Cheffins Clifton House 1 & 2 Clifton Road Cambridge The Fine Art Sale Cambridgeshire CB1 7EA Started 18 Jun 2014 11:00 BST United Kingdom
Lot Description
A late 18th/early 19th century Prattware Toby jug, he sits with a foaming mug of ale, his tricorn sponged brown and his coat flecked with 1 blue and ochre, a green line around the canted square base, 24cm (9.5 in) high There are two small chips from his hat
A matched and graded set of nine Mason`s ironstone jugs, each of the octagonal shapes printed and painted in Imari palette with blue 2 and red flowers around a basket, variously marked, the largest 24cm (9.5 in) high (9) (W) A 9cm high jug has a small nick from the rim and a firing crack to the l ...[more]
A mid 18th century English Delft blue and white drug jar, possibly London, painted with a cherub and shell design above `U: Laur.C` and 3 flowers flanking a winged head with a tassell suspended from its chin, 18cm (7 in) high (D) The foot and back of the jar have glaze losses and a hair crack
A mid 18th century Delft blue and white vase, the waisted cylindrical body painted on one side with a traveller standing on a boulder- 4 strewn road before a village church, the scene framed by flowers and fruit, 23cm (9 in) high (W) There are glaze losses and chips to the rims
A19th century pearlware pipe modelled in the form of a monkey red coat soldier in turn smoking a pipe with a Bacchus mask bowl, 12cm 5 (4.75 in) high (R) There is restoration to the monkey tail mouthpiece, the base and to the mouthpiece in the monkey`s mouth
An 18th century Delft blue and white dish, possibly Bristol, painted with a large vase of two trefoil flowers flanked by a giant daisy head 6 within a rim band of alternating three and five petal flower heads linked by vine and foliage, 30.5cm (12 in) diameter (W) The glaze is partially worn from ...[more]
An 18th century Wedgwood creamware tea caddy printed in black with the tea party on one side and with a shepherd seated below a 7 tree with his dog on the other, 10.5cm (4 in) high This lacks a cover and is stained yellow. There are minor nicks to the rim and shoulders
An early 19th century Mason`s ironstone ice pail and liner, the mask handled facetted sides printed and painted in Imari palette with red 8 and blue flowers around a single basket, 22cm (8.75 in) high (2) Minor chipping to the base of the liner
An early 19th century Mason`s ironstone jug, the serpent handled facetted baluster shape printed and painted with red and blue flowers 9 about a single basket, a further mask handle below the spout, 31.5cm (12.5 in) high (D) This has a hair crack running around one side
An early 19th century redware pot pourri vase and cover, together with a later porcelain liner, the slightly domed cover pierced with 10 round holes, the body moulded with three lion`s heads on draped aprons between legs ending in paw feet, the white liner monogrammed LS, 15cm (6 in) high (3) (D) ...[more]
An early George III English Delft blue and white bottle vase, possibly London, the cylindrical neck painted with long stems alternating 11 with leaves above three flower heads on the spherical body, 24cm (9.5 in) high (D) Half the rim has been chipped away and there is a piece glued back An English Delft blue and white bottle vase, possibly Liverpool, painted with a Chinese parent and child standing in an island garden, the 12 interior of the flared rim with C-scroll and pellet band, 24cm (9.5 in) high (D) The foot has been broken off and glued back. The rim edge has lost most of ...[more]
A Bow blue and white chinoiserie plate, alternating fan and roundels on the blue ground enclosing the central scene of a boat passing 15 between islands, pseudo Chinese marks, 23cm (9 in) diameter One minor rim nick
A Bow figure of an Abbess, she sits reading a book, her hooded cloak painted purple, 15.5cm (6 in) high, bears collection label of Peter 16 Bradshaw Some wear to the purple enamels but otherwise good
A Bow white glazed figure of a Nun standing on a mounded circular base reading a holy book, 16.5cm (6.5 in) high, bears the collection 17 label of Frank Wheeldon (W) Sh has lost a finger and thumb from her left hand and one bow loop from her shoes
A Chaffer`s Liverpool blue and white tea bowl and a chinoiserie saucer, the former painted with the jumping boy pattern and the latter 18 with figures fishing each below willow trees (2) Good
A New Hall type tea service, each piece painted with a yellow shell amongst flowers similar to New Hall pattern 1045, comprising: 19 eleven tea cups and saucers, milk jug, waste bowl, tea pot and cover (26) (D) Two tea cups are damaged
A pair of 18th century Worcester blue and white baskets printed with the pine cone pattern centrally to guilloche pierced rims applied 20 with handles, 25.5cm (10 in) diameter (2) Good
A pair of Bow figural candlesticks, the lady representing Autumn standing above a wheatsheaf on the flower strewn four legged rococo 21 base, the gilt foliate nozzles supported on bocages columns, he represents Winter his hands in a muff and his shoes tied with ice skates and by a brazier, 26.5cm (10.5 ...[more]
A pair of Bow figures representing Summer and Winter, she sits by a beehive amongst flowers holding a posy and a basket, the four 22 legged bases with gilt details, he warms his hands on a brazier flanked by flowers, crossed swords and dagger marks in red, 16.5cm (6.5 in) high (2) (D) Both have ch ...[more]
A Worcester blue and white dish, a cream jug and a Caughley mustard pot and cover, each printed with flowers and butterflies, the dish 23 of leaf shape, 20cm (8 in) wide, the jug with wavy rim, crescent mark, 7cm (2.75 in) high, the cover of the cylindrical mustard recessed for a spoon handle, C mark, ...[more]
An early 19th century J Rose & Co. `Coalport Improved Felspar Porcelain` tea and coffee service painted with pattern number 830 of 24 roses and other flowers within gilt vignettes and dentil rims, some bearing printed marks to include `The Gold Medal Awarded May 30th 1820`, comprising: ten tea cups ...[more]
An early 19th century pot pourri basket and cover, possibly Coalport, the rustic handle ending in gilt floral rosettes on a rim enclosing a 25 similarly flower head encrusted pierced lid above cavetto sides painted with bunches of flowers, 13.5cm (5.25 in) (2) (W) There are the inevitable chips to ...[more]
Attributed to Longton Hall, an armorial printed mug, the horse head crested armorial within rococo framing above stag hunting scenes all 26 in black , 16cm (6.5 in) high (D) The handle shape conforms to Longton Hall but the printing can be attributed to Liverpool This has a hair crack running from ...[more]
Attributed to Swansea a tea cup and saucer, possibly painted by David Evans with sprays of flowers on gilt vine bands within dentil 27 borders (2) Good New Hall, Liverpool and Worcester wares, the first to include a `686` pattern plate and three 421 pattern saucers, the Liverpool blue and 28 white bowl printed with flowers, 12.5cm (5 in) diameter and the Worcester saucer printed with the cormorant pattern (8) (D) The Liverpool bowl is cracked and ...[more]
Two similar late 18th century Worcester blue and white leaf shaped dishes printed with butterflies approaching flowers from the pointed 29 ends of the leaves opposite split stalks forming the handles, crescent marks, 25.5cm (10 in) wide (2) Good
A 17th century Bellarmine without a handle and another larger, the bearded mask on the first above a cruciform roundel, 28cm (11 in) 32 high and on the second above an oval with a standing figure, 40.5cm (16 in) high (2) (D) The first lacks its handle and the second has a chunk out of the rim
A 17th/18th century Italian albarello, possibly Venetian, the blue dashed neck above foliage on the larger and smaller bun shaped 33 moulding to the body inscribed `Midol.D.Vacina` in manganese above an ochre armorial of two hands holding an erect sword, all on a berettino ground, 21cm (8.25 in) high ...[more]
A 19th century Chinese ochre glazed water buffalo, the reclining beast with black eyes and brown horns, 58.5cm (23 in) wide (R) There 34 has been restoration to the horns
A late 17th century Delft coronation dish for King William and Queen Mary, the central manganese and yellow painted portrait busts of 35 the crowned monarchs resting on the inscription `KWD3KTM` and enclosed by a yellow ground rim band of manganese chevrons, 36cm (14.25 in) diameter (D) Just under ...[more]
A late 19th century `Sevres` plate painted by `L Rohoue` with a battle scene by a windmill, the reverse with interlacing L marks and faint 36 incised lettering about the date 1892, 24cm (9.5 in) diameter Good
A late 19th/early 20th century French faience bust of Napoleon dressed in usual military attire and supported on a squared socle 37 decorated with a red cross shield flanked by bees, crown over TR monogram and CA marks, 42cm (16.5 in) high Good but for two minor chips on his left lapel
A mid 18th century Dutch Delft polychrome dish painted in the kraak style with two ducks centrally, each on one foot facing each other 38 below flowers within alternating rim panels of orange and green fruit, 35cm (13.75 in) diameter (W) There are glaze losses and nibbles to the rim edge but no cr ...[more]
A mid 18th century Meissen armorial tea cup painted opposite the handle with a fleuron coronet above two oval coats of arms within 39 gilding, the interior rim gilt with a band of laub und bandelwerk, crossed swords marks, traces of a gilt mark and impressed 4 (D) There is a crack through the lowe ...[more]
A mid 18th century Meissen figure of a woodcutter after J J Kandler, he wears a black hat and blue jerkin as he pulls his axe from the 40 log which he is splitting, crossed swords mark, 13.5cm (5.25 in) high The head of the axe has some new paint over thee glaze and may have been tidied up by a re ...[more]
A Nebuchadnezzar II (604-562 BC) Babylonian brick and terracotta figure, the surviving inscription on the brick relating to the King of 41 Babylon and the Temple of Ezida, 7cm (2.75 in) wide together with a reproduction terracotta figure with cuneiform incised back, 8cm (3.25 in) The brick was collecte ...[more]
A pair of 19th century Volkstedt trencher salts painted with roses and other scattered flowers, the ribbed oval sides of the exteriors 42 moulded with two ozier bands, crossed pitchforks mark in blue, 10cm (4 in) wide (2) (W) the unmarked one has a bruise on the rim and black speckling to the whit ...[more]
A pair of late 19th century Dresden two tier comports, each tier painted with three 18th century couples in gardens within wavy edged 43 pierced rims, the floral columns topped by figures of a girl and a boy, pseudo crossed swords mark, 33xm (13 in) high (2) (D) The lower tier of that comport topp ...[more] A terracotta ground bowl, possibly 18th century Kutahya, the interior painted in white slip and turquoise details with scrolling flowers, the 44 exterior with panels of flower stems,13.5cm (5.25 in) diameter Some chipping and glaze losses to the rim
An 18th century French faience barber`s bowl and a dish, possibly Strasbourg, the former with the shaped oval rim painted with a floral 45 chain, 36cm (14.25 in) wide and the latter with the central stork and flowers enclosed by fruit and flowers separated by butterflies, 35.5cm (15.25 in) wide (2) ...[more]
An 18th century Meissen figure of a lady, she wears a floral apron over her pale green dress, her blue bodice cuffs and hat with pink 46 ribbons, she dances across the base with gilt rocaille edges, crossed swords mark, 13cm (5 in) high (W) The pink ribbons have losses, there are chips from the ed ...[more]
An 18th century Meissen quatrefoil dish painted with a couple inspecting a ruined tower, a lakeside village in the distance, crossed 47 swords mark, gilt D and incised X, 17cm (6.75 in) wide The rim once had a gilt line
Two Meissen cups and saucers together with a Berlin cup, each painted with flowers, the coffee cup and saucer of the dot period, the 48 tea cup of later date with cancelled crossed swords marks, the Berlin coffee cup with sceptre mark (5) Good
A 19th century French milk glass vase, the baluster shape with gilt bands and painted on one side with two birds amongst flowers and 50 vines, 45cm (17.75 in) high Good
A late 18th century Irish glass standing bowl, probably Cork, the fluted rim band on the rim of the navette shape cut above guilloche 51 topped by stars alternating with leaf shapes, the swollen disc knopped stem on moulded gadrooned foot, 35cm (13.75 in) wide A chip may have been ground out of th ...[more]
52 A late 18th century opaque twist wine glass, the tapering cylindrical bowl rounding into the stem on circular foot, 15cm (6 in) high Good
A late 19th/early 20th century Bohemian blue and amber tazza, the exterior of the rounded conical bowl engraved and gilt with egg 53 shaped panels of flowers alternating with green leaves, the hollow stem with gilt outlined panels, 29.5cm (11.5 in) high Good
A pair of 19th century Bohemian cranberry lustres, each hung with clear prismatic drops below serrated rims and alternating white 54 overlay oval panels of children`s heads and flowers, the trumpet feet with lappet panels of gilding and further flowers, 28cm (11 in) high (2) There is one minor nic ...[more]
A pair of mid 19th century Bohemian vases, the gilt serrated rims to the tall tulip shaped bodies above alternating white panels of 55 painted flowers and cut diamond diaper, the floral lappets on the trumpet shaped feet with flowers alternating with gilt scrolling vines, 28.5cm (11.25 in) high (2) ...[more]
A pair of mid 19th century Bohemian vases, the gilt serrated rims above tall tulip shaped bodies with white overlay diamond diaper cut 56 panels, the white panels of the octagonal feet gilt as leaves, 28cm (11 in) high (2) Good
A set of five 20th century rummers, the rounded bowls facetted above disc and bun knopped short stems and circular feet, 15.5cm (6 in) 57 high (5) Good
A pair of 18ct gold and malachite earrings together with three other pairs, the first pair each with a long oval malachite cabochon in a 60 broad gently convex border embellished with bead and ropetwist decoration in the Victorian style, post and clip fittings, Egyptian hallmarks, length 2.3cm; second ...[more]
A chrysoprase and rock crystal necklace, constructed as a fine fancy curb link chain punctuated at regular intervals by composite beads 61 formed of near hemispheres of chrysoprase loosely sandwiching discs of rock crystal with faceted edges, length 42.5cm, diameter of beads 10mm A modern design diamond ring, A modern design diamond ring, set across the front with a double row of channel set princess cut 62 diamonds to a slightly tapered band of yellow precious metal stamped `750`, size L, gross weight 6.69g
A fancy link collar necklace stamped `750` for 18ct gold, of sinuously articulated structure with a line of triangular links surmounting 63 alternating pairs of textured and floral lozenge shaped links in a double line with bead terminations below, masked clasp with safety catch and stamped with manufa ...[more]
A pair of sapphire and diamond cluster earstuds set in white gold, each with an oval cut navy blue sapphire within a petal border of 64 twelve round brilliant cut diamonds, posts with London hallmarks for 9ct gold, length 1.2cm, cased
A hand-made pendant, ring and earring suite of rough deep peacock green crystals, possibly dioptase or chrome diopside, each with an 65 asymmetrical cluster of the intergrown crystals, the pendant claw set in a wire cage, together with an associated ropetwist chain; the ring in a closed back broad cup ...[more]
A single stone diamond ring, the old round brilliant cut diamond claw set with a heart motif gallery of white precious metal to a plain 66 tapered band of yellow precious metal, stamped `18ct, Plat`, size K½, estimated weight of diamond 0.50cts
A three stone diamond ring set in 18ct white gold, the three uniform round brilliant cut diamonds claw set to a plain tapered shank, 67 hallmarked with common control mark, Birmingham, size M, estimated total weight of diamonds approximately half a carat
A pair of sapphire and diamond daisy cluster earstuds cased by Garrard, each with a central round cut sapphire with six spaced round 68 brilliant cut diamond petals, claw set in white precious metal, butterflies stamped `18k`, width 0.9cm; in gold tooled fitted case by Garrard & Co
A 19th century diamond bar brooch, with a 5.5mm diameter rose cut diamond in reeded closed back setting to rococo style shoulders 69 and narrow fluted bar, clasp with safety push; yellow precious metal stamped `18k`, length 5.2cm
A line bracelet by Antonio Bernardo, formed as a continuous band of square links, 6.5mm wide, to a masked clasp with safety hook, 70 stamped `750` and signed `antonio bernardo`, the clasp release with his serpentine `ab` signature; length 16.5, weight 22.05g; in original pink suede pouch with `ab` sign ...[more]
A quantity of cut unmounted sapphires, zircons and other gem stones, to include eleven oval, round and cushion cut variously green 71 sapphires (total weight approximately 23.50cts), four round cut blue zircons (1.40cts), an emerald cut pale blue topaz (8.20cts), two oval cut garnets (2.68cts), three b ...[more]
A 9ct gold hinged cuff bangle, of D section, the front with bright cut decoration of flowers and swirling foliage, hallmarked Birmingham 72 1964, width 1.9cm, internal width 5.9cm, weight 31.1g
Two mid 20th century carved nephrite jade Maori Hei-Tiki, The larger with drilled hole for wear as a pendant but currently in simple claw 73 mount with brooch fitting, length 4.2cm, the second with red-rimmed eyes, length 3.1cm. (2) The tiki is the traditional Maori stylised representation of the human ...[more]
Four antique German / Austrian brooches of hunting interest, the earliest of open annular form enclosing a spray of oak leaves with 74 acorns of deer teeth, the hoop inscribed `Tannheim 19.XI.1897`; the second inscribed `Tannheim 1900` in art nouveau style designed as swirl of mistletoe with pendant dr ...[more]
A collection of Scottish agate jewellery, the first a bracelet of alternating quatrefoil and oval cornelian or brown banded agates and one 75 green mossy agate, with engraved white metal mounts (assumed silver), clasp with pendant shield shaped similar agate locket with foliate engraved backing, safety ...[more] A single stone princess cut diamond and 18ct gold ring by Boodle & Dunthorne, the rectangular princess cut diamond end set in line 76 with the tapered plain shank, hallmarked London 2001, with B&D punch mark, and engraved `Boodles` and `0.51ct`, in its original B&D case, ring size K½. Toget ...[more]
77 An amber pendant with chain, the asymmetrical opaque amber drop, length 6.6cm, to a barleycorn link chain (clasp a.f.), length 48cm
A seven stone marquise cut diamond ring and single stone diamond ring, the first of graduated marquise cut diamonds of tinted hue, 78 claw set by their points in a line rising to a central apex, to trifurcated shoulders and a plain band of yellow precious metal stamped `14k`, size L; the second a singl ...[more]
A crucifix and chain by Germano Alfonsi, the realistically modelled figure of Christ crucified on a textured log cross, signed on the back 79 `Germano` and with the Alfonsi Satyr`s head cartouche, the bale stamped `750` and with Italian assay lozenge for Rome, the chain hand-made of fancy reef-knot lin ...[more]
A vintage amber bead necklace containing at least three insects, comprising 51 graduated 14-20mm tyre shaped beads of mainly 80 translucent amber with various inclusions of black speck material, air bubbles, natural spangles, layered swirls of successive dribbles of resin, and three distinct insects - ...[more]
An 18ct gold double heart ring set with a pear cut diamond, of linear looping design in yellow gold, the overlapping hearts with a white 81 gold collet set pearcut diamond off-centre, to a plain broader band, Sheffield hallmarks 1986, size I½, estimated weight of diamond 0.27cts, cased
A yellow sapphire and diamond ring, the rectangular cushion cut lemon yellow sapphire claw set to bifurcated foliate shoulders set with 82 pairs of single cut diamonds, size M, cased by Gem Co, Calcutta; dimensions of sapphire 14x11mm
A single stone citrine dress ring, the emerald cut pale golden citrine in a plain linear four claw setting with bifurcated shoulders and plain 83 shank of unmarked yellow precious metal, size K
A cornelian and diamond ring by Antonio Bernardo, the rectangular polished cornelian plaque in a solid setting comprising a raised collet 84 above a stylised ropetwist border studded all around with single cut diamonds, to a broad tapered band, size M; shank stamped `750` and with Antonio Bernardo`s se ...[more]
A three row fancy link chain bracelet, each oval link of U-section with textured gulley and beaded centre with two bar links across the 85 rows to hold in place, to a box clasp, with fine curb link safety chain, all of yellow precious metal, tests for 14/15ct gold, length 20.5cm, weight 21.47g
A pheasant brooch set with diamonds, pearls and enamel, the ambulant bird with realistically coloured head in enamels and body and 86 plumage pavé set with rose cut diamonds, walking along a curved knife-edge bar set at intervals with small pearls, length 4cm
A three row pearl cuff hinged bangle, designed as four narrow bars with circular ropetwist gridwork between, into each space a small 87 freshwater pearl is wired (one lacking), the hinge and slide clasp spaced a third of the circumference apart; yellow precious metal tests for 18ct or better gold; inte ...[more]
A 9ct gold and gem set spray brooch, with rose gold strap shaped leaves and ribbon tie, and yellow gold fern fronds around a flower 88 stem set with round cut garnets and citrines, and two stems each with a pearl termination, hallmarked Birmingham 1978, length 6.1cm, in gold tooled leather case
A bi-coloured plaque bracelet set with citrines and garnets, comprising nine rectangular plaques of textured sunburst design each set to 89 the centre with a rectangular cut citrine or garnet, alternating with slightly longer round-ended plaques with cast and engraved flowers, hidden clasp with safety ...[more] A small collection of jewellery set variously with pearls, sapphires and diamonds, to include a hallmarked 18ct gold sapphire and 90 diamond three stone ring size L (estimated total weight of diamonds approximately 0.30cts), a trefoil pearl and sapphire pendant stamped `K14` with a fine curb link chain ...[more]
A Victorian citrine brooch, the oval cut smoky citrine set in a realistically moulded and engraved foliate mount with a bright cut tubular 91 hoop surround, length 4.2cm, safety chain
A 1930`s diamond bar brooch with three old round brilliant cut diamonds millegrain collet set at the centre and ends of a millegrain 92 edged bar set all along with similar smaller diamonds, in white on yellow precious metal, clasp with safety slide; length 5.4cm, estimated total weight of diamonds 1.8 ...[more]
A pair of pearl and diamond earclips by Antonio Bernardo, each comprising a swirl of square-ended fronds set all along with single cut 93 diamonds and gathered in the middle behind a 9mm pearl, yellow precious metal, spring-clip fittings signed `antonio bernardo`; length 3.8cm. Antonio Bernardo is a co ...[more]
A modern trinket box with fancy decorated and gem set lid, the square dark wooden box with filligree and engraved foliate mount (tests 94 for silver) to the lid, claw set in the centre with an oval cut vivid canary yellow stone believed to be a sapphire
Three Victorian banded agate anchor brooches symbolising Hope, the largest with octagonal brown and white banded agate shaft and 95 similar spiral carved drop shaped pendant, mounted in ornately engraved white precious metal (tests for silver) with looped anchor chain, stamped `H&T` (for Hilliard & ...[more]
Four eternity rings set with different precious stones, three of the rings full hoop and channel set with calibré cut stones; the first with 96 rubies in white precious metal stamped `Plat`, and with engraved edges; the second with a similar setting with emeralds; the third of yellow precious metal set ...[more]
A small collection of coral jewellery, firstly a 9ct gold coral and seed pearl ring of asymmetric crossover design set with an oval mid-pink 97 coral cabochon and lines of seed pearls, hallmarks for London 1987, size N; together with a graduated 4.5-7mm coral bead necklace, clasp stamped `14k`, length ...[more]
A George III spade guinea pendant necklace, the 1790 guinea with fixed suspension loop together with a ropetwist chain with bright cut 98 barrel clasp, length 45cm
A French 18ct gold fancy knot link bracelet, each oval link a twist of plain square section gold and embossed textured gold to a hidden 99 clasp with safety chain, tongue with head of Mercury struck three times to indicate 18ct gold for export from France and with maker`s lozenge; length 19cm, weight 1 ...[more]
A modern single stone opal ring, the yellow precious metal setting, stamped `18k`, with a plain band and bifurcated shoulders rising in a 100 sculptured textural organic form to hold the oval cabochon opal with eight claws, ring size P, length and width of opal 14x9mm, cased
A gold necklace set with 15 charms, the 9ct belcher link chain hallmarked Sheffield 1986, hung with assorted charms to include two 101 carved coral hands and a coral heart, a turquoise set cockerel, a turquoise set reef knot, a duck, a penknife, a Spanish fan, a malachite beetle, and two 18ct gold Egypt ...[more]
A pair of 9ct gold knot earrings cased by Mappin & Webb, the loose `knots` formed of three strands of square section tubes interlinked, 102 the posts hallmarked, London 1989, maker`s marks worn but possibly Mappin & Webb, in signed fitted blue case; length of earrings 2cm, weight 3.04g
A 19th century coral and seed pearl ring, of closed back navette form, with three graduated circular cabochon pink corals in a border of 103 graduated seed pearls to a cut away gallery and trifurcated foliate shoulders, size M, length of face 2.1cm; cased An 18ct gold band ring, cast as a continuous band of celtic lovers` knots between reeded edges, size M, common control mark for 104 Chester, weight 8.7g
A coral and pearl arrow brooch, the arrow head and fletchings set with graduated half seed pearls, the centre of the knife-edge shaft set 105 with a flowerhead with pearl centre and pink coral-embellished petals, yellow precious metal, length 7.2cm, in period fitted leather case
A two row graduated pearl necklace, the 3.5-7mm pearls to a textured floral clasp of hallmarked 9ct gold set with a central round cut 106 garnet and six seed pearls; length of shorter strand 43cm
A pair of spring action folding lorgnettes, with tapering cast flower-patterned handle and suspensory loop, of yellow precious metal, tests 107 for 18ct gold; length when folded 11.7cm
A gold flying eagle brooch with diamond eye, realistically modelled and textured as a swooping raptor with wings and legs outstretched, 108 of hallmarked 9ct gold, London 1983, clasp with safety catch, independent safety chain, width 4.3cm, gross weight 6.6g. This brooch was apparently presented to a me ...[more]
An 18ct gold hinged bangle by De` Lazzari - Oro Addosso, of polished graduated ropetwist exterior with hidden hinge and masked 109 clasp, safety chain, signed De` Lazzari, with London import hallmarks 1987 and Italian assay marks; interior width 5.8cm, width of ropetwist 1.0-1.6cm, weight 43.45g
A pearl and fancy chain link cuff bracelet, the 2.6cm wide cuff comprising various patterns of interwoven mesh and chain with two lines 110 of 4mm pearls caged loose, to a masked clasp with safety catch, stamped `14k`; length 18.5, gross weight 62.4g
A pair of fancy link bracelets stamped `750` for 18ct gold, each with alternating ball links and long links made up of four diaper patterned 111 poles, each 19.5cm long; trigger ring clasps so may be worn together as a necklet; gross weight 16.2g
An 18ct gold, lapis lazuli, red coral and turquoise necklace, formed as a chain of graduated beads alternating the gemstones with hollow 112 gold beads like round wrapped sweeties; Egyptian hallmarks for 18ct gold, length 53cm
Two 9ct gold chain necklaces and a third not hallmarked, the first of flattened alternating fancy curb and crossed `O` links, Sheffield 113 hallmark, length 46.5cm; the second of oval belcher links, London hallmark 1978, length 60cm; the third of finer doubled belcher links, marks worn but tests for 9ct ...[more]
A loose 4ct pearcut kunzite together with a box of assorted loose faceted gemstones, to include a step cut pink sapphire (2.85cts), a kite 114 cut blue sapphire (3.73cts), an oval cut white stone thought to be goshenite (11.55cts), a large pear cut lemon citrine, a pair of briolette cut prasiolites dril ...[more]
A collection of turquoise and similar set jewellery, comprising a 9ct gold ring (London 1971) formed as a pierced bombé pile of textured 115 flowers to a central flowerhead of a half-pearl with round turquoise cabochon petals, size H; a suite of ring, earrings and brooch formed from edged ribbon bands o ...[more]
A silver, gold, gem and glass `Trollbead` necklace and bracelet suite, each chunky foxtail link chain with fancy floral clasp stamped 116 `925` threaded with sixty-nine glass, precious metal and gemstone beads, predominantly in shades of green and blue, lengths 44 and 20cm (2) Most of these beads are i ...[more]
An early 20th century diamond ring together with two other gold rings, the first designed as an obliquely angled bow set entirely with old 117 variously round cut diamonds to a fine shank stamped `Plat, 18ct`; the second a Russian wedding ring with three intertwined bands of the different coloured golds ...[more]
A single stone pale blue spinel ring, the marquise cut spinel, possibly of synthetic origin, claw set at the cardinal points to a raised linear 118 gallery and plain shank of unmarked yellow precious metal, size K, spinel 21 x 14mm; cased A three stone diamond and 18ct gold ring, the graduated round brilliant cut diamonds claw set in white to a plain tapered yellow gold 119 band, hallmarked Birmingham 1998, size N; estimated total weight of diamonds 0.91cts
A Georg Jensen silver brooch with deer and squirrel, design number 318, of square foliate outline with a recumbent hind at the bottom 120 and a squirrel in the top corner, with all the correct manufacturer`s marks, pattern number and silver hallmarks for London import 1964; approximately 4cm square
A colour change blue paste ring, the large round cut stone, 14mm diameter, four claw set between baguette cut white stone shoulders to 121 a raised gallery and plain shank, size P; in artificial light the stone is a clear aquamarine green-blue, which changes in daylight to a light lavender blue; it has ...[more]
An 18ct gold diamond and turquoise brooch, of hoop form set around with brilliant cut diamonds punctuated on each side by three oval 122 turquoise cabochons, clasp with safety catch, hallmarked Birmingham 1983, width 2.5cm
Three pairs of gold, diamond and gem set earstuds, first pair - each a square of intertwined ribbons with channel set calibré cut 123 sapphires around a brilliant cut diamond highlight centre, in hallmarked 9ct gold; the second - each a hemisphere of onyx with a millegrain collet-set round brilliant cut ...[more]
An aquamarine and diamond ring, the emerald cut aquamarine set in a border of sixteen round brilliant cut diamonds broken by 124 baguette cut diamond shoulders, to a plain band of white precious metal stamped `750`, also engraved with the aquamarine weight 5.10cts and total diamond weight of 1.05cts, s ...[more]
A diamond dress ring by Ricardo Filgueiras, of pierced scrolling and figure of eight design, the inter-locking lines formed by round 125 brilliant cut diamonds in long collets to bifurcated shoulders and plain angular section shank of white precious metal stamped `750` and with designer`s mark, an angul ...[more]
An Egyptian 18ct gold and gem set pendant and earring suite, each piece a solid plaque of a stylised lotus flower, set with shaped 126 cabochons of lapis lazuli, turquoise and red coral, all with Egytian hallmarks for 18ct gold; length of earrings 3.6cm, width of pendant 4.6cm, gross weight 34.4g (2)
A ten row aquamarine bead bracelet, the uniform 3-3.5mm faceted beads with two spacer bars and a full width foliate embossed box 127 clasp of white precious metal stamped `925`; length 19cm, width 3.5cm
A 1950`s fancy mesh link cuff bracelet with turquoise set clasp, the pierced fluidly flexible mesh made up of alternating polished and 128 bobbled four-sided links with a polished fringe termination (one lacking) and a raised part-textured foliate clasp set with round cabochon turquoises, of unusual mec ...[more]
An 18ct gold aquamarine and diamond ring, the oval cut aquamarine claw set to bifurcated shoulders set with lines of round brilliant cut 129 diamonds to a raised gallery and plain shank, in bi-coloured 18ct gold, London hallmark 1978, size Q, cased
A single stone princess cut diamond pendant, the diamond, estimated weight approximately half a carat four claw set below a tapered 130 bale of yellow precious metal, presumed to be 18ct gold; length including bale 1cm
A pair of turquoise set cufflinks, each square plaque divided into sixteen uniform squares with a small round cabochon turquoise in 131 every one, and similarly round the sides, swivel fittings, of yellow precious metal stamped `750`, dimensions 1.6cm sq
A lapis lazuli and multi strand freshwater pearl sautoir, comprising ten strands of `rice crispie` pearls emerging from the metal cuff of a 132 carved lapis lazuli hand which in turn loosely grasps the other end of the pearl strands, each of which terminates in a round lapis bead; length of pearl strand ...[more] A seven strand sapphire bead necklace, the graduated 2-7mm faceted light blue sapphire beads, shortest string 46cm, to a cord back 133 piece with length adjustable slider
A sapphire and diamond cluster bar brooch, the plain polished bar set to the centre with a quatrefoil of round brilliant cut diamonds 134 suspending an oval cut sapphire in a border of further brilliant cut diamonds, stamped `18k` clasp with safety catch; length of bar 5.1cm and of central feature 1.9cm
A sapphire and diamond and bi-coloured precious metal necklace, set to the centre with an oval cut navy blue sapphire between pairs of 135 round brilliant cut diamonds and final round cut sapphires, to a backchain of concave bar links alternating textured yellow and polished white, clasp stamped `750`, ...[more]
A diamond and marquise cut sapphire pendant necklace, designed as a petalled cluster with alternating sapphires and round brilliant 136 and single cut diamonds, to a fine flattened curb link back chain, all of white precious metal stamped `750`; length of pendant 2.6cm, length of necklace 40cm
A diamond and marquise cut sapphire ring, designed as an asymmetric, foliate open panel of four sapphires and eight round brilliant 137 and single cut diamonds, to a split shank of white precious metal, size M½
A sapphire and diamond cluster ring, of pierced tiered form set with scattered round brilliant cut diamonds and similar sapphires to 138 bifurcated ropetwist and plain shoulders and shank of yellow precious metal stamped `18k`, size P, dimensions of cluster 1.8x1.5cm
A graduated curb link chain necklace, of unmarked yellow precious metal, tests for 14 / 15ct gold, links 4.5-7mm width, length 36cm, 139 weight 15.61g
A sapphire and diamond quatrefoil and heart motif suite, comprising a necklace, earrings, ring and bracelet, formed from pierced 140 wirework hearts each holding an oval cut sapphire, and centred on a quatrefoil arrangement around a brilliant cut diamond highlight; the necklace with a fine flattened fan ...[more]
A diamond and blue stone crescent brooch, the nine graduated round cut blue stones, possibly sapphire topped doublets, separated by 141 pairs of diamond chips, set in yellow precious metal, safety chain, length 5.1cm, cased
A sapphire and diamond cluster ring, of flowerhead form, with a circular cut royal blue sapphire petal collet set in a border of ten 142 variously old cut diamonds, to reeded shoulders and a tapered shank stamped `18ct`, size S; total estimated weight of diamonds 0.75cts
A five stone sapphire and diamond ring, the three graduated round cut sapphires spaced by two round brilliant diamonds in an ornate 143 pierced and scrolling gallery and shoulders to a fine tapered shank of yellow precious metal, size R; estimated total weight of diamonds 0.60cts
A five stone sapphire bar brooch, the oval and round cut bright mid blue sapphires claw set and spaced by a knife-edge bar, length 144 4.2cm
145 A calibré cut sapphire bar brooch, channel set with graduated light blue sapphires, pin with safety catch, length 6.6cm
An 18ct white gold sapphire and diamond cluster ring cased by Garrard, the round cut sapphire claw set in a border of eight round 146 brilliant cut diamonds to tapered reeded shoulders and plain band, size R, London hallmarks 1978, makers mark indistinct; in domed leather fitted case by Garrard & Co
A sapphire and diamond navette shaped ring, set with a central graduated line of three cushion cut sapphires in a border of old round 147 brilliant and old mine cut diamonds to waisted shoulders and a plain shank of yellow precious metal stamped `18ct`, size M, cased; estimated total weight of diamonds ...[more] A sapphire and diamond ring set in 18ct gold, the cushion cut light cornflower blue sapphire claw set between two old round brilliant cut 148 diamonds, the shank hallmarked 18ct gold, London 1975, size L½
A pair of pale blue sapphire and diamond forget-me-not earstuds, each with a central round brilliant cut diamond in a broad collet with 149 the petals formed by five round cut sapphires, width 1.4cm
A sapphire and diamond earring and pendant suite, of open, loosely floral design set with marquise cut sapphires and round brilliant cut 150 diamond highlights on a wirework structure; earrings with post and clip fittings, pendant with hinged bale, both of yellow precious metal stamped `14k` and with ma ...[more]
An 18ct gold and lapis lazuli suite of necklace and bracelet, each designed as a chain of alternating lapis bars and lapis beads with gold 151 spheres and sweeties, all relevant components with Egyptian hallmarks for 18ct gold, lengths 58 and 22.5cm (2)
An early 20th century diamond and pearl bow brooch / pendant, of open design, the squared edges of the ribbon formed of graduated 152 lines of rose cut diamonds, and enclosing flower and foliate sprigs similarly set, and embellished with small pearls; in white on yellow precious metal, clasp with safety ...[more]
A mid 20th century lady`s diamond set cocktail watch by JW Benson, the circular silvered dial with baton numerals, clasped by 153 crossover lines of single cut diamonds and similarly set fronds forming the shoulders, with two larger brilliant cut diamond accents, to an adjustable fine ribbon mesh brace ...[more]
A cased Victorian collar necklace and matched locket, of tricolour metal, assumed to be silver with yellow and rose gold appliqués, of 154 alternating bead-ended double scroll links and handkerchief pointed links with bright cut decoration and applied yellow leaves or rose hearts, to a hidden clasp, and ...[more]
A diamond and onyx jabot pin, in the form of an arrow, the shaft set either end with lines of onyx, the arrow head and flight feathers set 155 with old cut diamonds, mainly cushion, mine and square cut, in white on yellow precious metal, spring clip clasp, in period case, length 6.7cm
A single stone diamond ring set in 18ct gold, the round brilliant cut diamond, estimated weight 0.22cts, in white 18ct gold illusion setting 156 with lanceolate carved shoulders to a plain tapered yellow gold band, Birmingham hallmarks 1960, size O
An Art Deco diamond ring, the central round brilliant cut diamond, estimated weight 0.91cts, in a square millegrain plaque with single cut 157 diamonds at the corners, above pierced and patterned shoulders set with further trios of single cut diamonds, white precious metal, size R, total estimated weigh ...[more]
A contemporary diamond open cluster ring, with a central flowerhead of seven round brilliant cut diamonds to a detached square border 158 of similarly cut diamonds, all apparently floating above wire stalks, with the tapered shank made up of similar bunched wires, of white precious metal, size N, width ...[more]
An unusual diamond and platinum cluster ring, set with a graduated line of three old round brilliant cut diamonds with two further similar 159 diamonds set on the diagonal, platinum hallmark, Birmingham 1980, size I, cased; estimated total weight of diamonds 1.92cts
A modern single stone diamond ring, the round brilliant cut diamond, estimated weight 0.40cts, claw and fine collet set to upswept 160 obliquely angled tapered bar shoulders of white precious metal and yellow shank stamped `18ct`, size N
An antique diamond foliate spray brooch, designed as a neat stem with two leaves, perhaps vine or acer, with arched stems and buds or 161 berries, set throughout with old cut diamonds, mainly cushion and mine, in white on yellow precious metal, assumed to be silver on gold; pin with safety catch; length ...[more] A pair of single stone diamond earstuds with removable diamond collars, each with a single round brilliant cut diamond of approximately 162 1.15cts claw set above a coronet gallery, hallmarked 18ct white gold, together with removable collars to slide onto the posts and form a continuous border of smalle ...[more]
163 A vintage paste brooch, with seven round cut white pastes arranged in a pierced flowerhead, diameter 2.5cm, in period case
164 A loose round brilliant cut diamond, weighing 0.77cts, assessed colour K, assessed clarity P1
A single stone diamond ring set in 18ct gold, the round brilliant cut diamond eight claw set in a tall coronet gallery of white gold to a 165 tapered plain shank of yellow gold, Birmingham hallmarks 1991, size L, estimated weight of diamond 0.57cts
An emerald cut diamond three stone ring, the principal stone four claw set, each shoulder with an angled smaller emerald cut diamond, 166 to a neat foliate and chenier gallery and tapered shank of white precious metal, size L; estimated weight of principal diamond 2.66cts, estimated total weight of diam ...[more]
A diamond and pearl three stone ring, the 5.6mm pearl between two claw set round brilliant cut diamonds, estimated total weight 167 0.50cts, to a plain tapered shank stamped `9ct, Plat`, size L½
An old oval cut single stone diamond ring, the oval brilliant cut diamond, claw set to bifurcated engraved foliate shoulders of white 168 precious metal to a plain yellow band stamped `Plat, 18ct`, size O½, cased, estimated weight of diamond 0.89cts
An asymmetric floral sprig diamond ring, the ring claw set with a principal round brilliant cut diamond, estimated weight approx. 0.46cts, 169 to a curving floral sprig of three smaller stems each terminating in further round brilliant cut diamonds, set in white precious metal stamped `14K` to shank, si ...[more]
A diamond cluster ring, of flowerhead form, set to the centre with a round brilliant cut diamond in a border of eight similarly cut diamond 170 petals, chenier shoulders and plain tapered band of white precious metal stamped `18ct, Plat`, size N, estimated total weight of diamonds 2.36cts, cased
An early 20th century cased Indian demi-parure of choker necklace and a pair of bracelets, fashioned of white metal (tests for 800 171 standard silver), the necklace has three rectangular cast figural plaques in high relief, spaced evenly by five rows of spherical beads to a long bead-ended clasp with r ...[more]
A pink topaz, pearl and cannetille work cased parure circa 1830, comprising a necklace with detachable pendant, a pair of bracelets, a 172 pair of earpendants and a brooch; the topazes all oval cut, elongated oval cut or pear cut, in foiled closed back settings, and all in fine cannetille work mounts, t ...[more]
A collection of grey, black and white pearl rings, necklaces and earrings, some with diamond highlights , to include two pearl rings of 173 similar design, both with shoulders set with lines of three diamonds, the first set with a 9mm bouton black pearl in hallmarked 18ct white gold, size M½, the other ...[more]
A contemporary sapphire and diamond dress ring, the rectangular cushion cut light indigo sapphire, claw set above a scalloped edge 174 border of fourteen round brilliant cut diamonds, set in white precious metal stamped `585` to indicate 14ct white gold, along with a mini certificate (with photograph of ...[more]
A 1ct single stone tanzanite pendant with chain, the round brilliant cut mid-indigo tanzanite six claw set to a convex bale of white 175 precious metal stamped `18k`, on a fancy fine close link chain of similar precious metal stamped `750` (for 18ct gold, as before); diameter and estimated weight of tan ...[more] An 18ct gold star sapphire and diamond ring together with a pair of matched earstuds, the ring with an oval light blue-grey cabochon 176 sapphire with good asterism collet set between trios of round brilliant cut diamonds to an open diaper shaped outline of white 18ct gold, Sheffield 1995, size F½; toge ...[more]
A tanzanite and diamond suite comprising earrings, pendant and ring, each with a trilliant cut tanzanite three claw set above a border of 177 round brilliant cut diamonds, in white precious metal assumed to be rhodium plated white gold; the earrings with post and clip fittings, length 1.2cm, ring size M ...[more]
A pair of tanzanite, diamond and 18ct gold earstuds, each with a round cut tanzanite collet set in the centre of a textured domed gold 178 boss, with four round brilliant cut diamonds spaced by four gold beads, London hallmark, diameter 1.6cm
A gemset `pensée` ring - hands holding a pansy, the closed back pansy or heartsease - signifying `Think of me`, as the French for 179 pansy, pensée, also means `thought` - set with pearcut stones, two amethysts, two pale green chrysoberyls and a garnet around a green hardstone highlight centre, held by ...[more]
An amethyst and moonstone hinged bangle, formed from triple knife-edged bars spaced at the back and flaring at the front to set the 180 oval cluster of a mixed cut amethyst in a border of sugar-loaf cabochon moonstones, in unmarked yellow precious metal; length of cluster 2.7cm, inner maximum width of b ...[more]
A modern diamond set hinged bangle, the convex flared front of geometric diaper pattern with in-fill of round cut diamond points to a 181 hollow D-section back, clasp with twin safety catches, internal width 6cm, gross weight 15.53g
An amethyst dress ring, the emerald cut amethyst four claw set to a geometric gallery with splayed trifurcated shoulders and plain shank 182 of yellow precious metal stamped `18ct`, size approximately N, dimensions of amethyst 20 x 17mm
Two early 20th century gem set foliate brooches, the first with three oval cut royal blue sapphires set along a knife edge bar with a loose 183 spray of leaves between set throughout with old cut diamonds; the other with a single round cut pink sapphire and an open leafy spray set with seed pearls (one ...[more]
A matched gold, amethyst and seed pearl cluster ring and brooch, both hallmarked 9ct gold, London 1970 and `71, and each with a 184 large oval cut amethyst in a border of half seed pearls (one lacking from the ring), the ring with a fancy scrolling gallery and trifurcated shoulders, size N, the brooch p ...[more]
185 A 9ct gold fancy link bracelet, alternating x-links with oval ropetwist links, hallmarked for Birmingham 1961, length 19.5, weight 10.23g
An amethyst and pearl hoop brooch, the close set circlet comprising six round cut vibrant purple amethysts alternating with 4.5mm 186 pearls, each of the amethysts embellished with an outer curved trio of seed pearls, set in yellow precious metal, marks obscured, pin with safety catch, diameter 2.5cm
A pink, grey and white pearl necklace, the uniform 11mm pearls in four shades and strung alternately, knotted between each, and to a 187 spherical half textured half polished magnetic clasp; length 42cm; together with five spare pearls
A rose quartz and rock crystal necklace and earring suite, the necklace of graduated coin cabochon rose quartz beads alternating with 188 faceted rock crystal beads, to a spherical magnetic clasp, length 53cm; the earpendants en suite, length 4.4cm
A pair of diamond bow and removable pearl drop earstuds together with a pearl foliate brooch, each earstud designed as a millegrain- 189 edged ribbon of hallmarked 9ct white gold tied in a bow and set all along with small round brilliant cut diamonds, with a 9ct yellow gold removable slide suspending a 6 ...[more] An amethyst pendant and associated ring, the pendant with an emerald cut rich purple amethyst claw set in a stylised foliate mount of 190 rose precious metal, length including bale 2.7cm; the ring with a similarly cut amethyst claw set over a geometrically pierced gallery to a plain tapered shank, size ...[more]
A Georgian diamond cluster now set as a stick pin, comprising an oval old cut diamond in an open border of six similar and old mine cut 191 diamonds all in closed back claw collet settings, length of cluster 1.5cm, estimated total weight of diamonds approximately 1ct
Two similar pink tourmaline cocktail rings, each of circular pyramidal form, with apex and tiers set with round cut pink stones assumed to 192 be pink tourmalines, the larger with scrolling undercut gallery bud form shoulders and plain shank stamped `14k`, size P, the other with wire work gallery, plain ...[more]
A calibré cut ruby and diamond ring, designed as a smoothly tapered band set to the front with three diapers each formed from four 193 calibré cut rubies with a gold dot centre, and the triangles between set with trios of round brilliant cut diamonds, yellow precious metal, size N½
A 19th century diamond set hinged bangle, of D section and crossover design, set to the front with a six-petalled flower and two trefoil 194 leaves (one detached), all set with rose cut diamonds; clasp with safety chain, internal width 6.2cm
A pair of calibré cut ruby and diamond earstuds, each with a central round brilliant cut diamond in a square collet to a near-square 195 surround of channel set calibré cut rubies, in yellow precious metal, butterflies stamped `18c`, width 0.9cm
A multi-strand pearl necklace and bracelet suite with diamond, ruby and sapphire feature clasps, the large, open, asymmetric clasps 196 with single cut diamond set fronds, curved ribbands of baguette cut sapphires and clusters of round cut rubies, set in white precious metal stamped `14k`, with ingeniou ...[more]
A trio of diamond set bangles each of different colour 18ct gold, one each of yellow, white and rose gold, hallmarked London 2009 and 197 2010, all set round the entire circumference with round brilliant cut diamonds; inner diameters 6.5cm, gross weight 47.04g, cased (3)
A two row graduated pearl necklace with a ruby and diamond clasp, the 2.5-6.6mm pearls, individually knotted, to a white precious 198 metal clasp set with a rectangular cut ruby in a border of fourteen single cut diamonds; length of shorter string 40cm
An 18ct gold, ruby and diamond dress ring, the large oval mixed cut ruby, estimated weight 15.37cts, claw set above shoulders with 199 shield shaped inset plaques pavé set with round brilliant diamonds to a broad tapered two tier band, size N, of hallmarked 18ct gold, Birmingham 2006
A reproduction Victorian 18ct gold and garnet `carbuncle` brooch, of circular boss form, set with a central round cabochon garnet and 200 eight smaller similar stones around the outside, in a stepped concave gold setting decorated with ropetwist lines and swags and a ribbon twist edging, London hallmark ...[more]
A fancy link double row bracelet stamped 750, each link of polished shield and textured half-flower figure in an even double row to a 201 concealed clasp with safety catch, of yellow precious metal stamped `750` for 18ct gold; length 18.3cm, width 1.6cm, weight 27.78g Part of the clasp is broken, ( ...[more]
A French 18ct gold graduated barley link chain necklace, the continuous rope of graduated 5-9mm width links, with French eagle`s head 202 mark for 18ct gold on tongue, also stamped `750` and with maker`s mark; clasp with safety catch, length 45cm, weight 30.95g
A 1939 lady`s Omega diamond set cocktail watch, the square gold face with raised square quarter hours and baton markers, under a 203 hinged barrel cover pavé set with diamonds, and diamond set shoulders of pierced crown design, to a chevron-effect double strap bracelet, of unmarked yellow precious metal ...[more] A pair of diamond flower and ribbon earstuds together with a diamond brooch, both of open design and set throughout with round 204 brilliant cut diamonds; the earstuds designed as flowers above ribbon loops, set in white precious metal, length 2cm; the brooch of double scrolling hearts filled with acant ...[more]
A blister pearl, diamond and ruby ring by Antonio Bernardo, the oval pearl to a stylised ropetwist border studded all along with single cut 205 diamonds, in turn gripped by the extended shank, each side with raised terminations of collet set baguette rubies, size M; shank stamped `750` and with Antonio ...[more]
Two gem set bar brooches, the first set to the centre with six seed pearl highlights on a textured serpentine leaf of white precious metal 206 on a yellow precious metal knife edge bar, stamped `Platm, 15ct`, clasp with safety push, cased; the second with a crimp collet set round brilliant cut diamond i ...[more]
AMENDED DESCRIPTION A pair of full hoop ruby and white hardstone hinged bangles, each designed as a continuous uniform band 207 of diapers, channel set with calibré cut rubies, both spaced either side and enclosing round brilliant and similar cut white stones believed to be white sapphires, masked cla ...[more]
A 9ct gold fancy link bracelet, of uniform 7mm width alternating short lengths of brick links and union jack pattern links to a hinged claw 208 clasp, Birmingham import hallmarks, length 16.5cm, weight 8.45g
A carved intaglio signet ring together with a Victorian 18ct gold and hardstone swivelling fob, the ring with an oval transparent red 209 hardstone, possibly garnet, carved with a tower or kiln chimney with castellated top and flames emerging, in a tiered collet to ornate pierced foliate shoulders and t ...[more]
A ruby, diamond and treated blue diamond dress ring, the collet set oval mixed cut ruby, with mini certificate from the International Gem 210 Testing Laboratory, Jaipur, stating that the ruby is of natural origin with indication of heat treatment and weighs 6.35cts, is set above a tiered border of conti ...[more]
A pair of diamond and interchangeable ruby or sapphire earrings together with a matched swivel eternity ring, all set in white precious 211 metal, each half hoop earring comprising twin outer bands set with lines of single cut diamonds, with interchangeable centre pieces channel set with calibré cut rub ...[more]
A Victorian diamond and gem set butterfly brooch, the wings set with diamonds, rubies and sapphires, the abdomen with pearls, the 212 thorax with an oval cut sapphire and the eyes with cabochon rubies, and with an arched and notched proboscis; clasp with safety catch; width 3.7cm
A seed pearl and green hardstone negligée necklace, comprising three strings of very small seed pearls to a tied centre with similar 213 pendant strings each terminating in a mottled opaque light green polished drop, possibly jade, to a barrel clasp; length 43cm, of suspensions 5.8cm, and jade drops 2.6 ...[more]
A five strand emerald bead necklace, the faceted tyre shaped beads graduated in size 3-5mm, and in repeated lengths of graduated 214 colour from pale aquamarine green through vivid peacock to dark pine green; length of shortest strand 47cm, to a cord back piece with length adjustable slider
An emerald and diamond necklace and earring suite, the necklace formed from twenty-one graduated flowerheads each with a round 215 cut emerald in a border of round brilliant cut diamonds, a further larger one pendant from the centre, to a fancy pierced box link backchain of white precious metal stamped ...[more]
A diamond, emerald and pearl necklace and earpendant suite by Antonio Bernardo, the necklace a uniform string of 4.5-5mm pearls 216 punctuated by four diamond set barrel beads, and set to the front with a solid textured disc with similar diamond lugs and with tiered centre of a collet set round cut emer ...[more] A single stone diamond ring, claw set in a coronet mount of white precious metal to a tapered band of yellow, stamped `18ct, Plat`, size 217 M; estimated weight 0.88cts, but spreads 1ct, estimated colour H, estimated clarity P1
A mabé pearl and diamond ring by Ricardo Filgueiras, the 14mm diameter pearl in closed back collet held aloft at the four corners by 218 thick wires, each with a round brilliant diamond point termination, being the ends of two looped wires forming the shank, stamped `750` and with designer`s mark, an an ...[more]
An emerald and diamond cluster ring, the emerald cut emerald four claw set in a border of round brilliant cut diamonds above a trellis 219 gallery set with further round brilliants, to similarly set shoulders and a tapered shank of white precious metal stamped `18k`, size O; emerald measures 9.0 x 6.6mm ...[more]
A large old oval cut single stone diamond ring, the old oval brilliant cut diamond, estimated weight 2.80cts, double claw set to a heart 220 motif gallery and plain shank of white precious metal, tests for 18ct white gold, size M; estimated colour grey range L/M, estimated clarity P3; cased
An emerald and diamond cluster ring, the step cut emerald set at the apex of a tiered reticulated petal border of round brilliant and then 221 marquise cut diamonds, the tapered shank of white precious metal stamped `Pt, 950`, size O; emerald 6.3 x 5.2mm, estimated total weight of diamonds 1.40cts
An emerald and diamond five stone ring, the central emerald cut emerald in closed back setting flanked by old round brilliant cut 222 diamonds and two smaller similarly set emeralds (one possibly a replacement green stone) to a scrolling gallery and tapered shank, with partial hallmark, size M
A pair of opal and diamond earstuds, of asymmetric design, each with a round cabochon opal as a focus to a flare of five lines of round 223 brilliant cut diamonds to one side, claw set in white precious metal, length 1.7cm, total estimated weight of diamonds 1.40cts, cased
An opal and diamond brooch, of asymmetric design, set to the centre with an oval cabochon opal in a surround of flared lines, leaves 224 and Ls set with round brilliant and single cut diamonds, in white precious metal, clasp with safety catch, length 2.3cm, total estimated weight of diamonds approximate ...[more]
A pair of green garnet and diamond earpendants, each designed as an articulated suspension with a collet set old oval cut diamond 225 leading to a similarly set round brilliant cut diamond, then an oval cut vivid green tsavorite garnet in a border of single cut diamonds, in white precious metal; length ...[more]
A French platinum emerald and diamond bow brooch, the neat symmetrical design of ribbon striped with two lines of channel set, step 226 cut emeralds sandwiching a row of round brilliant cut diamonds, with outer edges of smaller rose cut diamonds, all the lines graduated to give a greater sculptural qual ...[more]
A three stone old cut diamond ring, the slightly graduated old cushion cut diamonds, estimated total weight 2.38cts, claw set in white 227 precious metal to bright cut foliate shoulders of the same, and a plain yellow band, stamped `Plat, 18ct`, ring size P
A 1930`s carved jade and diamond brooch with matched adaptable earpendants, the bar brooch set to the centre with an oval mottled 228 green jade cabochon pierced and carved as a stem of flowers set either side with a round cut diamond in a geometric millegrain setting with reeded shoulders and plain bar ...[more]
An emerald and diamond line bracelet, comprising slightly convex bars channel set with step cut emeralds, spaced by square links each 229 set with one round brilliant cut diamond, set in yellow precious metal stamped `750`, twin safety catches, length 18.5cm
An emerald and diamond cluster ring, centred on a pear cut emerald to domed shoulders set with tapered baguette cut diamonds, and 230 to top and bottom with round brilliant cut diamonds, on a plain shank of white precious metal stamped `750`, size N; estimated weight of emerald 0.85cts, estimated total ...[more] An emerald spray brooch / pendant together with an emerald line bracelet, the first of open foliate design set with multiple oval, pear, 231 marquise and round cut emeralds in white precious metal, pin with safety catch, and fixed loop for a chain to wear as a pendant, length 3.8cm; the bracelet a conti ...[more]
A pair of emerald and diamond earrings, each with a pear cut emerald three claw set with asymmetric curved lines of graduated round 232 brilliant cut diamonds to one side, post and clip fittings, set in white precious metal stamped `585` to indicate 14ct gold; length 2.3cm
A sapphire and diamond necklace and bracelet suite, each set to the centre with a line of horizontal oval cut sapphires spaced by pairs 233 of round brilliant cut diamonds, to a back chain of oval links alternating with round cut sapphires, in unmarked yellow precious metal; box clasps with safety catch ...[more]
An Italian ribbon link necklace and bracelet suite with sapphire highlights, of delicate appearance but sturdy construction, the sinuous 234 `ribbon` of textured chevron links with polished bead mesh edging, looking like Empire style laurel wreath decoration, each end terminating in a collet set round c ...[more]
A single stone yellow sapphire dress ring, the oval mixed cut golden yellow sapphire, measuring 15x12mm, four claw set to a plain band 235 of unmarked yellow precious metal, size O
A Cartier 18ct gold, diamond and onyx panthère band ring, the outer edges set with lines of round brilliant cut diamonds bounding a 236 central convex band pavé set with similar diamonds and scattered pentagonal cabochon onyxes, size M; signed Cartier, with serial number 640822, also 54 and 16; stamped ...[more]
A Cartier diamond and 18ct gold eternity ring, the full hoop of convex outline pavé set with round brilliant cut diamonds, the edge signed 237 Cartier, with French eagle`s head mark for 18ct gold, maker`s lozenge with initials EB, stamped `46` and with serial number 875318; ring size G½, estimated total ...[more]
A single stone diamond convertible ring, tie pin or stud set, the old round to cushion cut diamond eight claw set above a gallery 238 terminating in a threaded collet, at present set in a ring with plain tapered band flaring to the shoulders, of yellow precious metal stamped `18`, size K½, together with ...[more]
A two strand opera length pearl necklace with diamond clasp, individually knotted and alternating uniform 8-8.5mm pearls with 3mm 239 seed pearls, to a circular pierced flowerhead clasp set throughout with round brilliant cut diamonds, safety catch; length of shorter string 87cm, diameter of clasp 2cm, ...[more]
A highly unusual ring by Ricardo Filgueiras, with diamond highlights, the rectangular slightly convex face forming a frame holding four 240 rotating textured tubes randomly studded with round brilliant cut diamond points, the polished sides tapering smoothly into the broad shank, stamped `750` and with ...[more]
A 19th century Empire style hinged bangle set with two diamonds, the two old cut stones gypsy set to the centre of a double fold with pin 241 to ropetwist edges, the shoulders with epaulettes, graduated beading and trailing laurel branches, to a uniform back, the yellow precious metal stamped twice `15` ...[more]
A Cartier 18ct gold, yellow diamond and gemset panther brooch, realistically modelled as a prowling panther, pavé set with round 242 brilliant cut yellow diamonds and asymmetric patches of cabochon onyxes with pear cut emerald eyes, verso signed Cartier, with serial number 621573, stamped `750`, with Fr ...[more]
A modern design single stone diamond ring, the round brilliant cut diamond, estimated weight 0.75cts in a broad horizontal collet of 243 white precious metal poised above a solid tapered yellow band, stamped `750` for 18ct gold, size K, gross weight 6.92g
A Victorian 18ct gold diamond set buckle ring, claw set to the front with an old mine cut and an old European cut diamond, estimated 244 total weight 0.50cts, London hallmark 1894, size Z, in fitted oval Goldsmiths` & Silversmiths` Co box The ring has the minor scuffs and dirt to be expected wi ...[more] A pair of disc and diamond hoop earrings by Antonio Bernardo, each post presenting a flat textured disc from which in turn is suspended 245 an overlapping hoop of only slightly smaller diameter, angled and set all around with a line of single cut diamonds, verso with designer`s insignia (a stylised `ab` ...[more]
A Victorian pendant / brooch and a similar pair of earrings, both of concentric circular form centred with a many-petalled flower and 246 embellished with ropetwist wirework and beading detail, verso of brooch with vacant glazed panel; diameters 3.7 and 2.2cm (2)
An antique circular diamond and hessonite target brooch / pendant in period fitted case, of pierced design centred on an old round to 247 cushion cut diamond, estimated weight 0.85cts, in a border of ten oval cut hessonite garnets with diamond highlights on the outer edge, then an outer continuous borde ...[more]
A diamond cluster ring, with central round brilliant diamond of light oyster hue, estimated weight 1.15cts, collet set in a border of twelve 248 similarly cut claw set white diamonds, to a plain shank of white precious metal stamped `750`, size Q, total estimated weight of diamonds 1.90cts
A Cartier 18ct gold and diamond ring, of oval bombé form pavé set with round brilliant cut diamonds to similarly set shoulders and 249 gallery, and plain tapered shank, size M; signed Cartier, with serial number 600880A A, also stamped `750` and with French eagle`s head mark for 18ct gold and maker`s ma ...[more]
A spiral link collar necklace and matching bracelet suite stamped `750` for 18ct gold, each a uniform continuous snake of oval cross- 250 section spiral link of yellow precious metal, with hidden clasp stamped `750` and with pattern number; lengths 39-43.5cm and 17- 22.5cm; gross weight 108.95g
An anchor link chain necklace stamped `750` for 18ct gold, of alternating larger oval plaque links and smaller open oval links, length 251 53cm, weight 24.85g; maker`s mark (a sun-flare) not identified
A gentleman`s 18ct gold cased wristwatch by Amos, the silvered dial with gold coloured baton numerals, movement unsigned and 256 unnumbered, circa 1960`s, on a black leather bracelet
A gentleman`s 18ct gold cased automatic wristwatch by Omega, the silvered dial with gold coloured baton numerals, subsidiary 257 seconds, calibre 332, circa 1950`s, movement No.11827187, case No. 10925067/2617, on black leather bracelet
A gentleman`s gold plated `Constellation Automatic Chronometer `wristwatch by Omega, the silver coloured bevelled dial with gold 258 coloured baton numerals, date aperture and centresweep seconds, movement signed Omega, ref 564, movement no, 25661387, on gold plated articulated bracelet In working ...[more]
A gentleman`s wristwatch by Omega, the 33mm silvered dial with Arabic and baton numerals, subsidiary seconds dial, the movement 259 signed Omega 30T2PC numbered 11383397, circa 1947 in indistinctly marked yellow metal case In good working order
A Gentleman`s stainless steel cased wristwatch by Omega, the 27mm silvered dial with Arabic and baton numerals, centresweep 260 seconds, movement signed Omega 30SCT 2, numbered 9649356, circa 1940`s In good working order
A gentleman`s automatic wristwatch by Omega, the 27mm silvered barrel shaped dial with gold coloured baton numerals, with 261 centresweep seconds and quickset date aperture, the movement with 24 jewels, signed Omega calibre 565, numbered 30708935 In good working order
A gentleman`s Omega Seamaster wristwatch the white dial with baton and dot numerals, centre sweep seconds hand, date aperture, 262 Ref 1438 quartz movement, case numbered 168 1501/198 1501, twin tone steel case with matching articulated steel bracelet In working order A gentleman`s wristwatch by Longines, the 29mm silvered dial with baton numerals and subsidiary seconds dial, the movement signed 263 Longines 30L, numbered 1301810, circa 1966 in unmarked yellow metal case Case tests as 18ct gold, the back has been polished probably to remove an inscription In go ...[more]
A gentleman`s wristwatch by Longines, the 28mm silvered dial with gold coloured baton numerals, subsidiary seconds, the movement 264 signed Longines 23Z, numbered 10767906, the case inscribed `10K gold filled` In good working order
A gentleman`s quartz wristwatch by Raymond Weil, circa 1990, the case gold plated, the bezel applied with four diamond simulants, ref 265 no 9134, on faux lizard bracelet, boxed, with documentation
A gentleman`s 18ct gold cased `Oyster Perpetual Chronometer by Rolex, the champagne coloured dial with gold coloured baton 266 numerals and centresweep seconds, movement signed Rolex and numbered 14759, circa1951, case numbered 6084 In working order
A gentleman`s mid-sized `Oyster Imperial Chronometer` steel cased wristwatch by Rolex, the quartered silvered dial with Arabic 267 numerals, subsidiary seconds, the back cover numbered112320/3116, circa late 1930`s/1940`s, locking crown In working order
A gentleman`s 9ct gold cased Precision wristwatch by Rolex, the white dial with gold coloured baton numerals with centresweep 268 seconds hand, the 17 jewel movement numbered N87940, case marked for Edinburgh 1959 Not working
A gentleman`s `Oyster Perpetual GMT-Master Superlative Chronometer` steel cased wristwatch by Rolex, the black dial with white spot 269 and baton numerals, date aperture bubble and centresweep seconds hand, and red 24 hour hand, the movement with 26 jewels, ref 1675, serial number 2559559. No box or doc ...[more]
A 9ct gold lady`s wristwatch by Rotary, the 12mm square silvered dial with baton numerals, integral 9ct gold flexible bracelet, movement 270 marked AS976, 21 jewels, case dated for London 1966, 31gm ex movement
A lady`s 18ct gold cased manual wind wristwatch by Piaget, the textured gold coloured octagonal dial with baton numerals and integral 271 bark effect 18ct gold bracelet, the back numbered 9556 A 6/ 2 94602, No paperwork, retailer`s case In working order, one safety clip missing from the bracelet cl ...[more]
A lady`s 18ct gold Oyster Perpetual Datejust Chronometer wristwatch by Rolex the gold coloured dial with diamond hour markers, date 272 aperture bubble and centresweep seconds hand within a diamond set bezel, the 29 jewelled movement signed Rolex, back case numbered 69000A, on an 18ct gold Rolex articul ...[more]
A lady`s 9ct gold cased wristwatch by Omega, circa 1966,the silvered dial with gold coloured baton numerals, the movement number 273 22110681, Ref BL7115500, with integral 9ct gold articulated mesh bracelet. Presentation inscription to the back cover. Case and documents included In good working ord ...[more]
A lady`s 9ct gold Omega de Ville wristwatch, with silvered dial with baton numerals, the movement calibre 484, numbered 22298864, 274 case and integral articulated bracelet hall marked for London 1977, gross weight 18.9gm
A lady`s 18ct gold cased `Ladymatic` wristwatch by Omega, the 14mm rectangular silvered dial with gold coloured baton numerals, the 275 24 jewel movement signed Omega calibre 551, numbered 22568877, case number 551015, circa 1965 In good working order
A lady`s 14k open face fob watch, the white enamel dial (28cm) printed with Arabic numerals in black, subsidiary seconds dial, the 276 keyless movement unsigned, Swiss 14ct marks to the case, (34gm gross weight) suspended from a fine Swedish fancy link 14ct watch chain, 43cm (9.4gm) (2) Damage to t ...[more]
A silver pair cased pocket watch by William King, London, the 45mm white enamel dial printed with black Arabic numerals, the verge 277 movement signed Wm King, London, No 92621, the silver cases marked for London 1808 In working order An 18ct gold Full Hunter cased pocket watch, the white enamel dial printed with Roman numerals, subsidiary seconds dial, signed John 278 Forrest, London, No 23551, 46mm diameter, the dust cover signed John Forrest London, the movement signed Chronometer makers to the Admiralty, Movement works, glas ...[more]
A 9ct gold half hunter cased pocket watch by J W Benson, the white enamel dial with printed Roman numerals in black, 41mm, 279 subsidiary seconds dial, signed J W Benson, London, the keyless Swiss 17 jewel movement similarly signed, case marked for Birmingham 1928, in Benson trade case In working o ...[more]
A gentleman`s 18ct gold cased open face pocket watch, by William Pidduck & Sons, Southport, the white enamel dial, 42mm, printed in 280 black with Roman numerals, subsidiary seconds dial, the three-quarter plate keyless movement signed William Pidduck & Sons Ltd, Southport, no 341453/4230, the c ...[more]
A Victorian gentleman`s 18ct gold cased open face pocket watch, the white enamel dial, 43mm, printed in black with Arabic numerals, 281 subsidiary seconds dial, the unsigned keyless movement numbered 1125188, the case marked for Birmingham 1897, presentation inscription to the inner cover, monogram to t ...[more]
A Gentleman`s 18ct gold open face pocket watch, the white enamel dial printed in black, dual subsidiary dials, and centre sweep 282 seconds hand, stopwatch action, the keyless three quarter plate movement unsigned but numbered No 2427, case marked for London 1885, suspended on a fine 18ct gold and plati ...[more]
An 18ct gold diamond set memorial pocket watch by CF Hancock, the keyless half hunter with white enamel dial and black Roman 283 numerals, signed C.F. Hancock, Bruton Street, London,` with blued steel hands of which the hour hand of double spade form; hallmarked and numbered 3657; the polished case with ...[more]
287 A 9ct yellow gold watch chain, 39cm, with a damaged shield shape locket, (chain 27gm)
288 A Swedish 18ct gold flat curblink bracelet, with snap clasp, 19cm, 10.4gm
289 An Italian 18ct yellow gold box link neck chain, suspended with a Swiss Fine Gold oval ingot, 30mm
290 A yellow metal flat curblink identity bracelet, the name panel uninscribed, 20.5cm, 51.2gm (stamped 18K), tests as 18ct gold
A 9ct gold curb link chain, 39cm, suspended with a George III spade guinea circa 1798 and a 9ct rose gold masonic fob medallion 291 Spade guinea worn
292 An unmarked yellow metal bangle, 6cm diameter, suspended with three Victorian half-sovereigns, 1892
A 9ct gold curblink bracelet, with padlock clasp, suspended with seven gold sovereigns (1876 x 2,1879, 1880,1883,1958,1968) and five 293 gold half sovereigns (1905, 1910, 1912 & 1913 x2) in 9ct gold loose mounts, 114gm gross weight
294 A Bahamas gold $20 coin, 1971 and a $10 coin, cased together, 12.3gm
295 A South African gold Krugerrand, 1980 in 9ct gold pendant mount, gross weight , 36.5gm
296 A South African Kruger one pond coin, 1898 loose mounted in a pendant mount on a flat 9ct curb link neck chain. 20.5gm gross weight
297 Two Edward VII half-sovereigns, 1904 (2)
298 Four George V gold half-sovereigns, 1911 (x2),1912 & 1913 (one of the 1911 half-sovereigns is in a 9ct gold loose pendant mount) (4) A George III gold guinea coin (fourth head), 1784 with soldered suspension ring together with a William and Mary silver half-crown coin, 299 1689 (second reverse) (2)
300 A George III gold one third guinea, 1803
301 A George III gold half guinea, 1791, Gd to F
302 A George III gold sovereign, 1817, F to VF
303 Two Victorian gold sovereigns, 1888 & 1899, (1888 is Sydney mint)
304 Two Victorian gold half-sovereigns, 1887 & 1892 (2)
A Victorian gold sovereign, 1898, (Melbourne Mint), in loose mount together with a George V half-sovereign, 1912, with soldered mount, 305 gross weight 13.6gm (2)
306 Two Victorian gold sovereigns, 1890 & 1892 (2)
307 A Victorian gold sovereign,1891, (Melbourne mint) in 9ct gold pendant mount, gross weight, 12.9gm
308 Two Victorian gold sovereigns, 1899 & 1901
309 Two Victorian gold sovereigns, 1900 (1 x Melbourne mint) (2)
310 Two Victorian gold sovereigns, 1892 & 1894 (Sydney and Melbourne mints respectively)
311 Two Victorian gold sovereigns, 1887 & 1896,
312 A set of five Elizabeth II gold sovereigns, 1964-1968
313 A Victorian gold two pound coin, 1887, VF/EF
314 A Victorian gold two pound piece, 1887, VF or better
315 A Victorian gold five pound piece, 1887, F-VF or better
316 An Edward VII gold five pound coin, 1902, VF/EF
An Old Sheffield plate coffee biggin and stand, by Matthew Boulton, the biggin body of baluster shape below a ribbed neck and with a 320 moulded girdle, hinged cover and carved wooden leaf capped handle, the stand circular with floral scrolled frieze and standing on three S-scrolled stylised pad feet jo ...[more]
A Regency Old Sheffield plate tea urn, the cover inscribed May and Morritt, 79 Oxford Street, London, of plain compressed globular 321 form raised on a rectangular pedestal, spigot with scrolled handle, the cover with flower finial opening to reveal cylinder for iron frog warmer, 40cm high Generall ...[more] A large and unusual electroplate box in the Chinese taste, probably an electrotype copy of a Chinese ivory box, the octagonal tapered 322 body decorated with Chinoiserie with eight panels to each of the base and the cover, incorporated armorials, the interior velvet lined, approximately 33cm wide T ...[more]
A substantial service of `Wellbeck` electroplate King`s pattern flatware, by The Alexander Clark Manufacturing Company, comprising:- 323 twelve table spoons, eighteen dessert spoons, eighteen table forks, eighteen dessert forks, eleven teaspoons, twelve coffee spoons, twelve egg spoons, two sauce ladles ...[more]
A set of six Spanish electroplate stirrup cups, each stamped `Valentia`, `Made in Spain`, each comprising a conical cup with respectively 324 a bears head, a goat`s head, an antelope head, a stag`s head, a wolf`s head and a buffalo head, all approximately 14cm high (6) Five in good condition, one w ...[more]
A small early 20th century Chinese silver box, possibly by Wang Hing & Co (WH90) in rectangular punch, the plain cylindrical box with 328 pull off cover embossed with a dragon, 6cm diameter, 1.9oz In good condition, no repairs, bruises, splits or holes
A Chinese Three Piece Silver Tea Set, mark of TsunTsun and character marks, circa 1900, comprising: a teapot of compressed circular 329 shape with bamboo style handle and spout, embossed with a dragon and pearl together with a matching gilt-lined sugar basin and cream jug - 28.1oz (3) Hinge pin mis ...[more]
A pair of Chinese silver spice boxes, Chinese heiroglyph marks only, of compressed spherical shape each with detachable cover and 330 raised on an everted ring foot, all over engraved with flowers, birds and leaves, 6cm diameter, 3.8oz (2)
A Chinese silver lotus leaf sweet meat basket, by Wang Hing, stamped WH80, modelled as a Lotus leaf with coiled tendril foot below a 331 twisted wire handle, 17cm diameter, 5.3oz Base of the handle has detached from one side of the leaf bowl, leaving a tear to the edge, otherwise in good condition
A Russian silver gilt and niello snuff box, maker`s mark M.T and `84` struck twice only, of rectangular shape, the cover decorated with a 332 troika, 9.75 x 6cm, 3.1oz Some bruising to the body, hinge and clasp intact, very dull finish
An Indian white metal scroll case, unmarked, the cylindrical case richly embossed with scenes of figures within trees near buildings, a 333 cartouche inscribed `Presented to W C Digle Esqr. I.C.S, Collector Bijnor by The Bijnor District Board on 21st March 1926`, 38.5cm, 10oz, inside a silk scroll comme ...[more]
Bombay Meeting 1957-58 - Leading Jockey Trophy, An Indian silver figure of a racehorse with Jockey up, by Barton of Bangalore on a 334 textured copper base and mounted on a stepped oak plinth, 22cm high, 25cm length, 62.7oz Provenance: Presented to Frankie Durr who was a Classic Winning Jockey who die ...[more]
A small silver trinket box, unmarked, possibly eastern, of canted rectangular shape, all over embossed with floral and foliate scrolling, 9 335 x 5.75cm, 4.34oz
A pair of Xth Royal Hussars menu stands, each stamped `sterling`, modelled as the regimental cap badge of the Prince of Wales` 336 feathers with the motto `Ich Dien` on a plain circular base, 5.75cm diameter, 5.5cm high, loaded (2) In good condition, no repairs, bruises, splits or holes but one has ...[more]
A Hunt group of horses and hounds, bearing modern Dutch 835 import marks and comprising five horses, three with riders up together 337 with nine groups of hounds in differing numbers and poses, horse and rider, 40mm high, 4oz (14) In good order but the fox got away!
A Dutch silver box, sponsor`s mark JM, London import mark 1892, the plain cylindrical body with broad punch beaded foot below a 338 smaller beaded girdle, the cover embossed with an interior scene with figures, the body inscribed `Een Bruilofsdagh ter Salicheit dus geeft hem Eer die`t heeft Bereit`, 11. ...[more] Three pieces of Dutch miniature furniture, including: a drop leaf table, the top and leaves pierced and embossed with figures in a 339 garden, raised on four legs with ropetwist x-frame stretcher, 5.5cm high; a silver dome topped chest, import marked for London 1891, the cover and body embossed with fig ...[more]
A set of four 19th century continental figural serving spoons, unmarked, each with fluted fig shaped bowls below cast figural stems rising 340 from cherubs, the finials cast variously as figures, a comical dragon and a fleur de lys, all measuring between 28cm and 29cm, 13.2oz (4) In good condition, ...[more]
A large early 20th century Swedish silver soup tureen, bearing Swedish import marks post 1912, stamped 830, of compressed oval 341 shape the lower body wrythen fluted and raised on four scrolled feet and with two foliate scrolled handles, the cover with berry finial, 34cm diameter, 67.9oz In good c ...[more]
A late 19th/early 20th century French silver topped and mounted scent bottle, maker`s mark indistinct, the ornately decorated hexafoil 342 cap with bird finial over a sarcophagus shaped slice cut rock crystal body, 12.25cm high
A continental metalwares caster naturalistically modelled as an owl, marked with a five pointed open star, with green gem set eyes, 343 8.25cm together with another unmarked metalwares pepper also modelled as an owl with detachable cover, 7cm, 5.2oz (2) Both In good condition, no repairs, bruises, ...[more]
A Victorian silver vinaigrette, by Frederick Marson, Birmingham 1869, of rectangular shape with serpentine edges, the body engine 347 turned, initialled `SER`, 30 x 20mm,
A Victorian silver gilt combined vesta case and cigar cutter, by The Barker Brothers (retailed by Beynon and Stocken Gracechurch 348 Street), the body foliate engraved, the covers engine turned, the cigar cutter action works with closing the cover, initialled `ESW`, 38 x 22mm
A George III silver nutmeg grater, by John Turner, Birmingham circa 1800 (maker`s mark only), of cylindrical form with domed screw cap 349 revealing a steel grater to one end and a plain flat screw cap to the other, engraved `Georgiana Robinson`, 3cm high, 2cm diameter, 0.2oz; also an Edwardian silver m ...[more]
An early Victorian silver gilt vinaigrette, by Nathaniel Mills, Birmingham 1845, of rectangular shape with serpentine edges, foliate scroll 350 engraved, complete with sponge, 3 x 2.5cm, In good condition, fully marked (including the grill)
An Edwardian silver pincushion, by Adie and Lovekin, Birmingham 1906, modelled as a pig, 8.25cm, loaded No splits, holes or repairs 351 but some bruising to the body, marks rubbed
352 A silver jockey cap caddy spoon, by Thomas Bradbury & Sons, Sheffield 1943, 55mm, 0.5oz
A pair of George III silver shoe buckles, probably by George Smith, London circa 1780`s, each of arched rectangular shape with beaded 353 decoration, 6.75cm, 4.8oz
A pair of Victorian silver beetroot and cucumber slices, by David Read & Sons, Newcastle 1855, engraved with a King`s pattern variant 354 design, initialled, cased, 18cm, 3.6oz (2) In good condition, no repairs, bruises, splits or holes
An Edwardian silver mounted crocodile cigar case, the mounts by Henry Marshall & Sons, London 1902, the interior leather lined and 355 initialled in gold, 14 x 10cm In good condition
Two pairs of silver menu stands modelled as naval crowns, one pair by Gieves & Co, Birmingham 1932, the other pair by J W Benson 356 Ltd, Birmingham 1916, each pair raised on a canted rectangular base, 37mm wide, in two fitted cases, 2.9oz (4) A matched set of four silver menu stands modelled as pheasants, three by Sampson Mordan and Co, Chester 1914, the forth 357 unmarked, each raised on an oval base, 4.25cm wide, loaded, cased The unmarked example with slightly larger base but otherwise very similar
A Victorian silver four section folding photograph frame, by William Comyns, London 1888, each section of arched rectangular shape, 358 wrythen fluted, each section with a heart shaped glazed aperture, 7 x 5cm, 22.5cm overall
A matched pair of silver parcel gilt pepper casters modelled as shotgun cartridges, one by J N Mappin, Sheffield 1890, the other by 359 Mappin & Webb, Sheffield 1894, 6.5cm high, 2.3oz (2) In good condition, no repairs, bruises, splits or holes
A pair of George III Irish silver waiters, by William Bond, Dublin 1794, each quite plain and of circular shape within a reeded edge, raised 360 on three plain feet, uninscribed, 15.5cm diameter, 12.3oz (2) In good condition, no repairs, bruises, splits or holes
An Irish silver bright cut point end sauce ladle, probably by John Sheils, Dublin 1792, 18cm; another Irish silver fiddle pattern ladle, 361 maker`s mark indistinct, Dublin 1806; a Scottish fiddle pattern toddy ladle by Charles Bryson, Glasgow 1837, 16cm, another probably Scottish Provincial, HD DM st ...[more]
362 An Irish silver meat skewer, by Samuel Neville, Dublin 1812, with plain ring handle, crested, 28.75cm, 2.7oz
An Irish silver wine funnel and stand by William Bond, Dublin 1801, the strainer bowl embossed with shell scrolls and roses below a 363 reeded edge, the spout with reeded band to the socket, 10.5cm, the stand of circular shape all over chased and embossed with leaves and flowers, 8.75cm diameter, cased, ...[more]
A pair of Charles II Irish silver trefid spoons, by Edward Swann, Dublin 1679, the back of the tapering flat stems inscribed *S*/S*M, 365 21.5cm, 4.1oz (2) Very clear marks, some discreet signs of repairs to the heel and bowl of one
An Irish silver miniature rosebowl by The Royal Irish Silver Ltd, Dublin 1967, (also with Sheffield Assay Office import mark for 1966) of 366 plain circular form, the body with a moulded girdle below a wavy edge, raised on a circular pedestal foot, 12.5cm diameter, 10oz In good condition, no repair ...[more]
A George IV Scottish silver fiddle pattern soup ladle, by James Downie, Glasgow 1820, initialled `A`, 34cm, 6.4oz In good condition, no 367 repairs, bruises, splits or holes
A silver quaich, by Brook and Sons, Edinburgh 1924, of plain traditional circular form with two lug handles, inscription to handles, 368 19.5cm over handles, 9oz In good condition, no repairs, bruises, splits or holes
A Victorian set of five ivory and silver mounted carving implements, by Hamilton & Inches, Edinburgh, the silver ferrules and finials by 369 Allen & Darwin, Sheffield 1892, comprising: a pair of meat carvers, a pair of game carvers and a steel, all contained in a fitted polished walnut case ...[more]
A small silver quaich by Francis Howard, Edinburgh 1962, of plain traditional circular form with two lug handles, 9cm diameter, 3.9oz In 370 good condition, no repairs, bruises, splits or holes
A George III silver lemon strainer by Samuel Herbert & Co, London 1768, the bowl of compressed circular form decoratively drill pierced 371 within a moulded edge with single chairback handle above a hook, 10cm diameter, 2.9oz In good condition, no repairs, splits or holes but a bruise to the bo ...[more]
A George III silver tea caddy, by William Plummer, London 1789, the serpentine shaped body brightcut engraved, the flush hinged cover 372 with urn finial, crested, 14cm diameter, 15oz In good condition, no repairs, bruises, splits or holes A pair of late Victorian silver fruit spoons by Wakely and Wheeler, London 1900, the quatrefoil bowls embossed with masks within a 373 foliate scrolled ground, the decoratively cast stems with figural terminals, cased, 22cm, 7oz In good condition, no repairs, bruises, splits or holes
A set of four silver toast racks, by James Dixon & Sons, Sheffield 1921, each of plain flatwire form with five bars, loop handle to the 374 central bar, cased, 7.25cm, 9.3oz In good condition, no repairs, bruises, splits or holes
A silver three piece cafe au lait set, by J Rodgers & Sons Ltd, Sheffield 1935, comprising a small coffee pot of plain oval baluster shape 375 with hinged cover, 17.25cm, a matching hot water jug with short spout, 17.5cm together with the companion milk jug, 10.5cm, 21.6oz (3) In good condition ...[more]
A silver three piece tea set, by The Atkin Brothers, Sheffield 1921, comprising: a teapot of plain compressed oval form with shaped 376 moulded edge raised on four winged scroll feet, 15.5cm high, together with the companion sugar basin and milk jug, uninscribed, 34.6oz (3) In good condition, no re ...[more]
A small pair of silver sauce boats, by Samuel Walton Smith, Birmingham 1921, each of plain oval shape with reeded rim and handle and 377 raised on a stepped oval foot, 17.5cm over handle, 8.2oz (2) In good condition, no repairs, holes or splits
An outsize silver quaich by Robert Stewart, London 1920, of traditional circular form with two lug handles, the body with hammered 378 finish, 28.5cm over handles, 14.8oz In good condition, no repairs, bruises, splits or holes
A silver salver, by Harrison Brothers and Howson, Sheffield 1918, of plain circular form, raised on three stylised scrolled paw feet, 379 shaped and moulded edge, uninscribed, 30.75cm diameter, 25.9oz In good condition, no repairs, bruises, splits or holes
An Edwardian silver wine goblet, by John Edward Wilmot, Birmingham 1906, the plain conical bowl widening to the rim above a bead 380 embossed girdle, raised on a pedestal foot, 11cm high, 4.2oz In good condition, no repairs, splits or holes but the foot slightly misshapen
A George III silver sugar basin, by John Emes, London 1802. of plain oval shape below a reeded edge and two reeded handles, gilded 381 interior, 20cm over handles, 8.3oz In good condition, no repairs, bruises, splits or holes
A silver reproduction of the Holms Cup, by Nathan & Hayes, Chester 1903, the shallow scale patterned bowl inscribed below the rim 382 `DEVS IM DONA SVIS AME BENE DICTVS` raised on a broad fluted pedestal standing on a circular broad fluted and beaded foot, 10cm high, 10.4oz In good condition, n ...[more]
A silver presentation trowel, by Henry Holland, London 1873, the triangular blade engraved with inscription relating to the laying of the 383 foundation stone at Ware Central School New Buildings February 1932, fitted with tapered ivory handle, 31cm
A small silver salver, by the Goldsmiths` and Silversmiths`, London 1903, of plain circular form with shape gadrooned edge, raised on 384 four ball and claw feet, 21.25cm diameter, 12.2oz In good condition, no repairs, bruises, splits or holes
A pair of silver sauce boats, by Asprey & Co, Birmingham 1923, each of plain oval shape with cut edges with wire scroll handle, raised 385 on three shell headed hoof feet, 14.5cm wide, 6.2oz (2) In reasonably good condition, no repairs,splits or holes but some bending to the feet on both sauce ...[more]
A late Victorian service of silver King`s pattern flatware, by Robert Stebbings, London 1899, comprising: twelve table forks, 22cm; twelve 386 dessert forks, 18cm; twelve teaspoons, 15.25cm; twelve tablespoons, 21.75cm; twelve dessert spoons, 18.25cm; two sauce ladles, 18cm; one soup ladle, 35cm; and a ...[more] A small pair of Victorian silver bon bon dishes, by Nathan and Hayes, Birmingham 1894, each modelled as a porringer, the bodies 387 deeply embossed with floral scrolling, each with two cast lug handles, 7cm diameter, 3.4oz In good condition, no repairs, bruises, splits or holes
A George III silver teapot, maker WE with a pellet between, London 1809, of plain compressed rectangular form with moulded girdle and 388 gadrooned edge, wooden handle, hinged cover and raised on four ball feet, 17cm high, 18.2oz In good condition, no repairs, bruises, splits or holes
A George III silver nine bar toastrack, by Robert Hennell I & David Hennell II, London 1800, the elongated rectangular flat frame below 389 nine wire divider bars, the central one incorporating a loop handle, 25.25cm, 8.5oz Evidence of several earlier repairs to both the frame and the wire divi ...[more]
A silver three piece tea set, by Elkington & Co, Birmingham 1924/25, comprising: a teapot of plain compressed oval form with a 390 gadrooned edge, raised on four everted gadrooned feet, with ebonised handle and finial to the hinged cover, 14.25cm high, together with the companion milk jug and sugar ...[more]
An Edwardian green leather gladstone bag with silver fittings, the bag by W A Kiernan of Regent Street, containing a selection of 391 matched silver mounted dressing table implements mostly by Charles James Fox, London 1903 also an earlier scent bottle and various leather items Several rogue items ...[more]
A George IV silver cream jug by John Edward Terry, London 1828, of lobed and compressed circular shape below a broad cast floral 392 border with broad spout and foliate scrolled handle, gilt lined, initialled, 9cm high, 9.5oz In good condition, no repairs, bruises, splits or holes
A George III style silver three piece teaset, by S Blackensee & Sons, Chester 1927, comprising: a teapot of compressed rectangular 393 shape with gadrooned edge, raised on four bun feet, 16cm, together with the companion sugar basin and milk jug, 36oz (3) In good condition, no repairs, splits o ...[more]
A silver cased desk or dressing table time piece, by S Blackensee & Sons, Chester 1913, the plain lancet case standing on four bun 394 feet, the French brass movement unsigned, the white enamel dial printed with Roman numerals in black, 10.5cm Movement working, minor bruising to the plain case, ...[more]
A silver four piece silver tea and coffee set, by the Cooper Brothers and Sons, Sheffield 1973, comprising an early 18th century style 395 baluster shape teapot with wooden handle and bell shaped wooden finial to the hinged domed cover, 19cm high, the matching coffee pot, 22cm high, together with the co ...[more]
A Victorian silver inkstand possibly by John Keith, London 1860, the circular base with pierced border decorated with masks and swags 396 with central cut out accommodating a single spherical cut glass scent bottle with silver mounts, 20cm diameter, 10.36oz (weighable) Some minor bruising, hinge pi ...[more]
A George II silver cream jug, maker`s mark indistinct, London 1746, pyriform, the body embossed with festoons of flowers below a cut 397 edge, raised on three shell headed hoof feet, leaf capped double scroll handle, 10.25cm, 3oz In good condition, no repairs, splits or holes, but bruises to the bo ...[more]
A George III silver pepper caster, makers mark I.?, London 1807, the plain vase shaped body raised on a square foot, reeded girdle and 398 rim below a double domed cover with ball finial, 13cm, 3.1oz In fairly good condition, no repairs, splits or holes, some minor bruises, maker`s mark rubbed
A matched part service of Old English pattern flatware, comprising: six table forks by Mappin & Webb, Sheffield 1903, 19.75cm; Six 399 tablespoons by George Adams, London 1878, 22.25cm; six dessert forks by David Fullerton, London 1930, 17cm; and six dessert spoons (3 x Gibson & Langman, London ...[more] A silver drum mustard pot, by Arthur and Frank Parsons for Tessier Ltd, London 1930, of plain drum shape with moulded spreading foot, 400 angular handle, the flat hinged cover with pierced thumbpiece and blue glass liner, 7.5cm high, 5.2oz In good condition, no repairs, bruises, splits or holes
A George I silver Britannia standard snuffer stand, by David Green, London 1722 raised on an hexagonal base below a knopped stem, 401 the snuffer receptacle square with moulded edges, initialled WB, 9.25cm together with a pair of matching wick trimmers with plain ring handles, 9.5cm, 5.1oz (2) Base ...[more]
A large silver two handled trophy cup, by Charles Boyton, London 1900, the deep bowl embossed with stiff leaf decoration to the base 402 below a moulded rim and two open scrolled handles, raised on a plain circular foot, uninscribed, 25.5cm high, 31.5oz In good condition, no repairs, bruises, split ...[more]
An Edwardian silver salver, by The Atkin Brothers, Sheffield 1903, circular with shaped shell scrolled edge, raised on three scrolled paw 403 feet, presentation inscription, 37.75cm diameter, 38.6oz In good condition, no repairs, splits or holes but one small but deep bruise and two lesser bruises ...[more]
A George III silver wine funnel by Rebecca Emes and Edward Barnard, London 1810, the funnel with reeded edge, the strainer with 404 shell hook and gadrooned edge, engraved with an armorial, 14cm, 5.9oz
A William IV silver two handled sugar bowl, by Charles Thomas Fox, London 1834, of compressed melon shape below an everted fluted 405 matted collar, two leaf capped scroll handles, 12cm high, 11.2oz In good condition, no repairs, splits or holes,some very minor bruises,
A George III silver mustard pot, by Henry Chawner and John Eames, London 1797, of barrel shape decorated with reeded bands, 406 reeded scroll handle, domed cover with chairback thumbpiece, 7.5cm, 2.9oz Minor bruises to the body and to the seat of the handle, cover unmarked
A set of four George III silver tub salts, by David Hennell I, London 1760, each of circular form, embossed with flowers and raised on 407 three leaf headed hoof feet, gilt lined, 7.5cm diameter, 12.5oz (4) Provenance: From the estate of the late John Seago. In good condition, no repairs, splits or ...[more]
William Hill Sprint Championship York 1979. Winning Trainer Award - A pair of silver bottle stoppers, by John Pinches Ltd, London 408 1979, each modelled as a cock and hen pheasant respectively standing on a circular base over a cork stopper, 9cm and 8cm respectively, in a fitted case, 6.2oz gross weigh ...[more]
A silver posy bowl, by Walker and Hall, Sheffield 1910, the shallow bowl applied with foliate swags below a slightly everted edge 409 standing on four scrolled legs with claw and ball feet, 16cm diameter, 9.5cm high, 12.8oz In good condition, no repairs, bruises, splits or holes
A pair of Victorian silver Old English pattern gravy spoons, by Charles Boyton, London 1859, initialled in script `KR`, 29.5cm, 5.8oz In 410 good condition, no repairs, bruises, splits or holes
A pair of silver bon bon baskets, by Mappin and Webb, Birmingham 1912, each of rectangular shape raised on four scroll feet, the 411 bodies decoratively pierced below a shaped foliate border, 10.5cm square, 6.3oz (2) In fair condition, no repairs, splits or holes but a bruise to part of the pierci ...[more]
A George II silver waiter, no maker`s mark visible, London 1735, circular with shaped moulded border and raised on three scrolled hoof 412 feet, uninscribed, 25.5cm diameter, 17.2oz lacks maker`s mark, may have been repolished, no holes, splits or bruises
A small silver quaich, by The Adie Brothers, Birmingham 1928, of traditional plain circular form with two lug handles, presentation 413 inscription, 10.75cm over handles, 2oz In good condition, no repairs, bruises, splits or holes A pair of silver sauce boats, by Martin Hall and Co, Sheffield 1919, each of plain oval shape below a cut edge, raised on three scrolled 414 feet below an open scroll handle, cased, 15.5cm, 5.4oz (2) In good condition, no repairs, bruises, splits or holes
A Victorian set of six silver dognose `berry` pudding spoons, by Thomas Smily, London 1864, initialled `A`, cased, 18cm, 6.7oz (6) In 415 good condition, no repairs, bruises, splits or holes
A silver six piece condiment set, by Davidson, Henderson & Sorley, Birmingham 1925, comprising: two peppers of compressed oval 416 shape together with two baluster peppers and two open salts together with four condiment spoons by the Adie Brothers, 1925, four blue glass liners, cased, 8.2oz Gen ...[more]
An Edwardian silver sugar bowl, by George Jackson and Daniel Fullerton, London 1903, the body plain below a cast and pierced 417 scrolled border, raised on three open foliate scrolled feet, gilt lined, 11cm diameter, 6.7oz In good condition, no repairs, bruises, splits or holes
Early Victorian silver double magnum trolley, by Robert Hennell III, London 1838, the two plain circular coasters each with flat ribbed 418 bases each sitting on a flat base and joined at the rim by two foliate ribboned bands supporting stopper rings and with a similarly decorated handle to each end, th ...[more]
A William IV silver bachelor`s coffee pot by Robert Hennell III, London 1837, the plain baluster shaped body fitted with an insulated 419 handle and long spout below a hinged cover with bun finial, crested, 11cm high, 7.9oz In good condition, no repairs, or holes, slightly rough seam joint to spout ...[more]
An Art Nouveau style trophy goblet by James Deakin & Son, Sheffield 1902, the whole embossed with stylised lilies, inscribed 420 `Presented by New Cross Greyhounds Ltd`, 24.25cm high, 10.1oz In good condition, no repairs, bruises, splits or holes
A William IV silver teapot by Joseph Angell I & John Angell I, London 1831, of compressed circular shape, the upper body embossed 421 with foliate scrolling, circular foot ring below an insulated leaf capped handle, the hinged cover with foliate button finial, 14cm diameter, 12.6 oz Basically i ...[more]
A pair of George III silver Old English pattern salad servers, by Peter and William Bateman, London 1807, 26.25cm, together with a pair 422 of George III Old English pattern tablespoons by Solomon Hougham, London 1803, initialled `C`, 23cm, 9.3oz (4) In good condition, no repairs, bruises, splits o ...[more]
A silver table cigarette box, by Garrards, London 1968, designed by Alex G Styles, of plain square shape, the body slightly tapered, the 423 hinged cover with black design of assymetric but concentric circles, wood lined, 10.25cm square, gross weight, 17.7oz In good condition, no repairs, bruises, ...[more]
A George IV silver fiddle pattern soup ladle, by Sarah & John William Blake, London 1822, uninscribed, 33.5cm, 8oz In good condition, 424 no repairs, bruises, splits or holes
A pair of Edwardian silver bon bon stands, by Walker and Hall, Chester 1907, each with a shallow plain oval bowl with foliate bead 425 border supported on four bifurcated tendril-like legs with undertier, 13cm high, 12.1oz (2) In good condition, no repairs, bruises, splits or holes
A Victorian/Edwardian matched four piece silver teaset, comprising: a teapot by Charles Stewart Harris, London 1891, of oval shape, 426 half-fluted, with brown wooden handle,14cm high, a similarly shaped two handled sugar basin by Joseph Gloster, Birmingham 1902, 15cm over handles, a cream jug by Edward ...[more]
An arts and crafts silver sugar bowl by Stewart Dawson, London 1910, the plain and shallow round bowl supported on a low circular 427 pedestal below two stylised tendril handles, 10.25cm diameter, 4.8oz A mid Victorian silver coffee pot, by Joseph Rodgers & Sons, Sheffield 1869, the oval lobed tapering body engraved with foliate scrolls 428 and other decorations, insulated handle and hinged fluted cover, 22.75cm high, 25.9oz In good condition, no repairs, bruises, splits or holes, spacer for f ...[more]
A mixed service of silver fiddle and thread flatware, comprising: twenty-four table forks (6 x George Adams, London 1841; 6 x George 429 Adams, London 1842; 6 x various indistinct makers, London 1842/1844; 6 x Richard Crossley, London 1795 (single struck)); twenty-two dessert spoons (6 x William Eaton, ...[more]
A Regency silver bachelor`s tea pot, by John Houle, London 1814, the hemi-spherical body with lily pad decoration, the pull off cover 430 with flower finial. wooden c-scroll handle, crested, presentation inscription to underside of cover, 12cm diameter, 13.4oz In good condition, no repairs, bruises ...[more]
A silver tea tray, by Roberts & Dore, Birmingham 1976, of plain rectangular shape with gadrooned edge with two shell scrolled handles, 431 62.25cm over handles, 69oz In good condition, no repairs, bruises, splits or holes, some superficial but visible scratches to the surface
A George III silver mustard pot, by Joseph Scammell, London 1793, of plain oval shape with reeded edges, `S` scroll handle, the hinged 432 cover with vase shaped finial, blue glass liner, 8.25cm high, 3.3oz; also a pair of late 18th century silver sugar nips, the marks indistinct, with cast scrolled arm ...[more]
433 A small pair of silver five bar toastracks, by Duncan & Scobbie, Birmingham 1913, of plain flat wire form, cased, 7.75cm wide, 3oz (2)
A Victorian silver handled page turner, cased, by Hilliard and Thomason, Birmingham 1859, the engine turned and embossed handle 434 fitted with a slim flat ivory blade, 33cm long, in a fitted display case In good condition, no repairs, bruises, splits or holes but slight play at the joint of the bl ...[more]
A Victorian silver four piece tea and coffee set, by Samuel Smily for the Goldsmiths` Alliance, London 1873, comprising: a teapot of 435 compressed globular form, embossed with a band of eleven decorated cartouches between two thinner bands of engraving, with insulated scroll handle and hinged cover, 14 ...[more]
A George III silver wine funnel and strainer, by Samuel Godbehere and Edward Wigan, London 1799, the deep goblet shaped bowl half 436 fluted below a moulded edge, the strainer also with moulded edge, 15cm high, 3.7oz the funnel with slight bruising but intact, the detachable strainer cup badly miss ...[more]
An Edwardian silver sweetmeat basket or sugar boat, by George Jackson and Daniel Fullerton. London 1901, the oval body partly 437 embossed with floral scrolls below a pierced gallery, the ends inswept towards the centre, all raised on an oval pedestal foot, 16cm, 7.9oz Generally in good condition, ...[more]
A George III silver teapot stand, Stephen Adams, London 1799, of oval shape with engraved border and cartouche, raised on four plain 438 feet, 18cm, 4.4oz In good condition, no repairs, bruises, splits or holes
An Edwardian silver three handled rosebowl, by Horace Woodward & Co, London 1905, the plain trefoil body raised on a conforming 439 pedestal, the loop handles reeded, 14cm high, 17.3oz In good condition, no repairs, bruises, splits or holes
Flags of the United Nations Collection`, by John Pinches Ltd, London 1970`s comprising one hundred and thirty-eight silver ingots, each 440 depicting national flags, with engine-turned decoration, each of differing sizes and weights, in a fitted two tier teak case together with the companion booklet des ...[more]
A Silver casket, by D & J Wellby, London 1915, of canted rectangular form, the cover engraved with a regal figure in a sedan chair 441 carried by two porters, the body engraved with exotic birds, the whole standing on four bifurcated scrolled feet, the interior roughly fitted with two velvet covered ...[more] A George IV silver teapot by The Barnards, London 1829, of plain compressed circular shape, the hinged cover with flower finial, 442 insulated handle, all raised on four shell scrolled feet, crested, 17.5cm diameter, 23.1oz In good condition, no repairs, splits or holes, minor body bruises.
A small Victorian silver salver, by Maxfield & Sons, London 1897, circular within a shaped and gadrooned edge and raised on four claw 443 and ball feet, 21cm diameter, 11.1oz In good condition, no repairs, bruises, splits or holes
Itchenor Gallon Sailing 3rd Prize Trophy 1937 - A silver pint beer mug, by William Neale Ltd, Birmingham 1933, of slightly tapering form 444 below a moulded edge with flat scroll handle, inscribed `Itchenor Gallon 1937 3rd Prize I D Mercury`, 11.5cm, 13.2oz The Gallon is the most prestigious of the In ...[more]
A Victorian set of six Britannia standard silver trefid spoons, by Francis Higgins III, London 1890, the wide bowls below plain flat stems, 445 20.5cm, cased, 12.2oz (6) In good condition, no repairs, bruises, splits or holes
A silver six piece condiment set, by The Adie Brothers, Birmingham 1922/1923, comprising: two mustards, two open salts and a pair of 446 baluster peppers to match, together with four associated condiment spoons, cased, 4.6oz (10) Some bruising to the pepper casters, marks a little rubbed
A silver Mare and Foal figure group, by the Goldsmiths` & Silversmiths` Company, London 1938, the naturalistically modelled figures on 447 a textured grassy base mounted on an ebonised plinth, a plate to the centre inscribed ""Unknown Quantity"" 1949 J.L.J (Jarvis) from H.D.H.W., ...[more]
A Victorian silver tea tray, by Gibson and Langman, London 1898, of oval shape the ground decoratively chased within a foliate and 448 shell decorated gadrooned edge with two similarly decorated handles, uninscribed, 64.5cm over handles, 83.9oz In good condition, no repairs, bruises, splits or hole ...[more]
An Edwardian silver sweetmeat basket, no maker`s mark, Chester 1909, the shallow oval bowl with extensive engraving and piercing 449 below a beaded edge, raised on an oval pierced foot, 17.75cm, 3.8oz In good condition, no repairs, bruises, splits or holes
The Macallan Royal Marriage Malt Whisky, bottled to commemorate the marriage of Prince Charles and Diana, distilled in 1948 and 454 1961, bottled in 1981, 1 bottle
455 Talisker Isle of Skye Pure Highland Malt Whisky, distilled 1973, 1 bottle
A collection of vintage Port and others Unknown (2 bottles, possibly brandy, pre-war type bottles, one with damaged label marked 456 `J.W.Green, the Brewery, Luton`); Warres 1983, Fonseca 1975, Martinez 1985, Fonseca Guimaraens 1988; also Barao de Vilar Colheita 1977 (7)
457 Chateau Cheval Blanc, St Emilion 1er Grand Cru 1964 and 1978, 1 bottle of each vintage (2)
458 Chateau d`Yquem, Sauternes 1er Cru 1967, 1 bottle (damaged label)
459 Chateau d`Yquem, Sauternes 1er Cru 1967, 1 bottle (damaged label)
460 Chateau Grand Puy Lacoste, Pauillac 5eme Cru 1961, 1 bottle
461 Chateau Haut-Brion, Pessac Leognan 1er Cru 1928, 1 half-bottle, together with a bottle of the 1934 vintage (2)
462 Chateau Lafite Rothschild, Pauillac 1er Cru 1966, 1 bottle 463 Chateau Laville Haut-Brion blanc 1978, 3 bottles; Domaine de Chevalier blanc 1976, 3 bottles (6)
Chateau Lynch Bages, Pauillac 5eme Cru 1978, 2 bottles; together with one bottle of the 1976 vintage; and Chateau Pichon Lalande, 464 Pauillac 2eme Cru, 1978, 1 bottle (4)
465 Chateau Margaux, Margaux 1er Cru 1928, 1 bottle
466 Chateau Rausan Segla, Margaux 2eme Cru 1945, 1 bottle, UK bottled (lacking capsule)
467 Chateau Suduiraut, Sauternes 1er Cru 1988, 2 bottles
468 Chateauneuf-du-Pape, Domaine Vieux Telegraphe, 1988, 2 bottles; with 3 bottles of the 1989 vintage (5)
469 Cognac. Courvoisier, Remy Martin and Martell, 10 various bottles, some boxed (10)
470 Croft vintage port 1970, 3 bottles
471 Croft vintage port 1975, 10 bottles
472 Fonseca vintage port 1992, 6 bottles in owc
473 Fonseca vintage port 1992, 6 bottles in owc
474 Hermitage 1978, Guigal, 1 bottle, together with 1 bottle of 1983 Hermitage from Chapoutier; with 2 bottles of Cornas 1978, Guigal (4)
475 Hermitage La Chapelle 1962, 2 bottles; with 1 bottle of the 1972 vintage with low level (3)
476 Hermitage la Chapelle, Paul Jaboulet Aine 1959,1 bottle
Nuits St Georges, 1er Cru Les Pruliers, 1990, Domaine Boillot, 2 bottles; Chateau Filhot, Sauternes 2eme Cru 1979, 3 bottles; Corton 477 Charlemagne 1987, Gibourg, 1 bottle; Cote Rotie, Guigal 1976 (7)
478 Port from the great 1963 vintage. Rebello Valente, 2 bottles; Quinta do Noval, 1 bottle (3)
Various late bottled and aged ports. Taylor`s 1983, 1992, 1995 and 1996; Grahams 1982, 1994 (2) & 1997; Cockburns 1986 & 1997, 479 Croft ten year old (bottled 1982), Taylor`s ten year old (bottled 1994), together 12 bottles
Vintage port, seven bottles. Quinta do Noval 1963, Dows 1975 (2), Taylors 1980, Cockburn 1970, Taylors Quinta de Vargellas 1976, De 480 La Force 1985 (together 7 bottles)
Vintage wine and port. Chateau La Croix, Pomerol 1982; Bertin et Fils St Emilion 1961; Cune Imperial Reserva Rioja 1976; 481 Chateauneuf du Pape 1994, Louis Mousset; Sandeman and Graham LBV port; Cockburn`s Special Reserve (5); Tokaji 1990 (50cl bottle); together 12 bottles
Whisky and Cognac, various by Famous Grouse (1999 Rugby World Cup edition), Jamesons, Bells, and Courvoisier (together 12 482 bottles) 483 Whisky and Cognac, various by Famous Grouse, Jameson, Bells, Courvoisier and Remy Martin (together 12 bottles)
484 Whisky and Cognac, various by Grants, Johnny Walker, Bells, Jameson, Martell and Remy Martin (together 12 bottles)
485 Whisky. 12 mixed bottles including Glenfiddich, Black Bush, Johnny Walker, and Famous Grouse (12)
The Royal Household` Scotch Whisky, distilled, blended and bottled by James Buchanan & Co Ltd, Glentauchers Distillery, Speyside, 486 boxed, 1 bottle; The Macallan Single Highland Malt Scotch Whisky 10 Years Old, matured in sherry wood, 1 bottle, boxed (2)
487 The Macallan Single Highland Malt Scotch Whisky Special Selection 1963, matured in sherry wood, 1 bottle, boxed
Caol Ila Islay Single Malt Scotch Whisky, aged 15 years, 1 bottle; Ardbeg The Ultimate Single Islay Malt Whisky, Guaranteed 10 years 489 old, 1 bottle, boxed; Bunnahabhain single malt, aged 12 years, with container, 1 bottle (3)
Andrea Sacchi (Italian, 1599-1661) Seated Ignudo: Study for the Never Realised Vault Decoration of S. Luigi dei Francesi, Rome (1653- 491 1660) red and white chalk on buff-coloured paper 24 x 19cm (9 x 7in) Provenance: Claudio Argentieri (L 846 b). Private collection, Cambridge. The medium of red cha ...[more]
§ Augustus Edwin John, OM, RA (British, 1878-1961) Portrait of Alexandra (Alick) Schepeler red chalk 35 x 25cm (14 x 10in) 492 Provenance: Private collection, Cambridge. Exhibited: Folio Spring Exhibition, English and French Master Drawings, No.9a. Rebecca John dates the present exceptional portrai ...[more]
Cuzco School (18th Century) Warrior Angels working in the fields with oxen and horses, and a man flailing corn oil on canvas, in a 493 carved and gilded frame 49 x 63cm (19 x 25in) Provenance: Private collection, UK. Coarse weave lined onto thinner canvas. Original canvas appears to be severely deg ...[more]
Edward Lear`s travels in Italy began in 1837, after developing his career as an ornithological artist first employed by the London 494 Zoological Society, and then by the Earl of Derby, for his private menagerie at Knowsley Hall. The Earl funded Lear`s Italian tour, in the hope it would improve his ill ...[more]
Edward Lear (British, 1812-1888) Fir Trees inscribed lower left ""2-3 p.m. 3 March 1869"" and with details of colours pen, ink and wash 495 17 x 51cm (7 x 20in) Provenance: Thos. Agnew and Sons Ltd., 43 Old Bond Street, Piccadilly, London, W1. Perhaps some fading and discolourati ...[more]
Edward Lear (British, 1812-1888) View of Alba inscribed and dated ""5 September 1870, 9 a.m. and 7 p.m."" pen, ink and wash 15 x 496 52cm (6 x 20in) Condition appears fine.
Circle of Henry Morland (British, 18th Century) Two boys with a guinea pig oil on canvas 70 x 58cm (27 x 23in) Provenance: Christie`s, 497 London, sale, 22 June 1925 (old label refers). 388 SP. Scuffed around the edges and loose in the frame. 388 SP old stencil Christie`s. Relined at some stage.
After Sir Anthony van Dyck (Flemish, 1599-1641) Portrait of Queen Henrietta Maria (1609-1669) oil on canvas 60 x 37cm (23 x 14in) 498 Provenance: The Orlebar family, Hinwick House, Bedfordshire. Paint layer has a raised craquelure network with small areas of flaking and loss, but generally in good c ...[more]
Circle of Sir Joshua Reynolds (British, 18th Century) Portrait of Emma, Lady Hamilton, holding a mask oil on canvas 70 x 54cm (27 x 499 21in) Provenance: Private collection, UK. Oil on lined canvas attached to oval wooden stretcher. Paint layer in a good condition overall; although some areas of imp ...[more] Circle of Sir Godfrey Kneller (British, 1646-1723) An historical portrait of the young Sir Peter Pett, Master Shipwright to Elizabeth I, with 500 HMS Pelican (later the Golden Hind) behind him through a window, and Dividers and a Globe beside him oil on canvas 107 x 86cm (42 x 34in) Provenance: The Or ...[more]
English School (circa 1815) Portraits of the Woodthorpe Brothers of Bobbingworth, Essex - Lieutenant (later Captain) John Bolton 501 Woodthorpe, RN (1796-1846), in naval uniform; William Cobbold Woodthorpe (1791-1860) in a Hudson Bay Coat; and Mr Woodthorpe, a sportsman, with his hound, a rifle and dea ...[more]
Pieter Cornelisz van Slingelandt (Dutch, 1640-1691) after Gabriel Metsu (Dutch, 1629-1667) The Doctor`s Visit oil on champfered panel, 502 in an ebony veneered frame 37 x 28cm (14 x 11in) Provenance: Sir Albert Richardson, PRA, Avenue House, Ampthill, Bedfordshire. Gabriel Metsu`s original painting ...[more]
Irish School (19th Century) Portrait of Mrs Mary Redmond oil on canvas 75 x 62cm (29 x 24in) Provenance: From a Norfolk country 503 house. Lined canvas. Paint in good condition overall. Abrasion around edges of painting due to framing and a few minor scuffs and scratches to paint layer. Varnish is ...[more]
Studio of Sir Peter Lely (17th Century) Portrait of Charles II (1630-1685) oil on canvas 75 x 63cm (29 x 25in) Provenance: From a 504 Norfolk country house. Lined canvas. Paint layer is stable and secure. Old damages and loss visible but all small. Scattered retouchings covering small damages. Varn ...[more]
James Sant, RA (British, 1820-1916) Portrait of Miss Polly Rodgett (1862-1946) and Miss Maud Burton, the Filleul cousins, circa 1882 505 signed lower right with initials ""JS"" oil on canvas 104 x 72cm (41 x 28in) Provenance: By descent within the family of the sitters. Mary Jane ...[more]
August de Wilde (Belgian, 1819-1886) Stolen Vanity oil on canvas 22 x 18cm (9 x 7in) Provenance: Christie`s, sale, South Kensington, 506 London, 15th November 2001, Lot 83. Lined canvas. Paint layer in a good condition. Craquelure overall. Varnish slightly dull and discoloured but generally acceptab ...[more]
Circle of Sir Godfrey Kneller (British, early 18th Century) Portrait believed to be of John Robinson of Denston (d. 1734) half length in 507 brown, and a long curled wig oil on canvas in a painted oval 74 x 62cm (29 x 24in) Provenance: By descent at Denston Hall until inherited by Algernon Dunn Gardne ...[more]
Attributed to William Hoare of Bath, RA (British, circa 1707-1792) Portrait of Lieutenant Colonel John Robinson (d.1772) of Denston 508 Hall, quarter length in red uniform with gold pastel on paper mounted on to canvas, in a carved and giltwood frame 57 x 44cm (22 x 17in) Provenance: By descent from t ...[more]
Sir Nathaniel Dance-Holland, Bt., RA (British, 1735-1811) Portrait of Mary Brummell (nee Richardson, 1754-1793), standing three- 509 quarter length, in white with a puce shawl, resting her arm upon a stone plinth oil on canvas, unlined 125 x 100cm (49 x 39in) Provenance: By descent from the sitter, thr ...[more]
Attributed to Joseph Karl Stieler (German, 1781-1858) Study of a mother and child, said to be Georgiana Brummell, Lady Pigott (1802- 510 1886), and her daughter Mary (1837-1913) inscribed and dated ""Tegernsee, Stieler, 1847"" to the reverse oil on canvas 47 x 36cm (18 x 14in) Prove ...[more]
Follower of Sir Francis Grant (Scottish, mid 19th Century) Portrait of Christopher William Robinson (1836-1889) of Dullingham House 511 and Denston Hall, with his two sisters Ada and Harriet Pigott, and a small black dog oil on canvas 62 x 74cm (24 x 29in) Provenance: From the sitters to their nephew ...[more]
Manner of Sir Anthony Van Dyck (Flemish, mid 17th Century) Portrait of Sir Thomas Dayrell (d.1669) half length in armour inscribed 512 lower left ""Sir Thos. Dayrell"" oil on canvas 77 x 63cm (30 x 25in) Provenance: By descent from the sitter to Sarah Dayrell, mother of Lieutenant ...[more] Attributed to John Riley (British, 1646-1691) Portrait of Sir Marmaduke Dayrell (d.1712) of Shudy Camps, Cambridgeshire, half length, 513 wearing a lace stock, gold brocade waistcoat and red cloak oil on canvas 100 x 97cm (39 x 38in) Provenance: By descent from the sitter to his great grandson, Lieute ...[more]
Follower of Sir Godfrey Kneller (British, early 18th Century) Portrait of Mary, Lady Dayrell of Shudy Camps, three quarter length in blue 514 inscribed lower left ""Lady Dayrell"" oil on canvas 180 x 102cm (70 x 40in) Provenance: By descent from the sitter to Sarah Dayrell, who mar ...[more]
Circle of Sir Peter Lely (British, third quarter of the 17th Century) Portrait, presumably of Sir Frances Dayrell (d.1675) of Shudy Camps, 515 holding a pair of compasses, a globe beside him, ship beyond oil on canvas 99 x 100cm (39 x 39in) Provenance: By descent through the sitter`s brother to the la ...[more]
Attributed to Enoch Seeman (British, 1694-1745) Portrait of a lady in a feathered hat, pearls in her hair and a blue and white dress and 516 gem-set stomacher oil on canvas, in a carved and giltwood frame 74 x 62cm (29 x 24in) Provenance: By descent from the supposed sitter to her grandson, Lieutenant ...[more]
Attributed to John Rising (British, 1753-1817) Portrait of Richard Crop of Westoe Lodge, three quarter length, seated at a table, with a 517 large inkwell oil on canvas 125 x 100cm (49 x 39in) Provenance: Presumably inherited by the sitter`s nephew by marriage, Lieutenant General Christopher Jeaffreso ...[more]
Follower of Cornelius Johnson (British, first half of 17th Century) Portrait of the Reverend Doctor Johnstone (b.1600), half length holding 518 a red book Inscribed ( probably?) ""Pvlveris imago imagins umbra umbrae insomnium insomnii oblivio "" and charged with a coat-of- arms oil on ...[more]
Attributed to John Hayls (British, circa 1645-1679) Portrait of a cleric and his wife, both half length, she in a white dress, red shawl and 519 pearls; he holding a book, inscribed on the book ""[? M F ] BR"" oil on canvas, in period carved and giltwood frames (a pair) 74 x 63cm (29 ...[more]
Attributed to John Riley (British, 1646-1691) Portrait of a gentleman (possibly a judge or a magistrate) half length in red with ermine oil 520 on canvas 74 x 62cm (29 x 24in) Provenance: By descent at The Manor House, Chatteris, and thence to Denston Hall, Suffolk, by 1908. The sitter is possibly J ...[more]
English Provincial School (third quarter of the 17th Century) Portrait of Doctor Cudworth Johnstone (1654-1692), half length, in red- 521 edged robes and a lace cravat oil on canvas 75 x 62cm (29 x 24in) Provenance: By descent in the Johnstone family to either of the two daughters of the Reverend Henry ...[more]
Atrributed to Mary Beale (British, 1632-1697) Portrait of an unknown lady, probably a Johnstone of Pontefract, half length in red and 522 brown oil on canvas in a painted stone cartouche 74 x 61cm (29 x 24in) Provenance: By descent at The Manor House, Chatteris, until removed in 1908 by Algernon Dunn ...[more]
Circle of William Aikman (British, first quarter of the 18th Century) Portrait of a Gentleman, half length, in a brown velvet coat oil on 523 canvas 75 x 63cm (29 x 25in) Provenance: By descent in the Johnstone family to either of the two daughters of the Reverend Henry Johnstone, whose heirs were Joh ...[more]
Attributed to the Studio of John Theodore Heins, Senior (British, mid 18th Century) Portrait of the Reverend Henry Johnstone (d.1755), 524 half length in black oil on canvas 75 x 62cm (29 x 24in) Provenance: By descent from the sitter to one of his two daughters, paternal and maternal grandparents of ...[more]
Follower of William Hogarth (British, mid 18th Century) Portrait of Elizabeth Hake, half length in black, her arms folded oil on canvas 76 525 x 63cm (30 x 25in) Provenance: By descent from the sitter via her daughter Eleanor to John and Sarah Gardner, thence by descent to Algernon Dunn Gardner of Cha ...[more] Circle of Michael Dahl (Swedish, circa 1656?1743) Portrait said to be of Miss Eleanor Hake (d.1784), three quarter length in blue 526 against a red curtain oil on canvas, in a black painted frame 126 x 100cm (49 x 39in) Provenance: By descent from the supposed sitter to her first cousins once removed, ...[more]
Attributed to John Hayls (British, circa 1645-1679) Portrait of a gentleman, half length, in a red jacket and gold cloak inscribed to the 527 right of the sitter ""AET [? 23]"" oil on canvas 74 x 62cm (29 x 24in) Provenance: By descent to The Manor House, Chatteris, and thence in t ...[more]
Attributed to Edward Penney, RA (British, 1714-1791) Portrait of Henry Willis Compton of Bisterne, head and shoulders in a black coat 528 and white stock, age 23 inscribed on the reverse ""Penney pinxit"" oil on canvas 68 x 55cm (27 x 21in) Provenance: By descent from the sitter`s ...[more]
George Cole (British, 1810-1883) Portrait of a man, half length in black, seated behind a stone window, a small dog on the ledge, 529 beneath which is inscribed: ""Let me play the fool with mirth and laughter let old wrinkles come, and let my liver rather heat with wine, than my heart cool wit ...[more]
Carlo Cignani (Bologna, 1628-1719, Forlì) Charity Oil on canvas; 91.5 x 66 cm (Bologna, 1628-1719 Forlì) Charity Oil on canvas; 91.5 x 530 66 cm (Bologna 1628-1719 Forli) Charity oil on canvas, in a carved and giltwood English 18th Century Maratta frame 91 x 66cm (35 x 26in) Provenance: Acccording t ...[more]
Circle of Lacroix de Marseille (mid 18th Century) Mediterranean coastal scene with fishermen oil on panel 14 x 19cm (5 x 7in) Oil on 531 what appears to be a copper support. Wooden panel visible at reverse is not part of the paintingbut supporting it in the frame. Minor undulations to metal support ...[more]
Circle of Esaias van de Velde the Elder (Dutch, 1587-1630) Travellers in an Italianate landscape with a rider on a grey horse oil on 532 canvas 56 x 80cm (22 x 31in) Provenance: From a Scottish country house. Relined canvas. Localised areas of raised paint and a few scattered paint losses. Uneven la ...[more]
Hastler (German, 18th-19th Century) A portfolio of watercolour views to include the Tomb of Theron, Concord and Juno Lucina, Greece; 533 the Ebro river, Spain; Citadel on the island of Sicily; Murviedro, southern Spain; Sicilian harbour; San Paolo, Italy; Palermo, Sicily; lighthouse on the island of Sic ...[more]
Hendrik Frans de Cort (Dutch, 1742-1810) The great Elm in Lord Suffolk`s ground, Wiltshire, a boundary tree known in the `Old Maps of 534 Wiltshire` inscribed with title to the reverse pencil 62 x 46cm (24 x 18in) Provenance: Bought at the Ray Livingstone Murphy sale at Christie`s, London, on 8 July 1 ...[more]
Circle of William Watkin (English, 18th Century) River scene with a sportsman with hounds in the foreground oil on canvas 65 x 98cm 535 (25 x 38in) Provenance: Private collection, London. Stuck down onto a new canvas. Raised and flaking paint at upper edge. Numerous small losses to paint layer. Laye ...[more]
William Woodhouse (British, 1857-1937) A Cow, a Sheep and a Rabbit on a Clifftop signed lower right ""W Woodhouse 1885"" oil on 536 canvas 30 x 40cm (12 x 16in) Unlined canvas. Canvas tension is slack and has resulted in minor undulations. Paint layer in good condition. Uneven, ...[more]
Conrad (Coen) Metzelaar (Dutch, 1846-1881) Rowing boats moored on a river signed on the reverse oil on panel 26 x 18cm (10 x 7in) F 537 1013 inventory number to the reverse. Condition is fine.
English Provincial School after George Frost (late 18th-early 19th Century) The Market Cross, Ipswich, Suffolk oil on canvas, in a maple 538 frame 53 x 69cm (21 x 27in) A similar view of the Market Cross is in `English Naive Painting 1750-1900` by James Ayres, and there is one in the Ipswich and Colch ...[more] Greek School (19th Century) Mediterranean landscape with a monk reading by a wayside shrine oil on canvas 40 x 33cm (16 x 13in) 539 Provenance: Brought back from the Crimea by Surgeon Captain Adam Boyle in 1856, and by descent in a Kent collection. Relined canvas. Paint layer stable and sound. Thick ...[more]
Harry Sutton Palmer (British, 1854-1933) From Mowbray Point, looking towards Mowbray Castle, Hackfall, North Yorkshire signed lower 540 right ""Sutton Palmer"" watercolour 43 x 60cm (17 x 23in) Hackfall Wood, an ancient woodland, was bought in 1730 by John Aislabie, the owner of ne ...[more]
William Payne, OWS (British, 1760-1830) An Italian Hill Town signed lower right ""W Payne 1819"" watercolour 25 x 38cm (10 x 15in) 541 Colours are good - no tears or damages.
Frederick Waters Watts (British, 1800-1862) Walkers with a dog on a track, a distant town beyond signed lower left ""F W Watts"" oil on 542 canvas 19 x 40cm (7 x 16in) Provenance: From a Norfolk country house. Relined and cleaned at some stage. Paint layer in a stable condition. ...[more]
Stirling Malloch (Scottish, 1865-1901) Children playing by drying nets, Carnoustie Beach signed lower right ""S Malloch `98"" oil on 543 canvas 50 x 75cm (20 x 29in) Relined. Perhaps a little dirty.
Duncan Cameron (British, 1837-1916) Summer afternoon in Lower Glencoe signed lower left ""D Cameron"" and inscribed with title to 544 the reverse in the artist`s hand oil on canvas 59 x 94cm (23 x 37in) Canvas has been recently treated. Painting has been striplined (canvas atta ...[more]
William Turner of Oxford (British, 1789?1862) Ben-na-Bear and the mountains of Ardgar as seen across the Linnhe Loch from 545 Balachulish, Scotland watercolour 32 x 54cm (12 x 21in) Provenance: From a Norfolk collection. Exhibited: London, Society of Painters in Watercolour, 1858, No.192. William T ...[more]
The Reverend John Swete (British, 1752-1821) Ten views of North Devon, featuring Lord Clifford`s Park at Ugbrooke; the Lighthouse 546 and Harbour at Ilfracomb; a view of Lynmouth; a bay near Ilfracombe; the Mill at Lynmouth; the Lighthouse at Ilfracombe; the Valley of the West Lyn; a view at Clovelly Co ...[more]
Miles Edmund Cotman (British, 1810-1858) A Dutch Galliot running into Port oil on canvas 35 x 46cm (14 x 18in) Provenance: J 547 Fairhurst, The Flint House Art Gallery, 34 Elm Hill, Norwich, Exhibition 1964, No.44. Relined. Perhaps a little dirty.
Louis Lottier (French, 1815-1892) A Man-of-War off a mountainous landscape, with Turks in a rowing boat signed lower left ""L Lottier"" 548 oil on canvas 93 x 54cm (36 x 21in) Provenance: Private collection, UK. Unlined canvas. Canvas tension is slightly slack. Thin paint layers ...[more]
Attributed to Charles John de Lacey (British, 1856-1936) Huascar captured by the Chilean Fleet, 8 October 1879 watercolour 12 x 37cm 549 (5 x 14in) Provenance: From the collection of Lord Luke. Huáscar was a 19th-century small armoured turret ship of a type similar to a monitor. She was built in Bri ...[more]
William Rogers (British, 19th Century) Seascape signed lower right ""W Rogers"" oil on board 26 x 46cm (10 x 18in) Oil on board, 550 corners of board suffering from abrasion. Paint layer in a good condition generally - a few localised areas of loss. Thick layer of varnish which ...[more]
English School (19th Century) West Country coastal scene oil on canvas 34 x 52cm (13 x 20in) Oil on canvas, unlined. Cleaned at some 551 stage. Canvas tension very slack on stretcher. Small scratch and dents in paint layer at upper left corner, but the layer is generally stable and sound. Paint lo ...[more]
Colonel Edmund Gilling Hallewell (British, 1822-1869) The Crimea watercolour 24 x 34cm (9 x 13in) Provenance: From a Norfolk 552 collection. Condition appears fine. Colonel Edmund Gilling Hallewell (British, 1822-1869) Constantinople Harbour watercolour 22 x 31cm (9 x 12in) Provenance: From a 553 Norfolk collection. Colonel Edmund Gilling Hallewell (1822-1869) was a career soldier, joining the 20th Regiment of Foot as a young ensign in 1839. Hallewell served wi ...[more]
Paul Jacob Naftel, RWS (St. Peter Port, Guernsey 1817-1891 London) A child playing at a village pond, cattle approaching on a lane 554 signed with initials lower left ""PJN"" in monogram watercolour 17 x 24cm (7 x 9in) Provenance: Private collection, Norfolk. Condition is fine.
§ Beatrice Pedder (British, 1875-1965) The Round Pond, Kensington signed lower right ""B S Pedder"" oil on board 42 x 52cm (16 x 555 20in) Provenance: The Mangate Gallery, Beatrice Pedder Exhibition. Exhibited: The Paris Salon, 1936. Beatrice Stella Pedder was born in East Cleve ...[more]
John Sell Cotman (British, 1782-1842) A portfolio to include: Statue of a Saint, Greenwich landscape 1844; women with a dog; herd of 556 cows under trees; forest scene; two women by a river; city scene sketch for Crowland Abbey, etched by Gelman; Norwich Castle; Landscape sketch at Hastings; Crowley Cas ...[more]
Bianca Pierotto (Italian, 20th Century) Venice signed lower left ""Pierotto Bianca , 6.IV.05"" oil on canvas 34 x 45cm (13 x 18in) Oil on 557 canvas. Debris caught behind canvas and stretcher bar at lower edge. Minor deformation to canvas. Paint layer in good condition - small l ...[more]
Eugene Galien-Laloue (French, 1854-1941) Flower Market, Paris signed lower left ""E Galien-Laloue"" watercolour and gouache on 558 paper 25 x 35cm (10 x 14in) Provenance: Private collection, Cambridge. Condition is fine - modern frame needs replacing.
Charles Edward Wilson (British, 1854-1941) Windfalls signed lower left ""C E Wilson"" and inscribed with title to the reverse watercolour 559 on card 27 x 39cm (11 x 15in) Provenance: From the collection of Lord Luke. Unframed. Colours are good. A little scattered foxing on the ...[more]
§ Jose Checa Galindo (Spanish, b.1950) Venice signed lower right ""J Checa"" oil on canvas, unframed 37 x 55cm (14 x 21in) Modern 560 oil on canvas, in excellent condition, unframed.
Francois Flameng (French, 1856-1923) Portrait of a Lady in yellow, with a cockaded hat with flowers and pom-pom trim signed lower 561 right ""Francois Flameng"" watercolour, unframed 27 x 19cm (11 x 7in) Provenance: From the collection of Lord Luke. Unframed and fine.
Fernando Tirado (Spanish, 1862-1907) A Spanish Lady in a red embroidered shawl signed lower left on the stone ""F Tirado"" oil on 562 panel 19 x 12cm (7 x 5in) Provenance: Private collection, Norfolk. A little surface dirt but fine.
Fernand Pelez (French, 1843-1913) View of Venice signed lower right ""Venice, Fernand Pelez"" watercolour on card 26 x 23cm (10 x 563 9in) Provenance: From the collection of Lord Luke. Unframed, trimmed around the edges, and with some tears around the edge, and rubbing where a fr ...[more]
Marcus Stone (British, 1840-1921) A young girl in a red mob cap and pink-bustled dress, picking wildflowers signed lower left ""Marcus 564 Stone 1882"" watercolour 25 x 13cm (10 x 5in) Provenance: From a Cambridgeshire country house. Condition appears fine - under glass - perhaps ...[more]
John Sherrin (British, 1819-1896) Christmas Feast with mice and biscuits signed lower right ""J Sherrin"" watercolour 15 x 23cm (6 x 565 9in) Provenance: Purchased by the vendor at Spink, London, some years ago. John Sherrin worked mainly in watercolours and was a pupil of the fa ...[more]
Richard Hicks Bridgens (British, 1785-1846) Ploughing in the Campagna in Rome, Italian Costume designs - Preparatory studies for a 566 costume book published by Baldwin in 1821 watercolour, 25 x 20cm (10 x 8in) Richard Hicks Bridgens was a sculptor, designer and architect. He attempted to set up an ar ...[more] Vincent Clare (British, born circa 1855-1930) Still life of white and black grapes and greengages on a mossy bank signed lower right 567 ""Vincent Clare"" watercolour 15 x 23cm (6 x 9in) Provenance: Private collection, Norfolk. Under glass and condition appears fine.
English School (19th Century) View of a country house with bridge and cattle in parkland oil on canvas, in a painted floral border 28½ x 568 33cm (11 x 13in) Provenance: The Simon Carter Gallery, Woodbridge, Suffolk. Canvas relined. Craquelure overall. Paint layer in a good condition overall, with ...[more]
§ Constant Artz (Dutch, 1870-1951) A Family of ducks on a river bank oil on board 17½ x 24cm (7 x 9in) Provenance: Private collection, 569 Suffolk. Oil on panel. Good condition overall. Tiny paint losses following the grain of wood, but paint layer stable overall. Frame in good condition.
Andrew Robertson, RA (British, 1777-1845) A leather cased portrait miniature, the elder of the two boys seated in a red chair with a 570 book open resting on a green tablecloth signed lower left ""Robertson 1839"" watercolour on paper, within verre eglomise border 18 x 14cm (7 x 5in) ...[more]
Charles Ford (British, 1801-1870) A portrait miniature of the Duke of Wellington (1769-1852), depicted towards the end of his life, 571 wearing a black jacket and white waistcoat, his white hair against a mushroom ground oil on ivorine in a gilt frame 20 x 14cm (8 x 5in) Under glass and ina gilt fr ...[more]
Attributed to Francis Hayman (British, 1708-1776) Miniature self -portrait of the artist, he wears a mauve cap as he faces to dexter 572 against a mushroom ground within a gilt metal frame 5½cm (2in) Looks to be a gold frame. Loss of colour, faded and discoloured. Marbled paper back.
John Miers (British, 1758-1821) A silhouette of a lady and another silhouette of a lady, both with gilt details, the first of a lady wearing a 573 lace cap and shawl painted on plaster 8.5cm (3.25 in) high and the second of a young Victorian lady painted on card, 7cm (2.75 in) high both in papier mache ...[more]
English School (19th Century) Carriage driving a silhouette picture in pen and ink (unframed) 33 x 48cm (13 x 19in) Provenance: From 574 the estate of the late John Seago. Unframed. Some foxing and discolouration.
A Dutch 17th century Tortoiseshell and ebonised frame sight size 20 x 12cm, overall size 32 x 23cm One small chip lower left-hand 575 corner and the glue is showing in the joins.
576 A large gilt frame, circa 1817 by family repute, sight size 90 x 69cm, overall size 124 x 104cm
§ Edward Seago, RWS, RBA (British, 1910-1974) ""To Dad with best wishes from Ted"" - a signed pen and ink card from Edward Seago 577 to his father, depicting Father Christmas and his sleigh pen, ink and watercolour 9 x 16cm (4 x 6in) Provenance: From the estate of the late John Sea ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) Signed greetings note depicting a deer and a huntsman - ""Well, chums no more 578 news, so I think I`ll go to bed, Night night old bean, Ted"", on Brooke Lodge, Norwich, writing paper pen and ink 16 x 24cm (6 x 9in) Provenance: From the ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) Sketch book containing copious animals and landscape pencil studies, including the 579 sign for the Maiden`s Head Inn, Uckfield, Sussex, and studies of Rye Mill and Rye Harbour, along with numerous studies of cows. Sketchbook numbered 1/9 on inside front cov ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) Sketchbook, predominantly containing studies of cows and agricultural landscapes, 580 as well as a study of a seated man sketching. Numbered in pencil 1/9 on the reverse of the front cover, with addresses listed in the first two pages, some of which seem to ...[more] § Edward Seago, RWS, RBA (British, 1910-1974) Studies of three circus scenes with showman`s living vans and two landscapes all 581 signed ""S"" various sizes, pen and ink (5) Provenance: From the estate of the late John Seago. Unframed. Some discolouration around the mounts. ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) Study of four ballerinas pen and ink 16 x 10cm (6 x 4in) Provenance: From the estate 582 of the late John Seago. Exhibition No. 54 to the glass. Perhaps a little loss of colour. One small discoloured mark upper right-hand corner.
§ Edward Seago, RWS, RBA (British, 1910-1974) ""The Mouse Book - Snip"" - by E Seago - a juvenile manuscript story book, written 583 and illustrated by Edward Seago in childhood watercolour and pencil 7 x 8cm (3 x 3in) Provenance: From the estate of the late John Seago. Text as w ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) A collection of loose sketches and drawings of Venice and ships, some coloured, two 584 squared up, probably room or set designs pen, ink and wash, various sizes (3) Provenance: From the estate of the late John Seago. All unframed. Edges scuffed and ben ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) A portfolio of pencil sketches, including designs for maritime subjects and room 585 interiors pencil, various sizes Provenance: From the estate of the late John Seago. All unframed and in various conditions, some scuffing and spotting.
§ Edward Seago, RWS, RBA (British, 1910-1974) A signed greetings card to his parents in the shape of a television set, inscribed ""with 586 my best wishes to you both from Ted, Happy Birthdays - Feb. 23rd and June 25th"" pen, ink and watercolour 18 x 22cm (7 x 9in) Provenance: From ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) Edward Seago, a collection of juvenile watercolours of rural landscapes and a mill 587 (three framed together); a sheet of Brooke House, Norwich, writing paper, a drawing of the `Vicar of Brooke`, and a study of a dead grouse oil, watercolour and pencil, var ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) Study of a Clown signed lower right ""Edward Seago 1937"" pencil 30 x 20cm (12 x 588 8in) Provenance: From the estate of the late John Seago. John Seago spent most of his life in Africa working with animals, organising humane catching ...[more]
§ Edward Seago, RWS, RBA (British, 1910-1974) The Point Neuf, Paris oil on canvas 29 x 39cm (11 x 15in) Provenance: From the 589 artist`s studio sale and with studio stamp. Bequeathed to the vendor by his father. Authenticated by the Portland Gallery, February 2014.
§ Edward Seago, RWS, RBA (British, 1910-1974) Two letters written to John Seago, the artist`s brother, one addressed to ""Dear Old 590 John"" and written from 13 Christ Church Road, Norwich, giving birthday greetings, and illustrated with a postbox and postman elf, for John`s 16th bi ...[more]
Edward Seago and family-related material A Collection of family photographs, including Edward Seago with his mother and brother John 591 as children, and Edward`s `Illness book` , most likely written by his mother, recording his recurrent childhood illnesses which resulted in his mother encouraging him ...[more]
§ Sir Herbert James Gunn, RA (British, 1893-1964) Portrait of Miss Elizabeth Aumuller, governess to the Gunn children, behind her the 592 Solway Firth, signed lower right ""Elizabeth, Feb. 1949, James Gunn"" and inscribed to the reverse oil on canvas board 44 x 34cm (17 x 13in) Pr ...[more]
Circle of Sir Godfrey Kneller (late 17th Centruy) Portrait of Sir Daniel Dolins (1679-1728); and Portrait of Lady Dolins (1683-1740) oil on 593 canvas (a pair) 125 x 100cm (49 x 39in) Provenance: From a Norfolk country house. Sir Daniel Dolins was active as a Justice of the Peace, poor relief admini ...[more]
598 After J Howe, Hawking, a copper plate engraving by C Turner, in a rosewood frame 58 x 67cm (23 x 26in) After Wolstenholme A set of four coursing aquatints, plates 1-4, published by Richard Reeve May 25th 1807 54 x 66cm (21 x 26in) All 599 are foxed, but colours are strong
§ Anne Bullen (British, 1913-1963) A portfolio of original illustrations by Anne Bullen for pony books, to include illustrations for Silver 600 Spring and other stories, written in 1958 by Daphne Machin Goodall all signed ""Anne Bullen"" and most dated 1957 pencil, various sizes (9) ...[more]
§ Christopher Michael Wolfe Murray (Fish Hawk) (British, 1929-2010) Grouse on the Moor, signed ""Fish Hawk"", watercolour 35 x 51cm 601 (14 x 20in)
§ George Denholm Armour (British, 1864-1949) Tally Ho ! signed lower right ""G D Armour"" pencil and gouache 23 x 10cm (9 x 4in) 602 Under glass and condition is fine.
603 § James Stinton (British, 1870-1961) Pheasant; and Ducks watercolour (a pair) 15 x 25cm (6 x 10in)
§ John Rattenbury Skeaping (British, 1901-1980 Wild horses, France signed lower left ""John Skeaping, Arles, `60"" pen and ink 38 x 604 64cm (15 x 25in) Condition is fine.
605 § Raoul Millais (British, 1901-1999) Carriage signed ""Raoul Millais `49"" watercolour 15 x 29cm (6 x 11in) Perhaps a little loss of colour.
606 § Richard Robjent (British, b. 1937) Woodcock, signed, watercolour 37 x 52cm (14 x 20in)
§ Terance James Bond (British, b. 1946) Study of a goldfinch signed and dated lower left ""Terance James Bond `74"" watercolour 32 x 607 22cm (12 x 9in) Provenance: From a private collection, Norfolk. Framed. Condition appears fine
§ Terance James Bond (British, b. 1946) Study of three reed warblers signed and dated lower right ""Terance James Bond `74"" 608 watercolour 50 x 33cm (20 x 13in) Provenance: Fome a private collection, Norfolk. Framed. Condition appears fine
§ Terance James Bond (British, b.1946) Study of a cock bullfinch signed and dated lower right ""Terance James Bond `74"" watercolour 609 31 x 22cm (12 x 9in) Provenance: From a private collection, Norfolk. Framed. Condition appears fine
§ Terance James Bond (British, b.1946) Study of a Greenfinch signed and dated lower right ""Terance James Bond `73"" watercolour 610 31½ x 21½cm (12 x 8in) Provenance: From a private collection, Norfolk. Terrence James Bond was born in Suffolk in 1946, and has remained there thro ...[more]
§ Winifred Joan Ophelia Gordon Bell (British, 1915-1975) Study of Corgis signed lower left `W J Ophelia Gordon Bell` watercolour 31 x 611 24cm (12 x 9in) Colours are good.
John Frederick Herring, Junior (British, 1820?1907) Study of Mr Gully`s Margrave, a racehorse; together with another horse sketch by a 612 different hand of a ""Horse white and old"", pencil, 15 x 19cm (two) signed lower right ""Herring Junr. 1854"" and numbered N ...[more]
§ John Trickett (British, b. 1953) Study of a black-and-white English Springer Spaniel signed lower right ""John Trickett"" oil on canvas 613 29 x 24cm (11 x 9in) Condition is good.
§ Juliet McLeod (British, 1917?1982) Ballymoss, a Chestnut Racehorse in a Landscape signed lower left ""Juliet McLeod 1971"" oil on 614 canvas 70 x 90cm (27 x 35in) Ballymoss (1954?1979) was an Irish Thoroughbred racehorse. In a racing career which lasted from 1956 until November 1 ...[more] § Neil Cawthorne (British, b.1936) On the Flat on Newmarket`s July Course - the front three (left to right) appear to be in the racing 615 colours of Sir Michael Sobell, possibly the Aga Khan (red cap is causing uncertainty) and Charles St. George signed lower right ""Neil Cawthorne `89"& ...[more]
§ Neil Cawthorne (British, b.1936) The Start of the Race - on the extreme right, the racing colours are those of Mr. Charles St. George, 616 and third from left, Mr. Robert Sangster signed lower right ""Neil Cawthorne"" oil on canvas 50 x 66cm (20 x 26in) Condition is good.
§ Pip McGarry (British, b.1955) Reclining Leopard signed lower right ""Pip McGarry 2011"" oil on canvas 60 x 90cm (23 x 35in) 617 Condition is good.
Anthony W Stevenson (British, 19th Century) Study of Champion Result, a smooth fox terrier, 1886 signed lower left ""A W Stevenson 618 1886"" oil on panel 17 x 20cm (7 x 8in) Perhaps a little browned and there is a water (?) stain along the top edge. Old gilt frame has some ch ...[more]
Arthur Julius Thiele (German, 1841-1919) Satirical Prussian hunting scenes, with dachshunds, wine bottles and chaos in the first; the 619 second depicting Sportsmen resting under a tree, whilst deer surround them both signed lower right ""Arth. Thiele"" oil on board (a pair) 25 x 38c ...[more]
Attributed to James Seymour (British, 1702?1752) A harrier pack with hounds and huntsmen before a country house, possibly 620 Drumlanrig, Scotland oil on canvas 110 x 100cm (43 x 39in) Provenance: Private collection, Oxfordshire. Possibly cut down or from a wall decoration series. A little dirty. ...[more]
B Stobart (Scottish, 19th Century) Study of a Dandy Dinmont Terrier signed lower left ""B Stobart 1890"" oil on canvas 30 x 45cm (12 x 621 18in) Numerous small holes in the canvas have been mended from the reverse with small patches, and filled and retouched on the front. Varnis ...[more]
British School (mid-late 18th Century) The Sign Board of the Royal Cock Pit, Dartmouth Street, Westminster, believed to date from 622 around 1740 oil on panel 98 x 83cm (38 x 32in) Provenance: Denston Hall, Suffolk, whence acquired by the father of the present owner about fifty years ago. The Roy ...[more]
Edward Robert Smythe (British, 1810-1899) The Blacksmith`s Shop, with a Chestnut Hunter and a Grey Pony signed lower right ""E R 623 Smythe"" oil on canvas 30 x 40cm (12 x 16in) Provenance: From a Norfolk country house. Relined and cleaned.
English School (19th Century) Study of Mowbray Huntsman, a Smooth Fox-Terrier inscribed lower right with title ""Mowbray Huntsman"" 624 oil on board 18 x 23cm (7 x 9in) Provenance: From a Suffolk country house. From the Sydney Mail, 30 September 1899: ""Mr F Redmond a ...[more]
English School (19th Century) Study of Phantom, the celebrated bay racehorse oil on canvas 41 x 52cm (16 x 20in) Provenance: From 625 a Cambridgeshire house Phantom was a Derby winner. He was a bay colt, foaled in 1808 by Walton out of Julia. He raced for his breeder, Sir John Shelley; the `Racing ...[more]
English School (19th-20th Century) Study of a Grey Shire Horse, with his mane in ribbons and sporting a rosette signed lower right with 626 initials ""MG"" oil on canvas 57 x 76cm (22 x 30in) Provenance: From a Bedfordshire collection. Unframed - condition is fine. On a new str ...[more]
George Hickin (British, fl. 1856-1877) Still life study of dead game on a scullery table signed lower left on the drawer of the table ""Geo. 627 Hickin 1856"" oil on board 27 x 38cm (11 x 15in) Under glass - there is a horizontal damage running across the middle of the picture, ...[more]
George Wright (British, 1860-1942) A young girl feeding her hunters at a stable door; and A small girl on her pony setting out for a day`s 628 hunting both signed lower right ""George Wright"" oil on board (a pair) 29 x 44cm (11 x 17in) Provenance: Private collection, Cambridgeshir ...[more] A pair of 19th century Indian portrait miniatures, painted on ivory panels within hardwood frames, together with three further 630 topographical miniatures (5)
A 19th century Russian icon depicting the Madonna, Christ and disciples, grouped in arched panels, painted on panel 43½ x 35cm (17 x 631 14in)
A 19th century Russian icon depicting the Resurrection and Feasts, painted with partially silvered panels with an orange border 44 x 632 37cm (17 x 14in)
633 A 19th century Russian icon depicting the Resurrection and Feasts, painted in gesso with gilt highlights 49 x 40cm (19 x 16in)
An 18th century icon of Mary, Mother of God, Painted on panel 59 x 45cm (23 x 18in) The icon is inscribed with the letters ""MPO-OY"" 634 for Mary, the Birth Giver of God. Constructed of two panels, both old with woodworm damage, which have a split vertically 1/3 in from the rig ...[more]
A North Italian altarpiece, probably Veneto-Adriatic School, circa 1480 the Madonna, her face and clothes with traces of colour, carved 635 in the half-round, with her hands clasped in prayer above the sleeping Infant Christ, against a tooled gold ground background beneath a rounded arch within an archi ...[more]
A pair of 16th century French polychromed pine figures of female saints wearing blue shawls over their heads, their hands clasped in 636 front of their red robes, their skin painted in natural tones (2) 75cm (29in) Some old wormage, paint losses and holes made for their display.
A late 19th century tinted wood figure of a lady opening her arms in greeting, her cap and frilled sleeves autumn green, her dark brown 637 dress and petticoats flowing about her legs, her back with wall fitments 75cm (29in) she has lost the three fingers from her left hand and one on her right has ...[more]
A white marble bust of a veiled lady in the manner of G.B.Lombardi, wearing lace work knotted shawl, on a square socle, 66cm (26in) 638 high, set on a fluted pedestal column with square foot, 108cm (42.5in) high, overall height 174cm (68.5in)
Circle of Sir Francis Legatt Chantrey, RA (1781-1841) a white marble bust of Sir Walter Scott, inscribed `F Chantrey RA 1837` on the 639 reverse 55cm (21in) Provenance: The collection of a private corporation Chantrey`s bust of Walter Scott was considered to be the best contemporary likeness of the ...[more]
Ernesto Cali (Italian 19th century), a marble bust of Diana, signed `Ernesto Cali, Napoli -1869`, 58cm high, on a later tapering three- 640 piece plinth (2) 95½cm (37in)
Enrico Pazzi (Italian, 1819-1899), a marble sculpture of a boy and his dog, modelled standing upon his straw boater whilst holding his 641 dog`s paw aloft, inscribed ""E Pazzi fece [`made`] 1881"" to base, upon a fluted marble pedestal base, the statue 120cm (47in) high, 218cm (86in) ...[more]
Three classical marble heads, possibly 3rd-4th century provincial Greek, the largest of the white marble heads of men bearded, 11cm 642 (4.25 in) high and the other two shaven, each on basalt or dolerite cylindrical plinths (3) These have the wear of having been buried at some point
A 19th century terracotta panel, possibly French, modelled in relief with a scantily draped lady lying on a chaise longue, Cupid holding a 643 torch to one side of the man she dreams of kissing, a putto about to place a floral garland of flowers on her sleeping head, in gilt frame 38 x 24cm (15 x 9in) ...[more] Asiru Olatunde (Nigerian, 1918-1993), a hammered aluminium panel worked with four figures dancing about a central shaman draped 644 and wearing a mask, the background martele, signed on the base edge and marked `Osogbo` below the wooden frame 49 x 93cm (19 x 36in) Good
A pair of late 19th/early 20th century Siena marble urns, the mottled ochre stone campana shapes mounted with ormolu handles and 645 fluted socles, the plinths incised with roundels between rectangles at the front, (2) 18cm (7in) Both have minor chips on the underside of their rims
A Betjemann`s patent three scent bottle tantalus presented to Viscountess Folkestone, the white banded agate mounted in gilt bronze, 646 the presentation inscription below the carrying handle from `The People`s Entertainment Society`, Lammas Hall Old Battersea 26cm (10in) There is a chip to one cor ...[more]
A late 19th/early 20th century ormolu classical mount of a pipe player, he wears a lion skin loin cloth as he blows into the fur covered 647 bag bellows of his pipes 33cm (13in) There are two blind screw holes on one of his feet and at the small of his back
A pair of 19th century French ormolu candlesticks cast with foliage in the early 18th century style, the removable sconces with beaded 648 rims, the barbed circular feet with ribbon tied reeded edges (4) 25cm (10in) Good
A pair of late 19th century bronze urns, putto vignettes interrupting the vine moulded sides, each with four grape pendants above bead 649 banded socles mounted on black marble plinths with square feet (2) 26cm (10in) One has lost a panel from the plinth and has chipping at one corner of the base
A pair of late 19th/early 20th century ormolu mounted Paris porcelain table lamps, each of the two handled baluster shapes with gilt and 650 dark blue bands on a pale sky blue ground, one painted with an oval of summer and the other with a figure representing autumn 44cm (17in) Some rubbing to th g ...[more]
A pair of 19th century Puginesque brass vases, each with the flared hexafoil necks inscribed with lettering on bands above spherical 651 bodies mounted with six elliptical panels to take applied decoration above socle feet (2) 30cm (12in) The interiors seem to have been tinned at some point. There ...[more]
652 A 19th century bronze death mask of Beethoven, the square section plinth covered in dark textile 23½cm (9in)
A 19th century bronze figure of Narcissus standing with right index finger raised wearing a wreath of grapes in his hair, naked but for 653 sandals and a goat skin over his shoulder, he looks down to the circular base From the estate of the late John Seago. 38cm (15in) The green patination suggests ...[more]
An early 20th century bronze eagle, the brown patinated bird with its wings spread and once with a snake in its beak, perched on a 654 granitic stone pinnacle From the estate of the late John Seago. 25½cm (10in) The head and tail of the snake have been cut from the eagle`s beak
Henri Auguste Jules Patey (1855-1930), a framed bronze roundel depicting a seated man nude but for a wreath of vine leaves playing 655 Pan pipes to a goat standing beside him, bearing inscription `A Patey Rome 1883`, 20.5cm (8 in) diameter, the frame with gilt and black gesso beading and foliage
A 19th century `C R Dibben, London` oil lamp with frosted glass globe, the wick adjustment knob labelled for Hooper of Birmingham, the 656 facetted clear glass receiver on beaded gilt brass socle, two electrotype country scenes on the cylindrical copper base separated by ram`s heads 59½cm (23in) Th ...[more]
A 19th century `Days Patent` glass mounted column for a face screen, the Gothic moulded conical foot below a black gun barrel column 657 supporting a cut glass hexagonal dish hung with beads and drops, the gilt crocketed spire to hold the fan inscribed for Days above the Royal coat of arms 59½cm (23in) ...[more] A pair of late 19th century floor standing brass column five branch candelabra, standing on quatrefoil bases below scrolling brass work 659 194cm (76in)
A late 19th century wrought iron and copper lectern, the repoussé copper sloping front supported on four twisted column uprights 152 x 660 60 x 52cm (59 x 23 x 20in)
A 19th century Canton ivory chess set and lacquer board, the red and white soldier pieces on ball within ball stems with circular feet, the 661 red king 13cm (5 in) high and bearing BADA label, the dark brown folding board with two tone gilt floral backgammon points on the interior, village scenes on th ...[more]
A late Victorian coromandel games compendium with F H Ayres guide book to the games, the box containing boxwood and ebony 662 Staunton chess set, the Kings 6.5cm (2.5 in) high, draughtsmen, bone dominoes, bezique marker, counters, part of a horse racing game and a leather board, the box 33cm (13in) wide ...[more]
An early 20th century mahogany cased games compendium, comprising: F H Ayres 1903 pocket guide, box and ebony Staunton chess 663 set, the Kings 6.5cm (2.5 in) high, draughtsmen, bone dominoes, lead horse racing figures, leather games board and various games markers, the box 33.5cm (13.25 in) wide T ...[more]
A 19th century Tunbridge ware table cabinet, the slightly domed rectangular top inlaid with a view of Eridge Castle on a satin wood 664 ground within flower and rosewood bands, the doors with roses, the fronts of the four drawers inside with flowering vines on a rosewood ground 18 x 25½cm (7 x 10in) ...[more]
A mid 19th century French coromandel wood work box, the rectangular lid and key escutcheon inlaid in mother of pearl, the green velvet 665 tray inside with mother of pearl fittings and spools, a compartment below 30½cm (12in) The box itself is in good condition but one or two of the fittings are ei ...[more]
A Regency yew wood tea caddy, the interior of the sarcophagus shape with two lidded compartments, the brass ring handles with 666 basket of flowers backplates, the brass feet of socle shape 19cm (7in) One handle is currently detached but present
An 18th century mahogany knife box, inlaid with conch shell and with banded border decoration, fitted for knives, together with two 667 similar knife boxes (3) 36 x 23 x 27cm (14 x 9 x 11in)
An 18th century miniature Dutch oak and walnut press, with domed top and arbalete moulded drawer fronts, on bracket feet 65 x 45 x 668 18½cm (25 x 18 x 7in)
669 A Chinoiserie decorated black lacquer domed top trunk of small proportions, 18th century, on later stand 57 x 52 x 30cm (22 x 20 x 12in)
A 19th century copper lined oak bowl, the turned bowl with horizontal banding, the interior clad with hammered copper 15 x 43cm (6 x 670 17in)
671 A George III figured mahogany galleried tray, fret carved gallery with handle recesses 66 x 49cm (26 x 19in)
A George III mahogany bucket, the slats forming the tapering cylindrical sides coopered by two copper riveted brass bands 27½ x 28cm 672 (11 x 11in) Signs of age but generally good condition
A pair of 19th century mahogany candlesticks, the gilt bronze leaf moulded nozzles on fluted stems flaring to bands of stiff leaves above 673 dished circular feet (2) 33cm (13in) One has a chip from the rim of the foot
An articulated fruit wood lobster, the carapace and limbs naturalistically carved 37cm (14in) This has various losses and breakages, to 674 include an eye, a tail fin and its feelers which are broken but present JW 1874`, a folk art seed work picture composed of seeds, peas and beans, inscribed below a cross `Gods Gifts to Man`, within 675 ebonised frame 60 x 59½cm (23 x 23in) The tape edging the glass and frame has frayed a bit and some seeds have become loose within the frame
A 20th century scale model of the fishing boat 476 `Noordkap`, the blue hull below a deck fitted with six fish bins, two filleting tables and 676 winches to haul in nets, the bridge and after cabins painted white below grey roofing supporting life jacket bins marked `6 Pers Au 75`, 82cm (32.25 in) from ...[more]
J R Atkin, the Royal Yacht Caroline, a ship`s model, a gilt metal crowned lady holding a sceptre forming the figure head, the eight guns 677 mounted below a rowing boat on the deck between two of the three masts towards the bow from the state cabin, the stern with four small cannons 64cm (25in) Goo ...[more]
A 19th century French carton de tapisserie d`Aubusson painted with a couple taking tea by a boating lake, the floral frame with red and 678 brown bands outside, framed 63 x 121cm (25 x 47in)
A 20th century applique picture worked with a pink bowl of flowers on an oatmeal ground, 45 x 55cm (17.75 x 21.5 in) in reel turned 679 stained pine frame bearing Lady Kirkpatrick`s label for 1939
680 An Aubusson style Tapestry panel, 20th century depicting romantic figures in a classical landscape 198 x 198cm (77 x 77in)
A full size violin, bearing label `Degani ... in Venezia 1902`, with well figured two piece back (14inch, 35.6cm), in a contemporary calf 681 leather case with two silver mounted bows (one repaired)
An early 20th century German violin, full size, newly strung, two piece 14inch figured back, in a fitted mahogany case labelled for Hart & 682 Son
A brass hunting horn by Greenhill and another earlier in copper, the former 30cm (11.75 in) long and the latter curved in the French style 683 with brazed seam and mounts, 45cm (17.75 in) wide (2) Good
An Edwardian walnut framed three fold table screen, inset with Hunting, Coursing and Coaching prints under glass, the frame with 684 pierced fret carved crest rail as a 5-bar gate 34 x 112cm (13 x 44in)
A cased 56 bore transitional six shot revolver signed `Norfolk, Bury St Edmunds`, with spring bayonet mounted to right of the engraved 685 14.5cm barrel, signed to the top, chequered walnut grips, scroll engraved hammer and breech, traces of blued finish and colour hardening, in a fitted baize lined mah ...[more]
A George V Rifle Brigade sword and leather mounted scabbard, the Wilkinson`s blade bearing the Regimental and Royal cyphers 686 together with the crest and motto `S.Riogal Mo Dhream` of the Gregor family, the blade 83cm (32.5 in) long The leather work is worn and tired
Two Aboriginal wooden shields, possibly South Eastern Australia, both geometrically carved on the flat sides, the larger carved with 687 bands above and below the handle, 72cm (28.5 in) high and the smaller with kangaroos and moas either side of the handle, 50.5cm (20 in) high (2) There is a split ...[more]
The ex-Cambridge University Cricket Club Fenner`s Pavilion Clock, circa 1875, the single chain fusee movement by Munsey of 688 Cambridge, the carved oak case with University arms to a cartouche within the arched top surmounted by three finials, with twin pilasters flanking the dial having matted gilt ce ...[more] A 1970 MCC/England Cricket Tour of E.Africa and Far East blazer, a 1972-3 India, Pakistan and Ceylon tour blazer, an MCC long 689 sleeved jumper; MCC short sleeved jumper; Indian cricket jumper worn by Bishan Bedi; Indian cricket cap worn by Ajit Wadekar; photograph of Mansur Ali Khan Pataudi and Tony L ...[more]
A Cambridge University Blue blazer, a long sleeved cricket jumper (with printed name tag `A.R. Lewis`); a sleeveless jumper (with 690 handwritten name tag `A.R. Lewis`), rugby jumper with CURUFC stitched across the middle (with handwritten name tag `A.R. Lewis); a pair of CURUFC rugby socks; a Hawks` Cl ...[more]
A Glamorgan County Cricket (GCCC) long sleeved jumper, a GCCC sleeveless jumper; a GCCC county cap, jumpers, RAF cap and 691 another cap and cricket jumper Provenance: Tony Lewis cricket collection Lewis started his first class cricket career at 17 for Glamorgan and went on to captain the county to ...[more]
An England Blazer, long sleeved jumper, short sleeved jumper, together with a New Courage Old England XI Cap and two jumpers; 692 signed cricket stump autographed by Tony Grieg, Derek Underwood, Alan Knott, Graham Roope and others; captains of cricket autograph sheet (8) Provenance: Tony Lewis cricket ...[more]
Lord Hawke and other members of the Yorkshire cricket team autographs (circa 1900), including Wilfred Rhodes, Scofield Haigh, J.H. 693 Brain, Hubert Myers, Arthur Dolphin, James W. Rothery, Horace Rudstone, John Tunnicliffe and George H. Hirst; together with a photograph of the last Gentlemen versus pla ...[more]
MCC, journalism ephemera and correspondence, to include: a typed speech welcoming the first female MCC members; AGM with notes 694 regarding admission of women; A letter from Tim Rice; A letter from Dennis Silk; Dinner card in honour of the Australian all-rounder Keith R. Miller MBE (signed by Miller); ...[more]
Melbourne Cricket Club carpet tile with certificate of authenticity, along with a brick from the old MCG members` pavilion (demolished in 695 2003)
Costume: Four lady`s dresses, A lady`s dress of chocolate brown moire silk, circa 1865, together with a fawn wool capelet; an Aesthetic 696 movement dress of mauve silk velvet, Liberty, circa 1910; a hard tartan double-caped lady`s cloak, circa 1850-1870; a Lady`s cloak of printed chestnut cotton, circa ...[more]
696A A Victorian silk and lace dress in black, gold and purple, and a purple Victorian bonnet (2)
John Fairburn, London. `The Travelling Handkerchief` - Fairburn`s Map of the Country Twelve Miles Round London, circular map printed 697 on calico, 1831, with vignettes of Chelsea and Greenwich to the lower corners, 56 x 52cm approx., few light stains, one small hole with loss, one small L-shape tear (s ...[more]
Vittorio Raineri , a 19th century hand coloured print in bird`s eye maple frame, depicting a vulture killing a snake, a butterfly and 698 humming bird flying above 46 x 64cm (18 x 25in) Good
A Burmese parabaik depicting cautionary and religious tales, the black and white covers opening on one side to show a series of Stupa, 699 some with figures, the other side with devils inflicting a variety bodily punishments 17 x 40cm (7 x 16in) Some signs of age and wear but otherwise Ok
A late 19th/early 20th century Indian ivory mounted dagger, the handle and electroplate mounted scabbard carved in low relief with 700 scrolling foliage, the single edged blade later chrome plated, 136.5cm (14.25 in) long presented in blue velvet covered box The plate is worn off the scabberd mount ...[more]
A mid 19th century marine ivory bezique marker in the form of a salmon, the back of the open mouthed fish pierced for peg markers 701 above incised and black stained scales 65cm (25in) Three fins have been lost, one is loose and the tail has been broken off but is present A Mughal style gem inset jade dagger handle, the goat`s head pommel applied with yellow metal harness and each side of the grip with 702 two birds on flower stalks 15cm (6in) There appears to be some infilling to the grip on the side behind the goat`s head and it has been later mounted on a roundel ...[more]
A Tibetan bronze goddess, possibly Cundi, together with three brass items, the eighteen armed goddess stands with one foot on a 703 dragon and the other on a half human beast, a bull`s skull between her feet, the flame mandala outside a band of skulls, further skulls and heads worn in her crown and as o ...[more]
Two pairs of children`s shoes, possibly 19th century Ottoman, the white leather pair trimmed in red and embroidered in gold thread, the 704 red pair trimmed in white, both with brown soft leather soles (4) Some wear and scuffing and a minor stain on the toe of the white pair, otherwise good
A green leather dressing case, unnamed, containing removable trays fitted with a tortoiseshell and faux tortoiseshell part dressing table 705 set, canvas outer rain cover
A 19th century Swiss walnut musical box, probably by Ami Rivenc, the 158mm (6.25inches) cylinder with crank wind numbered 30757, 710 lion maker`s mark to the governor-cock, the comb with 58 teeth, (lacking tune card) 34½cm (13in)
A German brass monocular mircroscope by Carl Zeiss, no.29507, late 19th century, probably a Model IVa, with triple nosepiece, rack 711 and pinnion focus, upon a Y-shape foot, mahogany cased with various accessories including eyepieces and objectives
A late 19th century Swiss musical box, numbered 23781, the 33cm (13 in) cylinder playing eight airs on two combs, the rectangular lid of 712 the ebonised case printed with a foliate cartouche, the case 64cm (25.25 in) wide The case is worn and scratched at the back. The controls to one side of the ...[more]
A leather cased Leica III camera No. 127226, circa 1934, with Summar f=5 1:2 lens; together with a Sangamo Weston exposure meter 713 model S461.5, (2) The camera seems to be in working order
714 A Leica III camera, no. 131998, circa 1934, with Leitz Elmar f=5cm 1:3.5 lens
A mahogany cased lacquered brass 360 degree twin arm protractor, the calibrated silver dial inset into the ring one side, four pins on 715 the other to hold the piece in place, two ends of the T-shaped arms rotating within the dial also with calibrated silver scales, the third arm of the T with clamping ...[more]
A mahogany cased Troughton & Sims theodolite, the brass sight removable from its cradle rising on thirty degree arc and rotating on 716 360 degree silvered scale, the platform with two spirit levels, the sight 31cm (12.25in) long and with 2.5cm (1in) objective
A mid 19th century mahogany cased monocular microscope attributed to Weedon, the two brass objective cases inscribed `Weedon`, a 717 frog plate fitting below a drawer for slides awaiting preparation, an eyepiece to one side, the case 36cm (14.25 in) high Good
A Victorian walnut slim stick barometer, the arched top with printed register marked `F.Barnasconi & Son, Newcastle on Tyne`, the 718 exposed tube with turned cistern cover 89cm (35in)
An early Victorian Watkins and Hill mahogany cased series of eight mechanical astronomical magic lantern sides, each mounted in 719 mahogany, numbered and with maker`s stamps, the handles to one side rotating the images of planets and stars depicted, the box 25.5cm (10 in) wide These are numbered u ...[more]
Cox, London`, a mahogany cased brass monocular microscope with fittings, circa 1780, the instrument folding out to be supported by 720 the edge of the case, seven objectives fitting to one side and four eyepieces to the other, together with other fitments to include an ivory tube of mica slide coverlets ...[more] Elliott Bros London`, a brass pocket sextant in screw topped case, the sight to one side of the cylindrical instrument, the 180 degree 721 silver arched scale spanned by an arm and read using a lens from above, the case 7.5cm (3 in) diameter Good
G Whitbread, London`, a mahogany cased brass sextant No.1339 presented to E P Bedwell, inlaid with silver scale, the sight and lenses 722 detachable, the presentaion from Greenwich Hospital, the case 30.5cm (12 in) wide. The Bedwell presented with this sextant was probably Staff Commander Edward Parker ...[more]
Langston, 94 Cheapside`, a George IV mahogany cased sundial and compass, a 60 degree arm rising to one side of the of the sundial 723 with fold down gnomon, the compass below, the mahogany case 8 x 8.5cm (3 x 3.25 in) Good
R Field & Son New Street, Birmingham`, a George IV leather cased telescope and support, the turned ebony tube with six draws and 724 2cm (0.75 in) objective, the brass support to clamp onto the telescope, its base unscrewing to reveal an iron screw, the leather case 12cm (4.75 in) wide Good
T Armstrong & Bro Manchester` a pine cabinet of approximately five hundred microscope slides, the glazed birds eye maple framed 725 door opening onto twenty one bone handled drawers, largely containing privately prepared slides of botanical and zoological sections labelled in blue and black ink, the ...[more]
A 19th century Paris porcelain mantel clock in the Oriental taste, the enamel dial (cracked) with countwheel striking drum movement and 731 silk suspension pendulum, the blue ground gilt case of scroll outline with foliate panel below the dial, surmounted by a pair of striding costumed figures, she danc ...[more]
A 19th century rosewood and brass mounted bracket clock, the enamel dial marked `Adams, 84 Cannon Street, London`, with Roman 732 numerals having an associated and adapated twin fusee movement with engraved backplate signed `Markwick & Markham, London`, all on ball feet 42 x 29cm (16 x 11in)
A 19th century rosewood and mother of pearl inlaid wall timepiece, the enamel dial signed `H & E Bright, Leamington`, with four pillar 733 fusee movement having shaped plates 38cm (15in) some old damage; hinge repaired to glass door. some knocks/losses to veneer. Dial crazed, possibly retouched ...[more]
A French four-glass mantel clock, circa 1900, marked `R & W Sorley, Paris`, the brass case with gilt dial having star mounted centre, 734 Arabic numerals and paste set bezel, the Marti drum gong striking movement with paste set pendulum 31 x 20cm (12 x 8in)
A French late 19th century ormolu and porcelain mounted mantel clock, the enamel dial inscribed `Grohe, 7 Wigmore Street`, with bell 735 striking Japy Freres drum movement, 28.5cm high slight scratch through `Grohe` on dial. Movement untested. Slight tarnishing to gilt.
A French late 19th century ormolu mantel timepiece, in the Rococo style, with outer wire bocage supporting pink ceramic blooms, the 736 enamel dial with Arabic and Roman numerals in raised segments, the circular balance wheel movement marked for Richard, all on four bold scroll feet, with gilt stand 27c ...[more]
A late 19th century brass carriage clock by Margaine, the typical case with enamel dial marked `Jas Ramsay Paris`, the gong striking 737 movement numbered 14647, with silvered platform lever escapement, 14.5cm high with handle folded 14½cm (5in)
A Regency mahogany and brass mounted bracket clock, backplate signed William Brooke, Westminster, the case with stepped 738 pediment and recessed spandrels around the 8inch enamel dial, indistictly signed `... Brooke..`, with Roman numerals and twin fusee movement, adjustable pendulum, rectangular brass ...[more]
Arnold & Dent, 84 Strand, London, no. 652, a small marine chronometer, circa 1830, the typical mahogany three part case with side 739 handles, the 3.5inch signed silvered dial with Roman numerals and subsidiary seconds, the fusee movement with blued helical spring bar balance with jewelled end-stone ...[more] E. & E. Emanuel, a mid 19th century French ormolu mantel clock, the signed enamel dial with blue Roman numerals, Vincenti bell 740 striking drum movement signed to the backplate `E & E Emanuel, by Appointment to the Queen, the Hard, Portsea` and numbered 373, the Rococo style gilt case with thre ...[more]
J.H.Steward, Strand, London, a wall mounted timepiece and barometer, the 10cm silvered dial signed below the centre, with Roman 741 numerals and balance wheel circular movement, brass bezel, within a moulded walnut circular case; the matching aneroid barometer similarly signed (2) 19cm (7in)
John Pace, Bury St Edmunds, a rare Year-Going Skeleton Timepiece, mid 19th century, the arched chamfered plates with 5 turned 742 pillars, gilt Arabic chapter ring above interlaced rings for weeks of the year and date, shaped hands, the twin chain fusees each with two spring barrels, anchor escapement, ...[more]
Usher & Cole, London no. 31883, a silver cased deck watch, hallmarked for 1913, the 48cm enamel dial with Roman numerals, 743 subsidiary seconds and Ordnance arrow mark, within an outer brass screw front case and mounted within a hinged wooden box with maker`s ivory disc, 10cm wide, 12.5cm deep
A Bentley`s Patent Earth Driven Clock, no.141, the arched glazed case with burrwood frame door, ebonised sides, walnut backboard, 744 the 29cm (11.5inch) dial with silvered chapter ring and seconds dial, brass skeletonized movement, pendulum with etched bob and curved brass cased coil around the magneti ...[more]
A walnut long case clock, 18th century and later, the rectangular hood with 12inch brass dial signed `Osmond Cross, Wincanton`, rolling 745 moon to the added arch, winged mask spandrels, silvered chapter ring, seconds dial and date aperture, possibly associated 8 day movement with falseplate, the part r ...[more]
Lewis Poignand, Jersey, a George III mahogany longcase clock, circa 1800, the hood with swanneck pediment with 3 eagle ball finials, 746 the brass dial signed to a boss in the arch, with silvered chapter ring and seconds and calendar dials, scroll engraved centre, Rococo spandrels, 8 day 5 pillar moveme ...[more]
Roger Parkinson, Richmond, a mahogany long case clock, the pagoda top hood above banded trunk with break arch door, the brass 12 747 inch dial with rolling moon to the arch, silvered chapter ring, seconds dial and date aperture, scroll mask spandrels, with 8 day 4 pillar movement, (dial and movement 18t ...[more]
748 A 19th century brass column oil lamp, 55cm (21in)
A 19th century French brass cased mantle clock, circa 1880 the 8 day movement striking on a gong, the architectural case with columns 749 to a circular dial and arabic numerals 32 x 20cm (12 x 8in)
750 A 19th century mahogany framed rectangular wall mirror, oval bevelled plate 97 x 79cm (38 x 31in)
751 A bronze figure of a retriever, 20th century 23cm (9in)
752 A canvas cased and leather bound dome top wicker travelling trunk, 60 x 69 x 50cm (23 x 27 x 20in)
753 A carved wood decoy Mallard drake, painted decoration with glass eyes 31cm (12in)
An 18th century mahogany side table, fitted a single drawer with single drop leaf, on square section legs 73 x 125 x 68cm (28 x 49 x 754 27in)
755 A Masai tribal hide shield, painted decoration, 83cm (32.5in) and another smaller 60cm (24in) (2) 756 A pair of Cape Buffalo skull mounts, and another pair (2)
757 A pair of Moroccan polished brass prayer horns embossed decoration (2) 151cm (59in)
758 A pair of waterbuck skull mounts, an Impala skull mount and a Blackbuck (4)
759 A tribal bark painting, believed to be Christmas Island 82 x 127cm (32 x 50in)
760 A War Department brass compass, leather cased, an Albett`s patent protractor and a leather cased tape measure (3)
A. Beck `50 A plaster maquette of a Goose, 28cm x 19cm (11in x 71/2in), a Rook, Seagull and four animal masks, various artists and 761 sizes (7)
762 African tribal spears, including Masai old pattern (5)
African tribal spears, including one with a barbed blade, possibly Mangbetu, Welle Belgian Congo and Masai Kenya Colony and Masai 763 old patten spears (7)
764 African tribal Spears, including long bladed Masai old pattern spears, various lengths (5)
765 African tribal Spears, including Masai examples, various lengths (7)
766 African tribal spears, with arrow blades, possibly Basuto, South African, various lengths (7)
767 An African Knobkerry, and another (2)
Auguste-André Lançon (1836-1887) Study of a lion, proof etching before letters, `avant derniere etat`, 45 x 57cm; with two amusing 768 amorous coloured line-engravings - `The Jobation; The Unlucky Attempt`; and After Maud Earl, three studies of dog`s heads, engravings (stained)
769 Elk (Alces alces) skull mount on a mahogany shield
770 Gyrfalcon (Falco Rusticolus) full mount in a glazed display case
771 Long Eared Owls (Asio Otus) A pair, full mounts within a glazed display case
R.G.Baker (19th century), Map of the County of Cambridge and Isle of Ely in the Years 1816-1820, varnished wall map published 1830 772 by T.Stevenson, Cambridge, 156 x 122cm
773 Samuel Wells, The Great Level of the Fens called Bedford Level, varnished wall map, published London 1878, 81 x 85cm
774 Six engraved historical portraits after Houbraken, all published by Knapton circa 1730-40, each 36 x 23cm
Six historical portrait engravings after Hogarth and others. including Captain Coram and Dr Benjamin Hoadly, all in ebonised frames, 775 largest 48 x 33cm 776 T.M.Baynes (19th century), The Adventures of a Fox by Moonlight, six coloured lithographs in rosewood frames, 29 x 36cm overall (6)
777 Two African carved wood Tribal masks, one with guinea fowl cresting (2) 41cm (16in)
A collection of five engraved county maps. Cambridgeshire, Suffolk and Huntingdonshire by Robert Morden; Cambridgeshire and 778 Huntingdonshire by Emanuel Bowen; some colouring, condition varies (5)
19th century English School Landscape with cattle and drover, oil, 22 x 30cm; together with a small landscape watercolour, 18 x 24cm 781 (2)
782 A 19th century brass reading lamp and shade, 54cm (21in)
A 19th century mahogany Campaign bed, a single bed, collapsing and folding away into a chest with faux drawer fronts and brass 783 handles 165 x 104 x 62cm (64 x 41 x 24in)
784 A 19th century mahogany framed wing back armchair, upholstered in a pink striped fabric 115 x 65cm (45 x 25in)
785 A Dutch blue and white vase lamp, 20th century 35cm (14in)
A Kashmiri carved wood Elephant, 19th century traditional polychrome painted decoration 26cm (10in) Lacking rider and both ears, 786 cracks to the base and wear to paint surface
787 A pair of cabinet cased displays of Intaglios, 20 x 15cm (8 x 6in)
788 A Wedgwood basalt ware bust of Washington, 22cm (9in)
An `Isaak Walton` angling print on silk, 19th century, with his portrait to the centre within a decorative border with verses and panels, 789 modern frame 73 x 77cm (28 x 30in)
790 An oak pedestal, the square top on a cluster column pedestal base 72 x 52cm (28 x 20in)
Brutus and Zeus, a pair of modern cold painted busts after the antique and a pair of urns (4) 29 x 32cm (11 x 12in) Restoration to foot of 791 urn and almost certainly later painted
Charles Hunt after J.F.Herring Harkaway, Winner of the Gold Cup at Goodwood 1838 & 1839, maple framed aquatint; and companion - 792 Bloomsbury, Winner of the Derby, Epsom 1839, 35 x 44cm (2)
English School - 19th Century Ewe with lamb at foot, oil on board in a swept gilt frame 24 x 40cm (9 x 16in) Oil on canvas mounted onto 793 panel. Raised areas where the canvas is not properly adhered to the panel. Raised piant in the central areas of the painting with scattered losses. Small, scat ...[more]
794 English School - 19th century Country house and parkland with Fallow deer, oil on canvas 41 x 61cm (16 x 24in)
795 English School, The Triumphal Gate, Rome, a Grand Tour study, watercolour 22 x 29cm (9 x 11in)
796 English School, Harry Pearce, Boxer, oil on canvas 24 x 24cm (9 x 9in) 797 Eurasian Jay, (Garrulus glandarius) A full mount in a glazed display case
Four architectural watercolour studies of iron work gates and balustrades, 19th century, of different sizes (4) 32 x 46cm (12 x 18in) 798 Provenance: David Mlinaric, London.
Four Cockfighting colour prints, originally published by Pollard, 48cm square including frames; four reprints after Ridinger; one other 799 study of a heavy horse, `England`s Glory`, coloured engraving (9)
Giovanni Giacomo de Rossi after Antonio Tempesta. DISEGNO ET PROSPETTO DELL?ALMA CITTÀ DI ROMA, engraved plan of 800 Rome, backed on to linen, 1662 or later, damage particularly to edges, in a modern moulded frame, 111 x 239cm approx. Note: This large view of Rome is based on the original plan by Tempe ...[more]
Stoat, (Mustela erminea) a full mount carrying a dead chick, in a glazed display case and a Red Bellied Woodpecker (Melanerpes 801 carolinus) (2)
The Hon. Eliot Thomas Yorke, MP (1805-1885) A Black Red Carlisle Old English Game Cock, oval, oil on canvas 80 x 60cm (31 x 23in) 802 Provenance: Christies, London, lot 133, 18th May 1995. Unlined canvas, attached to a wooden oval stretcher. Paint layer in good condition. Stretcher bar marks visible ...[more]
803 Thucydides, a modern plaster bust of the Athenian historian and political philosopher 81cm (32in)
804 Cuckoo (Cuculus canorus), full mounted in a glazed case
805 A pair of brass column table lamps,
807 A 19th century mahogany butler`s tray, on a modern stand with three quarter gallery 49 x 83 x 50cm (19 x 32 x 20in)
A 19th century mahogany cased timepiece, 8 day single fusee movement with chequer inlay and brass lion mask and ring handles 808 51cm (20in)
A 19th century mahogany framed wing back armchair, upholstered in a green buttoned fabric, on turned legs and casters 109 x 62cm 809 (43 x 24in)
810 A 19th century silhouette of an academic in robes and a watercolour (2) 26 x 19cm (10 x 7in)
A 19th century Staffordshire salt glazed hunting mug, a salt glazed lion, and a lead tobacco box and cover, miniature decorative globes, 811 olive wood `Cleopatra`s Needle` and a magnifier - a collection
812 A brass framed three section spark guard, on cluster feet 88 x 122cm (34 x 48in)
813 A cabinet framed display of bronze reliefs (30) 54 x 49cm (21 x 19in)
814 A canvas shot carrier, painted in red and decorated with arms, with leather carrying handle 50cm (20in)
815 A coir matt bound as a carpet, 303 x 246cm (118 x 96in)
816 A Colonial porcupine quill and ebony table box, early 20th century and two Indian painted circular boxes and covers (3) 817 A French Empire mahogany and marble console table, blind freize drawer on column legs and bun feet 77 x 147 x 72cm (30 x 57 x 28in)
818 A group of bronze and other classical portrait busts (5)
A large circular mahogany folding coaching table, on turned supports, maker`s label, Thornton & Herne, Pont Street, London S.W 819 112cm diameter (44in)
820 A late Regency rosewood framed sofa, upholstered in Kelim panels on turned legs and casters 92 x 197 x 64cm (36 x 77 x 25in)
821 A Masai tribal beadwork collar, two water carriers and other beadwork tribal pieces (a collection)
822 A modern cast iron bust after the Antique, 55cm (21in)
823 A modern terracotta two handled urn after the Antique, 29cm (11in)
A pair of 19th century Grand Tour Souvenirs, Obélisque de Louxor and The Vendome Column, bronze on black marble bases (2) 31cm 824 (12in)
825 A pair of early 19th century terracotta table ornaments, modelled as chimney pots, with inscriptions (2) 26cm (10in)
826 A pair of faux marble pedestal columns, 119 x 40cm (46 x 16in)
827 A pair of toleware tea cannister lamps numbered `15` and `20` (2) 35cm (14in)
828 A pony hoof desk top paper weight, a treen `Beehive` string box, 11cm high (4.5in) (2)
829 A Regency mahogany open arm library chair, squab cushion seat on gadroon moulded legs and casters 106 x 49cm (41 x 19in)
830 A silhouette carved wooden nursery horse, 107cm (42in)
831 A terracotta portrait bust of Sir Walter Scott - 19th century on a moulded socle 31cm (12in)
832 A Tortoiseshell lidded table box, and other decorative ornament (Qty) 15cm (6in)
A Victorian brass framed club fender, with leather and brass studded seat rail inside measurements 46cm deep x 138cm wide (18in x 833 54in) outside measurements 60cm deep x 152cm wide (24in x 60in) 60 x 152cm (23 x 59in)
834 An Aesthetic movement parcel gilt cross framed overmantle mirror, 107 x 129cm (42 x 50in)
835 Early 19th century Silhouette study of a Sportsman and Retriever, in a maplewood frame 27 x 24cm (11 x 9in)
Edwin Cooper (1785-1833) Stallion and Groom in a stable, watercolour, signed lower left E.Cooper fecit, in a maplewood frame 32 x 836 49cm (12 x 19in) Foxed and faded.
837 English School - 19th century Country house in parkland, watercolour, a pair 12 x 24cm (5 x 9in) Four decorative prints and maps. After Gainsborough, portrait of William Pitt, engraving, 1789, 59 x 45cm including gilt frame; M.A. 838 Rooker, Magdalene College [Oxford] from the Grove, coloured engraving, 30 x 45cm;; Two views of Castle Acre in grained frames (4)
839 Follower of George Armfield, Retrievers springing duck, oil on canvas 20 x 27cm (8 x 11in)
Follower of T S Cooper, Cattle in a landscape, oil on canvas 26 x 35cm (10 x 14in) Oil on unlined canvas. Canvas in good condition 840 overall, with minor undulations. Paint layer is stable and secure, with a few scattered retouchings. Varnish is glossy and even. Frame in generally good condition, ...[more]
G A Eger and others after Martin Elias Ridinger Six engravings of stags with text below, plate size approx. 35 x 25cm (sizes and 841 condition vary)
842 Golden Pheasant (Chrysolophus pictus) full mount together with a cock Pheasant in a glazed display case
John Bodger, A Share of the Beautiful Fishery of Whittlesea Mere, 18th century print on silk (few tears), 47 x 67cm, gilt framed some 843 browning and tears
844 An old Dutch black Capuchine, full mount in a glazed display case
845 Pan, a bronze figure 34cm (13in)
846 Montecristo Cigars, No.4, two opened boxes with 24 Cuban and 15 Canary Isles sealed cigars
847 Montecristo Cuban Cigars, No.2, sealed box of 25
848 Montecristo Cuban Cigars, No.2, sealed box of 25
849 Montecristo Cuban Cigars, No.5, box of 12; 2 boxes of 20 Minis (sealed); and 16 other No.5 cigars
Various cigars: Romeo Y Julieta Coronas Grandes (Cuban) box of 22; Alvaro (Canary Islands) 25 Saludos, sealed, with 20 others loose 850 but individually sealed; Don Miguel (Canary Islands) No.1 box of 16 only individually sealed
[BADESLADE (Thomas)] The History of the Ancient and Present State of the Navigation of the Port of King`s-Lyn and of Cambridge, 851 illustrated with Maps, London: by J.Roberts for the Author 1725, folio, 7 maps and plates; bound with `A Scheme for Draining the Great Level of the Fens called Bedford-Leve ...[more]
[BADESLADE (Thomas)] The History of the Ancient and Present State of the Navigation of the Port of King`s-Lyn and of Cambridge, 852 illustrated with Maps, London 1766, folio, 7 maps and plates, (of which 2 with hand colouring), calf backed worn boards, with an inserted small map of Norfolk by T.Kitchin ...[more]
BLOMEFIELD (Francis) and Charles PARKIN. An Essay towards a Topographical History of the County of Norfolk, in five volumes 853 1739-75, folio, folding plates and others, calf backed marbled boards some toning and age staining, taped repairs to tears, but generally a good looking set in reasonably ...[more]
DUGDALE (William) The History of Imbanking and Draining of Divers Fens and Marshes, Both in Foreign Parts and in this Kingdom, 854 2nd edition by Charles Nalson Cole, London 1772, folio, folding maps title somewhat vertically creased and small tear to foot; rebacked; stain to final blank; see image ...[more] MARSHALL (W) The Rural Economy of Norfolk, in two volumes London: for T.Cadell 1787, 8vo, folding map, joints cracked; CLARK (Z) 855 An Account of the Different Charities belonging to the Poor of the County of Norfolk, 1811, 8vo, some foxing and spotting, cloth; HORSFALL (Rev. S) Sermons, no date c.1810 ...[more]
859 A 19th century gilt framed convex mirror, 65cm (25in)
860 A Chinese blue and white vase and cover, a ginger jar, another jar and two pairs of vases and various plates (qty)
861 A faux grained pine `Chicken coop` decorated food safe, 51½cm (20in)
862 A faux marble pedestal column, 107 x 33cm (42 x 13in)
864 A large silver plated two handled tray, candlesticks, meat covers and tea wares (Qty)
865 A late 18th century mahogany tea table, fold over action on slender tapering square legs 72 x 83 x 41cm (28 x 32 x 16in)
866 A late Victorian bamboo plant stand, with undertier 107 x 32cm (42 x 12in)
A late Victorian oak rod and tackle cabinet, with a long glazed door and fitted with shelves and drawers together with a selection of split 867 case fly rods 214 x 69cm (83 x 27in)
868 A leather cased picnic set, complete with fitted contents
869 A modern oak galleried butler`s tray on folding stand, 80 x 50cm (31 x 20in)
870 A Naval bicorn hat, with tin travelling case by Edward Smith (2)
871 A pair of carved wood Pigeon decoys by Rowland Ward, each with brass maker`s name plate (2)
872 A pair of feather and watercolour studies, in grained frames (2) 61 x 46cm (24 x 18in)
A pair of Urn vases, depicting Victors of public games, fulfilling their vows in the Temple of Venus, transfer marks, S A & Co (D) 28cm 873 (11in) Repairs to handles on one vase
874 A Regency ironwork and brass nursery guard, 84 x 60cm (33 x 23in)
875 A silver cigarette box, London 1895 and small silver items (Qty)
876 A WWI period needlework of the Royal Arms, 40 x 48cm
877 A wicker eel trap, two modern eel traps by Ernie Jones, and a pair of carved wood Pigeon decoys (5)
878 Albino Mole (Talpa europaea) full mount in a glazed display case. Maker`s label W. Lockwood, Fakenham
879 Bittern (Botaurus stellaris) full mount within a glazed display case 880 Charles James Fox (1749-1806) politician A marble portrait bust of the subject in the manner of Joseph Nollekens 62cm (24in)
881 Curlew (Numenius) full mount within a glazed display case, maker`s label, T E Gunn, Norwich
882 English School - 19th century Chickens, tondo, oil on canvas 38cm (15in)
English School - 20th century Racing Pigeon, signed lower right, `Patea`, oil on canvas 29cm x 39cm (11.5in x 15.5in) with S. Lewis, 883 Duck, watercolour 22cm x 32cm (9in x 12.5in) (2)
884 French Partridge (Alectoris rufa) full mount within a glazed display case and a Blackbird (2)
885 Water rail (Rallus aquaticus), full mount in a glazed display case
886 Hardy, `The Perfect` a 4 inch wide drum Salmon reel,
887 Heron (Ardeidae) Full mount within a naturalistic glazed display case, a Moorhen (Gallinula) and a small garden bird (3)
James Clark (1858?1943) Ambition, study of a blue roan stallion, oil on canvas, signed lower left 49 x 61cm (19 x 24in) Lined canvas. In 888 a reasonable condition overall. Scattered retouchings mainly located in sky. Thin layer of varnish which is clear and even. Surface dirt and fly spots present ...[more]
889 Marsh Harrier (Circus aeruginosus) full mount within a glazed display case, faded
890 Snipe (Gallinago gallinago) full mount in a glazed display case
891 Starling (Sturnus vulgaris) full mount in a glazed display case and a Stoat in a display case (2)
Sutherland after Barenger, Wild Duck Shooting, Plates I to IV, coloured lithographs originally published 1809, 22 x 49.5cm; with Astor 892 Corbould. Breeds of Cattle, two chromolithographs; and two 19th century shooting scenes, coloured aquatints (stained), 41 x 54cm including frames (8)
Three small 19th century watercolour studies of dogs, including a running hound, 10 x 18cm (4in x 7in) two others signed indistinctly, 15 893 x 20cm (6in x 8in) (3)
An 18th century and later French provincial oak dining table, with serpentine outline top and frieze panels on slender swept legs with 894 hoof carved feet 78 x 195 x 98cm (30 x 76 x 38in)
895 A set of six Arts & Crafts oak rail back dining chairs, with drop in rush seats (6) 102 x 48cm (40 x 19in)
A 19th century grained pine house keeper`s cupboard, with shelved interior and drawers, enclosed by panel doors 157 x 207 x 70cm 899 (61 x 81 x 27in)
900 A 19th century marble portrait bust of a Gentleman, 77cm (30in)
901 A collection of English Staffordshire and Royal Copenhagen blue and white wares, (Qty)
902 A large 19th century pine food safe, with a pyramid roof 93cm (36in) A 19th century salt glazed game pie tureen and cover and a large glazed earthenware shallow bowl 58cm diameter (2) 13 x 32cm (5 x 903 12in)
904 A large wicker bread basket with loop handle, and a quantity of baskets of sizes (Qty)
905 A painted tin flour barrel, an egg rack, a wirework vegetable stand and a large enamel bread bin and cover (4)
906 A painted wood scratch built model of a Threshing machine, on iron wheels, missing top cover 68cm (27in)
907 A Victorian mahogany boot jack, boot pulls, a game carrier, a brass studded show ring parade collar for a Bull and a single chair (4)
Two decorative topographical prints. West Prospect of King`s Lynn, 1895 reprint of the original by T.Bowles; The North West Prospect 908 of Cambridge in 1743, coloured lithographic reprint by Jarrold of Norwich, 30 x 80cm;
912 A 19th century pine College post box, with brass wire grill door 66 x 36 x 21cm (26 x 14 x 8in)
913 A 19th century pine kitchen preparatory table, blue melamine surface with undertier, on iron wheels 87 x 141 x 94cm (34 x 55 x 37in)
914 A 19th century pine spice cupboard, enclosed by two panel doors 58 x 63 x 26cm (23 x 25 x 10in)
915 A cased display of English garden birds, including a Kingfisher, and a taxidermy rook on a post (2)
917 A plaster relief of a Greyhound, in a painted frame 61 x 61cm (24 x 24in)
A Wemyss mug, decorated with clover blossom, 14.5cm,(6in) high, impressed mark, a similar jug decorated with cherries, 23cm, (9in) 919 high and a preserve jar and a lid (4)
920 An iron bound Butcher`s block, on traditional stand, 84 x 61cm (33 x 24in)
English School - 20th century Rising Salmon and companion study of The day`s catch, a pair 15cm x 20cm (6 x 8in) and Nichol 921 Barnham, Herring, watercolour, dated `95 9 x 26cm (3.5 x 10in) (3)
922 English School - 19th century Naive study of fox and game, oil on canvas 48 x 58cm (19 x 23in)
923 Eurasian Hoopoe (Upupa epops) Full mount within a glazed display case
924 Nightjar (Chordeiles minor) A full mount in flight with Moth in beak, in a glazed display case
925 Two cutlasses, each with 57cm curved blade, one with shagreen grip, lacking scabbards
926 A 19th century mahogany and fruitwood kitchen chair, with bar back, carved splat and panel seat 107 x 52cm (42 x 20in)
927 Staffordshire stilton dish, and cover, moulded as bamboo cane, stilton cover, four jelly moulds, a biscuit barrel and an egg stand (8)
929 A 17th century walnut bobbin framed armchair, with upholstered back and seat 103 x 51cm (40 x 20in) 930 A 19th century architectural pine framed mirror, break arched pediment 98 x 102cm (38 x 40in)
931 A 19th century Continental cane seat chair, painted splat with a rustic holding a hay fork, on swept legs 85 x 43cm (33 x 17in)
932 A 19th century Continental painted armoire, 198 x 174 x 66cm (77 x 68 x 26in)
933 A 19th century French mahogany single bed, single sided with carved posts, 190cm long x 105cm wide
934 A 19th century gilt framed wall mirror, with winged griffon and leaf scroll cresting, plate size 57cm x 40cm 86cm (34in)
935 A 19th century mahogany half tester bed, with turned posts and hangings, 180cm long x 180cm wide
936 A 19th century mahogany press, fitted with slides, on bracket feet 204 x 127 x 56cm (80 x 50 x 22in)
937 A 19th century mahogany table top revolving bookcase, brass mounted on ball feet 38 x 28cm (15 x 11in)
938 A 19th century mahogany towel horse, with double gate and shoe shelf 98 x 77cm (38 x 30in)
939 A 19th century mahogany towel horse, with double gate, 92cm x 62cm
A 19th century oak dressing table, fitted end cupboards, bowls and small drawer, on slender cabriole legs 75 x 77 x 36cm (29 x 30 x 940 14in)
A 19th century oak saddle seat desk chair, on turned legs with crinoline stretcher and kelim upholstered panel back 86 x 58cm (34 x 941 23in)
942 A 19th century painted chest of drawers, on turned feet 104 x 104 x 47cm (41 x 41 x 18in)
943 A 19th century treen `castle` chess piece, possibly part of a larger crest 19cm (7in)
944 A bamboo framed two fold scrap screen, decorated with book plates and wax document seals 126 x 108cm (49 x 42in)
945 A brass and leather two draw telescope, with War Dept. stamp, London, dated 1917, mounted on an oak tripod stand
946 A brass bulkhead maritime timepiece, 18cm (7in)
947 A Chinese study of exotic birds, on rice paper 16 x 12cm (6 x 5in)
A collection of nine various prints, 18th and 19th century, including Boughton Court, coloured bird`s eye plan, 38 x 46cm; The Annual 948 Orations at Christ`s Hospital, 1822, 64 x 84cm including gilt frame; Grouse Shooting, 2 coloured etchings, 32 x 45cm; A Sporting Tandem, after Alken, coloured etching ...[more]
949 A Flemish ebonised frame wall mirror, 19th century arched frame carved in low relief
950 A Gothic mahogany single chair, with moulded vertical splat, on square chamfered and stretchered legs 95 x 60cm (37 x 23in) A group of eight engraved female historical portraits after Van Dyck and others. Elizabeth Comitissa Devonshire, Julia Comitissa 951 Carlisle, Anne Sophia Comitissa de Camarthen, Margarita Comitissa de Carlisle, Penelope Lady Herbert; three other portraits after Reynolds and Renard; all in ebonised fram ...[more]
952 A Hinks & son patent silver plated oil lamp base, converted as a table lamp 18cm (7in)
953 A large leather bound canvas domed top trunk, CB monogram 67 x 96cm (26 x 37in)
955 A late Victorian walnut two tier Sutherland table, on turned column supports 74 x 59 x 71cm (29 x 23 x 28in)
956 A Norfolk property deed circa 1780, on parchment, now framed
957 A pair of Leeds creamware bough pots, 11 x 20cm (4 x 8in) Provenance: Gunton Park, Norfolk, sale 16th September 1980
958 A Regency gilt framed pier glass, ball frieze, lion mask capitals and column sides 99 x 67cm (39 x 26in)
959 A Regency wirework and brass nursery guard, and a wire work demi lune spark guard (2) 63 x 73cm (25 x 28in)
960 A small 19th century oak cellarette, of sarcophagus form, on bun feet 49 x 65 x 45cm (19 x 25 x 18in)
961 A small 19th century painted armoire, 173 x 98cm (67 x 38in)
962 A Victorian mahogany cylindrical chamber cupboard, with inset marble top 73 x 37cm (28 x 14in)
A Victorian Valentine, the envelope with the addressee `Miss Roper, Burgh Castle, February 13, 1863`, within a watercolour design; and 963 two small Chinese rice paper paintings of traditional punishments, 18 x 23cm and 16cm circular (2)
964 A 19th century folding cane seat chair,
965 An 18th century fruitwood circular tripod table, and another similar (2) 65 x 72cm (25 x 28in)
966 An Anglo Indian hardwood chair, with cane back and seat, on stretchered twist carved legs 102 x 59cm (40 x 23in)
An architectural monumental elevation by Piranesi. Stylobates marmoreus consecrationis Imp Antonini Pii, et Faustinae Uxoris Eius, 967 engraving circa 1770, conjoined sheets on thick paper, 125 x 90cm
968 Bernard Buffet (1928-1999), Visage (Sorlier 17), lithograph [1958], signed in pencil, 52 x 45cm
Canot after Van der Velder A Brisk Gale, engraving published by Boydell 1765, 43 x 53cm; with an engraved plan of the East End of the 969 Island of Quibo, uncoloured engraving; and two Dutch engravings of sea battles, 31 x 38cm (4)
970 Continental School - 20th century Study of an African tribesman with a goat, watercolour 32 x 50cm (12 x 20in)
971 Dutch School - 19th century Still life study, oil on canvas 75 x 62cm (29 x 24in) Relined 972 English School - 19th century still life study of a marble portrait bust of a gentleman, oil on canvas 42 x 27cm (16 x 11in)
973 English School - 19th century A Cavalry officer clearing a rail fence, oil on canvas 31 x 23cm (12 x 9in)
974 English School - 20th century a pair of portrait studies of children, oil on board (2) 9 x 7cm (4 x 3in)
975 English school - Early 19th century woven silk studies, landscapes, in gilt frames 15 x 19cm (6 x 7in)
976 English School - Early 19th century Gentleman seated by a writing desk, watercolour 26 x 25cm
977 English School - Late 19th century Ravens, watercolour 44 x 35cm (17 x 14in)
English School - Mid-19th century Study of a young Midshipman watercolour, signed G.Holmes 1842 40 x 35cm including rosewood 978 frame
Five Crimea and Indian Mutiny scenes after Captain Atkinson and others, lithographs published by Day & Son, 26 x 40cm (image); 979 together with a coloured lithograph `The British Army, Regiments of Foot`, published by William Spooner (6)
Five small engraved illustrations. Hotentot, The Jagans a People of Africa, Habit of the Horsemen of Barbary, circa 1780, each 32 x 980 21cm; with Ruins of Athens after A.Rooker, two engravings numbers 45 and 47
Five various decorative prints. The Jack Daw, by T.Lord, 1792, 25 x 29cm; The Children of Holkham, engraving, 42 x 34cm including 981 maple frame; Manchot Tachete [Penguin], by Martinet; 2 others (5)
Four 18th century historical engravings. The Children of King Charles I, by R.Cooper after Van Dyck, 1762, 49 x 58cm (sheet); Dogs 982 and Still Life, by Canot after Jervase, 1778, 23 x 27cm (plate); Henry Lord Darnley, by G.Vertue after Lucas de Heere, 30 x 19cm (visible); The Earl of Leicester, by Jou ...[more]
Four engraved historical portraits, mainly in mezzotint. Frances Anne Greville and her brother, as Psyche and Cupid, by McArdell after 983 Reynolds, 1762, 50 x 35cm; ""Prince Henry of Prussia and Captain von Jauentzion"", before letters, c.1775, 66 x 40cm; Helena Forman after Van Dyc ...[more]
Four mezzotint engraved noble portraits. The Lord Euston, after Kneller, 1689; Le Prince de Galles et le Princess sa Soeur, after 984 Lavaillierre (trimmed); The Countess of Clarendon after Kneller; one other, largest 59 x 43cm (including frame) (4)
George Vertue. Mary, Queen of France and Charles Brandon, Duke of Suffolk; Frances, Duchess of Suffolk and her husband Adrian 985 Stokes Esq., 1748; 18th century engravings, plates 3 and 4, each 48 x 58cm (plate)
H.Burgess after W & H Burgess, 1798, Views of the Churches at Gedney, Fleet, Holbeach and Tydd St Mary, stipple engravings 986 publsihed 1804, 35 x 45cm including frames (4)
Henry Macbeth Raeburn, three coloured mezzotint portraits, pencil signed, published by Henry Graves & Co or Arthur Greatorex, 62 x 987 42cm (approx.)
Historical portrait engravings and other prints. Lieutenant Colonel Henry Townshend, mezzotint by J.M.Ardell, 55 x 42cm (sheet); 988 Buckingham House, engraving 1754 (from Stowe`s Survey), 34 x 45cm; Wanstead House, property of the Rt Hon the Earl of Tylney, engraving 42 x 68cm (plate); also - Thomas Gr ...[more]
989 Jan Jansson. A Great Plott and Description of the Fennes..., 17th century hand coloured engraved map (trimmed), 44 x 56cm 991 M J Binyon, sleeping pigs, a terracotta group, signed 20cm (8in)
Prints of Nelson and Napoleon. Palmam Qui Meruit Ferat, stipple engraving of a marble bust by Hon Anne Seymour Dame, 67 x 48cm; 992 Lord Nelson Commanding the Victory, coloured engraving published 1805 by P.Stampa, 35 x 24cm; Portrait of Buonaparte, by G.Fiesinger after J.Guerin, oval stipple engraving ...[more]
The Duke of Wellington, mezzotint portrait by J.Scott after J.Lilley, in a regilt frame, 77 x 57cm overall; and a cartoon `Charger Arthur, 993 Lot 1`, published by Gans 1829, 24 x 36cm (2)
Three mezzotint historical portraits by Valentine Green. Lady Jane Halliday after Reynolds, 1779, 65 x 40cm; Boy with his dog, after 994 C.Read, oval, published Boydell 1772, 47 x 34cm; Rt. Hon. Charles William Henry Earl of Dalkeith, after Reynolds, published W.Shropshire 1778, 56 x 40cm; with another ...[more]
Three patterned quilts. A Welsh blue and red patterned quilt, 205 x 182cm; A pale red and white patchwork quilt (worn); and another 995 quilt with pink floral printed motifs (3)
Three topographical engravings, The East Prospect of Ruins of Furness Abbey in Lancashire, 1727, 34 x 52cm; View of Kenilworth 996 Castle in 1620, published by Merridew & Son, 41 x 60cm; Warwick Castle, by James Fish of Warwick (rather browned), 66 x 76cm including repainted frame (3)
Two decorative oval lithographs of hanging game birds, partridge and pigeon, 19th century, some hand colouring, 50 x 37cm; together 997 with a coloured lithograph of a huntsman with two hounds after Henry Barraud (3)
Various prints. Four small lithographic views, possibly of Flamborough Head, framed as one, each 8 x 11.5cm; a 17th century portrait of 998 a noble brother and sister (trimmed); The South Prospect of Hather Thorpe in Lincolnshire, engraving (some damage), 43 x 58cm; and one other
999 A feather mattress covered in green striped African material
1001 A 17th century church bell, inverted as a garden urn, dated 1687 (cracked) 32 x 40cm (12 x 16in)
1002 A 19th century croquet mallet and ball carrier, with selection of four mallets
1003 A cast iron framed conservatory table, with later painted timber top 72 x 122cm (28 x 48in)
A pair of cast iron `rustic` framed garden chairs, branch moulded frames with wood slatted seats, possibly Coalbrookdale (2) 82 x 59cm 1005 (32 x 23in) one back rail replaced
1006 A pair of folding ironwork garden chairs, with wood slatted seats and a similar pair (4)
1007 A pair of French painted iron strapwork garden urns, 60 x 34cm (23 x 13in)
1008 A pair of painted wood beehives, lacking internal trays 98 x 53cm (38 x 21in)
1009 A pair of Regency style iron strapwork garden seats, 92 x 124cm (36 x 48in)
1010 A pair of terracotta Holkham Hall rhubarb forcing pots with covers, bearing the ostrich crest of the Earls of Leicester (2) 65cm (25in) 1011 A Regency style iron strapwork garden seat with end wheels, 105 x 158cm (41 x 62in)
1012 A Regency style iron strapwork garden seat, 107 x 182cm (42 x 71in)
1013 A Victorian cast iron garden cloche, 66 x 62 x 64cm (26 x 24 x 25in)
1014 An enclosed iron work dog kennel, with domed roof and feeders 167 x 155 x 248cm (65 x 60 x 97in)
1015 Two cast iron circular pig feeding troughs (2) 86cm (34in)
A 17th century oak and walnut chest, with moulded drawer fronts, on later bun feet 105 x 103 x 61cm (41 x 40 x 24in) Replaced legs 1017 and later brasses, one loose venner panel to top drawer and moulding loss to edge of lower drawer
A 17th century oak panelled chest, roundel carved decoration with original ring hinges, candle box and clasp 56 x 96 x 49cm (22 x 37 x 1018 19in) Generally very original, slightly faded Some signs of timber loss to front leg
A set of six late 17th century oak rail back dining chairs, with incised chequer decoration, panel seats on joint legs (6) 99 x 45cm (39 x 1019 18in) Overall colour is good, some splits in panels seats
A 17th century small oak plank top refectory table, with cleated ends, on baluster turned column and stretchered legs on bun feet 75 x 1020 140 x 75cm (29 x 55 x 29in) Old repairs to feet and stretchers
An early 18th century oak chest of drawers, in the Norfolk tradition arcaded carved frieze, fitted three small and three long drawers, on 1021 square bracket feet 102 x 82 x 50cm (40 x 32 x 20in) Replaced brasses
A late 17th century oak panelled chest, blind fret carved frieze rails and fluted carved stiles 66 x 128 x 57cm (26 x 50 x 22in) Original 1022 hinges, replaced lock, lacking candle box, lock plate and clasp
An early 18th century oak dresser base, fitted three drawers with moulded fronts and fielded panel sides, on baluster column and 1023 stretchered legs 87 x 157 x 43cm (34 x 61 x 17in) A good colour, later brasses and expected wear and small timber losses
A James II walnut high back chair, cane back seat with leaf carved decoration, on stretchered twist carved legs 123 x 50cm (48 x 20in) 1024 Cane seat damaged
1025 An 18th century oak lowboy, fitted three small drawers with ring handles, on column legs and pad feet 66 x 69 x 58cm (26 x 27 x 23in)
An early 17th century North Italian cypress wood boarded chest, pokerwork and penwork decorated and internally painted with galleons 1026 in full sail, with iron work hinges 71 x 125 x 46cm (28 x 49 x 18in) A similar boarded chest is on display in Berkeley Castle, believed to have been Drake`s Chest, w ...[more]
1027 A late 17th century oak and walnut armchair, with carved crest rail 102 x 48cm (40 x 19in)
1028 An early 17th Century oak `ark` chest, of boarded and pegged construction, on stile legs 66 x 97 x 45cm (26 x 38 x 18in)
A William and Mary oak chest, fitted four graduated drawers, each with moulded panels, on later turned legs 104 x 92 x 58cm (41 x 36 x 1029 23in)
1030 A late 17th century oak panelled chest, carved with thistle designs to the front panels, on stile legs 59 x 123 x 53cm (23 x 48 x 21in) A late 17th century oak panelled chest, lozenge carved decoration, on stile feet 63 x 92 x 46cm (25 x 36 x 18in) replaced hinges, lacking 1031 candle box, locking clasp and lock
An early 18th century oak lowboy, possibly Dutch crossbanded in mahogany, fitted three small drawers, original brass plate handles, on 1032 slender cabriole legs and pointed feet 73 x 82 x 54cm (28 x 32 x 21in)
1033 A small Florentine giltwood framed oval wall mirror, 18th/19th century carved with bold leaf scrolls 43 x 32cm (17 x 12in)
An Indo-Portuguese ivory inlaid hardwood table cabinet, late 17th century profusely inlaid to all sides with flowering plants, within a 1034 further foliate border, the fall front revealing 10 small drawers around one deep drawer, engraved brass corner mounts and brass side carrying handles, on a later s ...[more]
A George II revival mahogany stool, drop in seat to a serpentine outline frame, on carved cabriole legs and claw feet 48 x 57 x 47cm (19 1035 x 22 x 18in)
A Sheraton mahogany dressing table mirror, a shield framed mirror with cross banded border decoration, serpentine base fitted three 1036 small drawers, each with ivory handles, on bracket feet 61 x 49 x 21cm (24 x 19 x 8in)
A George II style leather upholstered Gainsborough library chair, circa 1900 with leaf and mask carved arms, on cabriole legs and claw 1037 feet 97 x 76cm (38 x 30in) The seat has been recovered and the depth from edge to internal back is 50cm The depth overall including the rake of the back is 70 ...[more]
A mahogany serpentine commode in the Chippendale manner, circa 1900 ribbon and rosette carved border, fitted two long drawers, 1038 cast brass handles, on a stand with elaborately carved apron of leaf and scroll designs, on scroll carved legs 89 x 118 x 59cm (35 x 46 x 23in)
1039 A pair of Hepplewhite style upholstered armchairs, 20th century scroll carved arms and legs (2) 97 x 60cm (38 x 23in)
A Hepplewhite style mahogany salon chair, upholstered in a yellow damask fabric, on fluted column legs 92 x 50cm (36 x 20in) The 1040 chair is sound with a small sliver of timber loss, beneath one arm rest
A Sheraton revival satinwood `Butterfly` Pembroke table, 19th century ebony line inlaid decoration, fitted end drawer, on tapering square 1041 legs and brass casters 76 x 99 x 75cm (30 x 39 x 29in)
An 18th century mahogany chest on chest, Greek key moulded cornice, blind fret carved canted sides, pierced brass plate handles, on 1042 square bracket feet 161 x 102 x 55cm (63 x 40 x 21in)
An 18th century mahogany twin pedestal D-end dining table, with one additional leaf, on barrel turned columns, four swept legs and 1043 brass terminal casters 73 x 129 x 284cm (28 x 50 x 111in)
A red lacquer Chinoiserie decorated armchair, 20th century with lattice fret carved splat back, cane seat on turned legs 84 x 51cm (33 x 1044 20in)
1045 A composed pair of Adam style oval gilt framed mirrors gadroon gesso moulded borders, with reserve plates (2) 113 x 83cm (44 x 32in)
1046 An early 18th Century gilt framed triple plate mirror, 63 x 121cm (25 x 47in)
1047 A 19th century gilt framed convex mirror, with eagle cresting 86 x 60cm (34 x 23in) A George II revival giltwood vitrine on stand, 19th century with adjustable glass shelf, above a vitruvian scroll moulded stand with blind 1048 drawer on leaf moulded cabriole legs 176 x 108 x 57cm (69 x 42 x 22in)
An 18th century mahogany bureau bookcase, with break arch pediment, dentil moulded and ribbed frieze, astragal glazed doors and 1049 bureau fitted with satinwood veneered cupboard and drawer facias, above four long drawers on bracket feet 250 x 111 x 55cm (98 x 43 x 21in) later brass handles
An 18th century mahogany kneehole desk, later crossbanded in satinwood and inlaid with conch shells, fitted a slide, drawers and 1050 central cupboard, later brass plate handles on bracket feet 81 x 76 x 49cm (32 x 30 x 19in)
1052 A pair of Italian carved giltwood rococco style wall mirrors, 20th century 116 x 79cm (45 3/4in x 31in)
1053 An Italian giltwood wall mirror, 20th century elaborately carved in the `Chinese Chippendale` manner 161 x 79cm (63 x 31in)
A George IV mahogany library bergere, with buttoned leather seat squabs and arm rests, leaf carved show wood, on brass casters 101 1054 x 53cm (39 x 21in)
A Regency rosewood drop leaf work table, circa 1800 boxwood line border inlays, fitted three small end drawers and one deep drawer 1055 verso, on slender tapering square legs 72 x 72 x 61cm (28 x 28 x 24in)
A Regency mahogany library bergere, with buttoned leather squab cushions and arm rests, on turned legs and brass casters 91 x 54cm 1056 (35 x 21in)
1057 A late Regency rosewood open front bookcase, a marble top with leaf carved column to a plinth base 94 x 172 x 45cm (37 x 67 x 18in)
A George IV mahogany writing pedestal, split round moulded border decoration, fitted leather lined interior, on a square tapering column 1058 and four moulded feet and casters 90 x 46 x 26cm (35 x 18 x 10in)
A Regency mahogany and yew wood tripod table, the rectangular top with yew banded border decoration, to a turned and moulded 1059 column and chamfered legs 78 x 55 x 45cm (30 x 21 x 18in)
An 18th century style coopered mahogany peat bucket, 20th century brass bound, brass ring handles and applied with carved Lion 1060 masks and a brass liner 67 x 44cm (26 x 17in)
1061 A George IV mahogany Butler`s tray on stand, three quarter gallery with handle recesses 90 x 56cm (35 x 22in)
A Regency mahogany bow front kneehole dressing table, ebony line inlay decoration, on reeded legs and brass casters 82 x 98 x 57cm 1062 (32 x 38 x 22in)
1063 A Regency mahogany hat stand, of tree design with circular galleried tier, on a tripod base 163cm (64in)
A Regency mahogany two tier dumb waiter, brass galleries and column supports, to a pedestal base on four reeded and swept legs with 1064 brass casters 101 x 61cm (39 x 24in)
A Regency mahogany D-end dining table, reeded edge moulding, drop leaf centre section, on turned column legs and brass casters 74 1065 x 288 x 138cm (29 x 112 x 54in)
A Regency mahogany breakfront sideboard by Gillows of Lancaster, stamped, with three quarter gallery, central drawer flanked by bow 1066 front cellarette side drawers, on reeded column legs 96 x 228 x 81cm (37 x 89 x 32in) Provenance: Childerley Hall, Cambridgeshire