Criticizing Photographs: an Introduction to Understanding Images
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General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Glossary Glossary
Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts. -
Cara A. Finnegan Professional Summary
Cara A. Finnegan Department of Communication University of Illinois at Urbana-Champaign 3001 Lincoln Hall, MC-456 Email: [email protected] 702 S. Wright St. Telephone: 217-333-1855 Urbana, Illinois 61801 Web: carafinnegan.com Professional Summary University Scholar, University of Illinois system. Professor, Department of Communication, University of Illinois at Urbana-Champaign, 2015-present. Public Voices Fellow with The Op Ed Project, University of Illinois system, 2019-20. Fellow, National Endowment for the Humanities, 2016-17. Associate, Center for Advanced Study, University of Illinois at Urbana-Champaign, 2015-16. Associate Head, Department of Communication, University of Illinois at Urbana-Champaign, 2015-present. (On leave 2016-17.) Conrad Humanities Scholar, College of Liberal Arts and Sciences, University of Illinois at Urbana-Champaign, 2012-2017. Interim Associate Dean, Graduate College, University of Illinois at Urbana-Champaign, January-August 2015. Associate Professor, Department of Communication, University of Illinois at Urbana- Champaign, 2005-2015. Director of Graduate Studies, Department of Communication, University of Illinois at Urbana- Champaign, 2010-2014. Director of Oral and Written Communication (CMN 111-112), University of Illinois at Urbana- Champaign, 1999-2009. Assistant Professor, Department of [Speech] Communication, University of Illinois at Urbana- Champaign, 1999-2005. Affiliated (zero-time) appointments in Center for Writing Studies (2004-present), Program in Art History (2006-present), and Department of Gender and Women’s Studies (2009- present), University of Illinois at Urbana-Champaign. William S. Vaughn Visiting Fellow, Robert Penn Warren Center for the Humanities, Vanderbilt University, 2006-2007. Updated 8.25.20 Finnegan 2 Education Ph. D. Communication Studies, Northwestern University Degree Awarded: June 1999 Concentration: Rhetorical Studies M. -
Special Catalogue Milestones of Lunar Mapping and Photography Four Centuries of Selenography on the Occasion of the 50Th Anniversary of Apollo 11 Moon Landing
Special Catalogue Milestones of Lunar Mapping and Photography Four Centuries of Selenography On the occasion of the 50th anniversary of Apollo 11 moon landing Please note: A specific item in this catalogue may be sold or is on hold if the provided link to our online inventory (by clicking on the blue-highlighted author name) doesn't work! Milestones of Science Books phone +49 (0) 177 – 2 41 0006 www.milestone-books.de [email protected] Member of ILAB and VDA Catalogue 07-2019 Copyright © 2019 Milestones of Science Books. All rights reserved Page 2 of 71 Authors in Chronological Order Author Year No. Author Year No. BIRT, William 1869 7 SCHEINER, Christoph 1614 72 PROCTOR, Richard 1873 66 WILKINS, John 1640 87 NASMYTH, James 1874 58, 59, 60, 61 SCHYRLEUS DE RHEITA, Anton 1645 77 NEISON, Edmund 1876 62, 63 HEVELIUS, Johannes 1647 29 LOHRMANN, Wilhelm 1878 42, 43, 44 RICCIOLI, Giambattista 1651 67 SCHMIDT, Johann 1878 75 GALILEI, Galileo 1653 22 WEINEK, Ladislaus 1885 84 KIRCHER, Athanasius 1660 31 PRINZ, Wilhelm 1894 65 CHERUBIN D'ORLEANS, Capuchin 1671 8 ELGER, Thomas Gwyn 1895 15 EIMMART, Georg Christoph 1696 14 FAUTH, Philipp 1895 17 KEILL, John 1718 30 KRIEGER, Johann 1898 33 BIANCHINI, Francesco 1728 6 LOEWY, Maurice 1899 39, 40 DOPPELMAYR, Johann Gabriel 1730 11 FRANZ, Julius Heinrich 1901 21 MAUPERTUIS, Pierre Louis 1741 50 PICKERING, William 1904 64 WOLFF, Christian von 1747 88 FAUTH, Philipp 1907 18 CLAIRAUT, Alexis-Claude 1765 9 GOODACRE, Walter 1910 23 MAYER, Johann Tobias 1770 51 KRIEGER, Johann 1912 34 SAVOY, Gaspare 1770 71 LE MORVAN, Charles 1914 37 EULER, Leonhard 1772 16 WEGENER, Alfred 1921 83 MAYER, Johann Tobias 1775 52 GOODACRE, Walter 1931 24 SCHRÖTER, Johann Hieronymus 1791 76 FAUTH, Philipp 1932 19 GRUITHUISEN, Franz von Paula 1825 25 WILKINS, Hugh Percy 1937 86 LOHRMANN, Wilhelm Gotthelf 1824 41 USSR ACADEMY 1959 1 BEER, Wilhelm 1834 4 ARTHUR, David 1960 3 BEER, Wilhelm 1837 5 HACKMAN, Robert 1960 27 MÄDLER, Johann Heinrich 1837 49 KUIPER Gerard P. -
Women in the City Micol Hebron Chapman University, [email protected]
Chapman University Chapman University Digital Commons Art Faculty Articles and Research Art 1-2008 Women in the City Micol Hebron Chapman University, [email protected] Follow this and additional works at: http://digitalcommons.chapman.edu/art_articles Part of the Art and Design Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons Recommended Citation Hebron, Micol. “Women in the City”.Flash Art, 41, pp 90, January-February, 2008. Print. This Article is brought to you for free and open access by the Art at Chapman University Digital Commons. It has been accepted for inclusion in Art Faculty Articles and Research by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Women in the City Comments This article was originally published in Flash Art International, volume 41, in January-February 2008. Copyright Flash Art International This article is available at Chapman University Digital Commons: http://digitalcommons.chapman.edu/art_articles/45 group shows Women in the City S t\:'-: F RA:'-.CISCO in over 50 locations in the Los ments on um screens throughout Museum (which the Guerrilla Angeles region. Nobody walks in the city, presenting images of Girls have been quick to critique LA, but "Women in the City" desirable lu xury items and phrases for its disproportionate holdings of encourages the ear-flaneurs of Los that critique the politics of work by male artists). The four Angeles to put down their cell commodity culture. L{)uisc artists in "Women in the City," phones and lattcs and look for the Lawler's A movie will be shown renowned for their ground billboards, posters, LED screens without the pictures (1979) was re breaking exploration of gender and movie marquis that host the screened in it's original location stereotypes, the power of works in this eJ~;hibition. -
English Department Suggested Summer Reading Choices
English Department Suggested Summer Reading Choices For more information on any of the following titles, and additional book selections visit one of the following websites for book reviews: http://www.nytimes.com/pages/books/ http://www.reviewsofbooks.com/ http://www.barnesandnoble.com/bookstore.asp?r=1&popup=0 FICTION Allison, Dorothy Bastard Out of Carolina Allende, Isabel The House of Spirits Alvarez, Julia How the Garcia Girls Lost their Accents, In The Time of the Butterflies Anderson, Sherwood Winesburg, Ohio (Stories) Atwood, Margaret Cat’s Eye, The Handmaid’s Tale, Alias Grace Austen, Jane Emma, Mansfield Park, Persuasion, Northanger Abbey, Sense and Sensibility, Pride and Prejudice Baldwin, James If Beale Street Could Talk Bellow, Saul Seize the Day, Henderson the Rain King Best American Short Stories from any year Borges, Jorge Luis Labyrinths Bronte, Charlotte Villette, Northanger Abbey, Bronte, Emily Wuthering Heights Buck, Pearl S. The Good Earth Camus, Albert The Stranger Capote, Truman, In Cold Blood, Breakfast at Tiffany’s Cather, Willa My Antonia, O Pioneers Cervantes, Miguel de Don Quixote Chabon, Michael, The Amazing Adventures of Kavalier and Klay, The Yiddish Policeman’s Union, Wonder Boys Chevalier, Tracy Girl With A Pearl Earring Chopin, Kate The Awakening Cisneros, Sandra Woman Hollering Creek Crane, Stephen The Red Badge of Courage Cunningham, Michael At Home at the End of the World Defoe, Daniel Robinson Crusoe Dickens, Charles David Copperfield, A Tale of Two Cities Dostoevsky, Fyodor Crime and Punishment Dumas, Alexander The Count of Monte Cristo du Maurier, Daphne Rebecca Eggers, Dave What is the What Eliot, George The Mill on the Floss, Silas Marner Ellison, Ralph Invisible Man Erdrich, Louise Love Medicine, The Beet Queen, Tracks, The Painted Drum, et. -
Astria Suparak Is an Independent Curator and Artist Based in Oakland, California. Her Cross
Astria Suparak is an independent curator and artist based in Oakland, California. Her cross- disciplinary projects often address urgent political issues and have been widely acclaimed for their high-level concepts made accessible through a popular culture lens. Suparak has curated exhibitions, screenings, performances, and live music events for art institutions and festivals across ten countries, including The Liverpool Biennial, MoMA PS1, Museo Rufino Tamayo, Eyebeam, The Kitchen, Carnegie Mellon, Internationale Kurzfilmtage Oberhausen, and Expo Chicago, as well as for unconventional spaces such as roller-skating rinks, ferry boats, sports bars, and rock clubs. Her current research interests include sci-fi, diasporas, food histories, and linguistics. PROFESSIONAL EXPERIENCE (selected) . Independent Curator, 1999 – 2006, 2014 – Present Suparak has curated exhibitions, screenings, performances, and live music events for art, film, music, and academic institutions and festivals across 10 countries, as well as for unconventional spaces like roller-skating rinks, ferry boats, elementary schools, sports bars, and rock clubs. • ART SPACES, BIENNIALS, FAIRS (selected): The Kitchen, MoMA PS1, Eyebeam, Participant Inc., Smack Mellon, New York; The Liverpool Biennial 2004, FACT (Foundation for Art and Creative Technology), England; Museo Rufino Tamayo Arte Contemporaneo, Mexico City; Yerba Buena Center for the Arts, San Francisco; Museum of Photographic Arts, San Diego; FotoFest Biennial 2004, Houston; Space 1026, Vox Populi, Philadelphia; National -
Dorothea Lange 1934
Dorothea Lange 1934 Documentary photographer Dorothea Lange (1895–1965) is best known for her work during the 1930s with Roosevelt's Farm Security Administration (FSA). Born in New Jersey, Lange studied photography at Columbia University, then moved to San Francisco in 1919 earning a living as a successful portrait photographer. In 1935 in the midst of the Great Depression, Lange brought her large-format Graflex camera out of the studio and onto the streets. Her photos of the homeless and unemployed in San Francisco's breadlines, labor demonstrations, and soup kitchens led to a job with the FSA. From 1935 to 1939, Lange's arresting FSA images—drawing upon her strength as a portrait photographer—brought the plight of the nation's poor and forgotten peoples, especially sharecroppers, displaced families, and migrant workers, into the public eye. Her image "Migrant Mother" is arguably the best-known documentary photograph of the 20th century and has become a symbol of resilience in the face of adversity. Lange's reports from the field included not just photographs, but the words of the people with whom she'd spoken, quoted directly. "Somethin' is radical White Angel Breadline, 1933 wrong," one told her; another said, "I don't believe the President (Roosevelt) knows what's happening to us here." Lange also included her own observations. "They have built homes here out of nothing," she wrote, referring to the cardboard and plywood "Okievilles" scattered throughout California's Central Valley. "They have planted trees and flowers. These flimsy shacks represent many a last stand to maintain self-respect." At the age of seven Lange contracted polio, which left her right leg and foot noticeably weakened. -
December 2006
Midwest Art History Society NEWSLETTERNumber 33 Fall 2006 MAHS Conference 2007, Indianapolis, Indiana, March 28-31, 2007 The Midwest Art History Society’s Following afternoon sessions at the “Ed Paschke Nonplussed: 1967- 34th annual meeting will be held Eiteljorg Museum, the conference 2004” will be on view at the March 28-31, 2007 in Indianapolis. will culminate in an exciting keynote Herron Galleries. Additional art The primary hosting institution is the event on Friday evening: a perfor- spaces around the city include Herron School of Art and Design at mance by renowned Native American the Indianapolis Museum of Indiana University-Purdue University performance artist James Luna. The Contemporary art (iMOCA), the at Indianapolis. Co-hosts for the Friday events are supported by a grant gallery districts on Massachusetts meeting are the Indianapolis Museum through the Indiana University “New Avenue and in Fountain Square, of Art and the Eiteljorg Museum of Frontiers in the Arts and Humanities” and the Indianapolis Arts Center. American Indians and Western Art. program. Registration forms and travel and All three institutions feature new facil- Indianapolis offers many attrac- lodging information are available ities built within the past two years, tions for visitors interested in the arts. in the back pages of this newsletter with expanded gallery spaces at each. Special exhibitions on view during the and online at the MAHS website. In addition to a full range of topical conference include “Maria Magdelena Proposals for papers are due by session held at the three hosting sites, Campos-Pons: Everything is December 15 to the session chairs. -
The Museum of Modern Art Dedicates Erna and Victor Hasselblad Photography Study Center
)** The Museum of Modern Art For Immediate Release THE MUSEUM OF MODERN ART DEDICATES ERNA AND VICTOR HASSELBLAD PHOTOGRAPHY STUDY CENTER October 21, 1985, New York King Carl XVI Gustaf of Sweden, Officers of the Museum and of the Erna and Victor Hasselblad Foundation, and members of the Museum's Trustee Committee for Photography today were among the guests at the formal dedication of the Erna and Victor Hasselblad Photography Study Center. "Today...is an important day for Sweden and for the Hasselblad Foundation," said Alf Akerman, chairman of the Board of the Hasselblad Foundation. "A new channel has been formed for contacts and a cultural gate has been opened which we hope will be of importance for further development of good relations between our countries." William S. Paley, chairman of the Board of Trustees, The Museum of Modern Art, stated, "We are both grateful and proud that the Hasselblad Foundation has made this extraordinary gift. We are grateful for what it enables our Study Center to do. We are proud of the international recognition it represents. And we are also proud that our Study Center now bears so distinguished a name." Although the Department of Photography has maintained a study center since 1964, its greatly expanded new facility is named in honor of the Hasselblads, as a gesture of gratitude to the Foundation that bears their names. An unprecedented gift from the Foundation will enable the Department of Photography to sustain and expand its capacity for sharing its rare resources and research materials with the larger photography community. John Szarkowski, director of the Department of Photography, has described this community as "an international audience, transcending national or regional perspectives." Since the Department of Photography first made its collection, library, and supporting archives available to the public for study, it has devoted an increasing amount of thought and attention to its study center. -
The Photograph Collector Information, Opinion, and Advice for Collectors, Curators, and Dealers N E W S L T R
THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R Volume XLI, Nos. 7 & 8 Summer 2020 AUCTION REPORTS AND PREVIEWS IN THE AGE OF COVID-19 by Stephen Perloff Edward Burtynsky: Colorado River Delta #2, Near San Felipe, Baja, Mexico, 2011 ($15,000–$25,000) sold well above estimate for $52,500 at Christie’s, New York City. SPRING AUCTION REPORT continued Peter Beard: But past who can recall or done undo (Paradise Lost), 1977 ($70,000–$100,000) found a buyer at $118,750 at Christie’s, New York City. Christie’s online Photographs sale ending June 3 totaled $2,422,125 with a 50% buy-in rate. There were a few good results, but overall this must have been a disappointment to both Chris- tie’s and its consignors. In these unprecedented times this is not a reflection of just Christie’s, but a sober reflection on the state of the photography market. Clearly safe bets like Irving Penn and Peter Beard were at the top of the heap, but at prices well below the highs of just a year or two ago. Still, it is heartening to see that Penn’s Small Trades series is getting the recognition that his other series have had. The top ten were: • Peter Beard: But past who can recall or done undo (Paradise Lost), 1977 ($70,000– $100,000) at $118,750 • Irving Penn: Rag and Bone Man, London, 1951 ($40,000–$60,000) at $106,250 Irving Penn: Rag and Bone Man, London, 1951 IN THIS ISSUE ($40,000–$60,000) collected a bid of $106,250 at Christie’s, New York City. -
Words Without Pictures
WORDS WITHOUT PICTURES NOVEMBER 2007– FEBRUARY 2009 Los Angeles County Museum of Art CONTENTS INTRODUCTION Charlotte Cotton, Alex Klein 1 NOVEMBER 2007 / ESSAY Qualifying Photography as Art, or, Is Photography All It Can Be? Christopher Bedford 4 NOVEMBER 2007 / DISCUSSION FORUM Charlotte Cotton, Arthur Ou, Phillip Prodger, Alex Klein, Nicholas Grider, Ken Abbott, Colin Westerbeck 12 NOVEMBER 2007 / PANEL DISCUSSION Is Photography Really Art? Arthur Ou, Michael Queenland, Mark Wyse 27 JANUARY 2008 / ESSAY Online Photographic Thinking Jason Evans 40 JANUARY 2008 / DISCUSSION FORUM Amir Zaki, Nicholas Grider, David Campany, David Weiner, Lester Pleasant, Penelope Umbrico 48 FEBRUARY 2008 / ESSAY foRm Kevin Moore 62 FEBRUARY 2008 / DISCUSSION FORUM Carter Mull, Charlotte Cotton, Alex Klein 73 MARCH 2008 / ESSAY Too Drunk to Fuck (On the Anxiety of Photography) Mark Wyse 84 MARCH 2008 / DISCUSSION FORUM Bennett Simpson, Charlie White, Ken Abbott 95 MARCH 2008 / PANEL DISCUSSION Too Early Too Late Miranda Lichtenstein, Carter Mull, Amir Zaki 103 APRIL 2008 / ESSAY Remembering and Forgetting Conceptual Art Alex Klein 120 APRIL 2008 / DISCUSSION FORUM Shannon Ebner, Phil Chang 131 APRIL 2008 / PANEL DISCUSSION Remembering and Forgetting Conceptual Art Sarah Charlesworth, John Divola, Shannon Ebner 138 MAY 2008 / ESSAY Who Cares About Books? Darius Himes 156 MAY 2008 / DISCUSSION FORUM Jason Fulford, Siri Kaur, Chris Balaschak 168 CONTENTS JUNE 2008 / ESSAY Minor Threat Charlie White 178 JUNE 2008 / DISCUSSION FORUM William E. Jones, Catherine