Tony Macalpine

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Visit Tony's website: tonymacalpine.com and CAB's website: cabband.com TONY MACALPINE Tony MacAlpine began his professional music career in the mid eighties with the recording of several influential CD’s like “Edge of Insanity” which featured Billy Sheehan and Steve Smith and “Maximum Security” with George Lynch, Deen Castronova Atma Anur and Jeff Watson. Tony is the guitarist for the Grammy Nominated band CAB with fusion giants Bunny Brunel, Virgil Donati and Patrice Rushen. CAB has toured extensively in Europe and are quite popular on the jazz rock music scene. When taking time off from his own projects, Tony can often be found playing keyboards and guitar with Axe Master Steve Vai. He has been an active and featured member of this band for 4 years having played in almost every continent on a yearly basis. MacAlpine continues to work with new talent as a producer and instrumentalist for many new up and coming singers and players. His love and respect for music was nurtured since his early days as a piano major at the Springfield Conservatory of Music in Massachusetts and continuing at the Hart School of Music at the University of Hartford have helped him earn considerable appreciation among his peers. His unique dual approach to both piano and guitar have helped him create a place in the modern music world as one of the most Original musicians to emerge from the United States..

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Reading Activity Title: Yngwie J. Malmsteen Level. Intermediate +
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Justin Armitage Remembered Page 9
Justin Armitage remembered The Breeze page 9 James Madison University's Student Newspaper Vul. 8 i, /ss|/c I lllllSllllll, Actor, activist speaks on SGA strength of democracy funds Dreyfuss addresses scholarship luncheon, urges two bills youth to take interest in proper political principles Delta Chi and m TOM BEFIT ER at the tendency to remove these obligations from CONTRIBUTING WR/TIR the forum of the general populace, to reserve them Hillel receive for higher institutions of "niche-learning", and, on a JMU held its annual Endowed Scholarship lower level, to "fold civics lessons into high school capital to travel Luncheon yesterday, al the Festival Conference histon classes, where the) lade into mythology." and Student Center Ballnxim. More than once he reminded his audience: "Ci- vt MARV CZARTSY About 400 scholarship recipients, donors .ind vility is the oxygen required by democracy." CONTUBUTtSC IVRJTER parents attended the luncheon, at which Academy Dreyfuss addressed, as well, the current me- Award-winning actor and political activist Richard dia climate and its tendency to promote shouting Tuesday night, the SGA Dreyfuss delivered the keynote speech. matches as a means of interpreting politics. granted two organizations funds Dreyfuss. who is currently an Oxford University "We no longer address our issues without the to support leadership develop- student, appeared in such films as "Jaws," "Close melodrama of name-calling and finger-pointing — ment conferences. Encounters of the Third Kind." and The Goodbye if I advocate teaching civics, I must have a hidden The Delta Chi Fraternity was drl," for which he won the Oscar for Best Actor in agenda.
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Derek Sherinian Oceana Mp3, Flac, Wma
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January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments
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GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
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Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.
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Night Ranger
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AQUILES PRIESTER Considered Best Brazilian Heavy Metal Drummer For
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The Guitar Institute Teacher and Soundtrack Doer Lindsey Boullt Has Come True a Life's Dream with This Album
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