DOCSLIB.ORG

Street Fighter Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Music Composed by Graeme Revell Music Supervision by Barry Levine and Eric Harryman Orchestrations by Tim Simonec & Graeme Revell Additional Orchestrations Larry Kenton, Ken Kugler & Mark Gassbarro London Symphony Orchestra Conducted by Tim Simonec Music Scoring Mixer Dan Wallin Music Sound Design Brian Williams Music Editor Josh Winget Assistant Music Editors Daniel Gaber Neil Kirk Music Consultant Andrew Shack "Street Fighter" Performed by Ice Cube Written by Ice Cube Ice Cube records exclusively for Priority Records Ice Cube appears courtesy of Priority Records "Rumbo N Da Jungo" Performed by Public Enemy (Chuck D) And Introducing The Wreck League (Five-O, Punk Barbarians, Melquan and the Alias K.B.) Written by C. Ryder, M. Keys, R. Harding, J. Michael O'Brian, V. Brownlee, D. Thompson, and J. Harrod Chuck D appears courtesy of Def Jam Records "Bison Trooper's Marching Song" Performed by the Bison Army Chorus Lyrics by Steven E. de Souza, Music by G. Revell "Take Charge" Performed by World Beaters Written by George Acogny "Street Soldier" Performed by Paris Guest Vocals by Da Old Skool Written by Paris Paris appears courtesy of Priority Records "Life As …" Performed by LL Cool J Written by J. T. Smith and O. Harvey Lyrics Written by LL Cool J LL Cool J appears courtesy of Def Jam Recordings, Inc./ Island Records/And Polygram Music Group "Pandemonium" Performed by Pharcyde Written by I. Wilcox, T. Hansen, R. Robinson, and D. Steward Pharcyde appears courtesy of Delicious Vinyl Records "Worth Fighting For" Performed by Angelique Kidjo Written by A. Kidjo, J. Hebrail and G. Revell Angelique Kidjo appears courtesy of Island Records "Something There" Performed by Chage & Aska Written by Ryo Aska English lyrics based on original lyrics by Charlie Midnight Chage & Aska appear courtesy of Pony Canyon, Inc. "Straight To My Feet" Performed by Hammer and Deion Sanders Written by Hammer Hammer appears courtesy of Giant Records Soundtrack Album on Priority Records Music in the film: One band turns up in the dancing girl sequence, but is immediately silenced by the impending chaos, and so are not heard: Lyrics: The end credits feature a mix of voice and song, beginning with a reprise of the Good Morning Vietnam joke heard in the film: DJ: "Goooood morning, Shadaloo! Bonjour, guten tag! Nǐ hǎo and salām, not to mention "ojinablway" - (phonetic guess). Now, it's time once again for the "Good Morning, Shadaloo" pop quiz. Do you know what it says on the bottom of Coke bottles in Bison's army? (buzzer sound) Aangh! Answer: It says open other end. With those jokes over, the song begins. Lyrics as heard in the film: I'm so alone in a crowd And cry too many tears Yeah Just like a child who's lost but became a prisoner of my fears People come, people go They are hiding in shadows Hiding in dreams Moving in, moving out They are nothin' but strangers (chorus) Strangers who see it Yeah, yeah, yeah My paper heart is so easily torn again and again I never know what the reason may be It just doesn't end. There's a sound in the air While the time goes on slipping Slipping away. In the air, it is everywhere, Nowhere, somewhere So I'm gonna have to say. Why (Chorus): It's there Tell me why (Chorus:) It is there I don't ever wanna say good-bye (Chorus): Do you ever wonder why? As I look into an empty sky … (The song fades down and the lines are obscured as the DJ returns. The song burbles along underneath the sexist and ethnic humour): DJ: Hey, how do you know in this man's, uh, pardon me, in this person's international army if you're in a good unit? Well, it's simple! The C.O. is English, the cook is French, the mechanic is German, the paymaster is Swiss, and the cute nurse in the infirmary is Swedish. And how do you know if you're in a bad unit? Well, the C.O. is German, the cook is English, the mechanic is Italian, the paymaster is French and the cute nurse in the infirmary is a Bulgarian named Boris. (chuckles). Ah, well, whatever country slapped those blue pants on your butt, this next one was a hit wherever you're from! That cues a new song (meaning there's a lengthy part of the first song trimmed out) … (Chorus): Straight to my feet To my feet, yeah … Straight to my feet, Yeah … Straight to my feet To my feet, yeah … Straight to my feet (Voice): The music makes me wanna jump (Chorus): Straight to my feet To my feet (Voice, while chorus burbles underneath): Oh everybody get ready We gotta take this thing to another level That other level Get your hands in the air (Chorus: Yeah, yeah) Voice: Now let's count it down (Chorus, counterpointing: feel the beat, it makes you wanna raise your feet) Y'all get ready And be smooth wit it Alright, here we go Three, two, one, now sing (Chorus): Du, duh, duh da Get off that phone Duh, da Get off that phone Duh duh duh da Hey! Give the girl that phone Duh duh duh da Yeah Duh duh duh da Oh, oh, oh, oh, Oh yeah … Yardy yardy yah ... Now it's the type of phone you kick all the time Prime to the Hammer Give my tube a prime Oh my, I get the feelin' that all night long Then I hit it Dancin' up a storm I swore, then the party's on (Chorus): The party is diggin', kickin' 'til the break of dawn (Chorus, obscured: "Party gonna up babe…etc etc) I'm kickin' I'm takin' it straight to my feet (Chorus: wooooh) Yeah, sing that, G-man Straight to my feet When you feel the beat you've got to move your feet (Chorus repeats "feel your feet, hey yeah, etc") Dancin' all night long Straight to my feet Skip-do-dee-doo-dee Straight to my feet Just dip to the beat I said, straight to my feet Just dip to the beet What, I'm dipping! Diiiipping, diiiiping Straight to my feet (voice dives under, as chorus sings) Just dip to the beat Yeah Straight to my feet … (The song fades out obscuring the last line, as the DJ returns) DJ: "Hey, how many Bison troopers does it take to change a light bulb?" (Buzzer sound: "Aaangh!") "Fifty-one. One to change the bulb, the other fifty to steal it from a 7- Eleven!" (Laughs) "Got a million of them!" Another song takes over, starting with a scratch flavour: Pandemonium, Pandemonium, Pandemonium, Pandemonium, Pandemonium, (Pandemonium, under) See that Catch a vision Feel me in the eyes of unequal High above the plains but still remains equal Livin' on, no matter how fly, there is no sequel I am not a supreme being, freeing people 'Cause many minds are zombified, that's why they never rest (Chorus: "Uh huh") Fightin' for the light and fightin' holes in their chest Merely scavengers, but no one who'll confess But in time they will all undress Livin' in the lost and found, trapped without sound Dappin ass a pound means it's way underground No, calculating cause it's all round Round like a figure, in an old school calligra-phy So figure that you don't wanna see Far greater than the eye so you can fly Cali Used to have a tax on teens, now they got a tax on me But that's if you can find me I'll be trippin' with the scene with the pan-demonium Pandemonium Pandemonium He been causin' more calamities to me than Am-ity Ville horror, real horror, way mo' wicked than Gomorrah Or Sodom, I shoulda shot him but I didn't … (slow fade begins) Right then, to me my man hit it … Just because I'm tenant reason … (The song fades down, as a computer voice starts up, droning slowly like a wounded Hal, as the camera drifts through the rubble of Bison's destroyed control centre, spotting a rat on the way): "Solar batteries recharging" Then getting stronger: "Solar batteries recharging." Stronger: "One solar battery on line." Now at normal speed, healthy: "One solar battery on line" "Attempting to activate system" "System activated" A hand bursts out of dusty, broken TV sets, shedding light on the gloom. Computer: "Good morning, General Bison. What is your menu choice for today?" The computer's cursor scrolls through the system's possibilities, settles on World Domination and is rewarded below the World Domination command that fills the screen with a large blinking red button: "REPLAY" Music builds, and then screen does a TV-style blink out to black … CD: A CD of Graeme Revell's score was released: Varèse Sarabande – VSD-5560 1994 Bass [Keyboard], Electronics [Various Keytriggers], Loops, Sampler [African Percussion] – Rod Beale Bass [Stabs] – Armand Saballecco* Drums, Drum Programming [Ob8] – George Acogny Electronics [Keyboard Pad] – L. Pryor Engineer – Rod Beale Engineer [Assistant] – Tim Gerron Mixed By – George Acogny, Rod Beale Producer, Arranged By – George Acogny Vocals [English, Wolof] – Donna de Lory Vocals [Spoken Word] – Alex Brown Written-By – Alex Brown, Donna de Lory, George Acogny (All tracks by Graeme Revell, except for tracks 2, 8 and 21): 1. Showdown In Shadaloo (4'48") 2. Habanero (Vega & Ryu), arranged Graeme Revell, Tim Simonec, composed by Georges Bizet (3'17") 3. Chun-Li Enters The Morgue (2'18") 4. Colonel Guile Addresses The Troops (2'48") 5.
Recommended publications
  • Taking Intellectual Property Into Their Own Hands

    Taking Intellectual Property Into Their Own Hands

    Taking Intellectual Property into Their Own Hands Amy Adler* & Jeanne C. Fromer** When we think about people seeking relief for infringement of their intellectual property rights under copyright and trademark laws, we typically assume they will operate within an overtly legal scheme. By contrast, creators of works that lie outside the subject matter, or at least outside the heartland, of intellectual property law often remedy copying of their works by asserting extralegal norms within their own tight-knit communities. In recent years, however, there has been a growing third category of relief-seekers: those taking intellectual property into their own hands, seeking relief outside the legal system for copying of works that fall well within the heartland of copyright or trademark laws, such as visual art, music, and fashion. They exercise intellectual property self-help in a constellation of ways. Most frequently, they use shaming, principally through social media or a similar platform, to call out perceived misappropriations. Other times, they reappropriate perceived misappropriations, therein generating new creative works. This Article identifies, illustrates, and analyzes this phenomenon using a diverse array of recent examples. Aggrieved creators can use self-help of the sorts we describe to accomplish much of what they hope to derive from successful infringement litigation: collect monetary damages, stop the appropriation, insist on attribution of their work, and correct potential misattributions of a misappropriation. We evaluate the benefits and demerits of intellectual property self-help as compared with more traditional intellectual property enforcement. DOI: https://doi.org/10.15779/Z38KP7TR8W Copyright © 2019 California Law Review, Inc. California Law Review, Inc.
  • 4:08-Cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 1 of 2 - Page ID # 64

    4:08-Cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 1 of 2 - Page ID # 64

    4:08-cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 1 of 2 - Page ID # 64 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF NEBRASKA BMG MUSIC, a New York general ) partnership; ATLANTIC RECORDING ) CORPORATION, a Delaware corporation; ) ARISTA RECORDS LLC, a Delaware ) limited liability company; CAPITOL ) RECORDS, INC., a Delaware corporation; ) ELEKTRA ENTERTAINMENT GROUP INC., ) a Delaware corporation; INTERSCOPE ) RECORDS, a California general ) partnership; MOTOWN RECORD ) COMPANY, L.P., a California limited ) partnership; PRIORITY RECORDS LLC, a ) Delaware limited liability company; SONY ) BMG MUSIC ENTERTAINMENT, a ) Delaware general partnership; UMG ) 4:08CV3088 RECORDINGS, INC., a Delaware ) corporation; WARNER BROS. RECORDS ) ORDER TO SHOW CAUSE INC., a Delaware corporation; and ZOMBA ) RECORDING LLC, a Delaware limited ) liability company, ) ) Plaintiffs, ) ) vs. ) ) DOES 1-6, ) ) Defendants. ) Several of the plaintiffs are corporations. The Clerk of the Court served notice on plaintiffs' counsel on May 1, 2008 (Filing 3). The Notice states: TEXT NOTICE REGARDING CORPORATE DISCLOSURE STATEMENT by Deputy Clerk as to Plaintiffs Interscope Records, Motown Record, Priority Records, Sony BMG Music Entertainment, UMG Recordings, BMG Music, Warner Bros. Records, Zomba Recording, Atlantic Recording, Arista Records, Capitol Records, Elektra Entertainment Group. Pursuant to Fed. R. Civ. P. 7.1, non-governmental corporate parties are required to file Corporate Disclosure Statements (Statements). The parties shall use the form Corporate Disclosure Statement, available on the Web site of the court at http://www.ned.uscourts.gov/forms/. If you have not filed your Statement, you must do so within 15 days of the date of this notice. If you have already filed your Statement in this case, you are reminded to file a Supplemental Statement within a reasonable time of any change in the information that the statement requires.(PCV, ) (Entered: 05/01/2008) 4:08-cv-03088-LSC-FG3 Doc # 10 Filed: 06/20/08 Page 2 of 2 - Page ID # 65 Fed.
  • Exhibit O-137-DP

    Exhibit O-137-DP

    Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006.
  • Hash(Tag) America at Catalina Jazz Club in Hollywood on Monday, November 18, at 8:30Pm

    Hash(Tag) America at Catalina Jazz Club in Hollywood on Monday, November 18, at 8:30Pm

    1042 N. Vista Street #8, West Hollywood, CA 90046 • 323.845.9781 [email protected] Chris Isaacson Presents in association with The VFC Project has announced #Hash(tag) America at Catalina Jazz Club in Hollywood on Monday, November 18, at 8:30pm. #Hash(tag) America is a new theatrical musical, an urgent urban rock concert, and a soul stirring personal testimonial all rolled into one powerful explosion of sound, youth, diversity and truth. Set against original musical collaborations by Anthony Fedorov and other artists, this inspirational new musical explores true stories of social justice, gender identity, race, immigration, and economic inequalities within the fabric of the American experience. #Hash(tag) America began as a concept album entitled Calling On You (co-produced by Anthony Fedorov and Grammy Award-winner Jeeve Ducornet) from a successfully funded 2016 Kickstarter campaign. Los Angeles will be treated to a concert version of the show first performed to a rousing audience and critical response at New York’s The Green Room 42. — MORE— AT CATALINA JAZZ CLUB IN HOLLYWOOD [Page 2] Joining Fedorov (American Idol, Rent), Isa Briones (Star Trek: Picard, Hamilton), and Eden Espinosa (Falsettos, Wicked, Rent) will be Kyle Carter (The Lion King, In the Heights), Christina Sajous (SpongeBob SquarePants, Spiderman, American Idiot), and Heath Saunders (Alice By Heart, Jesus Christ Superstar Live in Concert on FOX). Said Fedorov, “In the wake of our current political climate and as an immigrant myself, I felt like I had to do something. I started writing songs about racism, gun violence, and discrimination, and creating a show that will hopefully bring people together in these difficult times.
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration

    Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration

    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
  • “Straight Outta Compton”—NWA (1988)

    “Straight Outta Compton”—NWA (1988)

    “Straight Outta Compton”—N.W.A (1988) Added to the National Registry: 2016 Essay by Ben Westhoff (guest post)* “Straight Outta Compton” LP N..W.A Gangsta rap existed before “Straight Outta Compton,” but N.W.A’s landmark 1988 album popularized the genre and serves as its standard bearer even today. The mythology of the artists behind its creation also continues to loom large: Eazy-E, the Compton crack dealer who used his profits to finance a hip-hop career; Dr. Dre, his neighbor who’d most recently been DJ-ing in flamboyant, sequined outfits for a song-and-dance group; Ice Cube, the ostentatious high school rapper from South Central Los Angeles whose writing gifts matched his aggressive delivery. But it was the characters they imagined--both militarized street kids sick of being humiliated by the cops and brash punks on the hunt for sex and cheap booze--that shaped the album, marching in time to Dr. Dre’s assault of chopped samples, wailing sirens, guitar riffs, and rapid drum machine beats, all of it more tuneful than it sounds on paper. Rounded out by the group’s other firebrand rapper, MC Ren, Dr. Dre’s production partner, MC Yella, and electro-rap holdover Arabian Prince--not to mention hugely influential ghostwriter D.O.C.--N.W.A reshaped hip-hop music in their own image. They called it “reality rap,” but in the beginning it was far from clear that N.W.A would rap unvarnished lyrics threatening the status quo. Dr. Dre and Ice Cube’s earlier music disparaged the gang lifestyle, and just about everyone in the group admired Prince.
  • Pg 18 Drop the Pretense. Hike Nude!

    Pg 18 Drop the Pretense. Hike Nude!

    Volume 5, Issue 13 // July 19 - August 8, 2018 YOUR LOCAL, NON-PROFIT, INDEPENDENT NEWSPAPER Pg 16 Pg 18 Not Just The Heat Is High In This Kitchen! Pg 20 Drop the Pretense. Hike Nude! 2 / WWW.ROGUEVALLEYMESSENGER.COM SPINACH | WATERMELON | SWEETS | CHEESE | PASTA | BREAD | COFFEE | DRIED FRUIT | CANDLES | FLOWERS | VEGGIE STARTS | PORK GYROS | WOODCRAFTS | POTTERY | SHAVED ICE | PEACHES | CHERRIES | FIGS | CHOCOLATE | HONEY | CANDLES | SALSA | SHALLOTS FIBER ART | WORM JUICE | FLOWERS | EGGS | DONUTS | ROASTED PEPPERS | CHICKEN | TEA | PUMPKINS | CORN | BODY PRODUCTS SUMMERTIME... AND THE SHOPPING IS EASY | L O C T E D A L L A F Y - R S O Fresh, home-grown, - C U D R N C A E hand-crafted items H D | | cultivated and created L R A A R I N U by your friends and T & L U S H neighbors. We are your C I I R N G E A source for every special | | W (and just plain M W O W C ordinary) occasion! . T . R V E G R R K O W E R S M A HAWTHORNE PARK MEDFORD THURS MKT 8:30–1:30 3/1–11/15 ASHLAND ARMORY ASHLAND TUES MKT 8:30–1:30 3/6–11/20 DOWNTOWN ASHLAND SAT MKT 8:30–1:00 5/5–10/27 STRAWBERRIES | PEA SHOOTS | SMOKED FISH | LAVENDER | BEEF | SEEDLINGS | ZUCCHINI | POTTED PLANTS | PEARS | MUSHROOMS BERRIES | LETTUCES | FISH TACOS | NOODLES | TOMATOES | RUTABAGAS | GARLIC | FRUIT TREES | SAUSAGES | FERMENTED FOODS WALNUTS | TAMALES | GLUTEN FREE | HERBS | PIES | TOMATILLOS | WREATHS | KALE | HOT SAUCE | JAMS | OILS | ONIONS | APPLES BEST CRAFTED, ALWAYS TRUSTED.
  • Amici Curiae Brief of Erik Nielson, Charis E

    Amici Curiae Brief of Erik Nielson, Charis E

    No. 15-666 __________________________________________ In the Supreme Court of the United States _____ ____ TAYLOR BELL, Petitioner, V. ITAWAMBA COUNTY SCHOOL BOARD, Respondent. _____ ____ On Petition for a Writ of Certiorari to the United States Court Of Appeals for the Fifth Circuit ______ ___ AMICI CURIAE BRIEF OF ERIK NIELSON, CHARIS E. KUBRIN, TRAVIS L. GOSA, MICHAEL RENDER (AKA “KILLER MIKE”) AND OTHER SCHOLARS AND ARTISTS IN SUPPORT OF PETITIONER _____ ____ CHARLES “CHAD” BARUCH Counsel of Record COYT RANDAL JOHNSTON JR. JOHNSTON TOBEY BARUCH 3308 Oak Grove Avenue Dallas, Texas 75204 (214) 741-6260 [email protected] Counsel for Amici Curiae __________________________________________ LEGAL PRINTERS LLC, Washington DC ! 202-747-2400 ! legalprinters.com i TABLE OF CONTENTS Table of Contents ........................................................ i Table of Authorities ................................................... ii Interests of Amici Curiae ........................................... 1 Summary of Argument .............................................. 3 Argument .................................................................... 6 A. “Fight the power”: The politics of hip hop .......... 6 B. “Put my Glock away, I got a stronger weapon that never runs out of ammunition”: The non- literal rhetoric of hip hop .................................. 12 C. “They ain’t scared of rap music—they scared of us”: Rap’s bad rap .............................................. 19 Conclusion ...............................................................
  • Cleve Jones, Who Helped Create the NAMES Matthew! Project AIDS Quilt, and Photographer Bruce Barnes, Who Dedicated His Craft to Documenting the Quilt

    Cleve Jones, Who Helped Create the NAMES Matthew! Project AIDS Quilt, and Photographer Bruce Barnes, Who Dedicated His Craft to Documenting the Quilt

    SINGER DONNA DE LORY TALKS WINDY CITY WITH WCT THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 PAGE 29 MAY 11, 2011 TIMES VOL 26, NO. 32 www.WindyCityMediaGroup.com Remembering ‘PETER PAN’ REVIEW Names Oh, PAGE 22 This week, our special AIDS @ 30 section includes interviews with Cleve Jones, who helped create the NAMES Matthew! Project AIDS Quilt, and photographer Bruce Barnes, who dedicated his craft to documenting the Quilt. Photo by Glee’s Matthew Morrison Bruce Barnes discusses his career in show pages 16-18 business, including the gay- est thing he’s ever done. Photo by Brian Bowen Smith RAHM EMANUEL ON AIDS, LGBT HEALTH PAGE 14 pages 24-25 A vital “Lifeline” pages 10-11 REAL ESTATE: KENT BARTRAM ON WRIGHT, HOLLYWOOD PAGE 28 Chaz Bono speaking at Howard Brown’s Lifeline Cel- ‘LEATHERMAN’ ebration, May 6 at the Palmer House Hilton. Bono also BOOK OUT took part in a panel discussion before the event. Pho- PAGE 27 tos by Kat Fitzgerald, www.MysticImagesPhotography. com 2 May 11, 2011 WINDY CITY TIMES LAST REGULAR SEASON HOME GAME! May 14th at 4pm vs. West Michigan Mayhem Winnemac Stadium is located next to Amundsen High School, 5105 N. Leavitt (south of Foster Ave.) in Chicago! Join the team immediately following the game for the Miller Lite After-Party at Hamburger Mary’s Attic (5400 N. Clark Street) for food and drink specials! PHOTO © SCOTT RENSHAW 2011 WINDY CITY TIMES May 11, 2011 3 this week in WINDY CITY TIMES NEWS ENTERTAINMENT/EVENTS Marriage fight in R.I.; reprieve 4 Scottish Play Scott 21 Judge Walker
  • Houston LGBT History

    Houston LGBT History

    • MONDAYS· BLACK & WHITE CHARITIES, INC. HAPPY HOUR ALL DAY/ALL NIGHT PRESENTS: • TUESDAYS· H[ 50c DRAFT/$1.50 WELL VODKA ALL DAY/ALL NIGHT lill • WEDNESDAYS • $1.50 WELL/SPECIAL ON CALL LIQUOR ALL DAY/ALL NIGHT ~ 1(1~~ • THURSDAYS • HAPPY HOUR OPEN-CLOSE PLlJS nNE l:nLnH ~~l~~~~~l~HUG UST G TULSA B·o-K SUMMIT TOWER ~~.~?~"~~ ~.~ """""""~.~.~.~ S 125 DONATION • S 200 PER COUPLE • S 720 TABLE OF 8 EVERY DAY SPECIALS RESfRVATIDNS REQUESTED BY AND ACCEPTED THROUGH AUGUST 1 $1 FROZEN MARGARITAS • 75¢ DRAFT ~~~~IH~~llHUG UST 7 $1.25 SCHNAPPS - -- -- . I UL~A tAIRIiROUND PAVILION BEER BLAST um uun tc ~1~~I~n tt..d.. wkii;e;. -td. f- ·~d h $2 FIRST CUP • 25¢ REFILLS ~d~. hoC-~·. hoC-~ ccot OUJwd • folk- who ~ • ~ tOo MON-SAT 7AM-2AM SUNDAY NOON-2AM BAU TICKETS 825 • 820 WHEN PURCHASm IN ADVANCE SPECiAl RAilS & Ictll't!OOmWS IT THlIDAMS MARKHOTB.·1·800·444·IDAM TICKET PURCHASE & INFO Member Member VISA and Mastercard Accepted Dallas Bar Owners 918·~81·1314 Tavern Association PO. DOX14001' TUlSA.OX 741~9 Guild of Texas II II II II I II I II I: I :I. I I II II II II MIS S I II N 4020 MAPLE AVENUE • DALLAS • (214)522-4814 MR. TEXAS Friday. July 2J. 199J L IO:JO pm L VOLUME 19, NUMBER 18 JULY 9 - JULY 15, 1993 14 MOVIES Claire ofthe Moon Reviewed by Jeff Mackey Starring ••• 18 WHAT A WORLD Gay Pride: You Should Have Been There by Nancy Ford 26 COVER FEATURE ErnieCanfield of Houston photos by Scott Tilley David Pace 35 CURRENT EVENTS Mr Texas All American 1993 A I 43 LETTERSTO THE EDITOR Whitney Paige 49 BACKSTAGE Amanda McBroom Returns to Dallas ThisSunday 51 VIEWPOINT Combating Homophobia in Ourselves and Others by Hugh Callaway Miss Gay Texas 1993 Mg 55 SNAPSHOTS San Antonio Gay Pride Picnic E.J.
  • VIRGIN RECORDS AMERICA, INC., Et Al., Plaintiffs, V

    VIRGIN RECORDS AMERICA, INC., Et Al., Plaintiffs, V

    VIRGIN RECORDS AMERICA, INC., et al., Plaintiffs, v. JOHN DOES 1-35, Defendants. Civil Action No. 05-1918 (CKK) UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA 2006 U.S. Dist. LEXIS 20652 April 18, 2006, Decided April 18, 2006, Filed COUNSEL: [*1] VIRGIN RECORDS AMERICA INC., ARISTA RECORDS LLC, CAPITOL RECORDS INC, SONY BMG MUSIC ENTERTAINMENT, ATLANTIC RECORDING CORPORATION, BMG MUSIC, WARNER BROS. RECORDS INC., PRIORITY RECORDS LLC, UMG RECORDINGS INC, ELEKTRA ENTERTAINMENT GROUP INC., MOTOWN RECORD COMPANY, L.P., FONOVISA, INC., INTERSCOPE RECORDS, LOUD RECORDS LLC, MAVERICK RECORDING COMPANY, LONDON-SIRE RECORDS INC., Plaintiffs: Matthew Jan Oppenheim, Potomac, MD. JUDGES: COLLEEN KOLLAR-KOTELLY, United States District Judge. OPINIONBY: COLLEEN KOLLAR-KOTELLY OPINION: MEMORANDUM OPINION Plaintiffs Virgin Records America, Inc.; Arista Records LLC; Capitol Records, Inc.; Sony BMG Music Entertainment; Atlantic Recording Corporation; BMG Music; Warner Bros. Records Inc.; Priority Records LLC; UMG Recordings, Inc.; Elektra Entertainment Group, Inc.; Motown Record Company, L. P.; Fonovisa, Inc.; Interscope Records; Loud Records, LLC; Maverick Recording Company; and London-Sire Records Inc. (collectively, "Plaintiffs") brought this action alleging copyright infringement against John Doe Defendants #1-35 arising out of internet file sharing of digital sound recordings on September 29, 2005. Currently before the Court is Defendant Doe #18's [*2] Motion to Quash the subpoena issued to Defendant's ISP, Verizon, regarding Defendant's IP address, 162.84.109.12, on the grounds that this Court lacks personal jurisdiction over Defendant, who is a resident of Fredericksburg, Virginia, with allegedly little or no contact with the District of Columbia. See Def.'s Mot.
  • Magno's (Dir.Chor.) RESUME 2012#3 G2TA BK Backg

    Magno's (Dir.Chor.) RESUME 2012#3 G2TA BK Backg

    Alexandre Magno (Director/Choreographer) Go2Talent Agency Att: Lisa Lindholm [email protected] www.magnodance.com TELEVISION/FILM I WAS INVITED (Feat. JENNIFER LOPEZ) BRAHMA Africa Agency BR Choreographer BENISE, SPANISH GUITAR PBS Special Rosa Negra Film Producer, Staging & Chore. YANNI VOICES PBS Special Yani.Wake Artistic Dir. & Choreographer YANNI VOICES Televisa Special Yani.Wake Artistic Dir. & Choreographer DIRTY DANCING: The Time Of Your Life Series (1-2) Guest Star / Choreographer THE ETERNAL BRAVO TV “Forty Duce” reality TV Guest Star / Dir.Chor. SO YOU THINK YOU CAN DANCE FOX TV Guest Choreographer BENISE, NIGHTS OF FIRE PBS TV Rosanegra Prod. Staging & Chore. BRITNEY SPEARS “IN THE ZONE” ABC Special (Co-Choreographer) BRASIL 500 ANOS Globo TV - Brazil (Brasilia) Choreographer MTV VIDEO MUSIC AWARDS (Opening Number) Madonna Choreographer THE GOLDEN EAGLE AWARDS Personna Dance Theatre Director/Choreographer MADONNA DOWN UNDER HBO Special Staging & Chore. MADONNA DROWNED WORLD HBO Special Choreographer IN LIVING COLOR FOX TV Guest Dir./Chore. SOMEBODY TO LOVE Rosie Perez/Lumiere Pictures Actor & Chore. LORD OF ILLUSION MGM/UA/Dir. Clive Barker Choreographer 62nd ANNUAL ACADEMY AWARDS Co-Choreographed w- Paula Abdul LIQUID DREAMS Northem. Arts Ent. ‘92 Cannes, FR. – Dir. Mark Manos Choreographer HIKARU GENJI SPECIAL NHK Tokyo Choreographer TOURS BENISE LIVE FROM CHINA PBS Special 2012 One World Music Director/Choreographer BENISE THE SPANISH GUITAR US 2010 & 2011 Rosa Negra Director/Choreographer YANNI VOICES US + Mexico 2009 Tour Yanni-Wake Choreographer OVER THE TOP US Tour 2008 until 2010 Ringling Brothers Circus Choreographer BENISE Cuba - Nights Of Fire ’07 Tour Rosanegra Prod. Co-Director & Chore. BENISE Nights of Fire '06 Tour Rosanegra Prod.