The New Golden Age of Television
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Liberty Global and All3media Agree Multi-Territorial Original Programming Deal
Liberty Global and All3Media Agree Multi-territorial Original Programming Deal London, United Kingdom – August 2, 2016: Liberty Global today announces that Liberty Global and All3Media have agreed a major multi- territorial original programming partnership. The deal teams up the world’s largest international TV and broadband company with one of the leading independent television, film and digital production and distribution companies. The deal, for four major original drama series over the next two years, marks the first time that Liberty Global has agreed to a multi-territorial deal with a production company to create exclusive programming for its customers. The shows will be made available on demand for customers of Liberty Global companies across Europe, Latin America and the Carribean. The deal has been spearheaded within Liberty Global by Virgin Media. Bruce Mann, Managing Director of Programming at Liberty Global and David Bouchier, Virgin Media’s Chief Digital Entertainment Officer, will lead the commissioning process. The dramas will be produced by All3Media production companies with the level of funding required to deliver the best scripts, cast and directing and production talent to produce high quality international drama series. The exclusive content will be made available to millions of Liberty Global customers including Virgin Media customers in the UK & Ireland, Unitymedia customers in Germany, Ziggo customers in the Netherlands, and customers of Cable & Wireless, VTR and Liberty Puerto Rico. Liberty Global owns 50% of All3Media, having jointly acquired the business with Discovery Communications in 2014. Bruce Mann, Managing Director of Programming at Liberty Global, comments: “This initiative combines Liberty Global’s operating scale with its ownership in the production powerhouse All3Media. -
C Ntentasia 2014
30 June- 13 July C NTENTASIA 2014 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com Fox Asia unveils new sports story Three channel shift all set for 15 August Fox International Channels (FIC) Asia moves another step into its wholly owned sports future in August this year with three repositioned sports brands and a “seri- ously visible upgrade” both on and off screen. Fox Sports, Fox Sports 2 and Fox Sports 3 roll out across the region on 15 August in both standard definition and HD. These replace the previous versions of Fox Sports as well as Fox Sports Plus HD and Star Sports everywhere except China and South Korea, where Star Sports will continue to be offered. Fox Sports News and Fox Football Chan- nel HD remain unchanged, as do the network’s non-linear offerings – Fox Sports Play and Fox Sports Mobile. Each of the new brands will cater to distinct groups of sports fans, says Joon Lee, FIC Asia’s executive vice president, content and communications, APAC and Middle East and managing director, Hong Kong and Southeast Asia. Coming two years after the end of the ESPN Star Sports joint venture, the latest branding is aimed at going even bigger with the Fox Sports brand. More simply, “we inherited the Star Sports brand and it’s confusing to have the two with distinctions that are not clear enough,” Lee says. “It’s essential for us to come up with a network under one brand, which is Fox Sports,” he adds. -
Be a Disruptor Than to Defend Myself from Disruption.”
“I ultimately made the decision “The world that it would be more fun to wants us be a disruptor than to tell them that to defend myself the sky is falling. from disruption.” IT’s NOT.” – Le s L i e Mo o n v e s –Pe t e r Ch e r n i n aac e e s i ” – L “ . BEYO TECH NOL WELCOME NDDI OGY SRUP is the best ally democracy can have.” disruption and UNCERTAINTY good way to do it: embrace “There’s only one TION –Ad r i A n A Ci s n e r o s A Report on the AND PLEASE JOIN US INTERNATIONAL for the next International COUNCIL SUMMIT Council Summit September 14, 15, 16, 2011 April 26, 2012 Los Angeles Madrid, Spain CONTENTS A STEP BEYOND DISRUPTION 3 | A STEP BEYOND DISRUPTION he 2011 gathering of The Paley Center for Me- Tumblr feeds, and other helpful info. In addi- dia’s International Council marked the first time tion, we livestreamed the event on our Web site, 4 | A FORMULA FOR SUCCESS: EMBRacE DISRUPTION in its sixteen-year history that we convened in reaching viewers in over 140 countries. Los Angeles, at our beautiful home in Beverly To view archived streams of the sessions, visit 8 | SNAPSHOTS FROM THE COCKTAIL PaRTY AT THE PaLEY CENTER Hills. There, we assembled a group of the most the IC 2011 video gallery on our Web site at http:// influential thinkers in the global media and en- www.paleycenter.org/ic-2011-la-livestream. -
The Business of Creativity: Seeking Value in the Digital Content Ecosystem
The Business of Creativity: Seeking Value in the Digital Content Ecosystem Part of the Norms and Values in Digital Media Project Series (2012-2014) January 2015 Published by World Economic Forum, Geneva, Switzerland, 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise without the prior permission of the World Economic Forum. The views expressed in this publication are those of selected members of the Global Agenda Council on Climate Change and do not necessarily reflect the views of all the members of the Council or of the World Economic Forum. World Economic Forum 91-93 route de la Capite CH-1223 Cologny/Geneva Switzerland Tel.: +41 (0) 22 869 1212 Fax: +41 (0) 22 786 2744 [email protected] www.weforum.org Contents 5 Introduction 6 Chapter 1. The Power of Digital: Three Stories about Creators, Content and Consumers 8 Chapter 2. Copyright in the Digital Age 11 Chapter 3. Needs for the Future 14 Contributors 15 Figures 22 Endnotes The Business of Creativity: Seeking Value in the Digital Content Ecosystem 3 4 The Business of Creativity: Seeking Value in the Digital Content Ecosystem Introduction The way creative content and information diversity, and stakeholders are thus For the purpose of this report, are created, produced, consumed and challenged to ensure that such systems shared has changed dramatically in the continue to invite investment in creative the use of “copyright systems” digital era, presenting both new works. The act of paying to see a movie or and “copyright regimes” strictly challenges and opportunities for copyright to read a book not only provides a refers to laws and policies systems. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
ALL3MEDIA Gets Real with Editshare
CASE STUDY ALL3MEDIA gets real with EditShare Known for producing hit reality television programs The All3MEDIA group is comprised of 19 production such as “Undercover Boss” (CBS) and “The Pitch” and distribution companies from across the UK, (AMC), ALL3MEDIA AMERICA, a joint venture owned Europe, New Zealand and USA. Eric explains further, by Discovery Communications and Liberty Global, “ALL3MEDIA America has a fairly unique model. We has been growing its production roster as well as its don’t necessarily absorb the production company post facility at a rapid pace. In a climate where many to the point they disappear within the machine. We facilities are downsizing, ALL3MEDIA America Post has work with all the entities as if they are part of ALL3, gone from 25 to 90-plus editors and story producers, but they remain independent in terms of working on all while maintaining an enviable work environment and developing their own ideas, which really gives for its team. them the autonomy they need to be creative. They are not hindered by the policies of a larger company “ALL3MEDIA America is a progressive company that during that critical concept phase, yet have the safety likes the idea of having all aspects of post in-house,” net of the ALL3MEDIA America infrastructure and can comments Eric Towler, Director of Post Production. utilize the resources and the structure they would not “The full service post offering drives face-to-face typically enjoy in order to get their ideas out in front of collaboration across team members, which creates a the decision makers.” different type of energy…a spark. -
THE TALENT BIOGRAPHY Final
TELEVISION CREDITS / BIO 1 The Talent is an independent, boutique agency comprised of deeply committed talent bookers who provide individual guidance, knowledgeable strategy and a highly engaged service to the entertainment industry for over 15 years. Our mission is to become our clients’ most trusted partner by leveraging our vast experience and strong contacts to book each project we take on, including talk shows, celebrity castings, award show presenters and performers, magazine covers, charity events, photo shoots, ads or advertorials and non-profits. We tackle projects with integrity, passion, strategy, grace, humor, and a collaborative approach to bring you confidence and clarity in the booking process. We are your full house, out of house, getting you the talent your project needs. CONTENTS TELEVISION 1 ONLINE + RADIO 6 PUBLISHING 7 EVENT OUTREACH 8 NON PROFIT OUTREACH 9 THE TALENT TEAM 10 CONTACT INFO 18 CONTENTS TELEVISION The Talk: CBS, CBS Productions, Talent Producers. Pilot Casting and Seasons 1-11. Ongoing. Macy’s Thanksgiving Day Parade: NBC, Brad Lachman Productions, Talent Producers. 2017-2020. Ongoing Macy’s July 4th Celebration: NBC, Brad Lachman Productions, Talent Producers. 2018-2021. Ongoing. American Idol: Fremantle Media, ABC, Season 4, 2021. Ongoing. ACM Awards: Dick Clark Productions, CBS, 2018-2021. Ongoing. The Billboard Music Awards 2015- 2021: NBC, Dick Clark Productions, Talent Producers. Ongoing. The American Music Awards 2014-2021: ABC, Dick Clark Productions, Talent Producers. Ongoing. CMAs: ABC, Presenter Talent Producers, 2016-2019. $100,000 Pyramid: ABC, Sony Television, Talent Producers, Seasons 1-5, 2016-2020. Ongoing. Match Game: ABC, FremantleMedia, Talent Producers, Seasons 1-6: 2016 - 2021. -
The Role of Psbs in the UK TV Production Sector
Small Screen: Big Debate Consultation – Annex 7. The role of PSBs in the UK TV production sector A7. The role of PSBs in the UK TV production sector Overview The TV production sector is a UK success story. The skill base of UK TV production companies has attracted valuable inward investment and global sales of UK programmes have boosted the image of the UK. The UK TV production sector consists of a mixture of large and small independent producers which operate alongside production companies owned by UK broadcasters. This successful production sector has attracted significant inward investment, from foreign broadcasters and streaming services. The UK independent TV production sector is not a product of the market alone; it has been supported and nurtured by the rules and obligations placed on the PSBs over the years. Rules on external commissioning, IP rights and regional quotas have played a vital role in the emergence and development of the independent TV production sector in the UK. UK TV production industry A7.1 The UK TV production sector has changed dramatically over the last 20 years. In 2004, the Public Service Broadcasters (PSBs) accounted for around 87% of all UK commissions.1 The PSBs also dominated content production, accounting for over half (56%) of all UK production.2 A7.2 Fast forward to now, the sector is diverse, competitive, and internationally successful. It has almost doubled in size over this period with commissioning spend on UK productions estimated to range between £4.5bn and £5bn in 2018.3 A7.3 In 2018, UK producers were responsible for almost half of all peak-time shows in major international markets.4 Formats such as Love Island and Strictly Come Dancing/Dancing with the Stars and The Office originated in the UK and have gone on to be global hits. -
David M. Zaslav President and CEO Discovery Communications
David M. Zaslav President and CEO Discovery Communications As chief executive, David Zaslav sets the strategy and oversees all operations for Discovery Communications, which now reaches 3 billion cumulative subscribers in more than 220 countries. Zaslav has led Discovery since 2007, executing a number of initiatives that have focused the organization on growth, performance and operational efficiency. He also has directed a strategic effort to clarify and strengthen Discovery’s world-class brands, including a renewed focus on creativity and increased investment in original content. In September 2008, under his leadership, Discovery began trading as a public company on the Nasdaq stock exchange and in 2014 became a Fortune500 company. Fortune also recently named Discovery as one of the world’s most admired companies. Since Zaslav took the helm, Discovery has launched some of the fastest-growing cable networks in the U.S., including Investigation Discovery, Velocity, and OWN: Oprah Winfrey Network, and has premiered such iconic programming as “Planet Earth” and, most recently, “Racing Extinction.” Under Zaslav’s leadership, Discovery has rolled out TLC to 405 million global subscribers, ID to 200 million global subscribers, and Velocity, called Turbo internationally, to 130 million subscribers, creating an unmatched international portfolio for viewers, advertisers and distributors. In 2013, Discovery expanded its international operations with the acquisition of SBS Nordic, a top-three portfolio of television brands across Denmark, Norway, Sweden and Finland featuring leading nonfiction content, locally produced entertainment programs and scripted series. In 2014, Zaslav led Discovery’s acquisition of global content creator and distributor All3Media, operated in joint-venture with Liberty Global. -
Oppdatert Liste Samarbeidspartnere 2015
OPPDATERT LISTE Baby Cow Productions Cannon Pictures SAMARBEIDSPARTNERE Bandai Visual Co. Ltd Captured Light Distribution LLC Banijay International Ltd Carey Films Ltd 2015/2016 Bankside Films Cargo Film & Releasing Bard Entertainment Carnaby Sales and Distribution Ltd 12 Yard Productions Bardel Distribution Carrere Group D.A. 2929 Entertainment LLC BBC Worldwide Cartoon Network 3DD Entertainment BBL Distribution Inc. Cartoon One 9 Story Enterprises BBP Music Publishing c/o Black Bear Caryn Mandabach Productions A&E Channel Home Video Pictures Casanova Multimedia Abduction Films Ltd Beacon Communications Cascade Films Pty Ltd Acacia Becker Group Ltd. Castle Hill Productions ACC Action Concept Cinema GmbH & Beijing Asian Union Culture and Media Cats and Docs SAS Co. KG Investment CCI Releasing ACI Bejuba Entertainment CDR Communications Acorn Group Bell Phillip Television Productions Inc. Celador Productions ACORN GROUP INC Benaroya Pictures Celestial Filmed Entertainment Ltd. Acorn Media Bend it Like Beckham Productions Celluloid Dreams Actaeon Films Bentley Productions Celsius Entertainment Action Concept Berlin Animation Film Gmbh Celsius Film Sales Action Concept Film und Best Film and Video Central Independent Television Stuntproduktion GmbH Best Picture Show Central Park Media Action Image GmbH & Co. KG Betty TV Channel 4 Learning Adness Entertainment Co. Ltd. Beyond International Ltd Chapter 2 Adult Swim Productions Big Bright House of Tunes Chatsworth Enterprises After Dark Films Big Idea Entertainment Children's Film And Television Ager Film Big Light Productions Foundation AIM Group LLC. Big Talk Productions Chorion Plc Akkord Film Produktion GmBH Billy Graham Evangelistic Association / Christian Television Association Alain Siritzky Productions World Wide Pictures Ciby 2000 Alameda Films Bio Channel Cineflix International Media Albachiara S.r.l. -
Oppdatert Liste Samarbeidspartnere
OPPDATERT LISTE Banijay International Ltd Carey Films Ltd SAMARBEIDSPARTNERE Bankside Films Cargo Film & Releasing Bard Entertainment Carnaby Sales and Distribution Ltd Bardel Distribution Carrere Group D.A. 12 Yard Productions BBC Worldwide Cartoon Network 2929 Entertainment LLC BBL Distribution Inc. Cartoon One 3DD Entertainment BBP Music Publishing c/o Black Bear Caryn Mandabach Productions 9 Story Enterprises Pictures Casanova Multimedia A&E Channel Home Video Beacon Communications Cascade Films Pty Ltd Abduction Films Ltd Becker Group Ltd. Castle Hill Productions Acacia Beijing Asian Union Culture and Media Cats and Docs SAS ACC Action Concept Cinema GmbH & Investment CCI Releasing Co. KG Bejuba Entertainment CDR Communications ACI Bell Phillip Television Productions Inc. Celador Productions Acorn Group Benaroya Pictures Celestial Filmed Entertainment Ltd. ACORN GROUP INC Bend it Like Beckham Productions Celluloid Dreams Acorn Media Bentley Productions Celsius Entertainment Actaeon Films Berlin Animation Film Gmbh Celsius Film Sales Action Concept Best Film and Video Central Independent Television Action Concept Film und Best Picture Show Central Park Media Stuntproduktion GmbH Betty TV Channel 4 Learning Action Image GmbH & Co. KG Beyond International Ltd Chapter 2 Adness Entertainment Co. Ltd. Big Bright House of Tunes Chatsworth Enterprises Adult Swim Productions Big Idea Entertainment Children's Film And Television After Dark Films Big Light Productions Foundation Ager Film Big Talk Productions Chorion Plc AIM Group LLC. Billy Graham Evangelistic Association / Christian Television Association Akkord Film Produktion GmBH World Wide Pictures Ciby 2000 Alain Siritzky Productions Bio Channel Cineflix International Media Alameda Films BKN International Ltd. Cinema Seven Productions Albachiara S.r.l. Blakeway Productions Cinematheque Collection Alcine Pictures Ltd. -
TV Formats in Europe
TV Formats in Europe Given the prolonged advertising recession and the fact that several major titles have peaked, the TV formats market in Europe is showing remarkable resilience. The value created by the top 100 formats was $2,931 million in 2013 for 84 European channels across the 16 territories and 21 distributors, according to the TV Formats in Europe report. The 2013 figure was 3.3% down on the 2012 total, but up on 2011. The number of hours broadcast reached 28,386 in 2013, nearly the same as 2012. The UK is the TV formats leader in Europe – just ahead of France. The value created by formats for UK broadcasters was $600 million in 2013, down from $677 million in 2012. France recorded $599 million in 2013, up from $547 million in 2012. The UK, France, Germany and Italy accounted for 72% of Europe’s total value created in 2013. The top 10 broadcasters accounted for two-thirds of the total value created in Europe for 2013 – which means that the remaining third was shared by 74 channels. France’s TF1 ($332 million) led the pack again, followed by Italy’s Rai 1 and the UK’s BBC1. The total number of hours broadcast in Europe for the 100 formats was 28,386 in 2013; very close to 2012. The UK was the leader again, despite its 2013 total (3,935) being considerably lower than in 2012 (4,623). Romania took third place, having added 645 hours to its total in 2013. Published in March 2014, this 146-page, PDF-delivered report covers 100 major formats on 84 channels across 16 European territories; with extensive comparison tables.