Pitchfork: Polvo's Ash Bowie Talks "Reformation"
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Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes. -
Stop Smiling Magazine :: Interviews and Reviews: Film + Music
Stop Smiling Magazine :: Interviews and Reviews: Film + Music + Books ... http://www.stopsmilingonline.com/story_print.php?id=1097 Downtown Dedication: The Return of Polvo (Touch and Go) Monday, June 23, 2008 By Dan Pearson We could have flown out of Newark, landed in Charlotte, and just hit a barbecue spot in Reidsville, but this was after all the Polvo reunion and it deserved more. We needed to feel as if we were making the descent, notice the disparity in New England and Southern spring, endure interminable DC traffic and feel that we had earned our ribs and slaw. So, I packed the Malibu with I-Roy and U-Roy, stomached $4 gas and my friend Bose and I left from Connecticut in a rainstorm, both of us in fleece. Night one we spent at a Ramada in Fredericksburg, never made it to the battlefield or historic downtown, but instead drove down the divided highway to Allman’s BBQ. I’m wary of food blogs, but the culinary scribes were dead-on: best ribs I have ever had outside Texas, enviable pulled pork and slaw, notable sauce in the squirt bottle — all in an old corner diner with spinning stools. What a foundation, not only for the evening, which consisted of ice cold tap Yuengling and inebriated dancing to Def Leppard in the Ramada lounge, but for the show to come. Just a stateline south, yes, Polvo, the seminal math rock quartet, reunited at their Ground Zero, the Cat’s Cradle in Carrboro. In the morning, it was only better, the slow slalom down Route 40 country roads leaving trails of red clay and another barbecue platter at Short Sugar’s in Danville, Virginia. -
Pitchfork Tour 2016 Press Relea
FOR IMMEDIATE RELEASE July 21, 2016 Meeteetse Museums to Host Inaugural Pitchfork Ranch Tour July 30 Dr. Lenox Baker, owner of the Pitchfork Ranch near Meeteetse, will be leading the inaugural tour of the historic ranch on Saturday, July 30. The tour, organized by the Meeteetse Museums, leaves from the museum at 9 a.m. and begins on site at 10 a.m. The Meeteetse Museum is located at 1947 State Street. Participants should arrive at the museum no later than 8:30 a.m. to register. Those taking part are also asked to bring a picnic lunch and plenty of water. Guests may drive their own vehicles, but must travel with the organized group to the Pitchfork, which is private property. Carpooling is encouraged, but is not required. This tour will begin at the historic Red Barn and continue at the Bunk House. At the main ranch, tour participants will visit Pickett’s Cabin, the Stone House, and the Octagon House (which predated the Stone House). Current restoration and preservation efforts will also be discussed by Dr. Baker. In addition, there will be a visit to the former studio of photographer Charles Belden. Belden is well known for his images of the people and activities associated with the Pitchfork Ranch from 1914 until about 1940. The tour continues at the cemetery. Here, Dr. Baker will tell some very interesting stories associated with the site. If possible, the tour participants will also be allowed to visit the new black-footed ferret reintroduction site. The endangered ferrets are scheduled to be released on July 26 at the location of the 1981 discovery. -
Ellies 2018 Finalists Announced
Ellies 2018 Finalists Announced New York, The New Yorker top list of National Magazine Award nominees; CNN’s Don Lemon to host annual awards lunch on March 13 NEW YORK, NY (February 1, 2018)—The American Society of Magazine Editors today published the list of finalists for the 2018 National Magazine Awards for Print and Digital Media. For the fifth year, the finalists were first announced in a 90-minute Twittercast. ASME will celebrate the 53rd presentation of the Ellies when each of the 104 finalists is honored at the annual awards lunch. The 2018 winners will be announced during a lunchtime presentation on Tuesday, March 13, at Cipriani Wall Street in New York. The lunch will be hosted by Don Lemon, the anchor of “CNN Tonight With Don Lemon,” airing weeknights at 10. More than 500 magazine editors and publishers are expected to attend. The winners receive “Ellies,” the elephant-shaped statuettes that give the awards their name. The awards lunch will include the presentation of the Magazine Editors’ Hall of Fame Award to the founding editor of Metropolitan Home and Saveur, Dorothy Kalins. Danny Meyer, the chief executive officer of the Union Square Hospitality Group and founder of Shake Shack, will present the Hall of Fame Award to Kalins on behalf of ASME. The 2018 ASME Award for Fiction will also be presented to Michael Ray, the editor of Zoetrope: All-Story. The winners of the 2018 ASME Next Awards for Journalists Under 30 will be honored as well. This year 57 media organizations were nominated in 20 categories, including two new categories, Social Media and Digital Innovation. -
Vogue Living Debuts New Furniture Collections
VOGUE LIVING DEBUTS NEW FURNITURE COLLECTIONS Condé Nast and Dorya to debut two new collections at High Point Market NEW YORK – April 10, 2018 – The Vogue Living collection, consisting of 65 pieces divided into two separate collections, Mayfair and Wiltshire, will be shown at High Point Market on April 14-18, 2018. The Wiltshire Collection, through warm tones of cherry and chestnut with pale velvets and florals, evokes a bucolic sensibility with pieces ideally suited for the country home that values comfort as highly as aesthetics. The Mayfair Collection is designed for the modern elegance of a city home, featuring strong statement pieces that draw inspiration from classic designs reinvented for today. ”We are pleased to partner with Dorya on the premier Vogue Living brand. Each piece is handmade and conveys the quality and luxury that Vogue stands for,” said Cathy Glosser, SVP of Licensing, Condé Nast. “The Vogue Living collections tap into a vast array of unique designs, supreme finishes, and stunning details to deliver unmatched craftsmanship,” says F. Doruk Yorgancioglu, president and chief executive officer, Dorya. “We wanted to achieve timelessness while staying relevant for today’s consumer.” The line is currently available through the trade and at vogueliving.dorya.com. Pictures from the line are available here. About Condé Nast: Condé Nast is a premier media company renowned for producing the highest quality content for the world's most influential audiences. Attracting more than 120 million consumers across its industry-leading print, digital and video brands, the company’s portfolio includes some of the most iconic titles in media: Vogue, Vanity Fair, Glamour, Brides, GQ, GQ Style, The New Yorker, Condé Nast Traveler, Allure, Architectural Digest, Bon Appétit, Epicurious, Wired, W, Golf Digest, Golf World, Teen Vogue, Ars Technica, The Scene, them, Pitchfork and Backchannel. -
The Pitchfork Formula
The Pitchfork Formula Robert Fry 1 Introduction Anyone who is interested in modern indie rock knows that Pitchfork is unquestionably the top source for independent music discovery. “En- try level alts” flock to the website for music recommendations. Hipsters deny following it while, in reality, they religiously absorb every song that is approved on Pitchfork’s “Playlist” (their recommended songs list). Pitchfork’s “Best New Music” tag is a universal seal of popular approval; once an album appears on Pitchfork, it has already become mainstream by indie music standards. As an avid music fan, I was personally interested in determining whether there is any method to Pitchfork’s rating scheme, and whether there are certain factors that re- veal how well an album will be received. If there are, is there any way to use those indicators to predict the score that Pitchfork gives an album before the album is released and anticipate the levels of hype that the album receives? In order to test this, I created a multivariate regression that attempts to predict the Pitchfork score of an album using data on the Pitchfork website prior to the album’s release. But perhaps the most relevant question that I hope to answer through this project is: “What should I listen to next?” 2 Data Collection All of my data were collected from Pitchfork’s website. I compiled a list of the 150 albums most recently reviewed by Pitchfork, exclud- ing albums that I deemed were not applicable to my study (for ex- ample, reissues and albums released by bands with previous albums that were released before Pitchfork was created). -
The Pitchfork [1960]
,M .1 in: :»! I § !»! !«! iiii m« mi nn t edication "A key influence in our lives." A smile for everyone; a helping hand for those who need it; a friend of every person with whom she deals; an outstanding teacher; and a fine basket- ball coach. These attributes and numerous others could not adequately describe this wonderful person. As a teacher and senior sponsor at Pikeville High School for many years, no one is more deserving to have this, the PITCHFORK of 1960 dedicated to her than- -Miss VIRGINIA BARWICK. It Alma Pike Jay Hare Co-Editor Co- Editor Peggy Pope Business Manager Pitchfork f Peggy Pope, Cecil Scott, Alma Pike, Jay Hare, Mary Ruth Mozingo, Ginny Lancaster, Jane Gale Howell, Martin Lancaster, Carlton Sasser, Dorothy Howell, Lou Ella Howell, Linda E. Pate. Advisors- Miss Woodard and Mr. West. High School Mr. Robert C. Russell Principal Social Studies Faculty University of North Carolina Miss Virginia Mr. Irving Mrs. Priscilla Mr. Herman Mrs. Irmgard Barwick Fornecker Peed Croom Bloomer English Math Business Ed. Agriculture University of Girls' Basketball Librarian Atlantic Christian North Carolina Munich Coach Atlantic Christian College State College Home Economics Atlantic Christian College College v • # Miss Frances Mr. Alton Dale Mr. William Mr. T. C. West Mrs. Elizebeth Woodard Science Gamer Social Studies Smith English East Carolina Social Studies Atlantic Christian Public and pri- Atlantic Christian College Boys' Basketball College vate Music College Joach Atlantic Christian Guilford College College Vernon Anderson "Quiet until you know him! F.F.A. 1,2; Bus Driver 3,4. Henry Best "Anybody got a pencil?" F.F.A. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 1 Fall 2012 Woody Guthrie and Bob Dylan Hit Manhattan By Sean Wilentz, Princeton University Editors Note: This paper was delivered as the keynote address for the Woody Guthrie Centennial Conference held at Brooklyn College on 22 September, 2012. On February 16, 1940, a freezing blizzardy day, Woody Guthrie—short, intense, and aged twenty-seven—ended a long hitchhiking journey East and debarked in Manhattan, where he would quickly make a name for himself as a per- former and recording artist. Nearly twenty-one years later, on or about January 24, 1961, a cold and post-blizzardy day, Bob Dylan—short, intense, and aged nineteen—ended a briefer auto journey East and debarked in Manhattan, where he would quickly make a name for himself as a performer and recording artist—not as quickly as Guthrie had, but quickly. Dylan had turned himself into what he later described as “a Woody Guthrie jukebox,” and had come to New York in search of his idol. Guthrie had come to look up his friends the actors Will Geer and Herta Ware, who had introduced him to influential left-wing political and artistic circles out in Los Angeles and would do the same in Manhattan. Two different stories, obviously, of two very different young men a generation apart—yet, more than he might have realized, Dylan partly replayed his hero’s entrance to the city where both men would become legends. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
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Organization and Partners Primavera
THE FESTIVAL LINE UP PARC DEL FÒRUM ORGANIZATION AND PARTNERS TICKETS GRAPHIC CAMPAIGN PRESS QUOTES HISTORY CONTACT THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well-established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last twelve years, the festival has had the most diverse range of artists. Some of those who have been on stage are Arcade Fire, Queens of the Stone Age, The National, Nine Inch Nails, Kendrick Lamar, Pixies, Aphex Twin, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grinderman, Franz Ferdinand, Television, Devo, Enri- que Morente, The White Stripes, LCD Soundsystem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol y Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have pro- jected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same quality of organization of past years, without resorting to more commercial bands. -
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