Autumn 2019 SPRING 2019 HIGHLIGHTS Pure Rose Cartwright 978-1-78352-736-6 £8.99
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Oi Duck-Billed Platypus! This July! Text © Kes Gray, 2018
JULY 2019 EDITION Featuring buyer’s recommends and new titles in books, DVD & Blu-ray Cats sit on gnats, dogs sit on logs, and duck-billed platypuses sit on …? Find out in the hilarious Oi Duck-billed Platypus! this July! Text © Kes Gray, 2018. Illustrations © Jim Field, 2018. Gray, © Kes Text NEW for 2019 Oi Duck-billed Platypus! 9781444937336 PB | £6.99 Platypus Sales Brochure Cover v5.indd 1 19/03/2019 09:31 P. 11 Adult Titles P. 133 Children’s Titles P. 180 Entertainment Releases THIS PUBLICATION IS ALSO AVAILABLE DIGITALLY VIA OUR WEBSITE AT WWW.GARDNERS.COM “You need to read this book, Smarty’s a legend” Arthur Smith A Hitch in Time Andy Smart Andy Smart’s early adventures are a series of jaw-dropping ISBN: 978-0-7495-8189-3 feats and bizarre situations from RRP: £9.99 which, amazingly, he emerged Format: PB Pub date: 25 July 2019 unscathed. WELCOME JULY 2019 3 FRONT COVER Oi Duck-billed Platypus! by Kes Gray Age 1 to 5. A brilliantly funny, rhyming read-aloud picture book - jam-packed with animals and silliness, from the bestselling, multi-award-winning creators of ‘Oi Frog!’ Oi! Where are duck-billed platypuses meant to sit? And kookaburras and hippopotamuses and all the other animals with impossible-to-rhyme- with names... Over to you Frog! The laughter never ends with Oi Frog and Friends. Illustrated by Jim Field. 9781444937336 | Hachette Children’s | PB | £6.99 GARDNERS PUBLICATIONS ALSO INSIDE PAGE 4 Buyer’s Recommends PAGE 8 Recall List PAGE 11 Gardners Independent Booksellers Affiliate July Adult’s Key New Titles Programme publication includes a monthly selection of titles chosen specifically for PAGE 115 independent booksellers by our affiliate July Adult’s New Titles publishers. -
The Woman Engineer
WOMEN’S ENGINEERING SOCIETY VOL 20 • NO 3 - SUMMER 2019 www.wes.org.uk The Woman Engineer 1919 - 2019 Inside this issue...... WES Annual Conference Held in March at the RAF Museum London, the 2019 WES Annual Conference reflected the celebratory mood of our centenary year, highlighting how past achievements are inspiring future objectives. Page 4 Also inside ............. #INWED2019 #TransformTheFuture - make 23 June 2019 our largest International Women in Engineering Day yet, check out how you can get involved at www.inwed.org.uk Page 3 Young Woman Engineers WES Member of the Year Challenge WES Prize winner Lorna Bennet What you can do to help WES explains what award recognition continue to grow from strength to means to her in her quest to spread strength. Page 6 the STEM message. Page 10 the woman engineer - summer 2019 1919 - 2019 1 From the editor’s desk It’s a thrilling year for everyone involved in WES. We have a continued opportunity to showcase President’s Message the enormous capabilities of women It has been a very exciting few months in engineers past and present. We are this our centenary year. delighted to be enjoying our centenary The Annual Conference at the RAF year with such gusto – just ask Museum in March was simply stunning. anyone who has already attended one The event was sold out so there were not of our celebratory centenary events only many familiar faces but also some and they will echo our enthusiasm. amazing new people to connect with. The breadth of subjects covered by the various What is particularly noticeable, as our speakers was very rich and engaging and Lynn Postle, FICME President Dawn Childs pointed out at there were so many life changing snippets our Annual Conference in March, is the made by women engineers in the UK of advice and guidance that I am sure there energy of those keen to champion the in the past one hundred years and we will be a tangible and enduring impact from variety of engineering professions that urge you to take part in our Wikithons the event for many attendees. -
The Gossip Tree
December THE GOSSIP TREE 2018 Issue 298 News & Views from the Parish of FONTMELL MAGNA This issue is kindly Notices – December 2018 sponsored by The Village Shop and Post Office St. Andrew’s Church Sun 2nd 8.00am Holy Communion (BCP) Dear Customers, course meal with festive trimmings for 9.00am Sunday Breakfast (Village Hall Just a note to thank all those who have £25 per head. Bring your own wine or - see over) supported the Village Shop, Post purchase it from the shop. Bookings Sun 9th 9.30am Morning Worship Office, Tea Room, B + B and, on many only, as you can imagine! Sun 16th 9.30am Holy Communion with choir occasions, Rick and I personally. In Fri 21st 5.30pm See page 4 particular, we must once again thank Xmas opening times: Sun 23rd 4.00pm Candlelit Carol Service Mon 24th 11.30pm Midnight Communion (CW) all those who contributed towards our 24th Dec 9.00am to 2.00pm Tue 25th 9.30am Special Christmas Day service five-year anniversary present from the 25th Closed Sun 30th 10.00am Benefice Service at Shroton village, as well as those mischievous 26th Closed fairies who organised it all! I'm 27th to 31st (inc.) 9.00am to 1.00pm Prayers each Monday at 9.00am ashamed to say I have still not 1st January 2019 Closed displayed photos of the lovely times we Parish Council Meeting shared at your most gratefully received In the meantime, however, we are No meeting this month. Next meeting Mon 14th expense. Top of my New Year's following national trends and hosting January 2019 at 7.00pm in St. -
Opening Lecture at the Science Museum, London, 5 June 2019
Electrifying Women: Understanding the Long History of Women in Engineering Elizabeth Bruton & Graeme Gooday @ElectrifyingWmn Caroline Haslett, First WES Secretary WES visit to a Birmingham power station, c.1938 Image source: NAEST 092/07/01 Caroline Haslett papers, IET Archives Women’s Engineering Society Centenary 2019 W.E.S. founded in the UK on June 23rd 1919. The first women’s engineering society in the world. Why does Britain now have the lowest proportion in Europe (c.12%) of women in engineering? W.E.S. annual conference 1924. Image courtesy of W.E.S. Plan of the evening • WES Presentation on its Heritage Centenary Trail project, Helen Close • Overview of the ‘Electrifying Women’ AHRC project • Women in engineering before WES • WW1, the founding of WES and early challenges • What has kept WES going for a century - when other bodies did not? • Audience discussion and questions • Opportunities for future participation. • Reception and networking AHRC project: Electrifying Women: Understanding the Long History of Women in Engineering Public engagement work in partnership with WES, IET, Wikimedia & Science Museum: Aims: • to share stories of women’s collaborative participation in engineering from 19th century • to show where more research is needed, how it can be done & how shared • to enhance Wikipedia pages on women in engineering history through wikithons • to develop inclusive forms of participation e.g. creative writing and drama • to support recruitment of women to engineering through heightened historical awareness Resources: -
Welcome: Tapra @ 10 Getting to Royal Holloway and Local Taxis Wifi Eating and Drinking Keynote Speakers Performance Practice
3 Welcome: TaPRA @ 10 5 Getting to Royal Holloway and local taxis 6 Wifi 6 Eating and Drinking 10 Keynote Speakers 12 Performance 14 Practice Gallery 19 Schedule 43 Abstracts and Biography 203 Working Group Conveners 204 Maps and Rooms 1 2 Welcome: TaPRA @ 10 This short prologue is by way of a welcome to the 10th anniversary conference for TaPRA at Royal Holloway. It is fitting that we should be here at the end of our ninth year, as two of the founder members of the executive, David Bradby and Jacky Bratton spent the larger part of their academic careers in the department and Royal Holloway has played an important role more generally in the work of TaPRA over the years, with staff convening working groups and a large contingent at every conference. TaPRA began at the University of Manchester in 2005. The organization, which had many different names in its first sixth months, came out of both a desire to celebrate our research and a frustration at the divisive nature of the (then) RAE. With a growing impatience at the lack of a national association for specifically UK-based theatre and performance research, the idea was to form an organization that could be membership based and conference lead, could be used by emerging scholars and more established scholars alike, as a place to try out their ideas. The original founders, David Bradby, Jacky Bratton, Maggie B.Gale, Viv Gardner and Baz Kershaw were joined by Maria Delgado, Brian Singleton, Kate Newey, Andy Lavender, Sophie Nield and Paul Allain – as the founding executive. -
Tapra @ 10 Getting to Royal Holloway and Local Taxis Wifi Eating
3 Welcome: TaPRA @ 10 5 Getting to Royal Holloway and local taxis 6 Wifi 6 Eating and Drinking 10 Keynote Speakers 12 Performance 14 Practice Gallery 19 Schedule 43 Abstracts and Biography 203 Working Group Conveners 204 Maps and Rooms 1 2 Welcome: TaPRA @ 10 This short prologue is by way of a welcome to the 10th anniversary conference for TaPRA at Royal Holloway. It is fitting that we should be here at the end of our ninth year, as two of the founder members of the executive, David Bradby and Jacky Bratton spent the larger part of their academic careers in the department and Royal Holloway has played an important role more generally in the work of TaPRA over the years, with staff convening working groups and a large contingent at every conference. TaPRA began at the University of Manchester in 2005. The organization, which had many different names in its first sixth months, came out of both a desire to celebrate our research and a frustration at the divisive nature of the (then) RAE. With a growing impatience at the lack of a national association for specifically UK-based theatre and performance research, the idea was to form an organization that could be membership based and conference lead, could be used by emerging scholars and more established scholars alike, as a place to try out their ideas. The original founders, David Bradby, Jacky Bratton, Maggie B.Gale, Viv Gardner and Baz Kershaw were joined by Maria Delgado, Brian Singleton, Kate Newey, Andy Lavender, Sophie Nield and Paul Allain – as the founding executive. -
Women Engineers in Britain, 1945-2000
Open Research Online The Open University’s repository of research publications and other research outputs Women engineers in Britain, 1945-2000 Thesis How to cite: Wray, Lesley (2006). Women engineers in Britain, 1945-2000. PhD thesis The Open University. For guidance on citations see FAQs. c 2005 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000d3ba Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Mrs Lesley Wray MSc (OU) Women Engineers in Britain, 1945-2000 Thesis submitted for a PhD History Faculty of Arts Submitted on 24/10/2005 ~'I1+0Q, NO fVl5s'il-Io7 t.f.'\-rE of Svi3.t-\IS£ ION 21 s~~te 200'5" D A-{£ ot: PrulA-€..t> 2c f\PQ.\L .lOob PAGINATED BLANK PAGES ARE SCANNED AS FOUND IN ORIGINAL THESIS NO INFORMATION MISSING ABSTRACT Women Engineers in Britain, 1945-2000 This thesis looks at the work of women engineers in the period 1945-2000. Its central focus is the impact gender had on the likelihood of a woman making such a career choice, on the training to become an engineer and on women's lived experiences in the work place. It discusses the impact of the equality legislation and considers the effect that the characterisation of engineering as a male profession had on the numbers of women in engineering and on their treatment. -
“More Like a Poem Than a Play”: Towards a Dramaturgy of Performing Arts for Early Years
Summary of findings “More like a poem than a play”: towards a dramaturgy of performing arts for Early Years by Dr Ben Fletcher-Watson Copyright Statement introduction Theatre for Early Years (TEY) has Using Grounded Theory as a rapidly expanded since its method to analyse interviews with emergence in the late 1970s. More 26 leading Scottish practitioners of than 100 new productions are now TEY, this project undertakes a staged annually around the world qualitative investigation of current for children aged from birth to practice in the devising and three-years-old. production of performing arts for very young audiences. TEY currently lacks a coherent theoretical framework or The process points towards a dramaturgy, instead drawing on theory that proposes that Scottish interdisciplinary strands of Early Years artists undergo an psychology, pedagogy and attitudinal shift towards a belief in existing dramaturgical practices equality, meaning that children from older forms of theatre for should access high-quality children. This study explores cultural experiences on the artists’ embodied knowledge as a same basis as adults. repository of skill, while also recognising external factors that Secondly, it suggests that these impact on creative production, artists believe they possess a from belief systems to training, the unique and hard-won skill-set search for funding and the struggle worthy of recognition by their for recognition. peers. 2 2 12 key findings Bob and Roberta Smith, Art Makes Children Powerful, 2012. Hales Gallery. § Artists in Scotland respect § Some artists also describe a the right of babies to struggle for recognition experience culture, from peers and funders, believing that very young although they feel children deserve theatre as supported by artist much as adults. -
Max Fulham Comedy Entertainer and Ventriloquist
Max Fulham Comedy Entertainer and Ventriloquist Guild member, 17 year old Max Fulham is already getting rave reviews for his ventriloquist performances on Face Book and on his You Tube channel. He also has a very impressive and professional website to promote his talents. David Leech decided to find out more about him. You can read the interview on pages 2 to 4. Also in this issue (on page 14): With a blue monster called Nigel Meet Lori Hopkins and her innovative new play The Explorer with a specially composed soundtrack to accompany the spellbinding story, it is a play that explores marionette traditions and bends the rules a bit too. After a crash landing on a strange island, the brave Explorer needs to find her way home. Watch her travel the high seas, drift into space and even hitch a ride on an elephant. “I wanted to generate a level of excitement for string puppetry,” said Lori, “This is a performance that breaks out of the conventions of marionette theatre. I will be visible to the audience during the show and the marionette will have a live voice. Hopefully it inspires the next generation of puppeteers to create work in a new way.” www.maxandfriends.co.uk Max Fulham - Comedy Entertainer and Ventriloquist. When and how did you first become interested in ventriloquism? My parents bought me a puppet for Christmas when I was nine years old, and I was immediately hooked. Who do you take inspiration from? As well as taking inspiration from modern stars such as Paul Zerdin, Steve Hewlett and Nina Conti, I also think its vital that I look back to older performers for ventriloquism and comedy in general. -
Ben Fletcher-Watson Phd Thesis
“MORE LIKE A POEM THAN A PLAY”: TOWARDS A DRAMATURGY OF PERFORMING ARTS FOR EARLY YEARS Ben Fletcher-Watson A Thesis Submitted for the Degree of PhD at the Royal Conservatoire of Scotland & University of St Andrews 2016 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/8974 This item is protected by original copyright This item is licensed under a Creative Commons Licence “More like a poem than a play”: towards a dramaturgy of performing arts for Early Years Ben Fletcher-Watson PhD in Drama Date of submission: 26/01/2016 © Ben Fletcher-Watson 2016 Abstract This thesis aims to further our understanding of the emergent phenomenon of Theatre for Early Years (TEY) in Scotland. It interrogates a series of artistic practices – traditional, postdramatic, participatory – with the aim of proposing a possible dramaturgy of arts for the very young. Practice typically precedes theory in new fields of performance. TEY currently lacks a coherent theoretical framework or dramaturgy, instead drawing on interdisciplinary strands of psychology, pedagogy and existing dramaturgical practices from older forms of theatre for children. This study explores artists’ embodied knowledge as a repository of skill, while also recognising external factors that impact on creative production, from belief systems to training, the search for funding and the struggle for recognition. Using Grounded Theory as a method to analyse interviews with 26 leading Scottish practitioners, this project undertakes a qualitative investigation of current practice in the devising and production of performing arts for very young audiences. -
Radio 4 Listings for 27 December 2008 – 2 January 2009 Page 1 of 12
Radio 4 Listings for 27 December 2008 – 2 January 2009 Page 1 of 12 SATURDAY 27 DECEMBER 2008 SAT 07:00 Today (b00g3xfl) about the way we see places and why they are a must for Presented by James Naughtie and Evan Davis. tourists. SAT 00:00 Midnight News (b00g3xbh) The latest national and international news from BBC Radio 4, A nurse who has been missing for more than a week has been followed by weather. found alive in the boot of her own car. Colin Blane reports. SAT 10:30 Salman Rushdie and The Wizard of Oz (b00g3xq8) Dominic Nutt, of Save the Children's Emergency Response Salman Rushdie celebrates the seventieth anniversary of the SAT 00:15 Q & A by Vikas Swarup (b007tyv7) team in Zimbabwe, discusses if he thinks the humanitarian classic film The Wizard of Oz and examines its enduring 5,000 Rupees crisis in the country is purely man made. appeal. Featuring contributions from John Lahr, theatre critic for The New Yorker and the son of Burt Lahr who played the By Ayeesha Menon, from the novel by Vikas Swarup. Wendy Urquhart visits a London branch of Woolworths as it Cowardly Lion, and historian David Powell, who remembers opens for its last day of trading. seeing the film when it was released during WWII. Street kid Ram Mohammad Thomas is a contestant on the hit Indian TV show Who Will Win a Billion. As he ponders over Barbara Plett meets some of the people who were there on the the first question, his thoughts drift back to his childhood in day Pakistan's former Prime Minister Benazir Bhutto was SAT 11:00 Beyond Westminster (b00g6spf) Delhi. -
The Woman Engineer
WOMEN’S ENGINEERING SOCIETY www.wes.org.uk The Woman Engineer VOL 20 • NO 5 - WINTER 2019 Inside this issue...... 1919 - 2019 Making it Happen How volunteering for WES can bring benefits to you as an individual and to your company. Page 6 Also inside ............. WES Centenary Trail Map An update on our very successful celebration of 100 years of WES. Page 4 WOMEN’S ENGINEERING SOCIETY www.wes.org.uk The Woman Engineer VOL 20 • NO 1 - WINTER 2018 Inside this issue...... WES Awards 2018 and Caroline Haslett Lecture A celebratory evening and a motivating presentation. WES members gather to honour outstanding achievements. Page 6 Also inside ............. he Woman Engineer talks to new WES CEO TElizabeth Donnelly about her aspirations for the WES centenary year and her longer term hopes for the Society. Prior to her appointment as CEO, Elizabeth had attended a couple of WES events and says: “I noticed it was full of very keen young women who were very proud of WES’ heritage. There has always been a great deal of enthusiasm about WES’ activities and ambitions and I’m conscious that WOMEN’S ENGINEERING SOCIETY VOL 1 9 • NO 17 - WINTER 2017 www.wes.org.uk WES has always punched above its weight.” Continued on The Woman Engineer page 3… Motorsport Engineering - How to Thrive A rea l h gi hl gi h t of the recent WES AGM w as As a female in m o ot rsport you get attention from the provided by Brit si h r ace engineer Leena Gade team, the med ai and the fans, b ecause you are rare who gave a presentat oi n on her exper ei nces but i f you have integrity and honesty people respect in el ading a team of engineers in t he pit al ne.