DOCSLIB.ORG

String Ensemble Handout

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
String Ensemble Handout The Music Library The University of Western Ontario Library System LONDON, Ontario, CANADA N6A 3K7 (519) 661-3913 // (519) 661-3927 (fax) // www.lib.uwo.ca/music/ STRING ENSEMBLES FINDING MUSIC FOR STRING AND CHAMBER ENSEMBLES IN WESTERN’s MUSIC LIBRARY Much music for strings in string ensembles and in combination with other instruments may be found in the Western Libraries Music Library. Some of this music will be found in obvious locations while other important repertoire is scattered throughout the collection - other collections are “invisible” - please see the final page of this pathfinder for information about the Cobbett Collection . 1.1.1. Finding a KNOWN piece of 3.3.3. Using the SUBJECT index to music find music for string ensembles Any piece of music for which you know the composer and the title may be found by looking in the Western Libraries Catalogue : a.a.a.Strings in standard www.lib.uwo.ca combinations Choose the KEYWORD (a.k.a. “Boolean”) option Several chamber ensembles are considered of the Catalogue: combine the composer’s name standard combinations in which the with a unique title, opus number, and/or instrumentation is consistently the same. thematic catalogue number, remembering to use For strings, these Subject Headings are: “AND” in-between your keywords (to link desired terms). STRING TRIOS E.g. brahms and quartets and parts STRING QUARTETS should retrieve all performing editions (as in It is considered unnecessary to list the “score and parts”) of Brahms’s string quartets - specific instrumentation as the user knows as owned by the Western Libraries Music Library. that the standard string trio consists of If you are unsure of titles, opus or thematic violin, viola, and violoncello and that the catalogue numbers, refer to the various string quartet is always made up of two repertoire guides listed below, or consult violins, viola, and violoncello. “Works” lists in the articles on individual composers as found in The New Grove Much important string ensemble music Dictionary of Music and Musicians, 2 nd ed., includes piano. The usual standard (29 vols. - or online). combinations are NEVER USE AUTHOR, TITLE OR AUTHOR-TITLE to search for music, PIANO TRIOS especially NOT for “prolific” composers! PIANO QUARTETS 2.2.2. Piano with ONE string instrument PIANO QUINTETS For information on this topic, consult the For an explanation of these Subject Headings, handouts on individual instruments, e.g. see the handout Piano Ensembles . Violin, Viola, Violoncello , etc. b.b.b.Strings in non-standard **IMPORTANT** combinations When using a SUBJECT search on the Chamber ensembles which do not fall into Western Libraries Shared Library Catalogue, the above standard categories are usually you must: listed in the subject index under the number of instruments in the ensemble, • be very careful to input the e.g. instrumentation of the ensemble in the TRIOS order explained above • distinguish between those ensembles QUARTETS that consist of strings alone ( e.g. STRING TRIOS) and mixed ensembles QUINTETS (e.g. TRIOS – which include other SEXTETS instrument types). SEPTETS Note that the keyboard instrument is always OCTETS listed first when there are more than two instruments in the ensemble. NONETS . If the ensemble consists only of stringed 4.4.4.BROWSING on the shelf for music instruments, the basic Subject Heading are: STRING TRIO A perfectly legitimate way to find suitable music. Some useful call numbers for STRING QUARTETS browsing on the shelf are: . (etc.) M 349-353 – string trios . STRING NONETS M 450-454 – string quartets After each basic Subject Heading M 551-552 – string quintets (QUARTETS , etc.) the instruments are organized in the following order: M 650-654 – string sextets M 852 – string octets keyboard M 952 – string nonets winds (includes woodwinds and brasses – these are sub-arranged For a complete explanation of these call alphabetically) numbers and others (strings in combination with other instruments), refer to LC percussion Classification/Class M, Music located near the reference desk. strings – arranged in score order Some examples are: REPERTOIRE LISTS TRIOS (PIANO, CLARINET, VIOLA) For assistance in identifying appropriate STRING TRIOS (VIOLINS (3)) repertoire for string ensembles the following [note that since this is a non-standard reference sources are very useful: combination the instrumentation is used] QUARTETS (FLUTE, VIOLIN, VIOLA, Farish, Margaret K. String Music in Print . VIOLONCELLO) 2nd ed. New York: Bowker, l973. [Ref ML 128.S7 F4 1973 + STRING QUARTETS (VIOLIN, VIOLA, Supplement at Ref ML 118.M956 VIOLONCELLO, DOUBLE BASS) [A non-standard combination requires that v.6 suppl. + ML 118.M956 v.6t instrumentation is listed!!] suppl.] QUINTETS (HORN, VIOLINS (2), VIOLA, A classified list of solo, study, and chamber VIOLONCELLO) works. Includes stringed instruments with voice and stringed instruments with electronic tape. STRING QUINTETS (VIOLINS (2), VIOLA, VIOLONCELLO, DOUBLE BASS) Lawrence, Ian. The Twentieth-century String ...REPERTOIRE LISTS ...Cont’d. Quartet : An Historical Introduction and Music-in-print series [electronic resource]. Catalogue . Lanham, Md. ; London : Roslyn, PA. : emusicquest, [2002] - Scarecrow Press, 2001. [ML 128.C4L37 2001] Continues the following print monographic series titles: Sacred choral music in print; Classical vocal music in Further suggestions for ensemble literature may print; Orchestral music in print; String music in print; also be found by consulting repertoire lists for Classical guitar music in print; Woodwind music in print; Piano music in print; and includes Miscellaneous individual instruments - check the Music Library’s music in print, with plans for more titles to be added. pathfinders for individual instruments. Christensen, James. The String Players' Guide HISTORY of chamber to Chamber Music. Chicago : Open Court, 2008. [MT 728.C48 2008] music Cohn, Arthur. The Literature of Chamber For detailed and scholarly information on Music. Chapel Hill, N.C. : Hinshaw Music, chamber music and its history, consult c1997. [ML 128.C4C6 1997 v.1-4] The New Grove Dictionary of Music and Substantial guide to chamber music, including Musicians, 2nd ed. 29 vols. (London: biographical and other information useful for the Macmillan, 2001). writing of program notes. v. 1. Abaco to Eggen – v. 2. Eggermann to [The New Grove is located on the Kyurkchiisky – v. 3. Labey to Ronsheim – v. 4. Dictionary Table, and also available to Röntgen to Zwilich. curremt Western students, faculty and staff - online - BE SURE to Canadian Music Centre. Chamber Music for ‘authenticate’!] Strings in the Library of the Canadian Music Centre. [Toronto, ON: The Useful information will be found in The New Canadian Music Centre, 1993. Grove under the following headings: [ML 128.S7C35 1993] Chamber Music Canadian Music Centre. Canadian Chamber Music=Musique de Chambre Sources of instrumental Canadienne. [s.l.]: CMC, 1980. ensemble music to 1630 [Ref ML 128.C4 C34 1980] as well as within the articles on: This work also includes solo works for instrumentalists. String quartet Scott, William. A Conductor's Repertory of Chamber Music: Compositions for Nine String trio to Fifteen Solo Instruments. Westport, Connecticut: Greenwood Press, 1993. Quintet [Ref ML 128.C4 S37 1993] Trio , etc. Works are listed by composer, by combination of similar instruments, and by title. Of particular interest, Each article has an extensive bibliography “Compositions Including String Combinations.” (with cited titles listed in chronological order), and cites books and journal articles Rangel-Ribiero, Victor and Robert Markel. on the various chamber music-related topics Chamber Music: An International Guide – the Western Libraries Music Library has to Works and Their Instrumentation. many of the books and articles cited in this New York: Facts on File, 1993. bibliography. A useful listing divided into three sections: composers before Haydn/Mozart; composers from Beethoven to When using a bibliography, please be sure our time: Master Quick-Reference Index. Organized to distinguish between books ( titles always by composer and title, instrumentation is listed in a listed in italics ) and periodical or journal grid. articles ( "titles always listed within quotation marks ") to save yourself valuable time. ...HISTORY of Chamber Music PERFORMING PRACTICE ...Cont’d. Historically-informed performance is an Call numbers for books may be found by ongoing consideration for all performers. searching by either AUTHOR or TITLE , or Following are titles which may prove useful by using a KEYWORD search to combine to violinists: author and title words. Cyr, Mary. Performing baroque music. Call numbers for journal articles may be Portland, Or. : Amadeus Press, 1992. found by searching for the title of the ML457.C9 1992 periodical ( **NOT ** the title of the article!!) in the Western Libraries A practical guide to all aspects of Baroque music Catalogue , e.g. performance. Orchestra Canada Hefling, Stephen E. Rhythmic alteration in seventeenth- and Some particularly useful titles are: eighteenth-century music : notes inégales and overdotting. New York Baron, John H. Chamber Music: a : Schirmer Books, 1993. Research and Information Guide. [ML 437.H43 1993] New York: Garland, 1987. [Ref ML 128.C4 B37 2002]. Carter, Stewart (ed.) A performer's guide to seventeenth-century music. Provides much useful information on all aspects of New York : Schirmer ]Books, c1997. chamber music: reference, history, studies by region/country,
Load more

Recommended publications
  • Ludwig Van Beethoven: the String Trios
    Ludwig van Beethoven: The String Trios Sinae Baek, violin Cesia Corrales, viola Paul Christopher, cello Program Notes by Jackson Harmeyer Tonight’s program centers on the trios of Beethoven, and we hear two of these—numerically the first and the last in The genre of string trio was one which occupied Ludwig his catalogue. The String Trio in E-flat major, Opus 3, is van Beethoven for only a few years. All five of his trios for Beethoven’s earliest, published in 1796. Much like the trio violin, viola, and cello were written in the 1790s and by Mozart, which he had titled “Divertimento,” published in Vienna. Beethoven would write no further Beethoven’s Opus 3 is in six movements and follow his string trios after starting his impressive cycle of sixteen same pattern. Both trios begin with a fast first movement string quartets in 1798. Yet, alongside the one string trio which applies sonata principle; they continue with a slow produced by Wolfgang Amadeus Mozart, the five created second movement, a minuet, another slow movement, and by Beethoven are regarded as the greatest works of their another minuet; and finally conclude with a fast sixth genre produced in the eighteenth century. Together they movement in rondo form. Beethoven even snatches mark the first pinnacle in this genre’s history, as Mozart’s conspicuous key signature of E-flat major, one Beethoven’s turn away from the string trio would prove which would have posed difficulties for string players of symptomatic of a larger trend: though the eighteenth that era.
    [Show full text]
  • On the Mechanics of the Bow and Arrow 1
    On the Mechanics of the Bow and Arrow 1 B.W. Kooi Groningen, The Netherlands 1983 1B.W. Kooi, On the Mechanics of the Bow and Arrow PhD-thesis, Mathematisch Instituut, Rijksuniversiteit Groningen, The Netherlands (1983), Supported by ”Netherlands organization for the advancement of pure research” (Z.W.O.), project (63-57) 2 Contents 1 Introduction 5 1.1 Prefaceandsummary.............................. 5 1.2 Definitionsandclassifications . .. 7 1.3 Constructionofbowsandarrows . .. 11 1.4 Mathematicalmodelling . 14 1.5 Formermathematicalmodels . 17 1.6 Ourmathematicalmodel. 20 1.7 Unitsofmeasurement.............................. 22 1.8 Varietyinarchery................................ 23 1.9 Qualitycoefficients ............................... 25 1.10 Comparison of different mathematical models . ...... 26 1.11 Comparison of the mechanical performance . ....... 28 2 Static deformation of the bow 33 2.1 Summary .................................... 33 2.2 Introduction................................... 33 2.3 Formulationoftheproblem . 34 2.4 Numerical solution of the equation of equilibrium . ......... 37 2.5 Somenumericalresults . 40 2.6 A model of a bow with 100% shooting efficiency . .. 50 2.7 Acknowledgement................................ 52 3 Mechanics of the bow and arrow 55 3.1 Summary .................................... 55 3.2 Introduction................................... 55 3.3 Equationsofmotion .............................. 57 3.4 Finitedifferenceequations . .. 62 3.5 Somenumericalresults . 68 3.6 On the behaviour of the normal force
    [Show full text]
  • Simply String Art Carol Beard Central Michigan University, [email protected]
    International Textile and Apparel Association 2015: Celebrating the Unique (ITAA) Annual Conference Proceedings Nov 11th, 12:00 AM Simply String Art Carol Beard Central Michigan University, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/itaa_proceedings Part of the Fashion Design Commons Beard, Carol, "Simply String Art" (2015). International Textile and Apparel Association (ITAA) Annual Conference Proceedings. 74. https://lib.dr.iastate.edu/itaa_proceedings/2015/design/74 This Event is brought to you for free and open access by the Conferences and Symposia at Iowa State University Digital Repository. It has been accepted for inclusion in International Textile and Apparel Association (ITAA) Annual Conference Proceedings by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Santa Fe, New Mexico 2015 Proceedings Simply String Art Carol Beard, Central Michigan University, USA Key Words: String art, surface design Purpose: Simply String Art was inspired by an art piece at the Saint Louis Art Museum. I was intrigued by a painting where the artist had created a three dimensional effect with a string art application over highlighted areas of his painting. I wanted to apply this visual element to the surface of fabric used in apparel construction. The purpose of this piece was to explore string art as unique artistic interpretation for a surface design element. I have long been interested in intricate details that draw the eye and take something seemingly simple to the realm of elegance. Process: The design process began with a research of string art and its many interpretations.
    [Show full text]
  • Radial Weavings
    Radial Weavings Mandalas are a form of art that uses radial symmetry and geometric shape. This work, Mandala Cosmic Tapestry in the 9th Roving Moon Up-Close, features complex crocheted patterns, colors, and textures. The artist, Xenobia Bailey is known for their textile works, especially crocheted mandalas. Bailey famously draws inspiration from funk music and Native American, African, Hindu, and Buddhist cultures when creating her work. Experiment with radial symmetry and textile techniques to create a radial weaving. Supplies Needed: Xenobia Bailey (American, born 1955) Mv:#9 (Mandala Cosmic Tapestry in the 9th Roving Moon Up-Close) from • Cardboard or paper plate the series Paradise Under Reconstruction in the Aesthetic of Funk, Phase II, 1999, Crochet, acrylic and cotton yarn, • A circle tracer or compass beads and cowrie shell. Purchase: The Reverend and Mrs. • Yarn, string or fabric scraps Van S. Merle-Smith, Jr. Endowment Fund, 2000. • Scissors (2000.17.2) Follow these steps to make your radial weaving: Step 1: Trace and cut out a cardboard circle. You can also use a paper plate or paper bowl. This will be your loom. Step 2: Use your scissors to make an odd number of cuts into the edge of your loom. They should be evenly spaced out, like slices of pizza. Your cuts should be about an inch long. Step 3: Tie a knot at the end of a long piece of string. Slide it through the back of one of the cuts in your cardboard. Thread your loom by running the long piece of yarn through all of the cuts in the loom.
    [Show full text]
  • Bath Time Travellers Weaving
    Bath Time Travellers Weaving Did you know? The Romans used wool, linen, cotton and sometimes silk for their clothing. Before the use of spinning wheels, spinning was carried out using a spindle and a whorl. The spindle or rod usually had a bump on which the whorl was fitted. The majority of the whorls were made of stone, lead or recycled pots. A wisp of prepared wool was twisted around the spindle, which was then spun and allowed to drop. The whorl acts to keep the spindle twisting and the weight stretches the fibres. By doing this, the fibres were extended and twisted into yarn. Weaving was probably invented much later than spinning around 6000 BC in West Asia. By Roman times weaving was usually done on upright looms. None of these have survived but fortunately we have pictures drawn at the time to show us what they looked like. A weaver who stood at a vertical loom could weave cloth of a greater width than was possible sitting down. This was important as a full sized toga could measure as much as 4-5 metres in length and 2.5 metres wide! Once the cloth had been produced it was soaked in decayed urine to remove the grease and make it ready for dying. Dyes came from natural materials. Most dyes came from sources near to where the Romans settled. The colours you wore in Roman times told people about you. If you were rich you could get rarer dyes with brighter colours from overseas. Activity 1 – Weave an Owl Hanging Have a close look at the Temple pediment.
    [Show full text]
  • The Musical Kinetic Shape: a Variable Tension String Instrument
    The Musical Kinetic Shape: AVariableTensionStringInstrument Ismet Handˇzi´c, Kyle B. Reed University of South Florida, Department of Mechanical Engineering, Tampa, Florida Abstract In this article we present a novel variable tension string instrument which relies on a kinetic shape to actively alter the tension of a fixed length taut string. We derived a mathematical model that relates the two-dimensional kinetic shape equation to the string’s physical and dynamic parameters. With this model we designed and constructed an automated instrument that is able to play frequencies within predicted and recognizable frequencies. This prototype instrument is also able to play programmed melodies. Keywords: musical instrument, variable tension, kinetic shape, string vibration 1. Introduction It is possible to vary the fundamental natural oscillation frequency of a taut and uniform string by either changing the string’s length, linear density, or tension. Most string musical instruments produce di↵erent tones by either altering string length (fretting) or playing preset and di↵erent string gages and string tensions. Although tension can be used to adjust the frequency of a string, it is typically only used in this way for fine tuning the preset tension needed to generate a specific note frequency. In this article, we present a novel string instrument concept that is able to continuously change the fundamental oscillation frequency of a plucked (or bowed) string by altering string tension in a controlled and predicted Email addresses: [email protected] (Ismet Handˇzi´c), [email protected] (Kyle B. Reed) URL: http://reedlab.eng.usf.edu/ () Preprint submitted to Applied Acoustics April 19, 2014 Figure 1: The musical kinetic shape variable tension string instrument prototype.
    [Show full text]
  • Nicolas Namoradze Honens Prize Laureate Chamber Music / Works for Piano & Voice
    NICOLAS NAMORADZE HONENS PRIZE LAUREATE CHAMBER MUSIC / WORKS FOR PIANO & VOICE K. Agócs Immutable Dreams (quintet) Bartók Piano Quintet Beethoven Sonata for Piano and Violin in A Major Op. 12 No. 2 Quintet for Piano and Winds Op. 16 Sonata for Piano and Horn in F Major Op. 17 Sonata for Piano and Violin in F Major Op. 24 Sonata for Piano and Cello in A Major Op. 69 Sonata for Piano and Cello in D Major Op. 102 No. 2 Brahms Piano Trio in B Major Op. 8 Piano Quartet in G minor Op. 25 selections from Waltzes Op. 39 Sonata for Piano and Violin in G Major Op. 78 Sonata for Piano and Cello in F Major Op. 99 Piano Trio in C minor Op. 101 Britten Gemini Variations for flute, violin and piano four-hands (Secondo) Cartan Introduction et Allegro for Piano and Wind Quintet Castiglioni Quickly—Variations for Chamber Ensemble Copland Appalachian Spring (chamber version for 13 players) Why do the shut me out of heaven? (voice and piano) Danzon Cubano (Piano I) Rodeo Hoe-Down (Piano I) Debussy Sonata for Piano and Violin L. 140 La Mer (transcription for piano four-hands / Secondo) Jeux (transcription for two pianos: Roques / Primo) Petite Suite (Secondo) Prélude à l’après-midi d’une faune (transcription for two pianos / Piano I) Prélude à l’après-midi d’une faune (transcription for piano four-hands: Ravel / Secondo) Danses sacrée et profane (transcription for two pianos / Piano II) Dvorak selections from Slavonic Dances Opp. 46 & 72 Dohnányi selections from Ruralia Hungarica Op.
    [Show full text]
  • Late Fall 2020 Classics & Jazz
    Classics & Jazz PAID Permit # 79 PRSRT STD PRSRT Late Fall 2020 U.S. Postage Aberdeen, SD Jazz New Naxos Bundle Deal Releases 3 for $30 see page 54 beginning on page 10 more @ more @ HBDirect.com HBDirect.com see page 22 OJC Bundle Deal P.O. Box 309 P.O. 05677 VT Center, Waterbury Address Service Requested 3 for $30 see page 48 Classical 50% Off beginning on page 24 more @ HBDirect.com 1/800/222-6872 www.hbdirect.com Classical New Releases beginning on page 28 more @ HBDirect.com Love Music. HBDirect Classics & Jazz We are pleased to present the HBDirect Late Fall 2020 Late Fall 2020 Classics & Jazz Catalog, with a broad range of offers we’re sure will be of great interest to our customers. Catalog Index Villa-Lobos: The Symphonies / Karabtchevsky; São Paulo SO [6 CDs] In jazz, we’re excited to present another major label as a Heitor Villa-Lobos has been described as ‘the single most significant 4 Classical - Boxed Sets 3 for $30 bundle deal – Original Jazz Classics – as well as a creative figure in 20th-century Brazilian art music.’ The eleven sale on Double Moon, recent Enlightenment boxed sets and 10 Classical - Naxos 3 for $30 Deal! symphonies - the enigmatic Symphony No. 5 has never been found new jazz releases. On the classical side, HBDirect is proud to 18 Classical - DVD & Blu-ray and may not ever have been written - range from the two earliest, be the industry leader when it comes to the comprehensive conceived in a broadly Central European tradition, to the final symphony 20 Classical - Recommendations presentation of new classical releases.
    [Show full text]
  • A Gis Tool to Demonstrate Ancient Harappan
    A GIS TOOL TO DEMONSTRATE ANCIENT HARAPPAN CIVILIZATION _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Science in Computer Science _______________ by Kesav Srinath Surapaneni Summer 2011 iii Copyright © 2011 by Kesav Srinath Surapaneni All Rights Reserved iv DEDICATION To my father Vijaya Nageswara rao Surapaneni, my mother Padmaja Surapaneni, and my family and friends who have always given me endless support and love. v ABSTRACT OF THE THESIS A GIS Tool to Demonstrate Ancient Harappan Civilization by Kesav Srinath Surapaneni Master of Science in Computer Science San Diego State University, 2011 The thesis focuses on the Harappan civilization and provides a better way to visualize the corresponding data on the map using the hotlink tool. This tool is made with the help of MOJO (Map Objects Java Objects) provided by ESRI. The MOJO coding to read in the data from CSV file, make a layer out of it, and create a new shape file is done. A suitable special marker symbol is used to show the locations that were found on a base map of India. A dot represents Harappan civilization links from where a user can navigate to corresponding web pages in response to a standard mouse click event. This thesis also discusses topics related to Indus valley civilization like its importance, occupations, society, religion and decline. This approach presents an effective learning tool for students by providing an interactive environment through features such as menus, help, map and tools like zoom in, zoom out, etc.
    [Show full text]
  • The Trio Sonata in 17Th-Century Italy LONDON BAROQUE
    The Trio Sonata in 17th-Century Italy LONDON BAROQUE Pietro Novelli (1603 – 47): ‘Musical Duel between Apollo and Marsyas’ (ca. 1631/32). Musée des Beaux-Arts, Caen, France. BIS-1795 BIS-1795_f-b.indd 1 2012-08-20 16.40 London Baroque Ingrid Seifert · Charles Medlam · Steven Devine · Richard Gwilt Photo: © Sioban Coppinger CIMA, Giovanni Paolo (c. 1570–1622) 1 Sonata a Tre 2'56 from Concerti ecclesiastici… e sei sonate per Instrumenti a due, tre, e quatro (Milan, 1610) TURINI, Francesco (c. 1589–1656) 2 Sonata a Tre Secondo Tuono 5'57 from Madrigali a una, due… con alcune sonate a due e tre, libro primo (Venice, 1621/24) BUONAMENTE, Giovanni Battista (c. 1595–1642) 3 Sonata 8 sopra La Romanesca 3'25 from Il quarto libro de varie Sonate… con Due Violini & un Basso di Viola (Venice 1626) CASTELLO, Dario (fl. 1st half 17th C) 4 Sonata Decima a 3, Due Soprani è Fagotto overo Viola 4'35 from Sonate concertate in stil moderno, libro secondo (Venice 1629) MERULA, Tarquinio (c. 1594–1665) 5 Chiaconna 2'32 from Canzoni overo sonate concertate… a tre… libro terza, Opus 12 (Venice 1637) UCCELLINI, Marco (c. 1603–80) 6 Sonata 26 sopra La Prosperina 3'16 from Sonate, correnti… con diversi stromenti… opera quarta (Venice 1645) FALCONIERO, Andrea (c. 1585–1656) 7 Folias echa para mi Señora Doña Tarolilla de Carallenos 3'17 from Il primo Libro di canzone, sinfonie… (Naples, 1650) 3 CAZZATI, Maurizio (1616–78) 8 Ciaconna 2'32 from Correnti e balletti… a 3. e 4., Opus 4 (Antwerp, 1651) MARINI, Biagio (1594–1663) 9 Sonata sopra fuggi dolente core 2'26 from Per ogni sorte d’stromento musicale… Libro Terzo.
    [Show full text]
  • Repertoire List~
    ~Repertoire List~ Contact us for your desired selection! Title Composer Ensemble A Thousand Years C. Perri Quartet Across the Universe Beatles Quartet Agnus Dei/Holy Holy Holy Michael W. Smith Quartet Air Bach Quartet Air from Water Music Handel Solo, Duet, Trio, Quartet Air On G Bach Duet, Trio, Quartet All I Want is You U2 Quartet All of Me Holliday Trio, Quartet All of Me John Legend Quartet All You Need is Love The Beatles Quartet Alleluia Church Music Quartet (Piano Score) Allelujia from Exultate Jubilate Mozart Duet, Trio, Quartet Amazing Grace Traditional Solo, Duet, Trio, Quartet Amen Church Music Quartet (Piano Score) Andante from Piano Concert 21 Mozart Trio, Quartet Annie’s Song J. Denver Quartet Annie’s Theme Alan Silvestri Trio, Quartet Apollo 13 Horner Quartet Appalachia Waltz O’Connor Trio, Quartet Arioso Bach Solo, Duet, Trio, Quartet Arrival of the Queen of Sheba Handel Trio, Quartet Ashokan Farewell Jay Ungar Quartet (Piano Score) At Last Harry Warren Quartet Ave Maria Bach-Gounod Solo, Duet, Trio, Quartet Ave Maria (A flat) Schubert Quartet (Piano Score) Ave Maria (B flat) Schubert Quartet Ave Verum Corpus Mozart Solo, Duet, Trio, Quartet (plus Piano Score) Barcarolle from Tales of Hoffman Offenbach Quartet Be Thou My Vision Traditional Duet, Trio, Quartet Beauty and the Beast Ashman Quartet Bei Mennern from The Magic Flute Mozart Quartet Best Day of My life American Authors Quartet Bist du bei mer Bach Trio, Quartet Bittersweet Symphony M. Jagger Quartet Blessed are They Church Music Quartet Blessed are Those Who Love You Haugen Quartet (Piano Score) Blue Moon Rodgers Quartet Born Free Barry Quartet Bourree Bach Solo, Duet, Trio, Quartet Bourree Handel Solo, Duet, Trio, Quartet Brandenburg Concerto No.
    [Show full text]
  • Archery Notes
    Archery Notes Description: Archery is a sport that involves the use of a bow and a number of arrows. The bow is used to shoot the arrows at targets. We will be shooting at stationary targets. This is referred to as ‘Target Archery’. Equipment: Bow: Length and weight varies with the individual (18-25 lbs. for class use: 20-30 lbs. for club use) The style of the bows vary – straight or recurve in Fiberglass, wood, and metal. Arrows: length according to length of arms of the archer (24-28 “). Wood, fiberglass, aluminum, carbon/alloy composite, and carbon fiber. Targets (butts): circular or square targets made of dense Target Butt or buttress: Material that can sustain the impact of the arrow. Straw, Styrofoam, compressed cardboard. Bow strings: dacron- single or double loop according to the type of bow. The center part of the string is wolven thicker to accommodate the nocking of the arrow. This is referred to as the serving. Rubber finger tabs (rolls) are also attached to the serving. A single roller on the upper section and a double on the lower section. Target Faces: thick paper with concentric circles that vary in colour from the outside in. The target is divided into 5 different coloured sections. Safety tackle: Arm guard for the inside of the bow arm. Quivers: ‘Arrow Holder’. Used to organize and hold arrows for the archer. Stringing the bow: Step through method (push-pull) Instructions 1. Slide the top loop of your bow string over the nock and down the limb about halfway, or as far as the loop will allow.
    [Show full text]