Two New Artworks of Flame Debut at Teamlab Planets in Toyosu, Tokyo

Total Page:16

File Type:pdf, Size:1020Kb

Two New Artworks of Flame Debut at Teamlab Planets in Toyosu, Tokyo FOR IMMEDIATE RELEASE PLANETS Co., Ltd April 7, 2021 Two New Artworks of Flame Debut at teamLab Planets in Toyosu, Tokyo Starting April 7 Seasonal artworks with blooming cherry blossoms are also on view for a limited time this spring until April 30. Two new artworks of flame will debut at teamLab Planets in Toyosu, Tokyo. Universe of Fire Particles Falling from the Sky and Universe of Fire Particles will be on view starting April 7. Flame, a phenomenon of light and heat generated by combustion, is expressed as a collection of lines drawn by the movement of molecules of burning gas. In addition, artworks in the museum will change with the seasons, filling the space with cherry blossoms this spring until April 30. The vibrant pink flowers bloom all across a massive domed space, and in an artwork where visitors walk barefoot through real water, cherry blossom petals dance on the infinite expanse of the water’s surface. teamLab Planets is a museum where visitors walk through water. It consists of four vast exhibition spaces containing artworks both indoors and outdoors, for a total of eight works. Since opening in July of 2018, the museum has welcomed over 2 million visitors. The new artwork Universe of Fire Particles Falling from the Sky is a public work that will be displayed outside the museum starting April 7. It can be viewed by anyone, regardless of whether they have a museum ticket or not. In addition, the seasonal works transform into springtime spaces with cherry blossoms until April 30. Cherry blossoms bloom across a massive domed artwork space. And in the artwork where visitors walk barefoot through real water, koi swimming on the surface of the water collide with people and turn into cherry blossoms that scatter and fade away. Exhibition Details: planets.teamlab.art/ teamLab Planets Highlight Video: https://youtu.be/HcP7yWwbMm4 [New Artworks] Universe of Fire Particles Falling From the Sky teamLab, 2021, Interactive Digital Installation, W6000mm D6000mm H15000mm, Sound: Hideaki Takahashi Artwork: https://planets.teamlab.art/tokyo/ew/universe_fireparticles_falling/ Flames are a phenomenon of light and heat generated by combustion, not a substance, but our sensory experience when we see a chemical reaction called combustion. People perceive the flame, a sensory experience, as if it were an object, and sometimes feel life in it. The flames are represented as a continuum of numerous fire particles. The interaction between the particles is calculated, and lines are drawn in relation to the behavior of the fire particles. The lines are “flattened” using what teamLab considers to be ultrasubjective space. When people stand on the work, a black absolute presence is created, and the shape of the flames change. The work is affected by people, and is in a state of perpetual, continuous change. Universe of Fire Particles teamLab, 2021, Digital Installation, Continuous Loop, Sound: Hideaki Takahashi Artwork: https://planets.teamlab.art/tokyo/ew/universe_fireparticles/ Flames are a phenomenon of light and heat generated by combustion, not a substance, but our sensory experience when we see a chemical reaction called combustion. People perceive the flame, a sensory experience, as if it were an object, and sometimes feel life in it. The flames are represented as a continuum of numerous fire particles. The interaction between the particles is calculated, and lines are drawn in relation to the behavior of the fire particles. The lines are “flattened” using what teamLab considers to be ultrasubjective space. The flames change shape due to a black absolute presence. [Artworks where Cherry Blossoms Bloom in Spring] Floating in the Falling Universe of Flowers teamLab, 2016-2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi Artwork: https://planets.teamlab.art/tokyo/ew/fitfuof/ Artwork Video: https://youtu.be/FzJ5svgIueQ Drawing on the Water Surface Created by the Dance of Koi and People - Infinity teamLab, 2016-2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi Artwork: https://planets.teamlab.art/tokyo/ew/koi_and_people/ Artwork Video: https://youtu.be/SsRNptTOniw [Other Artworks On View] The Infinite Crystal Universe teamLab, 2018, Interactive Installation of Light Sculpture, LED, Endless, Sound: teamLab Artwork: https://planets.teamlab.art/tokyo/ew/infinite_crystaluniverse/ Artwork Video: https://youtu.be/b0BboQnqT_4 Expanding Three-Dimensional Existence in Transforming Space - Flattening 3 Colors and 9 Blurred Colors, Free Floating teamLab, 2018, Interactive Installation, Endless, Sound: Hideaki Takahashi Artwork: https://planets.teamlab.art/tokyo/ew/transformingspace/ Artwork Video: https://youtu.be/je04z4596Xc Waterfall of Light Particles at the Top of an Incline teamLab, 2018, Digital Installation Artwork: https://planets.teamlab.art/tokyo/ew/lightparticles/ Artwork Video: https://youtu.be/6s_FZng6Om8 * The public outdoor artwork Universe of Water Particles Falling from the Sky will be replaced by the new work Universe of Fire Particles Falling From the Sky, and the indoor work Cold Life will be replaced by the new work Universe of Fire Particles [Exhibition Summary] teamLab Planets TOKYO https://planets.teamlab.art/tokyo/ #teamLabPlanets Term: July 7, 2018 - End of 2022 Venue: teamLab Planets TOKYO (6 Chome-1-16 Toyosu, Koto City, Tokyo) Hours: 10:00 - 18:00 Every Day * Last entry 30 minutes before closing Admission: <Entrance Pass> Adults (ages 18 and older): JPY 3,200 University / Trade School Students: JPY 2,500 Middle School / High School Students: JPY 2,000 Children (ages 4 - 12): JPY 300 Infants (ages 3 and younger): Free Seniors (ages 65 and older): JPY 2,400 Visitors with Disabilities: JPY 1,600 teamLab Planets TOKYO Ticket Store: https://teamlabplanets.dmm.com/en * Admission and exhibition hours are subject to change. Please check the official website for the latest information. Coupon Information: For a limited time, a 15% discount is offered for tickets on sale. Please take advantage of this opportunity to visit. ・Coupon code: planets ・Eligible period: Sunday, March 6 - Friday, April 23 ・Usage: on the official teamLab Planets website, enter the coupon code “planets” when purchasing tickets and click the “Apply” button to get a 15% discount. For instance, the price of an Adult Ticket will drop from JPY 3,200 to JPY 2,720. * If the coupon code is not entered at the time of purchase, the discount will not be applied. * This discount can only be received when buying tickets on the official website. * This code is available to use as many times as you like during the eligible period. Official Social Media Pages: Instagram: https://www.instagram.com/teamlab.planets/ Facebook: https://www.facebook.com/TL.Planets/ Twitter: https://twitter.com/teamLabPlanets Measures Against the Spread of COVID-19: Infection prevention measures such as entry restrictions are being implemented. Please check the website for details. https://teamlabplanets.dmm.com/en/covid-19 [Press Kit] https://goo.gl/tQXMLm [Media Inquiries] https://goo.gl/forms/fqn8DmGV8WWIntP53 [About teamLab] teamLab (f. 2001) is an international art collective, an interdisciplinary group of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. teamLab aims to explore the relationship between the self and the world and new perceptions through art. In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perception of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity. teamLab has been the subject of numerous exhibitions at venues worldwide, including New York, London, Paris, Singapore, Silicon Valley, Beijing, Taipei, and Melbourne among others. The permanent museums teamLab Borderless opened in Odaiba, Tokyo in June 2018, and teamLab Borderless Shanghai in Huangpu District, Shanghai in November 2019. The massive body immersive space teamLab Planets in Toyosu, Tokyo is on view until the end of 2022. The large-scale permanent exhibition teamLab SuperNature soft opened in Macao in June, 2020. teamLab’s works are in the permanent collection of the Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki. teamLab is represented by Pace Gallery, Martin Browne Contemporary, and Ikkan Art International. teamLab: https://www.teamlab.art/ Instagram: https://instagram.com/teamlab/ Facebook: https://www.facebook.com/teamLab.inc Twitter: https://twitter.com/teamLab_net YouTube: https://www.youtube.com/c/teamLabART .
Recommended publications
  • Aportaciones Desde El Mundo Digital De Teamlab Al Panorama Del Arte Contemporáneo
    Aportaciones desde el mundo digital de teamLab al panorama del arte contemporáneo. Pilar Cabañas Moreno Universidad Complutense de Madrid Esta comunicación pretende dar a conocer la investigación realizada en torno al grupo artístico japonés conocido como teamLab, formado por artistas, diseñadores, ingenieros informáticos, técnicos, etc., que trabajan piezas de arte digital de carácter proyectivo e interactivo de gran complejidad, que nadie de un modo independiente, no colaborativo podría lograr realizar. Fue fundado en 2001 por Inoko Toshiyuki (Tokushima, 1977), el mencionado Takashi Kudo, y tres amigos más, dos ingenieros Aoki Shunsuke graduado en Ingeniería Matemática y Física de la Información, Hironori Sugiro, graduado en Tecnología y Arte, que ejerce de Desarrollador interactivo y Yoshimura Jō, amigo de la infancia de Inoko, formado en el Instituto de Tecnología de Tokio. En 2019 eran ya un equipo con 650 personas, y en crecimiento, con profesionales de distintas nacionalidades y especialidades: artistas, programadores, ingenieros, dibujantes y “animadores” por ordenador, matemáticos y arquitectos. Las palabras elegidas para el nombre, tomadas del inglés para tener una mayor facilidad en su posicionamiento a nivel internacional, pero también por el carácter de modernidad que le otorga en el entorno japonés, reflejan bien lo que son y su propósito. Un equipo, team, y Laboratory, no un Studio or a Company. Buscaban una plataforma para auto-expresarse, experimentar y crear, y lo fundaron. Según sus propias definiciones teamLab es un
    [Show full text]
  • Teamlab: Digital Playgrounds
    TEAMLAB: DIGITAL PLAYGROUNDS by Kim Phan Nguyễn Bachelor of General Studies, 2015 Texas Woman’s University Denton, Texas A Thesis Submitted to the Faculty of College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of Master of Arts in Art History May 2021 APPROVAL TEAMLAB: DIGITAL PLAYGROUNDS by Kim Phan Nguyễn Thesis approved: Major Professor, Dr. Jessica Fripp, Associate Professor of Art History Sara-Jayne Parsons, Director & Curator at the Art Galleries at TCU Dr. Vivian Li, The Lupe Murchison Curator of Contemporary Art at the Dallas Museum of Art TABLE OF CONTENTS List of Figures ................................................................................................................................. v Introduction ..................................................................................................................................... 1 Imagining a World without Borders ............................................................................................... 3 Super Happy!: The Digital Optimism of teamLab ....................................................................... 12 Unfolding and Flattening Worlds: The Ultrasubjective Space ..................................................... 17 A Legacy of Collectivism and Technology: Historicizing teamLab ............................................ 23 Playful Aesthetics ......................................................................................................................... 34 Conclusion ...................................................................................................................................
    [Show full text]
  • Tripping the Light Fantastic
    LIFE | ART The Japanese art collective was founded in 2001 by physics, mathematics and IT graduate Toshiyuki Inoko, who set out—with fellow University of Tokyo graduates, mainly majors ave you ever walked in science and engineering—to “explore art into a gallery and found through digital media. I wanted to create a a floating cube of LEDs place where people could collaborate and sorts of boundaries in the physical world programmed to shimmer explore across the different fields of science that can be eliminated through digital in patterns resembling a and technology and art,” he says. art,” says Inoko, explaining how teamLab’s fireplace? Or journeyed through a labyrinth of Through a clever combination of installations demand the involvement of Tripping the suspended crystals whose glittering patterns projectors, motion sensors, LEDs and the viewer. Unlike traditional art, which in you can control via smartphone? Or drawn a computers “hooked up to think and some senses is a one-way conversation, the fish and scanned it into a computer, only to communicate with each other,” says interactive elements of teamLab creations have it appear seconds later swimming across Kazumasa Nonaka, a member of the group, enable the artwork itself to change in Light Fantastic a vast seabed projection on an adjacent wall? teamLab creates large digital artworks response to the viewer’s behaviour. No. Then you probably haven’t encountered that envelop visitors in an audio-visual At a teamLab exhibition in Tokyo last With its highly Instagrammable one of teamLab’s ultra-technological, experience like no other. “There are all summer, for example, a dark room filled knee- installations, the creative collective interactive and synaesthetic visual, acoustic high with water was alive with projections (and occasionally olfactory) experiences.
    [Show full text]
  • PARTICLE POETRY: a Show Case by Teamlab
    FOR IMMEDIATE RELEASE GAJAH GALLERY SINGAPORE PRESENTS PARTICLE POETRY: a show case by teamLab ÓteamLab Courtesy of Ikkan Art International Impermanent Life, at the Confluence of Spacetime New Space and Time is Born Digital Work, 4 Channels, Continuous Loop 121 x 271 x 15cm Edition of 8 teamLab Gajah Gallery Singapore presents Particle Poetry, a showcase of six single-channel and multiple- channel works by the art collective teamLab, presented in collaboration with Ikkan Art International. Known as “ultra technologists”, interdisciplinary art collective teamLab leads the field of digital installation and multimedia art, navigating the confluence of art, science, technology and the natural world. Several digital installations by teamLab can be found across Singapore in public and permanent collections, including Resonating Forest – Shiseido Forest Valley which opened at Jewel Changi Airport in April 2019, and has marvelled travellers and visitors from across the world. The digital works at Gajah Gallery span a six-year period of 2012 to 2018, including Impermanent Life, at the Confluence of Spacetime New Space and Time is Born, Sunflower Phoenix, Gold Waves, and Flower and Corpse Glitch. Particle Poetry opens on Friday, 26 February at Gajah Gallery, in Tanjong Pagar Distripark in Singapore. As Gajah Gallery celebrates our 25th Anniversary, we also look to the future of art within the region of Southeast Asia by presenting contemporary mediums and collaborative projects. FOR IMMEDIATE RELEASE teamLab (f. 2001) is an international art collective, an interdisciplinary group of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world.
    [Show full text]
  • Teamlab Research
    Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2019 teamLab Research Chinchen Liu Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Contemporary Art Commons, Interactive Arts Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Liu, Chinchen, "teamLab Research" (2019). MA Theses. 29. https://digitalcommons.sia.edu/stu_theses/29 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. teamLab Research “Tsinghua-Sotheby’s” Art Management Master’s Program Dissertation Liu Chinchen 2 December 2019 Abstract teamLab undoubtedly opened a new era of art. It allows professionals in multi-industries to use the latest science and technology to create art, they are all popular for local audiences from Japan to the United States, from Italy to China, wherever they go. As a significant representative form of the trendy show and immersive exhibition, teamLab's works are completely different from the past in terms of creative logic, exhibition experience, and collection methods. By going through the development history of teamLab, this article studies the characteristics of its exhibitions, audience, and the connection with traditional art, in order to explore the development
    [Show full text]
  • Art & Finance Report 2019
    Art & Finance Report 2019 6th edition Se me Movió el Piso © Lina Sinisterra (2014) Collect on your Collection YOUR PARTNER IN ART FINANCING westendartbank.com RZ_WAB_Deloitte_print.indd 1 23.07.19 12:26 Power on your peace of mind D.KYC — Operational compliance delivered in managed services to the art and finance industry D.KYC (Deloitte Know Your Customer) is an integrated managed service that combines numerous KYC/AML/CTF* services, expertise, and workflow management. The service is supported by a multi-channel web-based platform and allows you to delegate the execution of predefined KYC/AML/CTF activities to Deloitte (Deloitte Solutions SàRL PSF, ISO27001 certified). www2.deloitte.com/lu/dkyc * KYC: Know Your Customer - AML/CTF: Anti-Money Laundering and Counter-Terrorism Financing Empower your art activities Deloitte’s services within the Art & Finance ecosystem Deloitte Art & Finance assists financial institutions, art businesses, collectors and cultural stakeholders with their art-related activities. The Deloitte Art & Finance team has a passion for art and brings expertise in consulting, tax, audit and business intelligence to the global art market. www.deloitte-artandfinance.com © 2019 Deloitte Tax & Consulting dlawmember of the Deloitte Legal network The Art of Law DLaw – a law firm for the Art and Finance Industry At DLaw, a dedicated team of lawyers supports art collectors, dealers, auctioneers, museums, private banks and art investment funds at each stage of their project. www.dlaw.lu © 2019 dlaw Art & Finance Report 2019 | Table of contents Table of contents Foreword 14 Introduction 16 Methodology and limitations 17 External contributions 18 Deloitte CIS 21 Key report findings 2019 27 Priorities 31 The big picture: Art & Finance is an emerging industry 36 The role of Art & Finance within the cultural and creative sectors 40 Section 1.
    [Show full text]
  • Theme Index and Museum Index: the Global Attractions Attendance Report
    GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover image: Star Wars: Galaxy’s Edge, Disneyland Park, Anaheim, CA, U.S. Photo courtesy of Disney CREDITS TEA/AECOM 2019 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Producer: Kathleen LaClair Lead Designers: Matt Timmins, Nina Patel Publication team: Tsz Yin (Gigi) Au, Beth Chang, Michael Chee, Linda Cheu, Celia Datels, Lucia Fischer, Marina Hoffman, Olga Kondaurova, Kathleen LaClair, Jodie Lock, Jason Marshall, Sarah Linford, Jennie Nevin, Nina Patel, John Robinett, Judith Rubin, Matt Timmins, Chris Yoshii ©2019 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President – Economics Vice President – Economics, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Kathleen LaClair Beth Chang Associate Principal – Economics, Americas Executive Director – Economics, [email protected] Asia-Pacific T +1 610 444 3690 [email protected] T +852 3922 8109 Linda Cheu Jodie Lock Vice President – Economics, Americas Associate – Economics, Asia-Pacific and EMEA [email protected] [email protected] T +1 415 955 2928 T +852 3922 9000 aecom.com/economics For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Director of Publications TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 TEAconnect.org GLOBAL ATTRACTIONS ATTENDANCE REPORT The definitive annual attendance study for the themed entertainment and museum industries.
    [Show full text]
  • Transformed Asian Art Museum Unveils New Pavilion with Teamlab: Continuity
    NEWS PRESS CONTACT: Zac T. Rose 415.581.3560 [email protected] Transformed Asian Art Museum Unveils New Pavilion with teamLab: Continuity Immersive Digital Experience from Tokyo-Based International Art Collective Makes Major U.S. Museum Debut in 2020 San Francisco, March 24, 2020 — Swirls of butterflies and sunflowers, crisscrossing crows in flight, streams of luminous ink, rooms alive with light and feeling. Exclusively at the Asian Art Museum, teamLab: Continuity brings the immersive digital marvels of teamLab — an international art collective based in Tokyo — to a major U.S. museum for its debut solo exhibition. teamLab: Continuity is also the inaugural event in the brand-new Akiko Yamazaki and Jerry Yang Pavilion, the multimillion-dollar centerpiece of the museum’s five-year transformation project and San Francisco’s largest new art exhibition space. Forest of Flowers and People: Lost, Immersed and Reborn 2017/2020. By teamLab (Japanese, est. 2001). Sound by Hideaki Takahashi (b. 1967). Interactive digital installation © teamLab Transformed Asian Art Museum Unveils New Pavilion with teamLab: Continuity Opening in 2020 at the Asian Art Museum, teamLab: Continuity presents a series of interactive digital installations spread across the 8,500 square feet of the museum’s newly constructed pavilion. Immersed in teeming wonderlands, visitors are encouraged to roam freely through projected environments of vibrant color and sound that dissolve into one another. The touch-sensitive artworks are hyper-responsive to human activity, transforming visitors into participants: rather than a series of preprogrammed movies, the digital animation is derived from dynamic algorithms that react to visitors’ locations and movements within the exhibition space.
    [Show full text]
  • Exhibition and Museum Visitor Figures 2019 2 SPECIAL REPORT Number 322, April 2020 I the ART NEWSPAPER Art’S Most Popular the Results Are In…
    THE ART NEWSPAPER LTD. EST. 1983, VOL. XXIX NO. 322 APRIL 2020 WWW.THEARTNEWSPAPER.COM SPECIAL REPORT: The defi nitive guide to the world's most-visited museums and shows ART ART’’SS MOSTMOST POPULARPOPULAR Exhibition and museum visitor figures 2019 2 SPECIAL REPORT Number 322, April 2020 I THE ART NEWSPAPER Art’s most popular The results are in… Ai Weiwei is world’s most popular artist But Japanese audiences also appreci- a loan from the Vatican at New York’s by the Dutch master in its collection The Chinese artist was a hit in Brazil and records ate art created closer to home, judging Metropolitan Museum of Art (3,099 vis- contributed to a record year: 2.7 million were broken in London and Paris—but is this the by the daily total who turned up to the itors a day) and a UK travelling show of visited the Amsterdam museum, includ- Tokyo National Museum to see works drawings lent by The Queen. The Royal ing 455,000 (3,922 a day) who went to All fi nal year of museum visitor growth? that told the story of the Japanese Collection declined to provide figures the Rembrandts. The Museo Nacional del Buddhist monk who made To-ji Temple for its stops at The Queen’s galleries at Prado chose to honour Rembrandt with By Emily Sharpe and José da Silva a centre for Shingon Esoteric Buddhism Buckingham Palace and Holyroodhouse a show that compared the Leiden-born (7,697). However, the Nara National so we cannot quantify the tour’s overall artist’s work with that of fellow 17th-cen- Museum still stages the most visited popularity, but the turnout for smaller tury heavyweights Velázquez and t’s offi cial: Ai Weiwei is the world’s Melbourne’s Australian Centre for the show in Japan with its annual display versions of the show at Manchester Art Vermeer (4,553).
    [Show full text]
  • The First Edition of Taipei Dangdai Now Open
    The First Edition of Taipei Dangdai Now Open Taipei Dangdai, the new international art fair, was successfully inaugurated today, Thursday, 17 January, at the Taipei Nangang Exhibition Center. The fair’s Arts & Ideas programme presents world- class galleries, artworks, installations and guided tours, complemented by talks and discussions with industry experts from Friday 18 to Sunday 20, January 2019. TAIPEI (17 January 2019) – Taipei Dangdai, the new international art fair premiering this year in Asia, was successfully inaugurated today at the Taipei Nangang Exhibition Center. Running from Friday 18 to Sunday 20 January, Taipei Dangdai presents 90 local, regional and international galleries across four different fair sectors and is supported by a multi-disciplinary Ideas Program featuring thought leaders from the art world. Magnus Renfrew, Fair Director, Taipei Dangdai says: “Our aspiration is to bring new collectors into the market with our unique structure of sectors, offering quality at every price point. Art is about ideas which are common to all of us and Taipei Dangdai aspires to be a meeting place for the exchange of these ideas, providing a context which unpackages art for the wider audience and reduces the intimidation factor.” “Following the launch of the Taipei Biennial in November, momentum has really been building within Taipei’s art scene and there is a palpable sense of excitement and buzz for the first-ever edition of Taipei Dangdai. As a collector myself, I am excited about the quality presentations by galleries and artwork presented at the fair and believe it will prove to be a game- changer for Taiwan.” said Leslie Sun.
    [Show full text]
  • World's Best Cities 2021
    World’s A RANKING OF GLOBAL PLACE EQUITY 2021 Where to live, work, invest and visit The Performance of the World’s Best Cities: The Methodology — 06 Pc Pd Po Ps Pg Pm World’s Top 100 Cities Profiles — 08 The World’s Best Cities Performance by Category — 52 BESTCITIES.ORG LOVE CITIES? Join WRLDCTY, the global • 3 days to shape the cities of tomorrow, forum for urban design, through inspiring panel conversations, culture and innovation workshops and networking with the world’s urban visionaries and practitioners. October 26 – 28, 2021 • A global virtual event with in-person gatherings in New York, London, Dubai, Broadcast from the Toronto and Singapore. world’s best cities • Thousands of placemakers, businesses Learn more at WRLDCTY.com and global urban citizens. WELCOME TO THE 2021 RANKING OF THE WORLD'S BEST CITIES Resonance Consultancy is building the most comprehensive city rankings on the planet. Here’s why this matters now more than ever. As leading advisors in tourism, real estate and economic incorporate user-generated data to quantify the number of development for more than a decade, our team has quality restaurants, shops, nightlife and other experiences conducted extensive research on the rise of cities, the key that make urban living so alluring. trends propelling this growth and the factors that shape our perception of urban centers as desirable places to live, visit Based on the data we have collected over the past five years, and invest. we know that a city’s performance for factors such as Face- book check-ins, Instagram mentions, recommended culinary The COVID-19 pandemic has challenged us and our cities in experiences, museums, nightlife, culture and shopping have ways none of us have ever experienced before.
    [Show full text]
  • Teamlab Selected One-Artist Exhibitions
    TEAMLAB SELECTED ONE-ARTIST EXHIBITIONS DATES Founded 2001, Tokyo Toshiyuki Inoko, CEO 2018 teamLab: Continuous Life and Death at the Now of Eternity, Pace Gallery, Palo Alto, California, November 15, 2018–January 13, 2019. teamLab: Massless, Amos Rex, Helsinki, August 30, 2018–January 6, 2019. teamLab: A Time When Art Is Everywhere, Cameron Art Museum, Wilmington, North Carolina, August 25, 2018–September 8, 2019. teamLab: Beyond the Limits, Grand halle de la Villette, Paris, May 4–September 2, 2018. teamLab: Continuous Life and Death at the Now of Eternity¸ Ikkan Art Gallery, Singapore, January 22– February 10, 2018. teamLab: Walk, Walk, Walk: Search, Deviate, Reunite, National Gallery Singapore, January 5–August 21, 2018. 2017 teamLab: Selected One-Artist Exhibitions 2 teamLab: Continuous Life and Death at the Now of Eternity¸ Martin Browne Contemporary, New South Wales, September 21–October 15, 2017. teamLab: A Forest Where Gods Live, Mifuneyama Rakuen Park, Saga, Japan, July 14–October 9, 2017. teamLab: Dance! Art Exhibition, Learn & Play! Future Park, OCT Harbour—OCT Creative Exhibition Center, Shenzhen, China, July 8–November 30, 2017. teamLab: Homogenizing and Transforming World, National Gallery Singapore, May 20–October 8, 2017. teamLab: Living Digital Forest and Future Park, Pace Beijing, May 20–October 10 (extended through November 9), 2017. teamLab: Graffiti Nature, Walker Art Center, Minneapolis, May 18–September 10,2017. teamLab: Flowers & People, Cannot be Controlled but Live Together—A Whole Year per Hour, Moody Center for the Arts, Rice University, Houston, February 24–August 13, 2017. teamLab: Transcending Boundaries, Pace London, 6 Burlington Gardens, January 25–March 11, 2017.
    [Show full text]