrated into the main group of Gallery Guides. The objective of this integration has been to encourage and assist all Guides to consider doing at least some tours with young people, as a means of increasing the number of Guides available for such tours, and sharing the workload more equitably. The integration emphasises the parity of esteem in the guiding function across all age groups.

In the process, the former Education Guides have also been encouraged to share their experience and insights from guiding school groups with those other Guides yet to venture into taking school tours.

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There is now an agreed nomenclature, a combined meeting on Tuesday mornings, and changes to the rostering process are in place to create an integrated roster listing all tours: public, special interest and educational. It is also proposed to develop and provide an alternative optional format for the Guides’ Floor Talks, given as part of the Continuing Education Program. This alternative would allow those Guides who wish to do so to concentrate their talk on the educational possibilities of their chosen work, while retaining the traditional format for the associated written research paper.

Continuing Education Program

The Continuing Education Program was presented each Tuesday to the whole body of Guides. Typically, this includes two brief (5 minute) presentations focussed on a particular artwork or theme on alternate weeks and an extended (45-minute) lecture by AGSA curators, Guides with a specialist interest, invited artists or specialists from SA or interstate. In the past year, presentations by conservators from ArtLab on restoration, conservation and exhibition support were highlights. The regular weekly programs offer supportive opportunities and a forum for developing special programs such as GetSmART, START, Book Groups, Learning at the Gallery and school touring inter alia .

The program has also included specially arranged visits with curator/lecturer talks to the Samstag Museum, the Flinders University City Gallery, the Adelaide Central School of Art and the Adelaide Festival Centre Art Space for specific exhibitions.

The Director, Nick Mitzevich, attended the Tuesday meetings at least once each term. His briefings on forthcoming exhibitions, new acquisitions, re-hangs, special programs, Gallery events and AGSA planning strategies are special highlights of the year. They offer inspiration for the Guides’ role at the AGSA, practical assistance in relation to preparing for new works, and a perspective on the Gallery’s plans for growth, public impact and technological innovation.

Lisa Slade provided invaluable support in her role as the professional staff supervisor for the Gallery Guides. Her enthusiasm, active communication and extensive professional contacts have been essential in planning the CEP schedule. Her supervision and management have continued in her new position as Assistant Director, Artistic Programs.

AGSA Guides Guides’ Training Program 2014–15: Report

Preparation

The decision to train a new cohort of Gallery Guides in 2014-15 was made by the Guides’ Executive in late 2013, for the following general reasons:

• a significant number of Guides had retired over the year, or were planning to retire • new types of, and more, tours and talks are being added to the Guides’ roster • the Guides’ organisation regularly requires new ideas, energy and perspectives • Learning@Gallery and START programs draw increasing numbers

More specifically, in Spring 2015 a major festival of Indigenous art is to be staged in Adelaide and at the same time, the bi-annual Association of Australian Gallery Guiding Organisations (AAGGO) Conference will be held with AGSA guides as the host organisation. These two significant events require increased numbers of Guides to be available to fill many roles, as well as continuing the regular guiding services at AGSA.

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Jill Swann (Guides Coordinator-Elect, 2013-2015 and Trainee Coordinator in 2012) was appointed as Coordinator of the Guides’ Training Program, and Rosemary Collins (Trainee Coordinator in 2008–09) agreed to share the role. They worked closely with AGSA staff, Lisa Slade and Mark Fischer and with Guides’ Coordinator Sandra Winder in the recruitment, planning, implementation and assessment processes.

Initial recruitment notices were published via the AGSA social media networks in December 2013, gaining over 250 responses. These responders were invited to submit a one-page written application addressing four specific criteria. From 65 applications, the recruiting team (Jill, Rosemary, Sandra, Lisa and Mark) selected 31 people for interviews, and a final cohort of 18 trainees was selected to begin training in July 2014.

The “Class of 2014–2015” Di Atwa, Kelly Day, Di Davies, Tina Dolgopol, Raine Harker, Meredithe Madigan, Mary Marston, Michael O’Donoghue, Naomi Reschke, Meredith Ross, Ken Shimmin, Dianne Speck, Helen Trebilcock, Barry Trowse, Kay Vears, Robert Weaver

Structure and Implementation overview

The program content led Trainees to • become familiar with all AGSA collections • observe, practise, and refine guiding skills, including research and writing • gain an understanding of the operations of AGSA and the Guides’ organization • observe all touring opportunities, including education programs and children’s tours • become comfortable within their training group and the guiding community

The program was delivered every Tuesday over four terms, July 2014-June 2015, in line with the dates of the Gallery Guides’ Continuing Education Program. The Trainees were expected to attend for the whole day each Tuesday. Sessions were delivered by the Co-ordinators, together with Lisa Slade and Mark Fischer, and all curators providing workshops or talks on the Gallery floor. Current Guides gave floor talks, longer sessions on specific topics, reviewed written papers, and collaborated in mentoring and providing feedback for Trainees’ floor talks and their final graduation tours. The full program for each term can be accessed on the Guides’ Database.

Assessment

Assessment was structured and ongoing throughout the program, the main elements being:

• Attendance at all programed sessions • Floor talks, individually researched and presented by Trainees at 3-weekly intervals, based on the agreed talks structure and as modelled by experienced Guides. These progressively built in number to their final full tour before graduation. Trainees were encouraged to share all of their research notes with each other. • Three written papers on one work, based on the agreed structure which is expected for papers for the Gallery Guides’ database. • Ongoing informal feedback on a one-to-one basis or in peer discussions. • Final one-hour “Articulate” tour presentations were held over the last three weeks of the program. Each Trainee toured with an audience of both Gallery Guides and Trainees.

The Trainees will be invited to be involved in a formal feedback survey to be referenced in planning future Guide Training Programs. (Yet to be completed at the time this report is written).

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Gallery Guide Tour Services

Visitor breakdown – Gallery guided visits:

Overview of Gallery guided visits:

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Get SmART Program 2015

Forward and Backward: The Dialectic of Contemporary Art Late in November 2014 Jenny Palmer discussed a proposal and list of potential works for Forward and Backward: The Dialectic of Contemporary Art, with Lisa Slade, who then consulted with management colleagues. Their response to the proposal was positive particularly as the emphasis was on works in the Gallery’s Contemporary collection. The proposal was endorsed at the Guides’ Executive meeting on 2 December 2015 and presented to the Guides with calls for participation the following week.

The series followed the usual format of eight hour-long sessions over four Saturday mornings. The approach was informal. A minimum of two Guides per session addressed works from the Gallery collection and other sources, in the manner of a tour or floor talk. Six key works featured per session with the number of references at the presenters’ discretion. A highlight was the display of images – using two projectors, and allowing for comparisons, focusing on aspects of works and emphasis on seeing as much as listening to commentary. Attendees received a list of pointers for discussion about Contemporary Art. A list of AGSA key works, with notification of image availability on the website, was also emailed subsequently to those requesting it.

Lisa Slade facilitated the downloading of Gallery images from the Emu database. Other works were sourced from the Internet or scanned. James Lainas achieved an exciting and fresh approach to the visual presentation. The fourteen guides participating were: Jenny Palmer, James Lainas, Karen Hammond, Rosie Nursey Bray, Jill Swann, Virginia Lynch, Rosemary Collins, David Stokes, Gillian Davis, Sandra Winder, Jenny Jarvis, Jo Thyer, Ruth Walter, Helen Bulis, and Nel Steele. Jenny Palmer coordinated the series encouraging a collaborative approach. Both the Trainee program and organization for the pending 2015 Association of Australian Gallery Guiding Organisations Conference created conflicting times for meeting places and limited opportunity for more Guides to be involved with Get SmART.

The Continuing Education Program on Tuesday mornings provided a rehearsal opportunity. Since these were still works in progress it was gratifying to see some Guides at the Saturday pubic sessions when presenters were more polished and any problems with visuals resolved.

There were no costs to be recovered by the Guides as no Morning Tea was provided. Individual session charges were: $25/member, $30/non-member, $25/student. Season tickets were: $80, $100, $60, accordingly. To date there has not been notification of the amount earned from the series.

The overall attendance from 23 May to 6 June was encouraging given promotional opportunity was limited to Articulate, the Gallery website, Bookclub membership and a flyer in the Gallery. There was an average of 45 to 50 on each occasion. Most attended the entire series and feedback endorsed the different mode of presentation and the richness of the content. Other suggestions have been noted below.

Get SmART 2015: Forward and Backward: the Dialectic of Contemporary Art

Key AGSA works and presenters

16 May - Session 1 3D Interpretations of spaces and the What is Contemporary Art? environment Jenny Palmer and James Lainas Karen Hammond Illustrated introduction. Valamanesh, Fallen Branch Tjanpi Desert Weavers, Tjanpi punu 16 May - Session 2 Folland, Mt Hopeless & Navigator 138

Rosie Nursey Bray Jenny Palmer Long, Stone Circle Chapman bros., Das swings… Haselton, Scrutineers James Lainas James Lainas Seton, Somebody died… Ian Burn, Clouds AES+F

23 May - Session 3 6 June - Session 7 2D Interpretations of spaces and the Still Life - objects as expressions of ideas and environment emotions - in either 2 or 3D Jill Swann Jenny Jarvis Quilty, Evening Shadows Belfrage, Shifting Lines 1# 2# Robinson, Dry Grass Landscape Masahiro, Surge 7 Laing, Groundspeed (Rose Petal) #17 & after Jo Thyer Heysen Stacey, Fontaine de Vaucluse Virginia Lynch Ruth Walter Danie Mellor, Postcards from the edge (in Best, The Pepper Pot – the legacy of Coenraad search of living curiosities) Temminck Andrew, The Island 1 Helen Bulis - Jewellery Part 1 Borgelt, Liquid Light Blyfield, Pod necklace Bock, Manalargenna 23 May - Session 4 Bock, Eliza Langhorne 3D portraiture - the Self and Others Cohn, New Precious Blood for Oil, necklace Rosemary Collins Cavalan, Mourning glories, brooch Nixon, Self Portrait Foley, Bracelet Noble and Webster, Gamekeeper's Gibbet Gallager, Quod potes tenta Ah Xian, Human human Greeno, Maireener Shell necklace David Stokes Kennedy, Bonsai Coral ring Swallow, The exact dimensions of staying Magikawa, Hybrid Branch brooch behind. Mamuni, Shark necklace Quinn, Buck with cigar Moie, pendant, ‘skin and bone’ series Hirschhorn, Twin subjecter Truman, Red Gut necklace Van der Laan, Holier than Thou brooch 30 May - Session 5 Van Kouswijk, porcelain necklace 2D portraiture - the Self and Others Gillian Davis 6 June - Session 8 Bourgeoise, Spiral Woman Still Life - objects as expressions of ideas and Bacon, Study No 4 emotions - in either 2 or 3D - Platten, Woman and Man Embrace Ruth Walter Karen Hammond Sottsass, Murmansk Centre Piece Valamanesh, Untitled (Shirt of Lotus Leaves). Helen Bulis - Jewellery cont. Part 2 Jenny Palmer Nel Steele Siwes, Stand Jubelin, Surveyor Del Kathryn Barton, For the Feeling Jenny Palmer Delvoye, Untitled (Robert) 30 May - Session 6 Oliver, Eddy and Heart 2 & 3D Narratives James Lainas Sandra Winder Review of Key images – montage Scarce, Burial Ground Feedback & Close

Farewell: Guides who retired 2014–2015 Eileen Taylor, Janet Taylor, Jan McKinlay Moss, Ann Blandford

Between them they gave almost 60 years of dedicated service as Volunteer Gallery Guides

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Highlights and innovations 2014–15 There have been many highlights for the Guides over the last twelve months.

• The major exhibitions and the associated public programs, combined with the enthusiasm of the Guides, remain with us long after exhibitions close. We are conscious of the privilege of having the opportunity to meet artists such as Trent Parke or Nicholas Folland or visiting guest speakers such as Carla Zampatti.

• First Friday Programs have been a lively and exciting innovation, which provide another opportunity for the Guides to directly engage the public in the latest displays, exhibitions and new acquisitions. Eight Guides participated in taking tours during this new program.

• The 2015 AAGGO Conference Planning Committee, and sub-committees, led by Conference Convenor Pamela Harding, has been tireless, meticulous and truly imaginative in their efforts to ensure a most stimulating and professionally run national conference in October 2015. There are approximately 230 registered delegates from around Australia. One of the most commendable innovations underpinning the planning is the building of the excellent conference website, thanks to Guide IT Manager Margaret Payne, who worked closely with Pamela Harding, Lisa Slade and AGSA IT staff members David Mikos and John O’Reilly.

AAGGO Planning Committee members are:

Pamela Harding (Convenor), Lisa Slade, Margaret Payne, Wendy Parsons, David Stokes, Christine Guille, Maureen Nimon and Sandra Winder.

• The Guides are constantly reviewing their processes, policies and structures in order to continuously improve their service to the public and to Gallery staff. Examples of reviews and improvements to processes and policies have included improved Floor Talk peer assessment, Guides Handbook a nd Roster Management processes.

Guides 2014–2015 Bente Andermahr Trish Finnimore Hasmik Balayance Lorraine Franzin Jillian Becker Christine Guille Josephine Ben-Tovim Julian Hafner Ann Blandford Karen Hammond Christine Briggs Pamela Harding Helen Bulis Jennifer Harris Nic Carstensen John Hayes Annette Chalmers John Hown Rosemary Collins Barbara Humphries Paul Corcoran Jenny Jarvis Robyn Cowan Julienne Keane Kathy Crockett Anne Keast Jenny Cunningham Sue Kent Alma Daehn Kirsty Kurlinkus Jan Darling Jennifer Klenner Michelle Davis-Wanzek Jessica Knight Gillian Davis Brian Knott Gai Dudley Philip LaForgia Estelle Farwell James Lainas 140

Helga Linnert David Roach Judith Lloyd Trish Roche Virginia Lynch Christabel Saddler Lucy MacDonald Mary Schinella Gillian Morris Michael Shepherd Robyn Mullins Perla Soberon-Brittle Christopher Nance Nel Steele Maureen Nimon David Stokes Ann Noble Jill Swann Pam Norman Barbara Tanner Rosemary Nursey-Bray Eileen Taylor Jennifer Palmer Janet Taylor Wendy Parsons Pamela Terry Margaret Payne Jo Thyer Heather Pearce Ruth Walter Marion Queale Carol Watson Julie Redman Sandra Winder Mary Rivett John Woodrow

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APPENDIX K

GALLERY PUBLICATIONS AND MERCHANDISE

BOOKS

Fashion Icons: Masterpieces from the collection of the Musée des Arts Décoratifs, Paris Authors: Pamela Golbin and Éric Pujalet-Plaà 205 pp, 116 illus. ISBN 978-2-916914-52-7 limp bound Designer: Les Arts Décoratifs, Paris

Trent Parke: The Black Rose Authors: Trent Parke, Julie Robinson and Maria Zagala 168 pp, 223 illus. ISBN 978-1-921668-23-4 case bound Designer: Antonietta Itropico

Treasure Ships: Art in the Age of Spices Authors: James Bennett and Rusty Kelty plus various 352 pages, 300 colour illus. ISBN 978-1-921668-22-7 case bound Designer: Antonietta Itropico Supported by the Gordon Darling Foundation

Annual Report of the Art Gallery of South Australia 2013–14 Authors: Chairman, Director and staff Co-ordinator: Margaret Bicknell ISSN 0728–7925

ARTICULATE

Winter 2014 no. 15 Spring 2014 no. 16 (Special Fashion edition – edited by Alison Kubler and Mitchell Oakley Smith) Summer 2014–15 no. 17 Autumn 2015 no. 18 ISSN 1838 627X 64 pages, full-colour throughout, paperback Editor: Lena Fiorentini Designer: Antonietta Itropico

MERCHANDISE

• Fashion Icons merchandise – Greeting card boxed set – Hair bands (6 kinds) – Hair clips (3 kinds) – Kerry Hess t-shirt – Kerry Hess tea towel – Kerry Hess collapsible umbrella – Pocket mirrors (4 kinds) – Silk scarves (boxed, 3 kinds)

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– Dior tea towel – Chanel mug – Dior tote bag – Magnets (4 kinds) – Greeting cards large (4 kinds) – Gift wrap (4 kinds) – Lamp inserts (4 kinds)

• Trent Parke merchandise – The Black Rose greeting card pack – Greatest hits greeting card pack – Post cards (6 kinds) – The rat t-shirt – Two mugs (magpie and bat)

• Treasure Ships merchandise – Yoyo – Snow dome – Compact mirrors (4 kinds) – Lens cloth – Tea towel – Hair bands (2 kinds) – Coasters (set of 4) – Business card case – 2 greeting cards – 4 post cards

• Fiona Hall merchandise – T-shirt – Tote bag

• General merchandise – Collapsible umbrellas: Tiffany windows, Morris & Co., Turkish tile, Pissarro – Tote bag: Pissarro – Greeting card: Pissarro

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APPENDIX L

ANNUAL ATTENDANCES

2010/11 2011/12 2012/13 2013/14 2014/15

Gallery day 507 737 571 192 606 431 615 028 695 713 attendance

After hours 24 027 18 296 26 589 26 533 26 500 attendance / special events

Gallery School 36 394 26 050 32 593 32 812 34 633 attendance

Total 531 564 615 538 665 613 674 393 756 846

Additional visitors to AGSA Off-site and travelling exhibitions

Visitors to AGSA 181 430 63 070 46 216 16 244 22 399 off-site and travelling exhibitions

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APPENDIX M

INFORMATION STATEMENT — FREEDOM OF INFORMATION ACT, 1991, PART II SECTION 9(2)

STRUCTURE AND FUNCTIONS OF THE ART GALLERY OF SOUTH AUSTRALIA

Information relating to the organisational structure of the Art Gallery, its objectives and functions, legislation and resource levels is contained elsewhere in the Annual Report and is deemed to be consistent with the requirements of the Freedom of Information Act 1991 . There were no applications received in the 2014–15 financial year.

The Gallery aims to contribute to the economic, cultural and environmental development of the state in a socially inclusive manner, consistent with South Australia’s Strategic Plan.

EFFECT OF AGENCY'S FUNCTIONS ON MEMBERS OF THE PUBLIC

The Art Gallery has a direct effect on the general public through:

• the acquisition, evaluation and display of its collections of works of art • the display of temporary and major touring exhibitions • an ongoing program of research and publications • conducting public awareness and education programs.

Details of the activities undertaken by the Art Gallery during 2014–15 are included elsewhere in the Annual Report.

ARRANGEMENTS FOR PUBLIC PARTICIPATION IN POLICY FORMULATION

The public has the opportunity to participate in the department’s policy development in a number of ways, including community consultation forums, panels, surveys, membership and committees.

DESCRIPTION OF KINDS OF DOCUMENTS HELD BY THE AGENCY

The Art Gallery Board of South Australia holds various policy statements and minutes of all meetings.

ACCESS ARRANGEMENTS, PROCEDURES AND POINTS OF CONTACT – SECTION 9(2)(E)(F)

To access Board documents, it is necessary to apply in writing under the Freedom of Information Act to:

Contact Officer Freedom of Information Art Gallery of South Australia North Terrace Adelaide SA 5000 Telephone: (08) 8207 7004

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WHISTLEBLOWERS PROTECTION ACT 1993

The Art Gallery of South Australia has appointed a responsible offer for the purposes of the Whistleblowers Protection Act 1993 pursuant to Section 7 of the Public Sector Act 2009 .

There have been no instances of disclosure of public interest information to a responsible officer of the Art Gallery of South Australia under the Whistleblowers Protection Act 1993.

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