Third Ward Newsletter February 2012
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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters
4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 3, 2017 at 7:30 The Kennedy Center and the National Endowment for the Arts present The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters DEE DEE BRIDGEWATER IRA GITLER DAVE HOLLAND DICK HYMAN DR. LONNIE SMITH Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 2 THE 2017 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts KENNY BARRON, NEA Jazz Master DAN MORGENSTERN, NEA Jazz Master GARY GIDDINS, jazz and film critic JESSYE NORMAN, Kennedy Center Honoree and recipient, National Medal of Arts The 2017 NEA JAzz MASTERS Performances by PAQUITO D’RIVERA, saxophone LEE KONITz, alto saxophone Special Guests Bill Charlap, piano Sherrie Maricle and the Theo Croker, trumpet DIVA Jazz Orchestra Aaron Diehl, piano Sherrie Maricle, leader and drummer Robin Eubanks, trombone Tomoko Ohno, piano James Genus, bass Noriko Ueda, bass Donald Harrison, saxophone Jennifer Krupa , lead trombonist Booker T. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Timuel D. Black Centenary Celebration 5 6 Timuel D
“I like the sunrise because it brings a new day.” T I M U E L D . B L A C K 1OO “I LIKE THE SUNRISE BEC AUSE IT BRINGS A NEW DAY.” Tim Black 1OOCENTENARY CELEBRATION President Robert J. Zimmer and the Office of Civic Engagement are pleased to celebrate Timuel Black on his 100th birthday. Alumnus. Leader. Historian. Teacher. Activist. Hero. We salute the contributions you have made to all of our communities, especially the South Side. CENTENARY CELEBRATION 3 4 TIMUEL D. BLACK CENTENARY CELEBRATION 5 6 TIMUEL D. BLACK CENTENARY CELEBRATION 7 GUILLAUME LACROIX Consul General of France in Chicago Guillaume Lacroix became Consul General of France in Chicago on August 29th, 2017. He holds diplomas from Institut d’études politiques de Paris and Université Panthéon- Assas. He speaks Swahili, a language he studied at Institut national des langues et civilisations orientales in Paris and in Zanzibar, Tanzania. He started his diplomatic career in 1997. He was assigned to the Department of African and Indian Ocean Affairs in Paris, then to the French Embassy in Dar es Salaam in Tanzania and to the French Embassy in Washington. He was also posted in two other diplomatic institutions: at the U.S. State Department as part of the Transatlantic Diplomatic Fellow program and at the European External Action Service in Brussels. From 2013 until 2017, he served in the cabinets of French Foreign Affairs Ministers Laurent Fabius and Jean-Marc Ayrault as Counsellor for African Affairs. Guillaume Lacroix was born in 1971 in Auxerre (Burgundy). He is married and has two children. -
From His Beginnings As One of Chicago's Most Thrilling
From his beginnings as one of Chicago’s most thrilling young trumpeters, to his current status as an internationally renowned musician, composer and bandleader, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz, hip-hop, R&B, Chicago house, neo-soul—to Hill, they’re all essential elements of the profound African-American creative heritage he’s a part of. “It all comes from the same tree,” he says. “They simply blossomed from different branches.” That mission to bring styles together, complemented by Hill’s absolute mastery of his instrument, is a through line connecting his many achievements. It can be heard on his latest album, Modern Flows Vol. II, with its seamless blend of jazz interplay, hip-hop-infused rhythms and socially conscious spoken-word. It’s integral to The Way We Play, his Concord Jazz debut from 2016, where Hill and his musicians reinvent jazz standards using their generation’s wide- ranging influences. It marks the four records Hill self-released before November of 2014, when he won the Thelonious Monk Institute of Jazz competition and became a presence on the global scene virtually overnight. And it defines the revelatory live dates by Hill’s longtime working group, the Blacktet, which the Chicago Tribune called “a remarkably polished, immensely attractive ensemble.” For Hill, playing and listening without limits has long been an instinct. “It comes naturally; that’s the way I hear the music,” he says. “I came up in a household where my mom played Motown, R&B, Isley Brothers, Barry White, Marvin Gaye. -
Depaul Jazz Workshop Dana Hall, Director
Ronald Caltabiano, DMA, Dean Tuesday, March 10, 2020 • 7:00 PM DEPAUL JAZZ WORKSHOP Dana Hall, director Mary A. Dempsey and Philip H. Corboy Jazz Hall 2330 North Halsted Street • Chicago Tuesday, March 10, 2020 • 7:00 PM Dempsey Corboy Jazz Hall DEPAUL JAZZ WORKSHOP Dana Hall, director PROGRAM TO BE SELECTED FROM THE FOLLOWING: Victor Feldman; arr. Earl MacDonald Joshua Jackie McLean; arr. Earl MacDonald Appointment in Ghana Brooks Bowman; arr. Earl MacDonald East of the Sun (and West of the Moon) John Birks ‘Dizzy’ Gillespie; arr. Earl MacDonald Woody ’n’ You Charlie Parker; arr. Marty Paich Donna Lee Clark Sommers Chance Encounter DEPAUL JAZZ WORKSHOP • MARCH 10, 2020 BIOGRAPHIES Born in Brooklyn, New York, drummer Dana Hall has been an important musician on the international music scene since 1992. After completing his education in aerospace engineering at Iowa State University, he received his Bachelor of Music degree from William Paterson College in Wayne, New Jersey and, in 1999, his Masters degree in composition and arranging from DePaul University in Chicago, Illinois. He is presently a distinguished Special Trustees Fellow completing his PhD in ethnomusicology at the University of Chicago. Mr. Hall previously taught at the University of Illinois at Urbana-Champaign before joining DePaul University as Associate Professor of Jazz Studies and Ethnomusicology in 2012. The list of exceptional artists that Mr. Hall has performed, toured, and/or recorded with directly reflects the diverse and varied approaches of his music-making in -
Download This Press Release
For Immediate Release May 1, 2013 Media Contact: Cindy Gatziolis 312.744.0573 [email protected] Mayor’s Press Office 312.744.3334 [email protected] MAYOR EMANUEL AND DCASE ANNOUNCE THE 35TH ANNUAL CHICAGO JAZZ FESTIVAL LINEUP Entirely Free Festival Opens at Chicago Cultural Center; Then Moves to Its New Home on Four Stages in Millennium Park Mayor Rahm Emanuel on Wednesday announced the lineup for the 35th Annual Chicago Jazz Festival as it celebrates a milestone in its new home of Millennium Park on August 29- September 1. New this year, the Chicago Labor Day tradition will offer more hours of free music than ever before. Headline performers including NEA Jazz Master drummer Jack DeJohnnette, the legendary saxophonist Charles Lloyd, pianist and composer Jason Moran and New Orleans saxophonist Donald Harrison with his Congo Nation Tribe Mardi Gras band. The Chicago Jazz Festival is presented by the Department of Cultural Affairs and Special Events (DCASE) and the Chicago Jazz Partnership, and programmed by the Jazz Institute of Chicago. Every performance is free; this is a completely free admission festival. “We welcome the Chicago Jazz Festival, featuring Chicago talent and prolific Jazz musicians, to its new home at Millennium Park ,” said Mayor Rahm Emanuel. “The city of Chicago has always been proud to foster one of America’s great musical genres. This heritage festival draws artists and fans the world over, advancing several priorities of the Chicago Cultural Plan including strengthening Chicago as a global cultural destination.” The Jazz Festival begins at noon on Thursday, August 29 in the Chicago Cultural Center (78 E. -
George Freeman
George Freeman Song Samples: George Freeman Radio Sign-up at http://www.radiosubmit.com to download songs for free. "All In The Family" brings together two members of Chicago's Freeman family that have never been recorded together until now: legendary guitarist George Freeman (who celebrated his 88th birthday on April 10th, 2015) and world-renowned saxophonist Chico Freeman (George's nephew and Von Freeman's son.) Together, they present their musical legacy of Chicago Jazz! Certainly, the late, great leader of the family, tenor saxophonist Von Freeman is smiling somewhere today! All of the tracks are original songs (with the exception of the haunting "Angel Eyes") and feature compositions from George Freeman "My Scenery" and "Vonski"; and from Chico Freeman "Latina Bonita" and "Essence of Silence"; along with several short Improvisations that provide a compelling flow to the recording. "Five Days in May" features Reto Weber on the 'hang' - a track that should have everyone up and dancing with joy! A lifetime of music, from playing with Charlie Parker to Gene Ammons and his many fine recordings, George Freeman was recently selected as Chicagoan of the Year in Jazz by Chicago Tribune Arts Critic Howard Reich! Chico Freeman's career has taken him from his early years with Chicago's AACM to Earth, Wind and Fire to producing, performing and recording with legendary musicians in New York, including Elvin Jones, to today's International Jazz Festivals. Musicians featured on the recording are: George Freeman, guitar; Chico Freeman, tenor and soprano saxophones; Kirk Brown, piano; Harrison Bankhead, bass; Hamid Drake, drums; Mike Allemana, guitar; Joe Jenkins, drums; and special guest Reto Weber, hang and percussion. -
George-Freeman.Pdf
The year was 1960. The average cost of a new house in the United States was $12,700, gasoline was priced at a quarter a gallon, and a loaf of bread sold for the princely sum of twenty cents. For children of that era, Huckleberry Hound and The Flintstones were the reigning cultural icons on that magical device known as the television set. Adult viewers under stood themselves and so ciety through the homog enized blandness and stark whiteness contained in the vanilla frothiness of such television fare as Father Knows Best, Leave It to Beaver and The Adven tures of Ozzie and Harriet. "Grass" was something to be cut, "gay" referred to a state of happiness; the fractured syntax of "multi tasking" and "conversate" was mercifully absent from the English language, and the thought-numbing mindset of "political cor rectness" was still over half a century away. Yet in this year of naive insularity, one that was to pre-figure convulsive changes at all levels of society and punctuated by a subliminal smugness embodied in adherence to "truth, justice and the American way," an ex over the years this guitar turned out to be The younger brother of the late jazz tremely talented young man named one of the best investments I ever made." legend and saxophonist Von Freeman , George Freeman bought a guitar; after Born in 1926 on the hard scrabble south George credits his older sibling for his that things got a whole lot different. side of Chicago, George Freeman came current success as a musician. "Von was of age during the time of Prohibition, my best friend," he notes, "He taught "I paid about $200 for my Gibson 335 the early days of organized crime· and the me how to play the guitar and make it guitar when I lived for a time in New York growing popularity of urban jazz, which talk my language and tell my story. -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies.