Gary Numan the Pleasure Principle V0rar
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Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
Gary Numan - Hammersmith Apollo, London - November 28, 2014
1 Gary Numan - Hammersmith Apollo, London - November 28, 2014 by Mireille Beaulieu Original French version © Obsküre magazine - http://www.obskuremag.net http://www.obskuremag.net/articles/gary-numan-live-hammersmith-apollo-londres- 28112014/ Gary Numan’s recent concert at London’s Hammersmith Apollo had long been announced as a major event. This show was the crowning moment of the world tour Numan had undertaken in October 2013, as he was promoting his new album Splinter (Songs from a broken mind ). Undoubtedly one of the artist’s major works, Splinter garnered unparalleled public and critical acclaim. It even entered the UK Top 20 – the first Numan album to do so since Warriors in 1983. Gary Numan started this long tour in the US before visiting the UK, Ireland, Israel, continental Europe (but sadly not Paris), Canada, Australia and New Zealand. Photos: Louise Barnes and Jim Napier © Jim Napier 2 But it was also a “homecoming concert”, a return to his roots for Numan, who currently resides in Los Angeles. For the first time since 1996, he was to take over the Hammersmith Apollo, the legendary UK venue formerly known as the Hammersmith Odeon. This is where David Bowie killed off his Ziggy Stardust character in 1973... Around the same period, a teenage Gary (then still Gary Webb) would often attend gigs there. Then, with the explosion of the Numan phenomenon in 1979, the “Hammy” became for many years the London venue of his choice when he was touring. Gary, who was born in Hammersmith, obviously has a deep connection with the place. -
GEAR Roundup!
GEAR Roundup! Post your review—or challenge ours—at the GP forum. SPECS | Hanson Musical Instruments, (773) 251-9684; hansonguitars.com MODEL CHICAGOAN CIGNO FIRENZE ST GATTO PRICE $870 direct $675 direct $599 direct $675 direct NECK Maple, set Mahogany, set Maple, bolt-on Mahogany, set FRETBOARD Ebony Rosewood Rosewood Rosewood FRETS Medium jumbo Medium jumbo Medium jumbo Medium jumbo SCALE 24.75" 24.75" 25.5" 24.75" BODY Bound maple top, back, and sides Mahogany Ash Mahogany PICKUPS Hanson mini-humbuckers Hanson P90s Hanson Blade mini-humbuckers Hanson Classic humbuckers with coil tap CONTROLS 2 Volume, 2 Tone, 3-way pickup Master Volume, Master Tone, Master Volume, Master Tone, Master Volume, Master Tone (pull selector 5-way pickup selector 5-way pickup selector for coil tap), 3-way pickup selector BRIDGE Tune-o-matic with roller saddles, TonePros TonePros TonePros Bigsby B70 tremolo TUNERS Hanson Hanson Hanson Hanson KUDOS Airy tones with great articulation. Round, ballsy sound with punch. Mini humbuckers deliver nice Fat, punchy humbucker tones. Sleek Looks retro fabulous. Looks ultra cool. Love that focused mids with a ton of spank. looks. baseball-bat neck! CONCERNS A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. Neck may be too thick for some. 92 MARCH 2010 GUITARPLAYER.COM Hanson Chicagoan, Cigno, Firenze ST, and Gatto TESTED BY MICHAEL MOLENDA HANSON MUSICAL INSTRUMENTS OF CHICAGO STARTED OUT APPROXIMATELY five years ago making bass pickups, then guitar pickups, and, finally, gui- tars. The evolution of the product line informed the company’s approach to guitar making, as it developed a series of pickups first, and then designed guitars around the tone and vibe of each pickup. -
Martin & Co Denies Receiving Stirling Students' Complaints
Brig | October 2011 Martin & Co denies receiving Stirling sets £27,000 Stirling students’ complaints tuition fee for rest of Aya Kawanishi the UK students News Editor day, Stirling University failed students Zsuzsanna Matyak from disadvantaged backgrounds by etting agency Martin & Co de- News Editor setting its degrees cost at £27,000. We nied that any written formal are fully against tuition fees, and this complaints were received, de- he University of Stirling has decision by Stirling puts degrees there Lspite claims from Stirling stu- become one of the most ex- as expensive as the worst excesses of dents who rented a property from them pensive universities in the the English system.” between 4 August 2010 and 2 August UK after announcing its Professor Gerry McCormac, Prin- 2011. T cipal and Vice-Chancellor of Stirling decision to charge £6,750 per year, Former tenants of 23 Chandlers Court instead of the current £1,800, for stu- University, said they had no choice. Stirling, Dominique Maske and her flat- dents from England, Wales and North- “The University of Stirling has always mate, wrote to the agency on a number ern Ireland from 2012. This makes a believed that access to higher educa- of occasions regarding issues they had four-year degree cost £27,000. tion should be based on ability, not such as the lease document and the con- Hand in hand with the significantly background or the ability to pay. As dition of the flat. increased tuition fee comes a new a result of the new funding arrange- In a statement, Managing Director of range of scholarships and bursaries ments, Scottish universities have no Martin & Co Stirling, Imtiaz Ahmed, for both Scottish and rest of the UK choice but to charge fees for students said that they have “not received a for- (RUK) students, and the encourage- from the rest of the UK. -
Feminine Charm
THE GREAT DYING A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Fine Arts in Creative Writing by Amy Purcell August, 2013 Thesis written by Amy Purcell B.S., Ohio University, 1989 M.F.A., Kent State University, 2013 Approved by Varley O’Connor, Advisor Robert W. Trogdon, Chair, Department of Psychology Raymond A. Craig, Dean, College of Arts and Sciences ii CHAPTER ONE Lucy Sullivan first noticed she was disappearing on Monday morning as she prepared to return to work at the Field Museum. This was two weeks after Sean had died, at the peak of Chicago’s worst heat wave in history, and two weeks after she had asked, politely, for time and space alone. The apartment smelled of the worn-out sympathies of friends. Baskets of shriveled oranges and pears and wilting lilies and roses moldered on the coffee table and mantle above the fireplace in the living room and anywhere else Lucy had found room to place them. She was certain there were even more baskets waiting for her outside the door of the apartment. She hadn’t opened the door during her seclusion, hadn’t touched the fruit or watered the plants. The idea that a dozen oranges or a clichéd peace plant would alleviate her grief brought on such an unreasonable rage that she’d decided it was best to ignore the whole lot. Outside it was pitch black, except for the sickly yellow-white pools of light illuminating the empty, elevated train tracks above North Sedgwick Avenue. -
Birds and Man Birds and Man
THIS EDITION IS LIMITED TO 7$O COPIES FOR SALE IN ENGLAND, IOO FOR SALE IN THE UNITED STATES OF AMERICA, AND 35 PRESENTATION COPIES THE COLLECTED WORKS 0/ W. H. HUDSON IN TWENTY-FOUR VOLUMES BIRDS AND MAN BIRDS AND MAN BY W. H. HUDSON MCMXXIII LONDON y TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON & CO. AII rtghls reserved PRINTED IN GREAT BRITAIN CONTENTS CHAPTER I PAGE Birds at their Best ....... i Unpleasant impression produced by stuffed birds — The Booth Collection at Brighton—The Dartford warbler seen at its best—A painful contrast—Use and abuse of museum collections—A tale of the Age of Fools—Sun- light in a sack—Kingfisher in a glass case—Seeing every bird at its best—Emotional impressions the only per- manent ones—A picture of long-tailed tits among cat- kins:—The faculty of recalling sounds: its varying degrees—Memories of bird-sounds—The author’s case —Relative durability of sight- and sound-impressions —The author’s experience analysed—Vocal character- istics which chiefly impress—The charm of birds: a saying of Sir Edward Grey’s elucidated—The delight and consolation of remembered beauty. CHAPTER II Birds and Man ........ 32 Man from the bird’s point of view—The blackbird and the strawberries—Birds* relations with beasts—Seven daws and a cow — A daw’s attentions to a hind — Nesting birds: their behaviour to intruders analysed—Anecdote of a sheep and a lapwing—Partridges at a rabbit-fight —Herbert Spencer on animal sociability: his ignorance of the cow’s mind—The robin’s attitude towards man —Indifference of swifts and the swallow tribe to man— Contrasted behaviour of a hen pheasant—A hostile demonstration by gold-crests—Another by swallows— The mystery explained. -
Music & Memorabilia Auction May 2019
Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1). -
A Conversation with Gary Numan & John Bergin Mike Ragogna
A Conversation with Gary Numan & John Bergin Mike Ragogna: John and Gary, what brought the two of you together for film From Inside? John Bergin: Gary had just moved to LA and was looking to learn about film scoring. There is no greater place to learn about the world of film music than Lakeshore Records where I am Art Director, so that's where we crossed paths. At the time were preparing From Inside for release after a three year tour playing festivals. When Gary came by to introduce himself, it was perfect timing that we were looking for a final score to the film. For Gary, scoring From Inside was a great way to introduce himself to the process. For me, it was literally a dream come true, having been a long-time fan of his work. Gary Numan: When I first moved to the US I introduced myself to a few people to let them know I was very interested in working on film and TV music. A few days after, I met with Brian McNellis at Lakeshore I had a phone call saying that they were interested in working with me on a special edition of John's From Inside animated movie. It was exactly what I was looking for. John was familiar with my music so it was a low pressure introduction for me into the requirements and skills of film score writing. It seemed to me that I would learn a lot, without somebody screaming at me and beating me with a large stick, which is exactly what happened. -
Music Is Made up of Many Different Things Called Elements. They Are the “I Feel Like My Kind Building Bricks of Music
SECONDARY/KEY STAGE 3 MUSIC – BUILDING BRICKS 5 MINUTES READING #1 Music is made up of many different things called elements. They are the “I feel like my kind building bricks of music. When you compose a piece of music, you use the of music is a big pot elements of music to build it, just like a builder uses bricks to build a house. If of different spices. the piece of music is to sound right, then you have to use the elements of It’s a soup with all kinds of ingredients music correctly. in it.” - Abigail Washburn What are the Elements of Music? PITCH means the highness or lowness of the sound. Some pieces need high sounds and some need low, deep sounds. Some have sounds that are in the middle. Most pieces use a mixture of pitches. TEMPO means the fastness or slowness of the music. Sometimes this is called the speed or pace of the music. A piece might be at a moderate tempo, or even change its tempo part-way through. DYNAMICS means the loudness or softness of the music. Sometimes this is called the volume. Music often changes volume gradually, and goes from loud to soft or soft to loud. Questions to think about: 1. Think about your DURATION means the length of each sound. Some sounds or notes are long, favourite piece of some are short. Sometimes composers combine long sounds with short music – it could be a song or a piece of sounds to get a good effect. instrumental music. How have the TEXTURE – if all the instruments are playing at once, the texture is thick. -
"Erase Me": Gary Numan's 1978-80 Recordings
Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius. -
Download Booklet
ALSO AVAILABLE ... STOLEN RHYTHM 7 1 5 2 0 0 D D C C R R H H C C YOU PROMISED ME EVERYTHING THE GLORY TREE VOCAL AND CHORAL WORKS BY CHAMBER WORKS BY CHERYL FRANCES-HOAD CHERYL FRANCES-HOAD “from supple assurance... to very funny.. “This retrospective of her chamber works is to austerely epic... Frances-Hoad’s work like a declaration of faith in the eternal shows a keen instinct for text-setting...” verities of composition.” The Times “Mezzo Jennifer Johnston is a superb advocate, the glossy depth of her voice “This makes an essential part of any RAMBERT ORCHESTRA matched by the spirited intelligence of contemporary music listening library.” her musicality.” PHOENIX PIANO TRIO, Recording of the month IVANA GAVRIC BBC Music Magazine MusicWeb International with Nicholas Daniel David Cohen Paul Hoskins FOREWORD As a composer, I take inspiration from myriad sources: art, poetry, the natural landscape, politics, other genres of music. But throughout my composing life I have found myself continually looking to composers from the past in order to create something new. This disc of chamber orchestral, chamber and solo piano music is united by the theme of ‘homage’: each piece, although I hope clearly recognisable as my own, involved immersing myself in the language of another composer in order to write it. Stolen Rhythm would have been impossible without generous funding from Arts Council England, The Fidelio Charitable Trust, The Ambache Charitable Trust, The Ralph Vaughan Williams Trust, The Winship Foundation and the Hildon Foundation. I am eternally, tremendously grateful to Mary and David Bowerman for their continued support of my music. -
The Semi-Weekly News
THE SEMI-WEEKLY NEWS VOL. VI. NO. 3. MOUNT HOLLY, BURLINGTON CO., N. J., MONDAY, JANUARY 9, 1882. .00 A YEAR. THE DAYS THAT HAVE PASSED, utilized has been dearly demonstrated “Did your uncle leave you any- fJiHE NEW YORK WEEKLY HERALD 1853. GIRARD 1880 the fine of the industri- in his Thomas ?” “Oh ONE DOLLAR A TEAR. the that come back after sum- bj vineyards thing will, Ob, days FIRE INSURANCE COMPANY, mer ii fled I ous Germans at £gg Harbor City. "yes,” said Thomas, cheerfully, “he The circulation of this popular news- From Market Street to Ghosts of that revisit the shades of paper U constantly It con- PHILADELPHIA, pa days! The of their re- left me out.’’ increasing. Filbert, the dead, produets vineyards tains ail the leading news of the Daily Herald AH SETH.$1,179,008,99. Whose breath is all whose gar- ceived very favorable notioe at our and is arranged in handy depart- balmy, harness maker leaves traces of ments are dyed Centennial Exhibition. Every ments. The I* among the aoundestinstitutloaeoftheooun- try. Us liabilities are very small,andltsmath- With the blood of the harvest and vintage his work behind. FOREIGN NEWS the coast and in the ematlcal standard very high. beside Fishing along A. ; embraces special despatches from all parts S.Gillitt.President Not springtime’s shy beauty, not sum- for the fish knovtn as mossbunk- Uuder the head of “Musical’’ a Cieve. of the Under the head of Liabilities, including re-Insurance bays globe. fund. 9308,669.31 AN ENTIRE mer’s land an a BLOCK ripe days, ers near relative to the first paper gives account of horse AMERICAN NEWS Net surplus over all liabilities, inclu- Nor warm color—its (a shad) ding September’s purple trot.