ED OSBORN Born in Helsinki, Finland, 1964

EDUCATION

1993 Master of Fine Arts, Mills College, Oakland, California 1987 Bachelor of Art, Wesleyan University, Middletown, Connecticut

SELECTED SOLO EXHIBITIONS

2011 Kingdom, Catharine Clark Gallery, San Francisco, California 2006 Ed Osborn:Transients, Catharine Clark Gallery, San Francisco, California Off-Site: Ed Osborn, Fulton Mall, organized by Fresno Metropolitan Museum, Fresno, California 2005 Computing Commons Gallery, Arizona State University, Tempe, Arizona Radio Brandenberg-Berlin Klanggalerie, Berlin, Germany 2004 Interaccess, Toronto, Canada Forum Itinerant, Strasbourg, France 2003 Flying Machines, New Sound and DVD Projects, Catharine Clark Gallery, San Francisco, California Particle Moves, Institute of Modern Art, Brisbane, Australia Feldstimmen, Voxxx, Chemnitz, Germany 2002 Aerial Lines, Gallery Rachel Haferkamp, Cologne, Germany 2001 Air Driver, Sparwasser HQ, Berlin, Germany Flying Machines, singuhr-hörgalerie, Berlin, Germany MATRIX 193, Vanishing Point, University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, California 1999 Recoil, Artspace, Sydney, Australia Recoil, Thompson Art Gallery, San Jose State University, San Jose, California 1998 Fairfield Center Gallery, Fairfield, California Galerie DARE-DARE, Montreal, Quebec, Canada 1997 Skeletons: Sound Sculpture, Catharine Clark Gallery, San Francisco, California 1996 Muu Media Festival / Museum of Applied Arts, Helsinki, Finland Kastrich, Mainz, Germany Yerba Buena Center for the Arts, San Francisco, California Urban Institute for Contemporary Art, Grand Rapids, Michigan LACE, Los Angeles, California 1995 Rensselaer Center for Contemporary Art, Troy, New York Groundswell, San Francisco Art Commission Gallery, California Radios Appear: Introductions 95, Morphos Gallery, San Francisco, California Modern Fuel Gallery, Kingston, Ontario, Canada 1994 Het Apollohuis, Eindhoven, The Netherlands 1993 The Lab, San Francisco, California 1992 Southern Exposure Gallery, San Francisco, California Pro Arts, Oakland, California 1990 Mobius, Boston, Massachuesetts

SELECTED GROUP EXHIBITIONS

2011 White Walls Have Ears, Run Run Shaw Arts Center, City University of Hong Kong .com

y Sonic Exquisite Corpse, SoundFjord Gallery, London, United Kingdom Broadcast: The Picnoleptic Muse, NetAudio Festival, Roundhouse, London, United Kingdom aller (Un)Pleasant Over Drones ReSound Falmouth, Cornwall, United Kingdom g 2010 Faculty Triennial, Bell Gallery, Brown University, Providence, Rhode Island Constructed Territory Stein Galleries, Wright State University, Dayton, Ohio Tweak Festival, Interaction Design Centre, University of Limerick, Limerick, Ireland Dragonfly Festival, Falköping, Sweden, with Soundfjord Gallery

www.cclark SoundLab VII, NewMediaFest 2010, Cologne, Germany (online)

Sonic Vigil V, St Fin Barre’s Cathedral, Cork, Ireland Electronic Literature Organization Conference, Brown University, Providence, Rhode Island re(((SOUND))), Hunt Gallery, Webster University, St. Louis, Missouri, Amazing Acoustaphotophonogrammitron, Gallery 51, MCLA, North Adams, Massachusetts 2009 The Future Imaginary, Ben Maltz Gallery, Otis College of Art & Design, Los Angeles, California Zeppelin Festival, Centre de Cultura Contemporània de Barcelona, Spain 2008 Digital Art Weeks Festival, Swiss Federal Institute of Technology, Zurich, Switzerland Inventionen Festival, DAAD, Berlin, Germany Sguardi Sonori Festival, Contemporary Art Museum di Casoria, Naples, Italy SoundCast IV: The Resonance of the Intimate Sound Daily Constitutional (online) Rencontres Internationales Festival, Haus der Kultur der Welt, Berlin, Germany Superlight, Zero/One Festival, San Jose Museum of Contemporary Art, San Jose, California Music To My Eyes, FUEL Collection, Philadelphia, Pennsylvania Islands+Ghettos, Heidelberger Kunstverein, Heidelberg, Germany Rencontres Internationales Festival, El Aguila, Madrid, Spain The Lament Project Viralnet, Center for Integrated Media, Cal Arts, Valencia, California 2007 Velocity, Folly, Lancaster, United Kingdom Relay, Finetuned, Brighton, United Kingdom Land Grab Online, Wooloo, Berlin, Germany, (part of Land Grab, Apex Art, New York, New York) Rencontres Internationales Festival, Centre Pompidou, Paris, France Pixilerations [v.4], FirstWorksProv Festival, Providence, Rhode Island 100 Days = 100 Videos, GL Strand, Museum Copenhagen Denmark 30 Years, 30 Artists, 30 Careers Urban Institute for Contemporary Arts, Grand Rapids, Maine LISTE Cologne 07, Cologne, Germany, with Galerie Haferkamp Faculty Works: Fuse, Zokei Gallery & University Museum, Tokyo Zokei University, Tokyo, Japan Faculty Works: Fuse, Gallery AUBE, Kyoto University of Art and Design, Kyoto, Japan Faculty Works: Fuse, Senson Gallery, UC Santa Cruz, Santa Cruz, California PULSE Art Fair, New York, New York, with Catharine Clark Gallery 2006 Sonoric Perspectives, Museum of Contemporary Art, Ystad, Sweden. Exhibition traveled to Kunsthalle, Roskilde, Denmark Ostseebiennale der Klangkunst, Kunsthalle, Rostock, Germany NextNew2006, San Jose Institute of Contemporary Art, San Jose, California Globi Award, Museum of Applied and Contemporary Art (MAK), Vienna, Austria 2005 Passions & Visions: Antartica, Hopkins Hall Gallery, Ohio State University, Columbus, Ohio Bay Area Now 4, with www.stretcher.org collective, Yerba Buena Center for the Arts, San Francisco, California Sonorities Festival, Sonic Arts Research Centre, Queen’s University, Belfast, Ireland Faculty Show, Senson Gallery, University of California, Santa Cruz, California 2004 Territories Live/Cities of Collision, Bezalel Academy of Arts and Design, Tel Aviv, Israel Thinking Out Loud, Heide Museum of Modern Art, Melbourne, Australia Territories, Frontiers, and the Architecture of Warfare, Index, Stockholm, Sweden Sonic Difference, Biennale of Electronic Art Perth, Perth, Australia ISEA, Kiasma, Helsinki, Finland Klangraum - Raumklang, Cologne, Germany Territories, Malmö Konsthall, Malmö, Sweden Fly Utopia!, Transmediale Festival, Berlin, Germany Di Rosa Preserve, Napa, CA, Danger Drift, New Media Scotland, Edinburgh, Scotland Sound of Place/Place of Sound, Sun Valley Center for the Arts, Sun Valley, Idaho Osborn Page 2

Danger, University Art Gallery, Chico State University, Chico, California 2003 R & D: 20 Years / 20 Artists at the LAB, The LAB, San Francisco, California .com

y Wings of Art, Ludwig Forum für Internationale Kunst, Aachen, Germany Wings of Art, Kunsthalle Darmstadt, Darmstadt, Germany aller Danger, Horton Gallery, Stockton, California g Road Trip, Margaret Thatcher Projects, New York, New York Al Lado del Silencio, Metronom, Barcelona, Spain 2002 Art & Industry Biennial, Christchurch, New Zealand Deutschen Klangkunst Preis Exhibition, Skulpturenmusem Glaskasten Marl, Marl, Germany Resonanz I, Stadtgalerie, Saarbrücken, , Saarbrücken, Germany www.cclark

2001 4eva, Physics Room, Christchurch, New Zealand online/offline, Gencor Gallery, Rand Afrikaans University, Johannesburg, South Africa Brandenburgischen Kunsttage, Drewen, Germany Klangturm, St. Pölten, Austria The Drunken Boat, New York, New York 1010, 10th Anniversary Exhibition, Catharine Clark Gallery, San Francisco, CA Zepplin Sound Art Festival, Centre de Cultura Contemporània de Barcelona, Spain 2000 Virgin Atlantic Terminal, San Francisco International Airport, San Francisco, California send + receive festival, Winnipeg, MB, Canada Tectonic, Physics Room, Christchurch, New Zealand Aural Sex, Catharine Clark Gallery, San Francisco, California Inventionen 2000, Berlin, Germany San Francisco Electronic Music Festival, San Francisco, California Atmospheric Conditions, Spaces Gallery, Cleveland, Ohio Play It By Ear II, Bay Area Discovery Museum, Sausalito, California Technology & Identity, Stetson University, Deland, Florida Small Objects for Sound & Light, Sonoma Museum of Visual Art, Santa Rosa, California Net Work, New Langton Arts, San Francisco, California 1999 En Red O, VII Symposium of Electronic Music, Centre de Cultura Contemporània de Barcelona, Spain Situaciones, Universidad de Castilla La Mancha, Cuenca, Spain Inaugural Exhibition, Tryon Center for Visual Art, Charlotte, North Carolina Sound Box 2, Museum of Contemporary Art, Helsinki, Finland San Francisco International Art Exposition, Catharine Clark Gallery, San Francisco, California Spinal Epidural Please!, Catharine Clark Gallery, San Francisco, California Oblique, Otira, New Zealand Musique en Scene: Collage Jukebox, Musée d’Art Contemporain, Lyon, France College Jukebox, Le Wagram, Nice, France SoundCulture 99, Auckland Art Gallery, Auckland, New Zealand Play It By Ear, Bay Area Discovery Museum, Sausalito, California 1998 Interiors, Catharine Clark Gallery, San Francisco, California Brisbane Festival, Institute of Modern Art, Brisbane, Australia Technical Poetics, Sherry Frumkin Gallery, Santa Monica, California Kurst in der Stadt II: Collage JukeBox Bregener Kunstverein, Bregenz, Austria EarMarks, MassMOCA, North Adams, Massachuesetts Resonance FM, Meltdown Festival, South Bank Centre, London, United Kingdom Dromology, New Langton Arts, San Francisco, California Sound Box, Museum of Contemporary Art, Helsinki, Finland 1997 Traveling Without Moving, with Olav Westphalen, Shift Gallery, Berlin, Germany Auto Show, Index, Stockholm, Sweden, Wish You Were Here, Arcana, New York, New York Endeavor: I Ask You, Tweed Museum of Art, Duluth, Minnesota EarArt,1078 Gallery, Chico, California 1996 Sonambiente Festival, Berlin, Germany Inter-Galactic, Four Walls, San Francisco, California Techne, San Francisco Arts Commission Gallery, San Francisco, California 1995 ISEA 95, Montreal, Quebec, Canada Discards, Secession Gallery, San Francisco, California Anonymous Arrangement, Richmond Art Center, Richmond, California Headlands Center for the Arts, Sausalito, California

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Long Horizons, Falkirk Cultural Center, San Rafael, California Big Jesus Trash Can, Victoria Room, San Francisco, California .com

y 1994 Site As Music, Secession Gallery, San Francisco, California Elsewhere, Titanik Gallery, Turku, Finland aller Dancing on the Continuum, WORKS, San Jose, California g Sound City Spaces, Memorial University Art Gallery, St. John’s, Newfoundland Interactions, Falkirk Cultural Center, San Rafael, California Compose Yourself, The Exploratorium, San Francisco, California Resonant Systems, Victoria Room, San Francisco, California Reverberations, Spaces, Cleveland, Ohio www.cclark

1993 Pro Arts Annual, Pro Arts, Oakland, California 1992 Landlocked, Ghia Gallery, San Francisco, California 1991 The Blue Book Chronicles, Pro Arts, Oakland, California Electronic Music Plus Festival, Prieto Gallery, Oakland, California 1989 Grossman Gallery, Museum School, Boston, Massachusetts

SELECTED PERFORMANCES

2011 Sound Off, ((audience)), 16beavergroup, New York, New York Musik Im Freien, Carillon, Tiergarten, Berlin Quiet Cue, Berlin, Germany re-new Digital Arts Festival, Copenhagen, Denmark 2009 San Francisco Electronic Music Festival, San Francisco, California Pixilerations Festival, Providence, Rhode Island 2006 Catharine Clark Gallery, San Francisco, California 2004 Biennale of Electronic Art Perth, Perth, Australia singuhr-hörgalerie, Berlin, Germany, with Stephan Mathieu Freie Initiative Improvisation Berlin, Berlin, Germany, with Axel Dörner 2004 Biennale of Electronic Art Perth, Perth, Australia singuhr-hörgalerie, with Stephan Mathieu, Berlin, Germany Freie Initiative Improvisation Berlin, with Axel Dörner, Berlin, Germany 2003 Voxxx, Chemnitz, Germany Institute of Modern Art, with the Elision Ensemble, Brisbane, Australia Bus Gallery, Melbourne, Australia Metronom, Barcelona, Spain Marrz Musik Festival, with Nicolas Collins, Berlin, Germany Wesleyan University, Middletown, Conneticut 2002 Festival of Exiles, Staadtsbank, Berlin, Germany Experimentelle Musik 2002, Munich, Germany Gallerie Rachel Haferkamp, Cologne, Germany Audible Interfaces, Ensemble Mosaik, Berlin, Germany 2001 Freie Universität, Berlin, Germany MeX, Dortmund, Germany Gallery Haferkamp, Cologne, Germany Carillon, Tiergaten, Berlin, Germany Local Music, Berlin, Germany Kule, Berlin, Germany 21 Grand, Oakland, California Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany Logos Foundation, Ghent, Belgium 2000 K77, Berlin, Germany Inventionen Festival, Berlin, Germany 1999 Lincoln Center, New York, New York 1998 The Lab, San Francisco, California 1996 Urban Institute for Contemporary Art, Grand Rapids, Michigan 1995 Universidade de Brasilia, Brasilia, Brazil Intersection for the Arts, San Francisco, California 1994 Freunde Guter Musik Berlin, Berlin, Germany SKOP, Frankfurt, Germany Osborn Page 4

ISEA 94, Helsinki, Finland Sound Symposium, St. John’s, Newfoundland .com

y 1993 Experimental Intermedia Foundation, New York, New York Audio Visual Experimental Festival, Arnhem, Netherlands aller VPRO Radio, Amsterdam, Netherlands g Logos Foundation, Ghent, Belgium Feedback Studio, Cologne, Germany Het Apollohuis, Eindhoven, Netherlands Victoria Room, San Francisco, California Festival de Musica Contemporanea, Santafe de Bogota, Columbia www.cclark

1992 Kala Institute/Pro Arts Gallery, Oakland, California Roulette, New York, New York Amica Bunker, New York, New York 800 East Gallery, Atlanta, Georgia Outpost, Albuquerque, New Mexico 1991 Oakland Museum, Oakland, California Sonic Disturbances Festival, Cleveland, Ohio 1990 Kaleidoscope, San Francisco, California Gargoyle Mechanique, New York, New York WMWM-FM, Salem, Massacheusetts Generator, New York, New York AS 220, Providence, Rhode Island Worcester Artist’s Group, Worcester, Massachusetts Zone Art Center, Springfield, Massachusetts 1989 Real Art Ways, New England Composers Festival, Hartford, Conneticut Knitting Factory, New York, New York New Langton Arts, San Francisco, California Mobius, Boston, Massachusetts WBRS-FM, Waltham, Massachusetts WZBC-FM, Boston, Massachusetts Kingston Gallery, Boston, Massachusetts 1988 Roulette, New York, New York Mobius, Boston, Massachusetts 1986 Real Art Ways, Connecticut Composers Festival, Hartford, Conneticut

SELECTED SOUND DESIGN

2004 231 West 47th Street, by Uli Rasche, Sophiensale, Berlin, Germany 2003 Turning Tables, by Franz John, ARCO, Madrid, Spain 2001 Hof, by Thomas Demand, De Appel, Amsterdam, Netherlands 2000 Made in USA: The Angel Island Project, by Flo Oy Wong, Angel Island, California 1999 Speaking In Tongues: A Look at the Language of Display, by Fred Wilson, de Young Museum, San Francisco, California 1998 Swatch Pavilion, Pfau Architecture, Expo 98, Lisbon, Portugal, 1997 The Hospital: Five Confessions, Ilya Kabakov, Capp Street Project, San Francisco, California 1996 Swatch Pavilion, Pfau Architecture, Olympic Games, Atlanta, Georgia Hop, by Haha, Capp Street Project, San Francisco, California 1994 American Female, by Laura Brun, Intersection for the Arts, San Francisco, California 1992 Gallery, by Mel Chin, Capp Street Project, San Francisco, California. Traveled to Three Rivers Festival, Pittsburgh, Pennsylvania. The Airwaves Project, by, Shu Lea Cheang, Capp Street Project, San Francisco, California 1991 Fugitive Landing, by May Sun, Capp Street Project, San Francisco, California. Traveled to the List Visual Art Center, Cambridge, Massachuesetts. 1989 A Cheap Watch, directed by Patrick Stettner, Stenola Films, Boston, Massachuesetts

SELECTED RECORDINGS

4Eva: A Tribute to Fanaticism, Physics Room, Christchurch, New Zealand Music for the 21st Century, Leonardo Music Journal CD, Vol. 1, No. 1, Oxford, England, 1991

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Arf Arf Presents, Arf Arf Records, Cambridge, MA, with the Ski-A-Delics, 1990 We Are What You Eat, Slippery Slope Music, Boston, MA, with the Ski-A-Delics, 1990 .com

y Lennarcs, Frog Peak Music, Hannover, NH, solo works, 1989 Snow Bunny Bobby Katz, Slippery Slope Music, with the Ski-A-Delics, Boston, MA, 1989 aller g AWARDS & RESIDENCIES

2011 Humanities Research Award, Brown University, Providence, Rhode Island (& 2010, 2009, 2008). Arctic Circle, Svalbard, Norway

www.cclark Diapason Gallery, Brooklyn, New York

Yaddo, Saratoga Springs, New York (& 2008) 2010 Salomon Research Award, Brown University, Providence, Rhode Island Experimental Television Center, Owego, New York 2009 Performance Grant, Meet the Composer, New York, New York (& 1992, 1991). 2007 Arts Research Initiative Mini Grant, UC Santa Cruz, Santa Cruz, California Committee on Research Grant, UC Santa Cruz, Santa Cruz, CA (& 2006, 2004) 2006 Arts Research Initiative Major Grant, University of California, Santa Cruz, California COR Grant, University of California, Santa Cruz, California 2005 Arts Research Initiative Major Grant, University of California, Santa Cruz, California 2004 Arts International Award, New York, New York COR Grant, University of California, Santa Cruz, California Arts Research Initiative Off—Cycle Grant, University of California, Santa Cruz, California 2003 Artist in Residence, Kunsthochschule für Media, Cologne, Germany 2001 Finnish Cultural Foundation Grant, Helsinki, Finland Artist in Residence, Christchurch Polytechnic Institute, Christchurch, New Zealand 2000 Guggenheim Fellowship, Guggenheim Foundation, New York, New York Creative Artist Fellowship, Oakland Cultural Affairs Commission, Oakland, California Artist in Residence, DAAD Artists In Berlin Program, Berlin, Germany Artist in Residence, Polar Circuit 3, Rovaniemi, Finland Artist in Residence, Tryon Center for Visual Art, Charlotte, North Carolina 1999 Artist in Residence, Artspace, Sydney, Australia Artist in Residence, Center for Research in Computing and the Arts, University of California, San Diego, California Artist in Residence, Djerassi Resident Artist Program, Woodside, California 1998 Artist in Residence, Polar Circuit 2, Tornio, Finland 1996 Creative Work Fund Grant, San Francisco, California Lannan Foundation Grant, Los Angeles, California 1995 Travel Grant, Arts International, New York, New York Artist in Residence, Headlands Center for the Arts, Sausalito, California 1994 Artist in Residence, STEIM, Amsterdam, The Netherlands Artist in Residence, Het Apollohuis, Eindhoven, The Netherlands 1993 Artist in Residence, Banff Center for the Arts, Banff, AB, Canada Artist in Residence, The LAB, San Francisco, California 1992 Crothers Award for Music Composition, Mills College, Oakland, California Performance Grant, Meet the Composer/California, Los Angeles, California 1989 Audio Services Grant, Harvestworks, New York, New York

TEACHING

2008 Brown University, Providence, RI, Assistant Professor (2008–present). 2005 University of California at Santa Cruz, Santa Cruz, CA, Assistant Professor (2005–2007). 2003 California College of the Arts, Oakland, CA, Senior Lecturer (& 1999, 1995, 1994). 2002 Hochschule für Grafik und Buchkunst, Leipzig, Germany, Guest Professor. 2000 University of California at Davis, Davis, CA, lecturer. 1998 San Francisco State University, San Francisco, CA, lecturer (& 1997, 1995). 1988 School of the Museum of Fine Arts, Boston, MA, lecturer (1988–1990).

RECORDINGS

Osborn Page 6

Zelphabet: E, Zelphabet Records, Hollywood, California, 2008 .com y Drift | Resonant Cities, New Media Scotland, Edinburgh, Scotland, 2006 Singing Bridges Vibrations:Variations, Sonic Artstar, Sydney, Australia, 2005 aller 4Eva: A Tribute to Fanaticism, Physics Room, Christchurch, New Zealand, 2001. g Music for the 21st Century, Leonardo Music Journal CD, Vol.1, No.1, Oxford, England, 1991. Arf Arf Presents, Arf Arf Records, Cambridge, Massachusetts, with the Ski-A-Delics. 1990. We Are What You Eat, Slippery Slope Music, Boston, Massachusetts, with the Ski-A-Delics, 1990. Lennarcs, Frog Peak Music, Hanover, New Hampshire, solo works, 1989.

www.cclark Snow Bunny Bobby Katz..., Slippery Slope Music, Boston, Massachusetts, with the Ski-A-Delics 1989.

SOUND DESIGN

231 East 47th St., by Ulrich Rasche, Sophiensaele, Berlin, 2004 Turing Tables, by Franz John, ARCO, Madrid, Spain, 2003 Hof, by Thomas Demand, De Appel, Amsterdam, Netherlands, 2001 Made In USA: The Angel Island Project, by Flo Oy Wong, Angel Island, California, 2000 Speaking In Tongues: A Look at the Language of Display, by Fred Wilson, M.H. de Young Memorial Museum, San Francisco, California, 1999. Swatch Pavilion, Pfau Architecture, Expo 98, Lisbon, Portugal, 1998. The Hospital: Five Confessions, Ilya Kabakov, Capp Street Project, San Francisco, California, 1997. Secret Paths in the Forest, Purple Moon Multimedia, Mountain View, California, 1997. Swatch Pavilion, Pfau Architecture, Olympic Games, Atlanta, Georgia, 1996. Playlist, by Haha, Capp Street Project, San Francisco, California, 1996 American Female, by Laura Brun, Intersection for the Arts, San Francisco, California, 1994. Gallery, by Mel Chin, Capp Street Project, San Francisco, California. The Airwaves Project, by Shu Lea Cheang, Capp Street Project, San Francisco, California, 1991. Fugitive Landing, by May Sun, Capp Street Project, San Francisco, California, 1991. A Cheap Watch, directed by Patrick Stettner, Stenola Films, Boston, Massachusetts 1989.

ARTICLES & WRITING

“Visions of Sound: Flying Machines,” Musicworks Magazine (Toronto, Canada), #102, Winter, 2008, p. 64. “Language Master: Its Master’s Voice,” Leonardo Music Journal (San Francisco, CA), Vol. 15, #1, December, 2005. “Vanishing Points,” Noisegate (London, UK), Issue 11, Summer, 2004, pp. 22-28. “Southern Exposures,” Cabinet Magazine (Brooklyn, NY), Issue 10, Spring, 2003, pp. 38-41 (reprinted in The Frontiers of Utopia and Other Facts on the Ground, Anselm Franke and Eyal Weizman, editors, catalog for Territories exhibition at the Malmö Konsthall, Verlag der Buchhandlung Walther König, 2004, pp. 84-87). “Electricity Arcs Both Ways From Heaven,” catalog essay, Artspace (Sydney, Australia), October, 1999. “Visible Systems: Recent Sound Installations,” YLEM Newsletter (Orinda, CA), Vol. 19, No. 10, September/October, 1999. “Creaking Grounds: Plate Tectonics and SoundCulture 96,” Essays In Sound (Sydney, Australia), No. 3, December, 1996, pp. 45-53. “SoundCulture 96,” Sound Arts (Kobe, Japan), Vol. 8, Summer, 1996, pp. 1-4. “Local Conditions and Perceptual Concerns: Notes on Several Sound Works,” Leonardo Music Journal (Oxford, England), Vol.1, #1, December, 1991, pp. 89-93.

SELECTED BIBLIOGRAPHY

Voegelin, Salome, “Listening to Noise and Silence: Toward a Philosophy of Sound Art,” Continuum Press (New York, NY), 2010, pp. 142-144. Gagnon, Adrienne, “Vanishing Point,” Aspect DVD Magazine, Vol. 15, Influence and Reference, (Boston, MA), 2010. Kiefer, Peter, “Klangraüme der Kunst,” Kehrer Verlag (Heidelberg, Germany), 2010, pp. 327, 354-355, & DVD supplement. Seiffarth, Carsten, & Steffens, Markus, “singuhr-hoergalerie in parochial 1996-2006: sound art in berlin,” Kehrer Verlag (Heidelberg, Germany), 2010, pp. 78-79, 184-185. Thomas, Elizabeth, “Matrix/Berkeley: A Changing Exhibition of Contemporary Art,” University of California, Berkeley Art Museum and Pacific Film Archives (Berkeley, CA) and Distributed Art Publishers (New York), 2009, pp. 412-413. Irvin, Steven, "The Future Imaginary: Broad Spectrum Art," Buzzine (Hollywood, CA), March, 2009.

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Pinsent, Ed, "The Reverse Alphabet," The Sound Projector (London, UK), December 28, 2008. Carlyle, Angus, "If I Were to Clap. If I Were to Listen," catalog essay from Relay exhibition, Finetuned, London, UK, 2007, .com y pp. 1-5. ASPECT Volume 15: Influence & Reference. Commentary by Adrienne Gagnon. May, 2010 aller Tanner, Marcia. "San Jose: 01SJ Biennial makes San Jose an epicenter for art and technology in summer 2008." art ltd., May g 2008. Baker, Kenneth. “Wry, touching installation explores family speech accents.” San Francisco Chronicle, August 12, 2006. Retsek, Fanny. “NEXTNEW2006: Art and Technology.” San Jose Institute of Contemporary Art infor, Spring 2006 Mayhew, Don, "Fulton Mall Inspires Electronic Music," Fresno Bee, March 21, 2006

www.cclark Rahma Khazam, "Per->son Festival," Wire (England), October, 2004.

Muller, Lizzie, "A deep vibration: A small migration," RealTime (Australia), October/November, 2004. Priest, Gail, "Siege culture: SonicDifference conference," RealTime (Australia), October/November, 2004. Stephens, Jasmin, "Sense shifts: Resounding the World," RealTime (Australia), October/November, 2004. Gallasch, Keith. "Seeds, Particles, Resonances.” Real Time (Australia), December, 2003 Ed. “Al lado del silencio.” La Netro (Spain), June 17, 2003. Cuesta, Mery. “Casi invisible.” La Vanguardia (Spain), June 4, 2003. Obiols, Isabel. “El silencio y el espacio dialogan en Metrònom.” El País (Spain), May 22, 2003. Frisach, Montse. L’Art del silence.” Avui (Spain), May 18, 2003. Osborn, Ed. “Southern Exposures.” Cabinet, Spring 2003. Whitney McNally. “In the Works: Breaking into the Art Market.” Details, June/July 2003. Schulz, Bernd. “Resonances, Aspects of Sound Art.” Stadgalerie Saarbrücken, (Germany), 2002. Morris, Chris. “Ice Perspectives.” Christchurch Press (New Zealand), September 11, 2002. Gopnik, Blake. “Deutschland of Opportunity.” The Washington Post, July 14, 2002. Wilson, Steve. Information Arts: Intersection of Art, Science, and Technology. Cambridge, Massacheusetts. MIT Press: 2002. Dunbar, Anna. “Art Resounding.” Christchurch Press, (New Zealand), November 7, 2001. Gottstein, Björn. “Intrigantes Kribbeln.” Die Tageszietung (Germany), June 2, 2001. Wilkening, Martin. “Selstam, dieses Fauchen, Gurgeln, Säuseln.” Frankfurter Allgemeine (Germany), May 18, 2001. Entress, Mathias. “Gurren & Knurren: ‘Flying Machines’ in der hörgaleria.” Berliner Morgenpost, May 17, 2001. Kurtz, Glenn. “Ed Osborn at the Berkeley Art Museum.” Artweek, May, 2001. Bowen, Dore. “The Uncertainty of Flight.”Klangturm (Austria), April, 2001. Wilson, Megan. “Stop, Look and Listen.” www.digitalcitysf.com, April 20, 2001. Westbrook, Lindsay. “Critic’s Choice.” San Francisco Bay Guardian, April 4, 2001. Zuckerman-Jacobson, Heidi. Ed Osborn/MATRIX 193: Vanishing Point. Berkeley, California. Berkeley Art Museum: 2001. Gagnon, Adrienne. “Vanishing Point.” Berkeley Art Museum Look, Spring, 2001. Helfand, Glen. “Sonic Boom: 2000 Is The Year Of Sound Art.” www.sfgate.com, October 12, 2000. Shulman, Dave. “send + receive: ed oborn.” Stylus (Canada), September/October, 2000. Helfand, Glen. “Aural Sex.” The San Francisco Bay Guardian, September 6, 2000. Wilkening, Martin. “Das Jammern der Türen,.” Berliner Seiten (Germany), June 27, 2000. Meirerhenrich, Doris. “Antennen im Klanggesfecht.” Potsdamer Neuste Nachrichten (Germany), June 29, 2000. Entress, Matthias R. “Reigen der Klangkünstler: Musik als Echo einfacher Systeme zum Auftakt der Inventionen 2000.” Berliner Morgenpost (Germany), June 24, 2000. Rowell, Mike. “Electrotherapy,” SF Weekly, May 3, 2000. Ed. “The Art of Noise, or Vice Versa.” SF Weekly, January 12, 2000. Kahn, Douglas. Squirming and Recoiling. Sydney, Australia. Artspace: 1999. Osborn, Ed. Electricity Arcs Both ways From Heaven. Sydney, Australia. Artspace: 1999. Ed. “Art Picks.” TimeOut Sydney (Australia), November 9, 1999. Marquez, Susan. “Interiors at Catharine Clark Gallery.” World Sculpture News, Winter 1999. Crompton, Angela. “Sound Valid Art Medium.” Otago Daily Times (New Zealand), March 30, 1999. Alitalo, Tuike. “Ãänitaiteen suurkatselmus on tällä erää Auklandiss.” Helsingin Sanomat (Finland), March 21, 1999. Lynch, Maryanne. "A Feverish Impulse." RealTime (Australia), December/January, 1999. Schumacher, Donna. “Interiors.” Flash Art, January-February 1999. Akiyama, Mitchell. "The Art of Noise: Ed Osborn Captures the Sound of Motion." The Link (Canada), January 20, 1998. Bonenti, Charles. "North Adams Opens its Ears to Art." Berkshires Week (Pittsfield, Massachusetts), July 2, 1998. Mattessich, Stefan. “Dromologies: Ecstacises of Speed.” Art Papers,July 1998. Carman, Linda. "Earmarks Designed to Make Imprint on Northern Berkshire Ears." The Advocate (North Adams, Massachusetts), July 1, 1998. Ed. "The Gallery: Do You Hear What I Hear?" The Wall Street Journal, October 1, 1998.

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Hunt, David. "Pause and Reflect: Sound Art from the Bay Area." Merge (Sweden), No. 2, Fall, 1998. Jette, Rosemary. "Sound and Vision." The Transcript (North Adams, Massachusetts), June 26, 1998. .com

y Lemarche, Bernard. "Symphonie Ludique." Le Devoir (Canada), January 31, 1998. Lynch, Maryanne. "Room for Chance." RealTime (Australia), August/September, 1998. aller Ollman, Leah. "Art Reviews." The Los Angeles Times, October 2, 1998. g Scherr, Apollinaire. East Bay Express (Oakland, California), October 16, 1998. Tynan, Trudy. "Sounds of Distinction." Associated Press (New York, New York), August 9, 1998. Roche, Harry. "Skeletons." The San Francisco Bay Guardian, September 10, 1997. Alitalo, Tuike and Simo. "Ääni lävistää ja ympäröi kaiken kuin valtameri." Helsingin Sanomat (Finland), April 23, 1996. www.cclark

Ed. "Berliinin taideakatemia juhlii äänitaiteella. Sonambiente-festivaali saa entisen DDRin julkiset rakennukset soimaan." Helsingin Sanomat (Finland), August 26, 1996. Amirrezvani, Anita. "Art Festival Breaks the Sound Barrier." The Contra Costa Times (Walnut Creek, California), March 31, 1996. Andersson, Arja. "Juna tuo ääniä kuolemankurvista." Ilta-Sanomat (Finland), September 19, 1996. Bindereif, Andrea. "Wenn selbst dis Steine singen." Frankfurter Rundschau (Germany), April 20, 1996. Boone, Charles. "SoundCulture 96." P-Form (Chicago, Illinois), Fall, 1996. Chonin, Neva. "Culture Jamming." The San Francisco Bay Guardian, April 3, 1996. Randal Davis. "Sound Art: Some notes away from definition." Artweek, August, 1996. Franz, Christina. "Ed Osborn Installation in der Galerie Kästrich." Mainzer Allegemeine Zeitung, September 10, 1996. Finkel, Jori. "Over There." The East Bay Express (Oakland, California), April 5, 1996. Harlib, Leslie. "Culture sounds off at Falkirk Mansion." Marin Independent Journal (Novato, California), April 9, 1996. Hohenadel, Kristin. "Pioneering Artists Aim To Push Through The Sound Barrier." The Los Angeles Times, April 13, 1996. Müller, Katrin Bettina. "Windharfen und High-Tech." Tip (Germany), August 1996. Osborn, Ed. "SoundCulture 96." Sound Arts ( Japan), Summer 1996. Ed. "Creaking Grounds: Plate Tectonics and SoundCulture 96." Essays In Sound (Australia), December 1996. Peiken, Matt. "Bay Area Artists Get A Chance to Sound Off." Daily Republic (Fairfield, CA), March 29, 1996. Ripatti, Matti. "Kun kuulo säätelee tunnetiloja." Helsingin Sanomat (Finland), September 21, 1996. Scapelliti, Christopher. "Sound + Vision." On The Town (East Grand Rapids, Michigan), March 1996. Ed. "Parabolica." Art Papers, July/August 1996. Schumacher, Donna. "Techne." Art Papers, May/June 1996. Tanaka, Yumika. SWITCH (San Jose, California), Spring/Summer 1996. Thym, Jolene. "Beyond Music." The Oakland Tribune, March 10, 1996. Till, Ulrike. "Schnecken kleben an der Wand." Mainzer Rheinzeitung, September 10, 1996. Tromble, Meredith. Artweek, August 1996. Weathersby, Jr., William. "Swatch Pavilion." Theatre Crafts International (New York, NY), November, 1996. Wissman, Kathrin. "Augen hören, Ohren sehen." Der Tagesspiegel (Germany), August 14, 1996. Allen, Sarah. "Emerging Artists." The Oakland Tribune, July 10, 1995. Randal Davis. "Big Jesus Trash Can." Artweek, March 1995. Gard, Peter. "7-Up: Sound Symposium Continues to Fizz." ArtsAtlantic (Canada), Winter 1995. Parpart, Lee. "Listen for the Art at Unique Interactive Show." The Kingston Whig-Standard (Canada), June 17, 1995. Roche, Harry. "Big Jesus Trash Can." The San Francisco Bay Guardian, February 8, 1995. Shaboy, Benny. studioNOTES, No. 9, September - December, 1995. Shapiro, Carolyn. "Energized." The Record (Troy, New York), October 26, 1995. Young, Gayle. MusicWorks (Canada), Spring 1995. Cullinan, Helen. "Shattering the Silence." The Plain Dealer (Cleveland, Ohio), March 28, 1994. Davis, Randal. "Conceptual Plumbing." Artweek, May 19, 1994. Kivelä, Malin. "Avklippta samtal och ljud från Aura å." Åbo Underrättelser (Finland), August 12, 1994. Novakov, Anna. Sculpture, January-February 1994. Osborn, Ed. "Self-Portrait." Zyzzyva (San Francisco, California), Fall 1994. van Peer, Rene. "Verfrissende kijk op schaduw getreden mediakunst." Eindhovens Dagblad (The Netherlands), September 10, 1994. Ripatti, Matti. "Ääniä kovaäänisten tuolta puolen." Helsingin Sanomat (Finland), August 16, 1994. Roche, Harry. "Resonant Systems." The San Francisco Bay Guardian, May 4, 1994. Sherman, Ann Elliot. "3-D Explorations." Metro (San Jose, California), August 11, 1994. Sparks, Amy. “Sound and Fury.” The Cleveland Free Times (Cleveland, Ohio), March 23, 1994. van Peer, Rene, "Diversiteit is sleutword bij Ed Osborn," Eindhovens Dagblad (Eindhoven, Netherlands), October 4, 1993. Sizensky, Liz. "Electronic Anarchists." San Francisco Weekly, September 29, 1993.

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Oot, Robert.Sound Choice (Ojai, California), August 1992. Roche, Harry. "Zaku Zaku." The San Francisco Bay Guardian, August 12, 1992. .com

y Osborn, Ed. "Local Conditions and Perceptual Concerns: Notes on Several Sound Works." Leonardo Music Journal (Oxford,United Kingdom), December, 1991. aller Reinbolt, Brian. "The 18th Annual Electronic Music Plus Festival." Computer Music Journal, Winter 1991. g Barker, Jade. "These Skis Were Made For Playing." Street, Spring, 1990. Campbell, Polly. The Boston Phoenix, March 16, 1990. Drake, Al. The Noise (Boston, Massachusetts), July 1990. Miller, David. High Performance, Fall 1990. Tommansini, Anthony. The Boston Globe, July 28, 1990. www.cclark

Barr, Tavis. Knot Magazine (Boston, Massachusetts), April/May 1989. Gunderloy, Mike. Factsheet Five (Rensselaer, New York), May 1989. Seigel, Jessica. "Wesleyan's Experimental Composers." The Middletown Press (Middletown, Conneticut), February 22, 1985.

SELECTED PUBLIC COLLECTIONS

San Francisco Museum of Modern Art, San Francisco, California Kiasma Museum of Contemporary Art, Helsinki, Finland LEF Foundation, Lodi, California

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