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George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
1994.06.18-NME.Pdf
INDIE 45s US 45s PICTURE: PENNIE SMITH PENNIE PICTURE: 1 I SWEAR........................ ................. AII-4-One (Blitzz) 2 I’LL REMEMBER............................. Madonna (Maverick) 3 ANYTIME, ANYPLACE...................... Janet Jackson (Virgin) 4 REGULATE....................... Warren G & Nate Dogg (Outburst) 5 THE SIGN.......... Ace Of Base (Arista) 6 DON’TTURN AROUND......................... Ace Of Base (Arista) 7 BABY I LOVE YOUR WAY....................... Big Mountain (RCA) 8 THE MOST BEAUTIFUL GIRL IN THE WORLD......... Prince(NPG) 9 YOUMEANTHEWORLDTOME.............. Toni Braxton (UFace) NETWORK UK TOP SO 4Ss 10 BACK AND FORTH......................... Aaliyah (Jive) 11 RETURN TO INNOCENCE.......................... Enigma (Virgin) 1 1 LOVE IS ALL AROUND......... ...Wet Wet Wet (Precious) 37 (—) JAILBIRD............................. Primal Scream (Creation) 12 IFYOUGO ............... ....................... JonSecada(SBK) 38 38 PATIENCE OF ANGELS. Eddi Reader (Blanco Y Negro) 13 YOUR BODY’S CALLING. R Kelly (Jive) 2 5 BABYI LOVE YOUR WAY. Big Mountain (RCA) 14 I’M READY. Tevin Campbell (Qwest) 3 11 YOU DON’T LOVE ME (NO, NO, NO).... Dawn Penn (Atlantic) 39 23 JUST A STEP FROM HEAVEN .. Eternal (EMI) 15 BUMP’N’ GRIND......................................R Kelly (Jive) 4 4 GET-A-WAY. Maxx(Pulse8) 40 31 MMMMMMMMMMMM....... Crash Test Dummies (RCA) 5 7 NO GOOD (STARTTHE DANCE)........... The Prodigy (XL) 41 37 DIE LAUGHING........ ................. Therapy? (A&M) 6 6 ABSOLUTELY FABULOUS.. Absolutely Fabulous (Spaghetti) 42 26 TAKE IT BACK ............................ Pink Floyd (EMI) 7 ( - ) ANYTIME YOU NEED A FRIEND... Mariah Carey (Columbia) 43 ( - ) HARMONICAMAN....................... Bravado (Peach) USLPs 8 3 AROUNDTHEWORLD............... East 17 (London) 44 ( - ) EASETHEPRESSURE................... 2woThird3(Epic) 9 2 COME ON YOU REDS 45 30 THEREAL THING.............. Tony Di Bart (Cleveland City) 3 THESIGN.,. Ace Of Base (Arista) 46 33 THE MOST BEAUTIFUL GIRL IN THE WORLD. -
Dusting 'Em Off: Lush – Lovelife
Dusting ‘Em Off: Lush – Lovelife consequenceofsound.net/2012/04/dusting-em-off-lush-lovelife/ 4/28/2012 Lush’s third and final album, Lovelife, turns 16 this year. A sixteenth birthday is admittedly an unusual time to revisit an album, as tradition dictates that such occasions be reserved for anniversaries divisible by five, but Lovelife is one of those albums that has and will likely continue to remain uncelebrated and forgotten on its milestone anniversaries. Sure, Lush still retains a dedicated, loyal following and continues to gain new fans, but how often do they appear in critics’ “top albums and songs of the ’90s” lists? Not often enough. One of the guarantees in the world of music journalism is that any discussion of the history and relevance of 1/3 shoegaze will inevitably focus on how Cocteau Twins and The Jesus and Mary Chain pioneered the shimmering style, while My Bloody Valentine perfected it. Sometimes, Slowdive and Ride will be included, but Lush will likely earn a passing reference at best. Despite generally positive reviews and a commercial viability that found the London quartet playing television shows everywhere and successfully touring American cities other British bands of the ’90s never dared to tread, Lush has seemingly been forgotten or omitted for consideration as one of the shoegaze greats. This diminished legacy is at least partly because Lovelife is when Lush allegedly “went pop.” “Ladykillers” opens Lovelife with an attention-seizing circular melody and spunky vocals from Miki Berenyi that are no longer floating along in a sea of reverb. Confidently at the forefront, Berenyi eviscerates Anthony Kiedis, Matt Sharp, and men with transparent agendas and dubious attitudes towards women everywhere with an infectiously sarcastic wit. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
The Pirates and Pop Music Radio
SELLING THE SIXTIES Was pirate radio in the sixties a non-stop psychedelic party – an offshore discothèque that never closed? Or was there more to it than hip radicalism and floating jukeboxes? From the mavericks in the Kings Road and the clubs ofSohotothemultinationaladvertisers andbigbusiness boardrooms Selling the Sixties examines the boom of pirate broadcasting in Britain. Using two contrasting models of unauthorized broadcasting, Radios Caroline and London, Robert Chapman situates offshore radio in its social and political context. In doing so, he challenges many of the myths which have grown up around the phenomenon. The pirates’ own story is framed within an examination of commercial precedents in Europe and America, the BBC’s initial reluctance to embrace pop culture, and the Corporation’s eventual assimilation of pirate programming into its own pop service, Radio One. Selling the Sixties utilizes previously unseen evidence from the pirates’ own archives, revealing interviews with those directly involved, and rare audio material from the period. This fascinating look at the relationship between unauthorized broadcasting and the growth of pop culture will appeal not only to students of communications, mass media, and cultural studies but to all those with an enthusiasm for radio history, pop, and the sixties. Robert Chapman’s broadcasting experience includes BBC local radio in Bristol and Northampton. He has also contributed archive material to Radios One and Four. He is currently Lecturer and Researcher in the Department of Performing Arts and Media Studies at Salford College of Technology. Selling the Sixties THE PIRATES AND POP MUSIC RADIO ROBERT CHAPMAN London and New York First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. -
The National Trust, Která Nabízí Turistům Poznávací Zájezd Do Míst, Kde Žili John Lennon a Sir Paul Mccartney
UKÁZKA ILUSTRAČNÍCH TESTOVÝCH ÚLOH BUDOUCÍCH MATURITNÍCH TESTŮ ZE ZKUŠEBNÍHO PŘEDMĚTU: ANGLICKÝ JAZYK – základní úroveň obtížnosti Přečtěte si tvrzení 1-9 a informace společnosti The National Trust, která nabízí turistům poznávací zájezd do míst, kde žili John Lennon a Sir Paul McCartney. Na základě informací v textu rozhodněte, zda jsou tvrzení pravdivá (P), nebo nepravdivá (N). První úloha slouží jako vzor (0). Vzor 0: P N 0 Minibus tours to the Beatles` houses run from March to October. P N 1 I can visit the Beatles` houses only with the National Trust minibus tour. 2 Morning and afternoon tours depart from the same place. 3 The Beatles` houses are open on Wednesday. 4 I will pay less than £10 for a ticket if I have a Student Card. 5 I can take photographs in the gardens of both the Beatles´ houses. 6 I can buy a postcard at both the Beatles´ houses. 7 John Lennon was called Mendips when he was a child. 8 I can learn the name of Sir Paul McCartney’s brother from the text. 9 I can see authentic1 furniture in both the Beatles` houses. (text: www.nationaltrust.org.uk, 10-2005; www.manchesteronline.co.uk, 11-2005; www.wikipedia.org,10-2005; upraveno; foto: www.manchesteronline.co.uk, 11-2005; www.angelfire.com,10-2005) 1 authentic: autentický, původní Zdroj: Centrum pro zjištění výsledků vzdělávání CERMAT THE NATIONAL TRUST Join the two-in-one Beatles specials in Liverpool The Lennon and McCartney‘s houses Tour Every week, from March to October, there are minibus tours from two locations – he Albert Dock in the city centre, and historic Speke Hall, a few miles away, near John Lennon Airport, as it‘s now known. -
Deux Filles Was a Beautifully Odd on KLF’S ‘Chill Out’, There Is a Vaguely Proposition
XXXALBUM REVIEWS HQ, Deux Filles was a beautifully odd on KLF’s ‘Chill Out’, there is a vaguely proposition. As Gemini Forque (Lloyd- sombre tone to many of the pieces Tucker) and Claudine Coule (Turner), here, with tracks like ‘Treasure Trove Of the pair developed a whole narrative Memories’, with its pretty synth filigrees, around these “characters”, one involving carrying a delicate, fragile and mournful disappearances and suspenseful intrigue, quality that is sweetly evocative. while also allowing them to don dresses and confuse audiences without ever Projects covering so much musicological once revealing who was really behind ground can often appear peripatetic the project. and elusive, and ‘Space & Time’ is most definitely both of those. It’s almost as if, Deux Filles released two albums at the after sloughing off the mask of assumed start of the 1980s, ‘Silence & Wisdom’ identity, Lloyd-Tucker and Turner went (1982) and ‘Double Happiness’ (1983) and all-out and loaded these vignettes with the pair would eventually come clean even greater levels of musical intrigue about who they really were. It’s therefore and impenetrable mystique. In doing so, perhaps of some surprise that, despite ‘Space & Time’ acts as a wonderfully the cheeky fraud of their backstory being quirky next chapter in the weird story of DEUX FILLES exposed as a deception, they would need Claudine and Gemini. Space & Time to use the moniker for ‘Space & Time’, a long-awaited third album. MAT SMITH LTM / LES DISQUES DU CRÉPUSCULE Picking up where they left off Very much picking up where they left for a third outing, two guys pretend off, ‘Space & Time’ is an expansive and frequently arresting collection of 24 to be two girls all over again discrete and varied pieces taking in all sorts of sounds from around the globe. -
Grey Is the Colour of Hope Is the Fourth Audio Work Compiled by Alan Dunn, Artist and Senior Lecturer in Contemporary Art at Leeds Metropolitan University
grey is the colour of hope is the fourth audio work compiled by Alan Dunn, artist and Senior Lecturer in Contemporary Art at Leeds Metropolitan University. Taking its cue from the manners in which the colour grey has been used in literature, art and design from the Old Testament to the present day, the CD brings together new audio works from students and staff in the School of Contemporary Art and Graphic Design alongside artists' compositions and archival material. The School comprises Contemporary Art Practice, Fine Art and Graphic Design. Permission has been secured and negotiated on each excerpt and the CD is produced in a limited edition of 1,000 and given away freely to students and interested parties. Support for the project has come from the Arts Council of England and Metropolitan University and design of the CD packaging is by John Barton and Sean Thomas, two Second Year Graphic Design students. Composed to echo JMW Turner's 1797 Moonlight, a Study at Millbank a grey landscape shot with one brilliant spash of joy the CD deploys a Leadbelly spoken word introduction from and a newly composed piece from Bill Drummond (Grey and me to bookend a lengthy grey sound collage (with one splash of colour) blending student works and content from Henry Miller, Gerhard Richter, Lydia Lunch, Rodney Marsh and William Shakespeare. Dunn's accompanying essay traces a personal interest in the colour, referencing Irina Ratushinskaya's prison journal the colour of hope, John Major and late 1800's photographs of Glasgow. To order a free copy of the CD please email Alan Dunn at [email protected] AD&THEFILMTAXI Shave to grey The sound of shaving (to) visage, devenir a gris, 2010. -
Rise of the Robots | Cancer Doctor | 04/2014 HIS April/May 2014 INVESTIGATEMAGAZINE.COM 49
HERS Fluoride & IQ & Fluoride | Rise Of The Robots The Of Rise | current affairs and lifestyle Cancer Doctor Cancer for the discerning woman | 04/2014 THE CHEMICAL THAT CAN LOWER YOUR BABY’S IQ And why bottled milk formula may be delivering harmful doses of it THE REDEMPTION OF SHANE JONES He could still be Labour’s next Prime Minister A CURE FOR CANCER? 04/2014 A controversial doctor with NZ links gets | permission to continue experiments April/May 2014 Defence Cuts Defence | RISE OF THE ROBOTS Sexbots, Searchbots, Milbots and Western Decline Western | Homebots – are we the ‘Jetsons’ yet? Shane Jones Shane PLUS in HIS: MARK STEYN AMY BROOKE DAVID GARRETT & MORE HIS April/May 2014 INVESTIGATEMAGAZINE.COM 49 publiceye-INVES6014 CONTENTS Issue 143 | April/May 2014 | www.investigatedaily.com features Fluoride & IQ It’s the chemical that could be dumbing down our kids: fluoridated water used to make infant formula takes babies over the maximum poison limit, 93% of the time. IAN WISHART reveals more about the fluoride debate page 10 Rise Of Robots Once the stuff of science fiction, robots are everywhere these days, in factories and even some homes. What does the future hold, and should we be worried? page 16 April/May 2014 INVESTIGATEMAGAZINE.COM 1 CONTENTS Formalities 04 Miranda Devine 06 Martin Walker 08 Chloe Milne Health & Beauty 26 Diet temptations 28 Varicose veins 34 Gettin’ wiggy with it 26 Cuisine & Travel 36 James Morrow on Spaghetti 38 Beatles’ Liverpool 36 Books & Movies 40 Michael Morrissey 42 Single Moms Club Home & Family 44 Pre-marital sex 46 Career aspirations 34 46 42 HERS / DEVINE The truth about John Howard had emptied boat people out the Miranda Devine detention young man came to our doorstep seeking our centres.