Tbivision.Com October/November 2018
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Video Disco Klip Lista 10Cc
VIDEO DISCO KLIP LISTA 10CC - Dreadlock Holiday 2 Brothers On The 4th Floor - Dreams (Will Come Alive) 2 Brothers On The 4th Floor - Fly 2 in a room - Wiggle It 2 Unlimited - Get Ready For This k 2 Unlimited - No Limit 2 unlimited - Twilight Zone 20 Fingers - Lick It 20 Fingers Feat. Gillette - Short Short Man 4 Non Blondes - What's Up 50 cent feat. Justin timberlake - Ayo technology A Flock Of Seagulls - Wishing A flock of seagullsa - I Ran A1 - Take On Me Abba - Chiquitita ABBA - Dancing Queen Abba - Dancing Queen2 Abba - Does Your Mother Know Abba - Gimme! Gimme! Gimme! (A Man After Midnight) Abba - Knowing Me Knowing You Abba - Mamma Mia Abba - Money Money Money Abba - S.O.S. Abba - Super Trouper Abba - Take A Chance On Me Abba - Thank You For The Music Abba - The Winner Takes It All Abba - Waterloo ABC - Poison Arrow ABC - When Smokey Sings ACDC-Highway To Hell (Live Version) Ace Of Base - All That She Wants Ace Of Base - Beautiful Life (Vission Lorimer Club Mix) Ace Of Base - Cruel Summer Ace Of Base - Don't Turn Around Ace Of Base - Happy Nation Ace Of Base - Living In Danger Ace Of Base - The Sign Adam Ant - Puss 'n' Boots Adele - Rolling In The Deep Afric Simone - Haffananah Afrojack Feat. Eva Simons - Take Over Control A-Ha - Stay On These Roads A-Ha - Take On Me A-Ha - The Sun Always Shines On TV Air Suooly - All Out of Love Akcent - Love Stoned Akcent - That's My Name Alanis Morissette - You Oughta Know Alannah Myles - Black Velvet Alb Negru - Charisma Alex Velea-Don't say It's Over Alexandra Stan - Get Back Alexandra Stan - Lollipop Alexandra Stan - Mr Saxobeat Alexunderbase - Privacy Alice Cooper-Poison Alice Deejay - Back In MY Life Alice Deejay - Better Of Alone Alphaville - Big In Japan Alphaville - Forever Young Amanda Lear - Queen Of Chinatown Amber - This Is Your Night Amii Stewart - Knock On Wood Andre Rieu - Kalinka Andre Rieu - Poliushko Polie Andre Rieu - Sirtaki Animotion - Obsession Ann Lee - 2 Times Aqua – Barbie Girl Arcadia - Election Day Arman Van Helden - My My My Armin van Buuren feat. -
Annual Report 2012
NEWS CORP. ANNU AL REPO RT 2012 NEWSANNUAL REPORT 2012 1211 Avenue of the Americas New York, NY 10036 www.newscorp.com C O RP. 425667.COVER.CX.CS5.indd 1 8/29/12 5:21 PM OUR AIM IS TO UNLOCK MORE VALUE FOR OUR STOCKHOLDERS 425667.COVER.CS5.indd 2 8/31/12 9:58 AM WE HAVE NO INTENTION OF RESTING ON OUR LAURELS WE ARE ALWAYS INVESTING IN THE NEXT GENERATION 425667.TEXT.CS5.indd 2 8/28/12 5:10 PM 425667.TEXT.CS5.indd 3 8/27/12 8:44 PM The World’s LEADER IN QUALITY JOURNALISM 425667.TEXT.CS5.indd 4 8/28/12 5:11 PM A LETTER FROM Rupert Murdoch It takes no special genius to post good earnings in a booming economy. It’s the special company that delivers in a bad economic environment. At a time when the U.S. has been weighed down by its slowest recovery since the Great Depression, when Europe’s currency threatens its union and, I might add when our critics flood the field with stories that refuse to move beyond the misdeeds at two of our papers in Britain, I am delighted to report something about News Corporation you Rupert Murdoch, Chairman and Chief Executive Officer might not know from the headlines: News Corporation In 2012, for the second year in a row, we have brought our stockholders double-digit growth in total segment operating income. FOR THE SECOND We accomplished this because we do not consider ourselves a conventional YEAR IN A ROW, company. -
Scott Marshall Dubbing Mixer
Scott Marshall Dubbing Mixer Profile Scott has over 14 years’ experience as a Re-recording Mixer, Sound Designer / Editor and Immersive Audio Artist working across many genres including, Film, TV, Factual Ent, Commercials, 360 Video, Virtual Reality Audio Design and many other forms of Audio Post Production. He is highly creative mixer and designer who's experience and skillset will bring the best out of your productions, shows and films. Credits VR / 360 Spatial Audio One Shot VR – VR Pilots / VR Training Military XR Consequences AR – Immersive Experience – Bose Ltd & Playlines AR Ouija 2: Origin of Evil - VR 360 - Universal Pictures HD VIA Alice, Red Bull Music – VR Experience – Event & Online – Red Bull & Virtual Guest Tottenham Hot Spurs; White Heart Lane – VR Experience – Animal Vegetable Mineral Reading FC Kit Launch – Event & VR Release – Gate Reality Films NME Awards Nominations Party - Biffy Clyro Performance - 360 Experience - VRX Fact Ent / Entertainment / Documentary / Drama Inside Iceland- Ricochet for Channel 5 Ultimate Rides- Barcroft Studios for A&E Networks/ TBC Network Incredible Science of Temperature – BBC Science / BBC4 / BBC Studios X-Factor – Series 15. Farm Group. ITV Moto Mongolia – Documentary Film. Theatrical 7.1 Dolby Mix, Goldcrest Films Witless – Series 3. 5 x 30mins. Objective Media Group Patients of a Saint Movie – Gold Crab & Nubian Films / Archstone Distribution Stacey Dooley Investigates: Young Sex For Sale In Japan -1 x 60min - BBC 3 The Turner Prize 2016: The Nominees – 1 x 30min - BBC4 Matilda and the Ramsay bunch - Series 3 – CBBC/Objective Media Group/Ramsay Productions Canaletto & The Art of Venice Exhibition – 1 x 90 min – EOS & Seventh Art Productions. -
Julia Smith Lighting CV.Pages
CV Lighting Designer Julia Smith 1991: BBC camera trainee - Studios, Film & OBs 1992: BBC camera woman 1996: BBC Lighting & vision operator (racks) 1999: BBC Lighting & vision supervisor (console operator) 2002: Freelance Lighting director & console operator Production History Lighting Designer Rob Beckett’s Playing for Rumpus Media Channel 4 Hospital Studios Time The Darkness of John Phil McIntyre TV Not broadcast as yet BBC Radio Theatre Robbins Tim Vine Travels in Time Baby Cow Productions BBC1 Pinewood Studios Citizen Khan BBC Comedy BBC 1 Dock 10 Yes Primeminister BBC Comedy UKTV TVC Lighting Director - original designs by other Lighting designers Harry Hill’s Alien Fun Capsule CPL Productions ITV 1 TLS Live From the BBC Phil McIntyre TV BBC2 BBC Radio Theatre Cats Do Countdown Zeppatron Productions Channel 4 Dock 10 Eggheads 12 Yard Productions BBC1 BBC2 BBC Scotland Perfection 12 Yard Productions BBC1 BBC Scotland Who Dares Wins 12 Yard Productions BBC1 BBC Scotland Russel Howard’s Good News Avalon BBC2 BBC3 Riverside Studios Sheperton, TLS Unspun with Matt Ford Avalon Dave TLS Question of Sport BBC Entertainment BBC1 Dock 10 Insert Name Here 12 Yard Productions BBC2 Pinewood Studios Football on Five Sunset & Vine Channel 5 Sky Studios Various BT Sport Timeline BT Sport Channel International Broadcasting programmes Centre Dog Ate my homework BBC Children’s Glasgow CBBC Pacific Quay !1 of !3 Production History Vision Supervisor or Console Operator Sitcom Upstart Crow BBC Comedy BBC 2 TLS Not Going Out Avalon BBC 1 TVC, Teddington -
Ofcom Complaint Assessment
OfcomOfcom Broadcast Preliminary and On Demand View Bulletin Published 17 September 2020 Britain’s Got Talent Type of case Broadcast Standards Outcome Not Pursued Service ITV Date & time 5 September 2020, 20:00 Category Protection of children/generally accepted standards/dangerous behaviour/due impartiality Summary This programme included a performance by the British dance group Diversity which represented the events of 2020, including the Coronavirus pandemic and global anti-racism protests. We concluded that the programme did not raise issues which warranted investigation under the Broadcasting Code. Ofcom received approximately 24,5001 complaints about the above programme. Complainants outlined a range of concerns about Diversity’s performance, including that the themes of violence and racism were inappropriate for family viewing, that it expressed support for the political organisation ‘Black Lives Matter’ and that it was racist towards White people. Ofcom also received a number of messages of support and praise for the performance. Ofcom has assessed this programme against the relevant rules in the Broadcasting Code (“the Code”). Our assessment is that this programme did not raise any issues which warranted investigation. In our view, Diversity’s performance was an artistic expression of topical social issues and did not contain any content which was racist, unsuitably violent or otherwise inappropriate in the context of this programme. Given the significant publicity surrounding this case and the high volume of complaints received, we have decided to publish our reasons for this assessment. 1 As of 09:00 on 17 September 2020. 1 Introduction Britain’s Got Talent is a talent programme broadcast on ITV, which aims to find a new act from the general public to perform at the annual Royal Variety Performance and win a prize of £250,000. -
Unemployment Benefits and Reservation Wages: Key Elasticities from a Stripped-Down Job Search Approach
Estudos e Documentos de Trabalho Working Papers 3 | 2008 UNEMPLOYMENT BENEFITS AND RESERVATION WAGES: KEY ELASTICITIES FROM A STRIPPED-DOWN JOB SEARCH APPROACH John T. Addison Mário Centeno Pedro Portugal February 2008 The analyses, opinions and findings of these papers represent the views of the authors, they are not necessarily those of the Banco de Portugal. Please address correspondence to Pedro Portugal Economics and Research Department Banco de Portugal, Av. Almirante Reis no. 71, 1150-012 Lisboa, Portugal; Tel.: 351 213 138 410, Email: [email protected] BANCO DE PORTUGAL Economics and Research Department Av. Almirante Reis, 71-6th floor 1150-012 Lisboa www.bportugal.pt Printed and distributed by Administrative Services Department Av. Almirante Reis, 71-2nd floor 1150-012 Lisboa Number of copies printed 170 issues Legal Deposit no. 3664/83 ISSN 0870-0117 ISBN Unemployment Benefits and Reservation Wages: Key Elasticities from a Stripped-Down Job Search Approach By John T. Addison†,M´ario Centeno‡ and Pedro Portugal§ †Queen’s University Belfast and University of South Carolina ‡Banco de Portugal and Universidade T´ecnica de Lisboa §Banco de Portugal and Universidade NOVA de Lisboa This Version: February 2008 Abstract This paper exploits survey information on reservation wages and data on actual wages from the European Community Household Panel to deduce in the manner of Lancaster and Chesher (1983) additional parameters of a stylized structural search model; specifically, reservation wage and transition/duration elasticities. The informational requirements of this approach are minimal, thereby facilitating comparisons between countries. Further, its policy content is immediate insofar as the impact of unemployment benefit rules and measures increasing the arrival rate of job offers are concerned. -
Liberty Global and All3media Agree Multi-Territorial Original Programming Deal
Liberty Global and All3Media Agree Multi-territorial Original Programming Deal London, United Kingdom – August 2, 2016: Liberty Global today announces that Liberty Global and All3Media have agreed a major multi- territorial original programming partnership. The deal teams up the world’s largest international TV and broadband company with one of the leading independent television, film and digital production and distribution companies. The deal, for four major original drama series over the next two years, marks the first time that Liberty Global has agreed to a multi-territorial deal with a production company to create exclusive programming for its customers. The shows will be made available on demand for customers of Liberty Global companies across Europe, Latin America and the Carribean. The deal has been spearheaded within Liberty Global by Virgin Media. Bruce Mann, Managing Director of Programming at Liberty Global and David Bouchier, Virgin Media’s Chief Digital Entertainment Officer, will lead the commissioning process. The dramas will be produced by All3Media production companies with the level of funding required to deliver the best scripts, cast and directing and production talent to produce high quality international drama series. The exclusive content will be made available to millions of Liberty Global customers including Virgin Media customers in the UK & Ireland, Unitymedia customers in Germany, Ziggo customers in the Netherlands, and customers of Cable & Wireless, VTR and Liberty Puerto Rico. Liberty Global owns 50% of All3Media, having jointly acquired the business with Discovery Communications in 2014. Bruce Mann, Managing Director of Programming at Liberty Global, comments: “This initiative combines Liberty Global’s operating scale with its ownership in the production powerhouse All3Media. -
Song List - by Song - Mr K Entertainment
Main Song List - By Song - Mr K Entertainment Title Artist Disc Track 02:00:00 AM Iron Maiden 1700 5 3 AM Matchbox 20 236 8 4:00 AM Our Lady Peace 1085 11 5:15 Who, The 167 9 3 Spears, Britney 1400 2 7 Prince & The New Power Generation 1166 11 11 Pope, Cassadee 1657 4 17 Cross Canadian Ragweed 803 12 22 Allen, Lily 1413 3 22 Swift, Taylor 1646 15 23 Mike Will Made It & Miley Cyrus 1667 16 33 Smashing Pumpkins 1662 11 45 Shinedown 1190 19 98.6 Keith 1096 4 99 Toto 1150 20 409 Beach Boys, The 989 7 911 Jean, Wyclef & Mary J. Blige 725 4 1215 Strokes 1685 12 1234 Feist 1125 12 1929 Deana Carter 1636 15 1959 Anderson, John 1416 7 1963 New Order 1313 1 1969 Stegall, Keith 1004 13 1973 Blunt, James 1294 16 1979 Smashing Pumpkins 820 4 1982 Estefan, Gloria 153 1 1982 Travis, Randy 367 5 1983 Neon Trees 1522 14 1984 Bowie, David 1455 14 1985 Bowling For Soup 670 5 1994 Aldean, Jason 1647 15 1999 Prince 182 9 Dec-43 Montgomery, John Michael 1715 4 1-2-3 Berry, Len 46 13 # Dream Lennon, John 1154 3 #1 Crush Garbage 215 12 #Selfie Chainsmokers 1666 6 Check Us Out Online at: www.AustinKaraoke.com Main Song List - By Song - Mr K Entertainment (I Know) I'm Losing You Temptations 1199 5 (Love Is Like A) Heatwave Reeves, Martha And The Vandellas 1199 6 (Your(The Angels Love Keeps Wanna Lifting Wear Me) My) Higher Red Shoes And Costello, Elvis 1209 4 Higher Wilson, Jackie 1199 8 (You're My) Soul & Inspiration Righteous Brothers 963 7 (You're) Adorable Martin, Dean 1375 11 1 2 3 4 Feist 939 14 1 Luv E40 & Leviti 1499 9 1, 2 Step Ciara & Missy Elliott 746 5 1, 2, 3 Redlight 1910 Fruitgum Co. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
New Brochure & Film Newbrochure &Film
week 7 / 13 February 2014 PIONEERING SPIRIT How RTL Group made entertainment history PIONEERING SPIRIT How RTL Group bmaderochu entertainmentre & history New film week 7 / 13 February 2014 PIONEERING SPIRIT How RTL Group made entertainment history PIONEERING SPIRIT How RTL Group bmaderochu entertainmentre & history New film Cover Montage with covers of the Always Close To The Audience’s brochure and DVD Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Happy anniversary, Plug RTL! Plug RTL p. 8–9 90 years of entertainment – captured, documented and celebrated Simon Cowell RTL Group plans return to p.4–7 The X Factor UK FremantleMedia p. 10 Mega marketing campaign for Big Picture Game Of Thrones p.12 RTL II p. 11 PEOPLE p. 13–15 In February 1924 Radio Luxembourg took to the airwaves. 90 years later, RTL Group is marking – and celebrating – the anniversary with a new brochure and film. Titled Always Close 90 YEARS To The Audience, both productions recount the vivid and rich events that OF ENTERTAINMENT – turned a modest radio station based in tiny CAPTURED, Luxembourg into the leading European DOCUMENTED AND entertainment network. CELEBRATED Luxembourg – 13 February 2014 RTL Group Collage from the Always Close To The Audience brochure: Autographe cards & advertisements for various activities 4 Hauled up in their attic in 1924, experimenting with a single radio transmitter, the Anen brothers couldn’t have begun to imagine that their modest Radio Luxembourg would not only become one of the most-listened-to and admired radio stations of their generation but would go on to develop into Europe’s largest commercial free-to-air broadcaster. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Trends in TV Production Ofcom, December 2015 Contents
Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands.