(Strum It Guitar) by John Hiatt
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For Immediate Release TITLE TRACK from NEW JOHN HIATT ALBUM
For Immediate Release TITLE TRACK FROM NEW JOHN HIATT ALBUM, TERMS OF MY SURRENDER, PREMIERING AT WSJ.COM ALBUM DUE JULY 15 ON NEW WEST RECORDS; DELUXE PACKAGE WITH LIVE DVD AVAILABLE EXCLUSIVELY THROUGH AMAZON.COM UPCOMING FULL BAND DATES WITH BOTH ROBERT CRAY AND TAJ MAHAL TRIO LOS ANGELES, CA – May 29, 2014 – “Terms Of My Surrender,” the title track to John Hiatt’s upcoming 22nd studio album, is premiering at WSJ.com. Hiatt attributes the title phrase to a comment an old friend once made in reference to burning the candles at both ends for years saying he was “trying to negotiate the terms of my surrender” and according to the Wall Street Journal “The spare, bluesy song emphasizes Hiatt’s craggy voice and mordant wit.” Terms Of My Surrender is due out July 15, 2014 via New West Records. A deluxe edition will be available in the U.S. exclusively via Amazon.com, featuring a bonus DVD of 10-songs filmed live in 2013 at Hiatt's hometown venue, the historic Franklin Theatre in Franklin, Tenn. Along with his band The Combo, Hiatt performs some of his biggest and most beloved songs, including “Crossing Muddy Waters,” “Thing Called Love,” “Have A Little Faith In Me" as well as several new ones. For the new album production Hiatt had the notion of focusing on his vocals and guitar. Producer Doug Lancio (Patty Griffin, Jack Ingram) agreed and recorded much of the album with the full band (Lancio, Nathan Gehri, Kenneth Blevins, Brandon Young) in the room, live from the floor. -
For Immediate Release “JOHN HIATT
For Immediate Release “JOHN HIATT - TERMS OF MY SURRENDER: LIVE FROM THE FRANKLIN THEATRE” CONCERT SPECIAL TO AIR ON PALLADIA BEGINNING JULY 12, 2014 TERMS OF MY SURRENDER DROPS JULY 15, 2014 VIA NEW WEST RECORDS; DELUXE PACKAGE AVAILABLE EXCLUSIVELY THROUGH AMAZON FULL BAND TOUR CONTINUES WITH BOTH ROBERT CRAY BAND AND TAJ MAHAL TRIO Nashville, TN – July 11, 2014 – “He prowls the stage, delivering the bluesy stuff in a whiskey-burn howl, shouting the rock stuff and fronting a formidable band that can turn on a dime, from ballads to bombast,” The Tennessean recently declared of John Hiatt. “John Hiatt - Terms of My Surrender: Live From The Franklin Theatre,” which will air on Palladia beginning this Saturday, July 12, 2014 at 9 pm EST, captures the high-energy performance of an intimate show filmed in 2013 at the historic Franklin Theatre in his hometown Franklin, TN. Along with his band The Combo (Doug Lancio, Nathan Gehri, Kenneth Blevins, Brandon Young), Hiatt performs some of his most beloved songs, including "Crossing Muddy Waters," "Thing Called Love," and "Have A Little Faith In Me" as well as several off his new album, Terms Of My Surrender (July 15, 2014; New West Records). A deluxe edition will be available in the U.S. exclusively via Amazon, featuring a 10-song bonus DVD of the entire Palladia special. Check Palladia.tv for additional dates and airtimes. Terms Of My Surrender is the latest chapter in Hiatt’s prolific run of releases. The press has been stellar both in the US and UK. Mojo awarded the record four stars and exclaimed: “[Terms Of My Surrender] digs deeper into acoustic blues than he’s ever dug before. -
Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**
BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison) -
August Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news February 2007 www.sandiegotroubadour.com Vol. 6, No. 5 what’s inside Welcome Mat ………3 Contributors Sneaky Pete Kleinow Full Circle.. …………4 Texas Songwriter Showcase Recordially, Lou Curtiss Front Porch... ………6 Yale Strom Klezmer Music Parlor Showcase …8 Jimmy and Jeannie Cheatham Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Highway’s Song. …12 Diana Jones John Jorgenson Of Note. ……………13 Eben Brooks Podunk Nowhere Fishtank Ensemble Earl Thomas Mike McGill ‘Round About ....... …14 February Music Calendar The Local Seen ……15 Photo Page FEBRUARY 2007 SAN DIEGO TROUBADOUR welcome mat Remembering Sneaky Pete RSAN ODUIEGBO ADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news by Liz Abbott wanted only to hear songs from the Urban Cowboy soundtrack and do their neaky Pete Kleinow (1934-2007), stupid line dances. No one told us you ground-breaking steel guitar prodi - couldn’t do the cotton-eyed joe to “Dark MISSION CONTRIBUTORS S gy, whose unique stylings influ - End of the Street.” To promote, encourage, and provide an FOUNDERS enced a generation of young musicians, John Jorgenson, who also played alternative voice for the great local music that Ellen and Lyle Duplessie died last month in northern California with Kleinow, shares the following is generally overlooked by the mass media; Liz Abbott from complications of Alzheimer’s memories. (Jorgenson comes to Dizzy’s namely the genres of alternative country, Kent Johnson Disease. During a music career that Americana, roots, folk, blues, gospel, jazz, and on March 1. -
Corkscrew Pointe
Corkscrew Pointe Artist Title Disc Number Track # 10,000 Maniacs More Than This 10218 master 2 These Are The Days 10191 Master 1 Trouble Me 10191 Master 2 10Cc I'm Not In Love 10046 master 1 The Things We Do For Love 10227 Master 1 112 Dance With Me (Radio Version) 10120 master 112 12 Gauge Dunkie Butt 10104 master 12 1910 Fruitgum Co. 1, 2, 3 Red Light 10124 Master 1910 2 Live Crew Me So Horny 10020 master 2 We Want Some P###Y 10136 Master 2 2 Pac Changes 10105 master 2 20 Fingers Short #### Man 10120 master 20 3 Doors Down Away From The Sun 10131 master 3 Be Like That (Radio Version) 10210 master 3 Kryptonite May 06 2010 3 Loser 10118 master 3 311 All Mixed Up Mar 23 2010 311 Down 10209 Master 311 Love Song 10232 master 311 38 Special Caught Up In You 10203 38 Rockin' Into The Night 10132 Master 38 Teacher, Teacher 10130 Master 38 Wild-eyed Southern Boys 10140 Master 38 3Lw No More (Baby I'ma Do Right) (Radio 10127 Master 1 Version) 4 Non Blondes What's Up 10217 master 4 42Nd Street (Broadway Version) 42Nd Street 10227 Master 2 1 of 216 Corkscrew Pointe Artist Title Disc Number Track # 42Nd Street (Broadway Version) We're In The Money Mar 24 2010 14 50 Cent If I Can't 10104 master 50 In Da Club 10022 master 50 Just A Lil' Bit 10136 Master 50 P.I.M.P. (Radio Version) 10092 master 50 Wanksta 10239 master 50 50 Cent and Mobb Deep Outta Control (Remix Version) 10195 master 50 50 Cent and Nate Dogg 21 Questions 10105 master 50 50 Cent and The Game How We Do (Radio Version) 10236 master 1 69 Boyz Tootsee Roll 10105 master 69 98° Give Me Just One Night (Una Noche) 10016 master 4 I Do (Cherish You) 10128 Master 1 A Chorus Line What I Did For Love (Movie Version) 10094 master 2 A Flock Of Seagulls I Ran (So Far Away) May 04 2010 1 A Perfect Circle Judith 10209 Master 312 The Hollow 10198 master 1 A Taste Of Honey Boogie Oogie Oogie 10213 master 1 A Taste Of Honey Sukiyaki 10096 master 1 A Teens Bouncing Off The Ceiling (Upside Down) 10016 master 5 A.B. -
1 JOHN HIATT Over Thirty-Five Years After the Release of His Debut Album
1 JOHN HIATT Over thirty-five years after the release of his debut album, John Hiatt remains one of America’s most respected and influential singer-songwriters. As the Los Angeles Times once wrote, “(Hiatt) writes the funniest sad songs – and the saddest funny songs – of just about anybody alive.” John Hiatt’s songs have been covered by artists as diverse as Bob Dylan, Bonnie Raitt (“Thing Called Love”), Buddy Guy, Emmylou Harris, Ronnie Milsap, Iggy Pop, the Neville Brothers, Rosanne Cash (the #1 country hit, “The Way We Make A Broken Heart”), the Jeff Healey Band (“Angel Eyes”), Willie Nelson, Steve Earle, Linda Ronstadt, and even the cartoon bear band of Disney’s 2002 film, The Country Bears. He earned a Grammy nomination for his album Crossing Muddy Waters, and B.B. King and Eric Clapton shared a Grammy for their album Riding With The King, the title track from which was a Hiatt composition. In 2007, John Hiatt was honored with his own star on Nashville’s Walk of Fame and his legacy was even further cemented with a pair of accolades in the fall of 2008: the Americana Music Association’s Lifetime Achievement Award for Songwriting in September, and his October induction into the Nashville Songwriters Hall of Fame. With seven solo albums already under his belt, Hiatt’s A&M debut, Bring The Family (1987), was his breakthrough. His rootsy, rock-country-blues fusion – performed with guitarist Ry Cooder, bassist Nick Lowe, and drummer Jim Keltner – was Hiatt’s first charted effort, and he was subsequently named Best Male Vocalist in Rolling Stone’s annual Critics Poll. -
(THE A&M YEARS '87-94) John Hiatt Is One Of
1 JOHN HIATT’S MOST ACCLAIMED SONGS COMPILED ON GREATEST HITS (THE A&M YEARS ‘87-94) John Hiatt is one of America’s most respected and influential songwriters; his songs have been covered by artists as diverse as Bob Dylan, Dave Edmunds, Conway Twitty, Three Dog Night, Bonnie Raitt, Ronnie Milsap, Iggy Pop, the Neville Brothers, Suzy Bogguss, Roseanne Cash (the #1 country hit “The Way We Make A Broken Heart”), Charlie Sexton, and the Jeff Healey Band. The Los Angeles Times once wrote that he “writes the funniest sad songs--and the saddest funny songs--of just about anybody alive.” Performing his own songs, in a solo recording career now 25 years long on a handful of labels, it was his years on A&M Records which earned him the most widespread acclaim. John Hiatt: Greatest Hits (The A&M Years ‘87-94) (A&M/UME), released October 19, 1999, is a new compilation of 18 of his best-known songs culled from his five A&M albums. Each song was remastered from the original tapes, and the album package features photos, complete annotation and new liner notes. With his first seven solo albums under his belt, Hiatt was named Best Male Vocalist in Rolling Stone’s Critics Poll following the release of his A&M debut Bring The Family (1987). The album’s rootsy rock-country-blues fusion, performed with an all-star band of guitarist Ry Cooder, bassist Nick Lowe and drummer Jim Keltner, was Hiatt’s first charting effort--and the launch of a dedicated cult following. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
John Hiatt Slow Turning Mp3, Flac, Wma
John Hiatt Slow Turning mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Slow Turning Country: UK Released: 1988 Style: Southern Rock MP3 version RAR size: 1541 mb FLAC version RAR size: 1906 mb WMA version RAR size: 1115 mb Rating: 4.4 Votes: 881 Other Formats: APE AHX WAV DMF MP3 VOC AA Tracklist Hide Credits 1 Drive South 3:55 2 Trudy And Dave 4:25 Tennessee Plates 3 2:57 Written-By – John Hiatt, Mike Porter 4 Icy Blue Heart 4:34 5 Something Other Than Now 4:25 6 Georgia Rae 4:26 7 Ride Along 3:31 8 Slow Turning 3:36 9 It'll Come To You 3:29 10 Is Anybody There? 5:01 11 Paper Thin 3:35 12 Feels Like Rain 4:51 Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Copyright (c) – Lillybilly Music Recorded At – GroundStar Laboratories Mixed At – Ocean Way Recording Mastered At – The Mastering Lab Distributed By – Polydor Distributed By – PolyGram Credits Acoustic Guitar [6 String], Electric Guitar [6 String], Electric Piano [Wurlitzer], Vocals – Hiatt* Art Direction – Jeff Gold Backing Vocals – Ashley Cleveland, Dennis Locorriere Bass [Fender] – David "Now" Ranson* Design – Chuck Beeson, Mary Maurer Drums, Tambourine – Ken Blevins* Engineer – Larry Hirsch Engineer [Assistant] – Keith Odle Management – Will Botwin Mastered By – Doug Sax Mixed By – Glyn Johns, Larry Hirsch Mixed By [Assistant] – Joe Schiff Organ [Hammond] – James Hooker Photography By – Anton Corbijn Producer – Glyn Johns Resonator Guitar [National], Mandolin, Banjo, Electric Guitar, Mandocello [Mandicello] – Bernie Leadon Slide Guitar [6 & 12 String Electric & Acoustic], Guitar [6 & 12 String Electric & Acoustic] – Sonny Landreth Written-By – John Hiatt (tracks: 1, 2, 4 to 12) Notes Recorded At Ronnie Milsap's Groundstar Labs, Nashville, TN May 20 - June 6, 1988 Mixed at Ocean Way Studio, Hollywood, CA. -
11469 Songs, 35.2 Days, 75.18 GB
Page 1 of 54 Music 11469 songs, 35.2 days, 75.18 GB Artist Album # Items Total Time Bryan Adams So Far So Good 13 59:05 Ryan Adams Easy Tiger 13 38:58 Adele 21 12 51:40 Aerosmith Aerosmith 8 35:51 Aerosmith Draw The Line 9 35:18 Aerosmith Get Your Wings 8 38:04 Aerosmith Honkin' On Bobo 12 43:55 Aerosmith Just Push Play 12 50:49 Aerosmith Pump 10 47:46 Aerosmith Toys In The Attic 9 37:11 Jan Akkerman Blues Root 1 3:03 Alice Cooper Welcome To My Nightmare 11 43:24 Luther Allison Blue Streak 12 53:32 Mose Allison Seventh Son 1 2:50 The Allman Brothers Band The Allman Brothers Band 6 33:23 The Allman Brothers Band Brothers And Sisters 7 38:24 The Allman Brothers Band Dreams [Disc 2] 10 1:16:00 The Allman Brothers Band Eat A Peach 9 1:09:56 The Allman Brothers Band An Evening With The Allman Brothers Band [1st Set] 9 1:14:08 The Allman Brothers Band An Evening With The Allman Brothers Band [2nd Set] 8 1:11:55 The Allman Brothers Band The Fillmore Concerts 2 41:36 The Allman Brothers Band Hittin' The Note 11 1:15:01 Music Page 2 of 54 Artist Album # Items Total Time The Allman Brothers Band Idlewild South 7 30:54 The Allman Brothers Band Live at the Fillmore East 10 1:32:44 The Allman Brothers Band Shades Of Two Worlds 8 52:36 The Allman Brothers Band Where It All Begins 10 56:02 Gregg Allman Laid Back 8 36:01 America Here & Now [Disc 1] 12 44:16 America Here & Now [Disc 2] 12 40:38 Tori Amos Crucify 1 3:11 Trey Anastasio Trey Anastasio 12 1:00:07 Eric Andersen Blue River 11 46:54 Ian Anderson The Secret Language Of Birds [Bonus Tracks] 18 -
John Hiatt Fanzine – Issue 13
Slow Turning John Hiatt Fanzine – Issue 13 What’s This? On a very chilly, very, very early morning sometime in the late fall of 1993, my mother and I ventured into the heart of Boston to sit outside a box office. We’d seen in the paper that John Hiatt would be coming in support of his latest CD, Perfectly Good Guitar. Tickets were going on sale at 10 AM. I had just become a big enough fan and old enough, at thirteen, to demand that I was going to buy the best tickets possible, but not old enough to spend hours by myself in the theater district. As the sun came up around the sky-scrapers and fellow die-hards gathered to wait for the magic hour the window would open, all we had to entertain ourselves was maybe a newspaper and conversation with the other fans eager for tickets. I chatted non-stop, thrilled to be surrounded by people who seemed to love John Hiatt’s music as much as I did. Most people in my high school didn’t even know who he was by name and couldn’t relate to my fandom. I’m sharing this memory of this day because it was not only the birth of Slow Turning: John Hiatt Fanzine but, I think, illustrates just how much the world has changed since I first started this project. Back then, there were no online forums for conversations between followers of the same artists. There was no way for news to travel from artist to fan except by paper mailings; the In the John fanclub had become defunct. -
John Hiatt the Eclipse Sessions
John Hiatt The Eclipse Sessions “You know how writing goes for me,” John Hiatt says, offering a glimpse into his creative process. “I get a couple of lines going, and then I just tag along as the songs start to reveal themselves. You’ve just gotta jump inside and take the ride.” Hiatt has been on that ride—as have we all, tagging along right beside him—for more than four decades now. In fact, since the release of his 1974 debut, Hangin’ Around the Observatory, rarely has more than a year or two passed without a new Hiatt collection hitting the shelves. But after wrapping up a year of touring in support of 2014’s Terms of My Surrender—the singer-songwriter’s 22nd studio effort overall—he found himself, for the first time in a long time, unsure of what would come next. Not that he panicked. “I’ve been lost before,” Hiatt says, with the self-assurance of a man who has experienced a thing or two over his long and varied career. “Although usually I have some sort of notion or clue where to go.” But this time? He laughs. “I had no sense whatsoever.” As for the cause of this uncertainty? “Life, really,” he says. “Or just changes in life. My wife and I made the decision to sell our farm [in Williamson County, Tennessee] and move back into Nashville. I wanted to spend more time with my family. I was aging, with all that entails or doesn’t entail. Stuff was just happening.” During this period of transition Hiatt did manage to compose a new song—a dusty, road-worn meditation titled “Robber’s Highway.” But the lyrics he penned (“I had words, chords and strings / now I don’t have any of these things”) sounded almost ominously prophetic.