Uriah Heep Look at Yourself Mp3, Flac, Wma

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Uriah Heep Look At Yourself mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Look At Yourself Country: Australia Released: 1972 Style: Hard Rock, Prog Rock MP3 version RAR size: 1632 mb FLAC version RAR size: 1344 mb WMA version RAR size: 1641 mb Rating: 4.7 Votes: 350 Other Formats: ADX XM FLAC AU VQF DMF MP2 Tracklist Hide Credits Look At Yourself A1 5:07 Written-By – Hensley* I Wanna Be Free A2 3:59 Written-By – Hensley* July Morning A3 10:36 Written-By – Byron*, Hensley* Tears In My Eyes B1 5:02 Written-By – Hensley* Shadows Of Grief B2 8:40 Written-By – Byron*, Hensley* What Should Be Done B3 4:13 Written-By – Hensley* Love Machine B4 3:37 Written-By – Byron*, Hensley*, Box* Companies, etc. Distributed By – Island Records Ltd. Published By – Sydney Bron Music Co. Ltd. Phonographic Copyright (p) – Bronze Records Ltd. Manufactured By – Island Records Ltd. Printed By – SIB-Tryck, Tumba Recorded At – Lansdowne Studios Credits Design – Douglas Maxwell Ltd. Mastered By – Porky Photography By – Tony Evans Producer – Gerry Bron Notes Members of Osibisa appear by kind permission of M.C.A. Records Manfred Mann appears by kind permission of Philips Records Barcode and Other Identifiers Matrix / Runout: ILPS 9169 A-1U PORKY Matrix / Runout: ILPS 9169 B-1U Rights Society: NCB Other versions Category Artist Title (Format) Label Category Country Year Uriah Look At Yourself (LP, ILPS-9169 Bronze ILPS-9169 UK 1971 Heep Album) Uriah Look At Yourself (LP, 28 765 XOT Bronze 28 765 XOT Switzerland 1976 Heep Album, RE) Uriah Look At Yourself (LP, 2409 303 Bronze 2409 303 Brazil 1983 Heep Album, RP) Uriah Look At Yourself (LP, 24169 Bronze 24169 Australia 1974 Heep Album) ILPS 9169, Uriah Look At Yourself (LP, Bronze, ILPS 9169, UK Unknown ILPS-9169 Heep Album, RP) Bronze ILPS-9169 Comments about Look At Yourself - Uriah Heep Paxondano Another in the long line of classic albums Uriah Heep have put out. Highlights include the title track, July Morning, Tears in My Eyes, What Should Be Done and Love Machine. Related Music albums to Look At Yourself by Uriah Heep Ken Hensley - In The Morning Uriah Heep - The Magician's Birthday Sonya Hensley - Sun King Uriah Heep - The Very Best Of Uriah Heep - The Best Of... Ken Hensley - Free Spirit Uriah Heep - Salisbury / Return To Fantasy Uriah Heep - The Best Of Uriah Heep Ken Hensley - The System Uriah Heep - Demons And Wizards Uriah Heep - Wonderworld Uriah Heep - Return To Fantasy.

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MUSIC WEEK APRIL 15, 1978 a C N Keep Sweeps on in Europe But
MUSIC WEEK APRIL 15, 1978 a n c Keep sweeps on In Europe but not in Britain THE SUCCESS of British rock Most UK record buyers think of band Uriah Heep continues Heep as being an albums band." unabated in Europe. Apart from EDITED BY Heep member Ken Hensley, one being huge record sellers in such CHRIS WHITE of the main creative talents of the record markets as Holland and West band, is equally puzzled. "The ^ (y Germany, the band has also Russian success is particularly conquered the French market — strange as we've never even been always noted for its domestic taste sales), Belgium, Holland, there; we've no idea even how they so far as pop and rock music is Switzerland and Austria. Recently get the records. I keep meaning to : j*** i concerned — and even the Russians the USSR issued a Top Ten list of ask the appropriate authorities," he are now beginning to sit up and take the records and Heep's July- says. "There are no immediate plans notice! Morning, a track from the Look At for the band to visit the USSR but 1 Back here in Britain however, Yourself album, never issued here as know that we have all been thinking matters are rather different. Heep a single, was nominated the seventh about the possibilities — if we could have recorded some 14 albums for 'best-selling' record, although the go there without any hassles, then Bronze Records, and the occasional market in Russia for records is we would do it." single is released — a recent one even virtually non-existent.
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Tssue?S T"R{**Ffn{Tal THEOFFICIA!" URIA}I HEEP I,"Il{.R ' Apprectaftons$E$9"? I R.*;R I I"I.'=Hf F.O
"rF€gi *FFgcE&s- AFtrR Hff gAYgq"} ffi S#Cg&:T= Y Photoby Alan l-tartley tssuE?s T"r{**FFn{tAL THEOFFICIA!" URIA}I HEEP i,"il{.r ' APPRECtAftONs$e$9"? i r.*;r i i"i.'=Hf F.O. BOX ?og TELFORB I ijf ti 5$tROFSHtRE .4PFEs{CA?l+ ru 5+}{Et?Y TF2 6XA ET.!GLAND irqlni-{ l-j4I'='S fl:FFltir:{:. S,*ALG WiFS F.&S €l.UB ADtdthliSTE*F& gY:}d?ltr Sl+fEnCA .ql;i,$ al,4*ttgY i-ti *.gain a;:d iesr-:ic*;-**to !ssue *S. F"sii+*p iilii;h ofi the year .".;itfrtheir fri:ii:se*n i:*ie* L.=.+:'1.*{r,t 3.ier,; nr}rs:'r:i**ses to keep "l"iie, u* ,!+ifii; an* * ieir.;:"n*re !n tfi* aipe i!l:r':tu :*;rk ir:li:r.'ardi* B*$1 el9 Fari 2" is norryin :h* $l'!ilp,j*rid i* r*v!*iryerj!il iir!s 1*1.**.il:;r !h*** r.='t*i*sir* ev*r5'ihi*6 released on Heep. "ii;.* fi:ey irk* i* s*ar"ehoiii ni i: ii: isi .:i **'si *i Fef i$ I E*d 2" released together in l*ij "i-;vr: Fi*i*r,ll. The r*r;i ;"eii:&:l+:r'.rx:ii r:+ :* iv!*ste-'*.t".*iifer*nl World" Still Eavy Sti!; "*a1i;:q "Lli:.q*i:r:+" "fieging F:r:r:'j" .-.n* i-lii*.:^i:+-'. anii $iienc*" have aiready been rer-::fr$i*rei3n+ i.:r* i',:vi*;',,,;li:iitni.+ iGsil+, ths''e'* n* d*finite listing cn the bonus lla;ds - i+r l** *ti:*r : i:!i-!lih*i* a.{: c.tire ex€iting !teri-!s$€t for inclusion.
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Lemmy Kilmister Was Born in Stoke-On-Trent
Lemmy Kilmister was born in Stoke-on-Trent. Having been a member of the Rocking Vicars, Opal Butterflies and Hawkwind, Lemmy formed his own band, Motörhead. The band recently celebrated their twenty-fifth anniversary in the business. Lemmy currently lives in Los Angeles, just a short walk away from the Rainbow, the oldest rock ’n’ roll bar in Hollywood. Since 1987, Janiss Garza has been writing about very loud rock and alternative music. From 1989 to1996 she was senior editor at RIP, at the time the World’s premier hard music magazine. She has also written for Los Angeles Times, Entertainment Weekly, and New York Times, Los Angeles. ‘From heaving burning caravans into lakes at 1970s Finnish festivals to passing out in Stafford after three consecutive blowjobs, the Motörhead man proves a mean raconteur as he gabbles through his addled heavy metal career résumé’ Guardian ‘As a rock autobiography, White Line Fever is a keeper’ Big Issue ‘White Line Fever really is the ultimate rock & roll autobiography . Turn it up to 11 and read on!’ Skin Deep Magazine First published in Great Britain by Simon & Schuster UK Ltd, 2002 This edition first published by Pocket, 2003 An imprint of Simon & Schuster UK Ltd A Viacom Company Copyright © Ian Kilmister and Janiss Garza, 2002 This book is copyright under the Berne Convention. No reproduction without permission. All rights reserved. The right of Ian Kilmister to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988. Simon & Schuster UK Ltd Africa House 64-78 Kingsway London WC2B 6AH www.simonsays.co.uk Simon & Schuster Australia Sydney A CIP catalogue record for this book is available from British Library Paperback ISBN 0-671-03331-X eBook ISBN 978-1-47111-271-3 Typeset by M Rules Printed and bound in Great Britain by Cox & W yman Ltd, Reading, Berks PICTURE CREDITS The publishers have used their best endeavours to contact all copyright holders.
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Hallowed PDF-Article Design by Daniel Källmalm Hallowed PDF
Hallowed PDF-article Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm Hallowed PDF-article Hallowed PDF-article Design by Daniel Källmalm Design by Daniel Källmalm subsequently became Vertigo. During the following months after beginning to work with Bron, the band changed the name to Uriah Heep (the ‘orrible little character from David Copperfield by Charles Dickens who was very much in fa- shion then because of the hundredth year since his death) on suggestion from Bron; they also started using the keyboards in their music. - We’d actually recorded half the first album when we decided that keyboards would be good for our sound, says Box who got this inspi- ration somewhat from being a fan of Vanilla Fudge with their hammond organs with guitars soaring on top. They decided to shape it like that along with David’s vibrato vocals. First they had session keyboardist Colin Woods who was brought in by Bron and it was when they started looking for a permanent keyboardist they found Ken Hensley who had been playing with Newton in The Gods and was now playing the gui- tar for Toe Fat. Hensley explains that he saw the potential to do something different with Uriah Heep which The history of Uriah Heep can Having higher ambitions that their though at first that made it difficult is why he joined the band. And it be dated all the way back to fellow band members Mick Box and getting gigs, eventually we built a was not only Hensley’s talents as a 1967, the year after the English David Byron quit their day jobs to little cult following because of that.
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Ilrlnh Llddp APPRECIATION SOCIETY
THE OFFICIAL ilrlnh llDDP APPRECIATION SOCIETY lssue11 1il[ 0FF'tCIAl,UP.tAil ilEIP Af PR[(j I Al't (-)il SOCI E1'Y P.O.BOX268 'f ELFORI] SIiROPSIII RE 'IF 2 6XA EIIGI,A NI] UI]IAII I IEEI'SOFFICIAI. WO[II,I) WII)E TAN CLUB _ AI)MII'IISIENEI) BY I]AVID OWEN & ALANI{AN ILEY Hi againand welcome to issue11, The firstthing to do in thisfirst issue of 1994is to wishall our membersa happynew "Total year. The band report that the Recall" tour ol North Americawas absolutely brillianland very successfulon a numberof counts,the audiencereaction was great and it was fantasticto play to such large audiences.The tour provedto peoplethat the band are still rockingand this surpriseda lot of peoplein the musicbusiness from where the band receivedextremely positive feedback to the pointwhere they may be lookingat NorthAmerica as part of their regulartouring schedule. There are the usual memberslive reportsin this issue from NorthAmerica, Germany and Austriaand a couple of press reviewsalso. Whal is interestingin the press reviewsis thal they mention Uriah Heep as being the best band on the bill and the band that a large percentageof the audiencecame to see. Still on the subjectof NorthAmerica, there's a great articlein this issuefrom BernieShaw who reportson the tour from the band's pointof view whichgives a differenland interestingperspective to life on the road. Many of you who were at the showswill have heard Bernieannounce "Words In The Distance"as being on a new albumto be releasedin 1994. We can tell you that a recordingdeal is definitelyon the horizonand as nre go to press negotiationsare taking place with a recordcompany to thrash out the exactterms of a contract.The band plan to spend the early part of the year on live work and hope to go into the studioslater in the year to recordan albumthat couldbe releasedtowards the end of this year or early nen year.
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Igor Kotelnikov
IGOR KOTELNIKOV WONDERWORLD OF URIAH HEEP IN ASIA TRANSLATED BY TAMARA KAZAKOVA NIZHNY TAGIL 1995 Igor Kotelnikov. Wonderworld of Uriah Heep in Asia. Translated by Tamara Kazakova. Illustrated. Produced by: Yury "URIAH" Matrosov, Igor Kotelnikov. Printed in Russia, 1995. The book is about the phenomenal music of the British rock band Uriah Heep. The book is about living in music and about its sense. The book is written in Russian by the member of the Official Uriah Heep Appreciation Society for our dear Heep fans and for all those who are just discovering the Wonderworld of Uriah Heep. We were determined to avoid any scandalous chronicles and to adhere to the true biographical approach combined with the efforts to analyze the musical phenomenon of the band. The enthusiasm and provincially ardent assiduity make the book the first solid attempt of pushing the perception of Heep music to the 21st century, as it has become classics in the current one. FOREWORD You have read the Foreword addressed to Russian readers. Thanks to the conscientious work of Tamara Kazakova, you can read the first book about Uriah Heep in the mother tongue of the band, though not without an imperceptible (or rather perceptible at times) Russian flavour. This flavour is quite natural: it is in Russia that you can find the greatest team of Heep fans in the world, who love their idols with the most pure and faithful love! It is not by chance that there is very little, if any, slang or colloquialisms in the way Russians speak about Heep, because for us Heep is not the matter of consumption but rather the matter of sincere and warm relationship.
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Uriah Heepin Tarina Osa 1 Time to Live - Alkuvuodet 1967 - 1972
URIAH HEEPIN TARINA OSA 1 TIME TO LIVE - ALKUVUODET 1967 - 1972 Tämä historiikki on tarkoitettu juhlistamaan omien Uriah Heep -fanisivujeni WWW.HEEPFILES.NET 20-vuotisjuhlaa v. 2018. Tarinassa on tarkoitus käydä läpi vuoden aikana yhtyeen koko ura pääpiir- teittäin useissa eri osissa lähinnä tärkeimpien vaiheiden kuten levyjulkaisujen, kokoonpanovaihdok- sien ja muiden erillisten olennaisten tapahtumien osalta. Jo julkaistut osat eivät ole lopullisia vaan niihin tullaan tekemään korjauksia ja päivityksiä sitä mukaan kun niitä koetaan tarpeellisiksi. Tämän ei ole tarkoitus olla tyhjentävä historiikki vaan toimia eräänlaisena perehdytyksenä sellaisille suoma- laisille faneille jotka eivät ole niin tarkkaan selvillä mitä kaikkea on tapahtunut yhtyeen pitkän uran aikana. Tarinassa olen kertonut asiat siten miten olen itse ne kokenut, kuullut, ymmärtänyt ja/tai muistanut. Joillakuilla toisilla voi olla monista näistä asioista erilaisia näkemyksiä. Tapio Minkkinen -Tämän tekstin lainaaminen ja osittainenkin kopioiminen ilman tekijän lupaa kielletty- Vaikka Uriah Heep ei itse asiassa edes suurimman suosionsa aikana 1970- luvun ensimmäisellä puoliskolla menestynyt suuressa maailmassa lähelle- kään muiden saman aikakauden brittiorkestereiden Black Sabbath in, Deep Purple n ja Led Zeppeli nin lailla niin ainakin meillä Suomessa orkesteri luetaan samaan sarjaan näiden edellä mainittujen kanssa yhtenä merkittä- vimmistä ensimmäisistä heavyrock-yhtyeistä. Suomi onkin niitä harvoja alueita maailmassa missä yhtyeen suosio suuruuden aikoina oli sillä ta- solla että levyt nousivat myyntilistoille ihan kärkisijoille. Vaikka varsinaisia isoja hittejä ei edes suurimman suosion aikana siunaantunut, oli yhtyeen vaikutus yleisesti raskaaseen rokkiin kuitenkin suuri. Heep olikin epäilemättä suurena vaikuttajana isolle joukolle 70- ja 80-luvun brittibändejä kuten Def Leppard, Iron Maiden ja Queen ja lähinnä tästä syystä nykyaikana yleisesti Heep usein noteerataan yhdeksi raskaan rokin uranuurtajabändiksi.
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The Offi Appreciation Society
THE OFFI APPRECIATIONSOCIETY ISSUE8 THE OFFICIAL THE OFFICiAI URIAH IIEEP APPRECIATIONSOCIETY P.0. BOX2 68 TETFORD SHROPSHIRE Tr2 6)(A APPRECIATIONSOCIETY ENGTAND URIAHHEEP,S OFFICIAL WORLD WIDE FAN CLUB . ADMINISTEREDBY DAVIDOWEN & ALANHARTLEY Hi againand welcome to issue8, Thanks to everybodywho wrote to say how much they liked the new format of the magazine,we're pleasedto say that nobodycomplained about it. One imediatebenefit which results from the new format is that we've changedprinters and the printing process used, this should be most apparentin the quality of reproductionof the photographswhich should show a vast improvementfrom thosein previousissues. "The For all those who ordered LansdowneTapes" CD from issue 7 and are wonderingwhere it is, we can tell you that as usual in the recordindustry, things are behind schedule.The masteringis completeand the manufactureof the CD in now underway.The originalaim to havethe CD in the shopsin May,changed to June and is now more likely to be July at the earliest.We are sorry that you have been kept waitingbut it is sornethingthat is out ol our control.We will get the CD 6 or 8 weeks beforeit is in the shopson generalrelease and you can be surethat we will sendyour copy as soon as possible. lf you have not ordered a copy of this UK only CD of previouslyunreleased Heep malerialfrom the early 70's you can still get one before it's releaseby usingthe merchandiseform with this issue,Don't forget to write in with your commentson the CD and we'll printthem in the next issue. ln the last issue we reportedthat Heep went to Germanyon March 19th to perform "Gypsy" "Lady and In Black" for the GermanTV show "GoldenSchlagerparade" (we "Golden "Sat think that is Hits" in English)on the 1" channel.Well, that was lhe original arrangementbut when the band arrived the TV peoplewanted them to do "Free "Gypsy", Me" in place of not only that but they wantedthem to mime to the originalstudio version of ihe song recordedby the John Lawtonline up.
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David Byron from Wikipedia, the Free Encyclopedia
Log in / create account article discussion edit this page history David Byron From Wikipedia, the free encyclopedia For other persons named David Garrick, see David Garrick (disambiguation). David Byron David Byron (born 29 January 1947 – 28 February 1985, born as David Garrick[1]) was the original navigation Birth name David Garrick lead vocalist for Spice (from 1967 through 1969) and is most famous for singing in the legendary Main page Born 29 January 1947 English rock band Uriah Heep between 1969 and 1976. Contents Origin Epping, Essex, England Featured content Contents Died 28 February 1985 (aged 38) Current events 1 Background Genre(s) Rock , Hard rock, Progressive Random article 2 Discography rock, Heavy Metal search 2.1 With Uriah Heep Instrument(s) vocals 2.2 Solo Website davidbyron.com 2.3 With Rough Diamond Go Search 2.4 With The Byron Band interaction 3 References 4 External links About Wikipedia Community portal Recent changes Background [edit] Contact Wikipedia Donate to Wikipedia Despite his vocal range (paired with a sense of dynamics), and a charismatic stage presence, Byron was dismissed from Uriah Heep in 1976, at the Help demand of keyboardist Ken Hensley (the band's primary songwriter), who gave the ultimatum "it's him or me" to band manager Gerry Bron, citing [citation needed] toolbox Byron's increasingly erratic behaviour due to alcohol abuse. What links here He unsuccessfully attempted to revive his career with Rough Diamond (a band also featuring former members of Humble Pie and Wings), a second Related changes solo album (Baby Faced Killer), and The Byron Band.
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MUSIC WEEK AUGUST 16, 1980 C Heavy Metal Is Enjoying an Upsurge
MUSIC WEEK AUGUST 16, 1980 C ave„ ,about the current music scene and on pao« Heavy metal is enjoying an upsurge at present. Deep Purple and AC/DC have thefour, old iron school Maiden of HM from — the w new wave* ol^Hf HM ^ bands state^ their ^ case. Heavy Metal^ is topped the charts. Castle Donington and Reading festivals are dominated by heavy of metal acts and numerous new, young heavy metal bands arc breaking through, a very loose term anJencmnpa^esj. ^ ^ ^ spec.a| MUS,C WEEK supplement packing the concert halls and selling records. And the older bands aren't being idle what it is has never bcen cleariy fcc| fa|| into this category, either. On this page Ken Hensley, founder member of Uriah Hecp — a band from we have included a number of the bands we teet tan . s Heep's Hensley stresses energy targets, go for them, and not be "IF THIS group makes it I'll hard core of heavy metal bands them so much more easily. If those risks is that there may be a distracted by anything around them emerged in the late sixties and early anything, with our last album, drastic change in the economic have to commit suicide," situation nationally and worldwide, You've just got to follow that path stated a noted writer in seventies. Conquest, we over-complicated it. have total conviction and "Deep Purple were the band to The ingredients were right, but we A recession such as we are dedication. It's a tall order, but if i Rolling Stone magazine in which we were most closely dressed it up loo much.
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Joe GEESIN Published Work
Joe GEESIN Published Work RECORD COLLECTOR MAGAZINE Record Collector Magazine Features, Interviews, Discographies, research, news items, consultancy and reviews 1990 – now Rare Record Price Guide Editor – 2002 Edition (credited Assistant Editor) Rare Record Price Guide Discography research, consultancy and valuations 1990 – 2016 EDITOR – OFFICIAL FANCLUBS PR, Newsletter Production, Reviews, Interviews, Discography Nazareth – RazamaNewz (1991 – 2001) Cozy Powell – NananaNews (1995 – 1998) Paul Samson – Survivors (1997 – 2001) CLASSIC ROCK May / June 1999 Cozy POWELL Tribute – quotes and information KERRANG! -Issue 495 May 21 1994 NWoBHM Illustrated Introduction (Metal Kollektor supplement) Ron GEESIN – The Flaming Cow (The History Press, 2013) Newspaper library research. Discography research and vinyl scans. NEW SCIENTIST Magazine What Makes Stainless Steel Stainless (The Last Word, #3107 7th January 2017) REPUBLIC MEDIA PR (Press Releases, Biogs and Campaigns) The Stories (tour, album, also ChimpanA) Rodrigo y Gabriella (tours, albums) Ali Campbell (tour, solo album) Mike Batt (live, albums) The Zombies (live) Paul Carrack (tours, albums) Edgar Winter (new album) Sparks (tour, albums) Flipron (tour, albums) Dilana (tour) www.newmetv.co.uk Introduction to Carbon Footprint Car Pollution Online Safety RECORD COLLECTOR MAGAZINE – Feature Articles Issue 165 May 1993 GILLAN – Feature, Ian Gillan Interview, Gillan Band Discography, vinyl scans Issue 179 July 1994 NAZARETH – Feature, Dan McCafferty Interview, Darrell Sweet Interview, Discography,
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Uriah Heep Innocent Victim Mp3, Flac, Wma
Uriah Heep Innocent Victim mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Innocent Victim Country: Austria Released: 1977 Style: Pop Rock, Hard Rock, Classic Rock MP3 version RAR size: 1240 mb FLAC version RAR size: 1792 mb WMA version RAR size: 1514 mb Rating: 4.8 Votes: 716 Other Formats: FLAC DTS ADX RA MP1 DMF WAV Tracklist A1 Keep On Ridin' 3:41 A2 Flyin' High 3:18 A3 Roller 4:38 A4 Free N' Easy 3:02 A5 Illusion 5:02 B1 Free Me 3:35 B2 Cheat N' Lie 4:50 B3 The Dance 4:48 B4 Choices 5:42 Companies, etc. Record Company – Ariola Eurodisc GmbH Recorded At – Roundhouse Studios Phonographic Copyright (p) – Bronze Records Ltd. Copyright (c) – Bronze Records Ltd. Published By – Umble Tunes Ltd. Published By – Sydney Bron Music Co. Ltd. Published By – Essex Music International Ltd. Mastered At – Sonopress Pressed By – Phonodisc GesmbH Printed By – Mohndruck Reinhard Mohn OHG Distributed By – Ariola Credits Arranged By – Uriah Heep Artwork – Leaderline Artists, Steve Ridgeway Bass – Trevor Bolder Design [Cover Design] – David Shortt Drums, Vocals – Lee Kerslake Engineer [Assistand By] – John Gallen, Julian Cooper Engineer [Engineered By] – Mark Dearnley (tracks: B4), Peter Gallen (tracks: A1 to B3) Guitar [Guitars] – Mick Box Illustration [Snake] – John Holmes Keyboards, Guitar [Guitars], Vocals – Ken Hensley Producer – Gerry Bron, Ken Hensley Vocals – John Lawton Notes Recorded at The Roundhouse Recording Studios London England in July/September 1977. Lyrics reproduced by kind permission of: A1, A2, A5 to B4: 'Umble Tunes Ltd A3: Essex Music International Ltd A4: Sydney Bron Music Co Ltd ℗ 1977 Bronze Records Ltd © 1977 Bronze Records Ltd Im Ariola-Vertrieb Printed in Western Germany [• •] Also available on MusiCassette 57 279 GT ________ Includes a 12"x12" single-sided lyric sheet.
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