Boston Symphony Orchestra Concert Programs, Season 119, 1999

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 119, 1999 BOSTON SYMPHONY ORCHESTRA BOSTON \ Seiji Ozawa, Music Director SYMPHONY ft ORCHESTRA/ Bernard Haitink, Principal Guest Conductor SEIJI OZAWA .£ One Hundred and Nineteenth Season, 1999-2000 Thursday, October 7, at 8 Friday, October 8, at 1:30 Saturday, October 9, at 8 Tuesday, October 12, at 8 SEIJI OZAWA conducting Please note that in this week's performances of Zemlinsky's Lyric Symphony, soprano Alessandra Marc will replace Luba Orgonasova, who is ill. We are grateful that Alessandra Marc was available to replace Ms. Orgonasova at short notice. Alessandra Marc Making her Boston Symphony subscription series debut this week, the German-born American dramatic soprano Alessandra Marc is acclaimed internationally for her work in opera and in concert. Ms. Marc's 1998-99 season included performances in Berlin of Richard Strauss's Four Last Songs with conductor Christian Thielemann; Mahler's Eighth Symphony in Vienna and in London; Sieglinde in Act I of Die Walkiire and the final scene of Strauss's Salome with Giuseppe Sinopoli and the Dresden Staatskapelle at Carnegie Hall; and the title role in Puccini's Turandot in Milwaukee and Michigan. Last season also brought her first performances of Agathe in Weber's Der Freischiitz, in Paris; Briinnhilde's Immolation Scene from Gotterdammerung with the New Jersey Symphony; Brunnhilde in Die Walkiire in concert performances at the Rome Opera with Sinopoli; and the title role in Strauss's Elektra in concert performances with the Royal Scottish National Orchestra. Future projects include Turandot at the Metropolitan Opera, La Scala, and in Israel; Verdi's Requiem in Rome, London, and Parma; and the Empress in Strauss's Die Frau ohne Schatten at the Deutsche Oper Berlin. Highlights of past seasons have included debuts with the Royal Opera and Opera-Bastille in the title role of Turandot; Sieglinde in Barcelona and Sydney; Ariadne aufNaxos in Munich; Mahler's Second Symphony under Lorin Maazel in Munich; Zemlinsky's Lyric Sym- phony with Esa-Pekka Salonen and the Los Angeles Philharmonic; and Schoenberg's Erzvartung in Vienna. She has sung the title role of Verdi's Aida for her debuts at the Metropolitan Opera, Chicago Lyric Opera, San Francisco Opera, Vienna State Opera, Bonn Opera, and in Israel. Among her recordings are an aria album entitled "American Diva"; Strauss's Elektra and Schoenberg's Erzvartung with Giuseppe Sinopoli; Zemlinsky's Lyric Symphony with Riccardo Chailly; Verdi's Requiem, Beethoven's Ninth Symphony, and two recordings of Mahler's Symphony No. 8. Future releases include Berg's Altenberg Lieder and the Lulu Suite with Sinopoli; the closing scene of Salome with Donald Runnicles; and Maria in Strauss's Friedenstag with Sinopoli and the Dresden Staatskapelle. Alessandra Marc made her Boston Symphony debut in August 1994 at Tanglewood, in Beethoven's Ninth Symphony under the direction of Christoph Eschenbach. Week 2.
Recommended publications
  • English Translation of the German by Tom Hammond
    Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p.
    [Show full text]
  • Simon O'neill ONZM
    Simon O’Neill ONZM Tenor “Simon O'Neill made a tremendous debut in the title-role, giving notice that he is the best heroic tenor to emerge over the last decade.” Rupert Christiansen, The Telegraph, UK. A native of New Zealand, Simon O’Neill is one of the finest helden-tenors on the international stage. He has frequently performed with the Metropolitan Opera, the Royal Opera House, Covent Garden, Berlin, Hamburg and Bayerische Staatsopern, Teatro alla Scala and the Bayreuth, Salzburg, Edinburgh and BBC Proms Festivals, appearing with a number of illustrious conductors including Daniel Barenboim, Sir Simon Rattle, James Levine, Riccardo Muti, Valery Gergiev, Sir Antonio Pappano, Pietari Inkinen, Pierre Boulez, Sir Mark Elder, Sir Colin Davis, Simone Young, Edo de Waart, Fabio Luisi, Donald Runnicles, Sir Simon Rattle, Jaap Van Zweden and Christian Thielemann. Simon’s performances as Siegmund in Die Walküre at the Royal Opera House, Covent Garden with Pappano, Teatro alla Scala and Berlin Staatsoper with Barenboim, at the Metropolitan Opera with Runnicles in the celebrated Otto Schenk production returning with Luisi in the Lepage Ring Cycle and in the Götz Friedrich production at Deutsche Oper Berlin with Rattle were performed to wide critical acclaim. He was described in the international press as "an exemplary Siegmund, terrific of voice", "THE Wagnerian tenor of his generation" and "a turbo-charged tenor". During this season’s engagements Simon makes his debut at: Tanglewood with the Boston Symphony and Andris Nelsons and the Toronto Symphony with Sir Andrew Davis and Orquestra de la Comunitat Valenciana with Henrik Nánási as Siegmund in concert performances of Die Walküre.
    [Show full text]
  • The Inventory of the Deborah Voigt Collection #1700
    The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE COMPLETED SYMPHONIC COMPOSITIONS OF ALEXANDER ZEMLINSKY DISSERTATION Volume I Presented in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Robert L.
    [Show full text]
  • A Mystical Journey Into the Jungle... and Beyond
    A mystical journey into the jungle... and beyond NOVEMBER 9, 12, 15, 17, 2019 BENEDUM CENTER 2019-20 SEASON SINCE 1893 WHEN OUR CUSTOMERS FACED THE UNEXPECTED WE WERE THERE For over 125 years Henderson Brothers has gone to heroic lengths to provide our customers with peace of mind. Because you can’t expect what tomorrow may bring. That’s why you have us. Commercial Insurance | Personal Insurance | Employee Benefits hendersonbrothers.com LETTER FROM OUR BOARD LEADERSHIP LETTER FROM OUR GENERAL DIRECTOR DEAR FRIENDS, DEAR FRIENDS, Welcome to Pittsburgh Opera’s production of Florencia I am delighted to welcome you to Florencia en en el Amazonas. We are happy to be able to join you in el Amazonas, the first Spanish-language opera in this mystical, magical journey down the Amazon. Pittsburgh Opera’s 81-year history. Like a proud parent, I can’t restrain myself from Our production of this contemporary opera by boasting about this fantastic cast. After a stunning role Mexican composer Daniel Catán illustrates the rich debut as Princess Turandot with us in 2017, our very diversity of the operatic tradition and Pittsburgh own Alexandra Loutsion returns to the Benedum today Opera’s commitment to it. For the first time, Pittsburgh in the title role of diva Florencia Grimaldi. Those of you © Daniel V. Klein Photography © Daniel V. audiences will enjoy an opera in Spanish with a libretto who were here last month for Don Giovanni will no based upon literature in the Latin American genre of doubt recognize Craig Verm (who sang the role of Don Giovanni) as deck-hand/ Magical Realism.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • FOR RELEASE: January 22, 2014
    FOR IMMEDIATE RELEASE November 23, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC The Mary and James G. Wallach Artist-in-Residence ERIC OWENS To Perform Richard STRAUSS Songs and Final Scene from Act III of WAGNER’s Die Walküre With Soprano HEIDI MELTON in Her Philharmonic Debut Program Also To Include WAGNER’s Ride of the Valkyries and SIBELIUS’s En saga Saturday Matinee Concert To Feature Grieg’s String Quartet Performed by Philharmonic Musicians January 7–9 and 12, 2016 Bass-baritone Eric Owens will continue his tenure as The Mary and James G. Wallach Artist-in- Residence with performances, led by Music Director Alan Gilbert, of Richard Strauss songs — “Ruhe, meine Seele,” Op. 27, No. 1; “Cäcilie,” Op. 27, No. 2; “Pilgers Morgenlied,” Op. 33, No. 4 — and the Final Scene from Act III of Die Walküre, alongside soprano Heidi Melton in her Philharmonic debut. The program also includes Wagner’s Ride of the Valkyries and Sibelius’s En saga, one of several programs this season honoring the 150th anniversary of Sibelius’s birth. The performances take place Thursday, January 7, 2016, at 7:30 p.m.; Friday, January 8 at 8:00 p.m.; Saturday, January 9 at 8:00 p.m.; and Tuesday, January 12 at 7:30 p.m. These performances mark Mr. Owens’s first time singing Wotan in New York. He has been widely acclaimed for his mastery of the German Romantic repertoire, including his celebrated performance as Alberich in The Metropolitan Opera’s 2012 production of Wagner’s Ring Cycle.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
    O Z A W A Dl R ECTOR BOSTON ^SYMPHONY # E S T R A M 1 i! kff^^f y-^fflfe 1 ^WVIi 19 9 9-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill. you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,200,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext 410. LONGYEAR, a/ Lr/sner Jiili BROOKLINE pssf^te. "-J ' jjmgr^^8PL'ti n-^a >/:i LlEii'••*' ^^ ^^^v SSi^Ty^f-vg^^i^fe jSP&^j : HE^Sg^^ • .^^^^.*y£^\&?* .TV ,.->< VH) 11. |1»W mm DBD CORTLAND Hammond SOTHEBYSI PROPERTIES INC. RESIDENTIAL International Realty Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Vincent M. O'Reilly, Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis George Krupp Robert P. O'Block Diane M. Austin, Nina L. Doggett Ed Linde ex-ojficio ex-ojficio Nancy J. Fitzpatrick R. Willis Leith, Jr. Peter C. Read Gabriella Beranek Charles K. Gifford Mrs. August R. Meyer Hannah H. Schneider Jan Brett Avram J. Goldberg Richard P. Morse Thomas G. Sternberg James F. Cleary Thelma E.
    [Show full text]
  • San Francisco Opera 2021-22 Season Announcement Updated 8.13.21.Pdf
    SAN FRANCISCO OPERA RETURNS TO THE WAR MEMORIAL OPERA HOUSE STAGE Eun Sun Kim Opens 2021–22 Season and Music Directorship Tenure with Puccini’s Tosca Starring Ailyn Pérez, Michael Fabiano and Alfred Walker Eun Sun Kim (Photos: Marc Olivier Le Blanc; Daniel Delang) Kim Leads Beethoven’s Fidelio in a Bold New Production by Director Matthew Ozawa Featuring Elza van den Heever and Russell Thomas Along with Homecoming Concert, Adler Fellows Concert and Verdi Tribute Company’s Multi-Year Mozart-Da Ponte Trilogy Continues with New Productions of Così fan tutte and Don Giovanni Set in Different Eras of an American House Season Highlights Also Include Bright Sheng and David Henry Hwang’s Dream of the Red Chamber, Livestreaming, Free Opera at the Ballpark Simulcast Tickets Now on Sale – Visit sfopera.com or call (415) 864-3330 Puccini’s Tosca; Beethoven’s Fidelio set rendering by Alexander V. Nichols; Sheng’s Dream of the Red Chamber (Photos: Cory Weaver) 1 San Francisco, CA (June 22, 2021; updated August 13, 2021) — San Francisco Opera announced today repertory, casting and reopening plans for its 99th season. Commencing with a performance of Giacomo Puccini’s Tosca on Saturday, August 21, the 2021–22 Season marks the inauguration of Eun Sun Kim’s tenure as Caroline H. Hume Music Director and a reemergence of opera at the War Memorial Opera House, which reopens with newly installed custom seats and accessibility enhancements. For this transitional year, the Company unveils three new productions: Ludwig van Beethoven’s Fidelio and, continuing the Company’s Mozart-Da Ponte Trilogy, Così fan tutte and Don Giovanni.
    [Show full text]
  • Alessandra Marc, Soprano
    For the convenience of concertgoers the Garden Cafe remains open until 6:oo pm. The use of cameras or recording equipment during the performance is not allowed. Please be sure that cell phones, pagers, and other electronic devices are turned off. Please note that late entry or reentry of The Sixty-fifth Season of the West Building after 6:30 pm is not permitted. The William Nelson Cromwell and F. Lammot Belin Concerts “Sixty-five, but not retiring” National Gallery of Art Music Department 2,588th Concert National Gallery of Art Sixth Street and Constitution Avenue nw Washington, DC Alessandra Marc, soprano Mailing address David Chapman, pianist 2000b South Club Drive Presented in honor of Landover, md 20785 Alexandre-Louis-Marie Charpentier (1856-1909) www.nga.gov October 15, 2006 Sunday Evening, 6:30 pm West Building, West Garden Court Admission free Program BRIEF PAUSE Hector Berlioz (1803-1869) Meredith Willson (1902-1984) Villanelle and Le spectre de la rose from Les nuits d’ete Till There Was You from The Music Man Henri Duparc (1848-1933) Rodgers (1902-1979) and Hammerstein (1895-1960) Phidyle This Nearly Was Mine from South Pacific Extase Irving Berlin (1888-1989) Benjamin Britten (1913-1976) I Got the Sun in the Morning from Annie Get Your Gun Les illuminations Phrase Rodgers and Hammerstein Antique I Loved You Once in Silence from Camelot Royaute Depart Harold Arlen (1905-1986) Somewhere over the Rainbow from The Wizard of Oz Gustave Charpentier (1860-1956) Depuis lejour from Louise Alan Jay Lerner (1918-1986) and Frederick Loewe
    [Show full text]
  • Kylian, Il Dolore a Passo Di Danza Blico L'esigenza Di Un Profondo Coinvolgi- Mento Negli Eventi Di Tamino E Pamina, Papageno E Papagena
    Colore: Composite ----- Stampata: 15/06/01 21.49 ----- Pagina: UNITA - NAZIONALE - 19 - 16/06/01 sabato 16 giugno 2001 in scena 19 GINO PAOLI A LA SPEZIA Stasera alle 21 concerto «speciale» PRÊTRE IN TRIONFO PER UNA «TURANDOT» INUTILE e a ingresso gratuito di Gino Paoli Rubens Tedeschi con la Orchestra D.I.M.I. e la Nella zoppicante stagione verdiana, la Scala ha tormentato corso della composizione, la principessa possa far meglio. Quel che si sa è che il restauro, la piccola schiava il fascino di una illimitata soavi- partecipazione di Niccolò Fabi: inciampato nel postumo Puccini. Doveva essere crudele che manda il boia ai pretendenti incapaci atteso a Milano, andrà in scena ad Amsterdam con tà. Tra le due donne, Nicola Martinucci riprende succede a La Spezia nella centrale una «Turandot» particolare, con Sinopoli sul po- di risolvere tre indovinelli, perde il ruolo di protago- Chailly. Sul podio scaligero, Georges Prêtre, genoro- con slancio il ruolo di Calaf che fu suo dal 1983 in di Enel Produzione, dove il dio, il giovane Johan Botha nei panni del principe nista: nel primo atto fa soltanto una muta compar- samente prestatosi a sostituire Sinopoli, riprende il poi; Andrea Papi dà giusto rilievo alla dolente figu- concerto inaugura il programma Calaf e il finale incompiuto ricostruito da Luciano sa; nel secondo è sconfitta dall’abilità enigmistica finale di Alfano. ra di Timur e il trio Lepore-Bertocchi-Bolognesi Luci, Parole e Musica 2001. Le Berio. La fatalità, associata a qualche imprevisto, di Calaf; nel terzo, la piccola Liù, suicida per amore Ha offerto, in compenso, la “sua” interpretazione realizza, con involontaria attualità, la caricatura centrali sono soprattutto luoghi ha rimescolato le carte.
    [Show full text]