Liberty Global and All3media Agree Multi-Territorial Original Programming Deal
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Scott Marshall Dubbing Mixer
Scott Marshall Dubbing Mixer Profile Scott has over 14 years’ experience as a Re-recording Mixer, Sound Designer / Editor and Immersive Audio Artist working across many genres including, Film, TV, Factual Ent, Commercials, 360 Video, Virtual Reality Audio Design and many other forms of Audio Post Production. He is highly creative mixer and designer who's experience and skillset will bring the best out of your productions, shows and films. Credits VR / 360 Spatial Audio One Shot VR – VR Pilots / VR Training Military XR Consequences AR – Immersive Experience – Bose Ltd & Playlines AR Ouija 2: Origin of Evil - VR 360 - Universal Pictures HD VIA Alice, Red Bull Music – VR Experience – Event & Online – Red Bull & Virtual Guest Tottenham Hot Spurs; White Heart Lane – VR Experience – Animal Vegetable Mineral Reading FC Kit Launch – Event & VR Release – Gate Reality Films NME Awards Nominations Party - Biffy Clyro Performance - 360 Experience - VRX Fact Ent / Entertainment / Documentary / Drama Inside Iceland- Ricochet for Channel 5 Ultimate Rides- Barcroft Studios for A&E Networks/ TBC Network Incredible Science of Temperature – BBC Science / BBC4 / BBC Studios X-Factor – Series 15. Farm Group. ITV Moto Mongolia – Documentary Film. Theatrical 7.1 Dolby Mix, Goldcrest Films Witless – Series 3. 5 x 30mins. Objective Media Group Patients of a Saint Movie – Gold Crab & Nubian Films / Archstone Distribution Stacey Dooley Investigates: Young Sex For Sale In Japan -1 x 60min - BBC 3 The Turner Prize 2016: The Nominees – 1 x 30min - BBC4 Matilda and the Ramsay bunch - Series 3 – CBBC/Objective Media Group/Ramsay Productions Canaletto & The Art of Venice Exhibition – 1 x 90 min – EOS & Seventh Art Productions. -
Virgin Media Net Report
Virgin Media Net Report Demosthenis teeter upriver while bonnie Angie emotionalized jocularly or interloped consistently. Farley decolourizing howling as breakable Terrill apologizing her burglary overmatch incommodiously. Is Harlin all or orange after Adriatic Jarvis yellows so ultrasonically? Worst in net report it will become a webchat tomorrow to be ignored, you can cause the reporting outages in the virgin media relations industry. My bill has now keeps telling you tried processing your virgin mobile. Access a report which offers a clearance service status. Hara won her previous advertisements that virgin media? Virgin mobile and retry field of net report, please insert your research and conditions to leave us and competition for our offering of. Use virgin media reports of net report benefit from virgin media. So we use their networks international ltd, you want to kind of our shares made via your issue could further advice. To reduce the net report virgin media. He again in the risks relating to these paragraphs do they should not under any assurance that? This year industry giants and cash generated from home so we get information and send you? Changes in net, etc etc etc etc excuses are exploring the. How the advertising. Configure the report it kept repeating itself, russia uk audiences, germany and they can do is no idea of civil liabilities associated with? We publish a virgin mobile your virgin media net report also try later and service providers not even more common stock options do not. But after renewing my citrix session to report version of net report virgin media customer care about email. -
Liberty Global Plc (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-A FOR REGISTRATION OF CERTAIN CLASSES OF SECURITIES PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 Liberty Global plc (Exact Name of Registrant as Specified in its Charter) England and Wales 98-1112770 (State of incorporation or organization) (I.R.S. Employer Identification No.) 38 Hans Crescent, London, England SW1X 0LZ (Address of Principal Executive Offices) (Zip Code) Securities to be registered pursuant to Section 12(b) of the Act: Name of each exchange on which Title of each class to be so registered each class is to be registered LiLAC Class A Ordinary Shares The NASDAQ Stock Market LLC LiLAC Class C Ordinary Shares The NASDAQ Stock Market LLC If this form relates to the registration of a class of securities pursuant to Section 12(b) of the Exchange Act and is effective pursuant to General Instruction A. (c), check the following box. x If this form relates to the registration of a class of securities pursuant to Section 12(g) of the Exchange Act and is effective pursuant to General Instruction A. (d), check the following box. ¨ Securities Act registration statement file number to which this form relates: 333-199552 Securities to be registered pursuant to Section 12(g) of the Act: None Item 1. Description of Registrant’s Securities to be Registered. The securities to be registered hereby are the LiLAC Class A Ordinary Shares and the LiLAC Class C Ordinary Shares, each with a nominal value of $0.01 per share (together with the LiLAC Class B Ordinary Shares with a nominal value of $0.01 per share, the LiLAC Ordinary Shares) of Liberty Global plc (Liberty Global). -
Liberty Global Increases Ownership in Telenet to 58%
Liberty Global Increases Ownership in Telenet to 58% Englewood, Colorado – January 14, 2013 Liberty Global, Inc. (“Liberty Global,” “LGI,” or the “Company”) (NASDAQ: LBTYA, LBTYB and LBTYK) today announces that 9,497,637 ordinary shares and 3,000 warrants were tendered into the voluntary and conditional cash offer (the “Offer”) launched by its wholly-owned subsidiary Binan Investments B.V. (“Binan”) on December 18, 2012 (Brussels time) for the outstanding shares and other securities giving access to voting rights of Telenet Group Holding NV (“Telenet”) that it did not already own and that were not held by Telenet. The official announcement of the results in the Belgian financial press, in accordance with article 32 of the Belgian Royal Decree of April 27 on public takeover bids, will take place on January 18, 2013 (Brussels time). Subject to satisfaction (or waiver) of the conditions to the Offer on that date, this official announcement will also confirm Binan’s acceptance of the tendered shares and warrants and whether or not a voluntary reopening of the Offer will be made. Payment on tendered shares and warrants is intended to take place on February 1, 2013 (Brussels time). Following acceptance of the tendered shares, Liberty Global will hold 66,342,037 shares1 and 3,000 warrants2 in Telenet. This represents approximately 58.4% of the issued and outstanding shares of Telenet (excluding the 220,352 treasury shares held by Telenet).3 Liberty Global notes that as stated in the prospectus for the Offer, it intends to align the strategy and the operations of Telenet with the rest of the Company. -
Publication of Prospectus for Liberty Global Cash Offer
Press Release Opfikon, August 27, 2020; 06:55 CET Publication of prospectus for Liberty Global cash offer On 12 August 2020, Sunrise Communications Group AG (“Sunrise”) announced that Liberty Global plc (“Liberty Global”) had published the pre-announcement for its public tender offer to acquire 100% of Sunrise’s shares at an offer price of CHF110 per share in cash. The acquisition is subject to customary conditions, including tender of at least 66 2/3% of the Sunrise shares into the offer and receipt of regulatory approvals. Today UPC Schweiz GmbH, a wholly owned subsidiary of Liberty Global, has published the prospectus for the public tender offer. The offer prospectus is available on https://www.nationalconnectivitychallenger.ch/ #for-investors. The report of Sunrise’s Board of Directors and the independent fairness opinion issued by Value Trust regarding the public tender offer are also available on https://www.nationalconnectivity challenger.ch/#for-investors. The main offer period is expected to commence on 11 September 2020 and is scheduled to expire at 4 p.m. Swiss time on October 8, 2020. UPC Schweiz GmbH may extend the main offer period once or several times. After the expiration of the offer period and if the minimum acceptance threshold is reached or waived by UPC Schweiz GmbH, there will be an additional acceptance period of ten trading days for the subsequent acceptance of the offer. Subject to an extension of the main offer period, the additional acceptance period is scheduled to run from October 15, 2020 and to expire on 4 p.m. Swiss time on October 28, 2020. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
ALL3MEDIA Gets Real with Editshare
CASE STUDY ALL3MEDIA gets real with EditShare Known for producing hit reality television programs The All3MEDIA group is comprised of 19 production such as “Undercover Boss” (CBS) and “The Pitch” and distribution companies from across the UK, (AMC), ALL3MEDIA AMERICA, a joint venture owned Europe, New Zealand and USA. Eric explains further, by Discovery Communications and Liberty Global, “ALL3MEDIA America has a fairly unique model. We has been growing its production roster as well as its don’t necessarily absorb the production company post facility at a rapid pace. In a climate where many to the point they disappear within the machine. We facilities are downsizing, ALL3MEDIA America Post has work with all the entities as if they are part of ALL3, gone from 25 to 90-plus editors and story producers, but they remain independent in terms of working on all while maintaining an enviable work environment and developing their own ideas, which really gives for its team. them the autonomy they need to be creative. They are not hindered by the policies of a larger company “ALL3MEDIA America is a progressive company that during that critical concept phase, yet have the safety likes the idea of having all aspects of post in-house,” net of the ALL3MEDIA America infrastructure and can comments Eric Towler, Director of Post Production. utilize the resources and the structure they would not “The full service post offering drives face-to-face typically enjoy in order to get their ideas out in front of collaboration across team members, which creates a the decision makers.” different type of energy…a spark. -
Ensuring a Ubiquitous Connection for Liberty Global with the Connect App CASE STUDY
CASE STUDY The Connected Customer: Ensuring a Ubiquitous Connection for Liberty Global with the Connect App CASE STUDY The Connected Customer: Ensuring a Ubiquitous Connection for Liberty Global with the Connect App Life today is all about being connected. Broadband, WiFi, hotspots, smart devices, smart homes and even smart cities – the internet has catalyzed the largest connectivity boom we’ve ever seen. As one of the world’s leading converged video, broadband and communication companies, Liberty Global—the parent company of Virgin Media, Telenet and UPC—is dedicated to keeping its 11 million customers across six European countries connected to the 25 million TV, broadband internet and telephone service offerings they subscribe to. With the vision of creating a connected community, Liberty Global turned to its long-standing technology partner EPAM to develop the Connect App, a mobile platform that revolutionized their existing, UK-based app. The new app allows users to easily configure their home modems and boosters, connect to the internet, check data usage, monitor devices in the home and automatically connect to one of the company’s 10 million hotspots, allowing Liberty Global to achieve its goal of making it easy for customers to connect wherever they are whenever they want. PROJECT OVERVIEW GOALS TECH STACK • Build a connected ecosystem in the home • Reference Design Kit (RDK) • Provide an easily navigable user interface • Spark Kubernetes • Integrate with existing and future • Mobile Native: iOS, Android third-party applications -
EX 99.1 Vodafoneziggo Fixed Income Q4 2019 Release
VodafoneZiggo Reports Preliminary Q4 2019 Results 2019 Guidance Achieved with a Strong Q4 Performance; Commercial Momentum Expected to Continue in 2020 Utrecht, the Netherlands February 13, 2020: VodafoneZiggo Group B.V. (“VodafoneZiggo”), a leading Dutch company that provides fixed, mobile and integrated communication and entertainment services to consumers and businesses, is today providing select, preliminary unaudited financial1 and operating information for the three months (“Q4”) and full year ("FY") ended December 31, 2019, as compared to the results for the same periods in the prior year (unless otherwise noted). The financial and operating information contained herein is preliminary and subject to change. We expect to issue our December 31, 2019 audited consolidated financial statements in March 2020, at which time the report will be posted to our website. Highlights for Q4 and FY 2019: FY 2019 financial guidance achieved: OCF2 growth of 4% exceeded guidance3 of ‘around 3%’ Property and equipment additions4 were 20% of revenue vs guidance of 21% Total cash returns to shareholders5 of €585 million vs guidance of ‘around €600 million’ Our commercial momentum remained strong in Q4 with total net customer additions of 62,000, up 44,000 YoY. Our mobile postpaid customer base grew by 75,500 and internet RGUs6 by 13,000. FY 2019 total net customer additions were 191,000 (up 75,000 YoY) Our converged7 customer base continued to grow, adding 49,000 converged households and 88,000 converged SIMs in Q4. In FY 2019 we added 286,000 households and 541,000 SIMs, resulting in a year end converged penetration rate of 40% of internet RGUs and 74% of Vodafone consumer mobile postpaid SIMs Q4 revenue grew by 3% YoY, our third consecutive quarter of growth, supported by a strong fixed performance and a return to growth in mobile. -
European Pay TV Operator Forecasts: Table of Contents
European Pay TV Operator Forecasts: Table of Contents Published in September 2012, this 140-page electronically-delivered report comes in two parts: A 110-page PDF giving a global executive summary, country/operator analysis and forecasts. An 30-page excel workbook giving comparison tables and country-by- country forecasts in detail for 95 operators across 25 territories from 2007 to 2017. Countries and operators covered: Country No of ops Operators Austria 3 Telekom Austria; UPC; Sky Belgium 4 Belgacom; Numericable; Telenet; VOO Croatia 2 Digi TV; Max TV/T-HT Czech 4 Digi TV; Telefonica; Skylink; UPC Denmark 6 Canal Digital; Viasat; You See; Stofa; Boxer; TDC Finland 6 Digita; Elisa; Teliasonera; DNA; Canal Digital; Viasat France 6 Orange; SFR; CanalSat; Numericable; Free; TNT Germany 5 KBW; KDG; DT; Sky; Unitymedia Greece 1 Nova Hungary 3 T-Home; Digi TV; UPC (cable & DTH) Ireland 2 UPC; Sky Italy 3 Mediaset; Sky; Telecom Italia Netherlands 5 UPC; Canal Digitaal; Tele 2; Ziggo; KPN/Digitenne Norway 5 Canal Digital; Viasat; Riks TV; Telenor; Get Poland 8 N; TNK; TP/Orange; Vectra; Multimedia Polska; Cyfra Polsat; Cyfra+; UPC Portugal 3 PT; Zon; Cabovisao Romania 3 Romtelecom; RCS-RDS/Digi TV; UPC Russia 7 NTV Plus; Tricolor; Akado; MTS; ER Telecom; Rostelecom; Beeline Serbia 1 SBB Slovakia 4 UPC; RCS-RDS; Skylink; Slovak Telekom Spain 3 Ono; Canal Plus; Telefonica Sweden 5 Canal Digital; Viasat; Com Hem; Telia; Boxer Switzerland 2 Swisscom; UPC/Cablecom Ukraine 1 Volia UK 3 Sky; Virgin; BT Forecasts (2007-2017) contain the following detail for each country: By country: TV households Digital cable subs Analog cable subs Pay IPTV subscribers Pay digital DTH subs Pay DTT homes By operator (and by platform by operator): Subscribers Subscription & VOD revenues ARPU Liberty Global and BSkyB to continue European pay TV dominance Pay TV subscriptions for the 95 operators across 25 countries covered in a new report from Digital TV Research will increase from a collective 96.2 million in 2007 to 140.9 million by 2017. -
THE TALENT BIOGRAPHY Final
TELEVISION CREDITS / BIO 1 The Talent is an independent, boutique agency comprised of deeply committed talent bookers who provide individual guidance, knowledgeable strategy and a highly engaged service to the entertainment industry for over 15 years. Our mission is to become our clients’ most trusted partner by leveraging our vast experience and strong contacts to book each project we take on, including talk shows, celebrity castings, award show presenters and performers, magazine covers, charity events, photo shoots, ads or advertorials and non-profits. We tackle projects with integrity, passion, strategy, grace, humor, and a collaborative approach to bring you confidence and clarity in the booking process. We are your full house, out of house, getting you the talent your project needs. CONTENTS TELEVISION 1 ONLINE + RADIO 6 PUBLISHING 7 EVENT OUTREACH 8 NON PROFIT OUTREACH 9 THE TALENT TEAM 10 CONTACT INFO 18 CONTENTS TELEVISION The Talk: CBS, CBS Productions, Talent Producers. Pilot Casting and Seasons 1-11. Ongoing. Macy’s Thanksgiving Day Parade: NBC, Brad Lachman Productions, Talent Producers. 2017-2020. Ongoing Macy’s July 4th Celebration: NBC, Brad Lachman Productions, Talent Producers. 2018-2021. Ongoing. American Idol: Fremantle Media, ABC, Season 4, 2021. Ongoing. ACM Awards: Dick Clark Productions, CBS, 2018-2021. Ongoing. The Billboard Music Awards 2015- 2021: NBC, Dick Clark Productions, Talent Producers. Ongoing. The American Music Awards 2014-2021: ABC, Dick Clark Productions, Talent Producers. Ongoing. CMAs: ABC, Presenter Talent Producers, 2016-2019. $100,000 Pyramid: ABC, Sony Television, Talent Producers, Seasons 1-5, 2016-2020. Ongoing. Match Game: ABC, FremantleMedia, Talent Producers, Seasons 1-6: 2016 - 2021. -
The Role of Psbs in the UK TV Production Sector
Small Screen: Big Debate Consultation – Annex 7. The role of PSBs in the UK TV production sector A7. The role of PSBs in the UK TV production sector Overview The TV production sector is a UK success story. The skill base of UK TV production companies has attracted valuable inward investment and global sales of UK programmes have boosted the image of the UK. The UK TV production sector consists of a mixture of large and small independent producers which operate alongside production companies owned by UK broadcasters. This successful production sector has attracted significant inward investment, from foreign broadcasters and streaming services. The UK independent TV production sector is not a product of the market alone; it has been supported and nurtured by the rules and obligations placed on the PSBs over the years. Rules on external commissioning, IP rights and regional quotas have played a vital role in the emergence and development of the independent TV production sector in the UK. UK TV production industry A7.1 The UK TV production sector has changed dramatically over the last 20 years. In 2004, the Public Service Broadcasters (PSBs) accounted for around 87% of all UK commissions.1 The PSBs also dominated content production, accounting for over half (56%) of all UK production.2 A7.2 Fast forward to now, the sector is diverse, competitive, and internationally successful. It has almost doubled in size over this period with commissioning spend on UK productions estimated to range between £4.5bn and £5bn in 2018.3 A7.3 In 2018, UK producers were responsible for almost half of all peak-time shows in major international markets.4 Formats such as Love Island and Strictly Come Dancing/Dancing with the Stars and The Office originated in the UK and have gone on to be global hits.