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Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
OSSI ~ but GAS KILNS from 2 Cu
I'D? -SAY- Î14AT- ö.Crmios/JS l.TrtE '^WOiMf'S . g M09T • fâsowàïiwe \ '«OSSI ~ BUT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500 F — some to 3000 F. Instrumentation for temperature control and a positive con- trol of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading, — all models fire to 2350 F — some to 2800 F. Fully instrumented. POTTERY WHEELS come in several models, including an electroni- cally controlled variable speed wheel with constant torque. But re- member we still make the old "KICK WHEEL" too for those who prefer it. See our catalog for WARE TRUCKS, FORMULATING TABLES, GLAZE SPRAY BOOTHS, PUG MILLS, BALL MILLS, and many other items for classroom, shop, and studio. Our catalog illustrates a complete line of equipment to go with these kilns. Also available free of charge is our book- craft horizons January/February 1970 Vol. XXX No. 1 4 The Craftsman's World 8 Countercues 9 Calendar 10 Where to Show 11 Books 12 Letters 13 Our Contributors 14 The Listening Eye by Ann McMillan 20 The Jewelry of Art Smith 24 The Scholtens: Artist-Weavers by Bernardine de Neeve 30 African Travelogue: Part II by Margaret Merwin Patch 36 The Ceramics of Robert Arneson by David Zack 42 Exhibitions Next Issue: The March/April CRAFT HORIZONS will feature The John- son Collection, "Objects: USA," Part II, by poet John Ashbery, executive editor of Art News. The Cover: "Well—yes, I'd say that ceramics is the world's most fascin- ating hobby—but . -
Isolation of Dye from Sporophore of Xylaria Polymorpha for Textile Dyeing and Spectrophotometric Characterization of Dyed Fabrics
JAM 3(4) 2017 pp 162 - 173 162 ISSN Online: 2349-7785 Isolation of Dye from Sporophore of Xylaria polymorpha for Textile Dyeing and Spectrophotometric Characterization of Dyed Fabrics Rakesh Kumar 1*, Y.C. Tripathi 1, Ambika 2, Jyoti Sharma 2, Binita Kumari 2 and Amit Pandey 2 1 Chemistry Division, Forest Research Institute, P.O. New Forest, Dehradun - 248006, India 2 Forest Pathology Division, Forest Research Institute, P.O. New Forest, Dehradun - 248006, India Received 21 September 2017; accepted in revised form 26 October 2017 Abstract: The present study was aimed at isolating natural dye from Xylaria polymorpha, a wood rot fungus with club shaped fruiting body by standardizing the extraction protocol. Different fabrics viz. silk, wool and cotton were dyed using the extracted dye employing different common mordants of metallic salts and few natural mordants and the resultant shades, fastness properties and colour coordinates were compared on the test fabrics. The dye produced different shades of blackish brown on the dyed fabrics. Based on the highest absorbance, best performance of the dye was recorded with wool followed by silk whereas least absorbance was observed with cotton. The dye showed high affinity with wool and silk fabrics but relatively low affinity with cotton. It is found to hold very good to excellent colourfastness (rating 4-5) on wool and silk fabrics but good to very good (rating 3-4) on cotton against various colour retarding factors. The study evidently indicated that X. polymorpha dye is suitable for dyeing wool, silk and cotton thus establishing the fungus as a potential source of textile dye of biological origin. -
Weaving the Rainbow: Visions of Color in World History Author(S): Robert Finlay Reviewed Work(S): Source: Journal of World History, Vol
Weaving the Rainbow: Visions of Color in World History Author(s): Robert Finlay Reviewed work(s): Source: Journal of World History, Vol. 18, No. 4 (Dec., 2007), pp. 383-431 Published by: University of Hawai'i Press Stable URL: http://www.jstor.org/stable/20079447 . Accessed: 15/11/2011 05:39 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Hawai'i Press is collaborating with JSTOR to digitize, preserve and extend access to Journal of World History. http://www.jstor.org Weaving the Rainbow: Visions of Color inWorld History ROBERT FIN LAY University of Arkansas Wittgenstein wrote his last work, Remarks on Colour, during IUDWiG?a visit to Vienna in 1950 and while dying of cancer in Cambridge the following year. The slim book represented a return to a theme of his earliest writings, for he had dealt with the thorny problem of the logi cal structure of color concepts in Tractatus Philosophico-Mathematicus (1908).1 Remarks on Colour sets forth a broad range of what Wittgen stein called "puzzle questions": Why is white not considered a color? What makes bright colors bright? Are "pure" colors mere abstractions, never found in reality? What is the relationship between the world of objects and the world of consciousness? Is there such a thing as a "natural history of color"? Faced with more conundrums than answers, Wittgenstein despaired that the logic of color perceptions could be clarified: "there ismerely an inability to bring the concepts into some kind of order. -
Validation of Forensic Characterization and Chemical Identification of Dyes Extracted from Millimeter-Length Fibers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Validation of Forensic Characterization and Chemical Identification of Dyes Extracted from Millimeter-length Fibers Author(s): Stephen L. Morgan, Ph.D. Document No.: 248579 Date Received: January 2015 Award Number: 2010-DN-BX-K245 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Morgan, Final Report. National Institute of Justice Award NIJ Award 2010-DN-BX-K245 page 1 FINAL REPORT Federal Agency and Organization Element to Which Report is Submitted: U. S. Department of Justice, National Institute of Justice Federal Grant or Other Identifying Number Assigned by Agency: NIJ award number NIJ Award 2010-DN-BX-K245 Project Title: Validation of Forensic Characterization and Chemical Identification of Dyes Extracted from Millimeter-length Fibers PI Name, Title and Contact Information (e-mail address and phone number): Dr. Stephen L. Morgan, Professor Department of Chemistry and Biochemistry, 631 Sumter Street, University of South Carolina, Columbia, SC 29208 Voice: 803.777.2461, FAX: 803.777.9521 Email: [email protected] Administrative Point Of Contact: Lumi Bakos, Administrator Sponsored Awards Management 1600 Hampton Street, 4th Floor Columbia, SC 29208 University of South Carolina, Columbia, SC 29208 Voice: 803.777.2274, FAX: 803.777.4136 Email: [email protected] Submission Date: 29 September 2014 DUNS and EIN Numbers: DUNS number 11-131-0249 EIN number 57-0967350 Recipient Organization (Name and Address): South Carolina Research Foundation, 1600 Hampton Street, Columbia, SC 29208 Project/Grant Period (Start Date, End Date): 1 October 2007-30 June 2014 This document is a research report submitted to the U.S. -
The Essential Art of African Textiles Design Without End
Exhibition Preview The Essential Art of African Textiles Design Without End Alisa LaGamma o paint a picture of a real and present Africa in Dakar as in Bamako, Accra, or Lagos is to cap- ture their dynamic marketplaces ablaze with color. Across the continent, these living tableaus that are the epicenters of their communities are defined by a lyrical cacophony of designs and hues. The fabrics of such immense collages of humanity constitute scores of acts Tof aesthetic self-determination predicated on the rich variety of ways in which cloth has been elaborated. The very textiles that animate these human arenas are one of MICHAEL C. ROCKEFELLER WING the major commodities exchanged. Their importance as an item METROPOLITAN MUSEUM OF ART, NEW YORK of trade is as apparent now as it was when the earliest commercial OCTOBER 1, 2008–MaRCH 22, 2009 networks joining North Africa with regions south of the Sahara were developed in the first centuries ce. Given their portabil- THE EXHIBITION IS MADE POSSIBLE IN PART ity, textiles have been the ultimate vehicle through which human BY THE ANDREW W. MELLON FOUNDATION, creative ingenuity has traveled long distances. Their dissemina- FrED AND RITA RICHMAN, AND THE CEIL & tion has provided a conduit for the transfer of ideas across cul- MICHAEL C. PULITZER FOUNDATION, INC, AND tures and has been the spark to renewed creativity. WAS ORGANIZED BY THE METROPOLITAN Inherent to this medium is its capacity to seamlessly adapt to MUSEUM OF ART, NEW YORK, IN COLLABORA- change and newly emerging social realities. Unlike so many sculp- TION WITH THE BRITISH MUSEUM, LONDON tural forms of expression that have come to epitomize Africa’s artistic heritage in the West, textile traditions have not only per- sisted as a form of expression across the continent, they have pro- liferated. -
Optimization of Natural Dyes' Non-Contact Characterization and Interdisciplinary Application Using Ensemble Classifiers and Genetic Algorithms
Optimization of Natural Dyes' Non-contact Characterization and Interdisciplinary Application Using Ensemble Classifiers and Genetic Algorithms Magdelena Stoyanova1, Detelin Luchev2, Dessislava.Paneva-Marinova2 1 Ca’ Foscari University, Centro Interdisciplinare di Studi Balcanici ed Internazionali, Venice, Italy 2 Institute of Mathematics and Informatics, Bulgarian Academy of Sciences, Sofia, Bulgaria [email protected], [email protected], [email protected] Abstract. The reported evaluation of the problematic encountered by non- contact characterization of natural dyestuffs demonstrates that practically no one analytical method alone – destructive, less, or non – can warrant absolute reliability of the results. The main obstacles are due, in general, to our limited knowledge on reactivity of natural compounds, their sources, methods of pro- ceeding and application; to the complexing role of the ambient/medium on the photo reactions, as well as to the actual possibilities of analytical techniques; to the lack of commonly accepted standards amongst different scientific traditions, etc. For to overwhelm these drawbacks and optimize accuracy of NDs charac- terization, we propose the integration of chemio-physical with computational assessment. The proposed approach consists in calculation the probability of a hypothesis comparing new results with already stored interdisciplinary data us- ing the high performance ensemble techniques Random Forest and Random Subspace based on the genetic approach termed EV-Ensemble approach. Its role is to render more accurate the analytical results, to avoid sampling and simplify the identification analysis, to facilitate interdisciplinary applications of NDs in high technologies, and to share generated experience between the re- search community. Keywords: Natural Dyestuffs, Knowledge Representation, Ensemble Classifi- ers, Random Forest. -
401 Part 73—Listing of Color Ad- Ditives Exempt From
Food and Drug Administration, HHS Pt. 73 the act, has notified the sponsor or in- 73.352 Paracoccus pigment. vestigator that the proposed disposi- 73.355 Phaffia yeast. tion for food is authorized. Any person 73.450 Riboflavin. 73.500 Saffron. who contests a refusal to grant such 73.530 Spirulina extract. authorization shall have an oppor- 73.575 Titanium dioxide. tunity for a regulatory hearing before 73.585 Tomato lycopene extract; tomato ly- the Food and Drug Administration pur- copene concentrate. suant to part 16 of this chapter. 73.600 Turmeric. (b) The person who introduced such 73.615 Turmeric oleoresin. shipment or who delivers the color ad- ditive or a food, drug, or cosmetic con- Subpart B—Drugs taining such an additive into interstate 73.1001 Diluents in color additive mixtures commerce shall maintain adequate for drug use exempt from certification. records showing the name and post-of- 73.1010 Alumina (dried aluminum hydrox- fice address of the expert to whom the ide). color additive is shipped, date, quan- 73.1015 Chromium-cobalt-aluminum oxide. tity, and batch or code mark of each 73.1025 Ferric ammonium citrate. 73.1030 Annatto extract. shipment and delivery for a period of 2 73.1070 Calcium carbonate. years after such shipment and delivery. 73.1075 Canthaxanthin. Upon the request of a properly author- 73.1085 Caramel. ized employee of the Department, at 73.1095 b-Carotene. reasonable times, he shall make such 73.1100 Cochineal extract; carmine. records available for inspection and 73.1125 Potassium sodium copper copying. chlorophyllin (chlorophyllin-copper com- plex). -
DHARMA TRADING COMPANY / Index of Contents
DHARMA TRADING COMPANY / indEX OF contEntS accESSoriES: DYES and dyEING (CONT’D): ORDERING INFORMATION (CONT’D): Aprons: 136 Dharma Fiber Reactive Dye for cotton, rayon, etc.: 5-11 Order Form to mail in w/payment: Online - or call us! Backpacks: 135, 137 Dyes for Sun Printing: 15, 22 Dye Attractant (cool!): 25 Returns & refunds and “the Fine Print”: 3 Bags & Handbags: 75, 134-138 Gift Bags: 75, 137, 138 Kits & Starter Sets: 14-17, 20, 22 Shipping Information: 144 - more info on our website Bandanas & Handkerchiefs: 67, 78 Leather Dyes: 35 Dolls & Stuffed Animals: 86, 138 Natural Dyes, Scours and Mordants: 20, 22 PaintS & Painting on FABric: Hats & Caps: 77, 81, 82, 85, 86, 132 Polyester Dyes: 18, 19 Brushes & Tools: 29, 34, 41, 48, 51-53 Headbands, Scrunchies: 86, 132 Safety products, useful tools: 12, 29, 41, 45, 52, 53 Glow in the Dark (Phosphorescent) Paints: 25, 27, 34 Masks: 68 Ink for Stamping: 27, 28 Neckties: 75 EmBElliSHMEnt SUppliES: Kits & Starter Sets: 16, 17, 31-34 Sarongs, Shawls, Ponchos: 65, 67, 72, 77, 78, 124, 129 Adhesives and fuseable web: 46, 56 Paint for Airbrushing, Spraying, Faux Tie-dye: 18, 27, 45 Scarves, Veils: 65-67, 72-74, 77 Cotton Dyeable Lace by the yard: 68 Paint for Handpainting: 27, 31-34 Silk Jewelry: 76 Foils & Foiling Glues: 46 Paint for Leather: 35 Paintstiks: 48 Socks, Booties, Shoelaces: 80, 81, 133 HotFix Nailheads, Crystals & Tools: 46, 47 Paint for Marbling: 26(best), 27 Textbook Covers: 139 Hot Fix Angelina Fibers: 61 Shiva Paintstiks & Stencils: 48 Paint for Silk Painting: 45 (as opposed