DOCSLIB.ORG

Read Book Alfred Hitchcocks Rear Window 1St Edition Kindle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book Alfred Hitchcocks Rear Window 1St Edition Kindle ALFRED HITCHCOCKS REAR WINDOW 1ST EDITION PDF, EPUB, EBOOK John Belton | 9780521564533 | | | | | Alfred Hitchcocks Rear Window 1st edition PDF Book Harrison's Reports. Get the IMDb app. When he begins to suspect that a man across the courtyard may have murdered his wife, Jeff enlists the help of his high society fashion-consultant girlfriend and his visiting nurse to investigate. Rear Window. Sara Berner. Change country: -Select- United States There are 1 items available. Rear Window was restored by the team of Robert A. Rear Window is a compulsive and captivating film which also partially demonstrates that the notion of peering on your neighbours is a timeless concept ;. But I bet telling a story like this is quite a bit more challenging than it might appear. Of course you can argue about the order of movies…. Retrieved August 6, Search Within These Results:. For other uses, see Rear Window disambiguation. Plus knowing what I know about the director, Alfred Hitchcock, and his mistreatment of actresses, Jeff seems more of an outlet for Hitchcock to normalise…. Raymond Burr. Also heard on the soundtrack are versions of songs popularized earlier in the decade by Nat King Cole " Mona Lisa ", and Dean Martin " That's Amore ", , along with segments from Leonard Bernstein 's score for Jerome Robbins ' ballet Fancy Free , Richard Rodgers ' song " Lover " , and " M'appari tutt'amor " from Friedrich von Flotow 's opera Martha , most borrowed from Paramount's music publisher, Famous Music. Free Shipping! March 10, A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder. See all condition definitions - opens in a new window or tab In Belton, John ed. Befriending the lyrical loneliness The suspense, the humor, the direction, the music, gorgeous Grace Kelly, James Stewart…. University of California, Santa Barbara. Not a reproduction. Thorwald makes repeated late-night trips carrying the case. The New York Times. Help Learn to edit Community portal Recent changes Upload file. Return policy. Havis Davenport. Add to Watchlist Unwatch. Alfred Hitchcocks Rear Window 1st edition Writer This item will be shipped through the Global Shipping Program and includes international tracking. Running time. Mouse over to Zoom - Click to enlarge. Jesslyn Fax. Best Actress. It's virtually flawless and you're never let down or bored. A few days later, the heat has lifted, and Jeff rests peacefully in his wheelchair, now with casts on both legs. Thorwald grabs Jeff and pushes him out the open window, as Jeff, hanging on, yells for help. When Thorwald returns and confronts Lisa, Jeff calls the police, who arrive in time, arresting her when Thorwald indicates that she broke in. Views Read Edit View history. The shades rolled-up so slowly that there was time to play the main title music twice. The seller has not specified a shipping method to Germany. Back to home page Return to top. See Showtimes. Actor Christopher Reeve , himself paralyzed as a result of a horse-riding accident, was cast in the lead role. There's some nice depth to the characters here, with them feeling like actual real people rather than slick one-dimensional tags. No visible wear, and all facets of the item are flawless and intact. Writers Guild of America Awards. Jeffries, a photographer who is currently recovering from an injury on assignment. Well done. In the best movies, you feel different and you know more about the world as the final shot rolls around. Seller Rating:. Seller Inventory MM About this Item: Universal Pictures, Hollywood, Special financing available. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Add to Watchlist. CNN Money. Hitchcock and Poe: the Legacy of Delight and Terror. Guaranteed authentic. Top Rated Movies BBC News. Alfred Hitchcocks Rear Window 1st edition Reviews March 18, One climactic scene in the film portrays both the positive and negative effects of voyeurism. Item location:. However, when she comes out of the bathroom to model her nightgown for Jeff shortly afterwards, the camera angle now shows the left-hand shade being down too when no one was shown lowering it. Hitchcock's film is not 'significant. The shades rolled-up so slowly that there was time to play the main title music twice. Seller Inventory MG. Search Within These Results:. The director used primarily " diegetic " sounds—sounds arising from the normal life of the characters—throughout the film. Opens image gallery Image not available Photos not available for this variation. One of the unique features of the set was its massive drainage system, constructed to accommodate the rain sequence in the film. Bosley Crowther of The New York Times called the film a "tense and exciting exercise" and deemed Hitchcock as a director whose work has a "maximum of build-up to the punch, a maximum of carefully tricked deception and incidents to divert and amuse. National Board of Review Awards. Jeff's sophisticated, beautiful socialite girlfriend, Lisa Fremont, visits him regularly, as does the insurance company nurse, Stella. Seller information andreastoys Release date. When no one answers, Jeff realizes that Thorwald himself called and is coming to confront him. Camera work is great and pioneering and holds up to even today's standards. Back to home page Return to top. Retrieved September 9, It's virtually flawless and you're never let down or bored. Retrieved June 10, McMillan Johnson Hal Pereira. There's some nice depth to the characters here, with them feeling like actual real people rather than slick one-dimensional tags. With his broken leg he's stuck in his apartment, with nothing better to do than spy on his neighbours and be visited by his girlfriend, Lisa Carol Fremont Grace Kelly , his officer friend Wendell, and his nurse, Stella. Namespaces Article Talk. Jesslyn Fax. Do you have that listless feeling Alma Reville wife Pat Hitchcock daughter. There are 1 items available. Thorwald grabs Jeff and pushes him out the open window, as Jeff, hanging on, yells for help. The film is considered by many filmgoers, critics, and scholars to be one of Hitchcock's best [4] and one of the greatest films ever made. Cambridge University Press. Does not ship to Germany See details. It really shows how much my taste and understanding of film has matured and developed over these last months. He said the film "develops such a clean, uncluttered line from beginning to end that we're drawn through it and into it effortlessly. The cinema, in a nutshell, is a voyeuristic lifestyle. CBS Interactive. I was drooling fr, oh to be Grace Kelly in those amazing dresses by Edith Head. Alfred Hitchcocks Rear Window 1st edition Read Online Learn More - opens in a new window or tab Any international shipping is paid in part to Pitney Bowes Inc. Retrieved August 6, From: medimops Berlin, Germany Seller Rating:. Rear Window was restored by the team of Robert A. Running time. Jeff is in obvious anxiety and is overcome with panic as he sees Thorwald walk into the apartment and notice the irregular placement of the purse on the bed. Many of these items are out of print, Not available on Blu-ray and impossible to find in stores! Cambridge University Press. PR Newswire. Payment details. Search Within These Results:. Shipping cost cannot be calculated. July 14, Bosley Crowther of The New York Times called the film a "tense and exciting exercise" and deemed Hitchcock as a director whose work has a "maximum of build-up to the punch, a maximum of carefully tricked deception and incidents to divert and amuse. This would seem claustrophobic but Hitchcock never inhibits us like this - he lets us escape through Jeffries binoculars and camera lenses, and his roving camera swoops down to let us see what the characters see but never, thankfully, anything more than that - this is how you do suspense! DGA Award. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. When Thorwald returns and confronts Lisa, Jeff calls the police, who arrive in time, arresting her when Thorwald indicates that she broke in. Nearly 30 years after the film's initial release, Roger Ebert reviewed the re-release by Universal Pictures in October , after Hitchcock's estate was settled. Director: Alfred Hitchcock. Release date. January https://cdn.starwebserver.se/shops/brandonpetterssonnk/files/essentials-of-world-regional-geography-3rd-edition-600.pdf https://files8.webydo.com/9583404/UploadedFiles/29AC4D31-AAB1-132A-7320-7AABCA19FD98.pdf https://files8.webydo.com/9583493/UploadedFiles/A3FF6CBA-6E69-3539-0B59-DD17CB9834D2.pdf https://files8.webydo.com/9583569/UploadedFiles/98DA35EE-ED9C-68CB-10DD-AB055F3D7C5D.pdf https://files8.webydo.com/9583354/UploadedFiles/658C2702-2C79-43DE-869E-E3BC545A9E08.pdf https://files8.webydo.com/9583419/UploadedFiles/3E0CF708-AD91-DC05-5AB4-4FD976B90EF8.pdf https://files8.webydo.com/9584136/UploadedFiles/B2A2107A-CCE6-7992-6B5D-9C8468F49785.pdf.
Load more

Recommended publications
  • A Formal Analysis of Hitchcock and the Art of Suspense in "Rear Window" Kevin S
    Cinesthesia Volume 8 | Issue 1 Article 5 4-24-2018 Can I Have a Look?: A Formal Analysis of Hitchcock and the Art of Suspense in "Rear Window" Kevin S. Brennan Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Part of the Film and Media Studies Commons Recommended Citation Brennan, Kevin S. (2018) "Can I Have a Look?: A Formal Analysis of Hitchcock and the Art of Suspense in "Rear Window"," Cinesthesia: Vol. 8 : Iss. 1 , Article 5. Available at: https://scholarworks.gvsu.edu/cine/vol8/iss1/5 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Brennan: Can I Have a Look?: Hitchcock, Suspense, and "Rear Window" Oscar Peterson was a jazz pianist active from the mid 1940s right up to when he died in 2007. He is considered by many to be one of the greatest and most influential pianists of all time. In Clint Eastwood’s documentary Piano Blues (Eastwood, 2003), produced by Martin Scorsese, Ray Charles is quoted saying “Oscar could play like a motherfucker!” A quick look at any one of a plethora of videos on the internet of him playing will illustrate just what Ray Charles meant in his colorfully insightful commentary on Oscar Peterson’s piano playing abilities; the man’s fingers truly were legendary. An observation of these famous fingers at work clearly displays the level of control one can have over the piano.
    [Show full text]
  • £J^=^^^Tar-Bfight of the Ask Could for a New and Sharper Party
    THE EVENING STAR, Washington, D. C. C-6 WKPWMDAT, SXPTKMBKa I, 10*4 The Passing Show : f¦¦ ||ff' Hitchcock's Wizard Touch -1 ¦ {s f ; A picture to be S |;i.l i At Best in 'Rear Window' S%tlv; "' I I seen and enjoyed 9 ; By Joy Cormody , PL JB' by sli. ’-N Y. Post 9 mm Alfred Hitchcock, a wizard at finding the exciting angle from * which to view life, comes up with one of his all-time bests in H “Rear Window" at the Playhouse Theater. ' l Rarely has Hitchcock entertaining as act • Hf been in this of so - ¦ turning moviegoers into unabashed Peeping Toms. What he does YEARS... i* Is lot. tin hit ratnpra —with telesnnnta Ten* nn lass—ln the winrinv Gaia news for apartment * of a court and photo- 4 • graph moviegoer*.” the most intimate and “REAR WINDOW." •’ Paramount pic- jffflSiß ture. produced and directed by fHBIK.. revealing Alfred — details of life across Hitchcock, acreenplay by* John N. Y. Herald Trib. Hayes, Michael the way. on story by y based the short Cor- *¦>' &§P? X g[jg>* V ' The result is an eye-popping nell Woolrich. At the playhouse. album with snapshots of every- The Ceat. ‘. iv •*. Jeff _ James Stewart -^s thing from the torso of an un- Lisa Fremont Grace Kelly Thomas J. Doyle Wendell Corey inhibited blond dancer to an Stella Thelma Ritter act of wife-murder. Lars Thorwald Raymond Burr Mias Lonely Hearts . Judith Evelyn This carnival of snooping, as Song Writer _ Ross Bagdasarian Miss Torso Oeorgtne Darcy comic as it is tense, is a shame- Woman on Fire Escape .
    [Show full text]
  • Major Bowes Amateur Magazine 3403.Pdf
    T HE MAGAZINE OF TWENTY MILLION LISTENERS MAGAZINE MARCH 25 CENTS T HIS ISS U E AMATEUR S IN PICTURES AND STORY HAMBURGER MARY THE YOUMAN BROS. DIAMOND·TOOTH MARY PE~RY THE GARBAGE TENOR SARA BERNER DORIS WESTER VERONICA MIMOSA BU$·BOY DUNNE WYOMING JACK O'BRIEN AND- FIFTY OTHERS • SUCCESS STORIES lilY PONS DAVID SARNOFF ROSA PONSELLE EDWIN C. HILL AMELIA EARHART LAWRENCE TIBBETT FRED A5TAIRE GR .... YAM McNAMEE AND OTHERS • SPECIAL FEATURES MAJOR BOWES-HIS STORY GENE DENNIS WOMEN'S EXCLUSIVE FASHIONS •• •• AND MEN'S YOUR LOOKING GLASS LOWDOWN ON BROADWAy •••• AND HOllYWOOD NIGHT AT THE STUDIO AMATEURS' HALL OF FAME LOOKING BACKWARD FAMOUS AMATEURS OF HISTORY PICTURE TABLOID AND OTHER FEATURES REVOLUTIONARY! ACTUALLY WIPES WINDSHIELDS o C leans Because It Drains! I - I (' I ' I "~ the fil '~ 1 I'crd .I1'",>I" I'IIICIlI in \l indshid.1 wi pe r ], I:u/, ·.. - a n; \"olul iUllan" " vl1 slrut:! iUII I h at kee ps windshields .. Ie,OWI' a 11.1 .h-i(' I'. TIle Uc,, -Hidc il la.l c cO lisish of a Iw l· low. I'l'dol"alc .1 tulle o f Foft. carlWII·lJasc rll],l,c r, SC i ill " slwf, of stain ic;;;; iilcel. A~ l ilt, blade sweep! OI cross the g la ~s . .. h c nHlt,· ,II','as of I" "C:", III"O .lIul \'a CIIIIII1 arc c rca tcII, fore· ill ;': wal(" ," throll;.: h Ihe holl's aTH I COII ,,- talltir cl c allil1~ the w i!,i!! ;! ,"ill,;. .1 \ IIlIltilly w ilillshie hi w-ill I, c cleallctl lillII'll ra ~l l'I" .
    [Show full text]
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
    [Show full text]
  • Newbase CG Named Guamfalls Tomarines
    MOMENTUM TOTAL We cannot and will Oar enemies mast > not be stopped,— suffer total defeat. s Lt.Gen. Alexander >' Under Secy. of A. Vandegrlft. MARINECORPSCHEVRON —the Navy Bard. PUBLISHED BY TUG UfIITCD STATES mußincs in ths son diego ama Saturday Vol. 111, No. 32 Morning, August 12, 1944 1 What'sThis?Navy New Base Got There First! Guam Falls GUAM, Aug. 7 (AP)—"Welcome Marines" read a sign that greeted CG Named surprised Leatherneck assault To Marines waves storming a Guam beach. MCB Command The board sign had been planted Complete Control in the sand by an American Navy Taken Over By gunner's mate, H. I. Green. Navy Of Island Seized Brig.Gen. Lt. William G. Carberry of Coving- In 20-Day Drive Howard ton, Ky„ said the premature land- Brig.Gen. Archie Franklin ing of the gunner's mate was not Relentlessly attacking Marines Howard, who returned recently exactly regulation and smiled as have completed their conquest of from nearly two years' service in he added Green had been "dis- Guam, Adm. Chester W. Nimitz's the South Pacific, this week as- ciplined." Pearl Harbor headquarters an- sumed command of the Base, Be Courteous nounced late Wednesday follow- succeeding Brig.Gen. Matthew H. ing the capture of 870-foot Mfc Kinsman, SantaRosa dominating the north- east shore. Gen. Howard, a Marine for near- Stand Of Marine ly three decades, went to the South Adm. Nimitz announced that Pacific in October, 1942, with the Garrison At Guam remnants of the once-powerful Jap- Ist MAC. From July, 1943, to June, anese garrison on Guam are now 1944, he served as commanding surrounded inland from Pati point general of all joint forces in the Told By Survivor on the northeast coast and are ex- Solomon Islands, a service for pected to be liquidated soon.
    [Show full text]
  • Jack Benny to Howard Stern
    An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions.
    [Show full text]
  • Alfred Hitchcock's Rear Window
    Alfred Hitchcock’s Rear Window Edited by JOHN BELTON PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United States of America Typeface Stone Serif 9.75/14 pt. System QuarkXPress® [GH] A catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Alfred Hitchcock’s Rear Window / edited by John Belton. p. cm. – (Cambridge film handbooks) Filmography: p. Includes bibliographical references and index. ISBN 0-521-56423-9. — ISBN (invalid) 0-521-56453-0 (pb) 1. Rear window (Motion picture) I. Belton, John. II. Series. PN1997.R353A43 2000 791.43′72 – dc21 99-12160 CIPP ISBN 0 521 56423 9 hardback ISBN 0 521 56453 0 paperback Contents Acknowledgments page xi List of Contributors xiii Introduction Spectacle and Narrative JOHN BELTON 1 1 The Making of Rear Window SCOTT CURTIS 21 2 Voyeurism and the Postwar Crisis of Masculinity in Rear Window ELISE LEMIRE 57 3 “The Dresses Had Told Me” Fashion and Femininity in Rear Window SARAH STREET 91 4 Alfred Hitchcock’s Rear Window The Fourth Side MICHEL CHION 110 5 Eternal Vigilance in Rear Window ARMOND WHITE 118 Filmography 141 Reviews of Rear Window, 1954 163 Select Bibliography 171 Index 175 vii JOHN BELTON Introduction SPECTACLE AND NARRATIVE Like many of the best works of classical Hollywood cin- ema, Rear Window is a deceptively obvious film.
    [Show full text]
  • Themes of the Hymn to Aphrodite and the Dog Star Sirius In
    Themes of The Hymn to Aphrodite and the Dog Star Sirius in Alfred Hitchcock’s Rear Window Rear Window (1954) remains a beloved film of Hitchcock, in part because of the iconic acting performances of James Stewart (Jeff Jeffries) and Grace Kelly (Lisa Fremont). Its many production values combine to create the “the well-made film” (Falwell-2004). Though based on a detective novel of Cornell Woolrich, this paper locates the adaptation as coming to life as informed by Greek myth. The approach does so to address the question of Lisa’s literary origins, a figure not included in Woolrich’s non-romantic account. John Michael Hayes, the screenwriter, was well-read in translated classical literature (DeRosa-2001), and subconsciously or not he and Hitchcock drew upon two myth clusters to construct her persona. The structuring use of Greek tale to bend crime and psychological fare to romantic patterns defines a core dynamic of Hitchcock filmmaking (Brill-1988), and the approach of shifting Kelly’s hitherto demurred persona into a sexually expressive one in this instance reflects a Pygmalion mindset. This deep dive into Rear Window’s mythic parallelisms usefully expands the register of myth identified hitherto in Hitchcock and in an important classic film. The first mythic parallel is the The Homeric Hymn to Aphrodite, an archaic-period poem that may symbolize the completion of Zeus’ ascendancy (Clay-1989). Here, Zeus commands the goddess to have sex with Anchises, a cowherd on Mt. Ida. Aphrodite, of higher status, focuses her seductive charms on the mortal and completes her assignment with flair.
    [Show full text]
  • Established 1975 Number 285 December 2000
    Established 1975 Number 285 December 2000 Publication of the Old Time Radio Club Membership Information Club Officers and Librarians New member processing, $5 plus club member­ President ship of $17.50 per year from January 1 to Jerry Collins (716) 683-6199 December 31. Members receive a tape library list­ 56 Christen Ct. ing, reference library listing and a monthly newslet­ Lancaster, NY 14086 ter. Memberships are as follows: if you join January-March, $17.50; April-June, $14; JUly­ Vice President & Canadian Branch September, $10; October-December, $7. All Richard Simpson renewals should be sent in as soon as possible to 960 16 Road RR. 3 avoid missing issues. Please be sure to notify us if Fenwick, Ontario you have a change of address. The Old Time Canada, LOS 1CO Radio Club meets the first Monday of every month at 7:30 PM during the months of September to. Treasurer, Back Issues, Videos & Records June at 393 George Urban Blvd., Cheektowaga, NY Dominic Parisi (716) 884-2004 14225. The club meets informally during the 38 Ardmore PI. months of July and August at the same address. Buffalo, NY 14213 Anyone interested in the Golden Age of Radio is welcome. The Old Time Radio Club is affiliated Membership Renewals, Change of Address, with The Old Time Radio Network. Cassette Library - #2000 and YR. Illustrated Press Cover Designs Club Mailing Address . Peter Bellanca (716) 713-2485 Old Time Radio Club 1620 Ferry Road 56 Christen Ct. Grand Island, NY 14072 Lancaster, NY 14086 Membership Inquires and OTR Network Related Items Back issues of The Illustrated Press are $1.50 post­ Richard Olday (716) 684-1604 paid.
    [Show full text]
  • The Dvd Titled WARNER BROS. HOME ENTERTAINMENT ACADEMY
    The dvd titled WARNER BROS. HOME ENTERTAINMENT ACADEMY AWARD-NOMINATED ANIMATION: CINEMA FAVORITES is a Fourth Quarter 2015 LVCA dvd donation to the Ligonier Valley Library. There are thirteen short color animations from the Warner Brothers, Fleischer Brothers, and MGM Studios represented on this dvd. Each was nominated for an Oscar®™. Below are Kino Ken’s ratings of these shorts, with a brief description of their contents. Key: *indicates outstanding technical achievement or vocal performance 1. POPEYE THE SAILOR MEETS SINDBAD THE SAILOR U.S. 1936 color 16 minutes Fleischer Studios produced for Paramount Pictures Producer: Max Fleischer 14 of a possible 20 points ***1/2 of a possible ***** Points: Co-Directors: Dave Fleischer and Willard Bowsky 2 Editing 2 Animation Camera 2 Animation: Willard Bowsky, George Germanetti, Edward Nolan, Lillian Friedman 2 Lighting 0 Story 2 Animation Director: Willard Bowsky Music Supervisor: Lou Fleischer Musical Director: Sammy Timberg 1 Music: Samuel Lerner, Bob Rothberg, Sammy Timberg, John Philip Sousa 2 Character Design 0 Sound Voices Cast: Jack Mercer (Voice of Popeye), Lou Fleischer (Voice of Wimpy), Mae Questel (Voice of Olive Oyl), Gus Wickie (Voice of Sindbad / Bluto) Donald Bain (Voices of Rokh the Mighty Eagle and Lions) 2 Creativity 14 total points THE ARABIAN NIGHTS is converted into a Popeye adventure with Bluto essaying the role of villainous blowhard Sindbad, whose self-proclaimed title of “Most Remarkable Extraordinary Fellow” is jeopardized by arrival in his domain of Popeye, a spinach-gulping American sailor. Inexplicably finding long, twisty legs of Popeye’s female companion Olive Oyl tantalizingly erotic, Sindbad determines to steal the emaciated-looking Modigliani model for himself.
    [Show full text]
  • Master List As of 201004 for More Information Please Contact [email protected]
    UCLA Film & Television Archive – Ralph Edwards Collection – Informal Master List as of 201004 For more information please contact [email protected] Series title episode_title notes inventory_no format_size format_type SERIES PREMIERE ABOUT FACES 01/04/60 T111684 16 SAFETY BBID # 143150 A RALPH EDWARDS PRODUCTION ExP: PAUL EDWARDS WRIT: HENRY HOOPLE ABOUT FACES [PILOT] HOST: BEN ALEXANDER T111683 16 SAFETY CELEBRITY GUESTS: JOSE FERRER, ROSEMARY CLOONEY, DOUGLAS “WRONG WAY” CORRIGAN A RALPH EDWARDS PRODUCTION ExP: PAUL EDWARDS WRIT: HENRY HOOPLE ABOUT FACES [PILOT] HOST: BEN ALEXANDER DVD7421 T 4 3/4 IN DVD CELEBRITY GUESTS: JOSE FERRER, ROSEMARY CLOONEY, DOUGLAS “WRONG WAY” CORRIGAN DIRECT-TO-VIDEO ANNABELLE’S T115496 4 3/4 IN DVD WISH AREN’T WE COPYRIGHT 1992 BY RALPH DEVILS?: THE EDWARDS PRODUCTIONS DVD4927T 4 3/4 IN DVD PROGRAMS OF PROD: ROBERT W. CHADWICK RALPH EDWARDS WRIT: ROBERT W. CHADWICK, UCLA Film & Television Archive – Ralph Edwards Collection – Informal Master List as of 201004 For more information please contact [email protected] RALPH EDWARDS, SUE CHADWICK NARR: BOB WARREN MUSIC. LARRY WOLFF A LOOK AT THE VARIOUS RADIO & TV PRODUCTIONS OF RALPH EDWARDS COMPILED BY RALPH EDWARDS PRODUCTIONS. TWO 30-MINUTE PROGRAMS. HOST: ANNIE WOOD BZZZ! [2 PROGRAMS] GAME SHOW DVD4839T 4 3/4 IN DVD 1. SHOW # 0113 (AIR #1-001) - 1/22/96 2. SHOW # 1010 (AIR #2-001) - 9/9/96 A Production of Oriole Music, Inc. in assoc. w/20th Century-Fox Television CIRCUS OF THE CIRCUS! c1971 by 20th Century-Fox T111680 1 IN. VIDEOREEL GREAT ESCAPE Television ExP: Joseph Cates Host: Bert Parks [EXCERPT.
    [Show full text]
  • Alfred Hitchcock: Filming Our Fears
    Alfred Hitchcock: Filming Our Fears Gene Adair OXFORD UNIVERSITY PRESS Alfred Hitchcock Filming Our Fears Image Not Available Alfred Hitchcock Filming Our Fears Gene Adair 1 To my mother and the memory of my father 1 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2002 by Gene Adair Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Design: Greg Wozney Layout: Lynn Serra Picture Research: Lisa Barnett Library of Congress Cataloging-in-Publication Data Adair, Gene. Alfred Hitchcock : filming our fears / Gene Adair. v. cm. Includes bibliographical references and index. Contents: 1. The grocer's son from Leytonstone -- 2. A filmmaker's apprenticeship -- 3. From silents to sound -- 4. Highs and lows -- 5. England's leading film director -- 6. America calling -- 7. An Englishman in Hollywood -- 8. The war years and beyond -- 9. Gaining independence -- 10. A new contract with Paramount -- 11. Three masterpieces -- 12. A new home at Universal -- 13. Last years and legacy. ISBN 0-19-511967-3 (alk. paper) 1. Hitchcock, Alfred, 1899- 2. Motion picture producers and directors--Great Britain--Biography.
    [Show full text]