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Steve Harley Lee Nelson
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary. -
Folk for Art's Sake: English Folk Music in the Mainstream Milieu
Volume 4 (2009) ISSN 1751-7788 Folk for Art’s Sake: English Folk Music in the Mainstream Milieu Simon Keegan-Phipps University of Sheffield The English folk arts are currently undergoing a considerable resurgence; 1 practices of folk music, dance and drama that explicitly identify themselves as English are the subjects of increasing public interest throughout England. The past five years have seen a manifold increase in the number of professional musical acts that foreground their Englishness; for the first time since the last 'revival period' of the 1950s and 60s, it is easier for folk music agents to secure bookings for these English acts in England than Scottish and Irish (Celtic) bands. Folk festivals in England are experiencing greatly increased popularity, and the profile of the genre has also grown substantially beyond the boundaries of the conventional 'folk scene' contexts: Seth Lakeman received a Mercury Music Awards nomination in 2006 for his album Kitty Jay; Jim Moray supported Will Young’s 2003 UK tour, and his album Sweet England appeared in the Independent’s ‘Cult Classics’ series in 2007; in 2003, the morris side Dogrose Morris appeared on the popular television music show Later with Jools Holland, accompanied by the high-profile fiddler, Eliza Carthy;1 and all-star festival-headliners Bellowhead appeared on the same show in 2006.2 However, the expansion in the profile and presence of English folk music has 2 not been confined to the realms of vernacular, popular culture: On 20 July 2008, BBC Radio 3 hosted the BBC Proms -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
PAUL YOUNG in the Middle of the 1980S, Paul Young Became One Of
PAUL YOUNG In the middle of the 1980s, Paul Young became one of the biggest pop stars in the world, creating a body of work that endures to this day. A blend of the old school and new school, he was the epitome of someone who had worked his way up from – quite literally – the factory floor to become a superstar, scoring number one singles on both sides of the Atlantic. When he broke through in 1983, his Anthony Price besuited look was one of two iconic pop images in the UK that year. The other was David Bowie, then under his serious moonlight. Paul Young was born in the rock’n’roll era and grew up during the beat boom. Born in Luton in January 1956, he took piano lessons, was a self- taught guitarist, and as a teenager, fell under the thrall of Island Records. Young loved Free and because of them, he began listening to things around the margins, things that they listened to. He wanted to play bass like Andy Fraser and sing like Paul Rodgers. “I was always drawn towards to blues and soul.” Young recalls. “Even though Free had had a hit with ‘All Right Now’, they were a blues band, they knew they needed a pop song, so they wrote a pop song, and it was a hit. But when you look at their other stuff, they went straight back to the blues.” In 1972, aged 16, Young took up a position at the Vauxhall manufacturing plant in Luton, serving an apprenticeship just like his father before him. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Dance – Pop – Rock
Dance – Pop – Rock Love is in the air – John Paul Young Absolutely Everybody – Vanessa Amorosi Mambo # 5 – Lou Bega All Night Long – Lionel Ritchie Man! I feel like a woman – Shania Twain Baby one more time – Britney Spears Murder on the dance floor – Sophie Ellis Bextor Blame it on the boogie – The Jacksons Nutbush – Tina Turner Can’t get enough of your love – Taylor Dane Oh what a night (December 63) – The 4 Seasons Can’t get you out of my head – Kylie Minogue On a night like this – Kylie Minogue Celebration – Kool & The Gang Shackles (Praise You) – Mary Mary Coco Jamboo – Mr President Shake your booty – KC & The Sunshine Band Copacabana – Barry Manilow She bangs – Ricky Martin Crazy in Love – Beyonce’ & Jay Z Sing it Back - Moloko Dancing queen – Abba Spinning around – Kylie Minogue Don’t call me baby – Madison Avenue Staying alive – The Bee Gees Don’t leave me this way – Thelma Houston Superstar - Jamelia Express yourself – Madonna Tequila Finally – CeCe Penniston That’s the way I like it – KC & The Sunshine Band Footloose – Kenny Loggins This Love – Maroon 5 Give it up – KC & The Sunshine Band Thunder in My Heart – Leo Sayer Hey Baby! – DJ Otzi Time Warp - RHPS Hot hot hot – Arrow We are family – Sister Sledge Hot stuff – Donna Sumer Whenever Wherever – Shakira Kids – Kylie Minogue & Robbie Williams Who the hell are you? – Madison Avenue I go to Rio – Peter Allen YMCA – Village People I love the nightlife – Alicia Bridges Young hearts – Candy Staton I’m outta love – Anastacia You sexy thing – Hot Chocolate I’m so Excited – Pointer -
Summer 07 Bill Forum
autumn & winter 2019 Box office: 01642 552663 www.forumtheatrebillingham.co.uk WEDNESDAY 4TH & THURSDAY 5TH SEPTEMBER Join Igglepiggle, Upsy Daisy, Makka Pakka and friends are In the Night Garden Live for a brand new show on their first ever UK theatre tour in 2019! You’ll see all your favourite characters beautifully brought to life with full-size costumes, magical puppets, and enchanting music. The show lasts just under an hour and it’s a completely new production for the very first In the Night Garden Live UK theatre tour. Now in its 10th year, In the Night Garden Live is one of the UK’s favourite family events. Over 1-million people have seen it so far and it gets 4.8 out of 5 stars based on 12,844 parents’ reviews. There are other shows for young children, but as The Independent wrote,“there’s nothing quite like In the Night Garden Live.” Pip-pip, onk-onk! Don’t miss it, book now before it’s too late! WED 1.00PM & 4.00PM, THUR 10.AM & 1.00PM. ALL SEATS £17.00 UNDER-16 £15 FRIDAY 6TH SEPTEMBER BACK BY HUGE POPULAR DEMAND! Some Guys Have All The Luck is a fantastic theatrical production celebrating the career of one of rocks greatest icons, Rod Stewart – from street busker through to international superstar! Paul Metcalfe delivers an authentic and charismatic performance assuming the persona of this legendary singer-songwriter and performer right down to the last detail – from the distinctive vocals to the swaggering showmanship and sheer fun that have made Rod Stewart one of the most loved performers of all time. -
USNH Submits Budget Umbrellas Littered Dorm Hallways As Wet Weather Hit Campus
Bulk Rate,.U S Postaoe Pa,11 Vol. 77 N<> ...,]X' J1 TUESDAY, MARCH-3, 1987- 862-1490 Durham, NH. Durham f\J H Perm ,1 ii3G 3 ·arrested for rape Students face felony, misdemeanor charges By David Olson According to the Stoke resident, The victim sought medical Three UNH students were the victim then walked into a attention at Hood House. She arrested last Wednesday in room where the assailants were was not admitted and had no connection with a sexual assault located. , major injuries. The Stoke res- that occurred on the fourth floor Two male students, both 20 idem said the victim is "doing of Stoke Hall during the early years old, were charged with well." She also said the victim morning of Friday, Feb. 20. aggravated .felonious sexua'I plans to press charges against Dean of Students J. Gregg assault, a class A felony. They her alleged assailants. Sanborn said the victim, a were released on $5,000 person- According to the Durham - female student and a resident al recognizance bail, and will District Court c-lerk, no .com- of Stoke, was returning from appear in Durham District plaints had been filed by UNH Pi Kappa Alpha fraternity when Court on April 28. Public Safety, so'the names of the incident occurred. According The third student, a' 20-year- the alleged assailants were not to a Stoke resident who asked .old male, was charged with available. State law prevents to remain anonymous, the vic sexual assault, a misdemeanor. Public Safety from releasing tim was intoxicated. He was released on $1,000 PR names of arrested students. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
British Blues-Rock Star Joanne Shaw Taylor
JOANNE SHAW TAYLOR MOVES RELEASE DATE FOR "THE BLUES ALBUM" TO FRIDAY SEPTEMBER 24TH “THE BLUES ALBUM” SHOWCASES TAYLOR’S ELECTRIFYING GUITAR CHOPS AMPLIFIED BY HER MAGNIFICENT SULTRY VOCALS HIGHLY ANTICIPATED ALBUM PRODUCED BY GUITAR LEGENDS JOE BONAMASSA & JOSH SMITH, SET TO RELEASE WORLDWIDE ON BONAMASSA’S INDEPENDENT LABEL KTBA RECORDS WATCH “LET ME DOWN EASY” MUSIC VIDEO HERE PRE-ORDER ‘THE BLUES ALBUM’ ON VINYL, CD & DIGITAL FROM KTBARECORDS.COM “The Blues Album show’s why Joanne Shaw Taylor is one of the most respected names in modern blues guitar.” – Guitar.com "Joanne's Shaw Taylor's got a genuine feeling for the blues." – Blues Matters "Each song is a gem. The Blues Album further cements Joanne's reputation as one of the country's outstanding musicians." – Blues In Britain Critically acclaimed British guitarist and singer songwriter, Joanne Shaw Taylor, universally hailed as the UK’s premiere blues rock guitarist, has moved the release of her seventh studio full-length album The Blues Album from Friday September 17 to Friday September 24, 2021. Last week Joanne released her latest single Let Me Down Easy with a music video. The album will be released via Joe Bonamassa’s independent blues label KTBA Records. It was produced and recorded by Joe Bonamassa and Josh Smith at Ocean Way Studios in Nashville, Tennessee. The hotly tipped 11-track album features Joanne’s personalised covers of eleven rare blues classics originally recorded by Albert King, Peter Green, Little Richard, Magic Sam, Aretha Franklin, Little Milton, and many more. The Blues Album, the follow up to 2019’s critically acclaimed album Reckless Heart, features Josh Smith (guitar), Reese Wynans (keyboards), Greg Morrow (drums), Steve Mackey (bass), Steve Patrick (trumpet), Mark Douthit (sax), Barry Green (trombone). -
Cover CW 470 June 2017
CONCERTINA WORLD Magazine of the International Concertina Association since 1952 CW 470 June 2017 Information/interviews/techniques/ events/music supplement Subscriptions run from 1 January each year Photos with the article “Music of Ireland” by Bill Crossla nd Concertina World Editor: 1 Index Pauline de Snoo, tel. 0031 73 54 79837 2 Editorial Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 3 Internet Video Jukebox 11 Email: [email protected] 5 Virtual Folk Club 5 or [email protected] 12 John Holman Obituary Committee Chairman and Concertina World 13 Eighteen months in the life of the Correspondent: Yorkshire Concertina Club Paul Walker 17 The anglo concertina music of Ireland Email: [email protected] or [email protected] – a Rough Guide 25 Minutes of the AGM 22 April 2017 Membership Secretary: Martin Henshaw, tel. 01767 627 566 Oak End, 23A Bedford Road Northill, Biggleswade, Beds, SG18 9AH Contributors: Bill Crossland, Colin Dipper, Email: [email protected] Helen Graham, Pauline de Snoo, Paul Walker and Colin Whyles. Treasurer: Paul McCann Email: [email protected] Center magazine: removable A4 szie Librarian/Archivist: pages Music Supplement and article on Jeremy Hague Email: [email protected] ICA archive: contributions by Paul Walker (John Kirkpatrick) and John Wild Secretary: Colin Whyles Email: [email protected] Webmaster: Michel van der Meiren Photos cover see article page 27. Email: [email protected] Other committee members: Roger Gawley; Graham Heffernann; Jon McNamara; Gill Noppen-Spacie. Subscriptions run from 1 January to 31 December. Membership subscriptions are due on 1 January of each year. Membership UK 20 GBP, Europe 23 GBP, USA 26 GBP. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.