E Think Ce. »

Total Page:16

File Type:pdf, Size:1020Kb

E Think Ce. » Harlequin-Mancini-210x297-DanceEurope-EN-4mmbleed.pdf 1 08/12/2011 10:15:56 « Harlequin makes me think People of Venice, Béjart, Dance. » 9 On My Radar: David McAllister The Australian Ballet’s artistic director on his media world 30 Matthew Bourne and his Beauty DEBORAH WEISS interviews the choreographer turning the traditional Sleeping Beauty on its head 52 Christopher Hampson and Fleur Darkin Giorgio Mancini, KELLY APTER touches base with the incoming Director and choreographer directors of Scotland’s two main companies GM Ballet Firenze 57 First Job: Skyler Martin The RBS graduate talks about working with Dutch National Ballet Features 26 The Good and the Evil MIKE DIXON and DEBORAH WEISS ask C Lilac Fairies and Carabosses about their M interpretations of the iconic roles J 38 BalletBoyz The Talent 2013 CM DIARMAID O’MEARA meets up with two MJ of the dancers working on next year’s project CJ 65 Comment CMJ LEE BAMFORD proposes that limited resources N can sometimes sharpen the artistic senses Le plancher Harlequin LIBERTY TM est Harlequinpolyvalent, modulable STUDIO et résistant.TM Ses plots élastomères amortissants vous offrent plus de Unbeatable comfort. confort et plus de sécurité, pour une meilleure Premieres The Harlequin STUDIO™ dance floor is suitable for both classical ballet and contemporary dance. This Labyrinth of Love 12 multi-purpose dance floor has been used by the VIKI WESTALL and DEBORAH WEISS Paris National Opera for over 25 years. weigh up Rambert Dance Company’s new work by Marguerite Donlon The floor is surprisingly smooth and soft thanks to its foam backing, which gives added comfort to dancers 16 Sous Apparence working on the floor or on points. FRANÇOIS FARGUE considers Paris Opéra étoile Marie-Agnès Gillot’s new ballet Harlequin Europe SA 29, rue Notre-Dame LUXEMBOURG L-2240 Luxembourg Colours avaible LONDON Performances Tel. INTL +352 46 44 22 LOS ANGELES Tel. FR +352 46 44 99 PHILADELPHIA CONTENTS 22 The Sleeping Beauty Tel. DE +352 46 39 39 FORT WORTH DIARMAID O’MEARA on ENB’s inaugural Free phone 00 800 90 69 1000 SYDNEY 7 Entre Nous performance under new director Tamara Rojo Fax +352 46 44 40 PARIS Discover more about Giorgio Mancini on our website www.harlequinfloors.com MADRID 58 Auditions info@harlequinfloors.com HONG KONG www.harlequinfloors.com 81 Diary 34 Carmen and Paquita MAGGIE FOYER reviews Spanish-themed 86 People ballets at Dutch National Ballet Front cover: English National Ballet - Daria Klimentová as the Lilac Fairy in Kenneth MacMillan’s Sleeping Beauty. Photo: E. Kauldhar/Dance Europe Contents page photos: Dance Europe; by courtesy of Dame Beryl Grey DANCE EUROPE December 2012 3 DANCE EUROPE Founded in 1995 ISSN: 1359-9798 36 One of a Kind JESÚS R. GAMO appreciates Lyon Opera Ballet in P.O. Box 12661, London E5 9TZ,UK a hallmark Kylián work in Madrid Tel: +44 (0)20 8985 7767 www.danceeurope.net http://dropbox.yousendit.com/DanceEurope 42 Romeo and Juliet Editor/Photographer Emma Manning Kauldhar ALI MAHBOUBA on Ed Wubbe’s reworking of [email protected] Shakespeare’s tale for Scapino Ballet Rotterdam Advertising Manager Naresh Kauldhar [email protected] Tel: +44 (0)20 7682 1733 Festivals mobile: +44 (0)7981 945320 skype: nareshdanceeurope 44 International Ballet Festival Paris Advertising NETA EMMA MANNING visits Havana to catch a glimpse 1, rue jean carasso, 95870 Bezons [email protected] of Cuba’s unique festival Tel: +33 (0)1 39 61 37 70 Fax: +33 (0)1 39 61 3843 54 Dance 2012 in Munich Performance Diary Editor Deborah Weiss ALISON KENT reports on the 13th International [email protected] Dance Festival Editorial Consultant Clare Taylor Reviews Administrator Katie Harrington [email protected] 67 Jonzi D Dance Critics and Writers Lyrikal Fearta -Redux/The Letter Bill Anthony, Iratxe de Arantzibia, Lee Bamford, Clàudia Brufau Bonet, Ellie Carr, Lucía Chilibroste, Michelle Cuneo, Gerard Davis, Mike Dixon, François Birmingham Royal Ballet Fargue, Maggie Foyer, Anca Frankenhaeuser, Alessan- Take Five/Grosse Fuge/The Grand Tour/Faster/ dra Gallone, Jesús R. Gamo, Dwayne Holliday, Patrick Hurde, Donald Hutera, Amanda Jennings, Rym The Dream Kechacha, Alison Kent, Ali Mahbouba, Trina Mannino, Mia Nadasi, Yuki Nagano, Diarmaid Philippe Decouflé Company DCA O’Meara, Catherine Pawlick, Carlos Pons Guerra, Phillip S. Rosemond, Olivia Sabee, Jenifer Sarver, Panorama Oli Speers, Deborah Weiss, Viki Westall. Francisco Camacho & Rafael Alvarez Japanese Translator Yuki Nagano 日本語 www.danceeurope.jp Festival Citemor Russian Translator Olga Goncharova Linz Ballet русский www.danceeurope.ru.com Magic Night/Seven Deadly Sins Website developer Michael Lenahan Northern Ballet Academy is the only Centre for Advanced Training (CAT) in the Lost Dog DANZA EUROPA It Needs Horses/Home for Broken Turns UK specialising in classical ballet. We offer elite training to the professional Founded in 2009 ISSN 2041-8841 www.danzaeuropa.net dancers of the future, enabling students to develop unrivalled technical mastery Celebration - In a Class of Their Own Spanish Translators Fundraising gala and artistic skills. Carlos Pons Guerra, Jesús R. Gamo, Fernando Balsera Pita Professional Training Programme Auditions Cullberg Ballet Spanish Advertising The Strindberg Project (Including Associates, CAT programme, Easter and Summer Schools) [email protected] Ages 10+ 1, 3 & 24 March 2013 Dance Europe was founded in November 1995. It is published Ballet du Grand Théâtre de Genève 11 times a year in London and distributed worldwide by: UK - Comag Specialist Division, London; Austria - Morawa & Giselle International Easter Course Co. Ltd; Australia/New Zealand - Gordon & Gotch; Canada - LMPI; Croatia - ANGCRO; Germany - We Saarbach GmbH; Ages 12-19 2- 6 April 2013 Iceland - Innkaupasam band Boksala; South Africa - Magscene West Australian Ballet (Pty); Sweden - Svenska Interpress AB; Poland - Ingland Co. Neon Lights Ltd; Croatia, Slovenial - Levant Dist; Portugal - International International Summer School News; Trieste - EST; Finland - Rautakirja Oy; Poland - Ingland Co. Ltd; Sweden - Sevenska Interpress; U.S.A. - SEMAJ INC/ Ballet Theatre UK – Ages 12-16, IPD/; Spain - SGEL; Belgium - AMP; Hungary - Libropress Intermediate 29 July-3 August 2013 2000; Taiwan - Multi-Arts Enterprise; Singapore - Borders/ A Christmas Carol STP; Japan - Yohan ; Malaysia - STP; Italy - Intercontinental (FE) Senior – Ages 16-19, 5-17 August 2013 and in France by the publisher +44 20 8985 7767. Individual subscriptions, single and back issues, library and institution Fall for Dance Students currently in full time classical ballet training may audition by photo application only. subscriptions and English and Spanish digital versions available Festival in New York online at www.danceeurope.net. All classes take place in our state-of-the-art studios in central Leeds – the largest dance centre outside of London. Freelance contributions are welcomed especially from writers Rosas who have worked as professional dancers. New writers should, in the first instance, submit a short review or article accom- En Atendant For more information contact Northern Ballet Academy panied by a CV. Photos sent by email or via our dropbox need to be 300 dpi and should be clearly captioned in Photoshop File Info. New National Theatre Ballet [email protected] Sylvia The content of Dance Europe and Danza Europa is copyrighted 0113 220 8000 and may not be freely reproduced in any medium whatsoever, including on the internet. The scanning and posting of articles published in Dance Europe and Danza Europa is strictly forbidden 80 Japanese page northernballet.com/academy and constitutes a breach of copyright. 眠れる森の美女 © Dance Europe 2012 For information on the national dance CATs visit nationaldancecats.co.uk Photos: Hans Gerritsen; Dance Europe DANCE EUROPE December 2012 5 NBT Dance Europe Academy A4 Ad v2 11.12.indd 1 07/11/2012 11:28.
Recommended publications
  • English National Ballet 2019-2020 Season Ballet.Org.Uk
    Amended: June 2019 English National Ballet 2019-2020 Season ballet.org.uk • English National Ballet says ‘Thank You’ as it celebrates its 70th Anniversary • Akram Khan to create second full-length production for English National Ballet • Le Corsaire returns with performances at Milton Keynes Theatre and the London Coliseum • Christopher Wheeldon’s Cinderella to be performed in Manchester and Southampton • The Company’s first full Season after moving to their new home at London City Island • Mayor of London awards £1million grant through his Good Growth Fund to support English National Ballet’s ‘Bridging Neighbourhoods – Growing Talent’ project • English National Ballet appoints first Medical Director to maximise the benefits of the new building’s state-of-the-art fitness and rehabilitation facilities English National Ballet today announces plans for its 2019-2020 Season and updates on their new home at London City Island: 2020 marks English National Ballet’s 70th Anniversary with celebrations taking place throughout the 2019-2020 Season that give opportunities for the Company to say, ‘Thank You’ to its audiences, fans, friends and partners. The 70th Anniversary will be celebrated with three special Gala performances at the London Coliseum featuring extracts from a diverse range of repertoire spanning English National Ballet’s history. Tamara Rojo CBE, English National Ballet’s Artistic Director said: “Our 70th Anniversary Gala performances are a rare opportunity to showcase in one place a huge variety of brilliant work from our extraordinarily rich history. This will be a Gala that celebrates the sheer love of dance, both on and off the stage, that has been part of our vision from the beginning.
    [Show full text]
  • Pag 01Ok.Qxd 20/06/2014 20:38 Pægina 1 EL CULTURAL1 Euro
    pag 01ok.qxd 20/06/2014 20:38 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 27 de junio - 3 de julio de 2014 www.elcultural.es Richard Hamilton El último autorretrato La distopía conquista la literatura Mérida absuelve a Salomé Paco Azorín abre el festival con una impactante revisión de la ópera de Strauss Pag 03.qxd 20/06/2014 21:13 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Felipe VI y la cultura elipe II, Felipe III y Fe- Graciano García, con saga- Se divirtió hablando con Pedro centenares de representantes lipe IV vivieron el Siglo de cidad impagable, situó a Don Almodóvar, el gran genio del de la cultura española, iberoa- FOro de la cultura españo- Felipe en la plataforma del Pre- cine español, con Maya Pli- mericana y mundial. la. Conocieron personalmente mio Príncipe de Asturias, lo sétskaya y Tamara Rojo, con Felipe VI no gobierna. o tuvieron noticia cercana de que ha permitido al actual Rey Paco de Lucía y Michael Ha- Pero reina. Y estoy seguro de los más grandes: Cervantes y comprender la significación neke. que alentará al Gobierno a que San Juan de la Cruz, Lope de profunda de la cultura en las le- Y el mundo de la Comuni- dedique sus mejores esfuerzos Vega y Santa Teresa, Veláz- tras, las artes plásticas, la mú- cación. Recuerdo a Indro Mon- al mundo de la cultura en el quez y Calderón, Fray Luis de sica, el cine, la ciencia… tanelli, mi inolvidado, mi gran que España ocupa lugar de re- León y Gracián, Góngora y He tenido la suerte de sen- amigo, departiendo con Don lieve internacional.
    [Show full text]
  • TAMARA ROJO, Bailarina Royal Ballet Royal ‘NUNCA IMAGINÉ CUANDO
    78escritura 60-62 19/10/12 12:18 Página 2 • esfera cultural• TAMARA ROJO, bailarina Royal Ballet Royal ‘NUNCA IMAGINÉ CUANDO Foto cortesia del del Foto cortesia LLEGUÉ A INGLATERRA QUE UN DÍA FUERA A DIRIGIR UNA DE SUS GRANDES COMPAÑÍAS DE DANZA’ JUAN ANTONIO LLORENTE terra que un día fuera a dirigir una de sus grandes compañías de danza. –¿Dónde será la prueba de fuego? –Aunque la compañía de la que se va a responsabilizar se –Mi primera actuación al frente del English National Ballet será proclama como “clásica”, sus intereses como bailarina son en el Teatro Milton Keynes de Buckinghamshire County, el 17 de más amplios. ¿En qué márgenes cronológicos se mueve? octubre, con La Bella Durmiente que coreografió Kenneth Macmi- –En realidad eso es algo que no me planteo, aunque es verdad llan. Para mí es uno de los montajes más bonitos que existen de que esas distinciones se dan mucho en España, donde se estable- ese título, que en diciembre llevaremos al Coliseum de Londres, cen límites entre la danza clásica y la contemporánea. Pero eso no nuestra sede oficial, además de Cascanueces. sucede fuera. En este momento, en las grandes compañías, como el Royal Ballet, los bailarines se muestran en una gran variedad de re- –La del ballet es una sociedad de mitos y mitómanos. ¿Tiene pertorio. Desde, digamos, el clásico puro de Petipa y el Lago de los los suyos? Cisnes, a cosas más modernas como Balanchine, Kenneth Macmi- –(Sonríe). Sí, por supuesto. Hay gente que me ha influenciado, llan o Zoe Aston. Así, hasta llegar a propuestas que tengan más que pero sobre todo que me ha inspirado.
    [Show full text]
  • Tamara Rojo Artistic Director of the English National Ballet Tamara Began Dancing in Madrid at the Víctor Ullate School, Where
    Tamara Rojo Artistic Director of the English National Ballet Tamara began dancing in Madrid at the Víctor Ullate School, where she took part in an extensive repertoire of classical roles. She won a Gold Medal at the Paris International Dance Competition and the Special Jury Prize unanimously. Galina Samsova asked her to join the Scottish Ballet and she later received a personal invitation from Derek Deane to join the English National Ballet, where she became director after six months. She danced the whole range of leading roles with the company, including Juliet (Romeo and Juliet) and Clara (The Nutcracker), which Derek Deane created expressly for her. Tamara joined The Royal Ballet as Principal Dancer at the invitation of Sir Anthony Dowell. She is also a regular guest of the Mariinsky Ballet, La Scala Ballet, Tokyo Ballet, New National Theatre, Tokyo, the Cuban National Ballet, the National Ballet of China, the Lithuanian National Ballet, the Mikhailovsky Ballet, the Royal Swedish Ballet and the Finnish National Ballet. She has also performed at the prestigious World Ballet Festival in Tokyo and at galas all over the world. In 2010 she was recognised for her artistic excellence with the Laurence Olivier Award for the Best New Dance Production with Goldberg: the Brandstrup - Rojo Project. She has been awarded the Prince of Asturias Prize, the Gold Medal for Fine Arts and the Encomienda de Numero de Isabel la Catolica. Other recognitions include the Prix Benois de la Danse, The Times Dancer Revelation of the Year, the National Dance Critics Award, the Barclay’s Award for Outstanding Achievement in Dance, the Positano Dance Award, Léonide Massine Premi al Valore, the Italian Critics Award, the International Arts Medal and the Madrid Performance Award.
    [Show full text]
  • September 4, 2014 Kansas City Ballet New Artistic Staff and Company
    Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.
    [Show full text]
  • The Sleeping Beauty a Ballet to the Music of Pyotr Ilyich Tchaikovsky
    Educator’s Guide The Sleeping Beauty A Ballet to the music of Pyotr Ilyich Tchaikovsky Presented by International Ballet Exchange Choreographed by Marius Petipa, staged by Elena Tiuriakulova with additional choreography by Nancy Malmed and Yosbel Delgado-Hernandez Featuring: Yosbel Delgado-Hernandez and students from Wissahickon Dance Academy John B. Kelly Elementary School Frances Willard Elementary School May 10, 2019, at George Washington High School 1 A Word of Welcome April 2019 Dear Educator: I am so pleased that you and your students are attending International Ballet Exchange’s presentation of The Sleeping Beauty. The young artists have been preparing for many months, and they look forward to performing for your students on Friday, May 10. Sleeping Beauty, performed to the music of Pyotr Ilyich Tchaikovsky, tells the timeless story of the revenge, and mercy through a grand production We have provided a number of resources in this guide to help you discuss the ballet both before and after the performance. The young ballet dancers sharing the stage with guest artist Yosbel Delgado-Hernandez are students from the Wissahickon Dance Academy in Germantown and students from John B. Kelly Elementary School and Frances Willard Elementary School who are taking ballet lessons in their schools through IBE’s program. In order to appreciate and understand what is happening onstage, it is important for the students to be familiar with the characters and the storyline before they see the performance. In the following pages, you will find a synopsis to familiarize your students with the characters and the storyline prior to the show, as well as a guide to audience etiquette and other information and resources for you to use or adapt in preparing your students for this experience.
    [Show full text]
  • Giselle Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 1-20-2001 Giselle Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Giselle" (2001, 2008). Center for Performing Arts Memorabilia. Book 168. http://opus.govst.edu/ cpa_memorabilia/168 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PffiFORMINC HRT5 Governors State University Presents Moscow Festival Ballet GISELLE SATURDAY, JANUARY 20,2001 8:00 PM 2000/2001 Season sponsored in part by a grant from the: I MOSCOW FESTIVAL BALLET GISELLE Sergei Radchenko, Artistic Director Act I: A Rhineland Village PRINCIPAL DANCERS Giselle, a peasant girl, has fallen in love with Count Albrecht, who has led her to believe that he is a villager named Loys. Her superstitious Natalia Arkiphova mother, Berthe, hoping that Giselle will marry the forester Hilarion, Mikhail Bessmertnov Marina Rzhannikova warns her against Loys, to whom she has taken an instinctive dislike. Dmitry Dmitriev Natalia Kungurtseva Yuri Vetrov Tatiana Andreyeva In order to discourage Giselle's love for 'Loys', Berthe further recounts Vyacheslav Aksenov the legend of the Wilis - ghosts of young girls who have been jilted Irina Kovaleva Valery Shumilov and die before their wedding day: to avenge themselves, they dance to Renata Petrova Alexander Rupyshev death any man who crosses their paths between midnight and dawn.
    [Show full text]
  • 13 June 2014 Page 1 of 10
    Radio 3 Listings for 7 – 13 June 2014 Page 1 of 10 SATURDAY 07 JUNE 2014 Norwegian Dance No.1 (Op.35) for piano duet the production with the critics Alexandra Coghlan and Geoffrey Leif Ove Andsnes & Håvard Gimse (piano) Smith. On a flying visit to London, the Metropolitan Opera's SAT 01:00 Through the Night (b045c18j) General Manager Peter Gelb explains to Tom that although the Jonathan Swain presents works by Czech composer Vilem 5:01 AM launch of the Met's live HD cinema relays worldwide have been Blodek. Strauss (ii), Johann [1825-1899] a tremendous success the opera company faces bankruptcy Schatz-Walzer ('Treasure Waltz') from Der Zigeunerbaron within in the next two or three years if things aren't rectified 1:01 AM (Op.418) now. Gelb sets out his plan to save the Met to Tom. Smetana, Bedrich [1824-1884] Kitchener-Waterloo Symphony Orchestra, Raffi Armenian Overture to The Bartered Bride (1870) (conductor) Tom also took the opportunity to catch up with the American BBC Symphony Orchestra, Jirí Belohlávek (conductor) countertenor Lawrence Zazzo when he was in town and found 5:10 AM out about the influence Frankie Valli and the Bee Gees had on 1:08 AM Waissel, Matthäus (c.1535/40-1602) him...as well as James Bowman! Zazzo also expressed his Blodek, Vilem [1834-1874] Three Polish Dances for lute frustration at the idea that countertenors are a continuation of Music for the Shakespeare Celebrations - suite for orchestra Jacob Heringman (lute) the castrati line and not seen as falsettists in their own right.
    [Show full text]
  • Barbora Kohoutková
    BARBORA KOHOUTKOVÁ Barbora Kohoutková started ballet training at a very early age. She was chosen at the age of 4 by a pre-ballet school of the National Theater in Prague and got accepted to the Prague Dance Conservatory when she was 10 years old. Barbora started her professional career at the age of 17 in Helsinki as a Principal Dancer with the Finnish National Ballet (1996-2002). Before becoming a guest principal dancer she worked with the Bavarian State Ballet – Munich (2002-2003), Boston Ballet (2003-2004) and Hamburg Ballet-John Neumeier (2004-2008). In her career she has danced the most important roles of almost the entire classical repertoire in its original form and in productions by Ben Stevenson, Natalia Makarova, Rudolf Nureyev, Vladimir Bourmeister, Sylvie Guillem, Wayne Eagling, Toer van Schayk, Bruce Marks, Frederick Ashton, Mikhail Fokine… Besides the classical repertoire she also performed in choreographies by George Balanchine, Jiri Kylian, John Cranko, John Neumeier, Jorma Uotinen, Sir Kenneth MacMillan, Heinz Spoerli, Mark Morris… As a guest artist she has been performing in Essen, Helsinki, Milano, Moscow, Munich, Prague, Rome, St. Petersburg, Tokyo (World Ballet Festival 2002 and 2004), … Sadly, due to injuries, she had to cut short her beautiful career at the early age of 28. After having undergone multiple surgeries and stoically enduring much physical suffering, Barbora had to retire from the stage and began a rewarding career as a Ballet Master and teacher, occasionally still performing as a guest Principal. During the season 2009- 2010 she worked as Ballet Master at the National Theater in Prague.
    [Show full text]
  • Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions
    RCHI ATECTURE IN C EMA O C MIC A D NCE ITER LATURE U M SIC AI PNTING HOT POGRAPHY CU S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI ATECTURE IN Due to the temporal and geographic amplitude of the history of C EMA Spain, Spanish architecture has received many different influences and has had many different expressions. O C MIC The real development came with the Romans who left behind in A Hispania some of their most amazing monuments. The Muslim D NCE invasion in 711 meant a radical change during the eight ITER centuries that followed and produced great step forwards in the LATURE culture and the architecture. Córdoba, the capital of the U Umayyad dynasty and Granada, capital of the Nasrid dynasty, M SIC became cultural centers of great importance. AI Many Spanish architectural structures, even big parts of the NTING P cities, have been given the status of World Heritage Site given HOT their artistic relevance. Spain is the second country with more POGRAPHY places with the status of World Heritage Site granted by the CU UNESCO, the first one is Italy. S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI MEGALITHIC ARCHITECTURE IBERIAN AND CELTIC ARCHITECTURE TECTURE During the Stone Age the Castro de Baroña The Castro culture, A Galicia most widespread megalith that arose in the north and in the IN Cueva de Menga in the Iberian Peninsula was C EMA Antequera the dolmen. The plans of center of the these funerary chambers used to be pseudocircles or Peninsula and that O trapezoids, formed by huge stones stuck on the ground was directly or indirectly related to C MIC and with others above them as a roof.
    [Show full text]
  • Director of Marketing & Communications
    Director of Marketing & Communications Welcome Dear Candidate, We are delighted that you want to learn more about this exciting new role in our Leadership team of directors at English National Ballet (ENB). The joy of ENB is that, as a small company it can act swiftly and in an agile way, whilst offering a breadth of opportunity often only afforded in larger organisations. We are competing with the best ballet companies in the world and are leading the conversations about the future of ballet. The impact of covid-19 on our ability to create and perform has been significant, but we were proud to win the award for Best Company Response to the Pandemic at this summer’s National Dance Awards, showing we are working to ensure that the Arts are playing a dynamic and inclusive role in the nation’s recovery. The Director of Marketing & Communications is an important role for ENB, empowering us to better understand our existing audience and engage with new ones. You will play a key role in the delivery of our strategy as we emerge from the pandemic and continue to welcome people back to our performances. Part of this will include overseeing a brand refresh, as well as continuing to invest in our digital strategy. We want to work with someone creative and commercial who can inspire a great team of marketing, digital and communications professionals and work collaboratively with our team of directors to deliver our new four year plan, which will capitalise on our international profile, artistic reputation and the transformational facilities at our new 93,000 square foot home in Canning Town.
    [Show full text]
  • Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
    edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.
    [Show full text]