Eating Disorders in Korea
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Korea DMZ Biosphere Reserve Nomination
Nomination Submission from the Republic of Korea for the KOREA DMZ BIOSPHERE RESERVE September 2011 TABLE OF CONTENTS PartⅠ: SUMMARY 1. PROPOSED NAME OF THE BIOSPHERE RESERVE ............................................. 1 2. COUNTRY ................................................................................................................ 1 3. FULFILLMENT OF THE THREE FUNCTIONS OF BIOSPHERE RESERVES ......... 1 3.1. Conservation................................................................................................................... 2 3.2. Development .................................................................................................................. 3 3.3. Logistic support .............................................................................................................. 5 4. CRITERIA FOR DESIGNATION AS A BIOSPHERERESERVE ................................ 7 4.1. "Encompass a mosaic of ecological systems representative of major biogeographic regions, including a gradation of human intervention" ................................................. 7 4.2. "Be of significance for biological diversity conservation" ............................................. 7 4.3. "Provide an opportunity to explore and demonstrate approaches to sustainable development on a regional scale" .................................................................................. 8 4.4. "Have an appropriate size to serve the three functions of biosphere reserves" .............. 8 4.5. Through appropriate zonation ....................................................................................... -
Vol.46AUTUMN 2019
K O R E A N HERITAGE K O R E A N HERITAGE Cultural Heritage Administration www.koreanheritage.kr ISSN 2005-0151 Government Publications Registration Number 11-1550000-000639-08 KOREAN AUTUMN 2019 HERITAGE VOL. 46 AUTUMN 2019 Vol. 46 2019 Vol. AUTUMN Cultural Heritage Administration Cultural ON THE COVER Quarterly Magazine of the Cultural Heritage Administration CONTENTS AUTUMN Vol. 46 KOREAN 02 Featured HERITAGE 02 CURATOR'S SELECTION The Queen’s Loving Heart Delivered in Hangul Date of Publication 08 KOREAN FOOD September 5, 2019 Hanji, or Korean paper, is crafted through a laborious process of steaming, pounding, Rice, the Enduring Staple Food of Koreans Published by and drying the fibers of mulberry trees. The oldest surviving woodblock print in the 08 Cultural Heritage Administration Republic of Korea world, the Pure Light Dharani Sutra, was made with this traditional Korean paper. 16 HUMAN TREASURES Publication Management Enshrined in a stone pagoda, the Buddhist text was discovered in a nearly intact form an amazing 1,300 years after its creation, demonstrating the remarkable Director of International Cooperation Division Hanji Records Textures durability of Korean paper. The front cover shows sheets of Korean paper crafted Content Coordination using traditional methods by Master Hong Chun-soo. This hanji is characterized Kim Byung-yun, Cho Ha-young by its natural hues and warm but strong textures. Paper manufactured by Hansol 26 LOCAL HERITAGE GUIDE Translation Paper using state-of-the-art technology is featured on the back cover. In this digital A Heritage Walk on an Autumn Night Park Jung-eun age when a paperless world is widely predicted, Hansol Paper is working under the Copy Editing motto “Good paper is inspiring.” Drawing on its strong belief in paper, the Korean Bill Sharp papermaking company is making its utmost efforts to create contemporary products that reflect the knowledge and wisdom embodied by traditional papermaking. -
Msm Philharmonia Orchestra
MSM PHILHARMONIA ORCHESTRA Ari Pelto, Conductor Thursday, November 21, 2019 | 7:30 PM Neidorff-Karpati Hall Thursday, November 21, 2019 | 7:30 PM Neidorff-Karpati Hall MSM PHILHARMONIA ORCHESTRA Ari Pelto, Conductor PROGRAM GIUSEPPE VERDI Overture to La forza del destino (1813–1901) JEAN SIBELIUS Karelia Suite, Op. 11 (1865–1957) Intermezzo Ballade March Intermission SERGEI Symphonic Dances, Op. 45 RACHMANINOFF Non allegro; Lento; Tempo I (1873–1943) Andante con moto: Tempo di valse Lento assai; Allegro vivace PROGRAM NOTES Overture to La forza del destino Giuseppe Verdi Commissioned by the Russian Imperial Theater in 1860, Verdi eventually settled on his subject, a Spanish play by Ángel de Saavedra: Don Alvaro, la fuerza del sino. Francesco Maria Piave, a frequent collaborator with the composer, became the librettist, enduring Verdi’s typically harsh criticisms of his work in progress. Verdi completed the opera, La forza del destino, in time for its scheduled first performance in early 1862, but it was postponed until November 10 of that year, owing to a singer’s illness. Despite its success, Verdi was not completely satisfied and made revisions to the music, which in certain cases also involved changes in the libretto with the help of Antonio Ghislanzoni. The new version premiered on February 27, 1869, at La Scala, where it was most favorably received. The plot involves Leonora and her lover, Don Alvaro, who plan an elopement but are stopped by her father. As Don Alvaro throws down his gun in surrender, her father is accidentally killed. The remainder of the action involves Leonora’s brother Don Carlo’s crusade for revenge and Leonora’s exile as a penitent in a cave; Don Carlo and Don Alvaro in disguise becoming comrades in arms and their eventual duel; Don Alvaro’s discovery of Leonora as he seeks help for the mortally wounded Don Carlo; and Don Carlo’s dying revenge—the killing of Leonora. -
Screen Tourism 2017
Repositorium für die Medienwissenschaft Marion Schulze Screen Tourism 2017 https://doi.org/10.25969/mediarep/13518 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Schulze, Marion: Screen Tourism. In: Digital Culture & Society. Mobile Digital Practices, Jg. 3 (2017), Nr. 2, S. 123– 141. DOI: https://doi.org/10.25969/mediarep/13518. Erstmalig hier erschienen / Initial publication here: http://digicults.org/files/2019/11/dcs-2017-0208.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Screen Screen Tourism Marion Schulze Abstract In the article, I discuss new forms of mobility allowed by digital prac- tices, i. e. digital mobilities consisting in visiting geographical places from and through a screen. This discussion is based on my online eth- nographic research on international fans of South Korean television series, K-Dramas. The international fandom of K-Dramas, and in a larger sense, South Korean pop cultural products – exemplified by the success of South Korean rapper Psy’s “Gangnam Style” in 2012 –, is a continually growing global phenomenon that has been observed from the end of the 2000s on; a fandom that is mainly constituted through the Internet. However, instead of discussing already thoroughly researched “classic” participatory digital activities of television series fans, as blogging or writing fan fiction, I will focus on still overseen forms of mobility practices engendered by the watching of K-Dramas.