Performance Evaluation of Speech Quality for Voip on the Internet
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Advanced Compression and Latency Reduction Techniques Over Data Networks
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-22-2015 12:00 AM Advanced Compression and Latency Reduction Techniques Over Data Networks Fuad Shamieh The University of Western Ontario Supervisor Dr. Xianbin Wang The University of Western Ontario Graduate Program in Electrical and Computer Engineering A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Engineering Science © Fuad Shamieh 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Digital Communications and Networking Commons Recommended Citation Shamieh, Fuad, "Advanced Compression and Latency Reduction Techniques Over Data Networks" (2015). Electronic Thesis and Dissertation Repository. 2844. https://ir.lib.uwo.ca/etd/2844 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. ADVANCED COMPRESSION AND LATENCY REDUCTION TECHNIQUES OVER DATA NETWORKS (Thesis format: Monograph) by Fuad Shamieh Graduate Program in Electrical and Computer Engineering A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Engineering Science The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada c Fuad Shamieh 2015 Abstract Applications and services operating over Internet protocol (IP) networks often suffer from high latency and packet loss rates. These problems are attributed to data congestion resulting from the lack of network resources available to support the demand. The usage of IP networks is not only increasing, but very dynamic as well. -
Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more. -
Lossless Audio Codec Comparison
Contents Introduction 3 1 Test setup 4 1.1 Scripting and graphing . .4 1.2 Codecs and parameters used . .5 1.3 WMA, RealAudio and ALAC . .6 2 CD-audio test 8 2.1 CD's used . .8 2.2 Results all CD's together . .9 2.3 Interesting quirks . 12 2.3.1 Mono encoded as stereo (Dan Browns Angels and Demons) 12 2.4 Convergence of the results . 15 3 High-resolution audio 17 3.1 Nine Inch Nails' The Slip . 17 3.2 Howard Shore's soundtrack for The Lord of the Rings: The Re- turn of the King . 20 3.3 Wasted bits . 22 4 Multichannel audio 24 4.1 Howard Shore's soundtrack for The Lord of the Rings: The Re- turn of the King . 24 A Motivation for choosing these CDs 27 Bibliography 31 2 Introduction While testing the efficiency of lossy codecs can be quite cumbersome (as results differ for each person), comparing lossless codecs is much easier. As the last well documented and comprehensive test available on the internet has been a few years ago, I thought it would be a good idea to update. Beside comparing with CD-audio (which is often done to assess codec perfor- mance) and spitting out a grand total, this comparison also looks at extremes that occurred during the test and takes a look at 'high-resolution audio' and multichannel/surround audio. While the comparison was made to update the comparison-page on the FLAC website, it aims to be fair and unbiased. Because of this, you'll probably won't find anything that looks like conclusions: test results are displayed and analysed, but there is no judgement or choice made. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Bdp-450 Bdp-150 Bdp-150-K Bdp-150-S
BDP-450_VXE8_IBD_EN.book 1 ページ 2012年6月22日 金曜日 午後2時11分 BDP-450 BDP-150 Blu-ray 3DTM PLAYER BDP-150-K BDP-150-S For customers in Europe: Discover the benefits of registering your product online at http://www.pioneer.co.uk (or http://www.pioneer.eu) Download an electronic version of this manual from our website. Operating Instructions BDP-450_VXE8_IBD_EN.book 2 ページ 2012年6月22日 金曜日 午後2時11分 Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. IMPORTANT CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol, CAUTION: The exclamation point within an equilateral within an equilateral triangle, is intended to TO PREVENT THE RISK OF ELECTRIC triangle is intended to alert the user to the alert the user to the presence of uninsulated SHOCK, DO NOT REMOVE COVER (OR presence of important operating and “dangerous voltage” within the product’s BACK). NO USER-SERVICEABLE PARTS maintenance (servicing) instructions in the enclosure that may be of sufficient INSIDE. REFER SERVICING TO QUALIFIED literature accompanying the appliance. magnitude to constitute a risk of electric SERVICE PERSONNEL. shock to persons. D3-4-2-1-1_A1_En CAUTION Operating Environment This product is a class 1 laser product classified Operating environment temperature and humidity: under the Safety of laser products, IEC 60825-1:2007. +5 °C to +35 °C (+41 °F to +95 °F); less than 85 %RH (cooling vents not blocked) Do not install this unit in a poorly ventilated area, or in CLASS 1 LASER PRODUCT locations exposed to high humidity or direct sunlight (or strong artificial light) D3-4-2-1-7c*_A1_En D58-5-2-2a_A1_En If the AC plug of this unit does not match the AC WARNING outlet you want to use, the plug must be removed This equipment is not waterproof. -
MP3 the MP3 Audio Format Lossy Data Compression. Audio Quality
Voice Data Voice data is something which is comprised of different wavelengths of sound. A simple exam can be found in an E.C.G Report of Heart. It has different wavelengths showing the Heartbeat. If you observe you will find that these wavelengths are of different height, which is basically indicating the Pitch of Sound Wave. Video Data Video data is a compilation of some Pixel or Vector based Images. A simple digital camera has an option of Multi Shot Mode. What happens in this mode is that a Picture is taken 10 to 15 times in a Sec. These images are then converted into a video. 1 Picture in this compilation will serve as 1 Frame. Now for a standard, Human Eye is capable of considering 30 Frames per second as a video. that means if 30 pictures are moved accross in front of human eye within a Second, it will turn into a video. A Simple example is an OLD Cinema House. In old days pictures, were used to entertain people in Cinema. Those pictures were moved across a projector with a speed of 30 FPS. Audio MP3 The MP3 audio format lossy data compression. Audio quality improves with increasing bitrate. 32 kbit/s - generally acceptable only for speech 96 kbit/s - generally used for speech or low-quality streaming 128 or 160 kbit/s – mid-range bitrate quality 192 kbit/s - a commonly used high-quality bitrate 320 kbit/s - highest level supported by MP3 standard Other audio 800 bit/s – minimum necessary for recognizable speech, using the special-purpose FS- 1015 speech codecs. -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
Forcepoint DLP Supported File Formats and Size Limits
Forcepoint DLP Supported File Formats and Size Limits Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 This article provides a list of the file formats that can be analyzed by Forcepoint DLP, file formats from which content and meta data can be extracted, and the file size limits for network, endpoint, and discovery functions. See: ● Supported File Formats ● File Size Limits © 2021 Forcepoint LLC Supported File Formats Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 The following tables lists the file formats supported by Forcepoint DLP. File formats are in alphabetical order by format group. ● Archive For mats, page 3 ● Backup Formats, page 7 ● Business Intelligence (BI) and Analysis Formats, page 8 ● Computer-Aided Design Formats, page 9 ● Cryptography Formats, page 12 ● Database Formats, page 14 ● Desktop publishing formats, page 16 ● eBook/Audio book formats, page 17 ● Executable formats, page 18 ● Font formats, page 20 ● Graphics formats - general, page 21 ● Graphics formats - vector graphics, page 26 ● Library formats, page 29 ● Log formats, page 30 ● Mail formats, page 31 ● Multimedia formats, page 32 ● Object formats, page 37 ● Presentation formats, page 38 ● Project management formats, page 40 ● Spreadsheet formats, page 41 ● Text and markup formats, page 43 ● Word processing formats, page 45 ● Miscellaneous formats, page 53 Supported file formats are added and updated frequently. Key to support tables Symbol Description Y The format is supported N The format is not supported P Partial metadata -
AN0055: Speex Codec
...the world's most energy friendly microcontrollers Speex Codec AN0055 - Application Note Introduction Speex is a free audio codec which provides high level of compression with good sound quality for speech encoding and decoding. This application note demonstrates an energy efficient Speex solution on an EFM32GG for applications requiring voice recording or playback. This application note includes: • This PDF document • Source files • Example C-code • Speex library files • Voice header files • IAR and Keil IDE projects • Pre-compiled binaries • PC application to convert WAV file to Speex encoded format 2013-09-16 - an0055_Rev1.05 1 www.silabs.com ...the world's most energy friendly microcontrollers 1 Speex Overview Speex is an open source and patent-free audio compression format designed for speech. Speex is based on CELP (Code-Excited Linear Prediction) and is designed to compress voice at bitrates ranging from 2 to 44 kbps. Some of Speex's features include: • Narrowband (8 kHz), wideband (16 kHz) and ultra-wideband (32 kHz) compression • Intensity stereo encoding • Packet loss concealment • Variable bitrate operation (VBR) • Voice Activity Detection (VAD) • Discontinuous Transmission (DTX) • Fixed-point port • Acoustic echo cancellation • Noise suppression This application note was developed with release 1.2rc1 of the Speex codec, implementing NB8K encoding and decoding, NB decoding, WB decoding and UWB decoding. For further details about the Speex codec, please refer to the Speex website: www.speex.org. Acronyms used in this application note: NB Narrowband (8kHz) NB8K Narrowband 8 kbps only WB Wideband (16 kHz) UWB Ultra-wideband (32 kHz) 2013-09-16 - an0055_Rev1.05 2 www.silabs.com ...the world's most energy friendly microcontrollers 2 Speex Encoder The Speex encoder consists of an audio input interface and speech encoding module. -
Video Quality Measurement for 3G Handset
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2007 Video Quality Measurement for 3G Handset Zeeshan http://hdl.handle.net/10026.2/509 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Video Quality Measurement for 3G Handset by Zeeshan Dissertation submitted in partial fulfilment of the requirements for the award of Master of Research in Communications Engineering and Signal Processing in School of Computing, Communication and Electronics University of Plymouth January 2007 Supervisors Professor Emmanuel C. Ifeachor Dr. Lingfen Sun Mr. Zhuoqun Li © Zeeshan 2007 University of Plymouth Library Item no. „ . ^ „ Declaration This is to certify that the candidate, Mr. Zeeshan, carried out the work submitted herewith Candidate's Signature: Mr. Zeeshan KJ(. 'X&_.XJ<t^ Date: 25/01/2007 Supervisor's Signature: Dr. Lingfen Sun /^i^-^^^^f^ » P^^^. 25/01/2007 Second Supervisor's Signature: Mr. Zhuoqun Li / Date: 25/01/2007 Copyright & Legal Notice This copy of the dissertation has been supplied on the condition that anyone who consults it is understood to recognize that its copyright rests with its author and that no part of this dissertation and information derived from it may be published without the author's prior written consent. -
IDOL Keyview Viewing SDK 12.7 Programming Guide
KeyView Software Version 12.7 Viewing SDK Programming Guide Document Release Date: October 2020 Software Release Date: October 2020 Viewing SDK Programming Guide Legal notices Copyright notice © Copyright 2016-2020 Micro Focus or one of its affiliates. The only warranties for products and services of Micro Focus and its affiliates and licensors (“Micro Focus”) are set forth in the express warranty statements accompanying such products and services. Nothing herein should be construed as constituting an additional warranty. Micro Focus shall not be liable for technical or editorial errors or omissions contained herein. The information contained herein is subject to change without notice. Documentation updates The title page of this document contains the following identifying information: l Software Version number, which indicates the software version. l Document Release Date, which changes each time the document is updated. l Software Release Date, which indicates the release date of this version of the software. To check for updated documentation, visit https://www.microfocus.com/support-and-services/documentation/. Support Visit the MySupport portal to access contact information and details about the products, services, and support that Micro Focus offers. This portal also provides customer self-solve capabilities. It gives you a fast and efficient way to access interactive technical support tools needed to manage your business. As a valued support customer, you can benefit by using the MySupport portal to: l Search for knowledge documents of interest l Access product documentation l View software vulnerability alerts l Enter into discussions with other software customers l Download software patches l Manage software licenses, downloads, and support contracts l Submit and track service requests l Contact customer support l View information about all services that Support offers Many areas of the portal require you to sign in.