Cathal Thomas Cleary

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Cathal Cleary [email protected] / cathalcleary.com / +353 94 96 21292 / +353 86 164 2372 / +44754 836 5033 MOMMO Theatre, Artistic Director Donmar Warehouse, Trainee Artistic Director 2014 - 2016 JMK Trust Director’s Award 2011 AS DIRECTOR 2020 Fear and Misery of the Third Reich by Bertolt Brecht Oxford School of Drama 2019 The Crucible by Arthur Miller Oxford School of Drama Furniture by Sonya Kelly Druid / National Tour / Stewart Parker Award Blue Thunder by Padraic Walsh Vault Fesitval, London 2018 Home Theatre Ireland Draiocht / Dublin Theatre Festival Madhouse by Una McKevitt & PJ Gallagher Abbey Theatre / Dublin Fringe Furniture by Sonya Kelly Druid / Galway International Arts Festival Debris by Denis Kelly Reality:Check / Smock Alley Theatre Porcelain by Margaret Perry Abbey Theatre, Ireland’s National Theatre 2017 The Half Of It by Karen Cogan Dublin Fringe / Stewart Parker Award Trestle by Stewart Pringle Southwark Playhouse / Papatango Prize 2015/16 Disco Pigs by Enda Walsh UK & Ireland Tour 2014 Women of Troy adapted by Jamie Wilkes Mountview Academy of Theatre Arts 2013 The Last Yankee by Arthur Miller Print Room Theatre 2011 Disco Pigs by Enda Walsh Young Vic / JMK Director’s Award Winner 2008 Appointment in Limbo by Pat McCabe Dublin Fringe / THT Galway The Donahue Sisters & A Galway Girl by Geraldine Aron Galway Theatre Festival / THT Galway 2007 The Factory Girls by Frank McGuinness THT Galway / Roscommon Arts Centre The Cripple of Inishmann by Martin McDonagh THT Galway / Project ’06 Festival 2006 Glengarry Glen Ross by David Mamet An Taibhdhearc Theatre, Galway AS ASSOCIATE / ASSISTANT DIRECTOR 2015 The Vote by James Graham Directed by Josie Rourke / Donmar / More4 2014 The Believers by Bryony Lavery Directed by Scott Graham / Frantic Assembly 2013 The Winslow Boy by Terence Rattigan Directed by Lindsay Posner / Old Vic 2012 Privates on Parade by Peter Nichols Directed by Michael Grandage / West End Timon of Athens by William Shakespeare Directed by Nicholas Hytner / NT Detroit by Lisa D'Amour Directed by Austin Pendleton / NT 2011 Twisted Tales adapted by Jeremy Dyson Directed by Polly Findlay / Lyric Hammersmith / UK Tour 2010 & 2011 The Beauty Queen of Leenane by Martin McDonagh Directed by Joe Hill-Gibbins/ Young Vic / UK & Ireland Tour AS WORKSHOP LEADER Actors Centre London / Workshop series / Contemporary Female Roles Donmar Warehouse / Education Department / Schools workshops for 15-21 year olds Hightide Festival / The Fox by Padraic Walsh / Workshop and rehearsed reading Young Vic Taking Part Department / Directing Beckett Workshop Young Norfolk Arts Festival / Theatre Directing Workshops for 14-17 year olds Old Vic / Education Department / Production Insights Workshop National Theatre / Olivier & National Theatre Studio / Theatre direction JMK Workshops / The Bald Soprano by Eugene Ionesco / Arcola Theatre TRANING Young Vic International Practise / Warsaw Poland / Series of directing skills workshops, Instytut Adama Mickiewicza & TR Warszawa Young Vic / Springboard Genesis Directors’ Programme EDUCATION MA in Drama & Theatre Studies / National University of Ireland, Galway / 2004 – 2005 BA in English and Psychological Studies / National University of Ireland, Galway / 2001 – 2004 REFEREES Garry Hynes, Artistic Director Druid Theatre, [email protected] Nicholas Hytner, Artistic Director Bridge Theatre, [email protected] .

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Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers.
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SHIRCORE Jenny
McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films.
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Deborah Findlay
DEBORAH FINDLAY Theatre: The Children Hazel James McDonald Royal Court Theatre& Samuel J. Friedman Theatere New York Escaped Alone Sally James Mcdonald Royal Court & BAM Rules For Living Edith Marianne Elliot Royal National Theatre Coriolanus Volumnia Josie Rourke Donmar Warehouse Timon of Athens Flavia Nick Hytner Royal National Theatre Moonlight Bel Bijan Sheiban Donmar Warehouse The Glass Menagerie Amanda Joe Hill- Gibbons Young Vic Like A Fishbone Architect Josie Rourke Bush Theatre Separate Tables Miss Cooper Philip Franks Chichester Festival Theatre Madame De Sade Baroness Simiane Michael Grandage Donmar Warehouse Vincent River Anita Steve Marmion 59e59 Theatre, New York John Gabriel Borkman Gunhilde Borkman Michael Grandage Donmar Warehouse The Cut * Susan Michael Grandage Donmar Warehouse Bernarda Alba ** Ponthia Howard Davies National Theatre The Mandate Nadejda Petrovna Declan Donelan National Theatre The Vortex Helen Saville Michael Grandage Donmar Warehouse Mother Claps Molly House Mother Clap Nicholas Hytner National Theatre The Winter's Tale Paulina Nicholas Hytner National Theatre The Threesome Hermance Gordon Anderson Lyric, Hammersmith The School For Scandal Lady Sneerwell Declan Donellan R S C Tongue Of A Bird Maxine Peter Gill Almeida Stanley *** Hilda John Caird National Theatre / Circle In The Sq The Seagull Madame Arcadina Robert Sturua Thelma Holt / Tour The Clandestine Marriage Miss Sterling Nigel Hawthorne Thelma Holt / West End The Beaux Stratagem Mrs Sullen Stephen Unwin Tour / Richmond The New Menosa Donna
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02 the Hollow Crown Bios
Press Contact: Harry Forbes 212.560.8027, [email protected] Lindsey Bernstein 212.560.6609, [email protected] Great Performances: The Hollow Crown Bios Tom Hiddleston After he was seen in a production of A Streetcar Named Desire by Lorraine Hamilton of the notable actors’ agency Hamilton Hodell, Tom Hiddleston was shortly thereafter given his first television role in Stephen Whittaker’s adaptation of Nicholas Nickleby (2001) for ITV, starring Charles Dance, James D’Arcy and Sophia Myles. Roles followed in two one-off television dramas co-produced by HBO and the BBC. The first was Conspiracy (2001), a film surrounding the story of the Wannsee Conference in 1942 to consolidate the decision to exterminate the Jews of Europe. The film prompted Tom’s first encounter with Kenneth Branagh who took the lead role of Heydrich. The second project came in 2002 in the critically acclaimed and Emmy Award- winning biopic of Winston Churchill The Gathering Storm, starring Albert Finney and Vanessa Redgrave. Tom played the role of Randolph Churchill, Winston’s son, and cites that particular experience – working alongside Finney and Redgrave, as well as Ronnie Barker, Tom Wilkinson, and Jim Broadbent – as extraordinary; one that changed his perspective on the art, craft and life of an actor. Tom graduated from RADA in 2005, and within a few weeks was cast as Oakley in the British independent film Unrelated by first-time director Joanna Hogg. Unrelated tells the story of a woman in her mid-40s who arrives alone at the Italian holiday home of an extended bourgeois family.
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Press Release
THURSDAY 13 SEPTEMBER 2018 Press Release DONMAR WAREHOUSE ANNOUNCES TWO DONMAR DEBUTS BY RISING DIRECTING TALENTS TO COMMENCE ARTISTIC DIRECTOR JOSIE ROURKE’S FINAL SEASON ● Donmar Warehouse’s outgoing Artistic Director Josie Rourke announces today two new productions as part of her final season, both with rising directorial talents at the helm: The UK premiere of Lynn Nottage’s Pulitzer Prize-winning play Sweat, directed by former Donmar Resident Assistant Director Lynette Linton; and an original stage adaptation of Peter Strickland’s chilling film Berberian Sound Studio, written for the stage by Joel Horwood, marking the directorial debut for Donmar Associate Artist Tom Scutt and starring actor Tom Brooke. Josie Rourke’s final production at the Donmar will open in April 2019 and will be announced later this year. ● Lynette Linton will make her Donmar debut as director in December with the UK premiere of Lynn Nottage’s Pulitzer Prize-winning play Sweat. Nottage spent a number of years with the inhabitants of Reading, Pennsylvania - one of the poorest cities in America – to write Sweat. It powerfully chronicles the story of how the USA has reached its current political and cultural situation. Lynette was previously a Resident Assistant Director at the Donmar, working on productions including Belleville, The Lady from the Sea and The York Realist. The Resident Assistant Director scheme supports artists early in their career to develop their skills and alumni include Artistic Director Josie Rourke, Rupert Goold, Jamie Lloyd, Sacha Wares and Simon Evans. ● Donmar Associate Artist Tom Scutt will make his directorial debut in February with an adaptation of Peter Strickland’s chilling film Berberian Sound Studio, written for the stage by Joel Horwood.
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Includes Our Main Attractions and Special
Hiway Theater Previews86H DECEMBER 2013 – FEBRUARY 2014 Judi Dench and Steve Coogan in PHILOMENA Coogan Judi Dench and Steve INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS H IWAYT HEATER.NET 267 864 0065 Welcome to the nonprofit Hiway Theater The HiwayTheater is a nonprofit, tax-exempt 501(c)(3) organization. How can you support the Hiway Theater? ADMISSION Be a member. Become a member of the nonprofit Hiway Theater and show General ............................................................$10.00 your support for good films and a cultural landmark. See back Members* .........................................................$5.00 panel for a membership form or join online. Your financial sup- Seniors (62+) & port is tax-deductible. Young persons (<25). ......................................$7.50 Make a gift. Matinees Your additional gifts and support make us even better. Your Mon, Tues, Thurs & Fri before 4:30 donations are fully tax-deductible. And you can even put your Sat & Sun before 2:30 .......................................$7.50 name on a bronze star in the sidewalk! Wed Early Matinee before 2:30 ..........................$6.00 Contact our Business Office at (215) 348-1878 x117 or at Affiliated Theaters Members** ...........................$6.00 [email protected]. You must present your membership card to obtain membership discounts. Be a sponsor. The above ticket prices are subject to change. Receive prominent recognition for your business in exchange *Members’ admission may increase to $6.00 later in 2014. for helping our nonprofit theater. Recognition comes in a variety of ways – on our movie screens, in our brochures, and on our **Affiliated Theaters Members website. Contact us at (215) 348-1878 x112 or at The Ambler Theater, the County Theater, and now the Hiway Theater [email protected].
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Alexi Kaye Campbell
Alexi Kaye Campbell CATEGORIES: Film / TV / Theatre AGENT: Nicky Lund Alexi's first play THE PRIDE premiered at the Royal Court Theatre Upstairs in November 2008 for which he was awarded the Critic's Circle Prize for Most Promising Playwright and the John Whiting award for Best New Play. The production was also awarded the Olivier award for Outstanding Achievement in an affiliate theatre. THE PRIDE then transferred to America and was produced at MCC Theatre in New York in January 2010 directed by Joe Mantello. In June 2011 a revival of THE PRIDE was produced at the Crucible Theatre in Sheffield, directed by Richard Wilson. In Autumn 2013 another revival of THE PRIDE, directed by Jamie Lloyd, enjoyed a successful run in the West End of London before embarking on a national tour. His second play, APOLOGIA opened at the Bush Theatre in the summer of 2009, directed by Josie Rourke. APOLOGIA was short-listed for The John Whiting Award and nominated for Best Play at the Writers Guild Awards 2009. Alexi's third play THE FAITH MACHINE directed by Jamie Lloyd, premiered at the Royal Court Theatre in August 2011 to excellent reviews. In June 2013 his fourth play, BRACKEN MOOR, was produced by Shared Experience at the Tricycle Theatre in London, and was directed by Polly Teale. In 2016 Alexi’s play, SUNSET AT THE VILLA THALIA, was produced at the National Theatre in a production directed by Simon Godwin and starring Ben Miles and Elizabeth McGovern. In August 2017 a revival of APOLOGIA was produced at the Trafalgar Studios in London, directed by Jamie Lloyd and starring Stockard Channing.
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Josie Rourke Director
Josie Rourke Director Josie is the Artistic Director of the Donmar Warehouse, London. Josie was born and raised in Salford and read English at Cambridge before training under Sam Mendes at the Donmar Warehouse. She became trainee Associate Director at the Royal Court Theatre before taking up the role of Associate Director at Sheffield Theatres. Josie was appointed Artistic Director at the Bush Theatre, London in 2007 and during her tenure oversaw the acquisition and transfer of the theatre to its new home on the Uxbridge Road, winning Theatre of the Year 2011. The Donmar Warehouse: Saint Joan; Les Liaisons Dangereuses; The Vote; City of Angels (Olivier Award for Best Musical Revival); Privacy; Coriolanus; The Weir (transferred to Wyndham’s Theatre, West End); The Recruiting Officer; The Physicists; Berenice. Live Cinema and Television Broadcast: Coriolanus starring Tom Hiddleston; Les Liaisons Dangereuses starring Janet McTeer and Dominic West; Saint Joan starring Gemma Arterton and The Vote, co-created with writer James Graham, which was broadcast live onto television on the night of the 2015 UK General Election and nominated for a Best Live Event BAFTA. In America: Les Liaisons Dangereuses starring Liev Schreiber and Janet McTeer, The Booth Theatre, Broadway; Privacy, by James Graham, starring Daniel Radcliffe at The Public Theater, New York. The Machine by Matt Charman at The Park Avenue Armory and Twelfth Night at Chicago Shakespeare. The Bush Theatre: Sixty-Six Books; Like a Fishbone, If There Is I Haven’t Found It Yet, Apologia,
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Catherine Tate
Catherine Tate Theatre Title Role Director Producer Miss Atomic Bomb Myrna Bill Deamer/Adam Long St James' Theatre The Catherine Tate Live Show Various Sean Foley Phil McIntyre Entertainments The Vote Kirsty Josie Rourke Donmar Warehouse Assassins Sara Jane Moore Jamie Lloyd Menier Chocolate Factory Much Ado About Nothing Beatrice Josie Rourke Wyndham's Theatre Season's Greetings Belinda Marianne elliot National Theatre Under The Blue Sky Michelle Anna Mackmin Duke Of York's Theatre The Exonerated Sunny Jacobs Bob Balaban Riverside Studios Some Girls Sam David Grindley Gielgud Theatre A Servant Of Two Masters Smeraldina Tim Supple RSC/World Tour The Catherine Tate Show Various Edinburgh/London Way Of The World Peg Phyllida Lloyd National Theatre The Prince's Play Barmaid Richard eyre National Theatre Film Title Role Director Producer Monster Family Baba Yaga (voice) Holger Tappe Timeless Films Superbob Theresa Jon Drever Grain Media The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 The Nativity 3: Dude Where's MySophie Donkey Debbie Issit Mirrorball Films Ltd Khumba Nora (voice) Anthony Silverston Triggerfish Animation Monte Carlo Alicia Thomas Bezucha Fox Much Ado About Nothing Beatrice Josie Rourke Sonie Friedman Productions Gulliver's Travels Queen Of Lilliput Rob Letterman Twentieth Century Fox Mrs Ratcliffe's Revolution Dorothy Billie Eltringham Assassin Films Scenes Of A Sexual Nature Sara Edward Blum Tin Pan Films Starter For 10 Julia Tom Vaughn BBC Films Sixty Six Lila Paul Weiland Working Title
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MIXED MARRIAGE by St John Ervine
Press Information 31Productions in association with Neil McPherson for the Finborough Theatre presents MIXED MARRIAGE by St John Ervine. Directed by Sam Yates. Designed by Richard Kent. Lighting Design by David Plater. Music and Sound Design by Alex Baranowski. The first London production for 90 years of St John Ervine’s searing Belfast tragedy Mixed Marriage, first seen at the Abbey Theatre, Dublin, plays for a four-week season from Tuesday, 4 October 2011 (Press Night: Thursday, 6 October 2011 at 7.30pm) at the multi-award-winning Finborough Theatre. As the city's factories come out on strike, John Rainey, the respected head of a Protestant family, acts to calm the sectarian tension being stirred up by politicians for their own ends. On the streets, Rainey successfully unites Catholic and Protestant against the machinations of the factory owners, the nationalists and the Orangemen. But at home, passions rise when Rainey discovers that his son wants to marry the beautiful, innocent Nora, a Catholic... Set in Ireland before partition, Mixed Marriage is a poetic tragedy – leavened with earthy humour – which dissects class and religious sectarianism through the breakdown of one ordinary family. It was a groundbreaking success in its time and established Ervine as a great Irish writer. This production is another Finborough Theatre rediscovery, following in the footsteps of such sell-out successes as J.M. Barrie's What Every Woman Knows and Quality Street, Graham Greene's The Potting Shed and Emlyn Williams' Accolade. Director Sam Yates is Artistic Associate at Royal and Derngate Theatres, Northampton. He has been Associate Director to Michael Grandage, Trevor Nunn, Jamie Lloyd, Josie Rourke and Phyllida Lloyd.
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Written by Titas Halder Edited by Sam Maynard Rehearsal and Production Photography by Helen Warner CONTENTS BACKGROUNDPRODUCTIONRESOURCES
Written by Titas Halder Edited by Sam Maynard Rehearsal and Production photography by Helen Warner CONTENTS BACKGROUNDPRODUCTIONRESOURCES Contents Introduction 3 Section 1: Background to THE WEIR 4 Quiet Electricity: An introduction to THE WEIR 5 Section 2: The Donmar’s Production 9 Cast and Creative Team 10 Rehearsal Diary 11 A conversation with Tom Scutt, Designer 16 A conversation with Dervla Kirwan, playing Valerie 21 Section 3: Resources 25 Spotlight on: David Skelly and Matt Day, the Donmar Carpenters 26 Practical Exercise for use in the classroom 30 Bibliography and suggestions for further reading: 33 About the Donmar Warehouse 34 2 CONTENTS BACKGROUNDPRODUCTIONRESOURCES Introduction Welcome to this Behind the Scenes guide to the Donmar Warehouse revival of Conor McPherson’s THE WEIR, directed by Josie Rourke. In the following pages, you will find a wealth of information to give you a closer look at the process of bringing this production from page to stage. Conor McPherson is widely considered one of the greatest living playwrights in the English language, and THE WEIR is perhaps his best known play, written when Conor was just 26. After an initial run of performances at the Royal Court, the first production of the play transferred to the West End and won an Olivier award for Best New Play in 1999. It was named as one of the 100 most significant plays of the 20th Century in a National Theatre poll. The Donmar’s production marks the first major London revival of this modern masterpiece. This guide aims to set the play and the production in context, through conversations with members of the cast and creative team, as well as offering a glimpse into the world that inspired McPherson to write the play.
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February March January
Winter Arts Calendar 2012 The Observer’s critics pick the season’s highlights JANUARY 6 10 11 12 13 16 17 20 CLASSICAL DANCE FILM DANCE FILM NIGEL SURVIVOR WAR HORSE HOLISTA CORIOLANUS; KENNEDY In his first collaboration Michael Morpurgo’s STRATA/HAPTIC W.E.; The Orchestra of Life with another artist, children’s novel (and its A leading light of the J EDGAR and the violinist’s own the cult Israeli National Theatre stage Japanese avant garde, A big week for NK Band play his ever choreographer- version) about equine Hiroaki Umeda marries complex biopics evolving smash-hit composer Hofesh heroism in the first butoh-minimalist street sees Ralph Fiennes version of Vivaldi’s Four Shechter creates a world war gets the full dance to cutting-edge directing himself in Seasons and more. At soundscape in a visual Hollywood treatment sound and image. At the a modern version the Regent, Ipswich landscape constructed from Steven Spielberg. Royal Opera House to of Shakespeare’s tonight,then touring to by sculptor Antony Newcomer Jeremy 17 January. Coriolanus; Madonna 23 January. Gormley. Their theme: Irvine (below) stars. celebrating the romance the fight for existence. of Wallis Simpson and FILM THEATRE THEATRE At the Barbican to POP ART Edward VIII in W.E.; and THE IRON MAN IN THE TRAVELLING 14 January. THE HORRORS HAMISH Leonardo DiCaprio LADY MIDDLE LIGHT The black-clad misfits FULTON portraying J Edgar Meryl Streep (above), Billed as “a Wikiplay, Antony Sher (above) is a scour away the January Fulton has walked the Hoover, creator of working again with sourced from the public director looking back on blues with their third world for decades for the FBI, under Clint Phyllida Law, director domain, refracted and his early east European album’s psychedelic art’s sake.
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