Krishna Chikan Industries

Total Page:16

File Type:pdf, Size:1020Kb

Krishna Chikan Industries +91-8048372255 Krishna Chikan Industries https://www.indiamart.com/krishna-chikan/ Manufacturer and supplier of chikan lehenga, chikan lehenga 2, chikan embroidered bed sheet 2, sherwani long kurta etc. About Us Chikan has a certain grace and elegance, which ensures that it never goes out of style. If you wear Chikan you really are wearing a piece of history, as it is a form of embroidery that has been art part of India for centuries, Chikan Embroidery is a form of hand embroidery with patterns of different designs stitched using untwisted white cotton or silk (or rayon) threads on the surface of the fabric. In Chikan work, there is a fixed repertoire of stitches and it is usual for several types of stitched to appear on the same piece of embroidery (thereby enhancing its intricacy and beauty). The different types of Chikan work done today are Taipchi, Bakhia, Phunda, Murri, Jaali, Hathkati, Pechni, Ghas Patti, Chaana Patti etc. For more information, please visit https://www.indiamart.com/krishna-chikan/aboutus.html CHIKAN SALWAR SUITS P r o d u c t s & S e r v i c e s Cotton Stitched Chikan Suit Chikan Suit Cotton Stitched Chikan Suit Allover Embroidery Chikan Suit EMBROIDERED KURTAS P r o d u c t s & S e r v i c e s Chikan Embroidered Kurta Chikan Embroidered Kurta 1 Chikan Embroidered Short Chikan Embroidered Short Kurta Kurta LADIES KURTIS P r o d u c t s & S e r v i c e s Chikan Embroidered Kurti 2 Kurti Light Green With Pink Kurtis Blue Kurtis LADIES WEAR P r o d u c t s & S e r v i c e s Chikan Embroidery Suit Anarkali Chikan Suit Length Chikan Suit with all Over Net work MENS WEAR P r o d u c t s & S e r v i c e s Chikan Embroidered Men Chikan Embroidered Men Kurta Kurta Cotton Chikan Embroidered Sherwani Long Kurta Men Kurta 1 DESIGNER KURTIS P r o d u c t s & S e r v i c e s Yellow With Colors Kurti Green N Red Kurtis Yellow N Green Kurtis Sleeveless Black Kurtis CHIKAN BED SHEETS P r o d u c t s & S e r v i c e s Chikan Embroidered Bed Chikan Embroidered Bed Sheet 2 Sheet 3 Chikan Embroidered Bed Chikan Embroidered Bed Sheet 4 Sheet LEHENGA CHOLI P r o d u c t s & S e r v i c e s Chikan Lehenga Chikan Lehenga 2 Chikan Lehenga 3 P r o OTHER PRODUCTS: d u c t s & S e r v i c e s Cotton Stitched Chikan Suit 1 Chikan Embroidered Kurta 2 Red kurti Anarkali Kurtis F a c t s h e e t Nature of Business :Manufacturer CONTACT US Krishna Chikan Industries Contact Person: Manager 189 opp manju tandon hospital thakurganj l Opp. Manju Tondan Nursing Home Lucknow - 226001, Uttar Pradesh, India +91-8048372255 https://www.indiamart.com/krishna-chikan/.
Recommended publications
  • GI Journal No. 75 1 November 26, 2015
    GI Journal No. 75 1 November 26, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.75 NOVEMBER 26, 2015 / AGRAHAYANA 05, SAKA 1936 GI Journal No. 75 2 November 26, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Bagh Prints of Madhya Pradesh (Logo )- GI Application No.505 7 Sankheda Furniture (Logo) - GI Application No.507 19 Kutch Embroidery (Logo) - GI Application No.509 26 Karnataka Bronzeware (Logo) - GI Application No.510 35 Ganjifa Cards of Mysore (Logo) - GI Application No.511 43 Navalgund Durries (Logo) - GI Application No.512 49 Thanjavur Art Plate (Logo) - GI Application No.513 57 Swamimalai Bronze Icons (Logo) - GI Application No.514 66 Temple Jewellery of Nagercoil (Logo) - GI Application No.515 75 5 GI Authorised User Applications Patan Patola – GI Application No. 232 80 6 General Information 81 7 Registration Process 83 GI Journal No. 75 3 November 26, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 75 of the Geographical Indications Journal dated 26th November 2015 / Agrahayana 05th, Saka 1936 has been made available to the public from 26th November 2015. GI Journal No. 75 4 November 26, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No.
    [Show full text]
  • The Sari Ebook
    THE SARI PDF, EPUB, EBOOK Mukulika Banerjee | 288 pages | 16 Sep 2008 | Bloomsbury Publishing PLC | 9781847883148 | English | London, United Kingdom The Sari PDF Book Anushka Sharma. So shop for yourself or gift a sari to someone, we have something for everyone. The wavy bun completed her look. Face Deal. Long-time weaving families have found themselves out of work , their looms worthless. Sari , also spelled saree , principal outer garment of women of the Indian subcontinent, consisting of a piece of often brightly coloured, frequently embroidered, silk , cotton , or, in recent years, synthetic cloth five to seven yards long. But for some in Asian American communities, the prospect of the nation's first Black and South Asian Vice President wearing a traditional sari at any of the inauguration events -- even if the celebrations are largely virtual -- has offered a glimmer of positivity amid the tumult. Zari Work. As a politician, Dimple Kapadia's sarees were definitely in tune with the sensibilities but she made a point of draping elegant and minimal saree. Batik Sarees. Party Wear. Pandadi Saree. While she draped handloom sarees in the series, she redefined a politician's look with meticulous fashion sensibility. Test your visual vocabulary with our question challenge! Vintage Sarees. Hence there are the tie-dye Bandhani sarees, Chanderi cotton sarees and the numerous silk saree varieties including the Kanchipuram, Banarasi and Mysore sarees. You can even apply the filter as per the need and choose whatever fulfil your requirements in the best way. Yes No. Valam Prints. Green woven cotton silk saree. Though it's just speculation at this stage, and it's uncertain whether the traditional ball will even go ahead, Harris has already demonstrated a willingness to use her platform to make sartorial statements.
    [Show full text]
  • Contemporay Trends in Chikankari
    © 2020 IJRAR February 2020, Volume 7, Issue 1 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) CONTEMPORAY TRENDS IN CHIKANKARI 1Reena S. Pandey , 2 Dr. Subhash Pawar 1Research Scholar , 2Adjunct Professor 1Faculty of Art & Design, 1Vishwakarma University , Pune, India Abstract : “Chikankari – Beauty on White “ as its main centre of focus, where its existence over the time is being studied with the different evolution it has shown in its products. Chikankari is a distinctive integral part of Lucknow culture. In India it is believed that Chikan embroidery may have existed from times immemorial. It is said that Noor Jahan brought this craft to India and later it was whole- heartedly adopted by the Nawabs of Lucknow. Thus it became a part of the culture of Lucknow. The embroidery work on clothes was a common feature. In ancient and medieval periods embroidery may have been more popular among the elites but in the present age it is common even among the masses. Because of which nowadays the market is flooded with coarsely executed work and thoughtless design diversifications which has eroded the sensibility of the craft. IndexTerms - Elegant, fine, extravagant, global presence, coarsely designs, elite class. I. INTRODUCTION “Fashion is architecture. It is a matter of proportions”, said Coco Chanel, (Sieve Wright, 2007) Chikankari is a traditional embroidery style from Lucknow, India. It’s an art, which results in the transformation of the plainest cotton and organdie into flowing yards of magic. Chikankari is subtle embroidery, white on white, in which minute and delicate stitches stand out as textural contrasts, shadows and traceries.
    [Show full text]
  • Chikan – a Way of Life by Ruth Chakravarty
    N° de projet :ALA/95/23 - 2003/77077 Chikan – A Way of Life By Ruth Chakravarty Chikankari is an ancient form of white floral embroidery, intricately worked with needle and raw thread. Its delicacy is mesmeric. For centuries, this fine white tracery on transparent white fabric has delighted the heart of king and commoner alike. It is centered mainly in the northern heartland of India, namely Lucknow, the capital of a large state, called Uttar Pradesh. It is a complex and elegant craft that has come down to us, evolving, over the years into an aesthetic form of great beauty. That it has survived the loss of royal patronage, suffered deeply at the hands of commercialization, lost its way sometimes in mediocrity and yet stayed alive, is a tribute to the skill and will of the craftspersons who have handed down this technique from one generation to another. There exist several kinds of white embroidery in Europe and across the world, each unique and distinct. Students of this craft like to believe that all forms of embroidery, in some way influence, imitate or complement each other. That may be true to some extent, but right at the onset, let me say that Chikankari is a genre quite unique from other embroideries. Chikankari is at once, simple and elegant, subtle and ornate. This heavy embroidery intricately worked on fine white muslin created a magical effect uniquely its own. The light embroidered fabric was most appropriate for the heat and dust of the North Indian summers. From the time of its inception, Chikan garments spelt class and craft.
    [Show full text]
  • Textile Designs - 1
    Textile Designs - 1 1. Crewel Work, Kashmir Textile Designs - 1 2. Embroidered Dorukha Shawl, Kashmir Textile Designs - 1 3. Kinnaur Shawl, Himachal Pradesh Textile Designs - 1 4. Embroidered Chamba Rumal, Himachal Pradesh Textile Designs - 1 5. Bagh Phulkari, Punjab Textile Designs - 1 6. Banarasi Zari Saree, Uttar Pradesh Textile Designs - 1 7. Chikan Embroidery, Kurta, Uttar Pradesh Textile Designs - 1 8. Block Printing, Rajasthan Textile Designs - 1 9. Bandhani Printing, Rajasthan Textile Designs - 1 10. Applique Work, Gujarat Textile Designs - 1 11. Mirror Embroidery, Gujarat Textile Designs - 1 12. Paithani Silk Saree, Maharashtra Textile Designs - 1 Hkkjr us gLrf'kYi dh Js"B ijaijk dks èkjksgj osQ :i esa izkIr fd;k gSA lqUnjrk ls India has inherited a great tradition of handicrafts which has its iw.kZ o lkekftd mi;ksx dh oLrqvksa dh jpuk gsrq ekuo dh ewy vko';drk esa bl beginnings in Man's basic need for creating objects of beauty and social utility. Even simple household articles such as pots, mats and furniture ijaijk dk izkjaHk fufgr gSA ;gka rd fd] crZu] pVkbZ;ka vkSj est] oqQlhZ tSlh lkèkkj.k have been decorated with stylised motifs inspired by nature. ?kjsyw oLrqvksa dks Hkh izo`Qfr izsfjr 'kSyhxr vfHkizk;ksa ls vyao`Qr fd;k tkrk gSA Apart from other handicrafts, India is also famous for the excellence it vU; gLrf'kYiksa osQ vfrfjDr Hkkjr] oL=kksa dh le`f¼ lEcaèkh Js"Brk osQ fy, Hkh has achieved in the rich variety of textiles. Excavations show that, as far izfl¼ gSA [kqnkbZ ls irk pyrk gS fd dkiQh igys] r`rh; 'krkCnh bZlk iwoZ esa lwrh back as in the third millennium B.C, cotton fibre was woven into cloth and rUrq dks oL=k :i esa cquk tkrk Fkk rFkk Nis gq, oL=kksa osQ uewus Hkh izkIr gq, gSaA samples of printed fabrics have also been found.
    [Show full text]
  • Traditional Indian Textiles Students Handbook + Practical Manual Class XII
    Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½
    [Show full text]
  • TENT HANGING, Cotton Painted, Printed and Dyed, Mughal. Late 17Th Or Early 18Th Century
    TENT HANGING, cotton painted, printed and dyed, Mughal. late 17th or early 18th century. V+A Part of a floorspread, resist- and mordant-dyed cotton, Mughal, late17th-early 18th century. V+A Mughal flowering plant motifs appear in other arts as well... here marble carvings on walls of Taj Mahal, Agra Cotton floorspread embroidered with silk thread. Mughal, early 18th century. V+A Handpainted, printed + dyed palampores, 18th ce, V+A HANDPAINTING + PRINTING ON TEXTILES TYPICALLY DONE IN TWO WAYS: WOODEN BLOCK (below) OR KALAM (above) Block carver in Sanganeer, Rajasthan Blockprinting workshops in Sanganer, Rajasthan RIGHT: The ties at the side have been made into a decorative feature in themselves, with carefully designed floral motifs made to fit the lappets. Man's robe (jama) made of printed, painted and dyed cotton, possibly made in Burhanpur, 18th century LEFT: This robe is said to have belonged to Tipu Sultan of Mysore (d.1799), although there is only anecdotal evidence for this. The late Mughal style of the robe and its decoration do tally with an 18th-century date. 1658 Mughal painting of nobleman wearing Muslin Jama This man's robe is of the type called a jama, which crosses over the chest and fastens at the side. This example is exceptional in the amount of cloth used for its gathered skirt: it has a circumference at the hem of 65 metres of cloth, and the skirt is made up of 277 triangular panels. It was given to the India Museum (which was amalgamated into the South Kensington Museum, later the V&A) by the Maharaja of Bharatpur in Rajasthan in 1855.
    [Show full text]
  • Journal 33.Pdf
    1 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO. 33 APRIL 30, 2010 / VAISAKHA 2, SAKA 1932 2 INDEX Page S.No. Particulars No. 1. Official Notices 4 2. G.I Application Details 5 3. Public Notice 11 4. Sandur Lambani Embroidery 12 5. Hand Made Carpet of Bhadohi 31 6. Paithani Saree & Fabrics 43 7. Mahabaleshwar Strawberry 65 8. Hyderabad Haleem 71 9. General Information 77 10. Registration Process 81 3 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 33 of the Geographical Indications Journal dated 30th April 2010 / Vaisakha 2, Saka 1932 has been made available to the public from 30th April 2010. 4 G.I. Geographical Indication Class Goods App.No. 1 Darjeeling Tea (word) 30 Agricultural 2 Darjeeling Tea (Logo) 30 Agricultural 3 Aranmula Kannadi 20 Handicraft 24, 25 & 4 Pochampalli Ikat Textile 27 5 Salem Fabric 24 Textile 6 Payyannur Pavithra Ring 14 Handicraft 7 Chanderi Fabric 24 Textile 8 Solapur Chaddar 24 Textile 9 Solapur Terry Towel 24 Textile 10 Kotpad Handloom fabric 24 Textile 24, 25 & 11 Mysore Silk Textile 26 12 Kota Doria 24 & 25 Textile 13 Mysore Agarbathi 3 Manufactured 14 Basmati Rice 30 Agricultural 15 Kancheepuram Silk 24 & 25 Textile 16 Bhavani Jamakkalam 24 Textile 17 Navara - The grain of Kerala 30 Agricultural 18 Mysore Agarbathi "Logo" 3 Manufactured 19 Kullu Shawl 24 Textile 20 Bidriware 6, 21 & 34 Handicraft 21 Madurai Sungudi Saree 24 & 25
    [Show full text]
  • Issues of the Lucknow Chikan Handicraft Industry
    International Journal of Multidisciplinary Research in Social Science ISSN: 2455-7943 Issues of The Lucknow Chikan Handicraft Industry Yusairah Ahmad* & Dr. Mohammed Anees** ABSTRACT Chikan craft is a traditional handwork of the Lucknow region. The work is renowned all over the world for its fineness, delicacy and elegance. The chikan craft industry is an unorganized industry and faces a lot of problems. This paper details all the problems faced by the chikan craft industry of Lucknow. Secondary data from various available sources have been used to study the problems. The study reveals that artisans are most suffered people who do the actual handwork by straining their eyes. These people are paid less and they are also developing health issues overtime. These artisans are ignored for the basic facilities such as hygienic place of work and living, social security, literacy and very low standards of living. The findings also reveal that the chikan craft entrepreneurs face problems such as the increasing presence of Chinese chikan products, technological obsolescence, fragmented processes, dwindling exports and no marketing measures undertaken to increase the awareness of the industry. The paper suggests that many of these issues can be solved by the mutual support of the government, private organizations and the Lucknow Chikan Handicraft Association. This would not only solve the problems under study but also increase the exports resulting in more revenues to the entrepreneurs and government. Moreover increased exports will give better
    [Show full text]
  • Ishika Export, Delhi
    Our organization has excelled in tailoring a range of Beautifully Designed and Stitched Designer Sarees and Designer Lehengas for the Occasion called life. - Profile - “Ishika Export” is a Delhi based company that brings about a different flavour for Indian fashion lovers who are more interested into buying Indian designer clothing, ethnic wear, Asian clothing, latest fashionable designs and patterns in terms of Traditional Designer Indian Outfits, Casual Indo Western Clothes, Bridal Jaipur Jewellery, Indian Wedding Lenghas, Embroidered Sarees, Bridal Lehengas, designer Bombay sarees, Salwar Kameez Suits, Rajasthani Ghagra Cholis, Cotton Chikan Suits, Ethnic Silk Sarees, Silk Saree Designs, Bollywood Indian Fashion Sarees, Bollywood Indian Fashion Lehangas, Party Wear Indian Kids Clothes in Delhi, UK, Canda, Australia, Dubai, lucknow, Kolkata & Surat. Our ranges are the perfect blend of style and grace that will prove the worth of every wearer’s persona and totally runs with this new era. We make use of latest designing tools in our complete range of ladies wear so that latest trend with excellent look that is integrated in our range of ladies wears. These wear ranges are extremely renowned for supreme quality fabric, range of attractive colours & sizes and latest trend. We export our complete range of ladies wear to our valuable clients across Australia, East/ North Europe, East / South East Asia and Central/ North America. Designer Sarees: Purchase online our latest collection of 2012 new and fancy Designer Sarees for party wear, designer sarees. Designer Sarees Designer Sarees Designer Sarees Designer Sarees Designer Lehenga: Miraculous and astonishing collection of Designer Lehengas for wedding, festival celebrations etc will definitely make you look more attractive and stylish than anybody else.
    [Show full text]
  • FATALIST LUXURIES of Inequality, Wasting and Anti-Work Ethic in India
    Forthcoming (accepted): Cultural Politics (Duke University Press), special issue, ’The Spirit of Luxury’, please do not circulate FATALIST LUXURIES Of Inequality, Wasting and Anti-Work Ethic in India Tereza Kuldova Abstract Grounded in long-term ethnographic research among producers of contemporary luxurious embroideries and fashions in Lucknow, a North Indian city famous for its golden age as a powerful cultural center of opulence and excess, the article shows how anthropological knowledge can enrich current critical discussions of luxury and inequality. Since the 90s, anthropology has seen a boom in consumption and material culture studies coterminous with the rise of identity politics and its celebration of diversity. Hence, also in theory, linking consumption to identity has stolen the limelight. In the process, questions of production, inequality and reproduction of social structures have been overshadowed. Critical reappraisal of luxury in theory can paradoxically show us a way out of this identity trap since luxury, unlike other consumer goods, demands that we think inequality. Luxury also forces us to think beyond luxury brands, goods and commodified experiences, pushing us towards more fundamental questions of a good life, morality and social order. The presented ethnographic case, which reveals how structural violence can go hand in hand with paradoxical luxuries facilitated by fatalist attitudes, points to how such anthropology of luxury might look like. In a village near Lucknow women embroider luxury pieces for fashion ramps and celebrities while being fed meritocratic dreams of individual progress and success by fashion designers and NGOs trying to convince them to work harder in the name of empowerment.
    [Show full text]
  • Dress Code for Men and Women
    ALU AISD Fashionista Volume 1, Issue 1 January– March, 2016 Top 10 Denim Brands in India for Men Editor-in-Chief Dr. B.Dharmalingam Today when more and more people are becoming brand con- Professor & Director scious retailers are cashing on it and are earning big bucks. The big AISD names in the clothing brands tell us how our fashion scenario has evolved and changed. There are some brands which have been in business for more than 100 years. These clothing brands have made a definite mark in the fashion and clothing industry. The brands have changed the whole style and clothing scenario. Media Managing Editor and promotions have been the sole reasons for the brand awareness Dr. G. Mahesh and consciousness among the Generation. Asst.Prof., AISD K Lounge Associate Editor Flying Machine P.Sam Vimal Rajkumar Levis Teaching Asst., AISD Wrangler A.Bhuvaneshwari Spykar Lab Asst., AISD Diesel True Religion Technical Editors Pepe Jeans N. Kanagaraj R.Susila Lee M.Lakshmanan I B.Voc. Fashion Technology Numero Uno. J. Jenitamary N. Kanagaraj From the Editor-in-Chief’s Desk R.G. Govarthini The purpose of ALU AISD fashionista a quarterly Mag- M. Vijayarani azine, is to inform, engage and inspire the diverse reader- ship, including Academia, Students, Industry personnel and other stakeholders by publishing B.Voc. Fashion tech- nology students‘ creative fashionable and glimpses of de- “The most coura- partmental activities. It is intended to bring out the hidden geous act is skill to literary talents of our students and also to inculcate author- think for yourself. ing skills to them.
    [Show full text]