Cuaderno 81 2020 Cuadernos Del Centro De Estudios En Diseño Y Comunicación [Ensayos]

Total Page:16

File Type:pdf, Size:1020Kb

Cuaderno 81 2020 Cuadernos Del Centro De Estudios En Diseño Y Comunicación [Ensayos] ISSN 1668-0227 Año 21 Número 81 Septiembre Cuaderno 81 2020 Cuadernos del Centro de Estudios en Diseño y Comunicación [Ensayos] Taxonomías espaciales y objetuales en espacios y productos Roberto Céspedes: Introducción | Ana Cravino: Prologo | Jorge Pokropek: Lógicas de coherencia para la interpretación y producción del diseño interior y sus criterios de selección de formas objetuales | Ana Cravino: La Bolsa de Comercio de Buenos Aires. Un caso para- digmático de composición clásica | Roberto Céspedes: Diseño An- drógino: Charles Rennie Mackintosh | Claudia Marcela Woodhull: Una Aproximación Morfológica: Formas de la Pradera y su Inten- cionalidad Estética en el Espacio Interior y el Objeto | Ricardo José Viveros Baez: Organicismo: morfología y materialidad como expre- sión comunicante en un espacio arquitectónico Tesis de Doctorado en Diseño UP recomendada para su publicación Florencio Compte Guerrero: Modernos sin modernidad. Arquitec- tura de Guayaquil 1930-1948 Centro de Estudios en Diseño y Comunicación. Facultad de Diseño y Comunicación. Universidad de Palermo. Buenos Aires. Cuadernos del Centro de Estudios en Universidad de Palermo Diseño y Comunicación Universidad de Palermo. Rector Facultad de Diseño y Comunicación. Ricardo Popovsky Centro de Estudios en Diseño y Comunicación. Mario Bravo 1050. C1175ABT. Facultad de Diseño y Comunicación Ciudad Autónoma de Buenos Aires, Argentina. Decano www.palermo.edu Oscar Echevarría [email protected] Secretario Académico Director Jorge Gaitto Oscar Echevarría Editora Fabiola Knop Coordinación del Cuaderno nº 81 Ana Cravino. (D&C, UP. Argentina) Comité Editorial Nora Angélica Morales Zaragosa. Universidad Autónoma Lucia Acar. Universidade Estácio de Sá. Brasil. Metropolitana. México. Gonzalo Javier Alarcón Vital. Universidad Autónoma Candelaria Moreno de las Casas. Instituto Toulouse Metropolitana. México. Lautrec. Perú. Mercedes Alfonsín. Universidad de Buenos Aires. Patricia Núñez Alexandra Panta de Solórzano. Tecnoló- Argentina. gico Espíritu Santo. Ecuador. Fernando Alberto Alvarez Romero. Universidad de Guido Olivares Salinas. Universidad de Playa Ancha. Chile. Bogotá Jorge Tadeo Lozano. Colombia. Ana Beatriz Pereira de Andrade. UNESP Universidade Gonzalo Aranda Toro. Universidad Santo Tomás. Chile. Estadual Paulista. Brasil. Christian Atance. Universidad de Buenos Aires. Argentina. Fernando Rolando. Universidad de Palermo. Argentina. Mónica Balabani. Universidad de Palermo. Argentina. Alexandre Santos de Oliveira. Fundação Centro de Análi- Alberto Beckers Argomedo. Universidad Santo Tomás. se de Pesquisa e Inovação Tecnológica. Brasil. Chile. Carlos Roberto Soto. Corporación Universitaria UNITEC. Renato Antonio Bertao. Universidade Positivo. Brasil. Colombia. Allan Castelnuovo. Market Research Society. Reino Patricia Torres Sánchez. Tecnológico de Monterrey. Unido. México. Jorge Manuel Castro Falero. Universidad de la Empresa. Viviana Suárez. Universidad de Palermo. Argentina. Uruguay. Elisabet Taddei. Universidad de Palermo. Argentina. Raúl Castro Zuñeda. Universidad de Palermo. Argentina. Mario Rubén Dorochesi Fernandois. Universidad Técni- Comité de Arbitraje ca Federico Santa María. Chile. Luís Ahumada Hinostroza. Universidad Santo Tomás. Adriana Inés Echeverria. Universidad de la Cuenca del Chile. Plata. Argentina. Débora Belmes. Universidad de Palermo. Argentina. Jimena Mariana García Ascolani. Universidad Iberoame- Marcelo Bianchi Bustos. Universidad de Palermo. ricana. Paraguay. Argentina. Marcelo Ghio. Instituto San Ignacio. Perú. Aarón José Caballero Quiroz. Universidad Autónoma Clara Lucia Grisales Montoya. Academia Superior de Metropolitana. México. Artes. Colombia. Sandra Milena Castaño Rico. Universidad de Medellín. Haenz Gutiérrez Quintana. Universidad Federal de Santa Colombia. Catarina. Brasil. Roberto Céspedes. Universidad de Palermo. Argentina. José Korn Bruzzone. Universidad Tecnológica de Chile. Carlos Cosentino. Universidad de Palermo. Argentina. Chile. Ricardo Chelle Vargas. Universidad ORT. Uruguay. Zulema Marzorati. Universidad de Buenos Aires. José María Doldán. Universidad de Palermo. Argentina. Argentina. Susana Dueñas. Universidad Champagnat. Argentina. Denisse Morales. Universidad Iberoamericana Unibe. Pablo Fontana. Instituto Superior de Diseño Aguas de La República Dominicana. Cañada. Argentina. Sandra Virginia Gómez Mañón. Universidad Iberoameri- cana Unibe. República Dominicana. Jorge Manuel Iturbe Bermejo. Universidad La Salle. México. Denise Jorge Trindade. Universidade Estácio de Sá. Brasil. El Ministerio de Educación, Ciencia y Tecnología de la Mauren Leni de Roque. Universidade Católica De Santos. República Argentina, con la resolución Nº 2385/05 in- Brasil. corporó al Núcleo Básico de Publicaciones Periódicas María Patricia Lopera Calle. Tecnológico Pascual Bravo. Científicas y Tecnológicas –en la categoría Ciencias So- Colombia. ciales y Humanidades– la serie Cuadernos del Centro de Gloria Mercedes Múnera Álvarez. Corporación Universi- Estudios en Diseño y Comunicación [Ensayos]. Facultad taria UNITEC. Colombia. de Diseño y Comunicación de la Universidad de Paler- Eduardo Naranjo Castillo. Universidad Nacional de mo. En diciembre 2013 fue renovada la permanencia en Colombia. Colombia. el Núcleo Básico, que se evalúa de manera ininterrumpi- Miguel Alfonso Olivares Olivares. Universidad de da desde el 2005. La publicación en sus versiones impresa Valparaíso. Chile. y en línea han obtenido el Nivel 1 (36 puntos sobre 36). Julio Enrique Putalláz. Universidad Nacional del Nordes- te. Argentina. Carlos Ramírez Righi. Universidad Federal de Santa Catarina. Brasil. Oscar Rivadeneira Herrera. Universidad Tecnológica de Chile. Chille. La publicación Cuadernos del Centro de Estudios en Di- Julio Rojas Arriaza. Universidad de Playa Ancha. Chile. seño y Comunicación [Ensayos] (ISSN 1668-0227) está Eduardo Russo. Universidad Nacional de La Plata. incluida en el Directorio y Catálogo de Latindex. Argentina. Virginia Suárez. Universidad de Palermo. Argentina. Carlos Torres de la Torre. Pontificia Universidad Católica del Ecuador. Ecuador. Magali Turkenich. Universidad de Palermo. Argentina. Ignacio Urbina Polo. Prodiseño Escuela de Comunica- La publicación Cuadernos del Centro de Estudios en ción Visual y Diseño. Venezuela. Diseño y Comunicación [Ensayos] (ISSN 1668-0227) Verónica Beatriz Viedma Paoli. Universidad Politécnica y pertenece a la colección de revistas científicas de SciELO. Artística del Paraguay. Paraguay. Ricardo José Viveros Báez. Universidad Técnica Federico Santa María. Chile. La publicación Cuadernos del Centro de Estudios en Diseño y Comunicación [Ensayos] (ISSN 1668-0227) Diseño forma parte de la plataforma de recursos y servicios do- Francisca Simonetti - Constanza Togni cumentales Dialnet. 1º Edición. Cantidad de ejemplares: 100 Ciudad Autónoma de Buenos Aires, Argentina. Septiembre 2020. La publicación Cuadernos del Centro de Estudios en Diseño y Comunicación [Ensayos] (ISSN 1668-0227) se Impresión: Artes Gráficas Buschi S.A. encuentra indexada por EBSCO. Ferré 250/52 (C1437FUR) Ciudad Autónoma de Buenos Aires, Argentina. ISSN 1668-0227 Esta obra está bajo una Licencia Creative Commons Atri- Cuadernos del Centro de Estudios en Diseño y Comu- bución-NoComercial-CompartirIgual 4.0 Internacional nicación [Ensayos] on line Los contenidos de esta publicación están disponibles, gratuitos, on line ingresando en: Prohibida la reproducción total o parcial de imágenes y www.palermo.edu/dyc > Publicaciones DC > Cuader- textos. El contenido de los artículos es de absoluta respon- nos del Centro de Estudios en Diseño y Comunicación. sabilidad de los autores. ISSN 1668-0227 Año 21 Número 81 Septiembre Cuaderno 81 2020 Cuadernos del Centro de Estudios en Diseño y Comunicación [Ensayos] Taxonomías espaciales y objetuales en espacios y productos Roberto Céspedes: Introducción | Ana Cravino: Prologo | Jorge Pokropek: Lógicas de coherencia para la interpretación y producción del diseño interior y sus criterios de selección de formas objetuales | Ana Cravino: La Bolsa de Comercio de Buenos Aires. Un caso para- digmático de composición clásica | Roberto Céspedes: Diseño An- drógino: Charles Rennie Mackintosh | Claudia Marcela Woodhull: Una Aproximación Morfológica: Formas de la Pradera y su Inten- cionalidad Estética en el Espacio Interior y el Objeto | Ricardo José Viveros Baez: Organicismo: morfología y materialidad como expre- sión comunicante en un espacio arquitectónico Tesis de Doctorado en Diseño UP recomendada para su publicación Florencio Compte Guerrero: Modernos sin modernidad. Arquitec- tura de Guayaquil 1930-1948 Centro de Estudios en Diseño y Comunicación. Facultad de Diseño y Comunicación. Universidad de Palermo. Buenos Aires. Cuadernos del Centro de Estudios en Diseño y Comunicación. [Ensayos], es una línea de pu- blicación cuatrimestral del Centro de Estudios en Diseño y Comunicación de la Facultad de Diseño y Comunicación de la Universidad de Palermo. Los Cuadernos reúnen papers e informes de investigación sobre tendencias de la práctica profesional, problemáticas de los medios de comunicación, nuevas tecnologías y enfoques epistemológicos de los campos del Diseño y la Comunicación. Los ensayos son aprobados en el proceso de referato realizado por el Comité de Arbitraje de la publicación. Los estudios publicados están centrados en líneas de investigación que orientan las acciones del Centro de Estudios: 1. Empresas y marcas. 2. Medios y estrategias de comunicación. 3. Nuevas tecnologías. 4. Nuevos profesionales.
Recommended publications
  • Oscar Niemeyer's Mid-Twentieth-Century Residential Buildings
    Challenging the Hierarchies of the City: Oscar Niemeyer’s Mid-Twentieth-Century Residential Buildings Challenging the Hierarchies of the City: Oscar Niemeyer’s Mid-Twentieth-Century Residential Buildings Styliane Philippou [email protected] +44 20 7619 0045 Keywords: Oscar Niemeyer; architecture; Modernism; Brazilian city; mestiçagem; social, racial and gender city hierarchies Abstract This paper discusses the ways in which Oscar Niemeyer’s mid-twentieth-century residential buildings for the rapidly growing Brazilian cities challenged prevailing assumptions about the hierarchies of the city, and the profoundly patriarchal, white-dominated Brazilian society. The aesthetics of randomness and utilitarian simplicity of Niemeyer’s first house for himself (Rio de Janeiro, 1942) steered clear of any romanticisation of poverty and social marginalisation, but posited the peripheral, urban popular Black architecture of the morros as a legitimate source of inspiration for modern Brazilian residential architecture. At a time of explosive urban growth in Latin American cities, suburban developments allured those who could afford it to flee the city and retreat in suburbia. Niemeyer’s high density residential environment (Copan Apartment Building, 1951, São Paulo), right in the centre Brazil’s industrial metropolis, configured a site of resistance to urban flight and the ‘bourgeois utopia’ of the North American suburban, picturesque enclaves insulated from the workplace. The Copan’s irrational, feminine curves contrasted sharply with the ‘cold, hard, unornamental, technical image’ (Ockman) of the contemporaneous New York City Lever House, typical of the North American corporate capitalist landscape. At a time when Taylorism- influenced zoning was promoted as the solution to all urban problems, the Copan emphatically positioned in the city centre the peripheral realm of domestic, tropical, feminine curves, challenging prevailing images of the virile city of male business and phallic, stifling skyscrapers.
    [Show full text]
  • THE U.S. STATE, the PRIVATE SECTOR and MODERN ART in SOUTH AMERICA 1940-1943 By
    THE U.S. STATE, THE PRIVATE SECTOR AND MODERN ART IN SOUTH AMERICA 1940-1943 by Olga Ulloa-Herrera A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2014 George Mason University Fairfax, VA The U.S. State, the Private Sector and Modern Art in South America 1940-1943 A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Olga Ulloa-Herrera Master of Arts Louisiana State University, 1989 Director: Michele Greet, Associate Professor Cultural Studies Spring Semester 2014 George Mason University Fairfax, VA Copyright 2014 Olga Ulloa-Herrera All Rights Reserved ii DEDICATION This is dedicated to Carlos Herrera, Carlos A. Herrera, Roberto J. Herrera, and Max Herrera with love and thanks for making life such an exhilarating adventure; and to María de los Angeles Torres with gratitude and appreciation. iii ACKNOWLEDGEMENTS I would like to express the deepest appreciation to my committee chair Dr. Michele Greet and to my committee members Dr. Paul Smith and Dr. Ellen Wiley Todd whose help, support, and encouragement made this project possible. I have greatly benefited from their guidance as a student and as a researcher. I also would like to acknowledge Dr. Roger Lancaster, director of the Cultural Studies Program at George Mason University and Michelle Carr for their assistance throughout the years.
    [Show full text]
  • Urbanization in Brazil. an International Urbanization Survey Report to The
    DOCUMENT RESUME ED P79 451 UD 013 732 AUTHOR Gardner, James A. TITLE Urbanization in .razil. An International Urbanization Survey Report to the Ford Foundation. INSTITUTION Ford Foundation, New York, N.Y. International Urbanization Survey. PUB DATE 72 NOTE 221p. EDRS PRICE MF-$0.65 HC-$9.87 DESCRIPTORS City Improvement; City Planning; Demography; *Developing Nations; Industrialization; Living Standards; National Programs; Population Distribution; Population Growth; *Urban Areas; Urban Immigration; *Urbanization; *Urban Population; Urban Renewal IDENTIFIERS *Brazil ABSTRACT . This report is a continuation of a review done in 1958 by the Ford Foundation in an attempt to identify and define a productive role in Latin America..Contained herein are as follows: The Introeuction includes: (1) Urbanization in Latin America, The Role of the Ford Foundation;(2) Urbanization in Brazil, the Involvement of the Ford Foundation;(3) The Need for a Frame of Reference in Approaching Urban Problems;(4) Whether 'Urban Problems' Constitute a Cognizable, Effective Category for Foundation Activity; (5) a Definition of Urbanization; (6) The Elements of an 'Urban Frame of Reference; and (7) The 'Frame of Reference' Origin of the Present Paper. The second section, Urbanization in Brazil, deals with: (1) The Absence of an Urban Tradition;(2) Physical Setting; (3) The Settlement and ',Urban'. History of Brazil..The third section, Brazilian Responses to Urbanization, includes: (1) 'Societal' Perception of Cities;(2) Governmental Responses to Urbanization; (3) Other Institutional Responses to Urbanization; and (4)'Urban Policy' in Brazil. Tables and charts are included throughout the text. [For related dk.cuments in this series, see UD 013 731 and 013 733-744 for surveys of specific countries.
    [Show full text]
  • Universidad Autónoma Metropolitana Secretaría De Unidad Coordinación De Servicios De Información
    Universidad Autónoma Metropolitana Secretaría de Unidad Coordinación de Servicios de Información Sección de Hemeroteca En la de Sección Hemeroteca contamos con un acervo hemerográfico de 820 títulos de revistas impresas especializadas, de las cuales 162 apoyan la Licenciatura en Arquitectura de la División de Ciencias y Artes para el Diseño. La UAM ha suscrito alrededor de 10,000 revistas en formato electrónico disponibles en texto completo que abarcan todas las áreas del conocimiento para apoyar las funciones académicas de la Comunidad Universitaria, y de las cuales 1,025 apoyan a División de Ciencias y Artes para el Diseño. Las revistas electrónicas las puede consultar en la siguiente dirección electrónica: http://www.bidi.uam.mx/ La Comunidad Universitaria puede consultar las revistas electrónicas a través del portal de la biblioteca digital ya sea dentro de la red UAM o de forma remota con su número económico o matrícula y el NIP de servicios bibliotecarios. Publicaciones Periódicas Impresas “Licenciatura en Arquitectura" TÍTULO DE LA REVISTA DIVISIÓN 1 A+U ARCHITECTURE AND URBANISM CAD 2 ABITARE CAD 3 ACER CAD 4 ACSA NEWS CAD 5 ADMINISTRACIÓN Y TECNOLOGÍA PARA EL DISEÑO CAD ADVERTISING JOURNAL & GRAPHIS ADVERTISING 6 ANNUAL CAD 7 AIA JOURNAL ARCHITECTURE CAD 8 AMIGA USER INTERNATIONAL CAD 9 ANNALES DE LA RECHERCHE URBANIE CAD 10 ANUARIO DE ESPACIOS URBANOS CAD 11 ANUARIO DE ESTUDIOS DE ARQUITECTURA CAD 12 ARCHITEC NORTHBOOK CAD 13 ARCHITECTURAL DESIGN CAD 14 ARCHITECTURAL DIGEST CAD 15 ARCHITECTURAL RECORD CAD 16 ARCHITECTURAL REVIEW CAD 17 ARCHITECTURE CAD 18 ARCHITECTURE D'AUJOURD HUI CAD 19 ARCHIVES DÁRCHITECTURE MODERNE CAD 20 ARCHIVIO DI STUDI URBANI E REGIONALI CAD 21 ARQ.
    [Show full text]
  • The Newgate Calendar Supplement 3 Edited by Donal Ó Danachair
    The Newgate Calendar Supplement 3 Edited By Donal Ó Danachair Published by the Ex-classics Project, year http://www.exclassics.com Public Domain The Newgate Calendar CONTENTS SIR HENRY MORGAN. Pirate who became Governor of Jamaica (1688) ................ 4 MAJOR STEDE BONNET. Wealthy Landowner turned Pirate, Hanged 10th December 1718 ............................................................................................................ 13 ANN HOLLAND Wife of a highwayman with whom she robbed many people. Executed 1705 .............................................................................................................. 15 DICK MORRIS. Cunning and audacious swindler, executed 1706 ........................... 16 WILLIAM NEVISON Highwayman who robbed his fellows. Executed at York, 4th May 1684 ..................................................................................................................... 19 CAPTAIN AVERY Pirate who died penniless, having been robbed of his booty by merchants ..................................................................................................................... 24 CAPTAIN MARTEL Pirate ........................................................................................ 31 CAPTAIN TEACH alias BLACK BEARD, the Most Famous Pirate of all. ............... 33 CAPTAIN EDWARD ENGLAND Pirate .................................................................. 39 CAPTAIN CHARLES VANE. Pirate ......................................................................... 49 CAPTAIN JOHN RACKAM.
    [Show full text]
  • THEBAILY Asks District Law Correction
    "V Weather Dittribution Marty sunny quit* warm t» THEBAILY Today day Ugh near N accept lower mug laere. Fair wana taalgbt 26,400 tow around 71. Mostly fair Red Bank Areaf continue*' very warm tomorrow high around M. Outlook Wednet- Copytight-The Red Bank Register, Inc. 1966. day, cooler, chance of early •hover followed by fair. MONMOUTH COUNTY'S HOME NEWSPAPER FOR 87 YEARS DIAL 741-0010 Iiiued dally. Hindu throurti PtMir. IMCM a*— Fwtei* VOL. 89, NO. 20 PiM at R«d Buk ud at Addttimd Jttllta* OOIOM. MONDAY, JULY 25, 1966 7c PEH> COPY PAGE ONE Beadleston Urges Legislature Session Asks District Law Correction By CHARLES A. JOHNSTON court did not strike it down in- the Supreme Court said time was says that it is unconstitutional, precedent-making guides to ad- TRENTON - Republican As- stead of letting it stand until too short before the Aug. 4 dead- illegal, unfair and unjust, why it just them. semblyman Alfred N. Beadleston 1968. line for candidates to file for has not struck it down." The law should provide, the of Monmouth County said last In its 7-0 judgment, the high this year's Nov. 8 election to In a unanimous vote, 'the full court said, that where districts night that the Legislature should court sent the case back to Su- force changes now. court of four Democrats and include more than one county meet promptly and correct the perior Court Judge John Wick "I am glad," said Mr. Beadle- three Republicans said the mea- they should not deviate from the 1966 Congressional District Law.
    [Show full text]
  • The Rise of Popular Modernist Architecture in Brazil'
    H-LatAm Carranza on Lara, 'The Rise of Popular Modernist Architecture in Brazil' Review published on Monday, February 6, 2012 Fernando Luiz Lara. The Rise of Popular Modernist Architecture in Brazil. Gainesville: University Press of Florida, 2008. xvi + 149 pp. $69.95 (cloth), ISBN 978-0-8130-3289-4. Reviewed by Luis Carranza (School of Architecture, Roger Williams University)Published on H- LatAm (February, 2012) Commissioned by Dennis R. Hidalgo Architecture in the Hands of the People Ever since Oscar Niemeyer and Lucio Costa built the Brazilian Pavilion for the 1939 New York World’s Fair, American architects have been fascinated by Brazilian modernism. While the historiography of modern architecture has, generally speaking, marginalized Latin American architectural production, it has acknowledged the formal innovations accomplished by Costa and Niemeyer in their attempt to adapt the modern architectural idiom--characteristic of the Bauhaus or architects like Le Corbusier and Mies van der Rohe--to the specifics of the Brazilian context. Key exhibitions and their publications (including the Museum of Modern Art’sBrazil Builds [1943] and, more recently, the Guggenheim Museum’sBrazil: Body and Soul, [2001]) have addressed the paradigmatic work of these two architects and the unique modern, international style of architecture that they produced. Despite this, little or no attention has been paid in the United States to the other Brazilian architects and their contributions. This, however, is changing. Recently more works that address the general lack of information on and interpretation of Latin American architecture are beginning to appear and thus are expanding the limited scholarship available on other Brazilian architects.
    [Show full text]
  • No Jump in Salary for Road Overseer
    ME TWENTY-ONE. NO. 49 OCEAN GROVE. NEW JERSEY. FRIDAY. DECEMBER 5. 1913 ONE DOLLAR THE YEAR ACTING GOVERNOR’S TERM NO JUMP IN SALARY DEATH OF TROMAS JACKSON INTERESTING DOCUMENT Printed Slip Tells' •! Asburj Park’s f '§■ FOR ROAD OVERSEER > First Posltlllee / / . While searching through tho/pa-wfe^’ FORMED HERE, WITH FRANK MOUNT TOWNSHIP COMMITTEE IS TOLD OLD FIRST DISCOURSE BY PASTOR BILLS pers. of. .a., former resident*of~Fre^tS?y?;' hold, now deceased, a friend of the;>%®i?3 AS PRESIDENT ORDINANCE RULES, LAST SUNDAY NIGDT Times ran ncross the appended dodu|.f:?'i^fjl ment, which at this date makes inter? esting reading. It was pasted on tnote?':(&k ' ‘ , Ocean Grove Distinguished os First Ahasuerus, a Great King, Hnmpered hack of a letter, and it is Understood - other slips of like, nature were. Benh'fejfr- . Place to Havo Subsidiary Organ­ In His Ambitions by the Limita­ cut In the same way from the A sbury/'-'II P ark" postofflce when, f ir s t: set-. ization—Address by Dr. Shields, tions of a Small Soul,, Illustrated pioneer days: . "You are. respectfully; Informed,'-'.jfiia/ , State Superintendent, Who Pre­ in His Command That the Helles­ that the Government has established '£ i/// dicts Nation-Wide Prohibition. 1 pont Be Castigated. a postofflce at Asbury Park, N. which adjoins Ocean Grove,/ and; is At St, P aul’s M. E. Church last located in the village on a publib/fi^l Sunday evening the paster, Rev. j. road. Therefore you can'mail dlrectf^f^ D. Bills, delivered In the presence of to Asbury'Park, instead of7 aending/^SVj a largo congregation the first of a through Ocean Grove p.
    [Show full text]
  • Global Baroque – Transcultural and Transhistorical Aspects: Some Prelimenary Reflections
    Global Baroque – transcultural and transhistorical aspects: some prelimenary reflections Jens Baumgarten Professor at Art History Department – Federal University of São Paulo – UNIFESP ABSTRACT In the last years the term of a global baroque bacame more prominent. This article presented as prelimenary reflections intends to contextualize this transhistorical and transcultural approach within the developments of the so-called global art history. It also tries to (de-)construct its historiographical fundaments in the 19th century as well as its possible theoretical implications for the 21st century. KEYWORDS Baroque, Theory, Historiography. Fig. 1: Façade of San Joaquin Church, 1869, Iloilo, Philippines. Photo: Jens Baumgarten. RHAA 24 - JUL/DEZ 2015 29 Fig. 2: Façade of Miagao Church, 1787, Iloilo, Philippines. Photo: Jens Baumgarten. The façade of the church San Joaquin on the Filipino island of Iloilo shows on its upper part a monumental relief [Fig. 1]. It joins several scenes of the victory of the Spanish victory over the “Moors” in the battle of Tétouan, which happened in 1860 in Morrocos. The representation surprizes by its stylistic and iconographical choices. The history painting of the 19th century was already established, but the choice of the local authorities followd in a record time – the execution happened already in 1865 – followed the Baroque models of a specific Filipino model. This model can for example be found in the Miagao Church only 40 kilometers of distance [Fig. 2]. This example not only proves the expression of Kosselleck: “Gleichzeitigkeit des Ungleichzeitigen” (Simultaneoutiy of the unsimultaneous), but show the possibilities of a transcultural and transhistorical baroque approach to understand these phenomens as well as these kind of artifacts, which were excluded from a traditional art history.
    [Show full text]
  • Warchavchik, Modern Architecture, Cannibal Manifesto, Brazilian Modernism
    THE ROOTS OF BRAZILIAN MODERN ARCHITECTURE Natalia Vikhreva Московский государственный академический художественный институт имени В. И. Сурикова при Российской академии художеств / Moscow State Academic Art Institute named after V.I. Surikov at the Russian Academy of Arts, Moscow, Russia Abstract In 1927, architect Gregory Warchavchik built the first modernist house in the Brazilian city of Sao Paulo. The synthesis of local and international, laid down in the works of Warchavchik at the turn of the 20's and 30's, developed into a national version of modernist architecture. The article analyzes the architect’s approach in combining worldwide modernist features and national elements, which appears to be in tune with the ideas of Oswald de Andrade laid out in his Cannibal Manifesto, laying a foundation for the development of brazilianness in architecture. Kewords: Warchavchik, modern architecture, Cannibal Manifesto, Brazilian modernism Brazilian Modernist architecture has a number of specific features making it an interesting case study of the distinctive nationalism in the context of the international movement. This unique set of characteristics was coming together in parallel with the active formation of a national identity in general. For Brazilian culture the second decade of the 20th century was a time when new foundations were being laid for both the state and society. In 1922, sporadic attempts to import and adapt European trends on Brazilian soil resulted in statement-events such as the Semana de Arte Moderna (Modern Art Week) in São Paulo. The main goal of this event was to provide visibility to the emerging modernist movement and raise the issue of Brazilian national identity in a global context.
    [Show full text]
  • The Colonial Architecture of Minas Gerais in Brazil*
    THE COLONIAL ARCHITECTURE OF MINAS GERAIS IN BRAZIL* By ROBERT C. SMITH, JR. F ALL the former European colonies in the New World it was Brazil that most faithfully and consistently reflected and preserved the architecture of the mother-country. In Brazil were never felt those strange indigenous influences which in Mexico and Peru produced buildings richer and more complicated in design than the very models of the peninsular Baroque.' Brazil never knew the exi gencies of a new and severe climate necessitating modifications of the old national archi tectural forms, as in the French and English colonies of North America, where also the early mingling of nationalities produced a greater variety of types of construction. And the proof of this lies in the constant imitation in Brazil of the successive styles of architecture in vogue at Lisbon and throughout Portugal during the colonial period.2 From the first establish- ments at Iguarassi3 and Sao Vicente4 down to the last constructions in Minas Gerais, the various buildings of the best preserved colonial sites in Brazil-at Sao Luiz do Maranhao,5 in the old Bahia,6 and the earliest Mineiro7 towns-are completely Portuguese. Whoever would study them must remember the Lusitanian monuments of the period, treating Brazil * The findings here published are the result in part of guesa), circa 1527. researches conducted in Brazil in 1937 under the auspices 2. The Brazilian colonial period extends from the year of the American Council of Learned Societies. of the discovery, 1500, until the establishment of the first i. In Brazil I know of only two religious monuments Brazilian empire in 1822.
    [Show full text]
  • Things to Do in Bermuda”, “Worth Going To…The Tour Guides Are Awesome!!!”
    A Celebration of Bermuda! A FREE guide to Bermuda by bike in 2012. Elbow Beach Cycles, Bermuda’s #1 scooter, pedal bike & electric bike rental Book online for a 10% Discount or call + 1.(441).296.2300 Page | 2 Book a scooter online and save 10% or call + 1.(441).296.2300 Elbow Beach Cycles: 60 South Shore Road At Elbow Beach Bermuda Resort & Spa, Paget, PG06 BERMUDA Beaches in Bermuda ................................................................................................................... 8 Why Are There Pink Sand Beaches In Bermuda? ................................................................................................................... 9 9 Beaches To Swim In Bermuda ............................................................................................................................................... 11 The Sea Glass Beaches of Bermuda ......................................................................................................................................... 14 Horseshoe Bay Bermuda............................................................................................................................................................. 16 John Smith’s Bay in Bermuda .................................................................................................................................................... 18 Elbow Beach in Bermuda! .......................................................................................................................................................... 19
    [Show full text]