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Woolloomooloo-Brochure-170719.Pdf
Your companion on the road. We make your life stress-free by providing everything you need to create the stay you want. Apartment living with the benefits of a hotel service. stay real. Sydney’s harbour side suburb. Nesuto Woolloomooloo is situated on the Sydney city centre fringe, in the beautiful harbour side suburb of Woolloomooloo, about 900 metres from the heart of Sydney city on the eastern side towards Potts Point. These fabulous serviced-apartments are set in a beautiful heritage listed 4 storey building, located amongst traditional Sydney terrace houses in the tree lined streets of historic Woolloomooloo, a 3-minute walk from the restaurants and bars at Finger Wharf and the legendary Harry’s Cafe de Wheels. Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of self-contained Studio, One, Two and Three Bedroom Apartments, allowing you to enjoy all the comforts of home whilst providing the convenience of apartment style accommodation, making it ideal for corporate and leisure travellers looking for short term or long stay accommodation within Sydney. Nesuto. stay real. A WELCOMING LIVING SPACE Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of spacious self-contained Studio, One, Two and Three Bedroom Apartments in varying styles and layouts. We offer fully equipped kitchenettes, varied bedding arrangements and spacious living areas, ideal for guests wanting more space, solo travellers, couples, families, corporate workers or larger groups looking for a home away from home experience. Our Two and Three Bedroom apartments, along with some Studio apartments, have full length balconies offering spectacular views of the Sydney CBD cityscape and Sydney Harbour Bridge. -
The Art of Philip Wolfhagen a Newcastle Art Gallery and Tasmanian NEWCASTLE ART GALLERY, NSW Museum and Art Gallery Travelling Exhibition
Photographer: Tristan Sharp Philip Wolfhagen studio in Tasmania (2012) ABOUT THESE PAGES FOR EXHIBITION DATES PLEASE SEE THE TOUR SCHEDULE BELOW. This webpage supports the exhibition, Illumination The art of Philip Wolfhagen A Newcastle Art Gallery and Tasmanian NEWCASTLE ART GALLERY, NSW Museum and Art Gallery travelling exhibition. 22 June - 11 August 2013 Designed in conjunction with the Illumination The art of TASMANIAN MUSEUM AND ART GALLERY, TAS Philip Wolfhagen Education kit, this webpage provides 13 September - 1 December 2013 insight into the materials, artists, music and places that are important to Wolfhagen, and is recommended as an ad- THE AUSTRALIAN NATIONAL UNIVERSITY DRILL HALL GAL- ditional resource for teachers and students or for general LERY, ACT public use. 20 February - 6 April 2014 Surveying the twenty five year career of Australian painter CAIRNS REGIONAL GALLERY, QLD Philip Wolfhagen, Illumination The art of Philip Wolfhagen 9 May - 6 July 2014 explores the artist’s enchantment with the Australian land- scape, the tactility and intimacy of his painting process, his TWEED RIVER ART GALLERY, NSW command of colour and use of signature devices such as 8 August - 12 October 2014 the split picture plane. HAMILTON ART GALLERY, VIC Wolfhagen’s work is held in major public and corporate 15 November 2014 - 1 February 2015 collections in Australia and in private collections nationally and internationally, with the largest national public col- GIPPSLAND ART GALLERY, VIC lection of his work currently owned by the Newcastle Art 14 February - 12 April 2015 Gallery. Newcastle Art Gallery strongly supports experience-based learning and advises that this webpage be used in conjunc- tion with a visit to the exhibition. -
Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’. -
City of Sydney Submission on the CFFR Affordable Housing Working
City of Sydney Town Hall House City of Sydney submission 456 Kent Street Sydney NSW 2000 on the CFFR Affordable Housing Working Group Issues Paper March 2016 Contents Introduction ..........................................................................................................................2 Context: housing affordability pressures in inner Sydney ...................................................2 The City’s response to the Issues Paper ............................................................................4 Broad-based discussion questions ..................................................................................4 Model 1: Housing loan/bond aggregators .......................................................................6 Model 2: Housing trusts ...................................................................................................7 Model 3: Housing cooperatives .......................................................................................8 Model 4: Impact investing models including social impact bonds ...................................9 Other financial models to consider ................................................................................10 1 / City of Sydney response to the Affordable Housing Working Group Issues Paper Introduction The City of Sydney (the City) welcomes the initiative by the Council on Federal Financial Relations Affordable Housing Working Group (‘the Working Group’) to examine financing and structural reform models that have potential to enable increased -
Sydney Festival 2012 Overview This Is Our City in Summer January 7-29
MEDIA RELEASE JANUARY, 2012 SYDNEY FESTIVAL 2012 OVERVIEW THIS IS OUR CITY IN SUMMER JANUARY 7-29 Sydney Festival has opened the 2012 program for its annual three-week celebration, January 7-29. Sydney Festival is an explosion of theatre, dance, music, exhibitions and talks that takes over the city, celebrating uniquely Australian work as well as welcoming companies from all over the world. The Festival prides itself on its free large-scale outdoor events, including concerts and performances and even a ferry race on Sydney’s iconic harbour. NSW Premier and Minister for Western Sydney Barry O’Farrell said, “Sydney Festival creates a welcoming and unique global atmosphere that showcases our beautiful city through a feast of performances in theatre, music, dance and visual arts. “Whether it’s in Campbelltown or Chippendale, Parramatta or Walsh Bay, I urge Sydneysiders and visitors alike to take advantage of all Sydney Festival has to offer’” Mr O’Farrell said. Lord Mayor Clover Moore MP, Chair of Sydney Festival said, “Sydney Festival is one of our most loved events and sets the tone for summer in the city. The Festival makes it easy for Sydneysiders to experience the best performing, visual and experimental arts that Australia and the world have to offer. “Festivals and other events contribute to our local economy – they encourage people to stay in our hotels, eat at our restaurants, visit our top attractions, shop and enjoy all our City has to offer.” Ms Moore said. Festival Director Lindy Hume said, “Our festival exists, in part, to hold a mirror up to our city each year. -
ATE Media Information: Events in Sydney
ATE MEDIA INFORMATION | EVENTS IN SYDNEY EVENTS IN SYDNEY Following the recent World Festival & Event City Award from The International Festivals & Events Association (IFEA) for New South Wales (NSW), the state has another spellbinding season of cultural, artistic and sporting spectacles planned for 2015 and beyond. The NSW events calendar, developed by Destination NSW, outlines an outstanding selection of world-class experiences guaranteed to keep Sydney front of mind for visitors. Near the top of the must- experience list is Vivid Sydney, owned and managed by Destination NSW, and now the southern hemisphere’s biggest annual celebration of light, music and ideas, staged over 18 nights each year in May and June. Vivid Sydney was awarded Australian Event of the Year and Best Tourism Event at the 2013 Australian Event Awards and is a major contributor to the NSW economy. In 2014, more than 1.4 million visitors attended, 20,000 of them travelling on Vivid packages, generating more than $20 million. NEW EVENTS COMING UP FOR SYDNEY IN 2015 AND 2016 Netball World Cup August 7-16, 2015: Held every four years since 1963, Netball World Cup is the pinnacle event for international netball. While the Australian Diamonds go into the event as reigning champions, they’ll face fierce competition from arch rivals, the Silver Ferns, as well as rising powers England, Jamaica, South Africa and Malawi. Matilda The Musical, 2015: The Royal Shakespeare Company’s stage musical adaptation of Roald Dahl’s book, Matilda, will make its Australian premiere at Sydney’s Lyric Theatre from July 28, 2015. -
The Making of Indigenous Australian Contemporary Art
The Making of Indigenous Australian Contemporary Art The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Marie Geissler All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5546-1 ISBN (13): 978-1-5275-5546-4 Front Cover: John Mawurndjul (Kuninjku people) Born 1952, Kubukkan near Marrkolidjban, Arnhem Land, Northern Territory Namanjwarre, saltwater crocodile 1988 Earth pigments on Stringybark (Eucalyptus tetrodonta) 206.0 x 85.0 cm (irreg) Collection Art Gallery of South Australia Maude Vizard-Wholohan Art Prize Purchase Award 1988 Accession number 8812P94 © John Mawurndjul/Copyright Agency 2020 TABLE OF CONTENTS Acknowledgements .................................................................................. vii Prologue ..................................................................................................... ix Theorizing contemporary Indigenous art - post 1990 Overview ................................................................................................ -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Review of Environmental Factors Woolloomooloo Wastewater
Review of Environmental Factors Woolloomooloo Wastewater Stormwater Separation Project March 2016f © Sydney Water Corporation (2016). Commercial in Confidence. All rights reserved. No part of this document may be reproduced without the express permission of Sydney Water. File Reference: T:\ENGSERV\ESECPD\EES Planning\2002XXXX_Hot spots 3\20029431 Woolloomooloo sewer separation\REF Publication number: SWS232 03/16 Table of Contents Declaration and sign off Executive summary ........................................................................................................... i 1. Introduction ........................................................................................................... 1 1.1 Project Background .................................................................................................... 1 1.2 Woolloomooloo Wastewater Stormwater Separation .............................................. 2 1.3 Related stormwater projects ...................................................................................... 4 1.4 Scope of this REF ........................................................................................................ 4 2. Stakeholder and community consultation .......................................................... 5 2.1 Consultation objectives .............................................................................................. 5 2.2 Social analysis ............................................................................................................. 5 2.3 Consultation -
Module Details
Paper: 07; Module No: 04: E Text (A) Personal Details: Role Name Affiliation Principal Investigator: Prof. Tutun Mukherjee University of Hyderabad Paper Coordinator: Prof. Suchorita Chattopadhyay Jadavpur University Coordinator for This Module: Prof. Tutun Mukherjee University of Hyderabad Content Writer: Mr. Ayan Ghosh CIIL, Mysore Content Reviewer: Prof. Tutun Mukherjee University of Hyderabad Language Editor: Prof. Tutun Mukherjee University of Hyderabad (B) Description of Module: Items Description of Module Subject Name: English Paper No & Name: 07; Canadian, Australian and South Pacific Literatures in English Module No & Title: 04; Aboriginal Australia: History and Literature Pre-requisites: Basic knowledge of English Objectives: To provide an idea of Australian Aboriginal History and Literature Key Words: Australian Aboriginal History, Australian Aboriginal Literature, Australian Literature 1 Contents I. What is Aboriginality? II. Brief history of Aborigines III. Introduction to Indigenous Culture IV. Introduction to Aboriginal Art V. Aboriginal Music VI. Aboriginal Paintings VII. Papunya Tula or Papunya Art VIII. Aboriginal Literature IX. What is dream Time? X. Dreamtime and Indigenous Literature XI. Aboriginal Literature and its position XII. Famous Literary personnel XIII. Glimpses of Aboriginal Films XIV. Conclusion About the Module: In this module we are going to learn that what the Aborigine actually means, from where this term came from and for whom it is being used. In addition to this we are going to learn about Aboriginal History, about their land in a brief manner. We will discuss some of their art form and will try to get acquainted with their culture in the first half of this module. In the second part, we will learn that what the ‘Dreamtime’ actually is and how is it related with their literature. -
Beware of Pity Schaubühne Berlin and Complicité
BEWARE OF PITY SCHAUBÜHNE BERLIN AND COMPLICITÉ Photos: Gianmarco Bresadola Photos: GERMANY/UK I AUSTRALIAN EXCLUSIVE ABOUT THE SHOW SCHAUBÜHNE BERLIN BEWARE OF PITY Hofmiller, a young soldier, is invited to Baron Kekesfalva’s Led by Artistic Director Thomas Ostermeier since 1999, SCHAUBÜHNE BERLIN AND COMPLICITÉ castle for a soirée. The evening is a great success, and Schaubühne premieres at least 10 shows per season, GERMANY/UK | AUSTRALIAN EXCLUSIVE Hofmiller entertains with one amusing anecdote after another. alongside a repertoire of over 30 existing productions and showcases at international theatre festivals. ROSLYN PACKER THEATRE Drunk on his success, he asks the host’s daughter, Edith, WALSH BAY 23–27 JANUARY for a dance – but Edith turns pale. Hofmiller realises he’s Schaubühne is an ensemble theatre where the actors, 132 MINS committed a faux pas, and when the girl’s cousin explains dramatic characters and situations of a play take centre that Edith is paralysed, he flees the castle in embarrassment. stage. One of the theatre’s distinctive features is a stylistic variety in approaches to directing, which includes new The next morning, Hofmiller sends flowers to apologise, and By Stefan Zweig forms of dance and musical theatre, and working with Edith sends back an invitation to tea. Soon, Hofmiller is a SIMON MCBURNEY In a version by Simon McBurney, James Yeatman, notable directors from outside Germany. Maja Zade and the ensemble daily guest at the castle, and Edith begins to fall desperately As co-founder of renowned theatre company Complicité, A Schaubühne and Complicité co-production in love with him. -
Sydney Festival 2021 + Australian Design Centre
No images? Click here Australian Made: Sydney Festival 2021 + Australian Design Centre Sydney Festival 2021 has launched its Australian Made program. In his fifth and final year as Festival Director, Wesley Enoch’s program focuses on recovering, reconnecting and reinvigorating Australia’s artists and communities after this challenging year for the creative sector. This year the festival will celebrate the best that Australia has to offer with our internationally acclaimed artists and creative companies presenting new theatre, dance, live music and much more. The people of Sydney are invited to enjoy and explore over 140 events, performances, exhibitions, talks and experiences, many of them free, during 6 – 26 January. We are delighted to announce that Australian Design Centre is part of this exciting program. We are presenting two exhibitions, multiple workshops, maker talks and a special Sydney Festival edition of our renowned Makers Market. On show from 26 November 2020 is the exhibition Isolate | Make: Creative Resilience in a Pandemic. In response to Covid-19, we invited nine makers to participate in this project. Working across a diversity of practice, these local makers share their creative process and final works made during Covid-19. During the Festival in January there will be a range of artist talks and workshops. Join paper engineer Benja Harney for a creative papermaking workshop on Wednesday 20 January 2021 and take a relaxed clay workshop with artist and ceramicist Glenn Barkley on Thursday 21 January 2021. Also launching 26 November 2020, Design Isolate explores how creative practice may have changed for makers during this year either as a result of social isolation, the associated restrictions and production challenges, or simply in response to the tragic global events.