DOCSLIB.ORG

October 13-24, 2021 Sponsorship Opportunities

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
October 13-24, 2021 Sponsorship Opportunities October 13-24, 2021 Sponsorship Opportunities Festivals are so important, because they show to the world, they show to distributors, they show to an audience, they show to critics movies that don’t necessarily otherwise get a chance... thank you for keeping the all important Chicago Film Festival alive and kicking and into the future.” —Helen Mirren Oscar®-winning actress Chicago International Film Festival honoree 2 Chicago International Film Festival The Chicago International Film Festival is a year-round 501(c)3 non-profit arts and education organization dedicated to fostering better communication between people of diverse cultures through the art of the moving image. As the longest running competitive film festival in North America, the Festival is a celebration of cinema that includes film premieres, tributes to actors and directors, and signature red carpet events. Internationally renowned for its excellence in programming, showcasing the best in U.S. and world cinema, the Festival offers attendees opportunities to experience innovative works by first-time filmmakers alongside films by celebrated masters and also preview the season’s top award contenders. In addition to the annual film festival, the Festival produces several film events throughout the year including the free Summer Screenings Program (May-September), CineYouth Festival (May), Education Screenings, and Special Event and Gala Screenings. In 2020, the 56th Chicago International Film Festival was re-imagined to present the first ever hybrid edition. The Festival presented 114 films from five continents and 43 countries on the Festival’s new Virtual Cinema platform and at the drive-in over 12 days. With online screenings, tributes, conversations, and the drive-in theater, the Festival reached an audience totaling approximately 40,000 watching, tuning in, and participating from across the United States, including 47 states as well as Washington D.C. and Puerto Rico. Our 56th highlights video can be found here and more information about our Festival can be found on our website, chicagofilmfestival.com. 3 Viola Davis, Kate Winslet, Werner Herzog and Rachel Brosnahan. Photos by (l-r): Timothy M. Schmidt, Frederic Auerbach, Sam Limb, Sam Jones ViolaFestival Davis, Michael Shannon, RianPremieres Johnson, Jane Fonda and Eddie Redmayne.& Guests Photos by Timothy M. Schmidt FESTIVALThe Chicago International PREMIERES Film Festival has a rich& historyGUESTS of discovering ground-breaking directors, having presented the first features of Martin Scorsese, Ava DuVernay, and Alejandro G. Iñarritú, among many others. We have also paid tribute to a long list of celebrated auteurs and actors including Guillermo del Toro, TheOrsen Chicago Welles, SophiaInternational Loren, Spike Film Lee Festival, Faye Dunaway has a rich, Clint history Eastwood of discovering, Steven Spielberg ground-breaking, Quentin directors, Tarantino, Sidney Poitier, Ron Howard, Viola Davis, Bruce Dern, Kevin Kline, and many more. having presented the first features of Martin Scorsese, Ava DuVernay, and Alejandro G. Iñarritú, asThe well Festival as paying is Chicago’s tribute must to attenda long event list of for celebrated audiences looking auteurs to seeand the actors best in including independent Steven and Spielberg, international cinema along with the season’s most highly anticipated films before they’re released in theaters or Violaa streaming Davis platform., Guillermo Recent del Festival Toro ,guests and manyinclude more. Kate Winslet , Rachel Brosnahan, Werner Herzog, Alfre Woodard, Michael Shannon, Rian Johnson, Viola Davis, and Gael García Bernal. AllAll Festival Festival films films are are Chicago Chicago Premieres, Premieres, many being many U.S. being or World U.S. Premieres. or World Premieres. TheChicago Festival Premieres is Chicago's of Oscar can't-miss®-Nominated event films for and audiences highlight anticipatedlooking to titles see the top upcoming awards season contenders and acclaimed films before they're in theaters. Past Festival attendees includeViola Davis, Carey Mulligan, Michael Shannon, Rian Johnson, Jane Fonda, Eddie Redmayne, Alfre Woodard, and Gael García Bernal. CHICAGO PREMIERES OF OSCAR® -NOMINATED FILMS Nomadland One Night in Miami Ammonite MLK/FBI Ford v Ferrari Harriet The Irishman Jojo Rabbit La La Land Marriage Story Moonlight Green Book 4 La La Land Marriage Story Moonlight Green Book 4 2020: 12 Day Festival Festival at a Glance 40,000+ Festival Audience 114 Films 43 Countries 31 World | North American | U.S. Premieres 8 Drive-In Screenings 100+ Filmmakers | Special Guests 40 Live Q&As | Tributes | Talks 16 Virtual Events: Meet-ups | Tastings | Networking 1.8M Social Impressions 86,000+ Social Media Followers 25 Coolest USA Today Best of Film Festivals 10 Best Film Chicago in the World Festivals 2017 | 2019 2018 2019 5 Festival patrons at drive-in 2020 Opening Night drive-in screening Belushi, 2020 2020: Audience at a Glance Festival audiences tuned in from 47 states and 103 countries to engage with the Festival’s social media content and live-streamed events. Some binged-watched Demographics: alone, some attended the Our highly sought-after drive-in with their family, audiences are diverse, We welcomed a and others hosted virtual educated, leaders, active Festival audience of watch parties. media consumers, and 40,000+ across the U.S. passionate supporters of our Festival. 1.5 Average # of people who watched per stream from home 2.5 Average # of people per car at the drive-in Audience by the Numbers 3.5% Multiracial 4.7% 1.19% Non-Binary 1.98% Prefer not to identify 1.1% Arab/Middle Eastern 3.2 Prefer not to identify 1.1% Native American/ Average # of films seen per person American Indian 8.4% % Asian 28.4 9.7% 57.08% 39.76% African-American Participated in the Festival for the first-time Female Male 65.7% 5.8% Latinx 71.6% Caucasian Returning Festival patrons Gender Ethnicity 25,913 0.24% Under 18 3.6% $24,999 and less 4.64% 18-24 Hours of films streamed = 1,080 days’ worth 9.1% $25,000-$49,000 of streamed content! 19.33% 9.7% 65+ 29.8% $50,000-$74,999 20.49% Prefer not to 25-34 identify 20.61% 55-64 14.21% 35-44 13.1% 20.2% $75,000-$99,999 20.49% Over 45-54 $150K 14% $100,00-$149,999 Age Income 73.1% 98% Reside in Chicago Have post-secondary education 6 Based on collected data from the 56th Chicago International Film Festival (2020) Gael García Bernal on the red carpet with fans, 2019 Virtual & In-Person Sponsorship Opportunities Reach Your Target Audience Festival Preview at Goose Island 2019 Screening & Special Events The 2021 Chicago International Film Festival will be a hybrid in-person and virtual film festival with screenings, filmmaker Q&As, panels, and unique experiences. In-person events will be adapted according to health and safety regulations. Our digital programming has allowed us to reach a broader audience, providing additional opportunities for sponsors to engage with Festival patrons and viewers. Aberlour Virtual Whisky Tasting 2020 • Festival Preview • Virtual Tastings • Opening Night • Exclusive special events • Closing Night • Meet-Ups | Movie Club • Awards Night • Q&As • Special Tributes • Artists Talks • Happy Hour | Networking Tribute to Kate Winslet 2020 Film Programs Sponsor film programs to connect with specific audiences and target your brand message. • Special Presentations & • After Dark Drive-Ins • Black Perspectives • International Competition • Women in Cinema • New Directors • City & State Private client-hosted event with Knives Out director Rian Johnson, 2019 • Documentary • Cinemas of the Americas • Out-Look (LGBTQ+) • Shorts I Just got off the Aberlour sponsored Member cocktail hour, Sponsor booth on virtual networking platform Remo, 2020 it was super cute and fun! I love these new creative ways of connecting in lieu of in-person events, nice job!” — Festival participant 7 Patrons at Festival drive-in 2020 Brand Awareness & On-Site Activations Build brand awareness and directly engage with Festival attendees through sampling, product displays, and digital exposure 444 Align Your Brand with a Unique Element of the Festival Panavision spotlight on the red carpet with director Trey Edward Shults and actor Taylor Russell from Waves, 2019 Client-hosted private Q&A for The Road Up, 2020 Chadwick Boseman with Opening Night attendees Client Hosting & VIP Access 4 (virtual and in-person) Customized experiences including screenings, live-streamed filmmaker Q&As and talk backs Entertain your VIP clients, prospects and employees 4 with “red carpet” events, exclusive access to Intimate virtual tastings talent, intimate events, and reserved seating for 4Priority seating at select screenings best viewing (pending in-person screenings) 4Film tickets Accessibility Accessibility and inclusion are core values of the Chicago International Film Festival. In keeping with our mission of fostering better communication between people of diverse cultures through the art of the moving image, we strive to make the Festival and all of our events accessible for all audiences. Align your brand with this important initiative and help us to make film screenings, talks, masterclasses, and Q&As accessible through the commission of closed captioning, live audio description, ASL interpretation, and an increased virtual presence. Your support will help to ensure that our programs are accessible to as wide an audience as possible and will help us share excellent international and independent cinema to a broad, diverse audience. Award Naming Associate your
Load more

Recommended publications
  • EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards Only
    EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Years refer to year of presentation. Leading Actor Casey Affleck 1 nomination 2017: Leading Actor (Manchester by the Sea) Andrew Garfield 2 nominations 2017: Leading Actor (Hacksaw Ridge) 2011: Supporting Actor (The Social Network) Also Rising Star nomination in 2011, one nomination (1 win) at Television Awards in 2008 Ryan Gosling 1 nomination 2017: Leading Actor (La La Land) Jake Gyllenhaall 3 nominations/1 win 2017: Leading Actor (Nocturnal Animals) 2015: Leading Actor (Nightcrawler) 2006: Supporting Actor (Brokeback Mountain) Viggo Mortensen 2 nominations 2017: Leading Actor (Captain Fantastic) 2008: Leading Actor (Eastern Promises) Leading Actress Amy Adams 6 nominations 2017: Leading Actress (Arrival) 2015: Leading Actress (Big Eyes) 2014: Leading Actress (American Hustle) 2013: Supporting Actress (The Master) 2011: Supporting Actress (The Fighter) 2009: Supporting Actress (Doubt) Emily Blunt 2 nominations 2017: Leading Actress (Girl on the Train) 2007: Supporting Actress (The Devil Wears Prada) Also Rising Star nomination in 2007 and BAFTA Los Angeles Britannia Honouree in 2009 Natalie Portman 3 nominations/1 win 2017: Leading Actress (Jackie) 2011: Leading Actress (Black Swan) 2005: Supporting Actress (Closer) Meryl Streep 15 nominations / 2 wins 2017: Leading Actress (Florence Foster Jenkins) 2012: Leading Actress (The Iron Lady) 2010: Leading Actress (Julie
    [Show full text]
  • Movie Actresses 10 Mar 2017
    Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford.
    [Show full text]
  • Film Studies and a Programme of Activities and Resources to Prepare You to Start an a Level in Film Studies in September
    A Level FilmA LevelStudies Geography Transition Booklet Transition Booklet 2021 This pack contains information about A Level Film Studies and a programme of activities and resources to prepare you to start an A Level in Film Studies in September. Please use this during the summer term and the summer holidays to prepare for your A Level course. 1 Please note the compulsory summer work which starts on page 3 About the course: The specification we teach is produced by Eduqas. The unit code is A670QS A (A level) and a full copy of this specification and other useful information is available at: https://www.eduqas.co.uk/qualifications/film-studies-as-a-level/#tab_overview The course consists of the study of eleven films over three components: Component 1: Varieties of Film Making Component 2: Global Filmmaking Perspectives Component 3: Non-examination assessment Films: Bonnie and Clyde (Penn, 1967) Vertigo (Hitchcock, 1958) The films of Buster Keaton (Keaton, 1915-1930) La La Land (Chazelle, 2016) Beasts of the Southern Wild (Zeitlin, 2012) Stories we Tell (Polly, 2012) This is England (Meadows, 2006) Trainspotting (Boyle, 1996) Pan’s Labyrinth (Del Toro, 2006) City of God (Mereilles, 2002) Pulp Fiction (Tarantino, 1994) Learners will study all of their chosen films in relation to the following core study areas. Area 1. The key elements of film form: cinematography, mise-en-scène, editing, sound and performance Area 2. Meaning and response: how film functions as both a medium of representation and as an aesthetic medium Area 3. The contexts of film: social, cultural, political, historical and institutional, including production.
    [Show full text]
  • Fact Or Fiction: Hollywood Looks at the News
    FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth.
    [Show full text]
  • LIST of MOVIES from PAST SFFR MOVIE NIGHTS (Ordered from Recent to Old) *See Editing Instructions at Bottom of Document
    LIST OF MOVIES FROM PAST SFFR MOVIE NIGHTS (Ordered from recent to old) *See editing Instructions at bottom of document 2020: Jan – Judy Feb – Papi Chulo Mar - Girl Apr - GAME OVER, MAN May - Circus of Books 2019: Jan – Mario Feb – Boy Erased Mar – Cakemaker Apr - The Sum of Us May – The Pass June – Fun in Boys Shorts July – The Way He Looks Aug – Teen Spirit Sept – Walk on the Wild Side Oct – Rocketman Nov – Toy Story 4 2018: Jan – Stronger Feb – God’s Own Country Mar -Beach Rats Apr -The Shape of Water May -Cuatras Lunas( 4 Moons) June -The Infamous T and Gay USA July – Padmaavat Aug – (no movie night) Sep – The Unknown Cyclist Oct - Love, Simon Nov – Man in an Orange Shirt Dec – Mama Mia 2 2017: Dec – Eat with Me Nov – Wonder Woman (2017 version) Oct – Invaders from Mars Sep – Handsome Devil Aug – Girls Trip (at Westfield San Francisco Centre) Jul – Beauty and the Beast (2017 live-action remake) Jun – San Francisco International LGBT Film Festival selections May – Lion Apr – La La Land Mar – The Heat Feb – Sausage Party Jan – Friday the 13th 2016: Dec - Grandma Nov – Alamo Draft House Movie Oct - Saved Sep – Looking the Movie Aug – Fourth Man Out, Saving Face July – Hail, Caesar June – International Film festival selections May – Selected shorts from LGBT Film Festival Apr - Bhaag Milkha Bhaag (Run, Milkha, Run) Mar – Trainwreck Feb – Inside Out Jan – Best In Show 2015: Dec - Do I Sound Gay? Nov - The best of the Golden Girls / Boys Oct - Love Songs Sep - A Single Man Aug – Bad Education Jul – Five Dances Jun - Broad City series May – Reaching for the Moon Apr - Boyhood Mar - And Then Came Lola Feb – Looking (Season 2, Episodes 1-4) Jan – The Grand Budapest Hotel 2014: Dec – Bad Santa Nov – Mrs.
    [Show full text]
  • Film Suggestions to Celebrate Black History
    Aurora Film Circuit I do apologize that I do not have any Canadian Films listed but also wanted to provide a list of films selected by the National Film Board that portray the multi-layered lives of Canada’s diverse Black communities. Explore the NFB’s collection of films by distinguished Black filmmakers, creators, and allies. (Link below) Black Communities in Canada: A Rich History - NFB Film Info – data gathered from TIFF or IMBd AFC Input – Personal review of the film (Nelia Pacheco Chair/Programmer, AFC) Synopsis – this info was gathered from different sources such as; TIFF, IMBd, Film Reviews etc. FILM TITEL and INFO AFC Input SYNOPSIS FILM SUGGESTIONS TO CELEBRATE BLACK HISTORY MONTH SMALL AXE I am very biased towards the Director Small Axe is based on the real-life experiences of London's West Director: Steve McQueen Steve McQueen, his films are very Indian community and is set between 1969 and 1982 UK, 2020 personal and gorgeous to watch. I 1st – MANGROVE 2hr 7min: English cannot recommend this series Mangrove tells this true story of The Mangrove Nine, who 5 Part Series: ENOUGH, it was fantastic and the clashed with London police in 1970. The trial that followed was stories are a must see. After listening to the first judicial acknowledgment of behaviour motivated by Principal Cast: Gary Beadle, John Boyega, interviews/discussions with Steve racial hatred within the Metropolitan Police Sheyi Cole Kenyah Sandy, Amarah-Jae St. McQueen about this project you see his 2nd – LOVERS ROCK 1hr 10 min: Aubyn and many more.., A single evening at a house party in 1980s West London sets the passion and what this production meant to him, it is a series of “love letters” to his scene, developing intertwined relationships against a Category: TV Mini background of violence, romance and music.
    [Show full text]
  • Download Checklist
    Yasumasa Morimura November 23, 1996 - January 4, 1997 First gallery, starting from left: Self-Portrait (Actress) / After Vivien Leigh 1, 1996 llfochrome / Acrylic sheet Edition #4/10 47.25 x 37.40 inches C6890 Self-Portrait (Actress) / After Vivien Leigh 3, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6955 Self-Portrait (A'Ctress) / After Catherine Deneuve 1, 1996 llfochrome Acrylic sheet Edition #3/1 0 47.25 x 37.40 inches C6865 Self-Portrait (Actress) / After Catherine Deneuve 4, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6956 Self-Portrait (Actress) / After Red Marilyn, 1996 llfochrome / Acrylic sheet Edition #7/10 47.25 x 37.40 inches P6753 Self-Portrait (Actress) / After Brigitte Bardot 2, 1996 llfochrome / Acrylic sheet Edition #4/10 47.25 x 37.40 inches C6864 Self-Portrait (Actress) / After Marlene Dietrich 1, 1996 llfochrome / Acrylic sheet Edition #3/10 47.25 x 37.40 inches C6962 Self-Portrait (Actress) / After Marlene Dietrich 2, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6963 Self-Portrait (Actress) / After Liza Minelli 1, 1996 llfochrome / Acrylic sheet Edition #2/1 0 47.25 x 37.40 inches C6964 Self-Portrait (Actress) / After Elizabeth Taylor 1, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6885 Self-Portrait (Actress) / After Elizabeth Taylor 4, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches C6965 Self-Portrait (Actress) / After Jodie Foster 1, 1996 llfochrome / Acrylic sheet Edition #2/10 47.25 x 37.40 inches
    [Show full text]
  • 'Once Upon a Time... in Hollywood'
    20 Established 1961 Tuesday, January 14, 2020 Lifestyle Awards (From left) John Davis, Eddie Murphy, Craig Brewer, Keegan-Michael Key, Da’Vine Joy Randolph, Ruth E Carter, and Ava DuVernay and fellow cast and crew of ‘When They See Us’ accept the Best Limited Series award for ‘When Sebastian Maniscalco accept the Best Comedy award for ‘Dolemite Is My Name’.— AFP photos They See Us’. ‘Once Upon a Time... in Hollywood’ reigns at Critics’ Choice Awards Quentin Tarantino accepts the award for Best Picture for ‘Once Upon a Time in Hollywood’ onstage at the 25th Annual Critics’ Choice Awards at Barker Hangar on Sunday in Santa Jharrel Jerome accepts the Best Actor in a Movie/Limited Series award for ‘When They Monica, California. See Us’. uentin Tarantino’s “Once Upon a Time... in took home editing and cinematography awards, while said, after the crime epic - an early Oscars frontrunner - Hollywood” backed up its Oscars frontrunner sta- Bong’s black comedy “Parasite” was named best foreign- was shut out at the Globes and missed out on several Qtus by scooping best picture at the Critics’ Choice language film. “Today I was just enjoying the vegan burg- anticipated acting nominations elsewhere. Awards on Sunday. The high-profile awards in Santa er and trying to enjoy the ceremony,” joked Bong as he “Fleabag” topped the television awards, collecting Monica - which also honor the best of television - are seen collected his prize. The awards had emulated last week’s three gongs including best comedy to continue its impres- as a barometer for the all-important Oscars, for which Globes by serving a plant-based menu, to boost environ- sive award season run.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015
    SCREEN INTERNATIONAL AND BFI LONDON FILM FESTIVAL REVEAL UK STARS OF TOMORROW 2015 London, Monday 5 October 2015: Screen International has today revealed its 2015 UK Stars of Tomorrow, a showcase of the UK and Ireland’s newest and most exciting actors, directors, writers and producers, eagerly-anticipated by the international film industry. They are being presented for the first time in a high-profile industry event at the BFI London Film Festival held in partnership with American Express (7-18 October). Following last year’s successful collaboration between the Festival and Stars of Tomorrow, this year’s talent will be introduced to leading lights from the international film industry in London for the Festival, including US casting directors, European and US producers, festival programmers and international filmmakers. The Stars of Tomorrow featured in a special photoshoot at BFI Southbank, published in industry trade magazine Screen International, will also be the special guests at an exclusive industry dinner during the Festival, hosted by British Council and the Casting Society of America (CSA). The 2015 UK Starts of Tomorrow announced today: Adelayo Adedayo, actor, made her mark in ITV’s Some Girls and appeared in feature films including Gone Too Far! (LFF 2013) and Unlocked; Aleem Khan, writer-director, shortlisted for a BAFTA award for his short Three Brothers is currently working on his first debut feature After Love; Alex Lawther, actor, a UK Critics’ Circle young British performer of the year award- winner as the young Alan
    [Show full text]
  • The Honorable Mentions Movies – LIST 3
    The Honorable mentions Movies – LIST 3: 1. Modern Times by Charles Chaplin (1936) 2. Pinocchio by Hamilton Luske et al. (1940) 3. Late Spring by Yasujirō Ozu (1949) 4. The Virgin Spring by Ingmar Bergman (1960) 5. Charade by Stanley Donen (1963) 6. The Soft Skin by François Truffaut (1964) 7. Who's Afraid of Virginia Woolf? by Mike Nichols (1966) 8. Dog Day Afternoon by Sidney Lumet (1975) 9. Love Unto Death by Alain Resnais (1984) 10. Kiki's Delivery Service by Hayao Miyazaki (1989) 11. Bram Stoker's Dracula by Francis Ford Coppola (1992) 12. Léon: The Professional by Luc Besson (1994) 13. Princess Mononoke by Hayao Miyazaki (1997) 14. Fight Club by David Fincher (1999) 15. Rosetta by Jean-Pierre Dardenne, Luc Dardenne (1999) 16. The Ninth Gate by Roman Polanski (1999) 17. O Brother, Where Art Thou? by Ethan Coen, Joel Coen (2000) 18. The Return Andrey Zvyagintsev (2003) 19. The Sea Inside by Alejandro Amenábar (2004) 20. Broken Flowers by Jim Jarmusch (2005) 21. Climates by Nuri Bilge Ceylan (2006) 22. The Prestige by Christopher Nolan (2006) 23. The Class by Laurent Cantet (2008) 24. Mother by Bong Joon-ho (2009) 25. Shutter Island by Martin Scorsese (2010) 26. The Tree of Life by Terrence Malick (2011) 27. The Artist by Michel Hazanavicius (2011) 28. Melancholia by Lars von Trier (2011) 29. Hugo by Martin Scorsese (2011) 30. Twice Born by Sergio Castellitto (2012) 31. August Osage county by John Wells (2013) 32. 12 Years a Slave by Steve McQueen (2013) 33. The Best Offer by Giuseppe Tornatore (2013) 34.
    [Show full text]
  • DVD Spring 2020 Catalog This Catalog Lists Only the Newest Acquired DVD Titles from Spring 2020
    Braille and Talking Book Library P.O. Box 942837 Sacramento, CA 94237-0001 (800) 952-5666 (916) 654-1119 FAX Descriptive Video Service (DVS) DVD Spring 2020 Catalog This catalog lists only the newest acquired DVD titles from Spring 2020. This is not a complete listing of all DVD titles available. Included at the end of this catalog is a mail order form that lists these DVD titles alphabetically. You may also order DVDs by phone, fax, email, or in person. Each video in this catalog is assigned an identifying number that begins with “DVD”. For example, DVD 0525 is a DVD entitled “The Lion King”. You need a television with a DVD player or a computer with a DVD player to watch descriptive videos on DVD. When you insert a DVD into your player, you may have to locate the DVS track, usually found under Languages or Set-up Menus. Assistance from a sighted friend or family member may be helpful. Some patrons have found that for some DVDs, once the film has begun playing, pressing the "Audio" button repeatedly on their DVD player's remote control will help select the DVS track. MPAA Ratings are guidelines for suitability for certain audiences. G All ages PG Some material may not be suitable for children PG-13 Some material may be inappropriate for children under 13 R Under 17 requires accompanying adult guardian Film not suitable for MPAA rating (TV show, etc.) Some Not Rated material may not be suitable for children. Pre-Ratings Film made before MPAA ratings. Some material may not be suitable for children.
    [Show full text]