Associations Between Watching Korean Dramas And
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To Higher Heights
Experience Korea Experience Courtesy of CJ ENM ⓒ To Higher Heights K-drama’s Global Boom Falling For Hallyu Whether by choice or quarantine due to The dramas “Autumn in My Heart” (2000) and COVID-19, homebodies worldwide are discovering “Winter Sonata” (2003) were the initial triggers of gems of Korean dramas, especially on Netflix. From Hallyu, or the Korean Wave. The success formula for “Crash Landing on You” to the “Reply” series, works K-dramas at the time was simply romance; doctors feature themes of warm romance to preternatural fell in love in a medical drama while lawyers did fantasy and gripping crime thrillers, and are apparently in a legal drama. Bae Yong-joon, the lead actor in good enough to make international viewers overlook “Winter Sonata,” grew so popular in East Asia that the nuisance of subtitles. Many K-dramas have also he became the first Korean celebrity to be featured inspired remakes around the world, signaling even in the textbooks of Taiwan and Japan. His nickname grander prospects for the industry. “Yonsama” earned from his Japanese fans cemented his overwhelming popularity. A decade after “Autumn” 30 Experience Korea Experience was broadcast in Korea, the Chinese remake “Fall in Love (一不小心 上你)” came out in 2011. Another K-drama,爱 “I’m Sorry, I Love You” (2004), spurred a Chinese remake as a film and a Japanese one as a series. “Temptation to Go Home (回 家的誘惑),” the 2011 Chinese remake of the 2008 K-drama “Temptation of Wife” (2008), starred Korean actress Choo Ja-hyun as the lead in her China debut. -
Korean Television Dramas, Romance, Erotics, and Race
UNIVERSITY OF CALIFORNIA Los Angeles Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Gender Studies by Min Joo Lee 2020 © Copyright by Min Joo Lee 2020 ABSTRACT OF THE DISSERTATION Transnational Intimacies: Korean Television Dramas, Romance, Erotics, and Race by Min Joo Lee Doctor of Philosophy in Gender Studies University of California, Los Angeles, 2020 Professor Purnima Mankekar, Chair In this dissertation, I examine the gendered and racial politics of women’s transnational sex tourism. I draw on thirteen months of ethnographic fieldwork with women from Europe and North America who travel to South Korea to form intimate relations with South Korean men in a phenomenon known as Hallyu tourism. Hallyu (also known as the Korean Wave) is a transnational phenomenon whereby people from all over the world consume South Korean popular culture including music, films, and television programs. In my dissertation, I focus on the transnational popularity of romantic South Korean television dramas and how they generate erotic desires in their viewers for South Korean men. I build on interdisciplinary debates in the fields of Gender Studies, Asian Studies, and Media Studies to examine the racial, gendered, and sexual politics of the Hallyu tourists’ erotic desires and their intimate relationships with South Korea men. I argue that these transnational relationships of intimacy produce racialized ii discourses of South Korean masculinity emerging at the intersection of South Korean cultural conceptions of gender and transnational discourses of race. Furthermore, I suggest that these intimate encounters between South Korean men and “Western” female Hallyu tourists compel us to reconfigure binary conceptions of West versus East, national versus transnational, sex versus romance, and masculine versus feminine. -
The Korean Wave in the Middle East: Past and Present
Article The Korean Wave in the Middle East: Past and Present Mohamed Elaskary Department of Arabic Interpretation, Hankuk University of Foreign Studies, Seoul 17035, South Korea; [email protected]; Tel. +821054312809 Received: 01 October 2018; Accepted: 22 October 2018; Published: 25 October 2018 Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed the wider world. For the sake of convenience, I will be using the term Hallyu (or Neo-Hallyu) rather than the Korean Wave throughout my paper. Keywords: Hallyu; Korean Wave; K-drama; K-pop; media; Middle East; “Gangnam Style”; Psy; Turkish drama 1. Introduction My first encounter with Korean culture was in 2010 when I was invited to present a paper at a conference on the Korean Wave that was held in Seoul in October 2010. In that presentation, I highlighted that Korean drama had been well received in the Arab world because most Korean drama themes (social, historical and familial) appeal to Arab viewers. In addition, the lack of nudity in these dramas as opposed to that of Western dramas made them more appealing to Arab viewers. The number of research papers and books focused on Hallyu at that time was minimal. -
Notes Toward an Archaeology of Hallyu
Volume 15 | Issue 14 | Number 4 | Article ID 5056 | Jul 15, 2017 The Asia-Pacific Journal | Japan Focus Notes Toward an Archaeology of Hallyu Mark Morris Abstract The first consciousness that a new Korean cultural wave –hallyu-- was in motion began to take shape in different forms and at different times in the rest of East Asia. It was the craze for Korean TV drama that represented a sudden apparition of something new from South Korea. Before long, however, this wave grew bigger and far more complex than anyone might have predicted, including Korean pop music and films, animation, online games, smartphones, fashion, cosmetics, etc. There have been resistances to this inundation notably in Japan, a country where several earlier mini-hallyu now seem long forgotten. Keywords Hallyu, tv drama, Korean pop, manga, film I want our nation to be the most beautiful in the world. By this I do not mean the most powerful nation. The only thing that I desire Kim Ku, 1876–1949 in infinite quantity is the power of a noble culture. This is because the power of culture both makes us happy and gives happiness to Kim Ku (1876-1949), in this rightly famous call others. to culture published not too long before his violent death, went on to articulate a vision of a Kim Ku, Baekbeom ilji (1947) Korea in which Koreans would not only be free for the first time in a long while to be Korean, Introduction but would as well project their culture out into the world. As he put it: ‘I wish our country to be not one that imitates others, but rather the source, goal, and model of this new and advanced culture. -
Chapter 2. Analysis of Korean TV Dramas
저작자표시-비영리-변경금지 2.0 대한민국 이용자는 아래의 조건을 따르는 경우에 한하여 자유롭게 l 이 저작물을 복제, 배포, 전송, 전시, 공연 및 방송할 수 있습니다. 다음과 같은 조건을 따라야 합니다: 저작자표시. 귀하는 원저작자를 표시하여야 합니다. 비영리. 귀하는 이 저작물을 영리 목적으로 이용할 수 없습니다. 변경금지. 귀하는 이 저작물을 개작, 변형 또는 가공할 수 없습니다. l 귀하는, 이 저작물의 재이용이나 배포의 경우, 이 저작물에 적용된 이용허락조건 을 명확하게 나타내어야 합니다. l 저작권자로부터 별도의 허가를 받으면 이러한 조건들은 적용되지 않습니다. 저작권법에 따른 이용자의 권리는 위의 내용에 의하여 영향을 받지 않습니다. 이것은 이용허락규약(Legal Code)을 이해하기 쉽게 요약한 것입니다. Disclaimer Master’s Thesis of International Studies The Comparison of Television Drama’s Production and Broadcast between Korea and China 중한 드라마의 제작 과 방송 비교 August 2019 Graduate School of International Studies Seoul National University Area Studies Sheng Tingyin The Comparison of Television Drama’s Production and Broadcast between Korea and China Professor Jeong Jong-Ho Submitting a master’s thesis of International Studies August 2019 Graduate School of International Studies Seoul National University International Area Studies Sheng Tingyin Confirming the master’s thesis written by Sheng Tingyin August 2019 Chair 박 태 균 (Seal) Vice Chair 한 영 혜 (Seal) Examiner 정 종 호 (Seal) Abstract Korean TV dramas, as important parts of the Korean Wave (Hallyu), are famous all over the world. China produces most TV dramas in the world. Both countries’ TV drama industries have their own advantages. In order to provide meaningful recommendations for drama production companies and TV stations, this paper analyzes, determines, and compares the characteristics of Korean and Chinese TV drama production and broadcasting. -
Viu Clinches Regional Deal with CJ ENM on Highly Anticipated Korean
Viu clinches regional deal with CJ ENM on highly anticipated Korean romance drama series Encounter, starring Song Hye Kyo and Park Bo Gum Continues its streak of offering the most extensive premium Korean dramas and variety shows across Asia PCCW (SEHK:0008) HONG KONG, November 5, 2018 — Viu, a leading pan-regional OTT video service by PCCW Media Group, announces a regional deal with South Korea’s entertainment conglomerate CJ ENM on the highly anticipated new romance K- drama series Encounter, acquiring its exclusive OTT rights in Asia. The drama will be premiered on November 28, 2018 in Korea and will be streamed on Viu in Hong Kong, Malaysia, Indonesia, the Philippines, Singapore and Thailand, fully subtitled in local languages and as fast as four hours after telecast in Korea. Produced by Korea’s top drama production house, Studio Dragon, a subsidiary of CJ ENM, which has made numerous hit series including What’s Wrong with Secretary Kim, Goblin and Bride of the Water God, Encounter boasts an all-star team with a renowned cast, director and script writer. The lead actress and actor of Encounter are prominent hallyu (“Korean wave”) celebrities Song Hye Kyo, best known for her leading role in the pre-eminent series Descendants of the Sun, and Park Bo Gum, famous for Reply 1998 and Love in the Moonlight. Helming the show is director and producer, Park Shin Woo, who also directed Jealousy Incarnate, as well as script writer Yoo Young Ah, from My Annoying Brother, Bel Ami and Entertainer. Ms. Janice Lee, Managing Director of PCCW Media Group, said, “Our strategic collaboration with CJ ENM has grown since the launch of Viu to now cover 13 markets in Southeast Asia and the Middle East. -
Past, Present and Future of Hallyu (Korean Wave)
American International Journal of Contemporary Research Vol. 5, No. 5; October 2015 Past, Present and Future of Hallyu (Korean Wave) Kim Bok-rae Professor Andong national University I. Introduction Hallyu refers to the phenomenon of Korean popular culture which came into vogue in Southeast Asia and mainland China in late 1990s. Especially, hallyu is very popular among young people enchanted with Korean music (K-pop), dramas (K-drama), movies, fashion, food, and beauty in China, Taiwan, Hong Kong, and Vietnam, etc. This cultural phenomenon has been closely connected with multi-layered transnational movements of people, information and capital flows in East Asia. Since the 15th century, East and West have been the two subjects of cultural phenomena. Such East–West dichotomy was articulated by Westerners in the scholarly tradition known as “Orientalism.”During the Age of Exploration (1400–1600), West didn’t only take control of East by military force, but also created a new concept of East/Orient, as Edward Said analyzed it expertly in his masterpiece Orientalism in 1978. Throughout the history of imperialism for nearly 4-5 centuries, west was a cognitive subject, but East was an object being recognized by the former. Accordingly, “civilization and modernization” became the exclusive properties of which West had copyright (?!), whereas East was a “sub-subject” to borrow or even plagiarize from Western standards. In this sense, (making) modern history in East Asia was a compulsive imitation of Western civilization or a catch-up with the West in other wards. Thus, it is interesting to note that East Asian people, after gaining economic power through “compressed modernization,”1 are eager to be main agents of their cultural activities in and through the enjoyment of East Asian popular culture in a postmodern era. -
Korean Drama As Educational Tools That Develop Mutual
Advances in Social Science, Education and Humanities Research, volume 239 8th UPI-UPSI International Conference (UPI-UPSI 2018) KOREAN DRAMA AS EDUCATIONAL TOOLS THAT DEVELOP MUTUAL UNDERSTANDING BETWEEN COUNTRIES Farah Nabila Hamdan; Norlis Ismail UTAR [email protected]; [email protected] Abstract -- This paper presents a Korean drama as the viewers. Mass media channel that usually give educational tools for public. When the word of impact to the viewers is television. education appears, most of people will related it with books. People often to overlook it but there are many Besides influencing people lifestyle, mass ways for education besides books. Meanwhile, drama media also can educate people through the useful have been categorized as entertainment medium. knowledge that been distribute to the viewers. Purpose of this study is to changes the perception of Samsudin (2008) stated, viewers can receive lot of drama as only for the entertainment but also can be information through television because that channel educational methods. With the existence of Cultural Proximity Theory in the drama, mutual “provide culture space which have similar elements understanding can be develop within the country and in ritual, symbols and background of culture that automatically it will become the educational tool for identifies identity of the society.” This statement public. The four elements in Cultural Proximity that proved that television is an important medium in educates public while they are watching drama are the formation of society’s value and socio-culture. language proximity, visual proximity, culture proximity and value proximity. Winter This research is conducted based on the Sonata play an important role in raising up the previous research done by Aminah (2012) which tourism industry and promoting wonderful places in stated that Korean wave in Malaysia leads viewers South Korea. -
Why Korean Dramas Are Popular in China
International Journal of Arts and Commerce Vol. 5 No. 9 December 2016 Why Korean Dramas are Popular in China Junxiong Wei Institute of Marxism, China West Normal University, No. 1 Shi Da Road, Nanchong, 637009, Sichuan, China. E-mail: [email protected] Abstract The fundamental reason of Korean dramas’ success in China is that they meet Chinese needs which include cultural and psychological contentment, spiritual satisfaction, aesthetic gratification and visual enjoyment. Besides, there is the perfect combination of tradition and modernity in South Korean dramas, displaying the essence of traditional culture in a modern manner. Key words: Korean dramas; Chinese spiritual and ethical needs; cultural identity I. Introduction The popularity of the Heirs and My Love from the Stars in China shows that Korean dramas return in a revitalized form. Lee Minho, the chief actor of the Heirs, became the first South Korean artist participating in CCTV Spring Festival Gala Evening. My Love from the Stars was better and had created a craze in China. Iqiyi is a well-known video network platform, and had purchased the broadcast rights to My Love from the Stars. According to the statistical data of Iqiyi, “the amount of play broke through ten millions on Iqiyi and PPS during the first week, and it was streamed more than 1 billion when the last episode was played on February 19, 2014”(Yang Weijia 王蔚佳, 2014, March 3).My Love from the Stars had not been retreated while Descendants of the sun, lived in February 2016, started a new round of more intense agitation. This drama simulcast by China and South Korea got more than 2 billion 680 million viewers on Iqiyi and broke the record set by My Love from the Stars. -
The Korean Wave: Creating Their Model for the 21St Century?
The Korean Wave: Creating Their Model for the 21st Century? A Global Lesson Plan Dr. Denise R. Ames Center for Global Awareness © 2017 layout design by Jeanine McGann wave graphic designed by Freepik.com The Korean Wave: Creating Their Model for the 21st Century Table of Contents 1. Introduction to Korea 2. Education: Korean Style 3. Religion in South Korea 4. The Korean Economic Miracle 5. Culinary Delights: Food in South Korea 6. Korean Pop Culture: Entertainment for a Globalized World a. History of Korea’s Popular Culture b. First Korean Wave and Television c. Second Korean Wave: K-Pop d. Critique of the K-Pop Music Industry 7. South Korea Wrap Up 2 The Korean Wave: Creating Their Model for the 21st Century? Korea is asserting itself as a major force in the world! If you don’t know much about Korea, please take notice, in more ways than one, it is a rising star on the world stage. Introduction to Korea Koreans have often thought of themselves as victims and indeed the 20th century has not been kind to the Re- public of South Korea, a small country on a peninsula near China and Japan. In 1910 it was invaded by Japan, which continued to occupy and exploit Korea until its defeat by the US and its allies at the end of World War II, when the Japanese were permanently expelled from the peninsula. Soon after the end of World War II, a brutal civil war broke out in 1950 between North Korea, loyal to communist Soviet Union and China, and South Korea, who sided with the United States and its allies. -
In Communications Elon Journal of Undergraduate Research
Elon Journal of Undergraduate Research in Communications Spring 2011 Issue Published by the School of Communications Elon University Joining the World of Journals Welcome to the nation’s first and, to our knowledge, only undergraduate research journal in communi- cations. We discovered this fact while perusing the Web site of the Council on Undergraduate Research, which lists and links to the 60 or so undergraduate research journals nationwide (http://www.cur.org/ugjournal. html). Some of these journals focus on a discipline (e.g., Journal of Undergraduate Research in Physics), some are university-based and multidisciplinary (e.g., MIT Undergraduate Research Journal), and some are university-based and disciplinary (e.g., Furman University Electronic Journal in Undergraduate Mathematics). The Elon Journal is the first to focus on undergraduate research in journalism, media and communi- cations. The School of Communications at Elon University is the creator and publisher of the online journal. The first issue was published in Spring 2010 under the editorship of Dr. Byung Lee, associate professor in the School of Communications. The three purposes of the journal are: • To publish the best undergraduate research in Elon’s School of Communications each term, • To serve as a repository for quality work to benefit future students seeking models for how to do undergraduate research well, and • To advance the university’s priority to emphasize undergraduate student research. The Elon Journal is published twice a year, with spring and fall issues. Articles and other materials in the journal may be freely downloaded, reproduced and redistributed without permission as long as the author and source are properly cited. -
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1st UPI International Conference on Sociology Education (UPI ICSE 2015) Impact of Korean Drama in Indonesia through the Spread Moral Values for Young Generation M. Nur Alia A, E. Malihah, S. Nurbayani Departement of Sociology Education Faculty of Social Sciences Education Universitas Pendidikan Indonesia Bandung, INDONESIA [email protected] Abstract—The swift of globalization in the lives of Indonesian important , by making a special organization KOFIC by South people cause love of local culture increasingly degraded, and Korea 's Ministry of Culture . KOFIC has a goal to grow and these have an impact on people's behavior changes on their daily spread hallyu more. That’s why Hallyu growing so fast and life. Many of television programs offer foreign cultures through takes effect for people behavior. film / drama, especially the Korean drama, absolutely, they Drama from South Korea through a preliminary survey change our perspectives and habits because those programs unfiltered adopted by Indonesian people. Nowadays, Korean to fans of Korean dramas by the research team expressed Drama is the most interesting shows by Indonesian people as a always carry elements of culture in every film, such as show that is entertaining as well as bringing the phenomenon of fashion, food typical of the country, or the typical areas of the the growing interest in Korean culture products both from country South Korea. Things like this that can hypnotize the fashion and lifestyle, to the values of life which is increasingly audience, thus indirectly the audience likes and loves what the varied. This phenomenon can be seen in the development of characters in the drama are doing, then the cause of love and a young people into adulthood, especially in women, both desire to follow the culture of South Korea.