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Street Fighter Music Credits

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Street Fighter Music Credits Music Composed by Graeme Revell Music Supervision by Barry Levine and Eric Harryman Orchestrations by Tim Simonec & Graeme Revell Additional Orchestrations Larry Kenton, Ken Kugler & Mark Gassbarro London Symphony Orchestra Conducted by Tim Simonec Music Scoring Mixer Dan Wallin Music Sound Design Brian Williams Music Editor Josh Winget Assistant Music Editors Daniel Gaber Neil Kirk Music Consultant Andrew Shack "Street Fighter" Performed by Ice Cube Written by Ice Cube Ice Cube records exclusively for Priority Records Ice Cube appears courtesy of Priority Records "Rumbo N Da Jungo" Performed by Public Enemy (Chuck D) And Introducing The Wreck League (Five-O, Punk Barbarians, Melquan and the Alias K.B.) Written by C. Ryder, M. Keys, R. Harding, J. Michael O'Brian, V. Brownlee, D. Thompson, and J. Harrod Chuck D appears courtesy of Def Jam Records "Bison Trooper's Marching Song" Performed by the Bison Army Chorus Lyrics by Steven E. de Souza, Music by G. Revell "Take Charge" Performed by World Beaters Written by George Acogny "Street Soldier" Performed by Paris Guest Vocals by Da Old Skool Written by Paris Paris appears courtesy of Priority Records "Life As …" Performed by LL Cool J Written by J. T. Smith and O. Harvey Lyrics Written by LL Cool J LL Cool J appears courtesy of Def Jam Recordings, Inc./ Island Records/And Polygram Music Group "Pandemonium" Performed by Pharcyde Written by I. Wilcox, T. Hansen, R. Robinson, and D. Steward Pharcyde appears courtesy of Delicious Vinyl Records "Worth Fighting For" Performed by Angelique Kidjo Written by A. Kidjo, J. Hebrail and G. Revell Angelique Kidjo appears courtesy of Island Records "Something There" Performed by Chage & Aska Written by Ryo Aska English lyrics based on original lyrics by Charlie Midnight Chage & Aska appear courtesy of Pony Canyon, Inc. "Straight To My Feet" Performed by Hammer and Deion Sanders Written by Hammer Hammer appears courtesy of Giant Records Soundtrack Album on Priority Records Music in the film: One band turns up in the dancing girl sequence, but is immediately silenced by the impending chaos, and so are not heard: Lyrics: The end credits feature a mix of voice and song, beginning with a reprise of the Good Morning Vietnam joke heard in the film: DJ: "Goooood morning, Shadaloo! Bonjour, guten tag! Nǐ hǎo and salām, not to mention "ojinablway" - (phonetic guess). Now, it's time once again for the "Good Morning, Shadaloo" pop quiz. Do you know what it says on the bottom of Coke bottles in Bison's army? (buzzer sound) Aangh! Answer: It says open other end. With those jokes over, the song begins. Lyrics as heard in the film: I'm so alone in a crowd And cry too many tears Yeah Just like a child who's lost but became a prisoner of my fears People come, people go They are hiding in shadows Hiding in dreams Moving in, moving out They are nothin' but strangers (chorus) Strangers who see it Yeah, yeah, yeah My paper heart is so easily torn again and again I never know what the reason may be It just doesn't end. There's a sound in the air While the time goes on slipping Slipping away. In the air, it is everywhere, Nowhere, somewhere So I'm gonna have to say. Why (Chorus): It's there Tell me why (Chorus:) It is there I don't ever wanna say good-bye (Chorus): Do you ever wonder why? As I look into an empty sky … (The song fades down and the lines are obscured as the DJ returns. The song burbles along underneath the sexist and ethnic humour): DJ: Hey, how do you know in this man's, uh, pardon me, in this person's international army if you're in a good unit? Well, it's simple! The C.O. is English, the cook is French, the mechanic is German, the paymaster is Swiss, and the cute nurse in the infirmary is Swedish. And how do you know if you're in a bad unit? Well, the C.O. is German, the cook is English, the mechanic is Italian, the paymaster is French and the cute nurse in the infirmary is a Bulgarian named Boris. (chuckles). Ah, well, whatever country slapped those blue pants on your butt, this next one was a hit wherever you're from! That cues a new song (meaning there's a lengthy part of the first song trimmed out) … (Chorus): Straight to my feet To my feet, yeah … Straight to my feet, Yeah … Straight to my feet To my feet, yeah … Straight to my feet (Voice): The music makes me wanna jump (Chorus): Straight to my feet To my feet (Voice, while chorus burbles underneath): Oh everybody get ready We gotta take this thing to another level That other level Get your hands in the air (Chorus: Yeah, yeah) Voice: Now let's count it down (Chorus, counterpointing: feel the beat, it makes you wanna raise your feet) Y'all get ready And be smooth wit it Alright, here we go Three, two, one, now sing (Chorus): Du, duh, duh da Get off that phone Duh, da Get off that phone Duh duh duh da Hey! Give the girl that phone Duh duh duh da Yeah Duh duh duh da Oh, oh, oh, oh, Oh yeah … Yardy yardy yah ... Now it's the type of phone you kick all the time Prime to the Hammer Give my tube a prime Oh my, I get the feelin' that all night long Then I hit it Dancin' up a storm I swore, then the party's on (Chorus): The party is diggin', kickin' 'til the break of dawn (Chorus, obscured: "Party gonna up babe…etc etc) I'm kickin' I'm takin' it straight to my feet (Chorus: wooooh) Yeah, sing that, G-man Straight to my feet When you feel the beat you've got to move your feet (Chorus repeats "feel your feet, hey yeah, etc") Dancin' all night long Straight to my feet Skip-do-dee-doo-dee Straight to my feet Just dip to the beat I said, straight to my feet Just dip to the beet What, I'm dipping! Diiiipping, diiiiping Straight to my feet (voice dives under, as chorus sings) Just dip to the beat Yeah Straight to my feet … (The song fades out obscuring the last line, as the DJ returns) DJ: "Hey, how many Bison troopers does it take to change a light bulb?" (Buzzer sound: "Aaangh!") "Fifty-one. One to change the bulb, the other fifty to steal it from a 7- Eleven!" (Laughs) "Got a million of them!" Another song takes over, starting with a scratch flavour: Pandemonium, Pandemonium, Pandemonium, Pandemonium, Pandemonium, (Pandemonium, under) See that Catch a vision Feel me in the eyes of unequal High above the plains but still remains equal Livin' on, no matter how fly, there is no sequel I am not a supreme being, freeing people 'Cause many minds are zombified, that's why they never rest (Chorus: "Uh huh") Fightin' for the light and fightin' holes in their chest Merely scavengers, but no one who'll confess But in time they will all undress Livin' in the lost and found, trapped without sound Dappin ass a pound means it's way underground No, calculating cause it's all round Round like a figure, in an old school calligra-phy So figure that you don't wanna see Far greater than the eye so you can fly Cali Used to have a tax on teens, now they got a tax on me But that's if you can find me I'll be trippin' with the scene with the pan-demonium Pandemonium Pandemonium He been causin' more calamities to me than Am-ity Ville horror, real horror, way mo' wicked than Gomorrah Or Sodom, I shoulda shot him but I didn't … (slow fade begins) Right then, to me my man hit it … Just because I'm tenant reason … (The song fades down, as a computer voice starts up, droning slowly like a wounded Hal, as the camera drifts through the rubble of Bison's destroyed control centre, spotting a rat on the way): "Solar batteries recharging" Then getting stronger: "Solar batteries recharging." Stronger: "One solar battery on line." Now at normal speed, healthy: "One solar battery on line" "Attempting to activate system" "System activated" A hand bursts out of dusty, broken TV sets, shedding light on the gloom. Computer: "Good morning, General Bison. What is your menu choice for today?" The computer's cursor scrolls through the system's possibilities, settles on World Domination and is rewarded below the World Domination command that fills the screen with a large blinking red button: "REPLAY" Music builds, and then screen does a TV-style blink out to black … CD: A CD of Graeme Revell's score was released: Varèse Sarabande – VSD-5560 1994 Bass [Keyboard], Electronics [Various Keytriggers], Loops, Sampler [African Percussion] – Rod Beale Bass [Stabs] – Armand Saballecco* Drums, Drum Programming [Ob8] – George Acogny Electronics [Keyboard Pad] – L. Pryor Engineer – Rod Beale Engineer [Assistant] – Tim Gerron Mixed By – George Acogny, Rod Beale Producer, Arranged By – George Acogny Vocals [English, Wolof] – Donna de Lory Vocals [Spoken Word] – Alex Brown Written-By – Alex Brown, Donna de Lory, George Acogny (All tracks by Graeme Revell, except for tracks 2, 8 and 21): 1. Showdown In Shadaloo (4'48") 2. Habanero (Vega & Ryu), arranged Graeme Revell, Tim Simonec, composed by Georges Bizet (3'17") 3. Chun-Li Enters The Morgue (2'18") 4. Colonel Guile Addresses The Troops (2'48") 5.
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