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Phd, I Have Outlined the Main Concepts and Principles of Reasoning Behind Them
University of Huddersfield Repository Bernier, Nicolas Five object-based sound compositions Original Citation Bernier, Nicolas (2013) Five object-based sound compositions. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/23294/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ ! FIVE OBJECT-BASED SOUND COMPOSITIONS Nicolas Bernier Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy School of Music, Humanities and Media University of Huddersfield December 2013 ! ! ! ! ! ! ! “the measure of a work of art is whether one can sense in it the presence of the artist’s body. If so, then it is a success, and if not, it’s a failure.”— Pierre Hébert ! !ii TABLE OF CONTENT Abstract v Acknowledgement vi Introduction 1 PART I 4 OBJECT, PERFORMANCE, VISION 4 1. -
Megalodon Guitar Tab
MEGALODON As recorded by Mastodon (from the 2004 Album "Leviathan") Transcribed by Travis Lausch Words by Brann Dailor, Brent Hinds, Troy Sanders and Bill Kelliher Music by Brann Dailor, Brent Hinds, Troy Sanders and Bill Kelliher Tune all gtrs. down one full step (Low to high: D G C F A D) A Intro Fast P = 165 E`add11/A` Gsus4/C G/C E`/A` 4x 1 g g 4 f V V V gV V I 4 gV V V f V gV V V V V V V V V V V gV V V V V V V V gV f V V f V Gtrs I, IV mf (w/dist.) let ring T 0 0 0 0 0 0 A 6 6 10 10 10 8 8 4 4 4 B 6 6 6 10 10 10 10 10 10 6 6 6 4 8 9 5 B Fb11 3x 5 g V V V V V V g gV V V V V V V gV gV V V V V V V gV I V V V V V V V V Gtr I ff let ring let ring 0 2 0 2 T 0 0 4 5 0 0 5 4 0 3 3 4 4 6 0 3 3 4 4 6 A 0 4 0 4 B 2 2 H H H H H H H H H H H P C accel. N.C. c c 9 g V 2 I g V V V V V V V V V V V V V V V V V 4 V V V f V V V V f V V ||||| T 6 4 4 4 4 4 2 0 0 0 0 0 0 0 0 0 0 0 0 A 4 2 B 3 2 3 2 1 0 P P 2004 Relapse Records Printed using TabView by Simone Tellini - http://www.tellini.org/mac/tabview/ MEGALODON - Mastodon Page 2 of 8 D Verse Faster P = 180 E`5 N.C. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
In This Issue
Vol II issue 1 Vol. II, issue 1 1 Photo / Bob Compton Where is Beat Street? There is a place in New Orleans, a figurative address that is home to all that is real. New Orleans Beat Street is the home of jazz. It is also the residence of funk and the blues; R&B and rock ‘n’ roll live here, too. When zydeco and Cajun music come to town, Beat Street is their local address. Beat Street has intersections all over town: from Uptown to Treme, from the Ninth Ward to the French Quarter, from Bywater to the Irish Channel, weaving its way through Mid-City and all points Back o’ Town. Beat Street is the Main Street in our musical village. It is where we gather to dine and to groove to live music in settings both upscale and downhome. Beat Street is where we meet to celebrate life in New Orleans with second line parades, festivals and concerts in the park. Beat Street is lined with music clubs, restaurants, art galleries, recording studios, clothing shops, coffee emporiums and so much more. New Orleans Beat Street is a mythical street in New Orleans surrounded by water and flooded with music. 2 NEW ORLEANS BEAT STREET MAGAZINE Vol. II, issue 1 3 Photo / Michael P. Smith In This Issue... Beat Street returns with a dual focus this month on the inimitable James Booker and the thirtieth anniversary of the Maple Leaf Bar. Eminent Booker scholars David Ku- nian, Tom McDermott and Josh Paxton weigh in on why Booker was so heavy. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Junior-Tomlin-Sampler
MUTE MUTE I got connected with Mute through my work at the ‘I first met Junior in 1988 when we asked him to do London Cartoon Centre. While I was working there, the cover for our 12-inch single ‘The Phantom/Space someone popped over from Mute Records, which Gladiator’. He did what became a legendary image was located just up the road from the centre across of the androgynous space warrior standing on a the Ha’penny Steps on the Harrow Road. They mashed up planet. After that, Junior did some more were looking for an airbrush artist for Renegade sleeves for us, and I used to enjoy sitting with him in Soundwave’s next record cover, for a track called his flat in Ladbroke Grove working on ideas. Junior ‘Space Gladiator’. Someone pointed them in my was always losing his pencil and would spend ages direction, and that’s how I got the gig. They were a looking for it only to find it where he’d left it – stuck nice company to work for, I could get to their office in his afro. His record sleeves are classic examples from my house, which was about a 15-minute walk. of a hugely important artform now sadly deceased in the digital age. Lovely guy and an integral part of The first two covers I did were made into A0 posters, our culture.’ which was nice for me as I could walk down the Golborne Road and see my artwork as a poster stuck Danny Briottet, Renegade Soundwave on a wall. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
30 24 AWP Full Magazine
Read your local stoop inside. Read them all at BrooklynPaper.com Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2007 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP /18 pages • Vol. 30, No. 24 • Saturday, June 16, 2007 • FREE INCLUDING DUMBO BABY PRICEY SLICE BANDIT Piece of pizza soaring toward $3 Sunset Parker aids By Ariella Cohen The Brooklyn Paper orphaned raccoon A slice of pizza has hit $2.30 in Carroll Gardens — and the shop’s owner says it’s “just a matter of By Dana Rubinstein time” before a perfect storm of soaring cheese prices The Brooklyn Paper and higher fuel costs hit Brooklyn with the ultimate insult: the $3 slice. A Sunset Park woman is caring for a help- Sal’s Pizzeria, a venerable joint at the corner of less baby raccoon by herself because she Court and DeGraw streets, has punched a huge hole can’t find a professional to take over. in the informal guideline that the price of a slice “I’ve been calling for days, everywhere. I should mirror the price of a swipe on the subway. haven’t gotten no help from no one,” said Mar- Last week, owner John Esposito hung a sign in his garita Gonzalez, who has been feeding the cub front window blaming “an increase in cheese prices” with a baby bottle ever since it wandered into her for the sudden price hike from $2.15, which he set backyard on 34th Street near Fourth Avenue. last year. “I called the Humane Society, and from To bolster his case, Esposito also posted copies of there they have connected me to numbers and a typewritten “update” from his Wisconsin-based / Stephen Chernin cheese supplier, Grande Cheese, explaining that its prices had risen 35 cents a pound because of an “un- precedented” 18-percent spike in milk costs. -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
Mastodon Emperor of Sand
MASTODON EMPEROR OF SAND Every living creature must face the will and judgment of time. Ancient Greeks personified time in the form of the titan Kronos, father of Zeus, and Egyptians celebrated Heh as an abstraction of endless years. Famously, William Shakespeare lamented humanity’s immutable fate as “time’s subjects” in Henry IV. GRAMMY® Award-nominated hard rock band Mastodon ponders the nature of time on their eighth full-length album, Emperor of Sand, on Reprise Bros. Records. Threading together the myth of a man sentenced to death in a majestically malevolent desert, the Atlanta, GA quartet—Troy Sanders (bass/vocals), Brent Hinds (guitar/vocals), Bill Kelliher (guitars) and Brann Dailor (drums/vocals), and conjure the grains of a musical and lyrical odyssey slipping quickly through a cosmic hourglass. “Emperor of Sand is like the grim reaper,” admits Dailor. “Sand represents time. If you or anyone you know has ever received a terminal diagnosis, the first thought is about time. Invariably, you ask, ‘How much time is left?’” Since forming back in 2000, Mastodon have certainly made the most of their time. Most recently, their 2014 seventh offering Once More ‘Round The Sun bowed at #6 on the Billboard Top 200, marking their highest chart entry to date and second consecutive Top 10 debut following 2011’s The Hunter. Casting a shadow over pop culture, they received “Best Hard Rock/Metal Performance” GRAMMY® Award nominations in 2007, 2014 and again in 2015. Their music blasted through the Academy® Award-winning comedy The Big Short, animated blockbuster Monsters University, and sci-fi western Jonah Hex starring Josh Brolin—for which the group composed the score. -
30 BRANN DAILOR Mastodon Hasn’T Risen to the Top 48 JAMISON ROSS of the Rock Heap by Following the by Jeff Potter Heavy Metal Handbook
BECOME A BETTER DRUMMER, FASTER When you’re serious about drumming, you need a kit to match your ambition. The V-Drums TD-17 series lets your technique shine through, backed up with training tools to push you further. Combining a TD-50-class sound engine with newly developed pads results in an affordable electronic drum kit that’s authentically close to playing acoustic drums – accurately mirroring the physical movement, stick coordination and hand/foot control that every drummer needs. Meanwhile, an array of built-in coaching functions will track your technique, measure your progress and increase your motivation. Becoming a better drummer is still hard work, but the TD-17 can help you get there. TD-17 Series V-Drums www.roland.com BASS HEADS ARE ONE-SIZE-FITS-ALL.* * IF WE BELIEVED THIS, WHY WOULD WE MAKE THREE BRAND NEW CUTTING-EDGE BASS HEADS? This series brings you the same UV-coating that made drummers switch to UV1 tom and snare heads, featuring the UV1 for a wide open sound, the UV EQ4 for balance and sustain, and the UV EMAD for a more focused attack. Because we know not all drummers agree on their bass drum sound. Now you can have your bass and kick it too. FIND YOUR FIT AT UV1.EVANSDRUMHEADS.COM HEAR THE ENTIRE TRUE-SONIC™ SNARE COLLECTION PLAYED BY STANLEY RANDOLPH AT DWDRUMS.COM. WHY SO SENSITIVE? Because all-new Collector’s Series® True-Sonic™ wood snare drums employ a pre-tensioned SnareBridge™ system with a complementary snare bed to provide dry, sensitive articulation. -
The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements
“THE REVOLUTION WILL NOT BE TELEVISED…BUT IT WILL BE STREAMED”: SPOTIFY, PLAYLIST CURATION, AND SOCIAL JUSTICE MOVEMENTS Melissa Camp A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music in the School of Arts and Sciences. Chapel Hill 2021 Approved by: Mark Katz Aaron Harcus Jocelyn Neal © 2021 Melissa Camp ALL RIGHTS RESERVED ii ABSTRACT Melissa Camp: “The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements (Under the direction of Mark Katz) Since its launch in 2008, the Swedish-based audio streaming service Spotify has transformed how consumers experience music. During the same time, Spotify collaborated with social justice activists as a means of philanthropy and brand management. Focusing on two playlists intended to promote the Black Lives Matter movement (2013–) and support protests against the U.S. “Muslim Ban” (2017–2020), this thesis explores how Spotify’s curators and artists navigate the tensions between activism and capitalism as they advocate for social justice. Drawing upon Ramón Grosfoguel’s concept of subversive complicity (2003), I show how artists and curators help promote Spotify’s progressive image and bottom line while utilizing the company’s massive platform to draw attention to the people and causes they care most about by amplifying their messages. iii To Preston Thank you for your support along the way. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Mark Katz, for his dedication and support throughout the writing process, especially in reading, writing, and being the source of advice, encouragement, and knowledge for the past year.