User Experience Design Immersive
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Graphic Designer P3
Job Template: Graphic Designer Occupational Group Communication and Marketing Job Family Communication and Marketing Job Path Graphic Design Job Title Graphic Designer Job Category: P Job Level: 3 FLSA Status: E Job Code: C01000 P3: Level Standards GENERAL ROLE This level is accountable for directly providing service to any assigned work unit at the University. The service can focus on a single or a variety of job functions with varying degrees of independence. Positions at this level may supervise student or support employees. Incumbents: • Put into effect what is required by defined job duties and responsibilities following professional norms or established procedures and protocols for guidance. • Alter the order in which work or a procedure is performed to improve efficiency and effectiveness. • Recommend or implement modifications to practices and procedures to improve efficiency and quality, directly affecting the specific office operation or departmental procedure or practice. INDEPENDENCE AND DECISION-MAKING Supervision Received • Works under limited supervision. Context of Decisions • Utilizes general departmental guidelines to develop resolutions outside the standard practice. Job Controls • Possesses considerable freedom from technical and administrative oversight while the work is in progress. • Defines standard work tasks within departmental policies, practices, and procedures to achieve outcomes. • Serves as the advanced resource to whom more junior employees go to for technical guidance. 1 Job Template: Graphic Designer Occupational Group Communication and Marketing Job Family Communication and Marketing Job Path Graphic Design Job Title Graphic Designer Job Category: P Job Level: 3 FLSA Status: E Job Code: C01000 COMPLEXITY AND PROBLEM SOLVING Range of issues • Handles a variety of work situations that are cyclical in character, with occasionally complex situations. -
User Experience Design: Design for Empowerment
NMDD 3450 / Summer 2020 User Experience Design: Design for Empowerment Session: Session I (June 1st – June 18th) Class Time: Mon, Tue, & Thur (1-5pm) w/ remaining time online asynchronously Location: TBD Professor: Ralph Vacca | [email protected] | Office @ Martino Hall (45 Columbus Ave) Room 716 Office Hours: Monday & Thursday 11:00 - 12:30pm Links: CMS Facebook: www.facebook.com/FordhamCMS | Twitter: www.Twitter.com/FordhamCMS This course focuses on how human-centered design and participatory design methods can be used as approaches to empowerment. Students will gain hands-on experience with conducting user research, synthesizing findings into insights, ideating, sketching, rapid prototyping, and validating concepts with users. Course readings, discussions, and activities will be organized into a user-experience project to help students get out and interact with real users, needs, and challenges. COURSE MATERIALS Textbooks: ● Quesenbery, W., Brooks, K. (2010). Storytelling for User Experience: Crafting Stories for Better Design. United States: Rosenfeld Media. ● Norman, D. (2013). The Design of Everyday Things: Revised and Expanded Edition. United States: Basic Books. ● Knapp, J., Zeratsky, J., Kowitz, B. (2016). Sprint: How to Solve Big Problems and Test New Ideas in Just Five Days. Spain: Simon & Schuster. ● Greenberg, S., Marquardt, N., Buxton, B., Carpendale, S. (2012). Sketching User Experiences: The Workbook. Netherlands: Elsevier Science. Additional Materials Needed: ● You are required to purchase a physical sketchbook for the course. Any blank paper (no lines) sketchbook that is 8 x 11 or larger. You want to have enough space. These sketchbooks are great, but feel free to find your own. COURSE GOALS ● Students will gain familiarity with human-centered design research methods ● Students will learn to generate typical user experience design outputs such as personas, journey maps, storyboards, and wireframes. -
Voir Le Programme
BASILIQUE DE VALERE 51e SION - VALAIS INTERNATIONAL DE L' MUSIQUE ANCIENNE du 11 juillet au 22 août 2020 bienvenue 51 Bienne - BE Naters - VS Giswil - OW Lausanne - VD Chers amis de l’orgue, Après les festivités du 50e anniversaire, Un autre anniversaire (60 ans!) qui nous tient le festival repart de plus belle malgré spécialement à cœur est celui de la manufacture l’incertitude liée au Covid-19. d’orgues Füglister, installée à Grimisuat en Valais. A l’heure où j’écris ce billet, l’optimisme Fondée par Hans Füglister en 1960 et dirigée est de mise et nous espérons malgré tout actuellement par sa fille Annette, l’entreprise est Emmenbrücke - LU Simplon - VS Brig - VS Kagoshima - JP offrir à notre fidèle public sept concerts reconnue en Valais, en Suisse et ailleurs dans le de qualité. monde pour son remarquable travail. Chargée Découvrez dans notre programme les de la restauration de l’orgue de Valère en 2004 organistes invités à cette 51e édition! et de l’installation du tempérament mésotonique Tous se réjouissent de toucher ce prestigieux l’année passée, l’entreprise Füglister continue instrument vieux de 600 ans qu’est l’orgue de nous soutenir et de «bichonner» l’orgue de de Valère. Découvrez aussi les instrumen- la basilique pour notre plus grand bonheur. tistes qui se mêleront à l’orgue: cornettiste, En effet, c’est en grande partie grâce à leurs violonistes, mezzo-soprano, contre-ténor. compétences que l’orgue peut résonner de façon Retrouvez l’ensemble Capella de la Torre, aussi incroyable à Valère. de Lübeck, qui nous avait enthousiasmés et Chers auditeurs, fidèles et nouveaux, que nous nous faisons une joie d’inviter à gravissez la colline, profitez de la fraîcheur nouveau et enfin, cerise sur le gâteau, venez de la basilique et emplissez vos oreilles Valère - VS Reckingen - VS Gossau - SG Ausserberg - VS apprécier le très connu chœur Novantiqua de sonorités intemporelles! qui fête cette année son 40e anniversaire et qui clôturera ce festival en beauté. -
(UCD) and User Experience Design (UXD) Practice in Industry: Performance Methods and Practice Constraints
International Journal of Recent Technology and Engineering (IJRTE) ISSN: 2277-3878, Volume-8, Issue-2S2, July2019 The User Centred Design (UCD) and User Experience Design (UXD) Practice In Industry: Performance Methods and Practice Constraints Idyawati Hussein, Azham Hussain, Emmanuel O.C.Mkpojiogu, ZarulFitri Zaba Rauch and Wilson (1995) surveyed the members of the User Abstract: This study reviews the methods used in investigating Experience Professionals Association (UxPA), formerly user centred design (UCD) practice in industry as well as the known as the Usability Professionals Association (UPA), in constraints to the practice of UCD and user experience design 1991 and 1992. The result was then presented at the UPA (UXD) in industry using systematic literature review approach. conference in 1993. Another round of practice surveys was Thirty-five high profile papers were reviewed and the result showed that among others, low-profile usability professionals in done with the UPA mailing list in 1993. A follow-up survey the development process, usability not being accepted as a key was conducted at a Special Interest Group (SIG) session at quality, usability not supporting product development time, the CHI’94 conference in the form of interactive, face-to- resistance to usability, lack of awareness, and time constraints face meetings with open discussions of key questions. Later, are the constraints facing UCD and UXD in practice. Most Rosebaum et al. (2002) studied the evolution and revolution software development studies also found constraints between of the user experience lifecycle in practice by surveying the developers and users. The study’s outcome also revealed that members attending CHI’98, CHI’99 and UPA’99 most investigations carried out to assess UCD/UXD practice was conferences. -
User Experience Design (UXD) 1
User Experience Design (UXD) 1 UXD 222 | DATA VISUALIZATION DESIGN (FORMERLY ISM 222) | 4 USER EXPERIENCE DESIGN quarter hours (Undergraduate) (UXD) This course discusses the basic problems and techniques of visualizing quantitative and qualitative data. Topics include: perception, types of UXD 101 | DESIGN PRINCIPLES FOR USER EXPERIENCE DESIGN information, representation of univariate and multivariate data and (FORMERLY ISM 101) | 4 quarter hours relational information, analysis of representations, presentation, and (Undergraduate) dynamic and interactive visualizations. Students will create visualizations This course introduces user experience design principles using code. using graphical software. User experience design principles include: affordance, conceptual model, UXD 101 is a prerequisite for this class. consistency, constraint, discoverability, feedback, mapping, and signifiers. UXD 225 | CODING DESIGN FRAMEWORKS (FORMERLY ISM 225) | 4 Students will analyze user experience design principles through activities quarter hours and group discussion. Students will apply user experience design (Undergraduate) principles through design exercises and projects. This is an introductory- User Experience Designers facilitate communication between people, level course, prior experience is not expected, beginners are welcome. communities, and computer-based systems. We think in terms of code, UXD 205 | INTERSECTIONAL THEMES AND DESIGN (FORMERLY ISM 205) without necessarily writing the code ourselves. This class introduces user | 4 quarter hours -
PRESS KIT Typecon2019: Nice MINNEAPOLIS, MN August 28–September 1, 2019 Typecon2019 MINNEAPOLIS, MN the CONFERENCE August 28–Sept 1
PRESS KIT TypeCon2019: Nice MINNEAPOLIS, MN August 28–September 1, 2019 TypeCon2019 MINNEAPOLIS, MN THE CONFERENCE August 28–Sept 1 50 WORDS Founded 21 years ago, TypeCon is the nation’s premier typography and lettering arts conference. Hundreds of attendees convene each year for an immersive five day program of inspiring presentations, workshops, and events. At TypeCon, both professionals and educators can learn, grow, and network in the company of like-minded enthusiasts. 120 WORDS Founded 21 years ago, TypeCon is the nation’s premier typography and lettering arts conference. Hundreds of attendees from around the world convene each year for an immersive five day program centered around typography, lettering, and design. TypeCon is best-known for its educational presentations, all of which are submitted via open-call, “by the community, for the community.” Recent speakers and workshop leaders have included Tobias Frere-Jones, Lance Wyman, Gemma O’Brien, Underware, Jessica Hische, Matthew Carter, and Louise Fili. TypeCon oers a unique opportunity for both professionals and educators to learn, study, network, and further their knowledge in the company of like-minded enthusiasts. TypeCon2019: “Nice” will take place August 28th–September 1st, at the Hilton Minneapolis in downtown Minneapolis, Minnesota. FULL Founded 21 years ago by The Society of Typographic Aficionados (SOTA), TypeCon is the nation’s premier typographic and lettering arts conference. Hundreds of attendees from around the world convene each year for an immersive five day program centered around typography, lettering, and design. The conference takes place in a dierent city each year and is dedicated to promoting and disseminating knowledge of both historical and contemporary typography. -
Wireframing Essentials
Wireframing Essentials An introduction to user experience design Learn the fundamentals of designing the user experience for applications and websites Matthew J. Hamm BIRMINGHAM - MUMBAI Wireframing Essentials An introduction to user experience design Copyright © 2014 Packt Publishing All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the author, nor Packt Publishing, and its dealers and distributors will be held liable for any damages caused or alleged to be caused directly or indirectly by this book. Packt Publishing has endeavored to provide trademark information about all of the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information. First published: January 2014 Production Reference: 1200114 Published by Packt Publishing Ltd. Livery Place 35 Livery Street Birmingham B3 2PB, UK. ISBN 978-1-84969-854-2 www.packtpub.com Cover Image by Aniket Sawant ([email protected]) Credits Author Project Coordinator Matthew J. Hamm Aboli Ambardekar Reviewers Proofreader Jeromy Condon Paul Hindle Jerome M. Griffith Indexer Acquisition Editors Mehreen Deshmukh Andrew Duckworth Joanne Fitzpatrick Production Coordinator Nilesh R. Mohite Lead Technical Editor Sruthi Kutty Cover Work Nilesh R. -
Graphic Designer
Graphic Designer MHTN Architects, a nationally recognized and award-winning Salt Lake City architectural and design firm, is seeking a talented Graphic Designer with a minimum of 3 years experience to join our marketing team. Working closely with the Marketing Manager & Team, and Design Teams the ideal candidate will: ▪ Have strong knowledge and experience in graphic design and illustration, including the ability to design, layout, and prepare finished artwork for implementation in print, digital, social media, and other communication channels. ▪ Thrive in a highly collaborative work environment. ▪ Have experience in fast paced environments meeting tight schedules under pressure. ▪ Proven ability to translate communication needs into effective graphic and artistic designs. ▪ Possess excellent communication and time management skills. ▪ Be highly organized, creative, and have a responsive and positive attitude. ▪ Have an eye for design details, such as typography, alignment, hierarchy, etc. ▪ Be a proactive self-starter. The role demands a dynamic, flexible multi-tasker with enthusiastic problem-solving skills, and the ability to prioritize in a fast-paced environment. Responsibilities ▪ Creation and coordination of print and digital proposals. ▪ Coordination of proposal content from outside consultants and design teams. ▪ Development of new design concepts, graphics and layouts for marketing assets, company presentations, trade booths, social media, website, and internal collateral. ▪ Proofing text content. ▪ Development of printed material for local magazine articles, advertisements, and awards. Education & Experience Required The ideal candidate will: ▪ Hold a Bachelor’s degree in graphic design or equivalent. ▪ Possess 3 - 5 years of experience creating concept and production work with a commercial portfolio demonstrating consistency in vision and ability to uphold a brand’s visual identity. -
User Experience Design - Syllabus
User Experience Design - Syllabus HCDE 418 — Autumn 2009 Lecture Days: Tuesdays & Thursdays Lecture Times: 10:00 a.m.-11:50 a.m. Class Location: Sieg Hall, Room 228 Credit Hours: 5 Class Website The class website will be your main stop for the most up-to-date information on the course schedule, assignment descriptions, and links to important resources. Class website is: http://courses.washington.edu/hcde418/ Instructor Information Professor: Dr. Julie A. Kientz Email: [email protected] Website: http://faculty.washington.edu/jkientz/ Office: Sieg Hall, Room 413 Office Phone: 206-221-0614 Virtual Office: Yahoo Messenger login prof_kientz Office Hours: TBD & By Appointment Course Overview HCDE 418 project-based introduction to the user interface design process and is oriented toward practical methods for approaching a design problem. The focus of the course is to develop conceptual designs based on the needs of users. Students will receive grounding in the following topics: User Research Methods Design Sketching Design Validation Aims The general aims of this course are to: 1. Develop an appreciation for concepts and sensibilities of user experience design 2. Develop skills in the use and application of specific methods in user experience design 3. Improve individual and collaborative skills in design problem solving HCDE 418 Syllabus Autumn 2009 Page 1 of 9 Objectives On the successful completion of this course, you should be able to: 1. Gather useful information about users and activities through asking, looking, learning, and trying 2. Organize information about users into useful summaries with affinity diagrams 3. Convey user research findings with personas and scenarios 4. -
For Graphic and UI/UX Designers Who Are These For? What Professions Are the Students Preparing For? 3 AREAS of EMPHASIS for DESIGNERS
Résumés For Graphic and UI/UX Designers Who are these for? What professions are the students preparing for? 3 AREAS OF EMPHASIS FOR DESIGNERS UI/UX Design (screen-based, interactive, user focused) Branding/Graphic Design (Traditional visual communication career) Surface Design (Patterns, licensing, aesthetic focus) UI/UX DESIGN UI/UX DESIGN UI/UX DESIGN vs. It’s not all about looks* *It’s about how it works and what it says… and how it looks. It’s all about the Portfolio Everything points to their work! Résumés Yes we should recommend they place the accent mark over the “é” vs. Use A Grid Use A Grid Multiple Columns with variable widths use space more efciently and allow for more negative space. Use Clear Hierarchy & Divisions of Space Clearly labeled experiences Name and show location, relevant contact. duration, and Custom URL describe duties. email w/name Would be easier to read with bullets not paragraphs. Conspicuously missing an objective or bio. These are not necessary. Including references is not necessary but isn’t a faux pas Content Recommendations Students should keep resume to a single page. Lead with design experiences over others. Better to state: “Adobe Creative Suite CC” rather Don’t list more than than list all apps. 3 non-design or You may list related positions. specialty apps like Invision, Sketch, Maya etc. Don’t include more than 3 internships List degree and all institutions attended during its pursuit. (transfer students can list multiple institutions). GOOD/BAD REVIEW (of a template) Good: Good: Name is clear Contact info is and set apart easy to find Bad: Bio not necessary. -
Designing a First-Class User Experience for Affordable Care Act Enrollment
Designing a First-Class User Experience for Affordable Care Act Enrollment Project Overview February 2012 OVERVIEW Project Objectives 1. Develop first-class user experience (UX) design for health insurance exchanges operated by state and federal governments under the Affordable Care Act. 2. Design the UX based on an understanding of consumer needs and refined through user testing. OVERVIEW Public / Private Partnership OVERVIEW 11 Participating States AL, AR, CA, CO, IL, MA (RI, VT), MN, MO, NY, OR, TN OVERVIEW UX 2014 Design Partner . World-class design and innovation firm. Palo Alto-based with 10 offices on three continents. Market leader in simplifying design of complex systems; understanding and then translating needs and desires of end users. OVERVIEW Project Scope . Individual and family self-service enrollment. End-to-end eligibility, enrollment, plan comparison and selection, premium payment and retention experience. All health insurance affordability programs (Medicaid, CHIP, Exchange, Basic Health Plan); linkage to other human services programs. Multiple pathways; support for assisters. Design for diversity and ADA compliance. Vendor neutral, system agnostic and customizable. OVERVIEW Project Timeline OVERVIEW Project Engagement and Communication . Series of workshops with CMS and states. Webinars with states and national organizations and associations. Subject matter expert sessions. Panel and conference presentations. Public website with project updates to active mailing list. UNDERSTAND Human-Centered Design Research Understand needs and desires of prospective users, and public and community-based agencies who interact with users as they flow in and out of the enrollment process. Received in-depth briefings on the Affordable Care Act. Conducted field interviews with consumers in three states. -
Shian Yang [email protected] User Experience | Interaction Designer (425)-241-8324 Seattle, WA
www.shian.website Shian Yang [email protected] User Experience | Interaction Designer (425)-241-8324 Seattle, WA EXPERIENCE EDUCATION UX/UI Designer |Tammira University of Washington Seattle, May 2020 - Current Seattle, Sep. 2019 - Aug. 2020 Master of Human-Computer Interaction + Design Designed user interfaces, conducted user research, usability testing, developing and con- • (GPA 3.87) ceptualizing a comprehensive UI/UX design strategy for the brand. • Produced high-quality UX design solutions through wireframes and visual design, flow diagrams, storyboards, site maps, and prototypes. Hong Kong Baptist University Hong Kong, Sep. 2012 - Jun. 2015 • Worked closely with the marketing, Dev, and design team to ensure seamless web/mobile design. Master of Fine Arts in Film and Digital Media • Responsibilities include the design and implementation of all the experiences a user has Communication University of China when interacting with the digital tool. Beijing, Sep. 2008 - Jul. 2012 Bachelor of Arts in Musicology UX/UI Designer |Gage Travels Inc. Minor in Television Directing Seattle, Sep. 2018 - Feb. 2019 • Refined user interface design. Generated new features with workflow, wireframes, interac- tion and interface design. SKILLS • Produced visual design including logo, app store page. User Experience Design Interaction Design Founder & Freelance Designer | CII Design Studio Software Prototyping Seattle, Oct. 2016 - Mar. 2019 Visual Design • Designed website interface and brand image. Created 3D animation game trailers Motion Design and promotional motion graphic videos. My clients were in Beijing, Shanghai, 2D & 3D Animation Hong Kong and Seattle. Video Production Storyborading Designer and Animator | 8D International & Magzila Web Development Hong Kong, Sep. 2015 - Aug. 2016 • Designed characters’ poses and animation; performed compositing and visual effects.