Press Release Mangold Halley

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MARUANI MERCIER PRESS RELEASE FOR IMMEDIATE PUBLICATION PETER HALLEY ROBERT MANGOLD Modern I Postmodern 28 February – 7 April 2018 Avenue Louise 430, Brussels We are thrilled to announce you that we will display numerous works of art of the world- renowned artists Robert Mangold and Peter Halley. The presented works range from the 1970s until the end of the 1990s. Modern I Postmodern will start on February 28th and run until April 7th, 2018. Robert Mangold and Peter Halley have developed an artistic vocabulary derived from the idea of geometry and asymmetry in shape and form. They explore both the physical and psychological structures of social and architectural spaces. By displaying a dialogue between the two artists we try to create a cohesive interaction between Modern and Postmodern art. Robert Mangold is an American artist known for his contribution to Minimalism and his focus on the fundamentals of formal construction in painting, sculpture, and drawing. His shaped panel paintings use subtle modulations of color and precise graphite lines to confront the viewer with a difficult, yet meditative experience.“Robert Mangold’s paintings,” wrote the New York Times, “are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Born in 1937 in North Tonawanda, New York, he lives and works in New York City. Robert Mangold, Brown/Gray Zone Painting V, 1966, acrylic and black pencil on canvas, 184 x 224 x 12,5 cm MARUANI MERCIER PRESS RELEASE FOR IMMEDIATE PUBLICATION Peter Halley, Yellow Cell with Smokestack, 1984, acrylic, fluorescent acrylic and Roll-a-Tex on canvas, 124 x 165 cm Peter Halley is a contemporary American artist best known for his brilliantly colored geometric paintings. Since the early 1980s, Halley's oeuvre has focused on abstractions of a single subject—a barred window from a prison cell. Over time, his compositions have become more intricate, as he has increased the number of conduits, prisons, and cells in each painting. Halley began to use colors and materials with specific connotations, such as fluorescent Day- Glo paint, mimicking the eerie glow artificial lighting and reflective clothing and signs, as well as Roll-a-Tex, a texture additive used as surfacing in suburban buildings. Often credited as an early example of the Neo-Geo movement, Halley's Minimalist work serves as a critique of the mass globalization, commercialism, and digitalization of modern life. Born in 1953 in New York City, where he still lives and works. For press information, please contact Margaux De Pauw [email protected] For high-resolution images, visit maruanimercier.com/press For public information call +32 2 512 50 10 or visit maruanimercier.com.

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Peter Halley 2020
MARUANI MERCIER PRESS RELEASE For immediate publication New Works by PETER HALLEY 1 August - 3 September 2020 Kustlaan 90, 8300 Knokke MARUANI MERCIER is proud to announce their 9th exhibition with the American Neo-Conceptualist artist Peter Halley at their gallery in Knokke from 1 to 31 August 2020. Peter Halley was born in New York City in 1953. He received his BA from Yale University and his MFA from the University of New Orleans in 1978. Moving to New York City had big influence on Halley’s painting style. Its three-dimensional urban grid led to geometric paintings that engage in a play of relationships between so-called "prisons" and "cells" – icons that reflect the increasing geometricization of social space in the world. Halley began to use colors and materials with specific connotations, such as fluorescent Day-Glo paint, mimcking the eerie glow artificial lighting and reflective clothing and signs, as well as Roll-a-Tex, a texture additive used as surfacing in suburban buildings. Halley is part of the generation of Neo-Conceptualist artists that first exhibited in New York’s East Village, including Jeff Koons, Haim Steinbach, Mayier Vaisman and Ashley Bickerton. These artists became identified on a wider scale with the labels Neo-Geo and Neo-Conceptualism, an art practice deriving from the conceptual art movement of the 1960s and 1970s. Focussing on the commodification of art and its relation to gender, race, and class, neo-conceptualists question art and art institutions with irony and pastiche. Halley's works were included in the Sao Paolo Biennale, the Whitney Biennale and the 54th Venice Biennale and represented in such museums and art institutions as the CAPC Musee d'Art Contemporain, Bordeaux; the Museo Nacional Centro de Arte Reina Sofia, Madrid; the Stedelijk Museum, Amsterdam; the Des Moines Art Center; The Tate Modern, London; the Dallas Museum of Art; the Museum of Modern Art, New York; the Kitakyushu Municipal Museum of Art; the Museum Folkwang, Essen and the Butler Institute of American Art.
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Peter Halley
PETER HALLEY BIOGRAPHY 1953 Born in New York City 1971 Graduates from Phillips Academy, Andover, Massachusetts 1975 Studies at Yale University, New Haven, Connecticut 1976 Moves to New Orleans 1978 Studies at University of New Orleans 1980 Moves to New York City 1981 Publishes ‘Beat, Minimalism, New Wave, and Robert Smithson’, the first of six essays to appear in Arts Magazine, New York 1985 Solo exhibition at International with Monument, New York 1989 Solo exhibition at the Museum Haus Esters, Krefeld, Germany 1991 Retrospective at CAPC Musée d’art contemporain, Bordeaux. Exhibition tours to FAE Musée d’art contemporain, Pully/Lausanne, the Reina Sofía, Madrid, and the Stedelijk Museum, Amsterdam 1995 First large-scale installation at the Dallas Museum of Art 1996 Founds index, a bi-monthly magazine covering independent culture. Publishes index until 2005 1996-99 Serves as Adjunct Professor, U.C.L.A., School of Art and Architecture, Los Angeles 1997 New Concepts of Printmaking 1: Peter Halley at the Museum of Modern Art, New York 1999 Appointed Senior Lecturer in Painting, Yale University, School of Art, New Haven, Connecticut 2000 Begins teaching as Adjunct Professor, Columbia University, New York City 2001 Receives the annual Frank Jewett Mather Award for published art criticism from the College Art Association 2002 Appointed Director of Graduate Studies in Painting and Printmaking at the Yale University School of Art, until 2011 Permanent installation of wall-size digital prints at the public library in Usera, Spain, commissioned
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Peter Halley Paintings of the 1980S the Catalogue Raisonné Cara Jordan Table of Contents
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Download Artist's CV
MARUANI MERCIER PETER HALLEY Born in 1953, he lives and works in New York City. Education 1978 BA from Yale University 1980 MFA from the University of New Orleans One Person Exhibitions and Collaborative Exhibitions 2021 Three Paintings, Almine Rech Gallery, Shanghai New Paintings, Galleria Massimo Minini, Brescia, Italy 2020 Peter Halley: New Works, MARUANI MERCIER, Knokke, Belgium Peter Halley: Networks, James Barron Art, Kent, CT Peter Halley: Paintings 2000 – 2018, Galerie Retelet, Monaco Peter Halley / Anselm Reyle, König Galerie and Galerie Thomas, Berlin Peter Halley: New Paintings, Galeria Senda, Barcelona Peter Halley, Baldwin Gallery, Aspen 2019 Heterotopia II, Greene Naftali Gallery, New York Peter Halley: New Paintings, Galerie Thomas Modern, Munich Qube, Split, Croatia (collaborative installation with Lauren Clay, catalogue) Heterotopia I, Magazzini del Sale, with Flash Art Magazine and the Accademia di Venezia (installation) Still, Peter Halley and Ugo Rondinone, Stuart Shave/Modern Art Biel train station, Biel, Switzerland (installation) Galerie Forsblom, Stockholm 2018 Peter Halley: New Paintings, MARUANI MERCIER, Brussels Lever House, New York (installation) Modern I Postmodern: Peter Halley and Robert Mangold, MARUANI MERCIER, Brussels, Belgium AU-DESSOUS / AU DESSUS, Galerie Xippas, Paris (installation) Peter Halley. Patterns and Figures, Gouaches 1977/78, Galerie Thomas Modern, Munich 2017 Greene Naftali Gallery, New York Gary Tatintsian Gallery, Moscow Boats Crosses Trees Figures Gouaches 1977-78, Karma, New York
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BIBLIOGRAPHIE peter halley Catalogues : 2019 Peter Halley. Paintings of the 1980s. The Catalogue Raisonné. Ed. JRP Editions, 2019. Peter Halley: 23 June – 10 September, 2017, exhibition catalogue, Gary Tatinsian Gallery, Moscou 2017 Francesca Avanzini, The Presence of Peter Halley in Italy (1987–2016), PhD dissertation, Universita Cattolica Del Sacro Cuore Di Milano, Milan Peter Halley, Boats Crosses Trees Figures Gouaches 1977–78, exhibition catalogue, Karma, New York Peter Halley, Paintings from the 1980s, exhibition catalogue, Stuart Shave/Modern Art, Londres 2016 Richard Milazzo, Skewed: Ruminations on the Writings and Works of Peter Halley, exhibition catalogue, Galleria Mazzoli, Modena, Italie Max Hollein, The Schirn Ring: Peter Halley, exhibition catalogue, Schirn Kunsthalle Frankfurt, Allemagne Geometry of the Absurd: Recent Paintings by Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, États-Unis Peter Halley: Metallic Paintings, exhibition catalogue, Jablonka Maruani Mercier Gallery, Knokke, Belgique. 2015 Blazwick, Iwona and Magnus Af Petersens (ed) : Adventures of the Black Square : Abstract Art and Society 1915-2015, Whitechapel Gallery, Londres 2013 Peter Halley: Recent Paintings, catalogue d’exposition, Steinmetz Contemporary Art Gallery, San Jose, Costa Rica. (monographie) Peter Halley, Selected essays 1981-2001, Edgewise, 2013, New York Jo Melvin, Peter Halley: Paintings 2012-2013, catalogue d’exposition, Waddington Custot Galleries, Londres. (monographie) 2012 Peter Halley: 8 Small Prisons and Other Works, catalogue d’exposition, Galeria Senda, Barcelone, Espagne. (monographie) 2009 Peter Halley, catalogue d’exposition, Galerie Alain Noirhomme, Bruxelles, Belgique. (monographie) Peter Halley, catalogue d’exposition, Galerie Forsblom, Helsinki. (monographie) Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné, The Museum of Modern Art, p 138, New York.
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134 Guest Editor: Peggy Cyphers CONTRIBUTORS Suzanne Anker Terra Keck Katherine Bowling KK Kozik Amanda Church Marilyn Lerner Nicolle Cohen Jill Levine Elizabeth Condon Linda Levit Ford Crull Judith Linhares Peggy Cyphers Pam Longobardi Steve Dalachinsky Darwin C. Manning Dan Devine Michael McKenzie Debra Drexler Maureen McQuillan Emily Feinstein Stephen Paul Miller Jane Fire Lucio Pozzi RM Fischer Archie Rand Kathy Goodell James Romberger Julie Heffernan Christy Rupp David Humphrey Mira Schor Judith Simonian Lawre Stone Jeffrey C. Wright Brenda Zlamany VALENTINE "There are no facts, only interpretations." —Frederich Nietzche “When the power of love overcomes the love of power, the world will know peace.” —Jimi Hendrix JEFFREY C. WRIGHT Feathered Flower PEGGY CYPHERS Heirs to the Sea RED SCREEN Silvio Wolf 134 JILL LEVINE Euphorico Copyright © 2020, Marina Urbach Holger Drees Mignon Nixon Lisa Zwerling New Observations Ltd. George Waterman Lloyd Dunn Valery Oisteanu and the authors. Phillip Evans-Clark Wyatt Osato Back issues may be All rights reserved. Legal Advisors FaGaGaGa: Mark & Saul Ostrow purchased at: ISSN #0737-5387 Paul Hastings, LLP Mel Corroto Stephen Paul Miller Printed Matter Inc. Frank Fantauzzi Pedro A.H. Paixão 231 Eleventh Avenue Publisher Past Guest Editors Jim Feast Gilberto Perez New York, NY 10001 Mia Feroleto Keith Adams Mia Feroleto Stephen Perkins Richard Armijo Elizabeth Ferrer Bruno Pinto To pre-order or support Guest Editor Christine Armstrong Jane Fire Adrian Piper please send check or Peggy Cyphers Stafford Ashani Steve Flanagan Leah Poller money order to: Karen Atkinson Roland Flexner Lucio Pozzi New Observations VALENTINE Graphic Designer Todd Ayoung Stjepan G.
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