The Pitchfork [1960]

Total Page:16

File Type:pdf, Size:1020Kb

The Pitchfork [1960] ,M .1 in: :»! I § !»! !«! iiii m« mi nn t edication "A key influence in our lives." A smile for everyone; a helping hand for those who need it; a friend of every person with whom she deals; an outstanding teacher; and a fine basket- ball coach. These attributes and numerous others could not adequately describe this wonderful person. As a teacher and senior sponsor at Pikeville High School for many years, no one is more deserving to have this, the PITCHFORK of 1960 dedicated to her than- -Miss VIRGINIA BARWICK. It Alma Pike Jay Hare Co-Editor Co- Editor Peggy Pope Business Manager Pitchfork f Peggy Pope, Cecil Scott, Alma Pike, Jay Hare, Mary Ruth Mozingo, Ginny Lancaster, Jane Gale Howell, Martin Lancaster, Carlton Sasser, Dorothy Howell, Lou Ella Howell, Linda E. Pate. Advisors- Miss Woodard and Mr. West. High School Mr. Robert C. Russell Principal Social Studies Faculty University of North Carolina Miss Virginia Mr. Irving Mrs. Priscilla Mr. Herman Mrs. Irmgard Barwick Fornecker Peed Croom Bloomer English Math Business Ed. Agriculture University of Girls' Basketball Librarian Atlantic Christian North Carolina Munich Coach Atlantic Christian College State College Home Economics Atlantic Christian College College v • # Miss Frances Mr. Alton Dale Mr. William Mr. T. C. West Mrs. Elizebeth Woodard Science Gamer Social Studies Smith English East Carolina Social Studies Atlantic Christian Public and pri- Atlantic Christian College Boys' Basketball College vate Music College Joach Atlantic Christian Guilford College College Vernon Anderson "Quiet until you know him! F.F.A. 1,2; Bus Driver 3,4. Henry Best "Anybody got a pencil?" F.F.A. 1; Baseball 1,2,3,4. Linda Collier "Which sparkle is brighter? The one on her finger or in her eyes." F.H.A. 1,2,3,4; Officer 2; Class Officer 2; French Club 3,4; Short- hand Club 4; Officer 4; 4-H Club 1,2,6; Officer 3; Superlative 4; Band 1. Peggy Davis " "Meet you at the break! F.H.A. 1,2,3,4; Shorthand Club 4. Connie Daw "Laughing eyes and pretty hair pronounce her a girl beyond com- pare." F.H.A. 1,2,3,4; Officer 1; Class officer 3; Shorthand Club 4; 4-H Club 1,2,3; Waitress at Father-Son Banquet 2,3; Halloween Queen 4; Superlative 4; Miss Popularity Queen; F.F.A. Sweetheart. Grover Dees "The good die young. I must take care of myself! " F.F.A. 1,2; Officer 2; Junior Play; Bus Driver 4. Faye Edwards "She's sincere, but she's humor- ous; she's nice, and she's neat!" F.F.A. 1,2,3,4; Basketball 3,4; French Club 3,4; Shorthand Club 4. Anne Elmore Clever, pretty, and lots of fun. Anne's tops with everyone! F.H.A. 1,2,3; 4-H 1,2; Officer 1, Head Cheerleader 1,2; Junior Play; Marshal 3; Class Officer 4; D.A.R Citizenship Award 4; Bus Driver 3,4; Delegate to Girls' State; Misi Pitchfork 4; Beta Club 4; Superla- tive 4; Waitress at Father-Son Banquet 3; Waitress at Jr. -Sr. Banquet 2. Bryant Futrell "Silence gives consent.' F.F.A. 1,2,3,4. Frances Virginia Gooding "The mildest manners, the gentlest heart." F.H.A. 1,2; Shorthand Club 4; French Club 3,4. Jay Hare "Who's his favorite Pett?" F.F.A. 1; Class officer 1,2,3,4; Baseball 1,2,3,4; Marshal 3; Beta Club 3,4; Officer 3,4; Junior play; Annual Stall 4; Superlative 4; Waitress at JR. -SR. Banquet 2; Waitress at Mother-Daughter Banquet. Annette Howell "With the bluest of eyes, and her hair of jet black, she'd look like a " doll even in a sack! 4-H Club 1; F.H.A. 1,2; Shorthand Club 4. 10 Dorothy Howell "A girl that's nice and sweet, With Muriel we know she can't be beat." F.H.A. 1,2,3,4; Officer 3; Short- hand Club 4; Officer 4; 4-H Club 1,2,3; Junior Play Usher; Annual Staff 4; Beta Club 4. Earlene Howell "Her clothes are like Queen Anne's Lace, beside Jack Worrell is her place." F.H.A. 1,2,3,4; Class Officer 2; French Club 3,4; Junior Play Usher; Cheerleader 1,2; Superla- tive 4. Jannette Howell "Her personality wins them all, In the winter, summer, spring, and fall." 4-H 1: F.H.A. 1,2; Shorthand Club 4. Rose Jinnette "A quiet charm, a pleasant way, with always a friendly word to say." F.H.A. 1,2; Basketball 1,2; Short- hand Club 4; Junior Play Usher. Robert Jones "Don't let his silence fool you; he " has his share of fun! F.F.A. 1,3,4; Basketball 2,3. 11 Ann Lancaster "Has anybody seen my books?" F.H.A. 1,2,3,4; French Club 1,2; 4-H 1,2,4; Officer 2,4; Basketball 3,4; Cheerleader 1,2. Harriette Lancaster "If you don't think a boy is dyna- mite, try dropping him." F.H.A. 1,2,3,4; Officer 2; Class Officer 2; French Club 3,4; 4-H Club 1,2,3,4; Officer 1,2,3,4; Basketball 1,2,3,4; Junior Play; Bus Driver 4. Wiley Lancaster "Don't let your studies interfere with your education." F.F.A. 1,2,3,4; 4-H Club 1,2,3; Waiter at Mother -Daughter Ban- quet 3. Mary Ruth Mozingo "Intelligence and grace both join to make a perfect woman." F.H.A. 1,2,3,4; Shorthand Club 4; 4-H Club 1,2,3; Annual Staff 4; Beta Club 4. Bonnie Musgrave "Her basketball motions prove her quickness to move; she can out-run Mr. Russell and still keep in the groove." F.H.A. 1,2,3,4; Officer 1,2; Basket- ball 1,2,3,4; French Club 3,4; Library Club 4; Officer 4. Hazel McCandless "She's slim as a model, her eyes are of blue, she is a friend that's patient and always true." F.H.A. 1,2; Shorthand Club. 12 Henry Newcomb "Mr. Russell's private announcer." F.F.A. 1; French Club 3,4; Library Club 4. Linda Pate "Every sweet has its sour, every evil has its good." F.H.A. 1,2; Officer 2; Class Offi- cer 1; French Club 3,4; 4-H Club 1,2,3,4; Officer 1,2,3; Waitress at Junior-Senior Banquet 2; Basket- ball 1,2,3,4; Co-captain 3,4; Athletic Award 3; Junior Play; Beta Club 4. Tommy Pate "Blue eyes, blonde hair, the answer to a maiden's prayer." F.F.A. 1,2,3,4; Officer 3,4; School Bus Driver 3,4; Class Officer 4; Baseball 1,2; Superlative 4; Waiter at Mother- Daughter Banquet 1,2,3; Junior Play; Waiter at Junior-Senior Banquet 3. Alma Pike "Wherever she's needed, she'll be there, ever ready to do her share." F.H.A. 1,2,3,4; Officer 2; Chief Marshal 3; U. S. History Medal 3; Beta Club 3,4; French Club 3,4; Annual Staff 3,4; Class Officer 4; Senior Superlative. Peggy Pope "Refreshing as a Salem." F.H.A. 1,2,3; 4-H 1,2; Cheerleader 1; Waitress at Father-Son Banquet 2; Senior Superlative 4; Annual Staff 2,3,4; Candidate for Miss Merry Christmas 3; Shorthand Club 4. Carlton Sasser "An athlete that's a star alright, with a hopped up ford that can zoom out of sight." F.F.A. 1,2,3.4; Bus Driver 3,4; Baseball 1; Waiter at Mother- Daughter Banquet 1,2; Annual Staff 4; Basketball 1,2,3,4; Super- lative 4. 13 Betty Jean Satterfield "You never plan the future by the past." F.H.A. 1,2,3; 4-H 1,2,3,4; Cheer- leader 1,2; Junior Play; French Club 3,4; Shorthand Club 4; Senior Superlative. Cecil Scott "Never think; you might disturb your mind." F.F.A. 1,2; French Club 3,4; Base- ball 1,2; Annual Staff 4. Jettye Leigh Scott "With a tune on her lips and a song in her heart, and always a smile that lightens the dark." F.H.A. 1,2; Officer 1; Basketball 1,2,3,4; Beta Club 3,4; Jr. Play Usher 3; Marshal 3; Shorthand Club 4; French Club 3 ,4; Waitress at Jr. Sr. Banquet 2; Superlative 4. Shelton Scott "I love work; it fascinates me; I could sit and watch it for hours." F.F.A. 1; Class Officer 1,2,4; French Club 3,4; Junior Play; Superlative 4; Mr. Pitchfork 4. Durwood Smith "He's a sports minded fellow, with a real quick mind." F.F.A. 1,3,4; Basketball 1,2,3,4; Baseball 1,2,3; 4-H 1,2; Junior Play; Waiter at Mother-Daughter Banquet 1; 4-H Club Officer 2. Glenn Smith "A nice boy to be around." F.F.A. 1,2,3,4; 4-H Club 1; Bas- ketball 1,2. 14 ' Janet Smith "We gazed and gazed and still the wonder grew, at the many things she could do." F.H.A. 1,2,3,4; Officer 3,4; County Officer 2; Basketball 1,4; French Club 3,4; Shorthand Club 4; Class Officer 3; Beta Club 3,4. June Smith "Wonder if June's last name will always be Smith." F.H.A.
Recommended publications
  • Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
    Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes.
    [Show full text]
  • Pitchfork Tour 2016 Press Relea
    FOR IMMEDIATE RELEASE July 21, 2016 Meeteetse Museums to Host Inaugural Pitchfork Ranch Tour July 30 Dr. Lenox Baker, owner of the Pitchfork Ranch near Meeteetse, will be leading the inaugural tour of the historic ranch on Saturday, July 30. The tour, organized by the Meeteetse Museums, leaves from the museum at 9 a.m. and begins on site at 10 a.m. The Meeteetse Museum is located at 1947 State Street. Participants should arrive at the museum no later than 8:30 a.m. to register. Those taking part are also asked to bring a picnic lunch and plenty of water. Guests may drive their own vehicles, but must travel with the organized group to the Pitchfork, which is private property. Carpooling is encouraged, but is not required. This tour will begin at the historic Red Barn and continue at the Bunk House. At the main ranch, tour participants will visit Pickett’s Cabin, the Stone House, and the Octagon House (which predated the Stone House). Current restoration and preservation efforts will also be discussed by Dr. Baker. In addition, there will be a visit to the former studio of photographer Charles Belden. Belden is well known for his images of the people and activities associated with the Pitchfork Ranch from 1914 until about 1940. The tour continues at the cemetery. Here, Dr. Baker will tell some very interesting stories associated with the site. If possible, the tour participants will also be allowed to visit the new black-footed ferret reintroduction site. The endangered ferrets are scheduled to be released on July 26 at the location of the 1981 discovery.
    [Show full text]
  • Ellies 2018 Finalists Announced
    Ellies 2018 Finalists Announced New York, The New Yorker top list of National Magazine Award nominees; CNN’s Don Lemon to host annual awards lunch on March 13 NEW YORK, NY (February 1, 2018)—The American Society of Magazine Editors today published the list of finalists for the 2018 National Magazine Awards for Print and Digital Media. For the fifth year, the finalists were first announced in a 90-minute Twittercast. ASME will celebrate the 53rd presentation of the Ellies when each of the 104 finalists is honored at the annual awards lunch. The 2018 winners will be announced during a lunchtime presentation on Tuesday, March 13, at Cipriani Wall Street in New York. The lunch will be hosted by Don Lemon, the anchor of “CNN Tonight With Don Lemon,” airing weeknights at 10. More than 500 magazine editors and publishers are expected to attend. The winners receive “Ellies,” the elephant-shaped statuettes that give the awards their name. The awards lunch will include the presentation of the Magazine Editors’ Hall of Fame Award to the founding editor of Metropolitan Home and Saveur, Dorothy Kalins. Danny Meyer, the chief executive officer of the Union Square Hospitality Group and founder of Shake Shack, will present the Hall of Fame Award to Kalins on behalf of ASME. The 2018 ASME Award for Fiction will also be presented to Michael Ray, the editor of Zoetrope: All-Story. The winners of the 2018 ASME Next Awards for Journalists Under 30 will be honored as well. This year 57 media organizations were nominated in 20 categories, including two new categories, Social Media and Digital Innovation.
    [Show full text]
  • Vogue Living Debuts New Furniture Collections ​
    VOGUE LIVING DEBUTS NEW FURNITURE COLLECTIONS ​ Condé Nast and Dorya to debut two new collections at High Point Market NEW YORK – April 10, 2018 – The Vogue Living collection, consisting of 65 pieces divided into two separate collections, Mayfair and Wiltshire, will be shown at High Point Market on April 14-18, 2018. The Wiltshire Collection, through warm tones of cherry and chestnut with pale velvets and florals, evokes a bucolic sensibility with pieces ideally suited for the country home that values comfort as highly as aesthetics. The Mayfair Collection is designed for the modern elegance of a city home, featuring strong statement pieces that draw inspiration from classic designs reinvented for today. ”We are pleased to partner with Dorya on the premier Vogue Living brand. Each piece is handmade and conveys the quality and luxury that Vogue stands for,” said Cathy Glosser, SVP of Licensing, Condé Nast. “The Vogue Living collections tap into a vast array of unique designs, supreme finishes, and stunning details to deliver unmatched craftsmanship,” says F. Doruk Yorgancioglu, president and chief executive officer, Dorya. “We wanted to achieve timelessness while staying relevant for today’s consumer.” The line is currently available through the trade and at vogueliving.dorya.com. Pictures from the ​ ​ line are available here. ​ ​ About Condé Nast: Condé Nast is a premier media company renowned for producing the highest quality content for the world's most influential audiences. Attracting more than 120 million consumers across its industry-leading print, digital and video brands, the company’s portfolio includes some of the most iconic titles in media: Vogue, Vanity Fair, Glamour, Brides, GQ, GQ Style, The New Yorker, Condé Nast Traveler, Allure, Architectural Digest, Bon Appétit, Epicurious, Wired, W, Golf Digest, Golf World, Teen Vogue, Ars Technica, The Scene, them, Pitchfork and Backchannel.
    [Show full text]
  • The Pitchfork Formula
    The Pitchfork Formula Robert Fry 1 Introduction Anyone who is interested in modern indie rock knows that Pitchfork is unquestionably the top source for independent music discovery. “En- try level alts” flock to the website for music recommendations. Hipsters deny following it while, in reality, they religiously absorb every song that is approved on Pitchfork’s “Playlist” (their recommended songs list). Pitchfork’s “Best New Music” tag is a universal seal of popular approval; once an album appears on Pitchfork, it has already become mainstream by indie music standards. As an avid music fan, I was personally interested in determining whether there is any method to Pitchfork’s rating scheme, and whether there are certain factors that re- veal how well an album will be received. If there are, is there any way to use those indicators to predict the score that Pitchfork gives an album before the album is released and anticipate the levels of hype that the album receives? In order to test this, I created a multivariate regression that attempts to predict the Pitchfork score of an album using data on the Pitchfork website prior to the album’s release. But perhaps the most relevant question that I hope to answer through this project is: “What should I listen to next?” 2 Data Collection All of my data were collected from Pitchfork’s website. I compiled a list of the 150 albums most recently reviewed by Pitchfork, exclud- ing albums that I deemed were not applicable to my study (for ex- ample, reissues and albums released by bands with previous albums that were released before Pitchfork was created).
    [Show full text]
  • Hipster Black Metal?
    Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists.
    [Show full text]
  • Oregon's Industrial Forests and Herbicide Use: a Case Study
    Oregon’s Industrial Forests and Herbicide Use: A Case Study of Risk to People, Drinking Water and Salmon Authors: Laurie Bernstein, US Forest Service Fish Biologist and GIS Specialist, retired Lisa Arkin, Executive Director, Beyond Toxics Roberta Lindberg, M.S., J.D. December 2013 a BEYOND TOXICS report AUTHORS: Laurie Bernstein, US Forest Service Fish Biologist and GIS Specialist, retired; Lisa Arkin, Executive Director, Beyond Toxics; Roberta Lindberg, M.S., J.D. GIS MAPPING INTERN: Emily Nyholm WATER QUALITY TESTING: Roberta Lindberg, M.S., J.D. LAYOUT: John Jordan-Cascade, Communications Manager, Beyond Toxics SPECIAL THANKS TO: Gary Hale and Jan Wroncy for assistance with documents and consultation. Eron King and Justin Workman for assistance with water quality testing equipment. Residents of Blachly, Triangle Lake and Deadwood for leadership and persistence to find the truth. Oregon Health Authority, the US Environmental Protection Agency and the US Center Disease Control for undertaking the Highway 36 Health Investigation Study which led to public access to forestry pesticide spray records. Acknowledgements to our Researchers and Volunteers: Jonathan Bennett, Lynn Bowers, David Eisler, Patrick Greiner, Gary Hale, Sarah Huele, Eron King, Jack Meacham, Neal Miller, Nancy Miller, Joanne Skirving, Paige Spence, Jennifer Stiemer, Justin Workman, Jan Wroncy. Funding Provided by: McKenzie River Gathering, Resist, Inc., Patagonia Environmental Grants, Evergreen Fund of the Oregon Community Foundation, John and Betty Soreng Environmental Fund of the Oregon Community Foundation, The Hundreth Monkey, and individual donors. Cover photos Top: Triangle Lake in the Siuslaw Watershed. Photograph by Gary Hale. Bottom: Helicopter spraying herbicides on an Oregon clearcut. Photograph by Francis Eatherington.
    [Show full text]
  • Pitchfork Media's Textual and Cultural Impact
    CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines.
    [Show full text]
  • CONDEXEDUALLIANCE Test.Pdf
    Condé Nast is partnering September 2022 - June Mission: with Edgies Teen Center 2023). Students will have to launch an enrichment the opportunity to meet and mentorship program and learn from the profes- for 12 students interested sionals at brands like Teen in learning about careers Vogue, them, Pitchfork and within the media indus- GQ to ignite their passion try. The program will take and jumpstart their career place over two academic or studies in photography, calendar years (Septem- video, social media, design, ber 2021 - June 2022; and more. About Educational Alliance About Condé Nast (CN): (EA): Condé Nast A first-of-its-kind The Manny Cantor Center One World Trade Center, 197 East Broadway, New York, NY innovative partnership New York, NY Condé Nast is a global media between Educational Educational Alliance is a leading company, home to iconic brands Alliance and Condé Nast: social institution that has been including Vogue, The New York- serving communities in New er, GQ, Glamour, AD, Vanity Fair York City’s Lower Manhat- and Wired, among many others. Conde Nast is partnering with tan since 1889. It provides The company’s award-winning Educational Alliance to introduce multi-generational programs content reaches 72 million and services in education, health consumers in print, 442 million exciting learning opportunities and wellness, arts and culture, in digital and 452 million across and apprenticeships to a high and civic engagement across 15 social platforms, and generates sites and a network of five com- more than 1 billion video views school audience. munity centers: the 14th Street each month.
    [Show full text]
  • Yo La Tengo Fade
    YO LA TENGO OUT NOW FADE Fade is classic Yo La Tengo: honest, unpretentious and, above all, catchy. Los Angeles Times The band revels in its pop modesty, Among the most consistently as beautifully as ever. rewarding bands of our time Rolling Stone NPR They play small, careful, gentle and arranged music, and then they play big, noisy, gestural and improvised mu- sic, flicking between one and the other as if those two dis- positions were connected Impeccably crafted. As always, back at the riverhead. Clear, Yo La Tengo showcases many detailed and extraordinary. musical sides and finds a way New York Times to own them all. Pitchfork RETAIL: Yo La Tengo’s highest scan + chart position of their career. Debuts at #26 (Top 200) with 15,000 scanned. #1 Vinyl, #4 Independent Albums + #5 Alternative Albums. #1 @ CIMS, Amoeba (LA/SF), Other Music (NYC), Newbury Comics (Boston), + Easy Street (Seattle). Free, all ages West Coast In-store Tour street week (Fingerprints/Long Beach, Amoeba/LA +SF, Easy St/Seattle); Upstairs At The Square album release event at Barnes & Noble (NYC). PRESS: The New Yorker, SPIN, New York Times, NPR, Pitchfork, Paste, Entertainment Weekly, + many more. 8.3 Metacritic MEDIA: Late Night With Jimmy Fallon; Pitchfork Advance (the first ever!); “Before We Run” Youtube Album An- nouncement (150k streams); “I’ll Be Around” video directed by Phil Morrison (Junebug); NPR Tiny Desk session RADIO: #1 CMJ Radio 200, CMJ Triple A, + DUSTED charts. #1 KEXP (Seattle), #1 KCMP (Minneapolis), #4 KCRW (Los Angeles). Key radio sessions include WXPN World Cafe, WNYC Sound Check, + KEXP SOCIAL MEDIA: Twitter: 70,000 followers / Facebook: 40,000 likes.
    [Show full text]
  • I Built My Sample of Music Albums by Taking All the Albums Listed for a US
    1 I Heard It Through the Grapevine: The Effects of Online Word of Mouth on Music Sales By Elaine Chang An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Vasant Dhar Faculty Advisor Thesis Advisor 2 Abstract: Word of mouth (WOM) has always been one of the most credible and influential sources of information for a consumer. With the advent of the Internet, new mediums of communication, such as blogs and social networking sites, have opened up, allowing more consumers to gather WOM information more easily than ever before. In this study, I examine the usefulness of online WOM, particularly from blogs and social networking sites, in predicting sales in the music industry. I track the changes in online WOM for a sample of 108 albums for four weeks before and after their release dates, and use a linear regression and regression tree to examine the relative significance of online WOM variables on their observation date in predicting album unit sales two weeks after that date. I find that the volume of blog posts about an album is the most consistently significant measure, with each additional blog post corresponding to higher album sales. In addition, I found that greater increases in an artist’s Myspace friends week over week and higher average consumer ratings also corresponded to higher sales. Although evidence supports my hypothesis that online word of mouth can be an important predictor of sales, my study also found that traditional factors are still relevant – albums released by major labels and albums with a number of reviews from mainstream sources like Rolling Stone also tended to have higher sales.
    [Show full text]
  • Dear Members of the Joint Committee on Carbon Reduction, I Am
    Dear Members of the Joint Committee on Carbon Reduction, I am writing to voice strong support for HB 2020, also known as the Clean Energy Jobs bill. My name is Becky Brun and I live in Hood River, where I am the owner of my own communications firm and a former city council member. I serve as the co-chair of the Hood River County Energy Council, which is an 11-member all-volunteer committee tasked with helping our local governing bodies implement our the Hood River County Energy Plan. The Hood River County Energy Plan is a blueprint to help our community reduce emissions from the burning of fossil fuels and increase economic benefits related to energy use in Hood River County, while improving community resilience and energy independence. Our community, like many others in Oregon, considers climate change as a serious threat to our economy. With mounting evidence showing that governments must act with greater urgency to address global warming, the state must step up to mitigate our greenhouse gas emissions. If it doesn't climate change will exact enormous costs to our people, environment and economy. As an Oregon resident and business owner, I want to stress the economic opportunity presented by HB 2020. The Cap-and-Invest program created by HB 2020 will send the right market signals to drive investment and job growth across the state. A recent economic analysis commissioned by the Governor’s office found that passage of the bill would lead to around 50,000 new jobs in Oregon, a 2.5% growth in Oregon’s real GDP, and an increase in Oregonians’ household income across all tax brackets, with the most going to low-income households.
    [Show full text]