William Morris and the Early Days of the Socialist Movement
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People, Place and Party:: the Social Democratic Federation 1884-1911
Durham E-Theses People, place and party:: the social democratic federation 1884-1911 Young, David Murray How to cite: Young, David Murray (2003) People, place and party:: the social democratic federation 1884-1911, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3081/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk People, Place and Party: the Social Democratic Federation 1884-1911 David Murray Young A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted for the Degree of Doctor of Philosophy University of Durham Department of Politics August 2003 CONTENTS page Abstract ii Acknowledgements v Abbreviations vi Introduction 1 Chapter 1- SDF Membership in London 16 Chapter 2 -London -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
Charlotte Wilson, the ''Woman Question'', and the Meanings of Anarchist Socialism in Late Victorian Radicalism
IRSH, Page 1 of 34. doi:10.1017/S0020859011000757 r 2011 Internationaal Instituut voor Sociale Geschiedenis Charlotte Wilson, the ‘‘Woman Question’’, and the Meanings of Anarchist Socialism in Late Victorian Radicalism S USAN H INELY Department of History, State University of New York at Stony Brook E-mail: [email protected] SUMMARY: Recent literature on radical movements in the late nineteenth and early twentieth centuries has re-cast this period as a key stage of contemporary globali- zation, one in which ideological formulations and radical alliances were fluid and did not fall neatly into the categories traditionally assigned by political history. The following analysis of Charlotte Wilson’s anarchist political ideas and activism in late Victorian Britain is an intervention in this new historiography that both supports the thesis of global ideological heterogeneity and supplements it by revealing the challenge to sexual hierarchy that coursed through many of these radical cross- currents. The unexpected alliances Wilson formed in pursuit of her understanding of anarchist socialism underscore the protean nature of radical politics but also show an over-arching consensus that united these disparate groups, a common vision of the socialist future in which the fundamental but oppositional values of self and society would merge. This consensus arguably allowed Wilson’s gendered definition of anarchism to adapt to new terms as she and other socialist women pursued their radical vision as activists in the pre-war women’s movement. INTRODUCTION London in the last decades of the nineteenth century was a global crossroads and political haven for a large number of radical activists and theorists, many of whom were identified with the anarchist school of socialist thought. -
Westminsterresearch 'Artists Hidden from Human Gaze': Visual Culture and Mysticism in the Nineteenth Century Convent Jordan, K
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch 'Artists Hidden From Human Gaze': Visual Culture and Mysticism in the Nineteenth Century Convent Jordan, K. This journal article has been accepted for publication and will appear in a revised form, subsequent to peer review and/or editorial input by Cambridge University Press in the British Catholic History. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. © Cambridge University Press, 2020 The final definitive version in the online edition of the journal article at Cambridge Journals Online is available at: https://doi.org/10.1017/bch.2020.18 The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Proof Delivery Form British Catholic History Date of delivery: Journal and vol/article ref: bch 2000018 Number of pages (not including this page): 31 page 1 of 2 This proof is sent to you on behalf of Cambridge University Press. Authors are strongly advised to read these proofs thoroughly because any errors missed may appear in the final published paper. This will be your ONLY chance to correct your proof. Once published, either online or in print, no further changes can be made. Please return the marked proofs within 7 days of receipt to: [email protected] THIS PDF IS FOR PROOF CHECKING PURPOSES ONLY. IT SHOULD NOT BE DISTRIBUTED TO THIRD PARTIES AND MAY NOT REPRESENT THE FINAL VERSION. -
Socialism and Education in Britain 1883 -1902
Socialism and Education in Britain 1883 -1902 by Kevin Manton A Thesis Submitted in Partial Fulfilment of the Requirements for the degree of DOCTOR OF PHILOSOPHY (PhD) Institute of Education University of London September 1998 (i.omcN) 1 ABSTRACT This thesis examines the policies of the socialist movement in the last two decades of the nineteenth century with regard to the education of children. This study is used to both reassess the nature of these education policies and to criticise the validity of the historiographical models of the movement employed by others. This study is thematic and examines the whole socialist movement of the period, rather than a party or an individual and as such draws out the common policies and positions shared across the movement. The most central of these was a belief that progress in what was called the 'moral' and the 'material' must occur simultaneously. Neither the ethical transformation of individuals, nor, the material reformation of society alone would give real progress. Children, for example, needed to be fed as well as educated if the socialist belief in the power of education and the innate goodness of humanity was to be realised. This belief in the unity of moral and material reform effected all socialist policies studied here, such as those towards the family, teachers, and the content of the curriculum. The socialist programme was also heavily centred on the direct democratic control of the education system, the ideal type of which actually existed in this period in the form of school boards. The socialist programme was thus not a utopian wish list but rather was capable of realisation through the forms of the state education machinery that were present in the period. -
Charlotte Wilson, the ‘‘Woman Question’’, and the Meanings of Anarchist Socialism in Late Victorian Radicalism
IRSH 57 (2012), pp. 3–36 doi:10.1017/S0020859011000757 r 2011 Internationaal Instituut voor Sociale Geschiedenis Charlotte Wilson, the ‘‘Woman Question’’, and the Meanings of Anarchist Socialism in Late Victorian Radicalism S USAN H INELY Department of History, State University of New York at Stony Brook E-mail: [email protected] SUMMARY: Recent literature on radical movements in the late nineteenth and early twentieth centuries has re-cast this period as a key stage of contemporary globali- zation, one in which ideological formulations and radical alliances were fluid and did not fall neatly into the categories traditionally assigned by political history. The following analysis of Charlotte Wilson’s anarchist political ideas and activism in late Victorian Britain is an intervention in this new historiography that both supports the thesis of global ideological heterogeneity and supplements it by revealing the challenge to sexual hierarchy that coursed through many of these radical cross- currents. The unexpected alliances Wilson formed in pursuit of her understanding of anarchist socialism underscore the protean nature of radical politics but also show an over-arching consensus that united these disparate groups, a common vision of the socialist future in which the fundamental but oppositional values of self and society would merge. This consensus arguably allowed Wilson’s gendered definition of anarchism to adapt to new terms as she and other socialist women pursued their radical vision as activists in the pre-war women’s movement. INTRODUCTION London in the last decades of the nineteenth century was a global crossroads and political haven for a large number of radical activists and theorists, many of whom were identified with the anarchist school of socialist thought. -
291 Index © in This Web Service Cambridge
Cambridge University Press 978-0-521-89515-6 - The Cambridge Companion to the Pre-Raphaelites Edited by Elizabeth Prettejohn Index More information INDEX Adam Bede (Eliot), 19 ‘Art and Industry in the Fourteenth Century’ ‘Adieu’ (‘Wavering whispering trees’) (Morris), 207 (D.G. Rossetti), 95 Art and Poetry: Being Thoughts towards Adoration of the Kings and Shepherds Nature, Conducted principally by (Burne-Jones), 237–8 Artists, 3, 83. See also The Germ Adoration tapestry (Morris & Co.), 219–20 ‘The Art Catholic’, 166 Aesthetic Movement Art Journal, 38, 39 Brown, 148, 160 ‘Art News from London’ (W.M. Rossetti), Hunt, 42, 74 257 Morris, 216 ‘The Art of the People’ (Morris), 207 The Age of Rossetti, Burne-Jones and Watts: ‘Art Under Plutocracy’ (Morris), 207 Symbolism in Britain 1860–1910 269 Arts and Crafts movement, 40, 213, 218 Aids to Reflection (Coleridge), 71 Arundel Society, 35, 39 Albrecht Dürer on the Balcony of his House Aspecta Medusa (D.G. Rossetti), 28 (Scott), 40 Astrophel and Other Poems (Swinburne), Allingham, William, 16, 19–20, 57, 191–2 240–1 The Altar, or Meditations in Verse on Atalanta in Calydon (Swinburne), 27, 238, the Great Christian Sacrifice 244 (Williams), 167 The Athenaeum, 80, 161 American exhibition of Pre-Raphaelite Atlantic Monthly, 258 art, 258 ‘August’ (Swinburne), 243–4 ‘Anactoria’ (Swinburne), 242 Aurora Leigh (E.B. Browning), 17 Angel in the House (Patmore), 17 Autobiographical Notes (Scott), 238 Angiolieri, Cecco, 90 Autumn Leaves (Millais), 142–3, 256 The Annunciation (Tintoretto), 22, 35 ‘Ave’ (D.G. Rossetti), 93–4 antiquarianism, 33 The Awakening Conscience (Hunt), 39, 121, Brown, 151–2 124–5, 128, 251 Morris, 196 Aylott and Jones, 83 ‘Antwerp and Bruges’ (D.G. -
Transcriber's Note: Errors, When Reasonably Attributable to The
Transcriber’s Note: Errors, when reasonably attributable to the printer, have been corrected. The corrections appear underlined as corrected text. The original text appears when the mouse hovers on the underlined word or phrase. Please see the transcriber’s note at the end of this text for details. Footnotes have been resequenced to be unique across the book, and have been gathered at the end of the text. They are linked to their referents in the text. The illustrations have been moved to avoid falling within a paragraph. Each plate accompanied by a caption and attribution either on a previous or following page, and both caption and illustration were blank on their verso, and all four were not included in the pagination. The blank pages are not included here, obviously. DANTE ROSSETTI AND THE PRE-RAPHAELITE MOVEMENT “THE DAY-DREAM.” From the chalk. By permission of Mr. Theodore Watts. DANTE ROSSETTI AND THE PRE-RAPHAELITE MOVEMENT BY ESTHER WOOD LONDON: SAMPSON LOW, MARSTON AND COMPANY, LIMITED, SAINT DUNSTAN’S HOUSE, FETTER LANE FLEET STREET, E.C. MDCCCXCIIIJ CHISWICK PRESS:—C. WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE, LONDON, E.C. PREFACE. v The following pages do not afford any material additions to what is already known of Dante Rossetti, or of the history and purpose of the Pre-Raphaelite Brotherhood. The authoritative biography of Rossetti has yet to be written; and while availing myself fully of such new details as may cast fresh side-lights upon the dominant personalities of the Pre- Raphaelite movement, my aim has rather been to present the main features of that movement in their relation to the larger intellectual tendencies of the age, and to the moral principles which have determined the growth of taste and feeling in the nineteenth century. -
Edward Burne-Jones: Super-Naturalist Painter
This is a repository copy of Edward Burne-Jones: Super-Naturalist Painter. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/161286/ Version: Published Version Article: Hinzman, Katherine (2019) Edward Burne-Jones: Super-Naturalist Painter. Aspectus (1). pp. 1-10. ISSN 2732-561X 10.15124/yao-ttpkv057 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ASPECTUS A Journal of Visual Culture KATHERINE HINZMAN Edward Burne-Jones: Super-Naturalist Painter Issue 1 - 2019 ISSN 2732-561X pp. 1-10 University of York Published: 2 October 2019 0 Edward Burne-Jones: Super- Naturalist Painter KATHERINE HINZMAN Introduction Edward Burne-Jones (1833-1898) was a painter with an intense desire and love of the mysterious. This manifested itself in his art in various ways and through a variety of subjects. In this article, I shall argue that in the complexity of his vision for the mysterious, it is the precision, clarity, and above all, the superabundance of natural detail that is a significant factor in his creation of works with a sense of suspense and ambiguity—of the supernatural, and, surprisingly, the surreal. -
William Morris's Culture of Nature
IV The Object of Work 1. Decent surroundings It has been well-established that during the mid to late 1870s Morris became increasingly involved in public political debate, I and that in lectures and letters to the press he began to produce an educating, agitating discourse formulated initially upon his 'hopes and fears for art'.2 More recently, particular attention has been drawn to the ways that Morris's writings on art and society reveal 'a deep and resonant late nineteenth-century critique of contemporary environmental and social devastation'? These discussions have explored Morris's views on the preservation of 'the environment',4 and have tended to emphasise the 'eco-communal' or 'green' aspects of his work. Certainly the desire to protect and preserve the 'beauty of the earth' is a significant feature of Morris's rhetoric at this time. Yet perhaps more fundamental to his lectures and letters of the late 1870s and early 1880s is a concern to establish 'decent surroundings': to offer a view of the earth as a place of human habitation. Nature played an important, though not always central, role in his arguments. Yet what is apparent from the way he discusses nature is his increasing awareness that nature and humanity are interlinked, and that nature is frequently the object of human I Morris's first venture into politics was his involvement in the debate surrounding the 'Eastern Question'. In early 1876 a bankrupt Turkish government retaliated against an uprising of Christians in their Bulgarian province by massacring thousands. Morris was angered when Disraeli's Conservative Government proposed that Britain should intervene on behalf of Turkey against the threat of a Russian invasion. -
Pre-Raphaelitism Edna Fairchild
PRE-RAPHAELITISM EDNA FAIRCHILD. Bibliography Presented for the Degree of Bachelor of Library Science in the Illinois State Library School in the University of Illinois r PREFACE. It has been the purpose of the compiler in preparing the pre sent work to bring together all the periodical literature on the artistic phase of the Pre-Raphaelite movement in England. The ma terial to be found in histories of art and other books on art subjects, has been but sparingly included, as in every hi story of art will be found a treatise, more or less brief, on the sub ject of Pre-Raphaelitism, and it would be manifestly impossible to procure for examination all of the books to make the b i b l i ography complete. It has seemed advisable, therefore, to in clude in the present bibl iography only the less accessible material. The painters considered in this work are, Rossetti, Millais, and Hunt, the founders of the Pre-Raphaelite Brotherhood, and Brown and Burne-Jones, the cause and effect, as it were, of the movement. It has seemed that a bibliography which treated fully of the movement as a whole and of the five artists above noted, would be a fairly complete representation of the subject. II A special feature of the work, and one which the compiler trusts will be of assistance to art students and others who are desirous of becoming familiar with the works of the painters of the present century, is the division three (3) under each of the individual painters, i.e., the list of the books and periodi cals examined. -
Legends of the Madonna by Mrs. Jameson</H1>
Legends of the Madonna by Mrs. Jameson Legends of the Madonna by Mrs. Jameson Produced by Charles Aldarondo, Keren Vergon, William Flis, and the Online Distributed Proofreading Team. LEGENDS OF THE MADONNA, AS REPRESENTED IN THE FINE ARTS. BY MRS. JAMESON. CORRECTED AND ENLARGED EDITION. page 1 / 503 BOSTON: HOUGHTON, MIFFLIN AND COMPANY. The Riverside Press, Cambridge. 1881. NOTE BY THE PUBLISHERS. Some months since Mrs. Jameson kindly consented to prepare for this Edition of her writings the series of _Sacred and Legendary Art_, but dying before she had time to fulfil her promise, the arrangement has been intrusted to other hands. The text of the whole series will be an exact reprint of the last English Edition. TICKNOR & FIELDS. BOSTON, Oct. 1st, 1860. CONTENTS. PREFACE INTRODUCTION-- Origin of the Worship of the Madonna. page 2 / 503 Earliest artistic Representations. Origin of the Group of the Virgin and Child in the Fifth Century. The First Council at Ephesus. The Iconoclasts. First Appearance of the Effigy of the Virgin on Coins. Period of Charlemagne. Period of the Crusades. Revival of Art in the Thirteenth Century. The Fourteenth Century. Influence of Dante. The Fifteenth Century. The Council of Constance and the Hussite Wars. The Sixteenth Century. The Luxury of Church Pictures. The Influence of Classical Literature on the Representations of the Virgin. The Seventeenth Century. Theological Art. Spanish Art. Influence of Jesuitism on Art. Authorities followed by Painters in the earliest Times. Legend of St. Luke. Character of the Virgin Mary as drawn in the Gospels. Early Descriptions of her Person; how far attended to by the Painters.