Puppetry in Performance Inspiration
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Oi Duck-Billed Platypus! This July! Text © Kes Gray, 2018
JULY 2019 EDITION Featuring buyer’s recommends and new titles in books, DVD & Blu-ray Cats sit on gnats, dogs sit on logs, and duck-billed platypuses sit on …? Find out in the hilarious Oi Duck-billed Platypus! this July! Text © Kes Gray, 2018. Illustrations © Jim Field, 2018. Gray, © Kes Text NEW for 2019 Oi Duck-billed Platypus! 9781444937336 PB | £6.99 Platypus Sales Brochure Cover v5.indd 1 19/03/2019 09:31 P. 11 Adult Titles P. 133 Children’s Titles P. 180 Entertainment Releases THIS PUBLICATION IS ALSO AVAILABLE DIGITALLY VIA OUR WEBSITE AT WWW.GARDNERS.COM “You need to read this book, Smarty’s a legend” Arthur Smith A Hitch in Time Andy Smart Andy Smart’s early adventures are a series of jaw-dropping ISBN: 978-0-7495-8189-3 feats and bizarre situations from RRP: £9.99 which, amazingly, he emerged Format: PB Pub date: 25 July 2019 unscathed. WELCOME JULY 2019 3 FRONT COVER Oi Duck-billed Platypus! by Kes Gray Age 1 to 5. A brilliantly funny, rhyming read-aloud picture book - jam-packed with animals and silliness, from the bestselling, multi-award-winning creators of ‘Oi Frog!’ Oi! Where are duck-billed platypuses meant to sit? And kookaburras and hippopotamuses and all the other animals with impossible-to-rhyme- with names... Over to you Frog! The laughter never ends with Oi Frog and Friends. Illustrated by Jim Field. 9781444937336 | Hachette Children’s | PB | £6.99 GARDNERS PUBLICATIONS ALSO INSIDE PAGE 4 Buyer’s Recommends PAGE 8 Recall List PAGE 11 Gardners Independent Booksellers Affiliate July Adult’s Key New Titles Programme publication includes a monthly selection of titles chosen specifically for PAGE 115 independent booksellers by our affiliate July Adult’s New Titles publishers. -
The Gossip Tree
December THE GOSSIP TREE 2018 Issue 298 News & Views from the Parish of FONTMELL MAGNA This issue is kindly Notices – December 2018 sponsored by The Village Shop and Post Office St. Andrew’s Church Sun 2nd 8.00am Holy Communion (BCP) Dear Customers, course meal with festive trimmings for 9.00am Sunday Breakfast (Village Hall Just a note to thank all those who have £25 per head. Bring your own wine or - see over) supported the Village Shop, Post purchase it from the shop. Bookings Sun 9th 9.30am Morning Worship Office, Tea Room, B + B and, on many only, as you can imagine! Sun 16th 9.30am Holy Communion with choir occasions, Rick and I personally. In Fri 21st 5.30pm See page 4 particular, we must once again thank Xmas opening times: Sun 23rd 4.00pm Candlelit Carol Service Mon 24th 11.30pm Midnight Communion (CW) all those who contributed towards our 24th Dec 9.00am to 2.00pm Tue 25th 9.30am Special Christmas Day service five-year anniversary present from the 25th Closed Sun 30th 10.00am Benefice Service at Shroton village, as well as those mischievous 26th Closed fairies who organised it all! I'm 27th to 31st (inc.) 9.00am to 1.00pm Prayers each Monday at 9.00am ashamed to say I have still not 1st January 2019 Closed displayed photos of the lovely times we Parish Council Meeting shared at your most gratefully received In the meantime, however, we are No meeting this month. Next meeting Mon 14th expense. Top of my New Year's following national trends and hosting January 2019 at 7.00pm in St. -
Welcome: Tapra @ 10 Getting to Royal Holloway and Local Taxis Wifi Eating and Drinking Keynote Speakers Performance Practice
3 Welcome: TaPRA @ 10 5 Getting to Royal Holloway and local taxis 6 Wifi 6 Eating and Drinking 10 Keynote Speakers 12 Performance 14 Practice Gallery 19 Schedule 43 Abstracts and Biography 203 Working Group Conveners 204 Maps and Rooms 1 2 Welcome: TaPRA @ 10 This short prologue is by way of a welcome to the 10th anniversary conference for TaPRA at Royal Holloway. It is fitting that we should be here at the end of our ninth year, as two of the founder members of the executive, David Bradby and Jacky Bratton spent the larger part of their academic careers in the department and Royal Holloway has played an important role more generally in the work of TaPRA over the years, with staff convening working groups and a large contingent at every conference. TaPRA began at the University of Manchester in 2005. The organization, which had many different names in its first sixth months, came out of both a desire to celebrate our research and a frustration at the divisive nature of the (then) RAE. With a growing impatience at the lack of a national association for specifically UK-based theatre and performance research, the idea was to form an organization that could be membership based and conference lead, could be used by emerging scholars and more established scholars alike, as a place to try out their ideas. The original founders, David Bradby, Jacky Bratton, Maggie B.Gale, Viv Gardner and Baz Kershaw were joined by Maria Delgado, Brian Singleton, Kate Newey, Andy Lavender, Sophie Nield and Paul Allain – as the founding executive. -
Tapra @ 10 Getting to Royal Holloway and Local Taxis Wifi Eating
3 Welcome: TaPRA @ 10 5 Getting to Royal Holloway and local taxis 6 Wifi 6 Eating and Drinking 10 Keynote Speakers 12 Performance 14 Practice Gallery 19 Schedule 43 Abstracts and Biography 203 Working Group Conveners 204 Maps and Rooms 1 2 Welcome: TaPRA @ 10 This short prologue is by way of a welcome to the 10th anniversary conference for TaPRA at Royal Holloway. It is fitting that we should be here at the end of our ninth year, as two of the founder members of the executive, David Bradby and Jacky Bratton spent the larger part of their academic careers in the department and Royal Holloway has played an important role more generally in the work of TaPRA over the years, with staff convening working groups and a large contingent at every conference. TaPRA began at the University of Manchester in 2005. The organization, which had many different names in its first sixth months, came out of both a desire to celebrate our research and a frustration at the divisive nature of the (then) RAE. With a growing impatience at the lack of a national association for specifically UK-based theatre and performance research, the idea was to form an organization that could be membership based and conference lead, could be used by emerging scholars and more established scholars alike, as a place to try out their ideas. The original founders, David Bradby, Jacky Bratton, Maggie B.Gale, Viv Gardner and Baz Kershaw were joined by Maria Delgado, Brian Singleton, Kate Newey, Andy Lavender, Sophie Nield and Paul Allain – as the founding executive. -
“More Like a Poem Than a Play”: Towards a Dramaturgy of Performing Arts for Early Years
Summary of findings “More like a poem than a play”: towards a dramaturgy of performing arts for Early Years by Dr Ben Fletcher-Watson Copyright Statement introduction Theatre for Early Years (TEY) has Using Grounded Theory as a rapidly expanded since its method to analyse interviews with emergence in the late 1970s. More 26 leading Scottish practitioners of than 100 new productions are now TEY, this project undertakes a staged annually around the world qualitative investigation of current for children aged from birth to practice in the devising and three-years-old. production of performing arts for very young audiences. TEY currently lacks a coherent theoretical framework or The process points towards a dramaturgy, instead drawing on theory that proposes that Scottish interdisciplinary strands of Early Years artists undergo an psychology, pedagogy and attitudinal shift towards a belief in existing dramaturgical practices equality, meaning that children from older forms of theatre for should access high-quality children. This study explores cultural experiences on the artists’ embodied knowledge as a same basis as adults. repository of skill, while also recognising external factors that Secondly, it suggests that these impact on creative production, artists believe they possess a from belief systems to training, the unique and hard-won skill-set search for funding and the struggle worthy of recognition by their for recognition. peers. 2 2 12 key findings Bob and Roberta Smith, Art Makes Children Powerful, 2012. Hales Gallery. § Artists in Scotland respect § Some artists also describe a the right of babies to struggle for recognition experience culture, from peers and funders, believing that very young although they feel children deserve theatre as supported by artist much as adults. -
Max Fulham Comedy Entertainer and Ventriloquist
Max Fulham Comedy Entertainer and Ventriloquist Guild member, 17 year old Max Fulham is already getting rave reviews for his ventriloquist performances on Face Book and on his You Tube channel. He also has a very impressive and professional website to promote his talents. David Leech decided to find out more about him. You can read the interview on pages 2 to 4. Also in this issue (on page 14): With a blue monster called Nigel Meet Lori Hopkins and her innovative new play The Explorer with a specially composed soundtrack to accompany the spellbinding story, it is a play that explores marionette traditions and bends the rules a bit too. After a crash landing on a strange island, the brave Explorer needs to find her way home. Watch her travel the high seas, drift into space and even hitch a ride on an elephant. “I wanted to generate a level of excitement for string puppetry,” said Lori, “This is a performance that breaks out of the conventions of marionette theatre. I will be visible to the audience during the show and the marionette will have a live voice. Hopefully it inspires the next generation of puppeteers to create work in a new way.” www.maxandfriends.co.uk Max Fulham - Comedy Entertainer and Ventriloquist. When and how did you first become interested in ventriloquism? My parents bought me a puppet for Christmas when I was nine years old, and I was immediately hooked. Who do you take inspiration from? As well as taking inspiration from modern stars such as Paul Zerdin, Steve Hewlett and Nina Conti, I also think its vital that I look back to older performers for ventriloquism and comedy in general. -
Ben Fletcher-Watson Phd Thesis
“MORE LIKE A POEM THAN A PLAY”: TOWARDS A DRAMATURGY OF PERFORMING ARTS FOR EARLY YEARS Ben Fletcher-Watson A Thesis Submitted for the Degree of PhD at the Royal Conservatoire of Scotland & University of St Andrews 2016 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/8974 This item is protected by original copyright This item is licensed under a Creative Commons Licence “More like a poem than a play”: towards a dramaturgy of performing arts for Early Years Ben Fletcher-Watson PhD in Drama Date of submission: 26/01/2016 © Ben Fletcher-Watson 2016 Abstract This thesis aims to further our understanding of the emergent phenomenon of Theatre for Early Years (TEY) in Scotland. It interrogates a series of artistic practices – traditional, postdramatic, participatory – with the aim of proposing a possible dramaturgy of arts for the very young. Practice typically precedes theory in new fields of performance. TEY currently lacks a coherent theoretical framework or dramaturgy, instead drawing on interdisciplinary strands of psychology, pedagogy and existing dramaturgical practices from older forms of theatre for children. This study explores artists’ embodied knowledge as a repository of skill, while also recognising external factors that impact on creative production, from belief systems to training, the search for funding and the struggle for recognition. Using Grounded Theory as a method to analyse interviews with 26 leading Scottish practitioners, this project undertakes a qualitative investigation of current practice in the devising and production of performing arts for very young audiences. -
Autumn 2019 SPRING 2019 HIGHLIGHTS Pure Rose Cartwright 978-1-78352-736-6 £8.99
Autumn 2019 SPRING 2019 HIGHLIGHTS Pure Rose Cartwright 978-1-78352-736-6 £8.99 The Sewing Machine Natalie Fergie 978-1-78352-748-9 £8.99 21st-Century Yokel Tom Cox 978-1-78352-739-7 £9.99 Common People Kit de Waal (ed.) 978-1-78352-745-8 £9.99 Don’t Hold My Head Down Lucy-Anne Holmes 978-1-78352-621-5 £14.99 How to Come Alive Again Beth McColl 978-1-78352-719-9 £14.99 The Life of Death Lucy Booth 978-1-78352-710-6 £9.99 inside2019.indd 1 05/02/2019 14:09 Unbound Unit 18 Waterside 44–48 Wharf Road London N1 7UX Tel. 020 7253 4230 For a full list of contacts visit www.unbound.com Trade Sales & Marketing Manager Julian Mash [email protected] Online Accounts Manager Brian Martin [email protected] Head of Rights Ilona Chavasse [email protected] Head of Publicity Amy Winchester [email protected] To order any of the books in this catalogue, please contact your PGUK rep. If you’re unsure who that is, contact Julian Mash at [email protected]. Dear Reader, Welcome to the latest instalment of our catalogue, where you will find a full list of our new titles published between July to December 2019, along with a wealth of interviews, extracts and exclusive content. July sees the publication of Razia, a fast-paced thriller set in contemporary London, the latest novel from Abda Khan, an author and lawyer who works with victims of domestic violence. You can read about her experience of traditional publishing and the bias she encountered on pages 52-54. -
Radio 4 Listings for 27 December 2008 – 2 January 2009 Page 1 of 12
Radio 4 Listings for 27 December 2008 – 2 January 2009 Page 1 of 12 SATURDAY 27 DECEMBER 2008 SAT 07:00 Today (b00g3xfl) about the way we see places and why they are a must for Presented by James Naughtie and Evan Davis. tourists. SAT 00:00 Midnight News (b00g3xbh) The latest national and international news from BBC Radio 4, A nurse who has been missing for more than a week has been followed by weather. found alive in the boot of her own car. Colin Blane reports. SAT 10:30 Salman Rushdie and The Wizard of Oz (b00g3xq8) Dominic Nutt, of Save the Children's Emergency Response Salman Rushdie celebrates the seventieth anniversary of the SAT 00:15 Q & A by Vikas Swarup (b007tyv7) team in Zimbabwe, discusses if he thinks the humanitarian classic film The Wizard of Oz and examines its enduring 5,000 Rupees crisis in the country is purely man made. appeal. Featuring contributions from John Lahr, theatre critic for The New Yorker and the son of Burt Lahr who played the By Ayeesha Menon, from the novel by Vikas Swarup. Wendy Urquhart visits a London branch of Woolworths as it Cowardly Lion, and historian David Powell, who remembers opens for its last day of trading. seeing the film when it was released during WWII. Street kid Ram Mohammad Thomas is a contestant on the hit Indian TV show Who Will Win a Billion. As he ponders over Barbara Plett meets some of the people who were there on the the first question, his thoughts drift back to his childhood in day Pakistan's former Prime Minister Benazir Bhutto was SAT 11:00 Beyond Westminster (b00g6spf) Delhi. -
Reeman Journal 2017
2017 Freeman cover_Freeman cover & inners 04/07/2017 12:06 Page 2 THE FREEMAN OFFICIAL JOURNAL AND PROGRAMME of the GUILD OF FREEMEN OF THE CITY OF LONDON The Master 2016-2017 ALDERMAN SIR DAVID WOOTTON The Master 2017-2018 PETER R ALLCARD, Esq. JUNE 2017 NUMBER 166 2017 Freeman cover_Freeman cover & inners 04/07/2017 12:06 Page 3 THE GUILD OF FREEMEN OF THE CITY OF LONDON “O, Most Gracious Lord, Defend Thy Citizens of London” Centenary Master Her Royal Highness The Princess Royal Patron The Right Honourable The Lord Mayor, Alderman Dr Andrew Parmley Honorary Member of the Guild His Majesty King Michael I of Romania ! The Court of Assistants 2016-2017 Master Alderman Sir David Wootton Wardens Senior Warden Peter Allcard, Esq. Renter Warden John Barber, Esq., DL Junior Warden Mrs Elizabeth Thornborough Under Warden (pro tem) Adrian Waddingham, Esq., CBE Past Masters Terry Nemko, Esq., JP; Mrs Anne Holden; Dr John Smail, JP; Lady Cooksey, OBE DL Court Assistants Neil Recliffe, Esq., JP; Alderman John Garbutt, JP; Mrs Ann-Marie Jefferys; David Wilson, Esq.; Christopher Walton, Esq.; Councillor Lisa Rutter; Anthony Miller, Esq., MBE; Christopher Hayward, Esq., CC; Ms Dorothy Saul-Pooley; Alderman Timothy Hailes, JP; Stephen Osborne, Esq.; Anthony Bailey, Esq., OBE GCSS Past Masters Emeritus Harold Gould, Esq., OBE JP DL; Dr John Breen; Rex Johnson, Esq.; Sir Clive Martin, OBE TD DL; Joseph Byllam-Barnes, Esq.; David Irving, Esq.; Richard Agutter, Esq., JP; Mrs Barbara Newman, CBE CC; Gordon Gentry, Esq.; Mrs Pauline Halliday, OBE; Anthony Woodhead, Esq. CBE; Don Lunn, Esq. -
Dogs Don't Do Ballet Tour 2014 Marketing Pack
Dogs Don’t Do Ballet Tour 2014 Marketing Pack Little Angel Theatre Copy Dogs Don’t Do Ballet CREDITS Based on the book by Anna Kemp with illustrations by Sara Ogilvie, published by Simon and Schuster Ltd. Adapted by David Duffy and Andrea Sadler Directed by David Duffy Puppet Design by Keith Frederick Set Design by Tim Sykes Sound Designed and Recorded by Reuben Cornell Piano performed by Alex Carter Performed by Andrea Sadler and Ronnie Le Drew A Little Angel Theatre Production Biff is not like ordinary dogs. He likes moonlight. And music. And walking on his tiptoes. You see, Biff doesn’t think he’s a dog, Biff thinks he’s a ballerina… The sublime and the ridiculous combine in this hilarious story of a small dog with a big personality and even bigger dreams, brought to life using beautiful puppets, well-loved ballet music and dazzling comedy. Where possible please add the following text: This play is based on the original book Dogs Don’t Do Ballet © 2010 text by Anna Kemp, illustrations by Sara Ogilvie. First published in the United Kingdom by Simon and Schuster UK Ltd. Show criteria at a glance: Show Title: Dogs Don’t Do Ballet Event Type: Children’s Theatre Genres: Family Theatre, Puppetry Running time: 45 minutes Age Range: 2 years and above (family) Cast:2 performers Crew: 1 stage manager Technical Essentials: We require at least 6m stage width and 5m stage depth and at least 3m height. Page 1 Little Angel Theatre Reviews: This is a rollicking romp of a show that also manages to subtly pose questions about difference and stereotyping. -
Brunima April 2013
The British Centre of the Union Internationale de la Marionnette newsletter April 2013 Chair: Jeremy Bidgood As ever the newsletter is packed with information. [email protected] Thanks to Nel for once again putting it together. Do check out the report on Puppetry in Scotland from Vice-Chair: Cariad Astles Simon Hart and news of a new UK puppet theatre [email protected] from Upfront. We have also had a request from UNIMA Greece for items for their new puppet library Secretary: Simon Hart so look out those books, DVDs etc. [email protected] (01467) 633918 Looking forward to working with you all. Jeremy Treasurer: Andrew Colbeck http://pangolinsteatime.com/ [email protected] Membership Secretary: Esther Ferry-Kennington [email protected] Newsletter Editor: Nel Akroyd [email protected] BrUNIMA News Message from our new Chair! Hello BrUNIMA members, and greetings from Japan, where I am currently studying with the Awaji ningy! j!ruri theatre. I'm really excited to be the new Chair of BrUNIMA and looking forward to helping drive us forwards. A huge thanks to Meg for all her hard work over the last twelve years. For those of you who don't know me, I run Pangolin's Teatime. You may have seen our show The Great Puppet Horn at some point. I'm also currently doing a practice-led PhD at Royal Holloway, University of London, looking at interactions between ningy! j!ruri and European theatre (email me if you want to know more). Above: Jeremy in Japan, pictured recently with Yoshida Kotaro and the puppet Ebisu.