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Voir Le Programme BASILIQUE DE VALERE 51e SION - VALAIS INTERNATIONAL DE L' MUSIQUE ANCIENNE du 11 juillet au 22 août 2020 bienvenue 51 Bienne - BE Naters - VS Giswil - OW Lausanne - VD Chers amis de l’orgue, Après les festivités du 50e anniversaire, Un autre anniversaire (60 ans!) qui nous tient le festival repart de plus belle malgré spécialement à cœur est celui de la manufacture l’incertitude liée au Covid-19. d’orgues Füglister, installée à Grimisuat en Valais. A l’heure où j’écris ce billet, l’optimisme Fondée par Hans Füglister en 1960 et dirigée est de mise et nous espérons malgré tout actuellement par sa fille Annette, l’entreprise est Emmenbrücke - LU Simplon - VS Brig - VS Kagoshima - JP offrir à notre fidèle public sept concerts reconnue en Valais, en Suisse et ailleurs dans le de qualité. monde pour son remarquable travail. Chargée Découvrez dans notre programme les de la restauration de l’orgue de Valère en 2004 organistes invités à cette 51e édition! et de l’installation du tempérament mésotonique Tous se réjouissent de toucher ce prestigieux l’année passée, l’entreprise Füglister continue instrument vieux de 600 ans qu’est l’orgue de nous soutenir et de «bichonner» l’orgue de de Valère. Découvrez aussi les instrumen- la basilique pour notre plus grand bonheur. tistes qui se mêleront à l’orgue: cornettiste, En effet, c’est en grande partie grâce à leurs violonistes, mezzo-soprano, contre-ténor. compétences que l’orgue peut résonner de façon Retrouvez l’ensemble Capella de la Torre, aussi incroyable à Valère. de Lübeck, qui nous avait enthousiasmés et Chers auditeurs, fidèles et nouveaux, que nous nous faisons une joie d’inviter à gravissez la colline, profitez de la fraîcheur nouveau et enfin, cerise sur le gâteau, venez de la basilique et emplissez vos oreilles Valère - VS Reckingen - VS Gossau - SG Ausserberg - VS apprécier le très connu chœur Novantiqua de sonorités intemporelles! qui fête cette année son 40e anniversaire et qui clôturera ce festival en beauté. Véronique Dubuis, directrice CONSTRUCTION RESTAURATION 60ans ENTRETIEN DEPUIS 1960 www.fuglister-org.ch 02 histoire Le plus ancien orgue jouable au monde L’orgue de la Basilique de Valère sur Sion est un instrument extraordinairement précieux CRÉATEUR D’ÉMOTIONS DEPUIS 1885 et d’un intérêt historique et artistique excep- tionnel. Les ornements du buffet révèlent le savoir-faire de la première moitié du XVe siècle. Des huit jeux de l’orgue, cinq sont constitués de tuyaux de l’époque gothique. En 1687, l’orgue a été agrandi par Christophe Aebi, de Soleure. Les basses du clavier ainsi que la pédale présentent une «octave courte» où les tons ut dièse, ré dièse, fa dièse et sol dièse sont absents. Le clavier manuel de l’orgue actuel s’étend de ut 1 à ut 5, (autre- fois si 1 - la 4) et le pédalier de ut 1 à ut 2 (octave courte). Les volets ont été peints par Die älteste spielbare Orgel Pierre Maggenberg vers 1437. der Welt L’instrument a retrouvé sa voix en 1954 grâce à une respectueuse intervention de la Die Orgel der Basilika Valeria in Sitten ist maison Kuhn. La dernière restauration (par ein äusserst wertvolles Instrument von grosser Füglister) date de 2004. Lors de cette restau- historischer und künstlerischer Bedeutung. ration, on s’est limité aux travaux strictement Die originalen gotischen Ornamente des indispensables, pour éviter de modifier en Gehäuses stammen aus der Zeit um 1430. quoi que ce soit le timbre et la disposition Von den acht Registern des Instrumentes sind technique de l’ouvrage. fünf aus der gotischen Zeit. Eine Erweiterung der Orgel fand im Jahre 1687 durch Christopher Aebi aus Solothurn statt. Das Manual und ebenfalls das Pedal weisen die sogenannte «kurze Oktave» auf, wobei die chromatischen Töne Cis, Dis, Fis und Gis fehlen. Heutiger Composition de l’orgue actuel Tonumfang der Orgel: C-c’’’ (früher: H-a’’), Disposition der heutigen Orgel Pedal: C-c mit B. Die Flügeltüren der Orgel wurden von Peter Clavier manuel / Manual Maggenberg um 1437 bemalt. Nachdem die D É C O U V R E Z Principal 8’ Valeria-Orgel 1954 handwerklich auf sehr subtile NOTRE NOUVEL Octave 4’ Art und Weise wieder spielbar gemacht wurde Copel 4’ (Orgelbau Kuhn), erfolgte die letzte Restau- ESPACE DE VENTE Quint major 2 2/3’ ration im Jahre 2004 (Orgelbau Füglister). ET DÉGUSTATION Superoctave 2’ Es wurde jeweils Wert darauf gelegt, dass der Quint minor 1 1/3’ Klangcharakter und der ursprüngliche tech- Mixtur 1’ 2 rangs/2 fach nische Aufbau des Instrumentes unverändert blieben. Pédale / Pedal RUE DE LOÈCHE 70 | 1950 SION | 027 329 89 29 | [email protected] Basse 16’+8’ WWW.GILLIARD.CH 05 16h, samedi 11 juillet programme Fortuna d’un gran tempo (Schlager de la Renaissance) Jakob Obrecht T‘andernaken vers 1457-1505 (Harmonice Musices Odhecaton, 1501) Paul Hofhaimer * Tanndernack in la 1459-1537 Jakob Obrecht Reprise du T‘andernaken diminué Pascale Van Coppenolle orgue Alexander Agricola * Si dedero vers 1450-1506 (tablature de Bonifacius Amerbach, 1513-1532) William Dongois cornet à bouquin Josquin des Prez Fortuna d’un gran tempo (Harmonice Musices Odhecaton) vers 1450-1521 * Fortuna d’un gran tempo (tablature de B. Amerbach) Scaramella (Harmonice Musices Odhecaton) Pascale Van Coppenolle William Dongois * Adieu mes amours (tablature de B. Amerbach) étudie l’orgue au Conservatoire Royal de Après des études de trompette au CNR de Musique de Liège, auprès du professeur Reims et au CNSM de Paris, William Dongois Antoine Busnois Fortuna desperata H. Schoonbroodt. Elle se spécialise ensuite approfondit ses connaissances musicales vers 1435-1492 (chansonnier de Marietta Pugi, vers 1510) dans les cours d’écriture à la Haute Ecole de (classes d’écriture) et s’initie au cornet à Heinrich Isaac Fortuna Desperata in soprano Musique de Cologne dans la classe du profes- bouquin auprès de Jean-Pierre Canihac, vers 1450-1517 Fortuna in mi (tablature de B. Amerbach) seur F. Jaecker. Parallèlement, elle suit des puis avec Bruce Dickey à la Schola Cantorum Fortuna in mi classes de maître auprès de A. Isoir, B. Lagacé, Basiliensis. Il a joué et enregistré au sein de Antoine Busnois Fortuna diminué avec les figures du traité de Silvestro Ganassi, H. Vogel, L. F. Tagliavini et X. Darasse. nombreuses formations et dirige Le Concert (Fontegara, Venise, 1535) Après une carrière d’enseignement en Belgique Brisé. et au Luxembourg, elle est depuis août 2007 Lors de la parution de l’enregistrement Hans Kotter * Praeludium in la organiste titulaire au Temple Allemand de La barca d’amore (réédition Accent, 2009), vers 1485-1541 (tablature de B. Amerbac) Bienne et professeure d’orgue à la Haute le journal Diapason a salué «un interprète Estienne du Tertre Pavane - Gaillarde École des Arts de Berne. Créatrice de nom- hors norme» et «un guide précieux sur XVIe siècle (Livre de Dancerie publié par Attaignant, 1557) breux cycles de concerts diversifiés et inter- le chemin d’un style supposé d’époque». disciplinaires, elle participe à la réalisation du Craig Zeichner (Early Music America, été Orlando di Lasso * Susanne un jour nouvel orgue Metzler qui intègre en première 2011) écrit: «Dongois est superbe et joue vers 1532-1594 (tablature d’Elias Nicolaus Ammerbach, 1571) mondiale un clavier à vent dynamique (2011). avec un timbre fluide et précis tout à fait Anonyme Laura Soave sur Il ballo del gran Duca Pascale Van Coppenolle collabore avec de irrésistible, un timbre qui peut être clair XVIe siècle (Nobilita di Dame, Fabricio Caroso, Venise, 1600) nombreux solistes et ensembles de renommée et brillant mais également moelleux comme internationale, incluant l’improvisation celui de Miles Davis. L’analogie avec le jazz Giovanni Bassano Susanna diminué à la manière de Ganassi expérimentale dans sa pratique musicale. n’est pas exagérée; ici, la musique vit de 1558-1617 Elle a, entre autres, enregistré les orgues l’improvisation». Les CD du Concert Brisé Hans Buchner * Spanieler historiques du Grand-Duché de Luxem- ont reçu chacun un diapason d’or. 1483-1532 (tablature de B. Amerbach) bourg (4 CD R. Gailly). William Dongois enseigne le cornet à bouquin, Johannes Weck * Spanieler Tanz Dans un programme à large éventail de Byrd l’ornementation et l’improvisation; il dirige 1495-1536 (tablature de B. Amerbach) à Liszt et sur le thème de l’hexacorde, elle régulièrement des projets de recherche à la présente en un double CD les deux orgues HEM de Genève. Cipriano de Rore Anchor che col partir remarquables du Temple allemand de Bienne, vers 1515-1565 (Primo libro di madrigali a quatro voici, Antonio Gardane, Venise, 1547) présentant aussi les possibilités dynamiques dans des improvisations libres. *orgue seul 06 07 Le répertoire polyphonique et les instruments Ce programme, basé sur les grands succès de Castiglione recommande au noble de ne plus la musique polyphonique franco-flamande être seulement un homme d’armes, mais de se trouve au croisement des pratiques impro- maîtriser la poésie, le chant, l’orgue, la viole visées ou non dont les tablatures, en ce qui et la flûte. Ces nobles humanistes vont rece- concerne la musique instrumentale, furent voir dans leur salon les meilleurs musiciens le premier mode de diffusion. Les même de leur temps et vont les prendre comme chansons, motets, vont être arrangés de guides et professeurs. différentes manières. C’est le cas de la Si la première partie du programme fait la chanson de Busnois Fortuna desperata dont part belle aux compositions franco-flamandes, il existe de nombreuses versions polypho- la deuxième marque le changement qui se niques ou en tablature de différents auteurs. fera peu à peu en Italie; les Italiens vont L’autre aspect des restitutions proposées, assimiler ce style, se l’approprier.
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