Authority and the Law in Renaissance Venice
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Biological Warfare Plan in the 17Th Century—The Siege of Candia, 1648–1669 Eleni Thalassinou, Costas Tsiamis, Effie Poulakou-Rebelakou, Angelos Hatzakis
HISTORICAL REVIEW Biological Warfare Plan in the 17th Century—the Siege of Candia, 1648–1669 Eleni Thalassinou, Costas Tsiamis, Effie Poulakou-Rebelakou, Angelos Hatzakis A little-known effort to conduct biological warfare oc- to have hurled corpses of plague victims into the besieged curred during the 17th century. The incident transpired city (9). During World War II, Japan conducted biological during the Venetian–Ottoman War, when the city of Can- weapons research at facilities in China. Prisoners of war dia (now Heraklion, Greece) was under siege by the Otto- were infected with several pathogens, including Y. pestis; mans (1648–1669). The data we describe, obtained from >10,000 died as a result of experimental infection or execu- the Archives of the Venetian State, are related to an op- tion after experimentation. At least 11 Chinese cities were eration organized by the Venetian Intelligence Services, which aimed at lifting the siege by infecting the Ottoman attacked with biological agents sprayed from aircraft or in- soldiers with plague by attacking them with a liquid made troduced into water supplies or food products. Y. pestis–in- from the spleens and buboes of plague victims. Although fected fleas were released from aircraft over Chinese cities the plan was perfectly organized, and the deadly mixture to initiate plague epidemics (10). We describe a plan—ul- was ready to use, the attack was ultimately never carried timately abandoned—to use plague as a biological weapon out. The conception and the detailed cynical planning of during the Venetian–Ottoman War in the 17th century. the attack on Candia illustrate a dangerous way of think- ing about the use of biological weapons and the absence Archival Sources of reservations when potential users, within their religious Our research has been based on material from the Ar- framework, cast their enemies as undeserving of humani- chives of the Venetian State (11). -
Sea-Level Rise in Venice
https://doi.org/10.5194/nhess-2020-351 Preprint. Discussion started: 12 November 2020 c Author(s) 2020. CC BY 4.0 License. Review article: Sea-level rise in Venice: historic and future trends Davide Zanchettin1, Sara Bruni2*, Fabio Raicich3, Piero Lionello4, Fanny Adloff5, Alexey Androsov6,7, Fabrizio Antonioli8, Vincenzo Artale9, Eugenio Carminati10, Christian Ferrarin11, Vera Fofonova6, Robert J. Nicholls12, Sara Rubinetti1, Angelo Rubino1, Gianmaria Sannino8, Giorgio Spada2,Rémi Thiéblemont13, 5 Michael Tsimplis14, Georg Umgiesser11, Stefano Vignudelli15, Guy Wöppelmann16, Susanna Zerbini2 1University Ca’ Foscari of Venice, Dept. of Environmental Sciences, Informatics and Statistics, Via Torino 155, 30172 Mestre, Italy 2University of Bologna, Department of Physics and Astronomy, Viale Berti Pichat 8, 40127, Bologna, Italy 10 3CNR, Institute of Marine Sciences, AREA Science Park Q2 bldg., SS14 km 163.5, Basovizza, 34149 Trieste, Italy 4Unversità del Salento, Dept. of Biological and Environmental Sciences and Technologies, Centro Ecotekne Pal. M - S.P. 6, Lecce Monteroni, Italy 5National Centre for Atmospheric Science, University of Reading, Reading, UK 6Alfred Wegener Institute Helmholtz Centre for Polar and Marine Research, Postfach 12-01-61, 27515, Bremerhaven, 15 Germany 7Shirshov Institute of Oceanology, Moscow, 117997, Russia 8ENEA Casaccia, Climate and Impact Modeling Lab, SSPT-MET-CLIM, Via Anguillarese 301, 00123 Roma, Italy 9ENEA C.R. Frascati, SSPT-MET, Via Enrico Fermi 45, 00044 Frascati, Italy 10University of Rome La Sapienza, Dept. of Earth Sciences, Piazzale Aldo Moro 5, 00185 Roma, Italy 20 11CNR - National Research Council of Italy, ISMAR - Marine Sciences Institute, Castello 2737/F, 30122 Venezia, Italy 12 Tyndall Centre for Climate Change Research, University of East Anglia. -
The Abandonment of Butrint: from Venetian Enclave to Ottoman
dining in the sanctuary of demeter and kore 1 Hesperia The Journal of the American School of Classical Studies at Athens Volume 88 2019 Copyright © American School of Classical Studies at Athens, originally pub- lished in Hesperia 88 (2019), pp. 365–419. This offprint is supplied for per- sonal, non-commercial use only, and reflects the definitive electronic version of the article, found at <https://www.jstor.org/stable/10.2972/hesperia.88.2.0365>. hesperia Jennifer Sacher, Editor Editorial Advisory Board Carla M. Antonaccio, Duke University Effie F. Athanassopoulos, University of Nebraska-Lincoln Angelos Chaniotis, Institute for Advanced Study Jack L. Davis, University of Cincinnati A. A. Donohue, Bryn Mawr College Jan Driessen, Université Catholique de Louvain Marian H. Feldman, University of California, Berkeley Gloria Ferrari Pinney, Harvard University Thomas W. Gallant, University of California, San Diego Sharon E. J. Gerstel, University of California, Los Angeles Guy M. Hedreen, Williams College Carol C. Mattusch, George Mason University Alexander Mazarakis Ainian, University of Thessaly at Volos Lisa C. Nevett, University of Michigan John H. Oakley, The College of William and Mary Josiah Ober, Stanford University John K. Papadopoulos, University of California, Los Angeles Jeremy B. Rutter, Dartmouth College Monika Trümper, Freie Universität Berlin Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 to publish the work of the American School, the jour- nal now welcomes submissions -
Splendors of Ancient Italy May 2016
What is covered: • A guided tour of Italy • 13 nights accommodation • Breakfast every day, 5 dinners • Guides on each site visited • Entrance to all Museums and sites • All transport Splendors of Ancient Italy May 2016 Instructors: Dr. Carney Matheson and Dr. Tim Kaiser Phone: (807) 343-8743 E-mail: Highlights: [email protected] • 14 sites that are UNESCO listed • A traditional dinner in Rome, Naples, Florence and https://www.lakeheadu.ca/academics/departments/ Venice anthropology/italy2016 • A toga evening experience in Rome • See the three best preserved Roman sites in the world: Herculaneum, Pompeii and Ostia Antica • The Roman Forum and Coliseum • The largest and best preserved Roman artifacts and statues in Italy • The largest surviving Etruscan tumulus 955 Oliver Road • The largest collection of rock art in Europe Thunder Bay, ON • The oldest naturally preserved human mummy in P7B 5E1 the world Tel: 1-(807)-346-7848 • Local guides and two full Professor providing the Email: [email protected] delivery of information Course description Itinerary Italy is a country with a very deep and important past. Day 1: Rome Day 7: Florence Beginning with Paleolithic Italy, this course traces the Start the day at the National Museum to see some Visit the site of Montefortini to see one of the human migrations, archaeology and genetics that of the finest collections in Italy, then tour Imperial largest Etruscan tombs. contribute to the earliest human occupations. It next Rome to see the Forum, Coliseum and the considers the transition from hunting and gathering, Capitoline. Day 8: Lake Garda which culminated in the Mesolithic, to farming, which Travel to Lake Garda and see the Neolithic Pile begins in the Neolithic. -
University Micrdfilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1 . The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2 . When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Andrea Mozzato “Rulers of Venice (1332-1524)”. Alcune Osservazioni Sulla Schedatura Dei Registri Del Segretario Alle Voci
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Reti Medievali Open Archive Andrea Mozzato “Rulers of Venice (1332-1524)”. Alcune osservazioni sulla schedatura dei registri del Segretario alle Voci Estratto da Reti Medievali Rivista, VI - 2005/2 (luglio-dicembre) <http://www.dssg.unifi .it/_RM/rivista/saggi/Mozzato.htm> RetiR MedievaliM Firenze University Press Reti Medievali Rivista, VI - 2005/2 (luglio-dicembre) <http://www.dssg.unifi .it/_RM/rivista/saggi/Mozzato.htm> RetiR MedievaliM ISSN 1593-2214 © 2005 Firenze University Press “Rulers of Venice (1332-1524)”. Alcune osservazioni sulla schedatura dei registri del Segretario alle Voci di Andrea Mozzato Questo articolo si pone tre obiettivi: presentare il progetto “Rulers of Venice, 1332-1524”, mostrare come è stata costruita una parte dell’omonima banca dati evidenziando i problemi e le soluzioni adottate, mettere in luce le possibilità che essa offre mediante alcuni case studies. Il lavoro, ideato nel 2001 da Benjamin G. Kohl e da lui realizzato con la partecipazione di Monique O’Connell e di chi scrive, consiste nella schedatura degli uffi ci veneziani e dei loro titolari fra il tardo Medioevo e la prima età mo- derna. Il fi ne è quello di avere a disposizione in un’unica risorsa informatica consultabile in rete il maggior numero possibile di nomi della classe dirigente ed i loro incarichi. La banca dati è composta da oltre 60.000 records, circa 600 uffi ci, consigli e reggimenti del territorio veneziano; approssimativamente vi compaiono 9.000 nobili. La realizzazione tecnica è stata affi data a Ronald G. -
“Safe from Destruction by Fire” Isabella Stewart Gardner’S Venetian Manuscripts
“Safe from Destruction by Fire” Isabella Stewart Gardner’s Venetian Manuscripts Anne- Marie Eze Houghton Library, Harvard University ver a decade ago the exhibition Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle explored the rich Pan- OEuropean and American expatriate culture that fl ourished in Venice at the end of the nineteenth century and inspired Isabella Stewart Gardner (1840–1924) to create a museum in Boston as a temple to Venetian art and architecture (fi g. 1). On this occasion, attention was drawn for the fi rst time to the museum’s holdings of Venetian manuscripts, and it was observed that in her day Gardner had been the only prominent American collector of manuscripts to focus on Venice.1 The Isabella Stewart Gardner Museum’s collection of Venetian manuscripts comprises more than thirty items, spanning the fi eenth to eighteenth centuries. The collections can be divided into four broad categories: offi cial documents issued by the Doges; histories of the Most Serene Republic of Venice—called the “Sereni- ssima”—its government, and its patriciate; diplomas; and a statute book of 1 Helena Szépe, “Isabella Stewart Gardner’s Venetian Manuscripts,” in Gondola Days: Isa- bella Stewart Gardner and the Palazzo Barbaro Circle, ed. Elizabeth Anne McCauley, Alan Chong, Rosella Mamoli Zorzi, and Richard Lingner (Boston: Isabella Stewart Gardner Museum, 2004), 233–3⒌ 190 | Journal for Manuscript Studies Figure 1. Veronese Room, Isabella Stewart Gardner Museum, Boston. a lay con aternity.2 Most of the manuscripts contain complete and dated texts, are illuminated, and survive in their original bindings. The Gardner’s collection not only charts the evolution over three centuries of Venetian book production, but also provides a wealth of sources for the study of the history, portraiture, iconography, genealogy, and heraldry of the Republic of Venice. -
La Via Di Carlo Magno in Valle Camonica Un Itinerario Di Turismo Culturale Da Bergamo Alle Valli Trentine Seguendo L’Antica Leggenda
La via di Carlo Magno in Valle Camonica Un itinerario di turismo culturale da Bergamo alle valli trentine seguendo l’antica Leggenda g rafo Questo volume è stato realizzato grazie al contributo del Distretto Culturale di Valle Camonica ed è parte del progetto Un percorso di ricerca storica e turismo culturale Un progetto del Distretto Culturale di Valle Camonica www.vallecamonicacultura.it/carlomagno www.vallecamonicacultura.it www.museidivallecamonica.it [email protected] Volume a cura di Giorgio Azzoni Gianfranco Bondioni Virtus Zallot Distretto Culturale di Valle Camonica è un progetto di Comunità Montana di Valle Camonica Consorzio Comuni BIM di Valle Camonica Fondazione Cariplo © ottobre 2012 Distretto Culturale di Valle Camonica Tutti i diritti riservati Piazza F. Tassara, 3 – 25043 Breno (Bs) tel. 0364 324011 www.vallecamonicacultura.it © ottobre 2012 Grafo | gestione IGB Group www. g r a f o . i t isbn 978 88 7385 865 1 © Per i testi e le fotografie: gli autori In copertina: la chiesa di San Lorenzo a Berzo Inferiore e la Strada Valeriana tra Vione e Temù (fotomontaggio di Battista Sedani) La via di Carlo Magno in Valle Camonica Un itinerario di turismo culturale da Bergamo alle valli trentine seguendo l’antica Leggenda g rafo Nella memoria di un antico racconto che continua ad eser- citare il suo fascino, viene riproposta la leggenda di Carlo Magno come un itinerario per tappe, accompagnando i vi- sitatori nell’ideale percorso che da Bergamo, lungo la Valle Camonica, conduce sino alla trentina Val Rendena. Il lavoro di ricerca ha impegnato studiosi bergamaschi, bresciani, trentini, ponendo le basi per una collaborazione in rete “nel cuore delle Alpi”, e ora, sulla base di una leggenda comune, le strade di montagna che collegano le nostre val- li possono diventare una Via carolingia nel cuore delle Alpi. -
Archivio Veneto
Anno CXLV VI serie n. 7 ARCHIVIO DEPUTAZIONE DI STORIA PATRIA VENETO PER LE VENEZIE • ARCHIVIO VENETO VI Serie N. 15 • VENEZIA ISSN 0392-0291 2018 2014 ARCHIVIO VENETO SESTA SERIE - n. 7 (2014) comitato scientifico Gherardo Ortalli, presidente Pietro Del Negro - Dieter Girgensohn - Giuseppe Gullino Jean-Claude Hocquet - Sergej Pavlovic Karpov Maria Francesca Tiepolo - Gian Maria Varanini - Wolfgang Wolters Questo numero è stato curato da Eurigio Tonetti comitato di redazione Eurigio Tonetti, coordinatore Michael Knapton - Antonio Lazzarini - Franco Rossi La rivista effettua il referaggio anonimo e indipendente issn 0392-0291 stampato da cierre grafica - verona 2014 DEPUtaZIONE DI storia patria per LE VENEZIE ARCHIVIO VENETO VENEZIA 2014 Questa pubblicazione si è avvalsa del contributo della DEPUTAZIONE DI STORIA PATRIA PER LE VENEZIE S. Croce, Calle del Tintor 1583 - 30135 VENEZIA Tel. 041 5241009 - Fax 041 5240487 www.veneziastoria.it - e-mail: [email protected] Filippo Boscolo ATTI DI evergeTISMO Nella ViceNZA del II secolo D.C.* La città di Vicetia diede i natali a Caius Salonius Matidius Patruinus, un personaggio di rango senatorio del quale sappiamo che aveva fatto parte del collegio sacerdotale dei fratres Arvales, essendone stato il presidente nel 78 d.C., come risulta dagli Atti dei fratelli Arvali di quell’anno1. La sua famiglia era entrata a far parte dell’ordine senatorio con il padre, che era stato ammesso in senato nel 48 d.C. dall’imperatore Claudio nelle vesti di censore. Questo dato si ricava dalla seguente iscrizione: [- Salonio? - f(ilio) Men(enia)] / Ma[tid]io [---] / a Ti(berio) Claudio Caesare / Augus[t]o Germanico / censor(e) [a]dlecto in / senatum et inter / tribunicios re- lato / ab eodem, adscito in / numerum Saliorum, / Salonia mater / filio piissimo / viva fecit2. -
Sacred Scripture / Sacred Space
Sacred Scripture / Sacred Space Unauthenticated Download Date | 2/4/19 9:22 AM Materiale Textkulturen Schriftenreihe des Sonderforschungsbereichs 933 Herausgegeben von Ludger Lieb Wissenschaftlicher Beirat: Jan Christian Gertz, Markus Hilgert, Hanna Liss, Bernd Schneidmüller, Melanie Trede und Christian Witschel Band 23 Unauthenticated Download Date | 2/4/19 9:22 AM Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture Edited by Tobias Frese, Wilfried E. Keil and Kristina Krüger Unauthenticated Download Date | 2/4/19 9:22 AM ISBN 978-3-11-062913-2 e-ISBN (PDF) 978-3-11-062915-6 e-ISBN (EPUB) 978-3-11-063347-4 ISSN 2198-6932 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018964345 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Frese et al., published by Walter de Gruyter GmbH, Berlin/Boston This book is published in open access at www.degruyter.com. Cover Images: Florenz, San Pancrazio, Capella Rucellai, facade. Photo: Miguel Hermoso Cuesta, Wikimedia Commons (CC BY-SA 4.0). Typesetting: Sonderforschungsbereich 933 (Nicolai Schmitt), Heidelberg Printing and binding: Hubert & Co. GmbH & Co. KG, Göttingen www.degruyter.com Unauthenticated Download Date | 2/4/19 9:22 AM Contents Acknowledgements V Tobias Frese, Kristina Krüger Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. -
VENICE Grant Allen's Historical Guides
GR KS ^.At ENICE W VENICE Grant Allen's Historical Guides // is proposed to issue the Guides of this Series in the following order :— Paris, Florence, Cities of Belgium, Venice, Munich, Cities of North Italy (Milan, Verona, Padua, Bologna, Ravenna), Dresden (with Nuremberg, etc.), Rome (Pagan and Christian), Cities of Northern France (Rouen, Amiens, Blois, Tours, Orleans). The following arc now ready:— PARIS. FLORENCE. CITIES OF BELGIUM. VENICE. Fcap. 8vo, price 3s. 6d. each net. Bound in Green Cloth with rounded corners to slip into the pocket. THE TIMES.—" Good work in the way of showing students the right manner of approaching the history of a great city. These useful little volumes." THE SCOTSMAN "Those who travel for the sake of culture will be well catered for in Mr. Grant Allen's new series of historical guides. There are few more satisfactory books for a student who wishes to dig out the Paris of the past from the im- mense superincumbent mass of coffee-houses, kiosks, fashionable hotels, and other temples of civilisation, beneath which it is now submerged. Florence is more easily dug up, as you have only to go into the picture galleries, or into the churches or museums, whither Mr. Allen's^ guide accordingly conducts you, and tells you what to look at if you want to understand the art treasures of the city. The books, in a word, explain rather than describe. Such books are wanted nowadays. The more sober- minded among tourists will be grateful to him for the skill with which the new series promises to minister to their needs." GRANT RICHARDS 9 Henrietta St.