DOCSLIB.ORG

T. Teshome Complete Dissertation June 2019 - Google Docs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
T. Teshome Complete Dissertation June 2019 - Google Docs UNIVERSITY OF CALIFORNIA SAN DIEGO UNIVERSITY OF CALIFORNIA IRVINE From Pursuing Innocence to Ensuing Innocence: How Performance Can Empower Youth to Access and Establish Shared Governance in Juvenile Justice A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Drama and Theatre by Tezeru Teshome Committee in charge: University of California San Diego Professor Nadine George-Graves, Chair Professor Julie Burelle Professor Sara C. Kaplan Professor K. Wayne Yang University of California Irvine Professor Frank B. Wilderson III 2019 © Tezeru Teshome, 2019 All rights reserved. The Dissertation of Tezeru Teshome is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ Chair University of California San Diego University of California Irvine 2019 !iii DEDICATION I dedicate this to my mother who always asks if I remember. !iv EPIGRAPH The intensity with which young people live demands that they ‘blank out’ as often as possible. Dr. Maya Angelou, I Know Why the Caged Bird Sings !v TABLE OF CONTENTS Signature Page……………………………………………………….……………………….…..iii Dedication…………………………………………………………………………………..……iv Epigraph………………………………………………………………………………………..….v Table of Contents…………………………………………………………………………………vi List of Tables………………………………………………………………………..…………..viii Acknowledgements………………………………………………………………………..……..ix Curriculum Vita…………………………………………………………………………..………xi Abstract of the Dissertation………………………………………………………………..……xiv Chapter 1: Introduction……………………………………………………………………………1 1.1 Theoretical Overview ………………………………………………………………3 1.2 Slavery and Social Death…………………………………………..…….4 1.3 Afro-Pessimism.……………………………………………………………….6 1.4 Racialization of Child Innocence…………………………………………….12 1.5 Impossibility of Black Subjectivity and Emplotment…………………..18 1.6 Overview of Chapters…………………………………………………..24 Chapter 2: The Aesthetic Terrorism of Black Girlhood…………………………..………..…….31 2.1 Black Girlhood Cosmology……………………………………………………….32 2.2 Dialectics of Beauty……………………………………………………………….35 2.3 Ontological and Structural Positionality…………………………………………..42 2.4 The Black Family and Home in Natal Alienation……………………..…………..46 2.5 Pauline…………………………………………………………………………….57 2.6 Cholly………………………………………………………………………….….61 Chapter 3: White Deflection for Black Deviation……………………………………………….70 3.1 White Parasitism……………………………………………………………..……74 3.2 Redeeming Mr. Dunne and the Dishonoring of Drey………………………….….79 3.3 Hope for Racial Unity…………………………………………………………..…87 Chapter 4: Empowering Youth to Seek Structural Access and Not Redemption………………..93 4.1 Saidiya Hartman - Public vs Private………………………………………………96 4.2 Kara Keeling - Unattainable Ontology……………………………………………99 4.3 Racialization and Redemption in the Juvenile Justice System ………………….103 4.4 Geoff Ward - Black Child Savers………………………………………………..109 4.5 Intervention - San Diego Youth Commission……………………………………111 !vi 4.5.1.Constituency Identification………………………………………….115 4.5.2. Constituency Development…………………………………………120 4.5.3. Constituency Advocacy…………………………………………….123 Chapter 5: Conclusion…………………………………………………………………………..128 Bibliography……………………………………………………………………………………140 !vii LIST OF TABLES Table 1: Brief Overview of Stereotypes/Caricatures of Black Girlhood/Youth !viii ACKNOWLEDGEMENTS Thank you to the entire faculty and staff of the Drama and Theatre Joint Doctoral Program at UC San Diego and UC Irvine for giving me an opportunity to pursue intellectual and creative interest while fully funded! In the last five years, I have taken seminar and independent courses with world-renowned professors and would like to thank them for broadening and deepening my understanding of performance and scholarship: Drs. Nadine George-Graves, John Rouse, Emily Roxworthy, Janet Smarr, Julie Burelle, Sara C. Kaplan, K. Wayne Yang, Stephen Barker, Jared Sexton, Frank B. Wilderson III, and Anthony Kubiak. I am deeply grateful for my dissertation committee’s professional and intellectual support. In particular, Dr. Nadine George-Graves (Chair) for introducing me to Black Performance Studies, for her copious edits on my dissertation, and her steadfast commitment to excellence and self-confidence as a prerequisite for any endeavor. I hope I can pass down the guidance, encouragement, and straight-up advice she gave me to future mentees and students. Thank you Dr. Frank B. Wilderson III for bringing me closer to The Hold. Thank you Dr. Sara C. Kaplan for guiding me through the many untold stories of slavery, reproductivity, and medicine. Thank you Dr. K. Wayne Yang, for believing in me and my work enough to co- publish. Some of the material we published is included in Chapter Two, The Aesthetic Terrorism of Black Girlhood and Chapter Five, Conclusion. Thank you Dr. Julie Burelle, for always having my back and being a great example of junior faculty. A special thanks to Marianne McDonald, Todd Salovey, and Steve Chappel, and Alexis Dixon for their mentorship, encouragement, and generosity. Thank you to Marybeth Ward for your resourcefulness and personal insight in helping me navigate UCSD throughout the years. Thank you to the professors outside of UCSD who have also contributed to my doctoral career. Thank you to Dr. Judy Bauerlein for giving me an opportunity at California State !ix University San Marcos. Thank you to Kathy A. Perkins who encouraged me to apply to Performance Studies doctoral programs and who continues to be a catalyst for so many young scholar-practitioners. Thank you Dr. Sandra L. Richards for her copious edits on an essay I published with Routledge. A special thank you to the San Diego Juvenile Justice. In particular, Kim who also helped me edit this dissertation and Yvette, Sarah, and Lynn for leveraging my ideas. I am forever grateful for the friendships I maintained and made during my doctoral journey. I am grateful for my cohort Jon Reimer and academic peer Sam Mitchell for being great friends and for so many carpools to UCI and San Marcos. To my UCI friends - Selamawit Terrefe, Jasmine Montgomery, and Mehra Gharib - I appreciate you all for the intellectual support and camaraderie. Thank you Mlondolozi Zondi and Tyrone S. Palmer for inviting me to share my work at Northwestern University. Thank you Travell, for always making me laugh and for being an opening in the sky, flowing sunlight - as you once told me. Thank you Michael for your mentorship, friendship, laughs, inspiration, and dance. Thank you Richie for introducing me to Hare Krishna, sharing a love for Stevie Wonder, and being a spiritual guide. Thank you Mark for all the fun trips, kicking up dust, and helping me when you could. Thank you Richard Win for reminding me to always hope and have faith. Thank you Charles for seeing more within me. Thank you Dave for always showing up and being consistent. Thank you Bianca for our artistic partnership and growing friendship. Thank you Seble, for being my soul-sista. Thank you Stephen for being my cheerleader and so much more. Thank you to Kuumba Lynx - Jacinda, Jaqunda, Lady Sol, and Julio - for the love, music, opening my eyes.Thank you to all my shorties and students. Thank you to my family, whose love is like no other. Chapters 2 and 5, in part, have been submitted for publication of the material as it may appear in Small Axe Journal, 2019, Teshome, Tezeru; Yang K., Wayne. Tezeru Teshome was the primary investigator and author of this paper. !x VITA EDUCATION 2012 Bachelor of Science, University of Illinois Urbana-Champaign 2019 Doctor of Philosophy, University of California San Diego FIELDS OF STUDY Major Field: Drama (Film, Prose, Plays) Critical Theory, Critical Youth Studies, Black Feminist Theory, Black Studies, Juvenile Justice, Civic Engagement PUBLICATIONS Teshome, Tezeru and Yang K., Wayne. “Not Child but Meager: Sexualization and Negation of Black Childhood.” Small Axe 01 November 2018. 22 (3 (57)): 160–170. Teshome, Tezeru. "Black Plight in Flight.” The Routledge Companion to African American Theatre and Performance ed. A. Perkins, Kathy; L. Richards, Sandra; Craft Renée, Alexander; and Thomas, F. DeFrantz. Abingdon: Routledge, 06 Dec 2018: (291-194). TEACHING 2012-2013 City Year Chicago, Illinois 2015-2019 Teaching Assistant, University of California San Diego 2018 Lecturer, California State University, San Marcos 2013 2018 Associate Lecturer University of California San Diego !xi YOUTH ADVOCACY 2013-2014 Youth Board Operations Consultant for Illinois Collaboration on Youth and Illinois Juvenile Justice Commission 2016 - PRESENT San Diego Juvenile Justice Commissioner DEVISED FILM & THEATRE 2015 Hold My Hand (Theatre) 2015 Mama Knows Best (Film) 2016 Native Son (Theatre) 2016 black suffering/white pleasure (Theatre) 2017 black suffering/white pleasure (Film) 2018 Hide: A Redress of Lonely (Theatre) 2018 Still Rude (Film) PRESENTATIONS 2017 Program of African Studies Conference Northwestern University 2017 South African Theatre Conference in Brussels, Belgium Université Libre de Bruxelles 2017 American Theatre for Higher Education Conference Las Vegas, NV 2018 Landfall: On the Cultural Representation of Slow Violence UC Irvine 2018 In Motion: Performance and Unsettling Border Northwestern University !xii 2018 American Theatre
Load more

Recommended publications
  • 10.9 De Jesus Precarious Girlhood Dissertation Draft
    ! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"&#2'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&(
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • 12 Anni Schiavo – Scheda Verifiche
    12 ANNI SCHIAVO – SCHEDA VERIFICHE 12 YEARS A SLAVE (Scheda a cura di Simonetta Della Croce) CREDITI Regia: Steve McQueen. Soggetto: dall’autobiografia 12 anni schiavo di Solomon Northup. Sceneggiatura: John Ridley. Fotografia: Sean Bobbitt. Musiche: Hans Zimmer. Montaggio: Joe Walker. Scenografia: Adam Stockhausen. Arredamento: Alice Baker. Costumi: Patricia Norris. Interpreti: Chiwetel Ejiofor (Solomon Northup/Platt), Michael Fassbender (Edwin Epps), Benedict Cumberbatch (William Ford), Paul Dano (Tibeats), Garret Dillahunt (Armsby), Paul Giamatti (Freeman), Scoot McNairy (Brown), Lupita Nyong'O (Patsey), Adepero Oduye (Eliza), Sarah Paulson (Sig.ra Epps), Brad Pitt (Bass), Alfre Woodard (Harriet Shaw), Chris Chalk (Clemens Ray), Taran Killam (Hamilton), Bill Camp (Radburn), Dwight Henry (Zio Abram), Bryan Batt (Giudice Turner), Quvenzhané Wallis (Margaret Northup), Cameron Zeigler (Alonzo Northup), Tony Bentley (Sig. Moon), Christopher Berry (James Burch), Mister Mackey Jr. (Randall). Origine: USA. Anno di edizione: 2014. Durata: 133’. Sinossi Nel 1841, Solomon Northup – un nero nato libero nel nord dello stato di New York – viene rapito e portato in una piantagione di cotone in Louisiana, dove è obbligato a lavorare in schiavitù per dodici anni, sperimentando sulla propria pelle la feroce crudeltà del perfido padrone Edwin Epps. Allo stesso tempo, però, gesti di inaspettata gentilezza gli permetteranno di trovare la forza di sopravvivere e di non perdere la propria dignità fino all'incontro con Bass, un abolizionista canadese, che lo aiuterà a tornare un uomo libero. 1 Unità 1 - (Minutaggio da 00:00 a 06:08) 1. Come inizia il film? 2. Com'è la struttura narrativa del film? 3. La sessualità è spesso evidenziata in “12 anni schiavo”.
    [Show full text]
  • Re-Imagining Queer Cinema Finding the Accent in Queer Filmmaking
    Re-Imagining Queer Cinema Finding the Accent in Queer Filmmaking MA Programme in Film Studies Supervisor: Maryn C. Wilkinson Second reader: Marie-Aude Baronian MA thesis by: Yunus Emre Duyar Amsterdam, 26th June 2015 Word Count: 17,825 2 3 Table of Contents INTRODUCTION ...................................................................................................................................... 7 1. Queer Films and Beyond............................................................................................................. 14 1.1 Queer Culture and Film ............................................................................................................ 15 1.2 Gender Performativity and Film ............................................................................................. 17 1.3 Queer and the Rural .................................................................................................................. 20 2. Queer Filmmaking as Accented Cinema ................................................................................... 24 2.1. Accented Style ........................................................................................................................... 25 2.2. Mode of Production .................................................................................................................. 31 2.3. Chronotopes of Homeland and Life in Exile .......................................................................... 35 2.4. Journeying, Border Crossing and Identity Crossing............................................................
    [Show full text]
  • Amerikai Filmek Fek-Ha
    Kölcsönözhető DVD-k a Berzsenyi Dániel Könyvtárban Játékfilmek Amerikai filmek Fek-Ha Fék nélkül (2012) DVD 3624 Rend.: David Koepp Szereplők: Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez. Időtartam: 87 perc Őrült tempó a száguldó autók között. Küzdelem a dühöngő taxisokkal, a kiszámíthatatlan gyalogosokkal, a váratlan akadályokkal. Wilee, New York legjobb és legvagányabb biciklis futárja számára mindez a hétköznapok része. Két keréken él, állandóan a túlélésért küzd, tudja, hogy a gyorsaságnak ára van. Ám egy küldemény miatt egészen új veszélyeket is kénytelen vállalni: gyilkosok, maffiózók és egy veszett zsaru ered a nyomába. Ő azonban nem szokott befékezni: amíg a bicajon ül, nem fél a fegyverektől sem. Pedig talán jobban tenné, ha végre megijedne kicsit. Fekete Dália (2006) DVD 539 Rend.: Brian De Palma Szereplők: Josh Hartnett, Scarlett Johansson, Aaron Eckhart. Időtartam: 121 perc 1947-ben két ökölvívóból lett rendőr, Lee Blanchard és Bucky Bleichert kap megbízást az ambiciózus, "B" kategóriás színésznő, Betty Ann Short "The Black Dahlia" meggyilkolásának kivizsgálására. A támadás olyan hátborzongató volt, hogy a bűncselekményről készült képeket visszatartották a nyilvánosság elől. Mialatt Blanchard figyelmét egyre jobban leköti a szenzációs gyilkosság addig társa, Bleichert vonzódni kezd a titokzatos Madeleine Linscott iránt, aki a város egyik kiemelkedő családjának a lánya, és meglehetősen kellemetlen kapcsolat fűzte az áldozathoz. Fekete hattyú (2010) DVD 3320 Rend.: Darren Aronofsky Szereplők: Natalie Portman, Vincent Cassel, Mila Kunis. Időtartam: 103 perc A visszahúzódó, anyja árnyékában élő balerina Nina elnyeri a Hattyúk tava előadás címszerepét. A művészeti vezető tökéletesnek titulája a lányt a szerepre, azonban kétségei vannak a lány képességeit illetően a fekete hattyú megformálásban. Mindkét szerep más egyéniséget igényel, azonban mindkét szerepet ugyanazon táncosnak kell előadnia.
    [Show full text]
  • Reminder List of Productions Eligible for the 88Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Four Star Films, Box Office Hits, Indies and Imports, Movies A
    Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m.
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • Newsletter 09/13 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 09/13 DIGITAL EDITION Nr. 332 - August 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/13 (Nr. 332) August 2013 editorial Neues Video auf unserem Youtube-Kanal! http://www.youtube.com/user/laserhotline WOCHENENDKRIEGER DIE FILMMUSIK Wir haben Uwe Schenk, den Komponisten der Musik zu dem Film „Wochenendkrieger“, in seinem Studio besucht. Anhand von Beispielen demonstriert er seine Arbeitsweise und erzählt über den sinfonischen Score zu Andreas Geigers Dokumentarfilm. Viel Spaß bei Anschauen wünscht Ihr LASER HOTLINE Team! LASER HOTLINE Seite 2 Newsletter 09/13 (Nr. 332) August 2013 Batfleck and Wonder-Where-She-Is-Woman Vereinzelte Sonnenstrahlen scheinen durch die Wol- Joker gecastet wurde. Dass er sich in Batman verlie- kendecke durch und kitzeln mir das Gesicht. Schlaf- ben würde, wurde gehöhnt, und dass er die Persön- trunken greife ich nach meinem iPhone, reibe mir die lichkeit und schauspielerischen Fähigkeiten eines Augen und rufe mein Twitter auf. Das Internet ist in Blattes Salat habe. Und nun ist Ledgers Joker eine Rage, nur ein Thema beherrscht meine Timeline: Ben Legende und wird verehrt. Nicht nur, weil es seine Affleck ist offiziell der neue Batman! Missmut, Auf- letzte Performance war und er alles dafür gegeben ruhr, Revolution! Alle sind sich einig, dass Affleck der hat. Ben Affleck ist heutzutage ein weit besserer totale Fehlgriff für den Dunklen Ritter ist. Ich lege das Schauspieler als er es zu Zeiten von Jack Ryan und iPhone beiseite und stöhne.
    [Show full text]
  • Transatlantica, 1 | 2018 “Queen of the Fields”: Slavery’S Graphic Violence and the Black Female Body I
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery Electronic version URL: http://journals.openedition.org/transatlantica/12453 DOI: 10.4000/transatlantica.12453 ISSN: 1765-2766 Publisher AFEA Electronic reference Hélène Charlery, ““Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013)”, Transatlantica [Online], 1 | 2018, Online since 12 September 2019, connection on 29 April 2021. URL: http://journals.openedition.org/transatlantica/12453 ; DOI: https://doi.org/10.4000/transatlantica.12453 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body i... 1 “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery 1 One among at least ten prominent movies by and about black Americans released the same year, 12 Years a Slave confirmed that 2013 was “a breakout year for black films” (Cieply).1 Noting movies such as 12 Years a Slave, Fruitvale Station (Ryan Coogler), Mandela: Long Walk to Freedom (Justin Chadwick), The Butler (Lee Daniels) and 42 (Brian Helgeland), both mainstream media outlets and black-oriented news community websites endorsed the idea that 2013 marked a “black film renaissance” (BBC) or a “renaissance of black cinema” (The Grio) (Penrice; Brook).
    [Show full text]
  • Les Nouveautés Cinéma (Pdf)
    Autriche CINÉMA EUROPÉEN Une Seconde femme (2011) CIN F Réalisé par Umut DAG Avec Begüm Akkaya, Vedat Erincin, Nihal Koldas DAG Allemagne Fatma vit à Vienne avec son mari, Mustafa, et leurs six enfants. Depuis toutes ces années, elle essaie de préserver les traditions et le prestige social CIN Bagdad café (2009) de leur famille d'immigrés turcs. Réalisé par Percy ADLON F Ayse, une jeune fille de 19 ans, Avec Marianne Sägebrecht, CCH Pounder, Jack ADL est choisie dans un village en Palance Turquie pour épouser leur fils et Après une scène de ménage, se joindre à la famille. La réalité Jasmin atterrit au Bagdad Café, est toute autre : en secret, parce que Fatma l'a motel minable entre Disney décidé, Ayse est promise au père, en tant que Land et Las Vegas. La patronne, seconde épouse. Dès lors, une relation de confiance Brenda, noire tapageuse et et de complicité va se développer entre les deux insatisfaite, règne sur tout un femmes. petit monde de routiers et de personnages énigmatiques. Peu à peu, Jasmin se fait apprécier de tous et remet même le café à flot grâce à Magic une boîte de magie avec laquelle elle monte des tours assistée de Brenda. Entre les deux femmes va naître une solide amitié. Plongez-vous dans ce film culte à Belgique la musique envoûtante et à l'atmosphère unique et inoubliable. Elle ne pleure pas, CIN F elle chante (2011) Pour lui (2011) CIN PIE Réalisé par Philippe de PIERPONT Réalisé par Andreas DRESEN F DRE Avec Erika Sainte, Marijke Pinoy Avec Steffi Kühnert, Milan Peschel, Talisa Lilli Lemke Son père dans le coma, Laura Frank, la quarantaine, en bonne ose enfin régler ses comptes santé, apprend une terrible avec celui qui a massacré son nouvelle qui va profondément enfance.
    [Show full text]