2013 Njcl Certamen Advanced Division Round One
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Phrixus and Helle
Phrixus and Helle In Orchomenus, a site in ancient Boeotia, king Athamas lived happily with his wife and their two children, Phrixus and Helle. Alas, the queen’s death put an abrupt end to their happiness. Athamas could not stand being alone for long, so he took a second wife, Ino. The new queen was terribly jealous of Phrixus and Helle and laid out an evil plan. She summoned the women of the land and gave them the following advice: “Here’s how you can make your husbands happy and secure their love and respect: take the seeds they are about to sow and bake them in the kiln. Your crops will double and your men will be forever grateful to you!” 6 The women believed the queen’s words and did as they were told. That year the fields yielded absolutely nothing. “Some god is punishing us,” the men muttered to themselves in despair. Athamas decided to ask the oracle of Delphi for help. His envoys, already bought off by Ino, brought back a terrible answer: “The gods are very angry at us! Our fields will remain barren unless you sacrifice your firstborn to Zeus!” “How could I ever do such a thing to my child?” cried out the desperate king and shut himself in his palace. But the news spread quickly and soon the famished people gathered outside his doors. Angry voices came from the mob. “O, king, obey the oracle, otherwise we are all going to starve to death!” Athamas had to give in to pressure. He took his unsuspecting son to Zeus’s altar. -
Catullus, Memmius, and Bithynia
Catullus, Memmius, and Bithynia Gaius Memmius was the son-in-law of Sulla, an orator who won backhanded praise from Cicero (Brut. 247), seducer of the wife of Marcus Lucullus (Cic. Att. 1. 18. 3) and a fierce adversary of his brother (Plut. Cat. Mi. 29. 5-8), a poet whose immodesty impressed Ovid (Tr. 2. 433), a praetor (Cic. Q. fr. 1. 2. 16), a candidate for the consulship, a disgraced exile, the probable but imperfect patron of Lucretius, and a perfect villain for Catullus, and a successful military commander, hailed by his troops as “Imperator.” The last is evidenced by a denarius (427 Crawford). The obverse presents the head of Ceres, facing right, with C∙ MEMMI C ∙ F ∙ reading downwards. On the reverse is a trophy and a kneeling captive with hands tied behind his back; reading downwards on the left is the title IMPERATOR and on the right C ∙ MEMMIUS. To my knowledge this remarkable coin is never brought up in discussions of Catullus, despite the fact that Catullus would have been serving in the cohors of Memmius at the time he was acclaimed imperator. Crawford and others date the coin to 56, following the consensus that Memmius was governor of Bithynia in 57. This presents a problem, for it seems unlikely that Memmius could have engaged in any significant military campaign nine years after the province had been pacified (Cic. Agr. 2. 47) and a full five years after Pompey’s settlement of the East. It is much more likely that Memmius’ victory was earlier, at a time when there was still potential unrest in the area of Bithynia following Mithradates’ resurgence in 67. -
Catullus, As Can’T Be Counted by Spies Nor an Evil Tongue Bewitch Us
&$78//867+(32(06 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. 2 &RQWHQWV 1. The Dedication: to Cornelius............................... 8 2. Tears for Lesbia’s Sparrow.................................. 9 2b. Atalanta.............................................................. 9 3. The Death of Lesbia’s Sparrow ......................... 10 4. His Boat ............................................................ 11 5. Let’s Live and Love: to Lesbia .......................... 13 6. Flavius’s Girl: to Flavius ................................... 14 7. How Many Kisses: to Lesbia ............................. 15 8. Advice: to himself.............................................. 16 9. Back from Spain: to Veranius............................ 17 10. Home Truths for Varus’s girl: to Varus........... 18 11. Words against Lesbia: to Furius and Aurelius . 19 12. Stop Stealing the Napkins! : to Asinius Marrucinus............................................................. 21 13. Invitation: to Fabullus...................................... 22 14. What a Book! : to Calvus the Poet................... 23 15. A Warning: to Aurelius.................................... 25 16. A Rebuke: to Aurelius and Furius.................... 26 17. The Town of Cologna Veneta.......................... 27 21. Greedy: To Aurelius. ....................................... 30 22. People Who Live in Glass Houses: to Varus ... 31 -
TRADITIONAL POETRY and the ANNALES of QUINTUS ENNIUS John Francis Fisher A
REINVENTING EPIC: TRADITIONAL POETRY AND THE ANNALES OF QUINTUS ENNIUS John Francis Fisher A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY RECOMMENDED FOR ACCEPTANCE BY THE DEPARTMENT OF CLASSICS SEPTEMBER 2006 UMI Number: 3223832 UMI Microform 3223832 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © Copyright by John Francis Fisher, 2006. All rights reserved. ii Reinventing Epic: Traditional Poetry and the Annales of Quintus Ennius John Francis Fisher Abstract The present scholarship views the Annales of Quintus Ennius as a hybrid of the Latin Saturnian and Greek hexameter traditions. This configuration overlooks the influence of a larger and older tradition of Italic verbal art which manifests itself in documents such as the prayers preserved in Cato’s De agricultura in Latin, the Iguvine Tables in Umbrian, and documents in other Italic languages including Oscan and South Picene. These documents are marked by three salient features: alliterative doubling figures, figurae etymologicae, and a pool of traditional phraseology which may be traced back to Proto-Italic, the reconstructed ancestor of the Italic languages. A close examination of the fragments of the Annales reveals that all three of these markers of Italic verbal art are integral parts of the diction the poem. Ennius famously remarked that he possessed three hearts, one Latin, one Greek and one Oscan, which the second century writer Aulus Gellius understands as ability to speak three languages. -
The Defeat of Boudicca's Rebellion
Boudicca, Queen of the Iceni and leader of the rebellion against Roman domination, was defeated in battle in 61 A.D. Fact. But where was that battle fought and how did the outnumbered Romans manage to win? In this brief book local military historian Martin Marix Evans explains his theory that the fight took place just south of Towcester in Northamptonshire. His version of the story informed the August 2004 BBC Battlefield Britain programme on the rebellion, and this book includes a guide to the public footpaths visitors can use to see the site for themselves. Published by Gemini Press, Towcester © Martin Marix Evans, 2004. Artwork by courtesy of Osprey Publishing, Oxford. Cover illustration: A British chariot warrior of the 1st century. © Osprey Publishing Ltd Martin Marix Evans h Introduction Local tradition has it that a battle was fought in ancient times at Toothole or Toothill, south of Towcester. This name happens also to be that of a field to the left of the stream that flows through Cuttle Mill, three kilometres (two miles) south-east of the town, towards the River Tove. The legends go as far as claiming it as the site of Boudicca’s defeat by the Romans in AD61. Given that the site is close to the Roman road we know as Watling Street, added to which Towcester itself was a Roman town, the story might not be untrue; at least the possibility of its being true seemed to me worth investigating. A number of questions had to be answered: What were the opposing forces like? What were their fighting methods and usual tactics? What reports survive of these events? What clues do we have about the physical characteristics of the location in which the battle took place? Is there a way in which we can home in on the likely location, either by examining the landscape or by considering military strategy or, best of all, both of these? These questions are in no particular order because all of them matter. -
Naming Effects in Lucretius' De Rerum Natura
Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ DRN Princeton/Stanford Working Papers in Classics Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ De rerum natura Version 1.0 September 2009 Wilson H. Shearin Stanford University Abstract: This essay argues that selected proper names within Lucretius’ De rerum natura, rather than pointing deictically or referring with clear historical specificity, instead render Lucretius’ poem vaguer and more anonymous. To make this case, the essay first briefly surveys Roman naming practices, ultimately focusing upon a specific kind of naming, deictic naming. Deictic naming points (or attempts to point) to a given entity and often conjures up a sense of the reality of that entity. The essay then studies the role of deictic naming within Epicureanism and the relationship of such naming to instances of naming within De rerum natura. Through analysis of the nominal disappearance of Memmius, the near nominal absence of Epicurus, and the deployment of Venus (and other names) within the conclusion to Lucretius’ fourth book, the essay demonstrates how selected personal names in De rerum natura, in contrast to the ideal of deictic naming, become more general, more anonymous, whether by the substitution of other terms (Memmius, Epicurus), by referential wandering (Venus), or by still other means. The conclusion briefly studies the political significance of this phenomenon, suggesting that there is a certain popular quality to the tendency towards nominal indefiniteness traced in the essay. © Wilson H. Shearin. [email protected] 1 Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ DRN Antonomasia, Anonymity, and Atoms: Naming Effects in Lucretius’ De rerum natura Poet, patting more nonsense foamed From the sea, conceive for the courts Of these academies, the diviner health Disclosed in common forms. -
The Maltese Islands and the Sea in Antiquity
THE MALTESE ISLANDS AND THE SEA IN ANTIQUITY The Maltese Islands and the Sea in Antiquity TIMMY GAMBIN The events of history often lead to the islands… F. Braudel THE STRETCHES OF SEA EXTANT BETWEEN ISLANDS AND mainland may be observed as having primary-dual functionalities: that of ‘isolating’ islands and that of providing connectivity with land masses that lay beyond the islands’ shores. On smaller islands especially, access to the sea provided a gateway from which people, goods and ideas could flow. This chapter explores how, via their surrounding seas, events of history often led to the islands of Malta and Gozo. The timeframe covered consists of over one thousand years (circa 700 BC to circa 400 AD); a fluid period that saw the island move in and out of the political, military and economic orbits of various powers that dominated the Mediterranean during these centuries. Another notion of duality can be observed in the interaction that plays out between those coming from the outside and those inhabiting the islands. It would be mistaken to analyze Maltese history solely in the context of great powers that touched upon and ‘colonized’ the islands. This historical narrative will also cover important aspects such as how the islands were perceived from those approaching from out at sea: were the islands a hazard, a haven or possibly both at one and the same time? It is also essential to look at how the sea was perceived by the islanders: did the sea bring welcome commercial activity to the islands shores; did it carry 1 THE MALTESE ISLANDS AND THE SEA pirate vessels and enemy ships? As important as these questions are, this narrative would be incomplete without reference to how the sea helped shape and mould the way in which the people living on Malta and Gozo chose (or were forced) to live. -
Jason and the Golden Fleece by Max I
Jason and the Golden Fleece By Max I. A long time ago, a child named Jason was born in the small kingdom of Iolcus, which was in Northern Greece. He was born before actual Greek history, in a time where Gods and heroes still existed. He was the son of King Aeson, who ruled Iolcus fairly and justly. His mother was descended from Poseidon, the god of the sea. Therefore, Jason had royal blood and divine blood as well. Jason grew up to be a good looking and good-natured boy. He was polite to everybody and everybody liked him. And everybody knew that Jason would inherit the throne of Iolcus. He was a good friend of Max, who was a foreigner from Colchis. In fact, he was one of the most valuable people on the journey because he was from where the Golden Fleece was hidden. 10 years before Jason was born, a king and queen called Athamas and Nephele ruled in Northern Greece. However, king Athamas grew tired of his kind, virtuous queen, and sent her away so he could marry a cruel woman named Ino. However, Ino was so cruel she resolved to murder the king’s children, as she was mad after a argument with Athamas. Queen Nephele rushed back to save her children and enlisted the help of the God Hermes. Hermes created a massive golden ram to carry the two children to safety. Their names were Phrixus and Helle. The Ram carried them all the way to Colchis, where they could seek shelter. However, as they were flying over a great river that separates Europe from Asia, Helle fell off the Ram to her death. -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011). -
AH4 Option 3 Empire
JACT Teachers’ Notes AH4 / F394 – Roman History Option 3. Ruling the Roman Empire AD 14-117 Teachers’ notes by Penelope J. Goodman and Zahra Newby Contents: 1. BOOKS AND RESOURCES General works 2 More specialist volumes 3 2. INTRODUCTION TO THE SOURCES Suetonius 6 Pliny the Younger 7 LACTOR 8 – Inscriptions of the Roman Empire 9 LACTOR 15 – Dio: the Julio-Claudians 10 LACTOR 18 – The High Tide of Empire 12 3. BACKGROUND INFORMATION The empire 14 The emperor and the principate 15 4. THEMATIC NOTES 4.1 MECHANISMS OF GOVERNMENT The emperor and the provinces 20 Provincial taxation 21 Senators in government and administration 22 Equestrians in government and administration 27 Imperial freedmen in government and administration 28 Local government 29 The role of the army 31 Frontier and defence policies 32 4.2 PROVINCIAL RESPONSES TO ROMAN RULE The issue of ‘Romanisation’ 34 Provincial rebellions 37 Displays of loyalty 39 4.3 LIFE IN THE PROVINCES Regional identities 42 Economics 44 The image of the emperor 46 The imperial cult 48 - 1 - JACT Teachers’ Notes 1. BOOKS AND RESOURCES Only secondary material is covered here – for primary sources, see Introduction to the Sources, below p. 6. General works: Garnsey P. & Saller, R. The Roman Empire: Economy, Society and Culture (Duckworth, 1987) This is a standard study of the workings of the Roman empire, divided into four sections on administration, the economy, society and religion. It is useful, but the thinking now seems slightly outdated – the authors place more emphasis on the Roman state as a dominant and even coercive power in effecting cultural change in the provinces than most scholars do today. -
Latin Literature 1
Latin Literature 1 Latin Literature The Project Gutenberg EBook of Latin Literature, by J. W. Mackail Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Latin Literature Author: J. W. Mackail Release Date: September, 2005 [EBook #8894] [Yes, we are more than one year ahead of schedule] [This file was first posted on August 21, 2003] Edition: 10 Latin Literature 2 Language: English Character set encoding: ISO−8859−1 *** START OF THE PROJECT GUTENBERG EBOOK LATIN LITERATURE *** Produced by Distributed Proofreaders LATIN LITERATURE BY J. W. MACKAIL, Sometime Fellow of Balliol College, Oxford A history of Latin Literature was to have been written for this series of Manuals by the late Professor William Sellar. After his death I was asked, as one of his old pupils, to carry out the work which he had undertaken; and this book is now offered as a last tribute to the memory of my dear friend and master. -
Pasolini's Medea
Faventia 37, 2015 91-122 Pasolini’s Medea: using μῦθος καὶ σῆμα to denounce the catastrophe of contemporary life* Pau Gilabert Barberà Universitat de Barcelona. Departament de Filologia Clàssica, Romànica i Semítica [email protected] Reception: 01/02/2012 Abstract From Pasolini’s point of view, Medea’s tragedy is likewise the tragedy of the contemporary Western world and cinema is the semiology of reality. His Medea thus becomes an ancient myth pregnant with signs to be interpreted by attentive viewers. The aim of this article is to put forward reasoned interpretations based on a close analysis of the images and verbal discourses (lógoi) of Pasolini’s script, ever mindful of the explanations given by the director himself that have been published in interviews, articles and other texts. Keywords: Pier Paolo Pasolini; Medea; Greek tragedy; classical tradition; cinema; semiology Resumen. La Medea de Pasolini: utilizar μῦθος καὶ σῆμα para denunciar la catástrofe del mundo contemporáneo Desde el punto de vista de Pasolini, la tragedia de Medea equivale a la tragedia del mundo con- temporáneo y el cine es la semiología de la realidad. Su Medea deviene así un mito antiguo repleto de signos que requieren la interpretación de espectadores atentos. El objetivo de este artículo es proponer interpretaciones razonadas basadas en el análisis minucioso de las imágenes y de los dis- cursos verbales (lógoi) del guion de Pasolini, siempre desde el conocimiento de las explicaciones dadas por el mismo director publicadas en entrevistas, artículos y otros textos. Palabras clave: Pier Paolo Pasolini; Medea; tragedia griega; tradición clásica; cine; semiología * This article is one of the results of a research project endowed by the Ministerio de Educación y Ciencia “Usos y construcción de la tragedia griega y de lo clásico” –reference: FFI2009-10286 (subprograma FILO); main researcher: Prof.